Beats Novedades

This record on Kvitnu presents live recordings be PAN SONIC played in Kyiv, Ukraine on June 6th, 2009.
Oksastus – is a Finnish word for process of grafting or cultivating of plants.

"Pan Sonic, the Finnish noise duo who split in 2010, recorded this meticulous live effort in 2009 in Kyiv in the Ukraine. It's impossible to frame it without thinking about the impending meltdown of both band and country, cloaking Oksastus in an apocalyptic backdrop." Pitchfork, 2014 (7.1 rating)

Inspired by nature and emotion.

Recorded and mixed by Austin Cairns, march 2016 - august 2016 in san jose, CA.

Gear used - Korg Electribe 2, Audiothingies P6, Eurorack Modular (Mutable Instruments, Intellijel, Make Noise, Moog, Alright Devices, Doepfer, Qu-Bit, Vermona, Laurentide Synthworks, Mannequins, 4MS, Bastl, Manhattan Analog, Ladik, Pittsburgh Modular), Teenage Engineering OP-1, Bastl Microgranny, Ciat-Lonbarde Cocoquantus, Apple iPad, Tascam Portastudio

Initially released on tape and digital through the artist on September 15, 2016.

Forest drives, coastal cliffs, lost loves, aged memories like light gleaming through the trees.

Modular synthesizer, Novation Peak, and cassette tape loops recorded and mixed late 2017 at home in San Jose, CA. Additional field recordings from Big Sur, CA.

Initially released on tape and digital through Dauw on February 2, 2018.

A recurring dream. The frozen landscapes of isolation and loneliness. Fragmented memories lost at sea. Cold, sharp light. Glowing rays of hope in the morning. It was just a dream.

Modular synthesizer and guitar by Austin Cairns. Recorded and mixed Summer 2018 in Northern California.
Dedicated to Brian Young

Initially released on tape and digital through the artist on October 5, 2018.

"Content" is the 9th album of the US based producer Ricardo Donoso.

Terry Waite was taken hostage in Beirut in the late 1980s, before ISIS, before smartphones, before the Internet as we know it. He endured a mock execution during the first year of his five-year captivity, which was spent mostly in solitary confinement. Years later, during a Q&A session, he was asked to identify the main thing he had learned from his ordeal. The answer, came as a shock—it was not the excruciatingly hard-won appreciation for life and loved ones that one expects to hear. “Contemporary humanity,” declared Waite, “has lost the ability to engage in productive solitude.”

Riccardo Schiro continues his exploration for the dancers and deejays out there with this massive acid-mental track for big rooms. On the flipside "Islands", an immense ambient jam recorded live by the Gravity Graffiti crew, a genuine psy-kraut voyage.

‘High Fives & Devil Eyes’ is the brand-new LP forthcoming from SCAR, a duo who’ve spent years dominating the waters of dance music with their formulae of underground, yet accessible drum & bass. Individually and as part of their SCAR project, both Script and Survival have been involved in shaping the genre for decades, helping to sculpt its formative years alongside a range of imprints that have ensured it longevity. For their forthcoming album they’ve once again been welcomed into the fold of Metalheadz, where SCAR have now been exclusively signed after appearing in their catalogue as one of its main staples. Since their first piece of music together, ‘When’, debuted on Metalheadz via the label’s esteemed ‘Platinum Breakz’ series, through to their first SCAR artist LP ‘The Orkyd Project’ in 2016, the pair’s journey has followed the label’s growth and they’ve continued to be supported by its founder Goldie. On first listen to ‘High Fives & Devil Eyes’ it’s instantly clear why they were made such an essential part of such a revered platform, bringing together the historic elements as well as the modern production levels which have enabled them to remain trend setters over the years.

From the sounds of ‘Circle of Trust’, right through to the finely-tuned vocals of Eleanor Higgins on ‘Eternal’, the tastes catered to throughout ‘High Fives & Devil Eyes’ demonstrates why SCAR have been welcomed into the roster of Metalheadz and it’s not just down to their heritage with the imprint. Tracks like ‘State of Delusion’, ‘Stolen Memories’, ‘Can’t Do Anything With It’ and ‘Nothing Lasts Forever’ show how SCAR still bridge the gap between contemporary standards and an understanding of their roots, as well as how this has influenced their current direction. Coming up next, ‘Funk Control’ injects much needed soul into the drum & bass sphere whilst tracks like ‘First Sound’, ‘The Seeker’, ‘Thinking out Loud’ and ‘Pauline’ continue the journey of breaks and immersive soundscapes. The album’s title-record ‘High Fives and Devil Eyes’ encompasses the album’s rawness whilst cuts like ‘Deep South’ and ‘Torn Apart’ pedestals the diversity demonstrated throughout. Even the LP’s interlude ‘Nomad’ travels the listener through an elaborate composition, and you’re left understanding that ‘High Fives & Devil Eyes’ is a listening album too, despite how well it’ll translate within any club setting.

‘High Fives & Devil Eyes’ doesn’t just signpost another huge step forward for SCAR musically, but also for Metalheadz. They’ve added two more members to their pivotal roster and it’s another album to highlight the label’s consistency, something which has pushed forward from their beginnings in 1994.

'Schmeichel' is back on Defrostatica with new tales from the 160 bpm footwork continent. Again he demostrates a deep understanding of the unity of body, mind and soul.

He's a beatsmith and electronic music producer from 'Leipzig' - his puzzling artist pseudonym (to schmooze someone) is nothing but purposely deceptive. In the last six years he was busy making and releasing music which never sounded quite like the same as before.
His diverse musical flex in abstract hip hop, drum and bass, broken beats, techno, acid and ragga too shows his ability to sweep away genre-expectations.
He is committed to fuse every style into an immediate but ever-exciting minimal music experience. As a dj he switches virtuosic between jazzy improvisation, stokey UK-rap, dark and spiritual dance redemption. Nothing really much beside his work is known about Schmeichel since he is not playing the social media game that much which forces attendes of his performance to listen and enjoy without any distraction.

... When he turns on the amp in his basement studio underneath one of Leipzig's record stores he leaves mundane matters behind. 'Schmeichel' loves being in the zone when he is exploring new sound territories - like a sculptor he carves out a vision of soul with a minimalistic blues vibe that is looking for an essence rather a presence.

While the title of his five track EP "Mana, Focus & NoBreakfast" sounds like a work spec it deflects humbly from the musical richness of his second release on Defrostatica. Once again, the whole is more than the sum of its parts: he is telling different stories in each track that belong to one carefully composed saga.

"Feel" in its intensity resembles the soundtrack of a remake of Scenes from a Marriage. "Sting" could be the melancholic story of a hip hop writer about his most epic stunt. Another hip hop reference and artist wisdom drops in "Judge Mee" almost prayerlike.
The b-side of the record opens with "G i o i", a powerful mantra of an unknown procession. "Yin Yang" marks the outerworldly coda to this EP as a soothing salvation.

Hope, you enjoy.

Futureboogie unearth more dancefloor magic with next signing The White Lamp and their first single 'It's You' - a perfect rendering of electronic soul for 2012. World-class talent Ron Basejam of Crazy P fame and the unstoppable Eats Everything with Futureboogie staple Christophe provide the remixes. Not even we know who the Producer and DJ are for this release on FB however they are both stars in their own right and have come together as The White Lamp.

A Producer & DJ from London and a Musician & Vocalist from Bristol have joined their creative forces to create The White Lamp. A project for the soul & for the dance floor, expect several high calibre releases throughout 2012.

Working Men's Club announce a small run of remix 12”s, comprising of the brand new Anthony Naples remix and instrumental which will be released on November 15th' and placed in a limited Heavenly house bag. This comes after a previous reworking of the track by Factory Floor’s Gabe Gurnsey.

Heavenly’s Jeff Barrett says:
“We fancied one more remix, one with both feet on the dance floor - and it had to be Anthony Naples, the New York house/techno DJ and producer, whose recent album 'Fog FM' is considered sth. of a classic round our house.”

Anthony’s debut album Body Pill was released on Four Tet’s label in 2015 and his remix CV includes. 4 Tet & more recently Cinematic Orchestra. He's a cool dude, with a killer remix ...

Part I (Disc 1)

The Taiwanese artist Yutie Lee covers six Chinese folk songs about Flowers.
Tuberosa, Rose, Jasmine, Plum Blossom, Orchids & Chamomile all are odes to the beauty of the plant. The flower also being a metaphor for something we are desperately longing for, but can never quite get. However you may want to interpret the songs, they are all telling a story of something pure and indestructible. In the end nature will prevail?
Romantic thoughts created in a time long before the current state of the world.
By artificially mutating her voice, Yutie Lee successfully manages to transfer the songs into 2020s arguably much more complex, dystopian reality. She does this not without a bow to the past, prevailing something of the original songs sweet essence, even adding a layer of humour… in the end leaving the listener with a feeling of good hope.

Part II (Disc 2-3)

To complete the package Yutie Lee’s versions have been remixed by, Alva Noto, Bell Towers, Laura Groves, Oceanic and Suzanne Kraft.

St. Petersburg-based producer Evgeniy Sergeev is back with 4 tracks of soul-shredding breaks and driving atmospheric sounds on second release of his own label Dissymmetrical Music.

The turntable’s tonearm waves and indicates the West direction, as if it wanted to tear and
take off for Brazil? It’s alright; it's just playing Nação África, new single by Camarão
Orkestra, the most Brazilian of Parisian bands.
Sinewy bass and battery pulsating, it’s stitched to the dancefloor that "Nação África" spreads
its groove. And it's with a variety of keyboards and synthesizers that the tight production
maintains a level of constant motion, surrounded by the burning riffs of the brass section and
Amanda Roldand's refreshing vocals.
Anywhere close to a good record, you’d usually find Patchworks hanging around. He
satiates here his compulsive remix addiction, first by loosening the pressure of the bass,
giving us more fresh air, and covering the mix with airy synth patches. Then with a dub
version where he puts vocals and instruments inside echo chambers and effects corridors of
different scales. The bass becomes rubbery, the beat is robotized and, slowly, an electro
vibes seizes the title.
Nação África announces the return of Camarão Orkestra in the crates, just an appetizer
before a new album… Or two…

'Break The House' is a brand new label from the crew who brought us the highly successful 'Rave 2 The Grave' series. This time, fusing rare & classic influential house hooks with a modern & highly original breaks house vibe.

Transparent blue vinyl pressing.

Limited to 200 copies in innocent white Vinyl ! Fantastic Burial Style, just listen - no more words necessary

Cult favourite Submorphics delivers his long awaited debut album “Kodak Dreams” on Amsterdam imprint The North Quarter. 15 year veteran producer Greg Axelrad has been one of America's premiere exports when it comes to Soulful Drum & Bass. His unmistakable 'smoked-out' take on the genre has made him a fan favourite for years. After his The North Quarter debut “Detroit Haze” early 2018, he now returns with his most ambitious project yet: “Kodak Dreams”. Written during a time of great personal highs and lows, his debut album is easily his most personal body of work. The Michigan native drew inspiration from his transatlantic journey and childhood memories to paint this musical memoir.

'Inspired by the treasure-trove of nostalgia I brought with me from Detroit, I plugged away at my own brand of D&B, hip-hop and neo-soul music in my new studio in the city of The Hague.' Submorphics explains. 'Cherished childhood photos reminded me of my roots: funky breakbeats and lush soul samples that I blasted out of my cheap boombox long before I knew what a sampler was. These old photos ended up deeply inspiring the album sessions, and even started permeating my dreams as I slept each night.”

A multi-genre piece that features vocals from frequent collaborators Big Brooklyn Red, SelfSays, T.R.A.C. and Christina Tamayo, brings together Soulful Drum & Bass and LA / Detroit flavoured Beats with an easy elegance. The album offers a glimpse into Submorphics' past, present and future and is brought together by snippet-sized, Polaroid-inspired narration, his personal Kodak Dreams.

a a1. Submorphics - Flash Meters Intro

[c] a3. Submorphics - Roseville Funk / Musique Nostalgique [Interlude]



[g] b3. Submorphics - The Prize ft T.R.A.C. / Golden Roots [Interlude]


[j] c2. Submorphics - Morning Alarms ft SelfSays / Waverly Place [Interlude]

[l] d1. Submorphics - Feel So Blue / Deep Sleeper [Interlude]

[n] d3. Submorphics - Hot Ish ft SelfSays (Dabrye Remix) [Bonus Track]

Pennyroyal continues with a slamming EP from Zeki, the new alias for a familiar and prolific UK producer.

Four cuts of ruffian Grime / Techno hybrids clocking in at 140bpm. Built to enjoy or deploy loud at your favourite dance.

Keysound Recordings are proud to present the debut EP from up and coming talent, Atlas. A Brighton contemporary of Keysound family member Etch, Atlas' EP stretches the boundaries of the label's rollage aesthetic, weightless synth experimentation and established sub heavy paradigms to near breaking point. The EP's title track, Solitude,' has been a set opener for Keysound founders Dusk + Blackdown for over 18 months, wiping the slate clean with smooth lines towards a distant horizon, a pensive melodic tension broken only by skeletal drum flickers and sub gravity. Rewarding those who wait, it builds through layers of abstraction over four minutes towards a massive emotional apex. On the cusp' explores similar themes, using fragments of wistful dialog interwoven with skeletal drums that seem to suggest the photographic negative of a percussive floor filler: an X-ray of a now expired club banger. The EP concludes with Alone in a timespan', yet further taking the form & function to near collapse. Finally, it pulls back, returning to more familiar club dynamics with with the dubby, bass-heavy rollage of Calm'.

James Clements (ASC) debuts his first full-length album under his Comit alias, titled Remote Viewing.

Born out of his love for music that was often classed as 'IDM' during the mid-to-late 90's, and labels such as Morr Music, City Centre Offices, Merck and Hobby Industries, Comit is a new avenue for James that builds upon his background in drum & bass, his ambient projects for the likes of Silent Season and his admiration for a more nostalgic electronic sound.

It was this appreciation for early IDM that became the impetus for James' infamous Deep Space mix series in the early 2000's and resulted in a brief output of inspired productions as both ASC and Intex Systems. But this sound never fully evolved until it became a devoted project. The first outing for the Comit alias came as a limited 7" on the Short Trips label in 2016 and is now finally presented in its realized form within Remote Viewing.

Broken, glitchy breakbeats weave amongst emotive and often melodic chord progressions, all stemming from James' expansive collection of analog synthesizers. It's a sound that feels distinct and very separate to James' music as ASC, whilst adding a new evolution to the genre we may have previously described as IDM.

DJ Haram is a producer & DJ who distinctively ties her New Jersey musical history with more recent involvement in the Philadelphia DIY noise scene, whilst paying homage to her Middle Eastern roots. A close affiliate of New York's Discwoman collective, she is also one half of 700 Bliss with rapper & poet Moor Mother, who features on this EP. Haram’s non-traditional understanding of Islam, paired with a nuanced perspective on folk tradition and mythology, underpins the EP, bringing fantasy and colour to this in-between place. On opener ‘No Idol’, a darbuka rhythm pairs with offbeat claps around a dark synth and a contrasting airy flute melody, illustrating the theme of duality running through the music. The melodies of ‘No Idol’ are revisited in the final track remix, sped up with a classic Baltimore club beat and energetic bedsprings samples.‘Interlude’ is a combination of the sounds and patterns from each song. ‘Gemini Rising's synth is reminiscent of John Carpenter, paired with a darbuka rhythm and war drums that transmit a religious sci -fi horror aesthetic. ‘Body Count’ is propelled by Jersey Club kicks with a distorted drum crunch and ticking rim shot in triplets, and an ethereal melody. ‘Grace (K.O.D.)’ has menacing cinematic stabs that feel like acid raining on the scattered percussion. On the 700 Bliss track ‘Candle Light’, Moor Mother's distorted and doubled up vocal chorus evokes a frantic yet solemn energy as she speaks on themes of life and death.‘Grace’ is an EP constructed through deep feeling, transmitting vital dancefloor energy. It’s music is versatile, imbued with a strong will, personality, and colour.

Label owner Dmitry Distant teems up with Canadian singer and producer Xavier Paradis aka Arnaud Lazlaud of Automelodi, while Timothy J. Fairplay provides pure dancefloor 808-bomb remix. Don't miss this one!

Drum & Bass heavyweights Serum, Voltage- and Bladerunner, aka Kings Of The Rollers have entered the ring once again to deliver a
4-track smasher. Pushing the boundaries of D+B to the ropes, ‘The Main Event’ EP is a flawless infusion of each individual style, creating the perfect storm.

A certified knockout D+B banger with an epic introduction that has been doing damage in raves worldwide, ‘XXX’ kicks off the EP with intriguing synth plucks and a sweeping yet powerfully subtle bassline. Next up is the Circuits Rewire of ‘Burnt Ends’, a deeper take from Kasra & InsideInfo of the iconic tearout bruiser.

Just when you thought it couldn’t get any darker, the latest rendition of the game-changing roller packs new punches with twisted melodies and a thumping bassline from these deep D+B standouts.

The elegant piano melodies and the angelic notes of Lydia Plain on ‘Somebody Else’ ease the listener into the second half of ‘The Main Event’. It’s not long before crunchy wobbles and singalong vocals take centre stage. Bubbly yet dark, you’ll certainly want to keep your guard up. Rounding off the EP is ‘Solar Heat’, nostalgic arpeggios rest upon trance inducing pads before modulated reeses and rolling drums kick in to deliver a finishing blow.

On top of cooking up lay out anthems, Kings Of The Rollers are renowned for their high energy sets and innovative mixing styles.

The trio have headlined an array of festivals and large scale shows across the globe, including their own Royal Rumble event series. ‘The Main Event’ EP was originally destined to accompany their biggest headline show to date at London’s legendary venue Printworks. Sadly due to the 2020 COVID-19 crisis this event was postponed, but you won’t catch these guys throwing in the towel…


They’ll be back with a vengeance, so make sure to keep an eye out for what these three D+B royals have in store...

Marquis Hawkes returns to AUS after his second album for Houndstooth, a slew of eps for Unknown To The Unknown and a 12” for Bassiani’s in house label, Horoom. ‘Hashtag Life Goals’ is a three track EP that's deep, raw and timeless.

Industrial. Bitter. Techno. Raw. Profane. All words connected with the ravaged sound of Contort Yourself. And you'll be happy to know the latest offering continues down that twisted path. Bulldozing into being, Novacom arrives into this world with the bellowing bass and distorted dirge of 'Outsiders'. Downwards Records derelict JK Flesh (a.k.a. Justin Broadrick of Napalm Death/Godflesh/Techno Animal) keeps the beats boiling, drums and synths dipped in detritus and distortion. The flip is dedicated to French brutalist act Le Syndicat. The grunting, shunting 'Maximalist' from 1993 roars static and synthesizer strychnine scratch and burn before the bent and buckled 80s 'Prothesis Pack Xtra 08'. Ekman (Panzerkreuz/Berceuse Heroique) is on hand to close. 303 jumper cables are applied to 'Maximalist', pound and squawk pouring salt into speaker wounds.

Initially put together in memory of a family member, Olga Wojciechowska's new album, 'Infinite Distances' is built around a similar sounding melody that appears across the backbone of the album - the sign of something that won't let go. Opening with 'Images Imprisoned Within You', the beautiful orchestral piece sets the tone for a potentially optimistic journey. But the album, with its changes in direction and varying emotion portrayed throughout the seven tracks, somehow always ends up at the same place. It was a memory Olga couldn't shake.

Told through several different approaches, varying from expansive modern-classical pieces, to more experimental and electronic touches in tracks like 'Memory Of The Pioneers' and 'Starless Water'; 'Infinite Distances' is a personal recollection that spans the emotions surrounding the feelings of loss; the highs, the lows, the polaroid-like happy memories, the ones that you never want to let go, and those that will never quite fade away.

In contrast to the inspiration behind the album, the artwork from Marco Vannini brings a vivid and subjective aspect to the release, whilst maintaining the idea of fragmented and juxtaposing memories together in one place.

As a true multi-instrumentalist, Olga has produced as Strie, for Serein with 'Perpetual Journey' (2018) and previously as her true name Olga Wojciechowska for the likes of Time Released Sound. Olga has also produced alongside Erik Skodvin on Sonic Pieces, collaborated with Greg Haines and reworked Nathan Fake on Ninja Tune. Olga can also be heard in the more contemporary space with commissions by Oslo Opera House and the Royal Opera House.

Flowers is a genre-blending introspective story written by Toon Janssens. This versatile Antwerp born virtuoso delivers a sophisticated intimate album that balances on the edge of electronic and acoustic music. Soft focus is a multi-instrumentalist approach to music without any boundaries or stressrelated situations. It represents an improvisational state of mind, best described as spontaneous gentle music for your ears where listening is key.
In 2020 Soft Focus was looking for a new creative challenge and continued working on new music which he loved most. Soft Focus gives the freedom of presenting new music in a different form and
character, which wasn’t possible under Title.

Debut release by SPR for The Weevil Neighbourhood.

"Tesselation Districts" is an extended player of four tracks that oscillate between comprehensible rhythmic patterns and their somewhat uncanny dissolution bridging aesthetics of Steven Porter's as well as Repetition/Distract's compositions for the label.

Black vinyl, limited edition, screenprinted outer sleeve with artwork by Lee Noble (No Kings Records/ Bathetic), mastering by LXC (Watta Sound/ Alphacut).

The Naturals' debut album is more than just an rediscovery of one of the great lost albums of the last decade, but of how things were always intended. When Eddie Ruscha (Secret Circuit) and Thomas Bullock (Rub'n'Tug/STD) appeared as The Laughing Light of Plenty, their journey offered untold troves. Now at last the pulse is set for outer orbit and all are welcome to join.

After a mind-melting debut EP sold again and again, an album expanding their unique psychebalearicfolk imaginings was prepared and even pressed before being lost somewhere between a lock up in New York and limited quantities reaching Asian shores and dealers
trading at dizzying Yen.

Lost, but never forgotten, years passed until a nagging memory that an earlier, rawer mix had always been superior. A return to the original band name seemed The Natural(s) choice and so a project idea started to be (re)born.

A sunny Spring afternoon in a grand English garden, pots of tea, talk of life's travails, deep yogani, love affairs, kids growing up, the power of now and music, always music led to two labels coming together to dust down the desk and not just resurrect, but seek and offer the original intentions.
Here at last is the double album as intended. Of two great friends jamming their deepest vibes and flowing with love to offer tales of higher consciousness. Travel inward, beyond meer chakras. Aim for the stars. The devil is in the details so see the trails and follow to some avail.

Begin your own journey.

With their debut LP City Of Gold still resonating in the clubs and smashing up dance floors across the globe, The Prototypes waste no time in unleashing a brand new banger for your speakers: Hypercube.

Having already been made a firm favourite thanks to Friction opening his live Radio 1 Essential Mix at Glastonbury early this year in the UK and being selected as his 'Friction Fire' track on Radio 1 & 1Xtra, Hypercube is full of attitude and weighs heavy on the low end, all wrapped up in a mass of energy big enough to shatter the fourth dimension. Also included in the vinyl single is the exclusive VIP mix of Pop It Off, one of this years biggest dancefloor anthems.

Boxed return with the third edition of their various artists EP series, showcasing the best in forward-thinking grime. Boxed's own Mr. Mitch leads the EP off with a rare and special appearance on vinyl, simultaneously graceful and unsettling the anthemic Friend of Mine flips a soul sample in screwed and chopped fashion while ghostly hi hats rotate around its vibrating bass core. For the A2, the debut vinyl appearance of AS.IF KID. Mashman Riddim Pt.2 recalls the technical ruffige of prime Plasticman or Mark One whilst pushing his sound in to new hi-definition territory. OG grime don JT The Goon unleashes his long awaited slate Flux Capacitor, a staple of Oil Gang's DJ sets. Fairlight-era flutes orbit a classic JT bassline for pure emotional, end-of-night vibes. Closing the EP Sirpixalot drops his VIP of All In One, trademark modal keys and skittering drums combining with triton bass.

The long awaited Elevated Jit Vol.2, marrying new school electro producers and Detroit OG's like B Calloway.

Killer, one-sided grime instrumental from DJ Sinclair dispatched on Mumdance & Logos' Devils series. Placed beside Sinclair's Ricky/Gunman What (2016) one-two for Keysound, the sino-
futuristic instrumental pressure of Bells (RPG Mix) effectively doubles the London producer's tally of releases in fine style, slyding along Far Eastern scales in weightless
dimensions of liquified gamelan melody, zipping syn-flutes and fiyah-breathing Triton bass, all buffeted into sweepingly cinematic contours but all kept locked-on course for the
dance and DJs in-the-mix. Thanks to Sinclair's up-to-the-minute mixing sorcery and discreet use of sampled
dialogue, it's a strong cut above the instrumental grime field right now, and a mighty strong look for any and all in orbit of grime and it's current mutations. Hot tip!

Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music.

The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.

RAGE is approaching it's 30th anniversary. It's sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on the journey through the sounds of RAGE, accompanied with track by track notes from Fabio & Groove themselves. This is the sound of the underground, from the inside out.

This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019

If I Break Horses’s third album holds you in its grip like a great film, it’s no coincidence. Faced with making the follow-up to 2014’s plush ‘Chiaroscuro’, Horses’s Maria Lindén decided to take the time to make something different, with an emphasis on instrumental, cinematic music. As she watched a collection of favourite films on her computer (sound muted) and made her own soundtrack sketches, these sonic workouts gradually evolved into something more: “It wasn’t until I felt an urge to add vocals and lyrics,” says Lindén, “that I realized I was making a new I Break Horses album”.
That album is ‘Warnings’, an intimate and sublimely expansive return that, as its recording suggests, sets its own pace with the intuitive power of a much-loved movie. And, as its title suggests, its sumptuous sound worlds – dreamy mellotrons, haunting loops, analogue synths – and layered lyrics crackle with immersive dramatic tensions on many levels. “It’s not a political album,” says Lindén, “though it relates to the alarmist times we live in. Each song is a subtle warning of something not being quite right”.
The pay-off for her long-haul immersion is clear from statement-of-intent album opener ‘Turn’, a waltzing kiss-off to an ex swathed in swirling synths over nine emotive minutes. On ‘Silence’, Lindén suggests deeper sorrows in the interplay of serene surface synths, hypnotic loops and elemental images: when she sings “I feel a shiver,” you feel it, too.
Elsewhere, on three instrumental interludes, Lindén’s intent to experiment with sound and structure is clear. Meanwhile, there are art-pop songs here more lush than any she has made. ‘I’ll Be the Death of You’ occupies a middle ground between Screamedlica and early OMD,
while ‘Neon Lights’ brings to mind Kraftwerk on Tron’s light grid.
‘I Live At Night’ slow-burns like a song made for night-time LA drives; ‘Baby You Have Travelled for Miles without Love in Your Eyes’ is an electronic lullaby spiked with troubling needle imagery. ‘Death Engine’’s dark-wave dream-pop provides an epic centrepiece, of sorts, before the vocoder hymnal of closer ‘Depression Tourist’ arrives like an epiphany, the clouds parting after a long, absorbing journey.
For Lindén, Warnings is a remarkable re-routing of a journey begun when I Break Horses’s debut album, ‘Hearts’ (2011), drew praise from Pitchfork, The Guardian, NME, The Independent and others for its luxurious grandeur and pulsing sense of art-pop life. With the electro-tangents of 2014’s ‘Chiaroscuro’, Lindén forged a new, more ambitious voice with total confidence. Along the way, I Break Horses toured with M83 and Sigur Rós.
A new friend on ‘Warnings’ is US producer/mixing engineer Chris Coady, whose graceful way with dense sound (credits include Beach House, TV on the Radio) was not the sole reason Lindén invited him to mix the album.
“Before reaching out to Chris I read an interview where he said, ‘I like to slow things down. Almost every time I love the sound of something slowed down by half, but sometimes 500% you can get interesting shapes and textures.’ And I just knew he’d be the right person for this
album.”
If making ‘Warnings’ was a slow process, so be it: that steady gestation was a price worth paying for its lavish accretions of detail and meaning, where secrets aplenty await listeners eager to immerse themselves. “Nowadays, the attention span equals nothing when it comes to how most people consume music,” Lindén says. “And it feels like songs are getting shorter, more ‘efficient’. I felt an urge to go against that and create an album journey from start to finish that takes time and patience to listen to. Like, slow the fuck down!”.

Krust is the first artist to step up for the new ‘Legends’ series from V Recordings. This series aims to source some of the finest unreleased gems from some of D&B’s most well-known and established artist that never saw the light of day, and press them up for the world to hear.

For 001, after some extensive DAT searching, we’re treated with two never-before released Krust cuts deep from the vaults, ‘Unit 23’ and ‘Pentacle’. Both are over 20 years old, and show perfectly two contrasting sides to Krust’s inimitable production style.
‘Unit 23’ is a hypnotic upbeat roller, with a steppy progressive vibe, this one builds and builds. ‘Pentacle’ sees Krust in tear out mode, with brooding atmospheres, lashing drums and some of that Bristol bass we all know and love!

Hailing from the musical melting pot of Bristol, Krust earned respect through countless releases on V Recordings, his imprint Full Cycle Records, his collective with Roni Size, Reprazent and a series of cutting edge solo albums on Talkin Loud.

Having been at the forefront of the D&B / Jungle scene since its inception he continues to innovate and push boundaries, with recent music coming on Doc Scott’s seminal 31 Records, and with a long awaited new album project on the horizon.

The first part in this vinyl series, with more legends waiting in the wings. These are an absolute essential for vinyl collectors.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates its 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.
* In 1993 Origin Unknown had their first full release on Ram Records. ‘Valley of the Shadows’ aka ‘Long Dark Tunnel - 31 seconds went on to anthem status, majorly contributing to the developing genre of Jungle/Drum and Bass.
After 'Valley of the Shadows' had caused shockwaves throughout the rave scene, Origin Unknown set about composing their follow up single.
With Ram and Liftin Spirit Records cementing their places in the history books, their original 1993 follow up had been put to one side while they completed many remix requests for the movers and shakers of the era and subsequently the DAT tape went astray.
Some 26 years later, while going through the archives, a DAT tape that was previously believed to be faulty actually played ok on a different machine! The tracks were finally found and sent straight to master for our ‘Reloaded’ series. 'Voyage to the Future' carries on that 1993 vibe of 'Valley of the Shadows' and will now be finally available to own on vinyl, backed with the equally sublime track 'Second Sight'.

This 4 track EP is a hot n crispy taster to the Ruffset label. Ruffset
owners Al and Ell wanted to create a label that puts fun,
cheekiness and charisma into its releases whilst keeping a
heavyweight line-up of underground artists. We have come from a background of underground dance music
and want to keep a vibe we know with our releases - Reflections of the Past. Sounds of the future.

L’Embrasse is a compilation originally released in 1987, less than 50 Copies were distributed at the time through local shops & it's a portrayal of a unique and very little known scene, generated in the deep underground milieu of Amsterdam.

None of the tracks presented on this album has ever been re-released after the ultra-limited original edition on cassette format appeared.

At the time, a dozen different acts were featured: Menko (S.M. Nurse founder), Robbie Horsfall, Peter Van Garderen (Nine Circles founder), Der Rudi, Antonia (Tonny Timmermans), No Honey From These, Incredible Coöp (S.M. Nurse members), Tranquil Eyes, Beatnik Love Affair, Cheiron, Spin & Kokkie & The Male Ego.

Die-cut 300-gr cardboard jacket. All the elements on the cover have been hand stamped. Includes download code and numbered insert. Mastered by Ruud Lekx from the original tape. 200 Copies!

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* We continue our Deep Seven series in 2020 with another smasher from Ironik. Originally released in 1993 on Deep Seven, this 12" never made it past promo stage, commanding huge price tags for the original presses. We have remastered both mixes improving the quality of both the audio and the pressing and will present on our heavyweight 180g vinyl.

"Touched Music and Furthur Electronix two forward thinking labels have merged together to put out exclusive compilations. Putting some of the best music in the electronic genre in one place.”

After a 10 year absence Horizontal is back. 3 songs that revolve around Dinky’s pure musical dogma, arpeggiated basses bounce with the beautiful and contorted voices that play within this psychedelic party. Bathing in blue skies and a deep warm acid glow, this is music to capture your body and soul, made with love whilst dreaming of a brave new world within these innocent melodies.

Debut EP by The Jivers including vocal talent Anqui and remixes by DJ Moodz, Don Pascal and Fred Spid

The second release of the label Dedicate is created by Kollege Schnürschuh. The producer collective, consisting of Phonk D, Clav Split, Iron and Jogging Jones, presents a cross-section of the past few years on the 12 instrumental tracks.
Shoe School represents true hip hop without too much bling and flashy ice, somewhere between Old and New School.

After last years repress of CH 002 head honcho On Remand better known as Pulse digs out one of his early creations from Creative Wax’s sister label Crackhouse Productions. Controllin’ b/w Blacksteel are both rugged prototype Jungle / DNB which are rare, sort after tracks from 1993. Restored & remastered by Beau @ Ten Eight Seven.

Epic link-up between two of the top live techno and house performers working today. After playing a few rare sessions with Juju & Jordash at Dekmantel Festival 2018 and Pittsbugh, Shawn Rudiman and Jordan GCZ spent a few days in Amsterdam laying the foundations for this collection of music. The tracks were transported to the Synthdrome in Pittsburgh and completed with love and craftsmanship. Spanning the gamut of electro, house, dub techno, and future jazz there is something for everyone. Enjoy this rare convergence of the creative energy of two masters.

Touched Music and Furthur Electronix two forward thinking labels have merged together to put out exclusive compilations. Putting some of the best music in the electronic genre in one place.

Wir leben in einem komplexen Netzwerk von Resonanz, Kommunikation durch Wellen und Magnetfelder und deren Reaktionen auf verschiedenen Frequenzen.
"Coherent Excitations" ist die Erforschung der Energien und Schwingungen, die sich vor allem als Neugierde, Vertrauen, Wanderung, Freude, Harmonie, Dankbarkeit und Liebe manifestieren. Die akustischen Landschaften des Albums spiegeln den fließenden Strom des Lebens und fokussieren den Hören diesem Aufmerksamkeit zu schenken.

- 180g, white vinyl

Clear Smoked Vinyl

180 gram clear with smoke vinyl w/download card.
In sharp contrast to McCagh's commercial work for Huawei, Acura, and Volkswa-gen, "Altered States" is a detailed opening statement of experi-mental aural vignettes by an artist that has clearly spent the time to master his craft. Digitally manipulated acoustic instruments form the backbone for McCagh's wall-of-sound aesthetic painting pictures of bleak futures where the tracks dance, or more aptly, shiver their way to sharp collapse.

In short, McCagh makes ambient music with teeth. A form of experimental music with soul, or faded formation of industrialized machine music shrouded by layers of aural gauze, each piece emotively twist-ing and turning in and out of focus. "Altered States" is a brilliant inaugural proclamation from artist to watch.

"Aix" is an outstanding piece of work by Italian electro-acoustic savant Giuseppe Ielasi, originally released in 2009 on Taylor Deupree's 12k label, the follow-up to 2007’s "August" (12k) and Ielasi's first collaboration with Nicola Ratti as "Bellows", also out in 2007 (Kning Disk). Originally only released on CD (12k), the album got a very limited vinyl issue on Czech label Minority Records in 2010. Keplar presents this extraordinary and timeless collection of 9 evocative minimalist soundscapes on vinyl again after 10 years.

From the original press release in 2009:

"With Aix we see Ielasi building his layered, atmospheric music around rhythmic grids. Most of the time these are quite irregular and the pulses are not neccessarily stable or clear. Where his previous work approached sound in a linear fashion Aix imposes a strong vertical development with the aforementioned grid and a production consisting of ons and offs, employing as much improvisation as Ielasi’s previous work, but in a different way.
Despite the self-imposed grid structure, Aix relies heavily on randomization. Not in the traditional sense of sound placement but instead of the spatialization of sounds, echoes, reverbs and the stereo image. As a result, Aix has an amazing sense and clarity of space as the small fragments of sound breathe and find their own place in the mix, thanks to Ielasi’s sublime skills as a mixer and engineer.
Ielasi relied heavily on numerous short samples and combining them in ways that fell into his groove; some found from others' recordings and many more recorded during the past year. We hear fragments of percussive (acoustic) objects, drums, piano, trumpet, guitar, and, of course, synthetic textures. Although there is a distinct rhythmic pulse to Aix, Ielasi manages to mold it into something wonderfully languid and warm... and strangely inviting."

Composed and recorded by Giuseppe Ielasi in Aix-en-Provence, Autumn 2008. Remaster by Giuseppe Ielasi. Cover photograph "Construction, Barcelona" by Taylor Deupree. Layout by Dan Dudarec/Marco Ciceri.

For more than 20 years Giuseppe Ielasi has been releasing his recordings on labels like Erstwhile Records, Häpna, Kning Disk, Dekorder, 12k, Entr'acte or Editions Mego, as well as on his own label Senufo Editions.

The label Keplar has been on a long hiatus and is now back with its KeplarRev series presenting vinyl re-issues of essential electronic albums from the 90's and 00's, as well as new recordings by momentous electronic and ambient artists.

LSW is the product of musical collaborations between Leonard Horres, Sebastian Welicki and Gregor Darman. Also featuring contributions from various members Düsseldorf's candomblé tribe, the LP is an ensemble of eclectic rhythms and self-loathing nihilism. Recorded in Düsseldorf 2018.

People Places & Things is the single project of Manchester born & London based Mike Checuti. Mike grew listening to a heavy mixture of horror & film soundtracks an equal dose of the early electro via the legendary Spin Inn records & then the hedonistic sounds of The Hacienda & the more underground Thunderdome nightclub.

Mike was encouraged to press ahead with the project after a visit to Los Angeles & spending time in the studio with Atticus Ross (Gone Girl & The Social Network soundtrack composer).

Treating Patient A is the first in a trilogy of releases by People Places & Things each pulling from the above mentioned influences but each EP having it's own variation whilst keeping the references points clearly audible along with People Places & Things own take of these sounds at the forefront.

People Places & Things along with Gabe Guernsey of Factory Floor have recently just composed the soundtrack for the latest film for the forthcoming Adidas Spezial range which commemorates 30 years of Acid house.

Artwork for each 12" is designed by Andrew Jackson & each sleeve is individually hand printed thus having its own unique imprint and limited to only 200 copies.

The press & publicity for the release and project as while will be handled by 'The Rest is Noise'

By now you must be already familiar with Qual being the solo project of William Maybelline, one half of the Lebanon Hanover duo.When William first stepped into the scene as an individual artist back in 2014, he declared the intention to explore the very grimmest areas in synth-based music. While Sable debut LP was unapologetically gothic in subject matter and sound, Qual's most recent and uncompromising outputs of Cupio Dissolvi EP and last year's album The Ultimate Climax merge the despairingly freezing properties of 90s EBM with the more aggressive sensibilities of industrial techno without ever diluting the intensity of either. Brand new 4-track EP Cyber Care is the perfect synthesis of both these aspects. On A side the slither of the title-track and the mechanical assault of Inject Your Mind will make you feel the hardest, most vicious side of Maybelline's creation. B side's I Have To Return Some Video Tapes and Motherblood will toss you into a ice-cold galaxy of paranoia and disorientation.

This is not an appealing world, as Qual is impossible to listen to half-heartedly - it will drag you by the jaw and butcher you in a dirty alleyway.

Black 12 vinyl limited to 500.

Mothball Record in association with Bordello A Parigi is proud to present one of the strangest and most mysterious recordings from the whole Italo-Disco era. Sitting somewhere between goth, italo and new wave, “Space Melody” is a dedication to ancient Egypt and outer space.
The original EP was almost totally lost to the sands of time, until recently the original mastertape was unearthed by the artist and later painstakingly transferred by Rude 66.

The record is completed by new instrumental versions from the Danish Italo king Flemming Dalum and the Spanish italo duo Futuro.

Tilman Robinson’s third album, CULTURECIDE, is an investigation of the anthropocene; a seven part lamentation for our chaotic world.

Tilman Robinson is an Australian composer and sound designer creating electro-acoustic music across a range of genres including classical minimalism, improvised, experimental, electronic and ambient. Tilman’s diverse output focuses on the psychological impact of dense sound employing acousmatic and psychoacoustic principles. His third album CULTURECIDE will be released on Iceland’s Bedroom Community label in April 2020.

CULTURECIDE: “...processes that have usually been purposely introduced that result in the decline or demise of a culture, without necessarily resulting in the physical destruction of its bearers.” D Stein

CULTURECIDE is a rich sonic collage, harvesting sounds from a range sources including field recordings, medical machines that monitor the human body, traditional instruments and synthesisers, often melted electronically. The result is an unsettling paradox with sounds constantly on the edge of recognition. Each piece references a specific socio- political issue ranging from colonialism to neo-liberalism to climate change and the impending singularity of humans and machines. Far from an answer to these questions, CULTURECIDE invites us to meditate on their place in our life and approach personal understanding.

Recorded and produced almost completely in Australia, a land at the forefront of the devastation of climate change, CULTURECIDE was an attempt at catharsis for its author frequently appalled at his country’s incredible apathy and inaction. Mixed by Bedroom Community regular Daniel Rejmer and mastered by Lawrence English, works from the ambitious and unsettling record saw Tilman nominated for the 2019 Melbourne Prize for Music.

Standards & Practices returns after an extended hiatus with its first release for 2020 and the label's first-ever compilation. Showcasing six exclusive tracks from a variety of musically like-minded allies both new and established, "Out Of Practice Vol. 1" finds some of the most talented artists currently working in electronic music refining their sound and pushing their craft in exciting new directions.

Stave and Grebenstein's "Rack 4", their first collaboration since 2018's acclaimed "Live From Frankfurter Strasse", kicks off the proceedings with a view into a bleak, dystopian sonic landscape, while Italian producer VSK, known for his excellent EPs on Mord and 47 (among others) delivers "Pendulum", one of his best tracks to date - a visceral, unrelenting, broken-beat behemoth. Closing side A is Chicago native Todd Mattei 's contribution, "Lake Charles", a beautifully textured Frippian soundscape.

Kristian Jabs, better known to most as Pessimist, opens side B with "Rut", a sleek, stripped-down, techno track that positively drips with moody atmospherics and tension. Overlook and Karim Maas's contribution, the dense and claustrophobic "Chalk", is an ultra-heavy breaks track with hoovers and enough sub-bass to shatter blocks of granite. "7th Recording 29", an ambient piece which represents Jonathan Krohn's first recorded collaboration with long-time friend and associate Benjamin Mjolsness since their work together in the group Male - closes the compilation.

The first release on Optimo Music founder JD Twitch’s new compilation-focused label Cease & Desist will be a collection of pioneering turn-of-the-90s British “Bleep & Bass” techno tracks curated by author and music journalist Matt Anniss.

Join The Future: UK Bleep & Bass 1988-91 is a partner product to Anniss’s critically acclaimed book on the foundations of British dance music’s ongoing love affair with sub-bass, Join The Future: Bleep Techno and the Birth of British Bass Music. The book, which was published by Velocity Press in December and features a foreword by JD Twitch, documents in vivid detail the previously untold story of the Yorkshire-pioneered style and the impact it had on the development of UK dance music.

The compilation is the first to focus on Bleep & Bass since the sound’s heyday in the late 1980s and early ’90s. It features a mix of historic cuts, period classics, overlooked gems and unreleased material. It was mastered for release by Warp Records co-founder and Forgemasters member Rob Gordon, a producer, remixer and studio engineer who arguably did more than anyone else to define the sub-heavy sound of the style.

Gordon also contributed a previously unheard version of Alfanso’s “Dub Feels Nice”, a near mythical track he produced in 1991 that has never received a proper commercial release. The cut has been a secret weapon for a handful of Sheffield DJs for almost 30 years, most notably Gordon’s fellow Forgemasters member Winston Hazel. Fittingly, the compilation also includes the original unreleased instrumental version of Tuff Little Unit’s Steel City classic “Join The Future”.

Many of the other tracks on the compilation are rare, hard to find or have not been issued on vinyl or digital since their initial release. It opens with Unique 3 and the Mad Musician’s “Only The Beginning” – the 1988 A-side of the first ever Bleep record – and also includes tracks and remixes from fellow scene pioneers Ital Rockers (an early alias of dub hero Iration Steppas), Nightmares on Wax, Cabaret Voltaire and DJ Martin and DJ Homes, the previously unheralded Chapeltown duo behind the influential Leeds-based studio and record label BASSIC.

Elsewhere on the compilation you’ll find Birmingham producer Demonik’s sought-after debut single “Layrinthe”, a hard-to-find cut from Bedford-based men of mystery Original Clique, two classic cuts from the vaults of influential Midlands label Network Records and a glassy-eyed slab of Bleep/deep house fusion from 100 Hz.

Join The Future: UK Bleep & Bass 1988-91 will be released on double vinyl and digital download. The 10-track vinyl version features an insert with extensive liner notes by Matt Anniss. It also comes with a code to download the 12-track digital download version. The compilation will be released by Cease & Desist on March 25th 2020.

First release of 2020 for Auxiliary comes in the form of a six-track EP of slower grooves by ASC. The emphasis is purely on analog synth sequences and drum machines. Cryogenic opens proceedings, with a heavy kick drum, backed with a weighty bass for maximum effect. Monomachine arpeggios are the order of the day here and are used to devastating effect. Following on is the laid back synth swells of Erosion Of Time, which leads into the more pronounced hits of Anthe, which tops off side A with a heavier crescendo. Meridian starts off the flip side in melancholic fashion, with it's half-time beats and pads that pluck at the heart strings. The final two excursions up the sci-fi notch a little, while ASC demonstrates his prowess with film score-like textures and sound design.

The next chapter for Haŵs actualises itself in the form of Dawl’s ‘Break It Down’ EP, a warehouse-ready, bouncy and charismatic record channelling insatiable vigour from beginning to end.

‘Break It Down’ on the A-side is a relentless jackhammer of a track, pumped full of rich breaks and clipped acid lines. ‘Subject 91’ flattens the gas pedal even further, with a gated, spectral synth levitating hazily above the militant drums that heave the whole track forward.

On the B-side, the brawny ‘Proton’ returns to the acidic burn of the opening track, except this one is occupied by chirping synths and oscillations of noise that seem to rise and fall with a trippy authority. Finally, high-flyer and man of the moment Kosh employs his natural gift of the gab on the closing remix of ‘Break It Down’ with a raucous rhythm and a regurgitated bassline that never dwindles on its own gusto.

Despite the substantial weight and pugnacity of this 4-tracker, the staple Haŵs euphoria twinkles through. There’s no shortage in complex drum sequencing, breaks samples and all the other frills, yet the final output is compact and neat. As Haŵs increases it's vision more extensively to dance music from across the board, it seems that the best things might at times come as contradictions, and this record’s tone certainly fits the bill.

Dj Brisk is a legendary old skool artist who has been a force in both the hardcore and the hard house scene for decades, and remains committed to his craft in a way that many artists have not.

These timely remixes of his classic anthem “Airhead” run the gauntlet is style and texture, with the superb work from all involved. Sanxion brings a proper birth of rave feel to his remix, while Fracus & Darwin take it right up to today’s sound. The Sunny & Deck Hussy remix is an amen workout worthy of any 1995 set, and Audio X throws down a bright d’n’b roller.

Club/DJ Support: Billy Bunter, the Fat Controller, Dj Brisk, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Liquid, Hyper On Experience, Ant To Be, Ponder, and ... many others.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

The title says it all: “19 Feedbacks”. French multi-instrumentalist and sound-experimentalist Dominique Grimaud dives into his adolescence and the 1960s, when he discovered music that he could identify with and that would stay with him for his whole life. But “19 Feedbacks” it’s not just about memories or music, it’s about feedback. The beginning of the use of feedback on pop and rock songs throughout that decade and beyond.

It helps – of course it helps – that Dominique feels and knows what he’s talking about. He lived those years. He knows the energy and the momentum and the historical breakthroughs that were made every time a rock band pushed the boundaries of commercial approval. He uses samples of feedbacks from that era and builds beautifully enigmatic sound-pieces around them.

Some of those samples/feedbacks will be very recognizable. It’s not worth telling because it will spoil the experience of listening and dive into “19 Feedbacks”. It’s better if the listener isn’t expecting them and enjoy the ways Dominique explores them and reintegrate them into modern experimental music.

Although it carries that experimental side, “19 Feedbacks” normally feels as a freeform library music. Tracks like “Out Of The Sand” and “Green And Blue” carry a beautiful ambiguity of handcrafted electronic sounds thought for an electronic library of sound, to be or not to be used for a movie, radio or television. While others, like “Soft Voice” or “18 Tides” dwell along the ambient spectrum.

Some tracks carry a more electronic momentum. Dominique adapts the “19 Feedbacks” to fit different styles and he wasn’t trapped in the gimmick side of working around such specific samples. It’s a brave new world of sound escapades and sonic ventures. You never thought you would hear the Beatles, Stones, Captain Beefheart or Pink Floyd sound like this.

All songs by Dominique Grimaud
Artwork by Evan Crankshaw
Vinyl cut at Dubplates & Mastering Berlin

Twelve years have passed since eedl released their masterpiece “Everse” spa.RK, 2007 and in that time the duo -formed by Miguel Ángel Martínez and Joan Duat- have shied away from the spotlight and stage. Despite this apparent lethargy, their previous two works - "Parallemped EP" spa.RK, 2003 and the aforementioned "Everse"- provided them with cult national scene status, while raising more than a few eyebrows among European “headz”. Both works continue to sound overwhelmingly modern and
undated, an obvious signal that eedl is a special breed of cutting edge electronic music.

Although creatively silent for a number of years they have remained musically active. As well as his career as a product designer, Miguel Ángel has applied his musical experience to the technology sector, and since 2016 has fully immersed himself in “modular”–Winter Modular, Plankton Electronics and Patching Panda–; Meanwhile, Joan, office programmer and classically trained pianist, has found his equilibrium with work and building a family life.

"Unstored" is their long awaited return to the fray and their second studio album. It is comprised of eight songs, some of which have been have been slow cooked since 2002, with others gestating more recently. Maybe such a long hiatus seems excessive, but the meticulousness nature and obsessive love for detail found in "Unstored" more than justifies the wait, which at times felt like a long goodbye.

This collection of songs navigates between perfectionist electronica, new generation electro, noisy harmonies, glitch and deconstructed rhythms; a sonic memoire with strong roots in British experimental electronic music -reminiscent of Autechre or Plaid-, another reason in understanding the longing produced by their extended absence.

It is therefore with great honour that in early January 2020, Lapsus will release the new album from the elusive eedl project in a luxury edition format.

Eusebeia’s ‘Equal Rights + Justice EP’ summons the ancient and esoteric, delivering a cosmic rocket ride fuelled by an assault of rhythm & bass pressure.

DJ Support
Om Unit, Rob Smith/RSD, Sully, Tom Ravenscroft, Flight, Foul Play, Mantra, Double O, Dead Man’s Chest, FFF, Etch, Appleblim, Mani Festo + more

Soft Computing the latest sub label from Unknown To The Unknown dedicated to computer generated IDM and modulated dance floor kutz present a new 4 track EP from HAMMER, previously spotted on Feel My Bicep, Sulta Selects & Correspondant - here HAMMER debuts on Soft Computing with 4 tracks of sublime club ready progressive house & techno gems.

The B-Boy EP presents 4 diverse tracks, from the haunting set opener sounds of ‘Mind Control’ to the ‘Old Skool’ inspired ‘B-Boy’ Madcap goes deeper with a Jungle twist on ‘Bleep Track’ & finishes off with experimental Egyptian vibes on ‘Badlands’
All tracks bring together rolling breakbeats, low frequency sub b-lines & vocal samples.
Support from LTJ Bukem, Digital, Storm, Foul Play, FBD Project & Stretch.

Matthewdavid is a co-founder of the Los Angeles label Leaving Records, and a collaborator of Flying Lotus, Sun Araw, Julia Holter, Laraaji, Odd Nosdam, among others. Experimental Bliss is his first album on Umor Rex, two long pieces devoted to the bliss of experimental music creation. This is unconventional music, aiming to assist the listener in attaining a state of bliss or relaxation. It incorporates obvious artifacts of compressed noise and texture with harmonic tonal elements. The creative process is always evolving and changing, often relying on digital music software and hardware technology to process and re-sample collected 'organic' sounds from analog or environmental sources. Side A, Lo-fi bliss music, was recorded and performed live at the Leaving Records modern new age night event, using dynamic compression experiments with a processed & looped Critter & Guitari pocket piano, and ocean sounds samples from a cassette. Dynamic rhythmicals was recorded live at home, using digital marimba samples.

Stuttgart, Germany based multimedia artist and producer MinaeMinae delivers his debut release of cosmic polyrhythmic explorations with Variante. Whether beamed in from the future or uncovered from the past, Variante calls to mind a place and time far from here and now. Synthetic mallets and anti-guitars comprise the record’s gritty foundation, while interlocking melodics and where’s-the-one rhythms tessellate a kaleidoscopic patchwork.

‘’Ruff drum computer- and bubbling ambient excursions from Bonn, Germany, making their first appearance on vinyl for the new decennium’’.

Newly established label Raakvlak plucks a lush synth gem from the depths of 80’s D.I.Y.- cassette culture for their inaugural release. Heil Eris / Enjoy sees the first-time reissue of the work of German synth-wizards Overflow. The group, conceived as the session band of cult tape label Brainstorm-Studio, merely released two cassettes within the timespan of one year, of which Raakvlak now has culled some of the finest moments.

Out of a matrix of drum computers, synths, voices, tape FX and a flute come these five live-takes (no overdubbing used!), dedicated to the trio’s mascot Apumé, which was present at all sessions.

Ranging from the aquatic ambient excursion on ‘’Pressure Wave’’ and the existential cold-wave pop of ‘’Take A Chance’’ to the blissed-out downer ‘’Voiceless’’, Overflow shies away from musical expectations and thereby sounds as up to date as ever.
Restored, remastered and available on wax for the first time! Comes with download card plus three digital bonus tracks.

Pugilist steps up on Trule with a four track EP of sound system club heaters across various styles and BPMs. From the broken UK garage of the title track, the crunching breaks of Untitled with ILK, the dub wise Junglism of Adversity with Tamen, and the techno dancehall variation of Portal. Something for all the dancers.

Lovely Music present a vinyl reissue of Robert Ashley's Automatic Writing, originally released as an LP by Lovely Music in 1979. Over the course of Robert Ashley's career his preoccupation with language and the voice took many forms. He became known in his librettos as a wonderful, funny, moving writer. But with Automatic Writing he examines language at a very "primitive" level -- the human impulse make sounds to express his inner state, whether it be regret, embarrassment, fear, or happiness -- even though there is no one else to listen. Talking to oneself.

Automatic Writing CD compiles three early Robert Ashley works from 1967-79 - some of his most experimental works. Composed in recorded form over a period of five years, "Automatic Writing" is the result of Robert Ashley's fascination with involuntary speech. He recorded and analyzed the repeated lines of his own mantra and extracted four musical characters. The result is a quiet, early form of ambient music. The piece rather famously formed the basis for Nurse With Wound's A Missing Sense (1997). Steven Stapleton's commentary on the recording: "A Missing Sense was originally conceived as a private tape to accompany my taking of LSD. When in that particular state, Robert Ashley's 'Automatic Writing' was the only music I could actually experience without feeling claustrophobic and paranoid. We played it endlessly; it seemed to become part of the room, perfectly blending with the late night city ambiance and the 'breathing' of the building." The piece features the voices of Ashley and Mimi Johnson, with electronics and Polymoog backing, with a switching circuit designed and built by Paul DeMarinis.

"Purposeful Lady Slow Afternoon" and "She Was A Visitor" are excerpts from an opera entitled "That Morning Thing", composed in 1966-67 as a result of Ashley's impulse to express something about the suicides of three friends. "Purposeful Lady Slow Afternoon", originally issued in 1968, is a woman's description of a sexual experience. Ashley attempts "to demonstrate the dichotomy between the rational-whatever can be explained in words-and its opposite-which is not irrational or a-rational, but which cannot be explained in words." The lead voice performed by Cynthia Liddell, the processed back-up chorus, the recurring bell tone, and the pervading tape hiss, create an unsettling mood. "She Was a Visitor" was originally issued on the electronic compilation Extended Voices in 1967. It is another form of description, intended to be understood as a form of rumor. The chorus is divided into groups, each headed by a leader. A lone speaker repeats the title sentence throughout. The separate phonemes of this sentence are picked up freely by the group leaders and are relayed to the group members, who sustain them softly and for the duration of one natural breath. The time lag produces a staggered, chant-like effect, with the sounds moving outward from the nearest performer to the farthest. Booklet notes by Robert Ashley.

"On Automatic Writing, Robert Ashley composes under the influence of his 'involuntary speech.' (In his liner notes, Ashley revealed that he suffered from 'a mild form of Tourette's.') The piece starts quietly, with scraps of Ashley's mild, tremulous voice arranged next to more fluid French translations and barely-there touches of Moog. After Ashley's phrases lengthen enough to encompass sense-making phrases, a bass-register groove briefly appears, vanishes, then returns. Few pieces so quiet have proven as captivating; many that intend to be equally startling can't capture Ashley's range of surprises." - Seth Colter Walls, from Pitchfork's "Fifty Best Ambient Albums of All Time"

Introducing Rockstone; a fresh, bass heavy duo hailing from Canada, who present 4 incredible diverse cuts. Including the vocal talent of Rider Shafique, on their first EP for Navy Cut.

Invisible City Editions reissues a selection of classic street soul tunes from the legendary duo Soul Connection (Toyin Agbetu and Earl Myers). A mix of well loved tracks from Soul Connection's 1988 "Rough & Ready" and 1990 "Raw Street Soul", remastered from the original master reels. This one has been a long time in the making and we are really excited to finally put it out!

You’d be hard pressed to find a more central figure to the story of ’80s UK Street Soul than Toyin Agbetu. A former computer programming prodigy turned musician/artist/producer, Agbetu was one of the principals in the development of a sound that merged the playful romance of soul music with the DIY ethos and raw, drum machine-driven beats of hip-hop and other burgeoning underground movements of the time. With his London-based independent record label, Unyque Artists, and a studio HQ-ed out of his Hackney bedroom, Toyin would embark on a remarkably prolific run as a producer and artist under a myriad of aliases and pseudonyms on associated spin-off labels. One such project was Soul Connection – a collaboration with friend and fellow indie label head Earl Myers that, despite its low-key bordering on phantom profile, yielded two albums, Rough and Ready (1988) and Raw Street Soul (1990) released on UA affiliate Intrigue Records. Though both LPs were well received upon initial release, the years since have only increased their stature amongst fans of elusive grooves. As evidenced by the six beloved tracks collected on Invisible City Editions’ Street Soul EP, Soul Connection’s addictively simple hooks, punchy mid-tempo rhythms, and forays into breakbeat and house remain as easy to appreciate as ever.

Includes 8 page booklet with an interview from Jeff “Chairman” Mao.

Tropical Syndroms is the second album by Thé Déluge, a.k.a. Vincent Caylet, also known as Cankun (Not Not Fun / Hands in the Dark). Like his debut album Forest Structures (Umor Rex, 2017), this new installment is an amalgam of sounds generated through multiple devices and analog synthesizers, loops and layers creating an incredible mix of textures, sounds that can almost be touched. In Caylet’s work, there is always a certain familiarity in the tones, there is an implicit nature present, an ancient ecosystem that evokes somewhat ghostly landscapes, intrinsically friendly, subtle and sweet, concrete and sharp. Tropical Syndroms is one piece lasting almost 38 minutes, a cinematic trip inspired by Asian films. One single piece with many different atmospheres, but with one unified idea leading to a melancholic statement.

So, finally we succumbed to popular demand. With the interest in the digital-only tracks we put out this year and the subsequent demand to have some of them on vinyl, it was decided at INVINC HQ to press up the most requested of these on nice shiny discs and package them in one of our nicely designed sleeves. Just for you.

The digital releases DD01 (The Mamba) and DD02 (Krokakai) came about to provide a more DJ-focussed aspect of the label: dancefloor-friendly tracks that didn't wander off quite so far into the oddball, esoteric, 'psychedelic' territory of the label's primary output. It seemed digital was more appropriate for this output....however, much feedback and many emails have proven this isn't quite the case.

The fourth part of the Wave Earplug series trying to support the underground wave scene across Europe. Released on vinyl LP limited to 500 copies. This time artists come from Albania, Canada, Germany, France, Colombia, Slovakia, Sweden, Belgium and Hungary.

Golden Retriever and Chuck Johnson are artists unified by their ability to build entire ecosystems of sound. As Golden Retriever, bass clarinetist Jonathan Sielaff and synthesist Matt Carlson blur the lines between their respective instruments while guitarist Chuck Johnson is lauded for crafting a diversity of atmospheres, be it through fingerstyle acoustic or droning pedal steel. The combined powers of the trio is intoxicating. On their debut album, Rain Shadow, they combine slowly shifting instrumental layers and clouds of melody and texture, punctuated by emotional peaks. Minimalist approaches compound into maximalist pieces, evoking images of vast open desert and clear skies, simple yet seemingly endless. Rain Shadow's title is taken from a natural phenomenon which leaves the plains just beyond mountain ranges desolate and dry. Each piece moves with the ease and progression of a cloud formation. Inside a wash of ever-building layers of drone, subtle movement propels them forward. The album's A side emulates the the beauty and solace of these open spaces with lush beds of pedal steel chords and deliberate melodies trading between synthesizer and bass clarinet. Sielaff's increasingly distorted winds on "Sage Thrasher" gradually guide the ensemble towards the overcast deluge of the album's second half. The trio utilize steady, imperceptible motion akin to a desert's wind eroding stones into new and exciting configurations of sound. The four longform pieces that comprise Rain Shadow were devised entirely remotely. In contrast to the album's harmonious sound, each member of the trio tracked their performance separately from one another - Johnson from in Oakland, CA, and Sielaff and Carlson each in their Portland, OR homes. Previous Golden Retriever albums have used live performances as a reference point for arranging and consolidating ideas, but Rain Shadow's collaboration instead grew from members introducing a simple idea and each other member responding with musical reactions. Johnson's extended tape loops which gently degrade with each repetition into resonant tones served as the basis for the album's two longer pieces. Like the phenomenon that inspires the title 3 different forces come together to create something new.

Picture disc LP housed in gatefold sleeve. Includes CD with bonus track.
With his second release for the Swiss-based Hallow Ground imprint after 2016's Soisong reissue, Ivan Pavlov pays tribute to the late Sentrax founder and prolific musician John Everall, who passed away in September 2014. Sourced from analogue material provided by the artist widely known for his output under the Tactile moniker for a collaboration that never came to fruition, the six tracks are an exercise in minimalism and subtlety singular even in Pavlov's impressive back catalogue. On COH plays EVERALL, Pavlov focuses on swirling arpeggios whose colourfulness is mirrored in the Ruth Stofer's artwork for the limited picture disk release. From the joyful, handclap-driven »2016« to the hectic gabber derivate »OVERBEAT«, the Russian producer explores a minimalistic yet organic palette of synthesizer sounds that stylistically reach from the hymnic poise of »WAVETRAP« to the playful and warm vibes of »ALONE (MINIMAL SELFIE)«. While it might sound almost pointillistic on first listen, COH plays EVERALL unfolds its multitude of layers slowly over time. With a feature of Coil's Jhonn Balance on the CD-only bonus track »Hunger Remix«, Pavlov adds yet another facet
to this evocative marriage of sonic purity and emotional rawness. Over a throbbing rhythm, the late poet's dry intonation serves as an eerie coda to this tender tribute to lost friends. As a dialogue between this world and the other, CoH's digital manipulation and Everall's analogue source material as well as stark minimalism and tonal richness, COH plays EVERALL captures two kindred spirits bidding each other farewell.

Off the back of storming the UK charts once again with latest single 'White Noise feat AlunaGeorge' - DISCLOSURE are extremely excited to announce the title, artwork and release date for their eagerly awaited details of their debut album.
'SETTLE' - the brothers' first full-length recording - will be released on June 3 via PMR records (home to Jessie Ware and Julio Bashmore among others).
Leading the charge into the album is the single 'You & Me' featuring Eliza Doolittle, and as you'd expect, Disclosure continuously prove their ability in bringing the best out of their vocal collaborators, with Eliza's lustrous vocal immersed among Disclosure's trademark 2-step garage rhythms, once again showing beyond doubt their capacity in delivering yet another anthem alongside previous singles Latch and White Noise.

Having steadily built a name for themselves as purveyors of a standard of music production way beyond their tender years, they've spent a solid couple of years honing their already prolific output into what's sure to be one of the debuts of 2013 - in any genre.
Highlights:
'You & Me' was released on Sunday 28th April
The single was the week's HIGHEST new entry in the official chart midweeks at number (J) CD 10
Single remix roll out as below:
16th May Zane Lowe exclusive Baauer
w/c 20th May online exclusive Flume
'You & Me' Remix EP and 12' Vinyl available June 24th
R1 Zane Lowe Session (May 15th), R1 Zane Lowe Album Of The Week (May 27th) and Radio 1/1Xtra Live Lounge (June 5th) all confirmed

'Latch' featuring Sam Smith and 'White Noise' featuring AlunaGeorge have now sold over 650K combined (making both Silver certified singles).

White Noise' which entered the UK singles chart at #2 on release remained a Top 15 single for the consecutive 10 weeks.

Rotterdam's Nr1 Jungle & Breakcore badman FFF back on PRSPCT's RVLT imprint.

4 tracks that deliver all things great this legendary producer has to offer. A little more subtle this time round but still oh so powerful.

24/7 Soundkiller is one of those records every true junglist needs in their life!

Garden City Movement's debut album 'Apollonia' is set for release on 16th March 2018. The trio of Roy Avital, Yoav Saar and Johnny Sharoni produce a blend of sounds drawn from their diverse cultural worlds, ranging from art-pop to experimental house to horizontally-aligned vibes.

Since surfacing at the close of 2013 with their breakout track 'Move On', Garden City Movement have released 'Entertainment' and 'Bengali Cinema' EPs, the 'Modern West' 12' in collaboration with The Vinyl Factory, climbed the Hype Machine Popular Chart with multiple singles, recorded live sessions for Boiler Room, Majestic Casual and FACT, opened for Bonobo, Caribou, Alt-J and played all over the world. The band's music video for 'Move On' received a nomination for Best Music Video at the LA Film Festival, won Best Video of The Year' at the MTV Israel Music Awards and the video for 'She's So Untouchable' screened at Raindance Film Festival in London.

Recording through 2017 at their studio in Tel Aviv, Garden City Movement took the time to explore their sound as a band. From the combination of dream-like vocals and cinematic-RnB in singles 'Slightly All The Time' 'Before I Fall' and 'A Means To An End' to the leftfield four-four of 'Mediterranea' and 'Sans Titre' or the ethereal jazz of 'I Knew Before I Met Her (That One Day I Would Lose Her)' and worldly influences of the title track - the heightened craft in their production is firmly felt across the album's 18 tracks.

After releasing three EPs, which each had a very tight deadline, recording the album has been a chance to grow. It's the first time we have been able to really take the time and experiment a lot in the studio, try to develop and deepen our language, come up with new sounds, and take our techniques even further'. - Garden City Movement

The album takes a darker path lyrically, exploring the breakdown of a fading relationship and the depression, loneliness and abuse that follows. While not explicit, this melancholy grounds the album in the real world. The fusion of forward facing production and confessional account of human-interaction frames an emotional and honest album of modern soul music.

Golden Retriever and Chuck Johnson are artists unified by their ability to build entire ecosystems of sound. As Golden Retriever, bass clarinetist Jonathan Sielaff and synthesist Matt Carlson blur the lines between their respective instruments while guitarist Chuck Johnson is lauded for crafting a diversity of atmospheres, be it through fingerstyle acoustic or droning pedal steel. The combined powers of the trio is intoxicating. On their debut album, Rain Shadow, they combine slowly shifting instrumental layers and clouds of melody and texture, punctuated by emotional peaks. Minimalist approaches compound into maximalist pieces, evoking images of vast open desert and clear skies, simple yet seemingly endless. Rain Shadow's title is taken from a natural phenomenon which leaves the plains just beyond mountain ranges desolate and dry. Each piece moves with the ease and progression of a cloud formation. Inside a wash of ever-building layers of drone, subtle movement propels them forward. The album's A side emulates the the beauty and solace of these open spaces with lush beds of pedal steel chords and deliberate melodies trading between synthesizer and bass clarinet. Sielaff's increasingly distorted winds on "Sage Thrasher" gradually guide the ensemble towards the overcast deluge of the album's second half. The trio utilize steady, imperceptible motion akin to a desert's wind eroding stones into new and exciting configurations of sound. The four longform pieces that comprise Rain Shadow were devised entirely remotely. In contrast to the album's harmonious sound, each member of the trio tracked their performance separately from one another - Johnson from in Oakland, CA, and Sielaff and Carlson each in their Portland, OR homes. Previous Golden Retriever albums have used live performances as a reference point for arranging and consolidating ideas, but Rain Shadow's collaboration instead grew from members introducing a simple idea and each other member responding with musical reactions. Johnson's extended tape loops which gently degrade with each repetition into resonant tones served as the basis for the album's two longer pieces. Like the phenomenon that inspires the title 3 different forces come together to create something new.

Three track Lolita' EP by Lolina, written produced mixed, spending ££ in the city, not-record-label release. Mastering, additional mixing Amir Shoat. Limited edition 10" - TIP on this... don't sleep!

Breakbeat Kaos Returns To The Forefront Of The Bass Music Scene In 2018 Celebrating 15 Years Since Its Inception. Founded By Dj Fresh And Adam F The Bbk Brand Has Been Synonymous With Some Of The Biggest Talents Homing Over The Years The Likes Of Pendulum, Nero, Brookes Brothers, Chase & Status, Sigma And Of Course Fresh Himself.

2x7"

Brand new EP from the London's own Mowty Mahlyka aka Dark Angel, well know for his previous Moonshine Recordings killer release 'Propaganda'. Riddims for this double 7" beauty were cooked by the Moonshine all stars - Bukkha & D-Operation Drop. Expect some serious dubwise fayah!

W&P by Ondarituale Mastered by Stefano Rocchi 2016 (Berlin).

After the first 2 Phil releases that both sold out in the first days we have Phil 002 ready. Simon Hinter delivers another amazing record thats prooves that not everything has to be retro to be cool!.

Limited to 100 copies!

Species Of Fishes was created in 1993 in Moscow during the experimental home sessions of Igor Kolyadny and Vitaly Stern, which resulted in the recording of the Songs Of A Dumb World, a sampledelic album, published on the sublabel of the Dutch Staalplaat - Kormplastics in 1994. It was followed by the album Trip Trap (1996) on the domestic label Exotica, which immediately affirmed Species of Fishes as one of the leading electronic groups in Russia. It is this seminal album that marks the first release of Nina Kraviz's new label GALAXIID.
GALAXIID runs as a sub label of , illuminating the listening side of Nina's musical taste with a focus on experimental, ambient and psychedelia. As with , GALAXIID has a strong connection to art through it's visual identity, with all the cover artworks drawn by psychedelic artists.
Trip Trap was so ahead of its time upon initial release and still sounds modernistic as it is rereleased almost 20 years later. Here, Species Of Fishes explore different genres of electronics, somehow interpreting them and creating their own unique out-of-genre stylistics, marrying different styles such as breaks and experimental in 'Health 100%', electro and ambient in 'Crash Recovery', IDM and techno in 'Bfg9000 vs. Barons Of Hell'. The 10 tracks range from short interludes '(Backspace)' and (Alt+Tab) to more lengthy tracks '(The Web)' and 'Access Depth'.

Genre blending and audience crossing drummer/percussionist Eric Thielemans is proud to present a brand new, exciting combo together with Rudy Trouvé , Mauro Pawlowski , Roman Hiele and Jean-Yves Evrard . With this eclectic band ET sets out to explore, or rather rub against the obscure repertoire by Jazz masters such as Ornette Coleman, Alice Coltrane, Sun Ra and Albert Ayler .Are The Mechanics a Jazz combo The Mechanics don't know. As of yet, The Mechanics have no real memory of their own. What they do know is that they are impatient to check out the mechanics behind those musics that tick their tock. They will do so as they are feathered. In colours, primal and expressive. And what better way to understand something than by breaking it and then trying to fix it .Tagging The Tag : The Ex, Liquid Liquid, Ornette Coleman, Sun Ra, James Chance, Alice Coltrane, Aphex Twin, Roland Kirk, John Cage, The Love Substitutes, Hiele, Evrard, Trouvé, Pawlowski & Thielemans.
Tag Away ! The Mechanics is an exciting new band operating out of Antwerp, home base to bands and musicians such as dEUS, Evil Superstars, Dead Man Ray, Chantal Acda, Tape Cuts Tape, Gruppo Di Pawlowski, The Love Substitutes, Kiss My Jazz, Mâäk's Spirit, The Mechanics bring together 2 generations of musicians out of the avant jazz, improv, rock, songwriter and electronics scenes. Mixed into an exciting cocktail of energies childishly bald and raw, maturely tender and constructive, spiritually curious and rocking loud with electronic burning sonic edges.

Alternatively titled: 'Homoswavesailors', Jack Cccoy's 1984 film about the birth of windsurfing details, through the gaze of the sport as a pre-historic ancient ritual, the exploits of a few of the sports originators. Backing up the clear 80's blue visuals of waves white washed wind blasted FX, is a variety of original pop and synth music made by the films' composer, Chris Eggleton. There are no song titles, rather each track is spiced-up with wind and wave sound fx, which were originally meant to act as sound accents for wave sail action in the film. The pop songs are beach-spiked hits, sounding like New Zealand's flying nun rock, or blasted out prince chorus funk, but with added film sound fx, the essence of the silver screen begins to creep into the medium of audio disc! The synth music on Tradewinds sounds as if Tangerine Dream made inspirational beach movie tracks during the height of their 'Firestarter' period. The mix is arranged by Pacific City, so that the summer doesn't crash and burn. For the first time in history, Pacific City Sound Visions presents: the original motion picture soundtrack to 'Tradewinds' on vinyl LP. Break down..... shake down..... ya busted......

TMPZ005 sees 21-year-old Zimbabwean experimentalist TTN stepping up. The release is a collection of projects he started when he was just 18 and then refined as he collected more sounds, travelled and got more exposure to different music and cultures. The album contains 12 varied productions with tectonic twists influenced by IDM rhythm, R&B and distant orchestral themes.

More multi artist comp action from Dublin's Jheri Tracks. Limited runs again, so pre-orders are advised..

4x12" Box Set

* 16 tracks featuring the likes Roni Size, Dillinja, Serum, Paul T & Edward Oberon, Alibi, L-Side, Command Strange, Bou, Dr Meaker, S.P.Y, Need For Mirrors, Artificial Intelligence and many more.

* Includes download card with 25 track album available to download on WAV format.

* From 'V Classic' to 'Planet V' and beyond, the V Recordings camp have been scene leaders in creating era-defining, zeitgeist-capturing compilations. And, following on from the retrospective 'Foundation' project, it's now time for another chapter in the story - 'Future'
* Bryan Gee, widely known as one of the most influential selectors and A&R men in the business, has taken his time to compile and curate something that's more than just another album. This is Bryan's personal vision of what's to come, not only for the V brand, but for Drum & Bass music as a whole.
* Never swayed by fashions, fads and sub-genre divisions, Bryan and Jumpin Jack Frost's family of labels have been a benchmark for quality from time immemorial. So, when they call this album 'Future', that comes with authority.
* For V Recordings, the future is as much about building on what's come before as it is about brand new innovations. So, we see contemporary masters like Benny L, Voltage and L-Side pay homage to the classics with remixes of Roni Size, Ray Keith, Krust and Dillinja. Artificial Intelligence go back in on their anthem 'Uprising' to give it a cutting-edge reconfiguration, and Dr Meaker's 'Fighter' gets the S.P.Y treatment.
* Then there are the 2020 visions of artists from across the spectrum of Drum & Bass music. The likes of Alibi, Paul T & Edward Oberon, Drumsound & Bassline Smith, DJ Marky & Dirtbag, Bladerunner, Zero T, Command Strange, Carlito & Addiction, Jonny L & Need for Mirrors deliver darkness and light, savagery and euphoria, musicality and hype in equal measure. And that's just scratching the surface.
* The future that this album sets out before us is one where pigeon-holes and categories are unimportant. Certified legends rub shoulders with breakthrough artists. Heavyweight dancefloor bangers co-exist with soulfully melodic flavours. This music is unified, not by style or by marketability, but purely by the vibe. If that's what a V Recordings future looks like, we can relax. The scene is in safe hands.
* "Compilations can be easily forgotten over time but I want this one to stand the test of time and be looked back in time as something special.It's a present from me to everyone. Thanks for being with us, here you go, I hope you love it." Bryan Gee, 2020

More than five years after Federico Durand (12K, Spekk) released his solo record Adormidera through Dauw, the label announces his first collaborative full album together with Tomoyoshi Date (Home Normal, Baskaru) and Asuna Arashi (Faitiche, Home Normal): In the Open.

When Durand, Date and Arashi were touring together during the Spring of 2017 in Japan, they decided to visit the old city of Kanazawa. On one hand they wanted to wander through the streets, visit the castles and the gardens. On the other hand there was a longing for recording sessions together. This record is the result of the perfect middle ground: they did both simultaneously, accompanied by battery-powered keyboards, tiny instruments and a recorder. The track titles can be read as a story and are live recordings of that day.

In the Open combines the differential artistic practice of 3 musicians and results in 1 sonic reflection on both urban and natural elements the town of Kanazawa was depicting at that time. Not with words, but purely with sounds, this trio tried to give a glimpse of what their journey might have looked and sounded like. Even more, it’s a documentation of building friendships and long lasting ties of an increasingly integrating global ambient scene.

Second release from the promotional edits label La Bestiole Records. Loony saxophone, frenetic TR beats and love advice: everything you need to make people dance together and love each other.