Beats Vinyl New Releases - News

Christoph El Truento's debut album, what we used to know, is born of change and confusion, and sounds utterly incredible for it. The deeply talented 24-year-old New Zealander started writing back in 2011 at the time his son was born. Tired fatherhood,
personal upheaval and artistic indecision would actually help show Christoph a clear path towards completing the record - a
transcendant sweep of synths, samples, organic instrumentation and window ledge field recording that gently reveals new layers
of sonic texture and emotion to the listener. The elegant stillness of intro ra, dedicated specifically to Christoph's child, is a mesmerising sign of things to come. Tracks such as autumn, with its pensive interplay between trumpet, acoustic guitar and tree breeze, and the title number, sprinkling atmospheric percussion and FX over warm synthscape, are beautifully serene. But there are powerful, if subtle shifts in mood and tone.mo0onbirds delivers quirk 'n' rumble via smart rewind riffs and punchy sub-bass, dreams of colour plumbs new jagged, electro- pulsing depths and, at a decidedly faster clip, the euphoric raindance revels in its gradually intensifying percussion and cascading synths. Christoph El Truento is seriously up-and-coming, his unique,forward-thinking vibes sitting comfortably within a country where so much original electronic music is currently being produced and starting to impact around the world. He issued his first release, EP01, in 2011, a clued-up mix of nu-soul, future funk and leftfield beats, and followed with the equally well-received Sunflower in
2012. Christoph has explored other musical ideas in local underground groups @Peace and Some Other Planets (also featuring Gooch), as well as producing for rated Kiwi artists and collectives including Homebrew Crew and Mara TK, but is now calmly focused on building his extremely promising solo stock.

Sneaker Social Club welcomes back Marcell Puch aka Dogpatrol, Germany's finest exporter of 'Tuff Bruk'.

DJ Support
Gigsta, Strict Face, Candy Pollard, Black Cadmium, Double O, Second Storey, Photonz, J-Shadow, L Major, Foul Play, Pugilist, Holloway, Nightwave, Main Phase, Stones Taro, Martyn Bootyspoon, Roger 23, Ténèbre, Kikelomo, EICH, Breaka, Appleblim, Etch, Tailor Jae, Jossy Mitsu, Nikki Nair, Dr.Banana, Ciel, Nick Craddock, Sarah Farina , Riz La Teef, Darwin, Asquith, Dolenz, Enzo Siragusa, Mani Festo, 8Ball +more

Following on from his brilliant Point of View album, INSTINCT shows another beautiful side to his alias. The new LP 'Happening' offers some stunning ambient works. Over the course of the 13 tracks there are a variety of moods and melody's which really encapsulates the imagination upon listening.

Cinematic sounds mixed with electronica brings some of his best work yet. Many field and forest recordings used background noise really brings the music to life here complementing the lush musical elements.

'Happening' will be his third LP in just one year, showing an artist completely dedicated to his craft.

Matière Mémoire presents the MMXX Series: In anticipation of the year 2020, Matière Mémoire asked 20 experimental/electronic artists to create an original 20 minutes piece and an artwork. Throughout the year batches of 5 new vinyls will be released.

Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the MMXX logo, coming with a print of the artist artwork.

Participate in this series: Franck Vigroux, John Duncan, Phill Niblock, Jim O’Rourke, Reinier Van Houdt, Stephen O’Malley, CM Von Hausswolff, Hampus Lindwall, Oren Ambarchi, Shiva Feshareki, Bérangère Maximin, Kassel Jaeger, Daniel Menche, Charlemagne Palestine, Giueseppe Ielasi, Carlos Casas, Susanna Santos Silva, Joachim Nordwall, Karbé Dinel, Mauro Lanza

Leoparden dive into the summer with the warm, lovely space anthem "hoyt oppe" and the dancing synth-disco groove "Lopebass" on the B side.

Tape
GUILT TRIPPING is the first physical release of New York-based improvisation duo LOPEZ LOPEZ, consisting of Cecilia Lopez on synthesizer and Brandon Lopez on double bass. The recordings took place somewhere in/between the chaotic lockdowns of 2020 in New York City. „Guilt Tripping“ is as angry and confrontational as it is an intimate dialogue between two well-versed artists.

Cecilia Lopez is a composer, musician and multimedia artist from Buenos Aires, Argentina, currently based in New York. She works across the media of performance, sound, installation and the creation of electronic sound devices and systems. Her work has been performed and exhibited at Museo de Arte Moderno de Buenos Aires (AR), Center for Contemporary Arts (Vilnius, Lithuania), Roulette Intermedium, ISSUE Project Room, Ostrava Days Festival 2011 (Ostrava, Czech Republic), MATA Festival 2012, Experimental Intermedia, Fridman Gallery (NY), Kunstnernes Hus (Oslo, Norway) and the XIV Cuenca Biennial, among others. She was a Civitella Ranieri fellow in 2015 and has participated in various international residency programs. In 2019, Lopez curated the intermedia festival Folly Systems coproduced by Roulette Intermedium and Outpost Artists Resources that featured 11 international artists. Collaborators include Carmen Baliero, Aki Onda, Brandon Lopez, Carrie Schneider and Lars Laumann among others.

Brandon Lopez is a New York-based composer and bassist working at the fringes of jazz, free improvisation, noise, and new music. His music has been praised as “brutal” (Chicago Reader) and “relentless” (The New York Times). From the New York Philharmonic’s David Geffen Hall to the DIY basements of Brooklyn, Lopez has worked beside many luminaries of jazz, classical, poetry, and experimental music, including Fred Moten, John Zorn, Okkyung Lee, Ingrid Laubrock, Tony Malaby, Tyshawn Sorey, Bill Nace, Chris Potter, Edwin Torres, Tom Rainey, Cecilia Lopez, Sun Ra Arkestra, Susan Alcorn, Mette Rasmussen, and many others. His most recent highlight performances include opening the 2018–2019 season of the New York Philharmonic as a featured soloist in Ashley Fure’s Filament and a number of works with John Zorn, including the Zorn’s 35th anniversary of Cobra. Lopez has been a 2018 Roulette Van Lier Fellow, 2018 Artist-in-Residence at Issue Project Room, and is currently a 2020 Roulette Resident Artist.

Cinematic Vintage Synth and live drums project by Lance Ferguson (The Bamboos, Menagerie, Rare Groove Spectrum, Lanu). Turquoise coloured double LP incl. download card, limited to 300 copies worldwide.Imagine drummer Bernard Purdie playing with Ryuichi Sakamoto, or perhaps Clyde Stubblefield joining Cocteau Twins. An immersive album that recalls Boards Of Canada, Four Tet, Air, and Tycho.

Marcus Schmickler's music is designed for multi-channel sound projections and references German electronic music tradition, spectral music, experimentalism as well as 1990s club music. His artistic practice explores avant-garde trajectories in electronic music composition, formal systems, sonification and psychoacoustics. EMEGO 296 features two new major works from this audacious sound explorer.

Sky Dice / Mapping the Studio premiered at Donaueschinger Tage fur Neue Musik 10.20.2018 having being commissioned by SWR and realized at the Experimentalstudio (EXP) in Freiburg. This is a work for ARP 2500, Publison DHM89B, Publison Infernal Machine and Computer. Taking cues from Bruce Nauman's Mapping the Studio I (Fat Chance John Cage) (2001) the piece draws a fragmented acoustic map of the SWR facility itself; the studio serves as a source-model for the sonic display of historical signal flow graphs. Various acoustic and psychoacoustic effects come into play including the Larsen effect, as well as Style Transfer and Topological Sonification. The result is a daring and dizzying display of disorientating audio. Sound moves in most unusual ways, rising and falling simultaneously, appearing and disappearing like apparitions, nothing here behaves in expected ways. To paraphrase Albert Einstein's now famous quote regarding quantum mechanics, this is spooky audio at a distance.

Fortuna Ribbon is a selection of sonic material that emerged from a research based on how DPOAEs (Distortion Product Otoacoustic Emission) can be designed in the context of musical frameworks, augmenting the compositional pallets in regard to spatial hearing. In this manifestation, the materials are presented without context. The resulting emissions from the ear that are excited in varying ways from the 6 examples on display here. Playback in undisturbed acoustic environments is recommended at >82 dB/A.

Schmickler's ongoing investigation of sound matter conjures impossible audio that delight's in the extremity of form and resulting effects on the listener. Schmickler's audio invocations explore the capabilities of contemporary technology resulting in dizzying new worlds of sound.

Thanks to the Experimentalstudio crew, Detlef Heusinger, Björn Gottstein, Julian Rohrhuber and Peter Rehberg.

Matière Mémoire presents the MMXX Series: In anticipation of the year 2020, Matière Mémoire asked 20 experimental/electronic artists to create an original 20 minutes piece and an artwork. Throughout the year batches of 5 new vinyls will be released.

Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the MMXX logo, coming with a print of the artist artwork.

Participate in this series: Franck Vigroux, John Duncan, Phill Niblock, Jim O’Rourke, Reinier Van Houdt, Stephen O’Malley, CM Von Hausswolff, Hampus Lindwall, Oren Ambarchi, Shiva Feshareki, Bérangère Maximin, Kassel Jaeger, Daniel Menche, Charlemagne Palestine, Giueseppe Ielasi, Carlos Casas, Susanna Santos Silva, Joachim Nordwall, Karbé Dinel, Mauro Lanza

Twenty years ago, somewhere in Scotland, an album that was the missing link between The Black Dog, Chain Reaction and Irdial was released by an enigmatic Glasgow producer called Pub, on his equally mysterious label Ampoule.

The album ‘Do You Ever Regret Pantomime?’ (2000) has become the stuff of local folklore, a key work in the UK’s rich history of IDM and ambient, and one of the most celebrated albums of the early noughties. Bizarrely, it even infiltrated the Billboard Top 100.

‘Do You Ever Regret Pantomime?’ is also very much a key statement from a producer who has chosen to stay in their own space, where everyone is welcome. Records like these are about losing yourself in the sound and creating your own universe to explore.

Over the record's 70 minutes or so you’re instantly wrapped in a deep matrix of spacious chords, abstract textures and gently shifting rhythms.

The 2020 reissue has been re-mastered and cut at Berlin’s Dubplates & Mastering, pressed as a 2x12” and features new artwork and a bonus track.

This release also heralds the return of Ampoule, the Glasgow label which released music from the likes of Lucky & Easy, Omens Jot and Moped Endo among others. Forthcoming releases will be a mixture of new music and re-issues from the archives.

Pomassl's Seismik Krew gathers and expands more than 3 decades sonic search and processing. This double album follows the rhythmical side of Pomassl's work, inhering elements of the Skeleton series (est. 1996), heavy syncopated leftfiled, and always psychoactive chains of industrial techno. Consistanty keeping the world of sound brim filled in a masterly manner the narration consists of solo tracks, remixes and collaborations with the late Randy Barracuda, as well as DJ Sotofett and Alessandro Cortini.

Matière Mémoire presents the MMXX Series: In anticipation of the year 2020, Matière Mémoire asked 20 experimental/electronic artists to create an original 20 minutes piece and an artwork. Throughout the year batches of 5 new vinyls will be released.

Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the MMXX logo, coming with a print of the artist artwork.

Participate in this series: Franck Vigroux, John Duncan, Phill Niblock, Jim O’Rourke, Reinier Van Houdt, Stephen O’Malley, CM Von Hausswolff, Hampus Lindwall, Oren Ambarchi, Shiva Feshareki, Bérangère Maximin, Kassel Jaeger, Daniel Menche, Charlemagne Palestine, Giueseppe Ielasi, Carlos Casas, Susanna Santos Silva, Joachim Nordwall, Karbé Dinel, Mauro Lanza

(180gr) Melbourne-based Vohkinne joins Kynant with the 'Wind Shadows' EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare.

Melbourne-based Vohkinne joins Kynant with the 'Wind Shadows' EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare. The first, 'Watching Over Us', is a thick and heavy, hypnotising 4x4 track, 'The Heretic' more dynamic and unpredictable.

Mastered by Neel (EnissLab Studio, Rome). Pressed on 180g, 12' vinyl at Optimal Media, Germany. Packaged in a house sleeve. All artwork designed by Christopher Honeywell

One third of the drone trio France and part of the La Novia collective, Yann Gourdon's practice focuses on acoustic phenomena and dynamic relationships with the environment. Having learned to play traditional music from Auvergne by listening to field recordings, Gourdon re-orientates tradition via minimalism, honing in on a place or location's unique vibratory fields, volumes and surfaces.

A bouquet of rigid electronic and electro-acoustic mouvements by Uli Rehberg, also known for his label "Walter Ulbricht Schallfolien", his former record store "Unterm Durchschnitt" & (probably) his work with "Werkbund". Printed as red vinyl in an edition of 300 numbered copies

Take a Deep, Dark & Dangerous interstellar voyage far into the Cosmos with ENiGMA Dubz, the newest signing to Truth’s burgeoning label.

With this EP, ENiGMA DUbz transports the listener to the far flung reaches of the universe with his otherworldly sound design and top notch production. Beginning our travels at “Area 51”, you can hear the alien experiments, top secret technological research and conspiricys being hatched. From there, we’re taken deep “Into The Ground” where everything becomes very etherial, beautiful synthwork, vocal layering and crispy breakbeats.

Guava returns to Control Freak for his second full length EP ‘The Dolphins are Back in Venice’ - a collection of 4 playful dancefloor bangers, precision engineered for the club.

Since his Control Freak debut with the ‘Lift’ EP in 2019, Guava has been hard at work in the studio. Following a move to Berlin (and a series of releases on the likes of Banoffee Pies and Holding Hands) he’s back on the label with a new and refined style, retaining the melodic flourishes of his earlier releases whilst turning his focus squarely towards the dancefloor - a perfect fit for our white label series. As an accomplished session musician, Guava continues to explore the synthesis between digital and analog production and songwriting techniques, innovatively self-sampling his own guitar playing across the record to add a human touch to his airtight productions.

On new 4-tracker ‘The Dolphins are Back in Venice’, which includes collaborations with rising UK artists Breaka & LUXE, Guava draws influence from a broad range of dance music styles in true CF fashion - combining rising, trance-influenced melodies with the syncopated rhythms and bassweight of the UK scene. Strictly limited vinyl release, hand stamped in London at CFHQ - first come first served!

‘A ceremony that invokes ancient spirits like the Dom & Roland productions, the early raw sound of RZA and the bleakness of the Birmingham techno scene in the 90's.

A cinematic trip of film noir aesthetics mixed with an eastern european sci fi sensibility.

Touch Of Evil meets Zulawski's On The Silver Globe.

Pessimist runs the voodoo down for the first time on Berceuse heroique and we are proud to release some of his most honest work.’

TRW “33”

Tommie Robin Wiese (1988 – 2020) was a composer and a producer from Rotterdam, Netherlands. He was a great guy, a nice man, a perfect friend.

From an early age, Tommie was engaged with spirituality, art and music. Throughout his life, he sought to deepen his knowledge and awareness. His music is a manifestation of his daily research of the musical, spiritual and human plane.

He was able to find beauty and meaning in any kind of music genre. Collaborating with different people on different projects, he touched upon various styles and genres such as rock/pop – playing a bass guitar in a rock band – as well as he was an avid listener of hip hop, house, techno, experimental electronic and ambient music.

In his own music, he found it difficult to choose one style to express himself through. Constantly thirsty for more and in search of perfection, he was looking for a way to consolidate his knowledge of life, music and spirituality into his music pieces.

Tommie had a passion for modular synthesizers which he loved to collect and experiment with and was continuously busy studying a topic or improving his skills on new instruments and gear. He’d be creating music all night till early morning which didn’t always make it easy for him to finish a track to his own satisfaction.
However, with his most recent productions, he started to get more in touch with himself and with what he wanted to express. He found that the depth and healing properties of music, especially hypnotic electronic music, deeply resonated with his soul.

As a person, Tommie was an excellent listener and could discuss any topic you could think of with an open mind, an ability that reflected on his approach to music too. One of his biggest artistic inspirations was the visual artist Alex Grey. What Grey did with painting, Tommie was trying to do in his life and music, showing us there is more than one layer in everything.

Sadly, Tommie left us very early and very unexpectedly in March 2020…

Thanks to his family and close friends, Mai Lei Bel is able to deliver Tommie’s posthumous EP titled “33” releasing under the moniker TRW (Tommie Robin Wiese).
A six tracks collection of melancholic IDM & electronica in combination with atmospheric techno & experimental.

'Verzamelen II' is the second volume in a retrospective series in which we look back at the work of Wouter van Veldhoven (Netherlands). Throughout the past decade, the Dutch composer built an impressive catalogue of music in which tape loop and modular synthesis experiments hold a central place. Both collaborations and solo-work saw the light through some distinctive labels such as Slaapwel, The Tapeworm, Umor Rex and Digitalis among others.

With this series we want to dive into some work which slightly went under the radar. The pieces are collected from several releases and are re-mastered for the occasion. Some of them were never physically released before.

Peter Broderick and Hainbach kindly joined this trip by offering two new reworks which close this second volume.

Songs taken from ‘A head stuck in tapes’, ‘Een paar schetjes en optredens 2005-2006’ & other found unreleased tracks.

The first release in what will be an ongoing three-part series, Part I features nine tracks for bass guitar and tenor saxophone. Part II, an exploration of a slightly larger, more sonically diverse musical world will feature string quartet and voice. Finally, Part III will collaborate with choreographer Siobhan McKenna, who alongside Nick will develop a percussive movement work that seamlessly intertwines with the musical work.

“My aim is to create music that is sonically and musically atypical whilst still belonging to an accessible contemporary scene. Each project, album or ‘part’ will set out to explore a single ensemble or group of instruments. In the case of Part I, that ensemble is hollow body bass guitar and tenor saxophone. “ - Indigo (Nick Roder)

The Indigo project itself was inspired by Saxophone & Bass Guitar by Sam Gendel and Sam Wilkes, which prompted Nick to write an album of music for the same type of ensemble. Having only just purchased a bass guitar for a different project, the instrument was still very new to him.

“I was curious to see what I would write with my self-imposed rule of not being able to overdub material, and further, how my limitations as a relatively green bass guitarist would influence the writing of the material. A strong focus on harmonic movement and melodic material was where I eventually found my happy place.”

The result is a phenomenal debut. Burrowing into the space between it’s sparse instrumentation and dulcet tones, Part I is the realisation of a minimalist and concise vision of what a symbiotic relationship between two instruments can yield.

About Indigo
Indigo is the moniker and ongoing project of Melbourne-based composer and arranger, Nick Roder. The Indigo project was conceptualised in 2020 and focuses on deep sonic exploration of little-heard ensembles in a contemporary space.

Since 2018, Nick has been composing soundtracks for video games including The Invisible Hand, Roadwarden, N1NE: Splintered Mind, This Dead Winter and Miska. Nick has also played in art-rock ensemble, Tulalah, exploring sonic textures, combining contemporary jazz/rock with chamber sounds. The modular ensemble released The Flood (Equinox Recordings, 2015) and The Question (Independent, 2017).

Coco Bryce has carved out a big legacy in a short time, with his epic jungle workouts, varied styles and multiple releases over the last few years smashing every style out of the park. A combination of Coco and Kniteforce was a no brainer, and this EP is guaranteed to bend what brains you have left into shape…or out of shape. Who can say?

GREEN VINYL

The long-awaited 3rd and final part of Data 3’s ’Matter’ series is here. ‘Atomic’ contains four incredible tracks from the dynamic trio based in Manchester and it comes after the global success of their remix of arguably the biggest drum and bass tune of all time ‘Up All Night’ by John B on Metalheadz earlier this year.

“In a recent interview David Toop described the studio to be “a concept of the mind, a place where you can create other worlds”. The very same perceptual methodology appears be at the heart of the studio processes of Deep Nalström whose latest EP offers a sonic cornucopia overflowing with food for the mind perfect for the journey into outer space via your own inner space.

Opener ‘Low Gravity Ride’ sets you away atop a propulsive fizz of acid bubbles, lustrous synth wash and a lithe percussive groove. Listeners are pleasantly bumped at the mid-point by ‘Astral Variations’- a mid-tempo vacuum jacker reinforced with a fractalised p-funk bassline. A personal highlight is ‘Rainbow Gardens’ - akin to sitting in the exotic grounds of an alien temple in the midst of an afro-cosmic drum circle whilst being laced with extravagant strokes of emotive synth cream.

The tempo increases towards the end of the EP, a rush to oblivion that ends with ‘Underworld Jaunt’ – glorious arcs of arpeggio riding freely above a determined techno canter that gradually peels away as you reach your mind’s eye.

In turbulent times, it’s comforting to commune with the esoteric fantasies of Deep Nalström; richly detailed and beautifully described sonic renderings of a world conceived in his mind and reimagined in yours.”

Here is a portal to a vast and relatively unknown world, the Japanese cyber-occult underground media scene of the early 1990s; our guide is the late Henry Kawahara, a media artist and electronic music producer whose expansive and visionary conception of digital technology merged with a desire to break free of the constraints of mere rationality.

This collection, the first-ever archival release of his work, is drawn from recordings released during the period 1991-1996, an exceptionally fertile time for Kawahara. Originally released on CD by a few Japanese independent labels including Hachiman Publishing, a cyber-occult / new-age / old shinto book specialist, the releases were available mainly in book stores, so this sumptuous and prescient music has remained relatively unknown. The original titles and tag lines of the CDs give clues about Kawahara’s interests and the music itself: Digital Mushroom, Subtropical Illusion, Never-ending Asia, and so on. This 15-track gateway compilation is available on double 12” vinyl and CD; the CD version has two extra discs featuring sound from two art installations entitled Dysteleology - α and Dysteleolog - β from the 1990s. All formats feature extensive English liner notes. Cover art by 2yang, with liner notes by Keisuke Oki and Koki Emura, with an interview of Sūgen Takeda (Hachiman Publishings)

"Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quaint in comparison. Kawahara's omnidirectional sound “illusions” were constructed not as albums but psychological experiences, billowing with a then-nascent notion of early 90s cybernetic spirituality that was proliferating on both sides of the Pacific as the hyperlinked state of global connectivity we know today was just beginning to crystalize. Through digital representations of folk instruments, shifting MIDI sequencing and custom binaural recording technology he aimed for psychoacoustic effect as much as artistic, all via a countercultural form of distribution untethered from the commercial expectations of post-bubble modes of artistic production. This EM collection draws out the best of his fruitful early-mid 90s period into a revelatory sequence, generously opening Kawahara's world to all." — Spencer Doran (Visible Cloaks)








h 08. java dance #2. “RELAXED”

Legendary artist Isotonik steps back to the front with this HUGE ep of classic rave sounds. Hitting the slower, piano led and summery vibe had always been his strong point, and it remains so with these three future classics, each containing more soul and style than the majority of rave releases from then or now.

NRGs return to the scene has been phenomenal, and this EP only serves to underscore why his mighty talent for incredible music deserves the legendary status it inevitably gets. Inside is 4 thunderous rave tracks, with the lead tune, Inside, destined to be a classic. Meanwhile NRG takes things forward with “Ive Been Waiting” and lets the beats speak for themselves in Dancefloor Rockin, leaving only “Yeah” to make you agree you just listened to both the future and the past…


Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

It was already a reference among the diggers’ community, and one day, our friend from
Chouf made us listen to the record before Dizonord. We found Uli, one of the musicians, who still
had a fair number of copies of this 1990 LP, a tricky year for vinyl. This record is a mix between
jazz, funk and ambient but with a very special pop touch to it.

Pangaea returns to his Hessle Audio label for the first time since his debut LP 'In Drum Play', with two club tracks exploring different textures and designed for impact.

After closing the first part of Fundamental Records' experiment called Music for The Other People Place, the second part begins. Music for The Other People Place. Experiment 2. A special and highly limited electro / electronics project (tributed to James Stinson), produced by different artists that will remain anonymous, if they choose to...

clear green vinyl

Influential was a Kniteforce owned jungle / d’n’b label that ran for nearly 20 releases back in the late 90’s, before coming to a halt as KFA took off. But now it is returning, revamped into an old skool styled jungle label, complete with irreverent samples and deep jungle bass and dancehall vibes. All four tracks on this EP lean in slightly different directions, but all are forwards in reverse, proper jungle for those who know the original sound…

The duo XPRESSION steps up for the next Cosmic Rhythm release, delivering 4 absolute astonishing cuts deeply rooted into 90's raves' era.

The historic label from Frankfurt will re-issue some of the best records from the catalogue! Starting with Atom Heart - Pure Function from 1995. Essential record!

Repress

Blendits Audio brings us a special 12'' that combines cuts from both BLAU028 and 029 digital releases.