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Tape Loop Orchestra - Illuminating Emissions
  • A1: Illuminating
  • B1: Emissions

Third in a series of three releases originally released as part of the Solar Light Emissions box set, now available individually for the first time.

Anyone familiar with Andrew Hargreaves' work will no doubt be salivating at the prospect of this trio of new Tape Loop Orchestra releases, extending classical/drone works that steer clear of heavy-handed emotional signposts and instead evolve through gradual, barely perceptible changes that slowly pull you into the ether.

Each of the three vinyl albums in the trilogy spans celestial dimensions with patience and emotional restraint, from the choked-up, whispering strings of Illuminating, through the layered vapour trail Emissions and the quietly grandiose sweeping arrangements on And The Light Is Ours - it's a moving affair that you'll sink deeply into if you're a follower of recordings by William Basinski, Stars of The Lid, Deathprod or GAS.

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Tape Loop Orchestra: - Solar Lunar
  • A1: Solar
  • B1: Lunar

First in a series of three releases originally released as part of the Solar Light Emissions box set, now available individually for the first time.

Anyone familiar with Andrew Hargreaves' work will no doubt be salivating at the prospect of this trio of new Tape Loop Orchestra releases, extending classical/drone works that steer clear of heavy-handed emotional signposts and instead evolve through gradual, barely perceptible changes that slowly pull you into the ether.

Each of the three vinyl albums in the trilogy spans celestial dimensions with patience and emotional restraint, from the choked-up, whispering strings of Illuminating, through the layered vapour trail Emissions and the quietly grandiose sweeping arrangements on And The Light Is Ours - it's a moving affair that you'll sink deeply into if you're a follower of recordings by William Basinski, Stars of The Lid, Deathprod or GAS.

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The Residents - Intermission
  • A1: Lights Out (Prelude)
  • A2: Shorty's Lament (Intermission)
  • B1: The Moles Are Coming (Intermission)
  • B2: Would We Be Alive (Intermission)
  • B3: The New Hymn (Recessional)

- 180 GRAM AUDIOPHILE VINYL
- TOUR EDITION OF 1.000 NUMBERED COPIES ON PINK VINYL

The Residents are one of pop history's best kept secrets, throughout the group's existence, the individual members have ostensibly attempted to operate under anonymity, preferring instead to have attention focused on their art output. Much outside speculation and rumor has focused on this aspect of the group. In public, the group appears silent and costumed, often wearing eyeball helmets, top hats and tails—a long-lasting costume now recognized as its signature iconography.

Intermission: Extraneous Music From The Residents' Mole Show is an EP by The Residents, originally released in 1982. It featured music from the opening, closing and intermission portions of the Mole Show. It was the first in a line of albums that would bear the warning that it was not part three of the Mole Trilogy. Punk band NoMeansNo covered Would We Be Alive' twice: once on an EP of the same name, then again on their In the Fishtank EP.

This limited Tour edition of 1.000 numbered copies is pressed on pink vinyl.

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The Residents - Please Do Not Steal It
  • A1: You Yesyesyes
  • A2: Santa Dog '78
  • A3: Gloria
  • A4: Excerpt From "Rest Aria
  • A5: Semolina
  • A6: Eloise
  • A7: Excerpt From "Never Known Questions
  • A8: Constantinople
  • B1: Laughing Song
  • B2: Excerpt From "The Making Of A Soul
  • B3: Skratz
  • B4: Good Lovin
  • B5: Blue Rosebuds
  • B6: Excerpt From "Six Things To A Cycle
  • B7: The Electrocutioner

- 180 GRAM AUDIOPHILE VINYL
- TOUR EDITION OF 1.000 NUMBERED COPIES ON TRANSPARENT VINYL

The Residents are one of pop history's best kept secrets, throughout the group's existence, the individual members have ostensibly attempted to operate under anonymity, preferring instead to have attention focused on their art output. Much outside speculation and rumor has focused on this aspect of the group. In public, the group appears silent and costumed, often wearing eyeball helmets, top hats and tails—a long-lasting costume now recognized as its signature iconography.

Please Do Not Steal It (1979) by oddball group The Residents was a promotional compilation album sent out to various American radio stations to promote The Residents after the release of Duck Stab.

The full title is This is a special DJ record of The Residents' alleged music. Please Do Not Steal It! Keep it at your station - we need the radio airplay. Originally, a limited run of 975 copies were pressed.

This limited tour edition of 1.000 numbered copies is pressed on transparent vinyl.

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Break Ft. Mc Fats & Cleveland Watkiss - We Are The People

We Are The People weaves mellow and uplifting piano chords with a strong verse from Cleveland, switching to Fats for his lick to cut into a heavy drop. Weighty wobbling Jungle subs, peppered with warm synth bass melodies carry this summery roller through, with both vocalists complimenting each others flavours stylishly. A blissed out dreamy breakdown gets you chilled for a switch back to the second drop bassline, going low and long with the subs. A chilled summery feel good vibe, with some backbone!

Midnite Classic, rolling in a heavy reggae skank loop for the intro sets a great backdrop for Cleveland's very catchy lyrics and melody. Switching to Fats for a minimal DnB build up and dropping with his renowned vocal style cutting over the bassline on a Junglist style drop. A classic old skool feeling but still with a fresh modern edge, this is an addictive club tune, capturing raw vibes that are always needed in the dance.

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Immaculate Rivombo - Psychic Bridge From Bujumbura

Making a debut appearance on our own Invisible EP #6 compilation last year we're very happy to at last feature a full 4-track EP from the mysterious Immaculate Rivombo. Again the music is filled with that signature sound of live African percussion and 303s but this time with additional thumb pianos, hypnotic vocals and spacey synth lines. Purporting to be from Burundi (for all we know this could be the product of an elaborate ruse emanating from Berlin tbh) the enigmatic producer (he she they) has once again excelled and produced an EP that manages somehow to sound uplifting and spiritual at the same time as it is deep, dark and dubby. Whatever, the music's great and that's what matters. Definitely one to watch out for.

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Survival - Dispatch Dubplate 008

Hot on the heels of his Take It Back album, released in June to great acclaim, music, food and art aficionado Survival picks up the baton for our esteemed Dispatch Dubplate series.
Breaking down in total to four tracks (one vinyl exclusive, one digital exclusive and two available on both formats), this is signature Survival; total dancefloor weaponry, deftly balancing harmony with hysteria and sublime vocal features coming from Naomi Pryor.
Never ceasing to amaze, with an endless stream of quality productions, the Survival sound continues to evolve and flourish, whilst remaining true to its core and instantly recognizable.

With 300 hand stamped, signed and numbered heavyweight vinyl copies available, the vinyl format for this will not be re-pressed, so ensure your copy early to avoid disappointment.

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Anony & Mous - The Nile Files

Anony&Mous

The Nile Files

12inchFOSSIL001
Fossils
13.03.2017

Middle eastern edits of the highest order. While there's the obvious choice of Pyramid Disco as the official dancefloor slayer, there are plenty of flavors to savor in this thick stew of Arabic scales, authentic darbuka breakbeats and psychedelic synth meltdowns.

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Colleen - The Golden Morning Breaks
  • A1: Summer Water
  • A2: Floating In The Clearest Night
  • A3: The Heart Harmonicon
  • A4: Sweet Rolling
  • A5: The Happy Sea
  • A6: I'll Read You A Story
  • B1: Bubbles Which On The Water Swim
  • B2: Mining In The Rain
  • B3: The Golden Morning Breaks
  • B4: Everything Lay Still

BLACK VINYL VERSION - 300 ONLY PRESSED - NEW ALBUM RELEASED BY THRILL JOCKEY ON OCTOBER 20TH..INCLUDES DOWNLOAD.

Her classic second album The Golden Morning Breaks and final Leaf release Les Ondes Silencieuses have long been out-of-print and are much sought after .This is the first time Colleen Et Les Boîtes À Musique has ever been released on vinyl, with brand new artwork by long term collaborator Iker Spozio

The Golden Morning Breaks (2005) draws on a rich palette of live instrumentation, marking a significant leap from the sample-driven sound of Colleen's debut album

Colleen's debut album, the much loved Everyone Alive Wants Answers, was reissued on vinyl in early 2016 as part of the Leaf 20th anniversary celebrations

Colleen (Cécile Schott) is as popular as ever with a new album due soon, and her 2015 album Captain Of None (Thrill Jockey) featuring in many end of year lists including Uncut, Rough Trade, NPR, New York Times, The Quietus and KEXP.

The Golden Morning Breaks (2005)

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Dear Earth - Gone Solid Ep

Dear Earth is from space.An interstellar traveller with a thing for Earth girls, he cruises the solar system aboard his sample powered mothership, harnessing the raw energies of ion propulsion and jazz to slide through rifts in time and space. He is a galactic nomad, a star voyager,a wanderer through the vastness of the void.He has decided to spend some time in London and drop an EP on Wholemeal Music.

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Forest Drive West - Persistence Of Memory

A leading light in explorative Techno minimalism & Drum & Bass revivalism at the same time.

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Pepe Bradock / Braccio Dpoco - Baby Steps Ep

ATA00BS will be released in a Number Stamped Edition, with Full Cover Art made by Pepe and will be Sealed / Shrinkwrapped.

'Keep it simple' 103636;"Reissue- Tracklist A1. Unknown A2. Pain Is Full B1. Damaged Memory B2. Damaged Memory ( Iori Remix ) Shortinfo: Roberto Bosco has selected Kiny's music to better prepare his first 12, consisting of four tracks, named 'Damaged Memory'.The track Unknown (A1) leads off the dance of the release on Last Drop Records imprint. It's a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visonary component in the musical poetic of Kiny. The track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. Something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. All this helps to shape a bad presage that fades away into the mystery. On the same side we find Pain Is Full (A2) that, according to the producer, was born in a moment of pain which can be overcome only by fighting. In fact, the track is characterized by a more combative and insistent tone, made up by the sound of snare and tom entering since the start and determining an atmosphere of contrast able to shake the listener until the end. Shouts of encouragement suggest an initiation rite in which there is struggle for survival. The titletrack, Damaged Memory (B1) has more quiet register with less ghostly vocals, perceived at times, unlike the previous tracks. The sounds have a vanished effect, such as when you create a halo on a white sheet with the dust of a pencil just sharpened. You will hear a sort of democracy among the sounds held together by the voice, a metaphor of a damaged memory, as the title itself recite, that always makes the same process till the end: it commences by recalling but then forgets. Last, is the version of the producer Iori, Damaged Memory (B2), on the same side.

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Последний логин: 8 г. назад
Seb Wildblood - Melodic Tools

Seb Wildblood

Melodic Tools

10inchSW005
SW
18.01.2017
 
2

Church boss Seb Wildblood self releases a couple of melodic tools via his SW catalogue.

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Various - Cpu Remixes

Various

Cpu Remixes

2x12inchCPU00110010
CENTRAL PROCESSING UNIT
26.09.2017

Following their 50th release milestone CPU celebrate 5th anniversary with a 2x12 LP remix compilation.

CPU has been reticent in regards to remixes, with a grand total of zero during its first five years of existence. This all changes with this dedicated remix compilation celebrating the label's 5th anniversary. The exalted roster have chosen their favourite tracks to remix from the label's back catalogue and are brought together in a very special 2x12 gatefold sleeve.

B12, Jensen Interceptor and Morphology all make an appearance alongside some of the label's seldom seen artists. There is also a posthumous Microlith remix of Tryphème - Mélodramatique.

Electro has again proven its staying power and CPU has played a key role in championing some of the genre's greatest: bringing new artists to the front line and cementing the status of the established. This five year celebration showcases the diverse tastes and backgrounds of the roster, crossing many genre boundaries - all executed with precision and attention to detail that the label is known for.

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Vespero - Azmari

Vespero

Azmari

12inchGPMUSIC02LP
GOLDEN PAVILION
30.09.2017
  • A1: The Course Of Abagaz
  • A2: Abyssinian Ground
  • B1: Isidore's Dance
  • B2: Ras Dashen
  • B3: Sever

«... The Azmari are singers and musicians wandering through the territory of Ethiopia. They carry the stories of different worlds, the sagas of cold lands with wispering winds, of flying islands, of ancient dances on the top of red mountains, of the demoted Ethiopian Princes and their doubles ... " by chronicler Tekle - Ezana (1698)

Vespero, the southern Russian wonder band formed in Astrakhan, time and time again refining their means of expression from a intricate blend of space- and retro-progressive rock with various other inspirations. This time there is an exploding mixture of afro-beat and space-kraut that paves the way to new uncharted territory. For fans of Fela Kuti, Mahavishnu Orchestra, Gong and the Ozric Tentacles. "Azmari: Abyssanian Liventure" is a live album from the VESPERO`s "Liventure" series. Recorded live in different locations in 2015-16. Azmari' shows the power of live performances of the septet. This vinyl edition includes 3 extra track not available anywhere else.

Quality pressing by SONY Austria.

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Ziúr - U Feel Anything
  • A1: Human Life Is Not A Commodity
  • A2: U Feel Anything
  • A3: Soaked
  • A4: Body Of Light (Ziúr & Aïsha Devi)
  • A5: Cipher
  • A6: Moonlight
  • B1: Rituals Of Passage
  • B2: Don't Buy It
  • B3: Laughing And Crying Are The Same Things (Ft. Zhala)
  • B4: Drawn
  • B5: Arise
  • B6: Fractals

Ziúr is one of the most exciting producers to come out of the fringes of Berlin club music in the last few years. A new generation is breaking out of the techno mould and creating in a spirit of freedom and experimentation, taking seemingly incompatible influences and balancing them into a new and exciting sound. Ziúr is also the founder and resident DJ of 'Boo-Hoo', a night championing diverse lineups, reflecting it's creative audience, bringing through the cream of the experimental dance underground. Planet Mu are proud to release Ziúr's debut album 'U Feel Anything' in collaboration with Objects Limited, a label run by Lara Rix-Martin which releases music by women and non-binary people. For someone who has previously released just two EPs, the vision of Ziúr's music is advanced and precise. It's music which beckons you into an alternate world, wonderfully alien pop music that eschews conventions. She creates eldrich atmospheres that balance gentle melody and warm pop, in which strange elfin voices sing from other worlds and spiralling rhythms feel like entire structures moving. In the latter half of the record these harden into a pounding, martial symphony of steel, and introduce the kind of rough electronic riffs and guitar samples that betray her background in punk. 'U Feel Anything' was written as a way to think about music as a tool of enlightenment, a de-conditioning force and the kind of yin and yang that can be summed up in the title of one of the songs 'Laughing and Crying are The Same Things', a track which features Swedish pop singer Zhala, whose vocals straddle twisting beats, space and staccato strings. The album also features a collaboration with Aïsha Devi on the epic 'Body of Light', in which Aïsha's vocals are pitched up and down, manipulated and distorted into wispy angelic tones, setting the tone for the first half of the album. There's a process to Ziúr's music that's informed by this wish to get beyond the small things. She says "Putting a relation on what's big and small and certainly meaningless behind our existence, how nothing is everything at the same time etc... it's something that I try to explore again and again by putting myself into a thought process, rather than having everything already formulated."

It's a record of powerful, emotional twists and turns and mind-flipping contrasts that resonate with depth. As Ziúr says "I believe you can only tell that something is harsh when you have a soft side to compare it to. If everything is amazing then nothing is, right"

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C M Von Hausswolff - Still Life - Requiem

Conceptualised (2010-2013), composed and produced (2014-2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.

'Still Life - Requiem' consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it's contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called 'emission spectroscopy' whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.

A requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings - it's a piece dedicated to promote and insert tranquility and transcendence.

This requiem also provides the listener with a certain feeling of connection - perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.

CMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago ('Squared' (CD - Auf Abwegen, 2015)). In recent years he has been collaborating with Leslie Winer ('1' (LP - Monotype 2016)) and Hans-Joachim Roedelius ('Nordlicht' (LP - Curious Music, 2017)).

He has also instigated and curated the collective sound-installation 'freq_out' during 2003 - 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others.

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Koharu Kisaragi / Ryuichi Sakamoto - Neo-plant

Lag Records are delighted to announce our first official release, a reissue of the 1986 single Neo-plant by Koharu Kisaragi and Ryuichi Sakamoto, licensed by King Records Ltd co,. Japan. The first and only single taken from Koharu Kisaragi's Tokai No Seikatsu LP, was cowritten and produced by the Academy Award winning musician, composer and producer Ryuichi Sakamoto, best known for his contribution in the pioneering electronic group Yellow Magic Orchestra and has musical scores for Merry Christmas Mr. Lawrence, The Last Emperor and The Revenant.
Singer, songwriter, dramatist and theater director Koharu Kisaragi sadly passed away 14 years after her very short musical career, single Neo-plant and her LP Tokai No Seikatsu her musical legacy. Ryuichi Sakamoto after featuring on over two hundred different releases over four decades is still creating music in varying capacities. His most recent 16th solo effort async has been met with fantastic reviews.A-side Neo-Plant is a sample heavy, avant-garde, synth pop piece driven by early hip hop and dancehall rhythms. The B-side is a completely different affair, Traumerei a minimalist piece takes more from Japanese folk with Koharu's voice swooning over bassoon melodies, finally Tail is a new age gone in a flash instrumental.Neo-plant has been cut using the original master tapes by King Records engineers in Japan. The record comes with all its original artwork including the obi and insert with English and Japanese lyrics on standard black 12' vinyl.

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Marc Codsi - Works And Coincidences

Marc Codsi has been a defining player on the Lebanese music scene for years. Tirelessly experiemental, he released 5 albums with his post-rock noise group Scrambled Eggs. His collaborations have born some of the music exciting acts to grace the scene, from electro duo Lumi to film soundtracks with Zeid Hamdan.

His second full length album, Works & Coincidences, deviates from the world of noise and experimentation that he has been known for. It is the first release of Free Hand Records, sister label of Parisian publishing company Free Hand Publishing. Set in the contemporary classical genre, with enchanting melodies hidden in rich soundscapes to solo piano pieces of disarming simplicity and beauty, this is an album for fans of Glenn Gould to Brian Eno.

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Marcello Giombini - The Beast In Space

Death Waltz Recording Company is proud to present the pulsating Italian synth score to director Alfonso Brescia's 1980 sci-fi adult action film, THE BEAST IN SPACE (La Bestia nello Spazio).

Borrowing heavily from Walerian Borowczyk's THE BEAST (La Bête), most notably its sexy b-movie seductress Sirpa Lane, along with elements of STAR TREK, CALIGULA, and even STAR WARS (light saber battle, anyone), this treasure trove of trash cinema is truly a sight to behold. Throw in a plethora of hardcore stock footage inserts, including a loving pair of amorous horses (be sure to experience the XXX-rated version), this heavily scotch-taped piece of sleazy celluloid also features one of the genres finest electronic soundtracks. Veteran Italian composer Marcello Giombini, credited in the film as Pluto Kennedy (best sci-fi pseudonym ever), delivers a brilliant synth and effects-heavy score that was not only fitting of the outlandish images on the screen, but also clearly influenced by Wendy Carlos' A CLOCKWORK ORANGE synth work. Who better than Giombini to deliver the appropriate soundtrack to an intergalactic struggle which somehow ends up with a giant well-endowed space faun chasing Sirpa Lane around an extraterrestrial landscape. This score will surely enhance your auditory senses during your next space sexcapade...but be forewarned, dear friends - you never know who (or rather, what) might pop up.

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Traag - Money Orientated

Traag

Money Orientated

12inchGODCUTS001
Gang of Ducks
13.10.2017

Gang of Ducks launches G.O.D. CUTS, a new catalogue dedicated to a series of super limited EPs.

Available in a non-specified number of copies, these releases are hand-cut on vinyl by the label itself.

Vinyls are all transparent, without the paper center label but with a white silk screen design + hand stamped cat. number.

They will also come with a brand new series of cover artworks designed by Airbag studio, realised with white silk-screen print on black paperboard.

On the inside, an internal sleeve with another artwork + all the info about the release.

Due to this, the final price will be higher than the standard GOD catalogue and every shop is asked to take no more than 5 copies, to let everyone have them.

The first Ep of this series couldn't be by any other but Travis Galloway and Chris Durham aka TRAAG. The Detroit based guys have inaugurated the Gang of Ducks imprint with the magnificent "White Wall" ep and after that, in 2014 they released a mini-lp named UPN 50, one of the most appreciated outputs of the label.

"Money Orientated" ep explores the most narcotic side of their sound, which takes influence from the Michigan noise scene spitting out some bad washed EBM beats.

The 5 tracks follow one another perfectly, proving that the Traag sound has become a solid thing.

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Various - Tectonic Plates Volume 1

* LIMITED EDITION VINYL REISSUE with Free CD.

* Originally released in 2006 over a series of 10" vinyls, and accompanying CD, Tectonic Plates Volume 1 became a hugely important landmark in the evolving soundscape of the emerging dubstep scene at the time. The compilation features an all-star line up and includes many formative classic tracks by scene-defining producers of the era. If you were there at the time, you will know this was a definitive compilation for both Tectonic and for dubstep in general. 10 years later and we are celebrating this seminal release with a special edition reissue, collating all 8 tracks from the 10" series into a double vinyl 12" pack. * 'Bahl Fwd' opens the compilation in fine style. It's known for being Skream's weightiest ever production, and when dropped on the right system will cause buildings to crumble. It's an all-star lineup though and alongside we also find underground anthems from Digital Mystikz' 'Molten' (Coki on production), Oris Jay under his Tectonic alias DQ1,with 'Wear The Crown'; Roly Porter of Vex'd under the guise of Armour with 'Iron Man'; Distance's trippy sitar-led 'Temptation'; MRK1's grime-dubstep crossover sound of 'Slang'; Hijak's drifiting 'Nightmarez' and, of course, one of the all-time Loefah classics, 'System'. Original sounds from a definitive era in dubstep music.* Also included in this limited edition package is CD2 of the original Tectonic Plates Volume 1 CD edition - a special Tectonic mix recorded in 2006 by Pinch featuring compilation tracks alongside exclusive, and still unreleased, tracks such as 'Pages' by Pinch, 'Full Metal Jacket' by Omen and 'The Haunted' by Headhunter. You won't find them anywhere else.

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Wim Mertens - Struggle For Pleasure
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Zeitkratzer & She She Pop - The Ocean Is Closed

THE OCEAN IS CLOSED is a collaboration of music ensemble zeitkratzer with performance group She She Pop.

Play - according to the cultural historian Johan Huizinga - is a free activity carried out within certain fixed boundaries in time and space according to voluntary, but necessarily binding rules. It has no goal outside itself and is accompanied by a feeling of excitement and joy. It creates social alliances that for their part often surround themselves in a secret or set themselves off from the everyday world by means of disguise.
In THE OCEAN IS CLOSED the "modern composition super group" (THE WIRE) zeitkratzer and the performance collective She She Pop observe each other across the limits of their own categories. They look in fascination at their "exotic" colleagues. Outside eyes and ears are interested in different things, ask the right wrong questions, misunderstand the agreements and breach basic laws.

She She Pop and zeitkratzer play a concert: secret, order and ocean. They celebrate music and play per se.

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And - Social Decay

and

Social Decay

3x12inchEDLX055LP
ELECTRIC DELUXE
21.09.2017

Social Decay expands on their intense approach to techno with nods to noise, industrial and drum & bass. The Manchester duo's second LP-a triple vinyl package-follows 2014's Cosmic Microwave Background, which also came out on Speedy J's label.

Although there are hundreds of newer electronic music acts who wield heaviness and saturated sound as their primary weapons, AnD keeps finding bold new ways to separate themselves from the rank and file. The production duo of Andrew and Dimitri - conduits for the industrial music legacy of Manchester - excels at showing that aesthetic extremity does not have to equal monotony, and that it can be applied to any number of song forms.

Their new Electric Deluxe LP, Social Decay, is simultaneously one of their most overwhelming and most innovative efforts. This visceral new release comes from the same hazardous, blasted terrain that informs the work of kindred spirits like Kerridge, Oake, and Justin Broadrick's many projects (Broadrick has incidentally remixed material from AnD's previous LP). However, there is lots of room to maneuver within this landscape of constant tension, and AnD brings a diversity and story arc to their overloaded attack that distinguishes them from their peers.

Whereas AnD's previous LP Cosmic Microwave Background utilized the duo's intensity to pay homage to the enormity of the universe and the incomprehensibly violent processes involved in its creation, Social Decay takes things back to earth and right down to a 'street view' more gritty and contentious than what Google Maps often reveals. While AnD could have easily made a topical album in the way that classic hiphop considered itself an alternative news source, they sidestep obviously current affairs in favor of broad concepts that could be applied to any point on the timeline of human struggle.

Beginning with a feedback-drenched, shuddering premonition of things to come ('The First Element'), each successive side of the album presents a new level of intensity, itself brought about by increasing levels of tempo and compositional coherence. The first suite of tracks, including 'Corrupted Structures' and 'Anarchic Rhapsody,' is pure industrial music comprised of multi-layered noise collage, venomous and halfcomprehensible whisperings, and rhythm structures that compel listeners to maintain an obedient posture rather than to ecstatically hit the dancefloor. Without completely abandoning this atmosphere, the next four or five tracks flirt more heavily with hip-hop inflected beats and an unmistakable sense of hyper-urban vigilance. Window-rattling tracks such as 'Pandemonium' come across like urban audio camouflage meant to defend its users against surveillance by shadowy and invasive entities, while 'Screaming Voices' adds infectious EBM sequences to the mix.

Just as it seems like the duo is settling in to a groove, the mutant drum-and-bass rhythm and cinematic bombast of 'Resisting Authority' strikes with explosive high-tempo energy. As carefully planned out as a well-choreographed, climactic sequence from a Hong Kong action thriller, this is one place where AnD's dedication to narrative really shines through. 'Taking Control' and 'Kepler' provide the effective aftershocks to this number, while 'Disturbed Reality' closes out the album in an unexpected sense. While many would rely on a reflective, ambient 'outro' to help fade listeners back into reality, AnD just keep continuing to deliver the crunching beats and looped warning cries, maybe hinting at the fact that reality is not far removed at all from this record's representation of it.

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Env011 - Iii / Ftg
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Feathered Sun - Bulbo

Feathered Sun

Bulbo

12inchPL005
Platon Records
27.06.2016

After putting the band on the map with their first EP two years ago, the band Feathered sun has grown into a life of it's own. The more live sets they have played, the better they have defined their style. They are spearheading a brand of sound healing music' abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. Feathered Sun are the collaborative experiment of Nu, Jo.Ke, Raz Ohara, Chris Schwarzwaelder, Iannis Ritter and Acid Pauli Johannes Laumer. Each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. The six-strong collective are a close-knit troupe who are primarily based in Berlin and Lima, Peru. Live improvisation is ultimately what brought the Feathered Sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this EP. Side A was primarily crafted in Peru by Chris Schwarzwaelder and Jo.Ke with Raz Ohara's mesmerising vocals. The end material was then sent to Nu in Berlin who crafted two tracks out of it. The 'Bulbo' EP shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. It is a downtempo EP that has immaculate instrumentation, dreamy pads and brooding vocals throughout. This is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.




Schwarzwalder - Ocean Tree

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Cid Rim - Material
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Dj Ritchie Ruftone - Practice Yo! Cuts Vol. 5

DMC World Champion and IDA World Champion. A deep cut non skip 7" DJ scratch tool by Ritchie Ruftone, with one side at 83 bpm and the flip-side at 133 bbpm. Weighing in at 40 gms.

Сделать предзаказ29.09.2017

он должен быть опубликован на 29.09.2017

16,39
Feyder / Dj Clear - 003

Feyder/Dj Clear

003

12inchSENSI003
Sweet Sensi Records
13.04.2017

The third release for Toronto, Canada's Sweet Sensi Records! FeYder On the A-Side brings you a classic reFix of '54-46 Was My Number' - An amen smasher sure to smash the dancefloor. For the B-Side DJ Clear gives you a jungle sound-clash style tune for your arsenal.

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Gabriel Saloman - Movement Building Vol.3
  • 1: What Belongs To Time
  • 2: What Belongs To Bass
  • 3: What Belongs To You
  • 4: What Belongs To Love
  • 5: What Belongs To The Fire
  • 6: What Belongs To The March
  • 7: What Belongs To The Line
  • 8: What Belongs To Sleep

Shelter Press has made good on its promise to deliver the third and final volume of its series featuring Yellow Swan Gabriel Saloman, released both on vinyl and collected with Vol. I and. II as a double CD.
For fans of Saloman's post-Yellow Swans work - an already dense catalog of darkly cinematic compositions mostly conceived as accompaniment to some of Vancouver's edgier contemporary dance companies, Movement Building Vol. III is not only a much anticipated conclusion to this trilogy, it is the most fully realized album in years. Where as Movement Building Vol. I & II acted primarily as documentation of time-based artworks, Movement Building Vol. III offers a more coherent and narratively rich album that will appeal to admirers of Soldier's Requiem (Miasmah, 2013).
Listeners will recognize the emotive bowed strings, militant percussion and searing guitar eruptions that evoked memory and trauma in that previous album. Joining this pallet are other familiar Saloman sounds: shoegaze washes of distorted guitar, minimalist piano attacks, melancholic appregiated melodies, and a patina of harsh noise. Added to this is a more 21st Century approach to drums and bass, perhaps an effect of his collaborations with producer Michael Red in their dub-ambient project Chambers.
Saloman's music has never sat comfortably in any genre, sharing with a select cohort of other artists (Stephen O'Malley, Lawrence English, Grouper, Kreng, Tim Hecker, among others) an ambiguous position between 'modern classical', 'electronic music', and the more outer limits of metal. Movement Building Vol. III doesn't clarify as much as it expands Saloman's oeuvre further into an idiosyncratic musical no-man's land that fails to be faithful to any popular musical trend - contemporary, retro or futurist.

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Goldie - Inner City Life 2017

180g black vinyl
Limited pressing on the legendary Metalheadz label features the never before released remix from Burial of Goldie's classic anthem 'Inner City Life', re-mastered and on Vinyl for the very first time. The single and also includes a 2017 Rebuild of 'Inner City Life' The 12" is limited to 1500 copies on Heavyweight 180gm Vinyl

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Ingleton Falls - Champagne In Mozambique

Originally released in 1991 as a limited run of 100 self distributed cassette tapes. The 5 tracks touch upon Ambient, Dub, House and Balearic styles and show an ambition to create timeless music in the vein of William Orbit, Ultramarine and The Orb. 25 years later these songs finally reach a wider audience....on cassette, again....for now..

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Richard Horowitz - Eros In Arabia

This vibration is cast into new dimensions. Liberating Eros, it circles the globe, backwards and forwards, flowing to and through us. It is said the artist has a gift— suited for the erotic life of property.On Eros in Arabia, Richard Horowitz channels this vibration and bends bandit sounds by pairing the ancient ney cane flute with the Prophet-5 synthesizer. Interspersed with other instruments and ideas, like echo delayed Moroccan drumming and self-made magic, these elements deal in duality like the ever-shifting characteristics of the composer: the Hollywood Horowitz who scores films like The Sheltering Sky and Any Given Sunday, and the Morocco Horowitz who founded the Gnaoua Festival in Mogador, attended by 500,000 people every year. Working in natural succession from end to beginning, Elephant Dance' demonstrates the central synth and ney node to explore energetic sound patterns Horowitz imagined to be played in the 16th century on the island of Java, around the time Sufi's may have arrived in Indonesia. Delicately trampling the twenty minute mark, the piece offers an immersive climate of microtones that might, with the primordial matter of love, alter DNA. Baby Elephant Magic' is Elephant Dance' but sped up— producing digital baubles that sound less like an Indonesian forest, more like an urban hive of mechanical insect interaction. The piano on 23/8 for Conlon Nancarrow,' with John Cage technique at play, is played as fast as possible by a human.' The sounds are driven to derail from the space time continuum. On Never Tech No Foreign Answer,' a cheap cassette recorder microphone captures the Prophet-5 left to the devices of its master's inner clock, taking on a frenzied sound form that vibrates in place before bouncing off the tape case walls. Chaos is concentric.Queen of Saba' incorporates the vocals of long-time collaborator, Sussan Deyhim. Described as one of Iran's most potent voices in exile, Deyhim's work is in both the tradition of Sufis and the late feminist poet, Forough Farrokhzad. Recently Deyhim and Horowitz worked together on a multi-media performance based upon Forrokhzad's Iranian New Wave film, The House Is Black. Here Deyhim performs a tarir where vocals go low to high without any semantically meaningful words. Horowitz's associations with great cultural icons of the Middle East, like these women, soften (in)appropriations.Less aggressive than its predecessors, Eros Never Stops Dreaming' introduces the bendir frame drum, the feathery wind of the ney floating above its bowing rhythm with effortless mathematics. Bandit Nrah Master of Rajasthan' begins where the album ends, an ode to Shakuhachi flute players known to indulge in both trance-inducing circular breathing and espionage.Horowitz is linked with the worldly sound seeking circles of minimalist and avant-garde New York City musicians, especially Lou Harrison and La Monte Young, with whom Horowitz shared Shandar as a record label momentarily. He recorded and toured with Jon Hassell and collaborated with David Byrne and Brian Eno, Jean-Philippe Rykie, and Bill Laswell. Along his travels he befriended Brion Gysin and Paul Bowles, the latter whom mentored Horowitz over decades of correspondence, some of which documents the making of Eros and comes quite literally with this edition. A record of physical and intellectual love for Arabia, FTS extends this flowing forward and backward - a shimmer that reverses the backward spelling of Ztiworoh. Eros is presented in the ever present. To borrow from a song title, Horowitz remains gainfully employed as an inter-dimensional travel agent.LP edition purchased directly from Freedom To Spend includes exclusive Risograph printed insert with original Eros in Arabia cover collage and a reproduction of a letter from Paul Bowles and Richard Horowitz's long documented correspondence.

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Rovi Aka Piero Umiliani - Storia E Preistoria
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Shigeto - The New Monday

It's been four years since Zach Saginaw, aka Shigeto, returned home to Michigan from a stint in Brooklyn, NY, and since then, the multi-faceted musician has become a part of the fabric of Detroit's music scene. While always having a personal approach to his projects, Saginaw's influences for his third album, The New Monday are more about the community of Detroit than anything else. Named after a weekly DJ event called Monday is the New Monday that Saginaw does at the unassuming Motor City Wine with a group of friends, The New Monday is the result of Saginaw diving into the city's deep record culture, where there legacy of artist's of the past help Saginaw embrace his own contributions.

It's focused on a couple things and they all kind of come together to represent different things,' explains Saginaw. My time back in Detroit, back living in Michigan and spending time with a lot of kind of original people who have always been here, learning from them, hearing stories from them, being influenced by them, and inspired by them.'

While, in the past, projects like Lineage or No Better Time Than Now were rooted in strong personal messages, family and relationships respectively, The New Monday represents a communal eort where solidarity is the key. Going for a simplified approach of just trying to make good tracks, The New Monday is diverse in its styles leaning more into a dance music direction - new ground for a Shigeto project. A new air of confidence in Saginaw has expanded his horizons since his return to Detroit, but traces of his past work will continue to be present.

I don't want people to think I'm leaving anything,' says Saginaw. I'm still me. It's a result of me being immersed in the culture, and inevitably making music that is influenced by that culture whether it be house, techno, jazz, rap. It doesn't matter. It's all coming from what I love about Michigan.'

While The New Monday still features the jazz textures long associated with Shigeto projects, the varied elements that make up the album cohesively come together to show the distinct inspiration that Saginaw has drew from since his return home to Detroit. Like on Barry White', which features Detroit hip-hop artist ZelooperZ (a member of Danny Brown's Bruiser Brigade crew who Saginaw also has a side project with called ZGTO), Saginaw captures everything he's been doing all on one track. As much as it's hip-hop influenced, it's a mutant that encompasses elements of dance music, jazz, and ambient sounds

Throughout The New Monday, Saginaw poignantly references the musical influences that have either always been with him or newly discovered. It is Saginaw's interpretation of Detroit's rich culture of innovative artistry, but done so with respect for the history and to contribute, not disrupt.

I think over the past four years, I can confidently say that I found my place here,' describes Saginaw. I'm happy here and I feel that I have the respect from the people I need respect from, that I want respect from. It's all of the result of embracing it and embracing, not Detroit, but embracing community, embracing family, being closer to my parents, being closer to my oldest friends.

- Shigeto's third full length, his first album since 2013's No Better Time Than Now
- In between has remixed Anna Wise, Hundred Waters, Su-an Stevens, U.R. etc.
- Media support from BBC Radio, Pitchfork, Stereogum, Fader, THUMP, Resident Advisor,
- Vinyl is housed in a matte gatefold jacket with purple foil

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Various - Dream Eater 001

Various

Dream Eater 001

12inchDREAMEATER001
Dream Eater Records
21.09.2017

Dream Eater presents a six track Allstars EP for our debut release. Featuring some of the most exciting up and coming producers of the time.

A1: Following his hugely successful debut release on Hyperdub, Edinburgh local Proc Fiskal has given us an absolute heater for this plate - 'Come Here' is guaranteed to destroy any dancefloor.
A2: Stateside producer Charlux delivers an interesting trap influenced and bass driven track entitled 'Riposte.
A3: The name Nights should not be new to anyone who has followed grime music over the past few years, 'Conflict' speaks for itself, it's a monster.

B1: Dr. Hugo is a name that should be recognised by the dubstep heads, he was hugely influential in the creation of the 'Dungeon Sound'. His track 'Warrior' is a long lost dubplate from around 2009.
B2: Polonis is another one of Scotland's rising stars, with a wide range of DJs supporting him heavily both on radio and in the dance. He presents 'Slice Roll 3' for his debut release on vinyl.
B3: Bristol native SirHiss is another very talented up and coming producer. Dream Eater 001 is also his debut vinyl release. 'Blood Diamond' is a lovely 140 roller which mixes nicely with grime and dubstep.

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Gerra & Stone - Polarism

Gerra&Stone

Polarism

2x12inchDISGSLP001
Dispatch
22.09.2017

Mapping out their interpretation of 170 BPM music today, Gerra & Stone are proud to present their debut album 'Polarism' on Dispatch Recordings this September.

Harnessing wide ranging influences and often contrasting moods into the drum & bass tempo, 'Polarism' is Gerra & Stone pouring their passions into a project to bring honest, emotionally charged music from the soul, balanced by swathes of darkness and groove guided havoc.

Elements of their full spectrum come to fruition throughout the album in tracks such as 'The Fourth State', whilst shifting focuses onto more sultry, idyllic styles in 'In Disguise', right across to the gritty, dancefloor primed pressure of 'Blank'.

Enhancing the vibe of their journey, Gerra & Stone favour vocal features over collaborations, inviting close friend Visionobi, the divine Peta Oneir and introducing Jordan Jr. for the superb 'On The Outside', a track which also sees musician Stephen Mcleery returning on the piano.

Sharing their own adept approach to the genre with a milestone release, Gerra & Stone bring opposing forces into natural unison with a superbly polished debut album.

The album is available as a 12" white vinyl double pack. This includes the Vinyl Exclusive track - "The Fourth State (Dub Mix)".

Please note the Vinyl Exclusive track is not available digitally anywhere!

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Minor Science - Whities 012

Minor Science

Whities 012

12inchWHYT012
WHITIES
15.09.2017

Minor Science returns with more genre defying bass experiments on this 2 track Whities 12".
.
The sleeve designed by Alex McCullough, is a 12" accurate scale reproduction from Willem Claeszoon Heda's painting 'Still life with gilt cup' (currently hanging in Amsterdam's Rijksmuseum).

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Nicolas Jaar - Sirens ( 1 Lp, Standard Edition )

Sirens is the highly anticipated second full-length LP from Nicholas Jaar, the Chilean-born electronic music producer, mixing engineer and DJ, which comes out on October 14, 2016 via Other People/Kobalt. A prolific artist with a wide palette of talents, Jaar spent his teenage years in dance music circles in New York City, where he now resides. In 2011, he released his debut album, the critically-acclaimed Space is Only Noise. In 2012, he was contributed to BBC Radio 1's prestigious 'Essential Mix' series, winning 'Essential Mix of the Year'. In 2013, Matador released the debut album from Darkside, Jaar's project with his friend Dave Harrington. The band toured the record with a giant, rotating circular mirror, with key performances at Primavera Sound and Coachella. Other notable projects by Jaar include From Scratch, a live concept first developed for MOMA PS1, Pomegranates, an ambient record and alternate soundtrack to the Armenian film The Colour of Pomegranates, and the original soundtrack for´Dheepan, a thriller by the French filmmaker Jacque Audiard about a family of Sri Lankan refugees living in the suburbs of Paris. Dheepan won the Palme D'Or at Cannes in 2015. Jaar is the founder of the New York based imprint Other People, releasing music and spoken word by a diverse group of artists ranging from Lydia lunch to Ezekiel Honig.

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Nights - Too Much / Untouchable
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Reto A Ichi - Alone Moving Often
  • A1: Criminality
  • A2: The World According To West 50Th Pt.1
  • A3: So Contra
  • A4: Pforever Reto
  • A5: The World According To West 50Th Pt.2
  • A6: Duration Meditation
  • A7: Everything In The Air
  • B1: Magazine Pm
  • B2: Alone Moving Often
  • B3: Noise Counter Melody
  • B4: Mountainside Hillside
  • B5: Ghost Arpeggio
  • B6: I Think I'm Calm. I Think I'm Dry
  • B7: Monday Be The Worst Day

Alone Moving Often, the second album, we find Reto A Ichi
away from the city, lost in the vastness of empty summer houses and the complications that solitude brings. Sitting in the prison of his own quiet, Reto A'ichi seeks to capture the essence of silence: the compositions are stripped back further ("Pforever Reto"), the instruments given prominence ("So Contra"), and the chaos of the city replaced by the cacophony of nature ("Criminality") To be alone, one must learn to constantly move in both work and purpose. As the rest of the record unfolds, Reto A Ichi comes to realize that nothing is ever truly quiet and that to run from the world is to simply find yourself in another part of it. A sense of acceptance for these unsettling realities is reflected in the music, from the harsher tones and frequencies that resonate throughout "Noise Counter Melody" and "Ghost Arpeggio" to the heavy stroke of the keys on "Alone Moving Often" and the haunting drone of "Mountainside Hillside".

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Sully - Escape

Sully

Escape

2x12inchLDN071
Keysound
04.10.2017

Keysound Recordings are proud to announce the second album from UK don Sully. While the double vinyl features grime legends Jamakabi (Roll Deep) and Jendor (Essentials/OGs), it showcases Sully's peerless status across UK bass-driven music, moving though epic soundcscapes, twisted next ragga jams, dark 2step, grime and into chopped up jungle. 'With music one of the big motivations for me,' explains Sully, '...is its potential to push the crap into the background - to create moments where problems go out the window for a while. That's the drive behind 'Escape'.'

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Untold & Duckett - Mother's Finest Tape 02
  • A1: Untold (25 Previously Unreleased Tracks)
  • B1: Duckett (Studio Recorded Live Pa)

2 x 45 minutes of exclusive material. A battlemix of 25 previously unreleased Untold productions backed with a special, studio-recorded live PA by Duckett. Professionally dubbed and printed tape.

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Vagon Brei - The Secret Of Swamp Castle

After a storied recording career that has so far taken in albums for Further, Mathematics and Danyy Wolfers Strange Life label, Spanish artist Vagon Brei added label boss to his CV earlier this year with launch of Mystic & Quantum. Record labels come and go but few arrive driven a real specific concept in a way that Mystic & Quantum are with each album length release conceived to show stories of "adventures, magic, science". Having launched in auspicious fashion with albums from DMX KREW and San Laurentino, Vagon Brei helms the third release with a nine track set entitled The Secret Of Swamp Castle. Seemingly taking influence from Giallo Horror, Brei's album comes across as a compelling collection of synth explorations that will have you returning again and again in order to uncover the Swamp Castle's secrets.

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20,16

Последний логин: 8 г. назад
Various - Boxed004

Various

Boxed004

12inchBOXED004
Boxed
06.10.2017

"Boxed (Mr Mitch, Oil Gang, Slackk, Logos) are proud present the fourth edition in their semi-regular survey of the further reaches of instrumental grime. Fresh from one of the biggest modern production houses in grime, Boylan and Oil Gang fuse classic jump-up sensibility and the dead-eyed swagger of classic Slew Dem productions on the anthemic 'Murder One'. Elusive underground yung gun Rebore completes side A with his first ever vinyl outing, the wild, chaotic FPS referencing 'Campaign'. Slackk and Logos helm the flip-side with an exclusive first time link-up on wax, sending weightless synth probes in to the distance on the colorful, hazy 'Moroccan Squares'. Finally Manchester grime mainstay and Chow Down affiliate Fallow rounds off the slate with his Boxed debut, the angular square wave funk of Rearmament.

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Anom Vitruv - Untitled

Anom Vitruv

Untitled

10inchSTASIS008
Total Stasis
03.05.2017

another piece in the anom vitruv puzzle. might be something about what it's like to be a shadow.who can flip it like this

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B12 - Deceased Unknown

Second EP on FireScope Records the new sub label of the legendary B12 Records. A label core to the UK techno scene with roots starting in the early 90's launched by Michael Golding and Steven Rutter. FireScope Records is here to exist in conjunction with B12 Records and with the same ethos, quality music, quality packaging, without compromise and a product that will stand the test of time. FireScope will diversify somewhat, not just deep meaningful techno, but also techno with vocals, real songs with real meaning.This release is by B12, UK techno at its finest. Established early 90's with a multitude of releases appearing on Warp Records UK, B12 Records, Soma Records, Delsin Records, FireScope Records, ART B12 became active again in 2015 with the Soma release Bokide 325' and the Delsin release Orbiting Souls' and this year on DeTuned Transient Life' and on FireScope BrokenUnBroken'The EP entitled Deceased Unknown, a seemingly morbid piece of art (art/music) but look a little deeper! This EP sees B12 pick up the pace from their previous FireScope release BrokenUnBroken Coduktor' An organ plays some subtle chords behind this track while beautiful drums skip along on top, to create a sonic backdrop for the very quirky melodies and top lines that constantly evolve and interpolate. A spiritual experience Dont Look Down' 808 and 909 drum and pads always a killer combination add to this an odd malformed bass line which never really reveals quite what it is doing makes for a pretty interesting track. Don't look down where is the question Blue and Green Capsule' A pumping kick drum sets the pace for this track which builds up using classic B12 style drums. The swirling pads and sliding melodies interlaced make this track reminiscent of Epillion' as featured on the classic B12 album Time Tourist' on Warp Records in 1996. A track you can move your feet as well as your head to Minor Decay' brain decay , world decay , urban decay , human decay , music decay , unavoidable decay - a simple straightforward techno track using its simplicity to conjure up feelings of sadness and thoughtfulness as well as joy and hope. A new hope Finished in glorious red with black splatter vinyl with exclusive artwork by Sarah Sparkes

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Rainforest Spiritual Enslavement - Jungle Black Magic

- Third in a series of first-time vinyl editions of early RSE material
- Originally released on 2xtape in 2012 in a run of 49 copies
- 40 Minutes long
- Remastered by Paul Corley, cut at D&M, Berlin
- 500 copies
- RIYL Coil, Demdike Stare, Prurient, Brian Eno / Jon Hassell's

Released on vinyl for the time, Jungle Black Magic is the most substantial and disorientating release in the RSE vinyl series yet, clocking in at 40 minutes and deploying some of the most
uncomfortably humid productions in Dominick Fernow's arsenal.
Stalking phantom apparitions and infrasonic illusions from the dankest sectors of his imagination,
Fernow plays voodoo tricks on charred opener The Case Of The Male Witch From Goroka - a tropical downer underpinned by larger than life sub-bass rumblings and what sound like field
recordings of youtube rainforest nightscapes rendered in abstract, digital form.
The Verdict Handed Down By A Kangaroo Court furthers trance induction with a more tribal alignment of drums, before For The Next Three Days There Was An Eerie Silence In The Village ends the set with a completely bewildering alignment of synthetic sounds designed to play tricks on your senses; somewhere between a dark meditation aid and a reworked soundtrack to Predator - the vibe exceptionally heatsick and paranoid.
These pieces operate in paradoxical dimensions where the calls of exotic birds convey a denseness that's at odds with acres of negative space. It feels like standing in a deforested land at the edge of thick jungle, the effect is uncannily transportive; your mind constantly grappling with contrasting sensory triggers. How can something this ice cold also convey such suffocating heat
It makes for an incredible, pretty much unique listening experience; like 4th world ambience but in Fourth World...some kind of Lynchian above-the-convenience store dimension.

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Waveform Transmission - V 2.0-2.9

V0FWRUZPUk1UUkFOU01JU1NJT05XQVZFRk9STVRSQU5TTUlTU0lPTldBVkVGT1JNVFJBTlNNSVNTSU9OV0FWRUZPUk1UUkFOU01JU1NJT05XQVZFRk9STVRSQU5TTUlTU0lPTldBVkVGT1JNVFJBTlNNSVNTSU9OV0FWRUZPUk1UUkFOU01JU1NJT05XQVZFRk9STVRSQU5TTUlTU0lPTldBVkVGT1JNVFJBTlNNSVNTSU9OV0FWRUZPUk1UUkFOU01JU1NJT04

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Ariel Pink - Thrash & Burn

Ariel Pink

Thrash & Burn

2x12inchHEMK001LP
Human Ear
30.09.2017
  • A1: Shoes
  • A2: Foul Play
  • A3: Pleasure Spot 1 (Sweet Jane Rock N Roll)
  • A4: Innagecko
  • A5: I Disguise You
  • A6: Cemetary Suite
  • A7: Starry Eyes
  • A8: Those Were The Days (Now I'm 21)
  • A9: Disco Mia Aka Bust A Move
  • B10: Nothing At All / Different Names
  • B11: Memorial
  • B12: Brother Sister
  • B13: Funeral
  • B14: Leggos
  • B15: Double Jeopardy
  • B16: Red Vinyl
  • B17: Feel It With Your Landlord
  • B18: White Rain In The Windy Summer
  • C1: White Rain Reprise
  • C2: On The Beach
  • C3: The Andalusian
  • C4: Half Girls Half Boys
  • C5: Cry Yourself To Sleep (12 Minute Overture)
  • C6: Rita Mae Brown
  • C7: 50 Cents
  • C8: Cuz You're Dead (Lester Bangs)
  • C9: Dawn
  • D10: Pleasure Spot 3 - See You Are
  • D11: Rainy Den
  • D12: Red Room
  • D13: Pleasure Spot 2 - Lucinda Cunt
  • D14: Equus
  • D15: You Die Slowly And Then You Die
  • D16: Kamikaze
  • D17: I Won't See You Again
  • D18: Life Song

An absorbing look at Ariel Rosenberg's early musique concrète epic. All songs written, recorded and produced by Ariel Pink. Restoration and mastering by Alain at One Million Mangos Berlin.

Thrash and Burn dates from a time when Ariel Rosenberg, then a few years from turning "Pink", first proclaimed himself a "20th Century Composer", without a trace of irony in his voice. Appropriately, this early work takes the form of a musique concrète epic forged from Rosenberg's late-90's faux-primitif, garage-punk, and tape-loop experiments. At 94 minutes and 36 tracks, Thrash and Burn displays the symphonic ambitions of his genre-devouring pop saga, Haunted Graffiti, but with little in the way of fastidious album-oriented constructions. Rather, Thrash and Burn is a free-form tape ramble that uses gauzy atmospherics to strike up a wicked dialogue with the likes of Rosenberg's non-pop influences, like Iannis Xenakis, Pierre Schaeffer and Luc Ferrari. (In particular, Schaeffer's "Symphonie pour un homme seul" seems to get plenty of nods here.) Thrash and Burn was discovered in 2005, in an ankle-deep pile of cracked cassettes and scratched CD-R's in Rosenberg's Beverly Hills flat. Grier and Rosenberg then made an initial reconstruction attempt, and Thrash and Burn became a 4-cassette box set for the inaugural release of Human Ear Music, in 2006. The Wikipedia page for Thrash and Burn places its origin sometime in 1998. Thrash and Burn was remastered in September 2012 in Berlin, Germany. The final master was brought up to 24 bit resolution, dynamically and tonally balanced on an Apogee Rosetta and two solid-aluminum monoblock amps.

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Byron Westbrook - Body Consonance

Body Consonance is the follow up to Precipice, Byron Westbrook's critically acclaimed debut from 2015.

Taking a turn towards greater immediacy, this new album is far from "ambient" with ecstatic abstract rhythm as its anchor. An artist who also operates in visual contexts, Westbrook utilizes binaural qualities of the stereo listening format to sculpt three-dimensional sounds in perpetual motion, producing works that are both pointillistic and psychedelic.

Body Consonance is a meditation on physicality, a virtuosic choreography of sonic textures, colors and shapes woven together, Bodies in motion, conversing, orbiting, colliding.

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Caustic Window - Caustic Window Lp
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Drab Majesty - Oak Wood

Drab Majesty

Oak Wood

7"-VinylDAIS104LP
Dais Records
29.11.2017
  • A1: Oak Wood
  • B1: Egress

The solo project of the enigmatic Deb Demure: Drab Majesty has made an undeniable impact on the underground since his crushing album debut 'Careless' on Dais Records in 2015. Following a CD compilation, a relentless tour schedule, three singles and the followup LP 'The Demonstration' early this year, DRAB MAJESTY returns with the announcement of a fall tour and the somber 7' single 'OAK WOOD' b/w the beautiful ambient reflection 'EGRESS'.

IN DEB DEMURE'S OWN WORDS:
'Oak Wood" was song received a couple weeks following the Ghostship tragedy in Oakland. The DAIS family lost one of it's most beloved members, Cash Askew, and its song title is a literal translation of her last name; In Old Norse being Eiki (oak) Skogr (wood) thus making Oak Wood. I found the name to be symbolically poignant in light of the events and wanted this to be a tribute piece. The lyrics grapple with the existence of a god in a time of such utter sadness, hopelessness, and confusion.
'Egress" is meant to serve as a faint departure or daydream; spaces I often find myself drifting to as a means of escape when disturbing thoughts cyclically plague my brain. Side A confronts the issue and Side B acts as a mental respite. Making instrumental guitar pieces has always been an act of meditation and I hope if only for a brief moment, the listener can wander and lose themselves within the sonic imagery offered in this piece.

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Ducktails - Jersey Devil

Ducktails

Jersey Devil

12inchNI032LP
New Images Ltd.
06.10.2017

Matt Mondanile's sixth full-length album as Ducktails, Jersey Devil, is a mature, multi-faceted work that showcases the New Jersey musician's return to his DIY roots. Drawing inspiration from diverse sources, including the cosmic jazz fusion of Haruomi Hosono, the album is a huge leap forward in songwriting and production. It is also a testament to Mondanile's artistic perseverance and the project's true magnum opus.

Jersey Devil was recorded over the span of two years despite frequently unfavorable circumstances. Mondanile started working on the record in Los Angeles prior to his departure from Real Estate, in a cramped, stuffy warehouse space he converted into a modest studio. A few good friends came to his aid: John Anderson (Girls, Sky Ferreira) and Malcolm Oliver Perkins both played guitar and helped to compose and produce the songs, Perkins and Samira Winter also sang beautiful harmonies while Josh da Costa contributed brilliant drum fills. Mondanile also flew over Chi Yoon Hae of the South Korean indie band Parasol to play bass.

However, the music really became what Mondanile had envisioned after moving back to his hometown of Ridgewood, New Jersey, where he finished writing and recording the songs in his mom's basement. The quiet, familiar space surrounded by wood-paneled walls provided endless inspiration. Once finished tracking, Mondanile would take the commuter train to Hoboken, grab a cup of coffee from Dunkin' Donuts, and mix the album with engineer Ernie Indradat at Sonic Youth's studio. Everything felt right, the mini-mall across the street, the stock brokers walking their dogs, and the sweet summer smell in the air,' says Mondanile about the final days of work.

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Duds - Of A Nature Or Degree

Duds

Of A Nature Or Degree

12inchCF096LP
Castle Face
14.12.2017

Debut album of Manchester post-punk band."When I was first told about Duds, it came with the considered opinion that the guys were far from what you'd call 'careerists'. 'They don't take themselves too seriously' was another comment. I could have taken this as a warning that they weren't in it for the right reasons—but that couldn't be further from the truth. From my perspective Duds simply won't bend over backwards to 'get on'. They do what they do and you can take it or leave it. I took it—with both hands...with a vice-like grip. They have the invention and urgency of Edinburgh legends The Fire Engines. The Post-Punk ethic. Short songs, short sets = short album.They're one of the most thrilling bands I've seen in years—and the fact that they're releasing this brilliant piece of work on the Castle Face label adds the last piece of a perfect 'outsider' jigsaw puzzle. Duds sitting alongside Oh Sees, Ty Segall, White Fence, Useless Eaters, et al. There is a god!" —Marc Riley, June 2017

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19,12

Последний логин: 8 г. назад
E-saggila - Lux Campaign

E-Saggila

Lux Campaign

CassetteOPAL112
Opal Tapes
29.09.2017

Following an earlier release on Opal Tapes, several releases through her Summer Isle imprint and a smattering of vinyl issues on the esteemed BANK Records NYC and Aught Void, Rita M's E-Saggila project returns to Opal for the most advanced statement of intent from her so far. Lux Campaign is an elegant union of industrial and rhythmic noise music with techno (Lux Campaign, Green Zone) Jungle + DnB (Stature and Scent) and as stand alone pieces of gothic abstraction.

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Fff - The Superpowers Ep

Fff

The Superpowers Ep

12inchPRSPCTRVLT019
PRSPCT Recordings
17.08.2017

Rotterdam rude boy FFF back on PRSPCT's
jungle/breakcore imprint PRSPCT RVLT.

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Ghedalia Tazartes + Maya Dunietz - Schulevy Maker

Holotype Editions was founded as a means of bringing out music by some of the most unique and peculiar artists of the last decades. What could be more fitting for the imprint's seventh release, than the duo of cult artist Ghédalia Tazartès and multi-instrumentalist, composer and singer Maya Dunietz.

Recorded live at Cafe Oto, in December 2013, Schulevy Maker documents the duo's first live appearance. An amalgam of bizarre samples, concrete sounds, live piano and bells, juxtaposed with the otherworldly voices of Dunietz and Tazartès. At times light and humorous, at others dark and ritualistic, Schulevy Maker can hardly be labeled or tagged. The album title refers to Shoemaker-Levy 9, a disrupted comet that collided with Jupiter in July 1994. Tazarte`s and Dunietz freely reassembled the syllables of the comet's name, coming up with this obscure title.

A truly life-affirming record, by two artists defying categorization, Schulevy Maker comes in a limited edition of 300 copies, pressed on black vinyl with a beautiful cover designed by We Are Still Bold and Beautiful.

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Group Rhoda - Wilderless

Group Rhoda

Wilderless

12inchDE186
Dark Entries
11.10.2017

Group Rhoda is the solo electronic music project of Mara Barenbaum, based out of Oakland, California. The project started around 2009 with a debut album 'Out of Time, Out of Touch' in 2012 on Night School Records and '12th House' in 2013 on Not Not Fun. She is also one half of Max and Mara who released the album 'Less Ness' in 2013 on Dark Entries Records. She is committed to live performance, situated within the analog synthesizer and drum machine medium.

'Wilderless' is Group Rhoda's third full length and first for Dark Entries Records. Each of the these 7 songs draw forth tones of tropical darkwave and soft industrial, while negating the sound of conformity and control. The album explore themes of societal and spiritual displacement, contemporary serfdom, the depths of empathy, regeneration through destruction, and the tyranny of claiming recognition and power. Lyrics are poetically expressed through allegory and explore archetypes rooted more in abstract observation rather than hard line experience. Through transgression and imagination, Group Rhoda explores the arc of songwriting interwoven into stark electronic environments, and creates a bridge between the corporeal and the dream worlds.

Each song was mixed by Mark Pistel at Room 5 in San Francisco and mastered by George Horn at Fantasy Studios in Berkeley. Each LP is packaged in a jacket featuring a colorful custom made collage by Hugo Barros and includes a full color sticker and digital download card.

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15,08

Последний логин: 8 г. назад
Hainbach - No Need For Rain

Hainbach

No Need For Rain

CassetteOPAL111
Opal Tapes
29.09.2017

Hainbach is the experimental electronic project of the German composer Stefan Paul Goetsch. Using modular synthesizers, tape loops and his voice Groetsch is able to excise the most haunting tones from his rig. These are laid out or the listener to peer into or to hold the shell to the ear. The sound is organic, microbial almost, rich with micro-details and texture like some sonic mold sporing out. Later some crystals form as recital of new age styles never quite realised, the fata morgana, a desert environment where the smallest gestures are noticable against such minimalism. A fragile and exquisite listen.

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Hyetal - Youth & Power

* Coming together over three years since his critically acclaimed last album, Hyetal completes his transformation from off-kilter dance music producer to futurist pop visionary on Youth & Power. 'Previously my approach to writing music was very rooted in escapism,' says David Corney aka Hyetal. 'I began experiencing a sense of detachment in my life which led me to question how healthy this approach was. I wanted music to help me feel connected again.' Wrenching his music free from the 'confines of computer grids' and pushing melody to the forefront, Youth & Power's texturally rich, psychedelic palette is littered with live played synths, electric guitars, drum machines, processed noise and 'some under-loved 70s home keyboards' recorded at Hyetal's South London home studio.
* 'I'd describe it as experimental pop music,' says Hyetal. 'the sound is in part a return to music I was listening to as a kid, more song- and instrument-based.' Youth & Power is Hyetal's debut as a vocalist, also scrapping samples in favour of live instrumentation and hook-laden songwriting laced with myriad influences. 'I took some time out to teach myself how to sing using an app on my phone. At first I found my vocals worked best for me when there was some distance from the natural sound of my voice so everything was abstracted through a few different processes.' he explains, 'As I became more comfortable singing I decided I wanted to contrast this approach and use some natural sounding vocals that embraced the imperfections'. The album strikes a balance between robotic Kraftwerkian simplicity and soulful organic pop, contrasting the various pitch-shifting and abstracting vocal effects with sharply concise lyrics. Semblances of Hyetal's origins in Bristol's early dubstep movement are still present too, deep inside the album's meticulous rhythm beds. Elsewhere chiming retro keyboard notes and drum machine beats at times recall the likes of Yellow Magic Orchestra contrasting against waves of guitars and noise which bring to mind the influence of Bauhaus and other post punk experimentalists.
* Written as a form of catharsis for Hyetal in his search to return his music from detachment, Youth & Power seeps a sense of hope. 'I found from a distance the most immediate workings of humanity can appear extremely brutal', says Hyetal, 'but when looking through this lens you miss the beauty that happens in the moment.'

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Jlin - Black Origami

Jlin

Black Origami

2x12inchZIQ376
Planet Mu Records
24.05.2017

Planet Mu are very excited to announce Jlin's long awaited second album Black Origami'. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music. Black Origami' is driven by a deep creative thirst which she describes as this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.' Spirituality and movement are both at the core of Black Origami', inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival - 'There is a fine line between me entertaining a person and my spirituality. Avril, who collaborates with me by means of dance, feels the exact same way. Movement played a great role in Black Origami. The track "Carbon 7" is very inspired by the way Avril moves and dances. Our rhythms are so in sync at times it kind of scares us. When there is something I can't quite figure out when it comes to my production, it's like she senses it. Her response to me is always "You'll figure it out". Once I figure it out it's like time and space no longer exist.' Similar time shifting/folding/disrupting effects can be heard throughout the record - especially on Holy Child' an unlikely collaboration with minimalist legend William Basinski. She also collaborates again with Holly Herndon on 1%', while Halcyon Veil producer Fawkes' voice is on Calcination and Cape Town rapper Dope Saint Jude provides vocals for Never Created, Never Destroyed . Jlin will be touring extensively this year and is currently lining up appearances including Sonar festival. Later this year she will be collaborating in London with acclaimed UK choreographer Wayne McGregor who played her music recently on Radio 4's Desert Island Discs and described her music as quite rare and so exciting".

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20,97

Последний логин: 4 г. назад
John Duncan - Klaar

John Duncan

Klaar

12inchBT031
Black Truffle
20.10.2017

Black Truffle is thrilled to announce the first ever vinyl reissue of legendary performance and sound artist John Duncan's forgotten gem Klaar, originally released by Extreme in 1991 and partly created in collaboration with Andrew McKenzie (The Hafler Trio). Duncan is perhaps most well known for his notorious early performances pieces, which explored violence, self-denial, and the establishment of extreme psychological and physical states in both artist and audience. Alongside these transgressive experiments, Duncan began to create audio works primarily using short wave radio. Where some of Duncan's earlier recordings are composed of magnificently sculpted but abrasive walls of noise, Klaar, recorded while Duncan was living in Amsterdam, occupies a more meditative territory.
Opening with 'Delta', which layers long tones seemingly sourced from slowed down voices over a distant, watery field recording, the remainder of the first side is occupied with the epic title piece, which arranges shortwave radio abstraction, vocal experiments, and field recordings (street sounds, fireworks, monastic chants) into an episodic cinema for the ear. The second side is dominated by the long, brooding 'The Immense Room', where layers of shortwave interference and field recordings are gradually built up into a pulsing, wavering bed of sound infused with a subtly disturbing sense of psychological unrest. This rises to the surface near the end of the piece as sexual moans and ominous rumbles crisscross the stereo image before being abruptly brought to a halt.
A singular work of electroacoustic composition, Klaar is both compositionally sophisticated and infused with a sense of mystery and a vital reality often lacking in more academic experimental music; it sits proudly alongside contemporaneous recordings by Duncan's friends and collaborators Jim O'Rourke and Christoph Heemann and is a must for anyone interested in their work.
- Francis Plagne

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14,75
John Foxx And The Maths - The Machine

John FoxxandThe Maths

The Machine

12inchMETA62LP
Metamatic
22.09.2017
  • A1: The Ghost In The Machine
  • A2: The Other Mother
  • A3: A Dark Illumination
  • A4: Tidal Moonlight
  • A5: Hive Frequency
  • A6: Transworld Travelogue
  • B1: The Iron Bible
  • B2: Animal Mechanical
  • B3: Genetic Hymnal
  • B4: Memory Oxide
  • B5: Vortex Logic
  • B6: Orphan Waltz

Directed by York Theatre Royal's Associate director Juliet Forster, Neil Duffield's adaptation of E.M. Forster's chilling short story The Machine Stops explores our increasingly intricate and complex relationship with technology. The acclaimed production, which opened in 2016 and toured again in 2017, features a specially composed soundtrack by John Foxx and The Maths - John Foxx and Benge. This forms much of the music on The Machine although there are new mixes and some extended material as the pair developed stage music into a fully fledged album. Described as 'eerie', 'evocative' and 'a triumphant score of chest-crushing anxiety' by The Independent and The Guardian in their stage reviews, the music (created entirely on analogue synthesizers and drum machines) is some of the finest the pair have created yet, following a string of excellent vocal albums - Interplay (2011), The Shape Of Things (2012) and Evidence (2013). The Machine's rich atmospheres move from the sinister breathing effects that start on 'The Ghost in The Machine' through moments of beauty on 'The Other Mother' and ARP Odyssey-soloing 'Transworld Travelogue' into an ancient, mythic song on 'Memory Oxide' where Foxx further investigates a style that he first explored on his own Cathedral Oceans.

Elizabeth Bernholz (Gazelle Twin) provides the high, lilting vocals on 'Genetic Hymnal' and the album ends - as does the stage production - with the elegiac theme of 'Orphan Waltz'. The Machine will be released on LP, CD and digital download with superb artwork by Jonathan Barnbrook, who designs all of John Foxx And The Maths' albums and whose credits include the design for David Bowie's The Next Day and Blackstar.

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Mario Diaz De Leon (with Tak Ensemble) - Sanctuary

For the third full length document of his classical works, Mario Diaz de Leon presents his most unified offering to date, distilling the modernistic hellfire of his previous releases to a crystalline essence. Sanctuary' is an album length piece created in collaboration with TAK Ensemble, a brilliant NYC based quintet devoted to energetic and virtuosic performances of contemporary music. Featuring soprano voice, flute, violin, bass clarinet, marimba, and the composer's own synthesizer work, the album is a hypnotic and ritualistic journey through realms of angelic and demonic experience, combining acoustic and electronic elements with visionary intensity.

Since 2002, Mario Diaz de Leon has created a significant body of new works for acoustic instruments and electronics. Following his teenage years playing hardcore punk, metal, and electronic music, Diaz de Leon was inspired by the mystically oriented modernisms of Stockhausen, Scelsi, Messiaen, and Dumitrescu, and soon after developed his signature style while a student at Oberlin Conservatory. His debut album as composer, "Enter Houses Of" was released in 2009 on John Zorn's Tzadik label, and praised by the New York Times for its "hallucinatory intensity". A second album, entitled "The Soul is the Arena", was released in 2015 on Denovali, and was named a notable recording of the year by New Yorker Magazine. Pitchfork wrote that the album "combines his interests seamlessly into music that throbs with snarling exuberance." Both releases were performed by his longtime collaborators in the International Contemporary Ensemble (ICE).

He currently leads the metal band Luminous Vault as vocalist and guitarist, whose Charismata' EP was released on Profound Lore Records in spring 2017. From 2012-2016, his solo electronic project Oneirogen (o-NI-ro-jen) toured internationally and released three full length albums on Denovali. He collaborated with director Zev Deans to create the score for Alien: Biotic, a short film commissioned by Fox as part of the official Alien: Covenant campaign. In 2016, the Los Angeles Philharmonic commissioned and premiered his Lightmass' for their Noon to Midnight' festival of contemporary music. He has also collaborated with Nate Young of Wolf Eyes on Standard Deviance One', which they recently performed at Tectonics Festival Glasgow with the BBC Scottish Symphony Orchestra.

Born in Minnesota, he has lived in in New York City since 2004, and received a doctorate in music composition from Columbia University in 2013, where he currently teaches.

21st century chamber music that combines crystalline clarity with the disorienting turbulence of a sonic vortex.' - WIRE Magazine
Plenty of people can write a one-off 'amplified' piece for chamber musicians, but few artists have built a language as stable and rewarding as Diaz de Leon's.' - Pitchfork

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Nazoranai - Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed

Nazoranai is the supergroup of Keiji Haino, Oren Ambarchi and Stephen O'Malley. For close to four decades, Haino has been a legendary figure in Japan's avant-garde community through his commanding presence in the band Fushitsusha and numerous solo ventures. Ambarchi, a prolific electro-acoustic composer of heavy ambience and hypno-rock, has long stood at the leading edge of Australia's experimental music scene, while O'Malley remains a principle architect for the drone / doom metal project Sunn O))) in harnessing extreme sub-harmonic frequencies.

Collectively, Nazoranai operates as a live recorded collaboration, although Haino is quick to point out the difference between the words "nazoranai" (which in Japanese calligraphy means "not repeating," as in developing a distinct, individual style) and "sokkyo" (referring specifically to improvisation). In this parsing of terms, the group separates themselves from the free-music scene, which can be just as convention-bound as the established genres from which improvisers hope to escape.

On the trio's third album, Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed, Nazoranai explore two side-long tracks of superb abstraction. Ambarchi and O'Malley provide the perfect brute-rock rhythm section to Haino's wrecklessly pure expression through instrument and voice. Blurred noise, dark hurdy-gurdy and thunderous harmonics build an accretive mantra of jagged electricity.

While Haino's extensive discography resists easy interpretation, he constantly challenges himself to further his art by channeling the unknown. Shifting from his native Japanese to English, he asks: "Do you still have a mystery" This existential plea could apply to the artist's own deep inquisitions or stand to confront his audience about that which eludes their understanding.

W.25TH / Superior Viaduct present Nazoranai's latest work, recorded at SuperDeluxe in Tokyo, which marks the band's first release on an American label.

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Othello Aubern - Two-way Switch

Le Cabanon presents a new artist, Othello Aubern, for the 4th installment of their Couleurs record series.

Born in 1987 from an Italian mother and a Swiss father, Othello Aubern is now living in Omsk. He begins to shape his own radio transmitter at the age of 12. During his teenage years, Othello became interested in the exchange of Earth-Moon-Earth signals and in sound synthesis.

His work led him to record his experiments and, later, to sequence them. Othello's first EP is the result of this work of collecting, assembling and creating musical figures.

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Patricia - Autotomy

Ships September 19th. Autotomy is a collaboration between Belgium's Sleeperhold Publications, Brooklyn-based musician Patricia (Max Ravitz) and the Dutch artist Louis Reith. This output is the result of a long process of contemplation, discussion and elimination which gave us a record that encapsulates both Patricia's sense for hardware production and dance floor rawness. Describing this release is not a simple task. So we'll just tell it like it is: it's a record that slows down and, in this process, reveals its mystery. Referencing the title of this release, wunderkind Max Ravitz seems to provide the listener with the possibility of transformation, a way to shed part of your own being.

When running though the tracks, one discovers the essentials of Patricia's sound architecture: the presence of lightness, of longing, mixed with the ability to deny it in the next instant. Sonically, there's a careful balance in these productions that belies their fundamental function as body music. It's ambient yet danceable, approachable despite it's often deconstructed layout, and ultimately warm and inviting.

The entire record is made using Ravitz collection of hardware, which gives it its uncompromising texture. The presence of kicks, beats and soundscapes does not originate from a clean digital source but from a physical action, an excerpt of movement, a tick of the human hand. It is floating versus rhythmical movement, visceral versus strict. But above all, it is alive.

The artwork used for Autotomy's sleeve design and the etching on the B-side was provided by Louis Reith. (All three tracks feature on the record's A-side.) Just as Patricia, Reith tries to resist technology in favour of physical and craft-based media, though the contrast between digital and analog is always present.

Dutch artist Louis Reith produces works through a variety of different media, ranging from collages to wood sculptures, to paper objects and ink on paper works, always keeping an interest in simple abstract shapes and their combination. With an interest in materiality Louis resurrects found footage and creates new landscapes of shape and color, celebrating the human hand at work. Deliberate compositions form an illegible visual language where hidden words are portrayed as abstract sculptures.Reith also co-runs Jordskred, an independent publishing company worth checking out.

Ravitz certainly is unstoppable and releases in a relentless and uncompromising fashion. Besides many collaborative projects with an array of artists (released under monikers such as Masks, Pulpo, Inhalants, DSR.MR...) he's released music on labels like Opal Tapes, L.I.E.S., Russian Torrent Versions, Ghostly Intl.,... 2017 has been quite a year for him so far. He not only founded his own imprint, Active Cultures, but also released a triple LP. Ghostly Intl. describes the release as a kaleidoscopic, a multi-faceted techno trip' and we couldn't agree more.

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Philipp Rumsch - A Forward-facing Review

Ltd. to 100 copies!

Philipp Rumsch, born in 1994, is a composer, pianist, and sound designer from Leipzig, Germany. He was a student at the secondary school - Clara Wieck , with a special focus on music, and the - Robert Schumann Conservatory between 2011 and 2013 and was trained in piano both in classical and popular music as well as in composition. A year later he was accepted in the junior development program at the Academy of Music and Theatre - Felix Mendelssohn Bartholdy in Leipzig. Since October 2013, Philipp has been studying jazz piano in Leipzig and spent two semesters studying Music Performance at the Rhythmic Music Conservatory in Copenhagen from 2016 to 2017. During his studies he specialized on the fields of composition and sound design/music production.

Besides his conceptual work on transferring the sound aesthetic and compositional principles of Minimal, Pop and Electronic Music into an acoustic and orchestral format, the 22 year old composer and pianist Philipp Rumsch concentrates in his solo-project on electro-acoustic music.

- A Forward-Facing Review is one of his works resulting from a one-year study period at - Rytmisk Musikkonservatorium in Copenhagen. In contrast to his previous work, Rumsch is responsible for both composition and sound design / mixing. Inspired by composers like Morton Feldman, Giacinto Scelsi and Elaine Radique and by the music of William Basinski, Tim Hecker, Brian Eno and Ben Frost, Rumsch draws up concepts to approach electro-acoustic music with pianistic elements. By only using acoustic and electronic keyboard instruments like piano, fender rhodes and various synthesizers, Rumsch first created the sounds for his composition in order to manipulate and edit them on the computer.

His EP is a twenty-minute long concept composition with two parts exploring in two different ways a various amount of sounds as well as their gradual modulation. - Part I consists of different layers arranged in a counterpoint-like construct. As a result an oscillating entity emerges, whose elements respond to each other. A wide range of frequencies, sonic characteristics and elements. "Part II" is more minimalistic. An almost constant number of elements creates a sonic composition, which rests in itself. Thus development emerges through a gradual modulation of a few parameters.

On - A Forward-Facing Review Philipp Rumsch pursues open forms with a focus on exploration and variation of sound by using sparse fragments of melodies and a natural-floating pulse instead of a constant, metrical grid. He invites the listener to accept subtle developments and offers the possibility to immerse into a difficile and diverse soundscape. Danish artists Anders Bach and August Rosenbaum as well as Icelandic composer, sound designer and multiinstrumentalist Valgeir Sigurðsson supported Rumsch in producing - A Forward-Facing Review .

- A Forward-Facing Review is the first release of Philipp Rumsch on Denovali Records and the beginning of their collaboration, which will be continued in January with releasing - reflections , the album of his twelve-person ensemble.

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Svarte Greiner - Knive

Svarte Greiner

Knive

12inchMIALP039RE
Miasmah Recordings
06.10.2017

11 years since it´s inception, the surreal and darkly romantic Knive still sounds like a mystery and something that´s hard to pin down. Svarte Greiner´s debut album feels like a trip into the forest at midnight, with all the sounds and impressions that comes with it. Spiritual, horrific and fragile in essence, it´s melancholic core is hard to shake off, and feels as present today as it did back then.

While starting off the sub genre of Accoustic doom' back in 2006, it´s difficult to say what else to name it now, with it´s inspiration and elements from countless genres. The record flows through the dissonant cello´s and washed out vocals of Ocean out of Wood' past the introverted church organs of The Black Dress', distorted guitars and wooden beats of The Dining Table' to the operatic finalé of Final Sleep'. Everything scattered with field recordings from crows, branches, walking, sleeping, rain, wind and who knows what. Knive stands on many feet, wherever they may be.

Erik K Skodvin´s path as Svarte Greiner have since been dwelling more and more into this world, picking each element apart to focus on them, stretching them out or cutting them down, looping, experimenting and flooding with reverb - trying to make time stop and night fall. But for now a re-visit to where it all started seems appropriate.

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Svarte Greiner - Apart

Svarte Greiner

Apart

12inchMIALP040LP
Miasmah Recordings
06.10.2017

Apart is a mini-album containing a set of cello improvisations, concieved during days of solemn recording in the basement of an unused industrial space outside of Bern, Switzerland.

- In autumn 2015 I was invited to perform and stay for a week - residency at the - as it turned out one off - Rebirth Festival in Bern, Switzerland. I was staying at an abandoned farm in the hills, half an hour outside the city with the group of young people responsible for the festival. My room was equipped with a mattress on the floor, some strange paintings, and a lot of spider webs. The view outside was straight into an open field with mostly hills, a forest, and some tents, all of which would be covered in fog every morning. By night I was driven to the venue - an unused industrial building slightly outside of central Bern. Three of the nights there I was given a cello, a sleeping bag, full access to the building, and especially its big open basement space for recording. Something that ended up as both a fruitful and an uneasy experience. The walls were spray prainted and the space was scattered with bizarre, elaborate tree / steel sculptures. Most of the rooms was made into some kind of surreal art object, often recalling a sort of Mad Max post-apocalyptic feel.

I realised that getting a clean recording here would be nearly impossible, as the building had a tendency for strange noises, clicks and sounds, seemingly turning itself on and off at random. It was also located right next to the train tracks, which meant I had about 10 minutes of quiet in which to record in between the thunder of passing trains - a lot of recordings were ruined. However, all these off elements somehow had their charm. Having such a big empty space for myself, filled with strange installations and sculptures set up for the festival, was both inspiring and eerie. When not playing and just sitting still, it was unnerving. The lights were on motion detectors and would automatically turn off after 5 minutes without movement, leaving me alone with nothing but a small lamp and my thoughts. Sometimes I wished my imagination would be less vivid, as I´d have an easier time not imagining all kinds of obscure happenings in the shadows. Then again, this is also something that intruiged me so much that I felt no choice but to investigate closer. Spurred by this intrigue/paranoia, I would often walk around the empty building to soak up the atmosphere and check if someone was there. - Svarte Greiner

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Various - Monika Werkstatt Remixes

Following the 20th anniversary - Monika Werkstatt album which features collaborations from all of the current artists on Moabit and monika, Gudrun Gut's monika enterprise now takes the collaborative process a step further with a collection of remixes taken from the werkstatt album.

The opening track on the single is a truly Nordic co-production with Charlotte Bendiks from Tromsø, Norway, remixing Finnish artist based in Berlin Islaja. Islaja's tracks are ever shrouded in a bizarre sense of mystery and Bendiks remix of Sappho's Gifts accentuates the surreal essence of this piece.

Blindholes by Columbian-artist-in-Berlin Lucrecia Dalt was the first track from the Monika Werkstatt album to be released as a preview and Romanian producer and DJ Borusiade harnesses its groove turning it into a hypnotic industrial stomper.

The B-side starts with LA producer Nite Jewel's utterly funky take on Barbara Morgenstern's song Grow. Suitably for Morgenstern, Nite Jewel turns this tune into next level pop including disco cowbells and the grooviest of synth licks. A feelgood track if ever there was one - ideal for house parties, or just dancing round the house on your own!

London-born, Berlin-based artist Perera Elsewhere (signed to FoF music in Los Angeles) a.k.a Sasha Perera (ex-Jahcoozi/ Bpitch Ctrl/ Kitty Yo) develops Love Parade founder Danielle de Picciotto's Desert Fruit into a doom-drenched piece of beat poetry layered with rich synth textures, emotionality and Morricone-esque melodics.

Closing the 12' is another Los Angeles producer, Daedelus (Brainfeeder/ Anticon), who's take on Sonae's Between Two Worlds is a luscious retro-futurist synth escapade traversing the fields of wonky, dreamwave and chill-out.

The Berlin-Los Angeles connection is a much loved theme for the monika label. This 12' draws on that theme by recruiting Djs and producers based in both cities to remix tracks from - Monika Werkstatt . In so doing it takes the collaborations started on Werkstatt to the next level. It's a truly international affair, bringing yet more diversity to already very diverse source material. (Dirk Markham)

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White Wine - Killer Brilliance

There's so much complexity in life and human emotion that I have a hard time feeling convinced a song is always either happy, sad, melancholic, angry or scared. I look at these emotions like elements that are constantly colliding with each other, so it's my duty as a songwriter to reflect that. I want to fall in and out of the cracks of genres, finding the nerves not yet hit. It's usually in the disturbing part of the spectrum...'

So says Joe Haege, who's earned a reputation for unsettling sounds with 31 Knots and Tu Fawning, and also performed as a member of Menomena and The Dodos. Haege formed WHITE WINE (also known early on as Vin Blanc) as a solo project, but it developed into an informal duo following the release of second album, 2013's In Every Way But One, after Haege invited Menomena / Tu Fawning soundman Fritz Brückner to join him on a European tour. When an apartment fell vacant next to Brückner's home in Leipzig, Haege deserted Los Angeles, and, newly settled in Eastern Germany, added Chistian "Kirmes" Kuhr (of local heroes Zentral Heizung Des Todes) to the coven while helping to build what would become WHITE WINE's default home, Haunted Haus. Having our own fully functioning studio,' he points out, is just an incredible tool to have at our disposal.'

This new line-up finds Haege delivering the most realised, intense and, at times, horrifying music of his career. The product of 18 months spent touring together, Killer Brilliance emerged, he says, from the trio's need to get something dark and sinister out of our systems', and this is reflected, too, in the album's title. We're all killers in some way or another,' he continues. Some kill hope. Some kill honesty. Some kill fear. Some kill greed. Some kill out of greed. All kill, in some ways, for our sheer survival. However, the underlying fact is that so many ways of killing are simply amazing in their complexity. When you really dig into the details, one can see how there is no escaping a little bit of blood on everybody's hands.'

This sordid realisation is mirrored in Killer Brilliance's disturbing, sometimes even distressing songs. Brückner's effects-heavy bassoon gives the record a macabre depth, while Kühr's aggressive drumming and percussion, firmly upfront in the mix, drive songs relentlessly to their ultimate demise. Haege, moreover, displays the urgent, menacing air of a preacher man delivering sermons about an imminent apocalypse. Punctuated by contrastingly feminine, spoken word vignettes that add to the uneasy cinematic mood - one that draws upon dystopic visions to '60's style Film Noir - Killer Brilliance piles in with the rabid 'Broken Letter Hour' and the desperately tense 'Hurry Home' (which opens notably with the line Feeding on the flesh of the young and indifferent') before the extraordinary title track, with its sinister chorus, pops eardrums and eyeballs. There's also the Birthday Party malevolence of 'Falling From The Same Place', the growing threat of 'Abundance' - which addresses notions of prosperity and its price - the baroque, carnivalesque 'I'd Run' ( Release the devil!') and the deceptive calm of 'Bird In Hand', which begins with Haege's description of how The streets were just crawling with people just dying to breathe...' and concludes with the ugly truth that When one of us wins, some of us must lose'.

Musically, WHITE WINE feed upon an extraordinarily diverse range of ingredients, including PJ Harvey, Liars, Beak, Suicide, Minute Men, David Bowie, Chuck D and Diamonda Galas. I like to make music that is played when a cafe is closed,' Haege cackles, and not when it's open.' Lyrically, meanwhile, Killer Brilliance exhibits Haege's self-confessed weird affinity for double entendres. It fits my thinking when attempting to cover the ground of a subject. In a world of art and media overload, and the unyielding barrage of advertising, it's not easy to find any territory not already well-trodden. Many musicians seek to create music of a fantastic escapism, poetically reframing the harsh reality we're all forced to swallow every day. It's an unbelievable skill that I wish I had. However, I'm not one of these. For some weird reason, I have this need to hold onto the sheer madness of existence, all of the suffering and celebrating happening at the same time.'

Timely and unflinching, this is, by name and by nature, Killer Brilliance. Here's to your health. You'll need WHITE WINE.

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7FO - Quiet Flash / Water Vapour

BKV013 is 7 inches of infectious, Osaka-matured, aquatic dub from 7FO. 7FO-san has been in touch with Bokeh for over a year and kindly showed them round Kyoto on the BKV Japan world tour (we ate a baby squid that had a boiled egg where the brain used to be - crazy).


This is 7FO's first proper wax outing after homegrown albums made local waves with his fusion of Japanese new age and dub miniatures. Previous albums also had mastering credits by Bokeh alumni and Osaka mixing desk alchemistKabamix.


2016 saw 7FO reach wider audiences withWater Falls Into A Blank,a cassette and multi-media project viaRVNG Intl's Commend See series. Bandcamp userStandard Greysummed it up best:


"IfJoe Meeklived on to collaborate withHarry HosonoandInoyama Landand make idiosyncratic dubbed out Japanese Minyo and off-world colony exotica... "


'Water Vapour' features the enigmaticSea Urchin- the duo of Francesco Cavaliere (on FX) and Leila Hasan (on otherworldly vocals). They've released an LP for Belgian imprintKraakand Francesco notched a 2016 highlight with his solo LPs onHundebiss.

These is the 4th Bokeh release to come out of Japan.....

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Andi Hanley - Rk#13 (2x12")

Andi Hanley

Rk#13 (2x12")

2x12inchRK#13
Ruf Kutz
11.09.2017

Look I can't be arsed explaining any further. If u don't know about Andi its your fuckin loss and no amount of googling resident advisor is gonna help u this time. Just listen to these epic island-synth-wave kutz from the edit master lovingly spread across 2 x 12"" and make a promise to yourself to DIG DEEPER

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Astroid Boys - Broke

Astroid Boys

Broke

12inch88985467051
Sony UK
29.09.2017
  • 1: Cheque
  • 2: Mask
  • 3: Razz
  • 4: Foreigners
  • 5: Dirt
  • 6: Ghost
  • 7: Lost
  • 8: Kill
  • 9: Free
  • 10: Money
  • 11: Soonish
  • 12: Dazed
  • 13: Broke

Debut full length record on the Music For Nations label from Cardiff based grime/punk/noise five piece. A 13 track album mixed & produced by Delux. Recent Reading/Leeds Frestival slots & forthcoming Enter Shikari tour support. Radio plays at R1 (including a Maida Vale session), plus ILR specialist shows. Ads, features, interviews & reviews across all press. Online & social media activity. Poster campaign & mailout.

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Faithless - Reverence
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Martin Glass - The Pacific Visions Of Martin Glass

We're proud to present the first set of recordings from Martin Glass. Exiled in Taiwan working on a deal that never gets done, an American businessman falls under the hypnotic spell of the Pacific. His is an Asiatisch fever dream - seaside lovers, translucent virtual vocalists, glass-y '80s synthesisers and multinational muzak. It's an ode to Pacific bubble decadence, beamed from a lilo or a roof garden (or both)... all fizzing arpeggios, melancholy marimba symphonies and sunken yacht karaoke.

In terms of sonic references: forgotten '70s nippon pop, Sakomoto + Glass sweeping neo-classicism, Haruomi Hosono driftwood, Susumu Yokota floral pretty-ness... it's all there somewhere...

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Jochen Heym - Sononaut

Jochen Heym

Sononaut

12inchSTONEDWAVE005
Stonedwave
15.09.2017

Stonedwave presents the latest EP offering from Jochen Heym, - Sonoaut on snow white vinyl limited to 300 copies. Bridging the gap between Hardcore, Drill and Bass and Braindance on tracks like Exit Vessel and Init Conversation the artist creates dadaistic piano arrangements that meet talking funk basslines while the tracks are still heavily rooted on the dance floor. Songs like Winterlicht and Unreachable connect the artwork taken by Icelandic Photographer Halldor Ingi to muted microtonal sounds and hypnotic piano loops . Inspired by his hiking trips to remote locations in northern Europe Jochen Heym started to invent his own microtonal tunings which can be heard throughout the whole release and define his personal unique sound character.

Establishing his style of writing electronic music and creating music with classical instruments in 2005 Jochen Heym kept on composing tracks on a daily basis of which a small exclusive selection can be heard on this record.

Expanding from 5.1 Surround Installations and orchestral recordings in Darmstadt / Germany the artists relocation to the city of Cologne also exposed his writing style to unusual tunings and ambient textures while still true to his roots in hardcore, breakcore and acid house. Artists like Miles Davis, Jacques Loussier are in the same way present in the music as more comtemporary composers like Aphex Twin, Stockhausen and Autechre.

Sononaut is the first installation of a series of releases where additional tracks will be selected from the vast archive the composer created during the last decade.

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Dada Ques A.k.a. Flaty - 1

Dada Ques A.k.a. Flaty

1

12inchANWO-01
ANWO Records
15.09.2017

We begin our history with the first full-length Dada Ques release, written and produced by the founder of the label, Flaty.

Called '1' ('One' or 'Album One'), the release is timed with the launch of ANWO / AMONARI-NO-WORD which has been conceived and designed as a creative platform for own musical projects and various other art initiatives.

'Album One' presents a wide array of styles grinded and melted into one solid and breathing soundscape, it's electronic romanticism with advanced detail.

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Halogenix - Jumpsuit Ep

Halogenix

Jumpsuit Ep

12inchONEF006
1985 Music
15.09.2017

Proudly presenting the 'Jumpsuit' EP from Halogenix. This is a diverse collection of elegant music that could only be expected from of the most important producers in the genre. Halogenix is a founding member of Ivy Lab, and their label 20/20 LDN Recordings label.

This is a dynamic and varied EP that bears the undeniable Halogenix signature throughout.

supported by Jubei, Friction, Ivy Lab, Alix Perez

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Mutt & Tedder - I Want It / Horn Dub

Horn Dub: The jazz funk intro sets the mood for this funky roller. Chopped amens break out and floor shaking deep bass permeates throughout. This tune is guaranteed make the dancefloor quake.

I Want It: A deep and mysterious intro leading up to a sexy 'I Want It' vocal. Striped down drums set upon deep hover bassline keeps it in the deep, while piano keys reel in the mysterious hook.

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Alessandro Cortini - Avanti

Alessandro Cortini

Avanti

2x12inchPODR001LP
Point Of Departure
11.12.2017

After collaborations with Merzbow and Daniel Avery, Alessandro Cortini (Modwheelmood, Nine Inch Nails) moves to The Point Of Departure for his third solo full length album. Alessandro Cortini today announces his third solo LP, AVANTI, due for release on 6 October via The Point of Departure Recording Co. Speaking about 'Perdonare', the first single to be taken from AVANTI, Cortini says: Perdonare embodies the often strenuous search for strength to forgive someone for their behaviour, when it becomes apparent that such behaviour is not conscious nor wanted, but merely a by-product of one's upbringing.There are few more potent examples of the power that music holds over our memories than hearing a song and being instantly transported back to a specific time or place. But what if we could change the soundtrack retrospectively If the scenes from our life played out on a big screen, how would we choose to score them It's an idea that Italian multi-instrumentalist Alessandro Cortini found himself preoccupied with on his latest album AVANTI.
Prior to making the record, Cortini rediscovered an archive of home videos made by his grandfather, who passed away a few years previously. Among the cache were several Super 8 films of family gatherings as well as hours of dinner-time conversations recorded on cassette for posterity. It was as if Cortini had unearthed a perfect fossil of his childhood. The films, however, were missing one crucial element - the sound. So Cortini decided he would restore the miss-ing audio in his own way, by composing a musical accompaniment to the footage.
As it turned out, Cortini had a few blanks to fill in himself. The films exposed some inconsistencies in his memories, moments that he romanticised or misremembered. But what surprised him the most was that the recordings appeared to be almost as fallible as his recollections - both showed signs of degradation. I really like that about memory and music, both from an instrumentation and playback point of view, I like imperfection,' he says.
AVANTI is rich in anomalies and irregularities - much like our memories - which Cortini let creep into his compositions by recording live on a single synthesiser, the EMS Synthi AKS, without overdubs. Just like the films, there are errors and mistakes in the music, some of which became the theme and some which are peculiar things that happen once or twice,' he says.

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29,37

Последний логин: 8 г. назад
Annawooh - Organismic Moment

Annawooh

Organismic Moment

12inchSTO003
Stoscha
23.09.2017

An organismic moment denotes a state of unity with nature. It's a state of fulfillment, even euphory, but it never lasts for very long... The album is a protest against the line of thinking stating that humans stand above nature. Even though it is an obvious truth that we all spring from this planet, we are manipulated to ignore it, there is profit to be made from people forgetting the Earth and its needs. The music taps into a sense of grief for something we've lost in modern society, mixed with humour and a feeling of having someone telling you an ancient story. It is a soundtrack for an alien perspective of a possible future. Limited edition of 300 copies.

The release will be accompanied by music videos to Earth by Jonathan Penca, and Observatorum by Gertje Graef.

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Chris Neal - Crosstalk

Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8. In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was developed by Taro Kakahashi and his team in Japan as a direct challenger to the Moog modular system.
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The Orbeatize remastered reissue also includes a special bonus track remixed and produced in 2017 by Jolly Mare.

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Clocolan - Nothing Left To Abandon

Clocolan

Nothing Left To Abandon

2x12inchBAULP01
BauSatz
14.09.2017

Top tip for Boards Of Canada fans! Gorgeous isolation wrapped in electric memories. 8-track electronica for homesick time travelers. 'Nothing Left To Abandon' is a slow rendering of brooding introspections and imaginary spaces. Memories, visions, eroded philosophies, tragedies in a few words. A childhood of livid skies, barren escarpments, homeless wastes. An absorbing contemplation of unlikely beauty and dusty melancholy that intersects with the creative territories of Vangelis, Boards Of Canada, Klaus Schulze, and Ulrich Schnauss, and the musings of Joe Frank and Robert Ashley. Clocolan is South African-born composer Emlyn Ellis Addison. A long formal training in music, his work centers on original writings and the found sounds of abandoned ideologies--generations of radicals and skeptics searching for meaning. From his childhood in South Africa--a landscape of neglected hinterlands, eroded topology, unconquered vastness--emerged clocolan's homesick, lo-fidelity electronica, expansive themes lost in the background noise of human affairs.

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15,34

Последний логин: 8 г. назад
Enrico Serotti - Homemade Music

This is a selection of previously unreleased tracks created at home by Enrico Serotti, without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.

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Knut Skodvin - Kondens

Knut Skodvin

Kondens

2x12inchORB04
Orbeatize Italy
25.09.2017

Double LP: first one includes tracks remastered from "Kondens" original master tapes (originally released in 1982), second one includes unreleased tracks taken and remastered from 1983-1984 original master tapes (produced and composed for Scandinavian "theatre" performances)

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Mr Frenkie - Respawn // Tire Fire

Having released on numerous imprints such as Dom and Roland productions, Mindtech, Tam, 20/20 LDN as well as being praised and supported by artists such as Noisia, Dom and Roland, Ulterior Motive, Xanadu, Foreign Concept and loads more, we at Concussion records are very proud to present an extremely versatile, Moscow based producer, Mr. Frenkie.

We start off straight with the rolling 'Respawn' that feels like you're floating into an endless dream, before it breaks down with a techy stab buildup, which eases into the drop perfectly. Rolling drums and crashing hats fill the heavyweight, subby landscape before being knocked back by the technical prowess of Mr. Frenkie's sound design.It breaks down into the second act of the dream in which you don't know whether to feel relieved, or be on your guard as the next drop sneaks up on you.

On the flipside we have 'Tire Fire', splashy snares and breaks in a steppy groove, countered by floaty stabs set the mood for the tune. Going into the drop the groove becomes ampli- fied by crunchy reeses which makes sure you bounce your way across from left to right. Carefully crafted breaks bring the track back into a switch that amplifies the bounce to more rave orientated sounds. After that we ease out to the breakdown in which we casually prepare you for another round of fire.

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Physics - Starport

Physics

Starport

12inchBEAT01
Orbeatize Italy
31.10.2017

First release from the Beat catalogue serie which is focused on new artists. All music produced and mastered by Kevin Skyler. Electronic delight ranging from dance to experimental style

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Slow Slow Testing - Repeat Machine (sonder Series) Cassette

Sonder: The realization that each random passerby is living a life as vivid and complex as your own. -- Introducing the new ambient tape series from Banoffee Pies Records You don't remember how you got home and now you're waking up again. The alarm won't stop ringing, and the person on the radio won't stop talking, you're opening your phone while your brain is busy, and it's burning right into you, stinging all over the parts of your mind that you cannot reach. So you arrive here, because your thoughts are piling up, and falling over, and crashing round your head and you want to take the swirling mess and hold it outside of you. Repeat Machine.

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Various - Skeleton Xxv Project Volume One

Skeleton Recordings are proud to announce the release of the SKELETON XXV PROJECT to celebrate the 25th anniversary of the label which originally launched in 1992. This is a five part collectors edition to celebrate 25 years of Skeleton Recordings.

Volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original Skeleton Recordings logo that will look good on any wall. Volume 05 will be a picture disc. The full digital album will only become available once all five volumes have been released.

The project has taken just over 12 months to put together and is definitely something for the collectors. It has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of Bailey, Storm and Ray Keith to name a few.

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Various - Skeleton Xxv Project Volume Two

Skeleton Recordings are proud to announce the release of the SKELETON XXV PROJECT to celebrate the 25th anniversary of the label which originally launched in 1992. This is a five part collectors edition to celebrate 25 years of Skeleton Recordings.

Volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original Skeleton Recordings logo that will look good on any wall. Volume 05 will be a picture disc. The full digital album will only become available once all five volumes have been released.

The project has taken just over 12 months to put together and is definitely something for the collectors. It has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of Bailey, Storm and Ray Keith to name a few.

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Andy Skopes - Speechless Ep

We're taken on a journey through Andy's musical brain, with diversions into the rugged breaks of 'Séance' and the aural paradise that is 'Heroin Wash', which are just two of four perfectly crafted pieces of drum and bass on offer. The atmosphere and energy across the EP is weighted perfectly, whilst every track almost sounds effortless in the way it's been put together, something that Andy has mastered and can now proudly show off.

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Blah Blah Blah Bundle: Cropper - Forever / Sunlight Ep 2x12"
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Hior Chronik - Out Of The Dust

Hior Chronik

Out Of The Dust

12inch7K004LP / 151531
!K7 Records
01.12.2017
  • A1: Whispers From The Surface Of A Lake
  • A2: Cosmos
  • A3: Black Sea And Red Sky
  • A4: Stories That Never Been Said
  • A5: Magnolia
  • B1: Remember
  • B2: Foreigner In A Strange World
  • B3: Nothing Can Replace You
  • B4: In A Parallel Universe
  • B5: Corridor Of Life
  • B6: That Mistery Again

Seductive and cinematic soundscapes between ambient, drone and indie-neoclassical music: these are the best words to describe Hior Chronik's style. A style that captures ears and soul, bringing you into an imaginary world, arousing emotions, making the mind wander to distant places. This is the goal of the Greek musician, now living half of the year in Athens and the other half in Berlin. You can hear it in his new record "Out Of The Dust", produced by himself, mixed by John Vallasis and mastered by Francesco Donadello at Calyx Studio, Berlin. I tried to combine ambient and drone sounds with strings and piano following a harmonic direction", Chronik explains. I wanted to make a soundtrack for a movie that was never shot'. The mood is melancholic, but not only that: There's a dark side, but I made it run parallel with bright soft melodies', Chronik continues. And on the topic of his music influences: It's hard to specify what exactly they were, but I think I'm close to Max Richter and in some ways to Arvo Part. Besides that, true inspiration comes from my life experiences, even the small little things: books, films, people I meet, travels. And being close to nature: I would say that's the base of everything'. After three solo records and two in collaboration with Arovane, Chronik is now ready to launch his new work Out of The Dust'. The title is a political quote about how we can fight against the crisis, but also against the existential anguish of surviving. A movement of no fear and the beginning of a new life', he explains. On how he developed the songs, he says: I recorded piano, trumpet and strings in their analogic sound, then I used effects as I always do for the ambient and drone sounds'. Out Of The Dust' shows a personal and unique style that brings Hior Chronik's music to a wider audience. His sound is able to embrace at the same time the delicate piano themes and the dark ambient/drone tones, while at the same time searching for new territories to explore in the neo-classical scene.

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La Donna Invisibile - Giallo Oscuro Vol. 1

On the surface, Giallo Oscuro is a pop-oriented project about 60's italian love songs. Giallo Oscuro is the missing link between romance, lightness, recklessness and fear, terror, murder and psychosexual dementia. It's an homage to the music of those "maestri" who forever changed the sound of pop music, as much as the movie soundtracks of the time: Bruno Nicolai, Egisto Macchi, Alessandro Alessandroni, Gruppo di improvvisazione Nuova Consonanza, Ennio Morricone...

More than a rereading of this beautiful music, Giallo Oscuro is about love, loss, distance, time, heartbreak, falling, "pop star's" fall and decadence. This project is about death, about the dead.

Silk-screen, hand printed cover.

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La Donna Invisibile - Giallo Oscuro Vol. 2

On the surface, Giallo Oscuro is a pop-oriented project about 60's italian love songs. Giallo Oscuro is the missing link between romance, lightness, recklessness and fear, terror, murder and psychosexual dementia. It's an homage to the music of those "maestri" who forever changed the sound of pop music, as much as the movie soundtracks of the time: Bruno Nicolai, Egisto Macchi, Alessandro Alessandroni, Gruppo di improvvisazione Nuova Consonanza, Ennio Morricone...

More than a rereading of this beautiful music, Giallo Oscuro is about love, loss, distance, time, heartbreak, falling, "pop star's" fall and decadence. This project is about death, about the dead.

Silk-screen, hand printed cover.

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Mark Barrott - Sketches From An Island (2x12")

Gatefold 2x180gr heavy weight vinyl. It's warm and widescreen music for the days when you need musical sunshine. Or as original Café Del Mar's José Padilla, has it: 'This is what I call Balearic.'

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Otakhee - Dawn Ep

Otakhee

Dawn Ep

12inchIRS4804
Ironshop48
30.09.2017

What is it A Detroit or Chicago beatdown THEO PARRISH JAMAL MOSS Korea's OTAKHEE provides the dirty underground beatdown with tracks SOLAR, DARKEST DAWN & OMWN on the DAWN EP. Amazing project that will get the heads moving.

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Pugilist - Dream State / Simian

This marks the first release from Melbourne based label Modern Hypnosis. Featuring two weighty rollers from Pugilist.

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Andreas Tilliander & Elin Franzen - Japan

Japan is our first collaboration. The ambient sounds on this record are fragments from our month-long stay in Japan during spring 2015: hundreds of Tokyo ravens in Yoyogi park, an old song found in an old man's small shop in Kyoto, the bird-like traffic signals in Naha blending with the distorted voice of a man with a megaphone and a message...
Back in Stockholm, these sounds became documentary elements in our music as well as sources for creating new sounds. The small, beautiful bowl we'd brought home went to pieces, and the sonic character of the ceramic pieces turned into a delicate drone.

Recorded in Japan and Sweden 2015-2016 by Elin Franze´n and Andreas Tilliander.
Side A contains a remixed version of »Iris (Familiar)« by Fourcolor featuring Moskitoo, published by 12k in 2011. The project was accomplished with support from Musikverket.

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Delta Heavy - White Flag Vip/arcadia

'The British pair, consisting of Ben Hall and Simon James, have been impressing crowds of bassheads with their undeniable talent in producing dubstep, DnB, trap, and generally all 'From their D&B roots they've since gone on to demonstrate their impeccable production skills across a multitude of genres from 110 to dubstep to electro.' - UKF

After the viral success of their recent 'Ghost' EP, Delta Heavy have followed up this feat with their untouchable work ethic. Capitalising on a Zane Lowe Beats1 premiere, as well as millions of streams worldwide on their music video for 'Ghost', they delve into a cross-pollination of genres with a single 'White Flag' nods to not only the flawless complexity of their ability to tap into different BPMs, but also the versatility of their cross-Atlantic renowned DJ sets. A digital exclusive, 'White Flag' is underpinned by heavily climatic moments, amongst stabs of arpeggio swinging back and forth between soulful vocals. The dream-like sequence which rewinds their usually fast paced drum & bass perfectly epitomises a talent which saw them rise to prominence from coast to coast in the US.

We're then offered a switch up which sees 'White Flag' taken into faster waters. Lead by an incredibly catchy hook, peddled forward by the reworked beat patterns and ambience, the opposing sides of the original and VIP combine admirably. Choppier drums underpin the composition, manifesting a club-banger that's already nestled itself in the sets of revered headliners across the globe, from Andy C to Then on the flipside, 'Arcadia' takes on their 170 etiquette, although this time featuring Hospital stalwart Metrik. The meeting of two different styles, you're taken into a sound dimension of distorted bassline, quaking subs and pounding kick drums. Drawn in by an absorbing intro, it's an electro-fuelled roller, reminiscent of their earlier output yet adding a more contemporary twist, it provides a clear example of why Delta Heavy have been a permanent fixture in sets for half a decade.

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Outboxx & Atki 2 - Tribute To Disc Shop Zero

Naoki E-Jima's Disc Shop Zero record store in Tokyo holds a special place in our hearts. Since before Idle Hands was even established, when Rooted Records was king, the cosy, liberally stocked shop has served as a sympathetic outpost for Bristol's rich culture of soundsystem music. Over the years, Naoki has championed all the best music to come from our fair city, from Smith & Mighty through to Pinch and Pev and on to the output from our own humble label. It's been a vital connection to help our music reach the right heads on the other side of the world, in turn providing a platform for our most treasured artists to gig and further the cause of the music we love.

As a thank you for all the support Naoki has shown Bristol music over the years, Idle Hands has put together a special tribute 10" of tracks that chime with his particular musical tastes, shining a light on some complementary gems that might have otherwise never seen the light of day. It's also a chance to fill in the missing IDLE013 catalogue number - fortunately, the number 13 does not represent bad luck in Japanese culture.

On the A-side, the mighty (pun intended) Rob Smith takes to a track from Outboxx's debut album, originally intended for a remix 12" that never came to be. In his learned hands, "Lost Soul" becomes a shimmering stepper marked out by beautiful cascading arpeggios and of course plenty of fulsome bass, with arresting fragments of vocal drifting in and out of the mix for good measure. Rob's status as a true legend of Bristol music needs no explanation, but his presence here is furthermore because Naoki is such a fan of his music.

On the B-side, Atki2 makes a welcome return to the label after bringing a classic ray of sunshine to Idle Hands on the second single we ever put out. As well as being a big release for us, it was apparently huge at Disc Shop Zero, so it feels right to bring the effervescent "He's Royal" to this 10" release.

With a sunny disposition at heart, these two tracks make sense sharing a 10", but it's even more fitting that they sit side by side as we doff our caps to a true hero of the global underground. Thanks, Naoki.

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Pessimist - Pessimist

Pessimist

Pessimist

CDBLACKESTCD017
BLACKEST EVER BLACK
12.09.2017

With his ice-cold debut album Pessimist delivers a defining work which to us represents the culmination of nearly a decade of collective research and development in underground drum'n'bass. It is hard to think of any producer, past or present, who has so skilfully and successfully bridged the sonics and sensibilities of d'n'b and techno. In fact Pessimist makes drum 'n bass work as techno: combining the monotone, infinite-horizon quality of the latter with the rhythmic swerve and soundsystem heft of the former. The perfectly formed 'Balaklava' 12' for BEB's A14 sub-label in 2016 was his first work to attract serious attention outside of d'n'b circles, but the young Bristol producer's singular aesthetic had been honed across important records for the likes of Samurai and Ingredients, and as a member of the Ruffhouse crew, and since then the experimentation has continued across releases and remixes for UVB-76, Osiris Music and Ilian Tape. Cutting edge techno-dnb hybrids form the backbone of this, his first LP, but there's more to it than that. Out of its relentlessly noir, paranoid, smoked-out dubscape emerge fierce, Babylon-shall-fall jungle tear-outs ('Through The Fog'), zoned, acidic rave ('Peter Hitchens'), downtempo breakbeat excursions ('Glued'), sleek and rude 'Balaklava'-esque steppers ('Spirals'), and passages of bleak, bombed-out industrial ambience. At times it feels like the missing link between British Murder Boys and Source Direct, or what might have happened if late 90s UK junglists had listened more closely to Chain Reaction. But really, it sounds like Pessimist and Pessimist alone. The ruthless minimalism, and the tension which comes of that restraint, the swing and propulsion of the drum programming, the abyssal reverbs and long trails of delay, the deep and body-numbing sub-bass, the uncompromising palette of blacks and blues.

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Source Direct - Black Rose - Blawan Remix

Boddika's Nonplus label will release a series of 12-inches mixing classic Source Direct with new remixes.

Jim Baker is a pioneering drum & bass and jungle artist who's been recording solo as Source Direct since 1999 (before then the project was a duo with Phil Aslett). On June 8th Nonplus will issue a 12-inch that has a Blawan remix of "Black Rose" alongside the 1996 original. That'll be followed by a record featuring '95 cut "Approach & Identify" backed by a remix from Demdike Stare. These release will be available on vinyl and digital formats—it'll be the first time the original tunes have been available digitally.

"I first met Jim around '97/'98 at The End nightclub in Central London," Boddika told RA. "I wasn't sure who he was when I first met him. I thought he was one of the guys from Lock Stock And Two Smoking Barrels at first, but soon realised he wasn't. By that time I was an avid listener of anything Source Direct were doing and their tracks were 'buy on sight' for me. The Source Direct discography was in many ways a blueprint for lots of jungle/d&b that would come throughout the following years and has stood the test of time unbelievably well."

He adds: "There are a few reasons why we decided to re-release and remaster the SD Recordings catalogue, the first one being that it's never been available digitally before. The second is that we both think it's something that needs to be heard by a new generation who have never had the privilege and who may not own a turntable. Some of the records are hard to come by these days and if you do find them on Discogs, they'll set you back a few quid.

Thirdly, it's something we've spoken about a few times over the last couple of years and I personally thought now is a better time than ever to unleash this project, especially as there's been a growing interest in old jungle recently—it wouldn't be right to leave this music out of the loop! We also wanted to breathe new life into the project by getting remixes done to accompany the original tracks. We decided to ask artists from different scenes and genres to make use of the samples and get their interpretations on the original music."

More remix 12-inches will follow, culminating with most of the Source Direct back catalogue, much of which has never been made available digitally, being remastered and re-released. We spoke with Baker via email to discuss the project.

What are your thoughts on having your music remastered and reissued for a new generation of listeners

I'm extremely excited about working with Boddika. This gives a new generation the chance to own tracks that haven't been available until now and also introduces the Source Direct sound into the techno/deep house scenes—music I've always been a fan of and an avid buyer of since an early age. I always felt my music was ahead of its time, even within the early years of D&B. The Source Direct sound has always stood out from the crowd and I've consistently pushed myself creatively to produce original, cutting-edge club music that also sounds great within many other listening environments. So to release the original Source Direct tracks for this new generation who missed the golden years of infamous clubs and raves gives them the opportunity to re-live the excitement and energy I got from going out in my younger days and the chance enjoy that buzz of getting your hands on a new vinyl release.

What do you think of the Demdike Stare and Blawan remixes

Blawan's remix of "Black Rose" perfectly captures the dark tensions of the original track and uses the samples in new creative ways, which make a stomping techno track that retains the menacing visual concept of the original. Being the first artist to remix a Source Direct track is something I was looking forward to, and Blawan has certainly produced a great remix. Both the remix and the re-mastered original sound totally fresh and unique among current techno and D&B.

Demdike Stare have completely ripped up the script with their remix of "Approach & Identify," taking it into realms I never thought possible. It transports you a million light years away, upon which you enter new worlds of imagination. You can only hope for a wormhole 'out there' to return to normality. I'm very proud of both these releases and am looking forward to letting the future projects free within human kind.

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Calyx & Teebee - Conquest / Blown

Since 2004, when their first collaborations began to emerge, Calyx & TeeBee blazed a trail for both RAM Records and drum & bass, becoming part of the genre's foundations. Conquest is a testament to their undeniable musicianship, bringing the sonic mosaics which have made them so infamous throughout their careers. Following a US-wide tour and upcoming sets at some of the biggest global electronic music festivals, including Las Vegas' EDC, they've been meticulously manufacturing this next cut with the utmost precision.

The pair realign with their darker side with Blown. Hollowed out, pounding drums and fluctuating bass notes take you through their expert manufacturing, with a bassline that weaves in between each carefully layered segment. The track is driving yet intricately coated, with pitched up synths adding a softer touch amongst the madness.

Calyx & TeeBee switch it up another notch this year, proving that their commitment to the underground is as strong as ever. Alongside RAM Records, they continue to be a definitive part of the genre's fundamentals, providing cut
after cut of unadulterated filth.

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Dc Breaks - Arcade / Creeper Vip

DC Breaks are unleashing two new terrifying slabs of bass. These heavyweight monsters have been biding their time in the producer's digital record box, the beginning of a brand new musical journey for the duo. In the lead up to their debut album, this single will give you a small insight into what's to come. Sitting at the nastier end of their vast musical spectrum, prepare to be brought into the sinisterly lit world of DC Breaks through their next offering 'Arcade' and 'Creeper VIP'. Reminiscent of their earlier, heavy sound, it's a production standard held tightly together with throw down hooks and hefty basslines.

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Dc Breaks & Prolix - Infinity / Embargo

With two brand new cuts, for their next single the drum & bass duo DC Breaks have teamed up with an underground heavyweight, a collaboration which was only rumoured until Friction's first play on Radio1. Label head of Trend Kill recordings and an artist who's toured extensively since his first output, Prolix has joined forces with DC Breaks, a familiar name for hardened fans and newcomers alike. Both parties have already gained international recognition, stacking up a huge array of tour dates between them, stretching from mainstream festivals to the more darkened club circuit. With an LP laying just out of sight for DC Breaks, 2017 is looking to be a big year. Limited to 500 units worldwide.

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Delta Heavy - Kill Room / Bar Fight

Following the runaway success of their debut 'Paradise Lost' LP, which amassed millions of streams globally, Delta Heavy are set to return to an anticipating audience with their new single release. Having played shows at some of the UK's biggest festivals, including Glastonbury and Reading and Leeds, as well as stages across the Atlantic, they've taken their sound to the world's every corner. It's no surprise they've created a colossal reach, one which has enabled them to win music video awards from the industry's biggest platforms.From the radio airwaves to cyberspace, to Radio1 and Zane Lowe's Beats 1 show, Delta Heavy's music has been critically acclaimed across the board. And this next release from the duo demonstrates exactly why they're a staple on every line up, with tracks featuring in the record collections of music lovers everywhere. Delta Heavy are riding a wave which isn't about to break anytime soon. Limited to 500 units worldwide. Support from Andy C / Loadstar / Friction (Radio 1) / Zane Lowe (Beats)Following the runaway success of their debut 'Paradise Lost' LP, which amassed millions of streams globally, Delta Heavy are set to return to an anticipating audience with their new single release. Having played shows at some of the UK's biggest festivals, including Glastonbury and Reading and Leeds, as well as stages across the Atlantic, they've taken their sound to the world's every corner. It's no surprise they've created a colossal reach, one which has enabled them to win music video awards from the industry's biggest platforms.

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Earlham Mystics - Waters Ep

Earlham Mystics

Waters Ep

12inchNOTOWN33
No Town
12.09.2017

The second EP in Luke Abbott's Earlham Mystics series. Comprised of four techno-electronica turns including the lead track 'Waters'

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Hong Kong Dong - Kala Kala

Hong Kong Dong

Kala Kala

12inchBB004LP
BAMBOOBOOPS
06.10.2017

Soulwax protégées Hong Kong Dong return with their second album. Synths, synth and more synths, Bolis Pupul, Sarah Yu & Geoffrey Burton bring you strage sound that will seduce you

About Hong Kong Dong:
Hong Kong Dong is a quizzical synth-electronic band from Ghent formed by three distinct minds. Together they evoke a very peculiar and twisted sound. One of the gang members is Bolis Pupul, who has released two EP's on Soulwax' DeeWee label. He is the band's synth guru and singer with a unique and delicate voice that flows like a horny tai chi master. He's also involved with other bands like The Germans, Charlotte Adigéry and wwater. Sister Sarah Yu is the furious female singer and illustrator artist who brings with her the playful vibe of a child tossing around a Play-Doh microphone. The man behind the tweaked beats and guitars is Geoffrey Burton, the maestro guitar player/producer who prefers to make his guitar sound like a synth or a cracking bird. He's been around for some time now, earning his place in bands as Arno, Daan, Alain Bashung, Sophie Hunger and Misia.

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Mana - Creature Ep

Mana

Creature Ep

12inchHDB111
Hyperdub
12.09.2017

Mana is producer and composer Daniele Mana from Torino in Italy. His debut EP for Hyperdub, 'Creature', is also the first under his own surname. It's one of his most vivid, personal and confident releases to date. Since 2010, he has been releasing under the moniker Vaghe Stelle, with EPs and two full length albums on labels such as Gang of Ducks, Aisha Devi's Danse Noire, Astro:Dynamics and most recently, Nicolas Jaar's Other People records. He is also a member of One Circle with Lorenzo Senni and soundtracks composer Francesco Fantini. On 'Creature', over eight tracks, he ingests Shostakovitch, Drexciya, Darkthrone, Frank Ocean and Paul Lansky, and refashions them into an almost operatic record - a rich, melodrama of dark tension and excitable in-your-face synth melodies. In using his own name for the first time, he says he is confronting the unfiltered, brutal truth' of his self, compressing tension and anxiety' into a claustrophobic sense of emotional vacuum.' From the skulking clockwork of 'Crystaline,' the rich drifting ambience of 'Sei Nove', to the panicky, rushy rave stabs meets horror theme of 'Running Man', it's lucid, dynamic synth music which uses drums sparingly, but occasionally swirls into little sublime vortices of arpeggiated hyperrhythm. The melodies are bright and pitch bent, swollen by euphoric voltage surges and stuttering, soaring strings in 'Rabbia', plucking wide-screen, heart strings on 'Uno e Solo' and lulling down into the delicate, shimmering prisms of 'Wetlife' and 'Consolations'. While in its own lane, 'Creature' feels totally at home on Hyperdub.

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6,09
Msafiri Zawose - Uhamiaji

Msafiri Zawose

Uhamiaji

2x12inchSNDWLP122
SOUNDWAY RECORDS
12.09.2017

Tanzania's Msafri Zawose has been one of the biggest slept-on musical forces from the region. That's about to change with the imminent arrival of a new album that will redefne the boundaries of gogo music. The Wagogo people are Msafri's traditonally nomadic tribe from the center of the Tanzania, known for their musicality and made famous by Hukwe Zawose - Msafri's father, who toured the world as a part of Peter Gabriel's Real World roster in the 80s and 90s.
The album has been produced in collaboraton with Sam Jones from SoundThread, whose recent works with Orlando Julius and remixes for Mugwisa Internatonal and Sarabi have been rapturously received. The tracks remain profoundly 'gogo' with traditonal instruments and singing, but are infused with an organic electronic aesthetc. This is an afro-futurist journey that takes in dub, balearic, ambient and electronic vibratons alongside Zawose's hypnotc playing and emotve, plaintve vocals.

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Smooth - Resurrection Ep

Smooth

Resurrection Ep

2x12inchRAMM277
Ram Records
12.09.2017

Smooth continues his ascent with the 'Resurrection EP' on RAM Records, featuring four fresh cuts to add to an already stellar succession of releases. First from the new batch of records is 'Trajectory', a steppy, snapping whirlpool of clattering bass rhythms and fluctuating note patterns. It pulls you into Smooth's dreamy soundscape, whilst still channelling a bassline which pulsates steadily underneath each flurry of beats. Up next comes 'Disco', with a more cascading, jazzy appeal, one which gradually builds into uplifting pads and clattering drums, helping to flesh-out the composition. 'Disco' points to Smooth's streamlined musicality, which features a huge repertoire of sound. 'Device' follows with a cinematic intro, which begins to grow steadily on a quick succession of sonic stabs and heavyweight drums. Amongst old-school breaks and rattling percussion sitting underneath the mix, the track is tribal yet crunches with grinding LFO. It's fierce in its delivery and channels more contemporary production standards. 'My Feeling' finishes the EP on a completely different vibe, drawing out keyed arpeggios and elevating synths. Smooth flexes his creativity one more time before the Resurrection's close, stringing together shimmery vocals and an emphatic climax. Alongside its predecessors, 'My Feeling' gives the perfect end to a stellar release. One welcomed by RAM's decorated history.

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Soul Intent / Concealed Identity & Odyssia - No Answers (concealed Identity Remix)

Lossless Music's leftfield sublabel Exkursions is back with it's second vinyl release. EXKUR002 features the incredible talent of James Morton aka Concealed Identity. After hearing James' 12" on Narratives Soul Intent tracked James and proposed James remix 'No Answers' which is did in amazing style. James also offered up a stunning brand new solo track called 'Zahir', a 7 minute journey into cinematic 170BPM. Soul Intent finishes up the 12" with a 140BPM garage/bass music monster called 'Tribes' via Odyssia alias.

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Source Direct - The Crane (alternate Mix)

Nonplus continue with the Source Direct re release and remix series and here we have one of the most influential dnb tracks ever written, Source Direct - The Crane, which was a 90s classic at the forefront of the future thinking genre. Alongside the original track there was an alternate version found on an old DAT tape which will now surface on NONPLUS LTD 003, and on remix duties, Inland & Function give their take on the track giving it the 4/4 techno treatment.

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Andre Bratten - Valve

This white label 12' is limited to 300 copies and won`t be repressed and it won`t be available digitally. Bratten found the two tracks on an old computer when he was looking for some stems. He played us the tracks and we totally loved them! As he didn't find the completed tracks, they are refurbished from old stock tracker presets.

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Dmx Krew - Strange Directions (2x12")

Since releasing his last album on Hypercolour in February 2016 ('You Exist'), DMX Krew has not for one moment rested on laurels, releasing two further LPs on the Ekster and Abstract Form labels, as well as EPs and singles for Central Processing Unit, Shipwrec, Revoke and more. Continuing to remain faithful to the roots of electro, IDM and the deeper shades of techno, and without compromise, DMX Krew cranks out emotive and brain scrambling electronica at a mighty rate, and never disappoints. 'Strange Directions' is album number 21 from DMX Krew, and lands once more on Hypercolour, the British label that continues to make heady waves in the music scene with genre shifting releases from the like of Matthew Herbert, Luke Vibert, Gary Gritness, The Cyclist, Outboxx and A Sagittariun in the last 12 months alone. You'll know what kind of ride you are in for from the first few bars of album opener 'Snowy Blue'; hypnotizing bass and spatial keys float over dusty micro breaks, produced with an infectious aesthetic that continues over the long player's fifty-five minute tenure. Experimental and expansive joints such as 'Odd Chill' and 'Strange Directions' sit comfortably alongside funkier techno jams such as 'Thin Hype' and 'Zero Sum', whilst the melancholic synth sensibilities of tracks like 'Hip Hopeless' and 'Axial Mode Beat' catches DMX Krew on fine form.

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Komfortrauschen - Plaste

Komfortrauschen

Plaste

12inchLP-KRPL-0116 / 147981 LP
Springstoff
08.01.2018

Nach der "Komfortzone" kommt was "Plaste", und damit die nächste EP der drei ambitionierten Jazzmusiker, die sich Komfortrauschen nennen, elektroakustische Tanzmusik spielen und manchmal eher wie ein DJ als eine Band klingen. Das heißt: Hier wird mit der klassischen Rock-Besetzung aus Gitarre, Bass und Schlagzeug verspielter, eingängiger und tiefenentspannter Techno mit Open-Air-Spirit zu Gehör gebracht. Folgerichtig passen - wie auch bereits beim Vorgänger - die fünf neuen Tracks gleichwohl in dunkle Kellerclubs sowie auf sonnenbeschienene Festivalbühnen: "Plaste" bietet Mensch-Maschinen-Musik, die sowohl zum einfachen Zuhören als auch ausgelassenen Tanzen anregt.

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13,40

Последний логин: 8 г. назад
Moebius / Story / Leidecker - Familiar

Moebius/Story/Leidecker

Familiar

12inch120771
Bureau B
06.10.2017
  • 1: Wrong
  • 2: Zucken
  • 3: Familiar
  • 4: We Need You In Our Soups
  • 5: Block Blow
  • 6: Vexed
  • Cd-01. Wrong
  • Cd-02. Zucken
  • Cd-03. Familiar
  • Cd-04. We Need You In Our Soups
  • Cd-05. Block Blow
  • Cd-06. Vexed

Dieter Moebius (1944-2015), Teil des legendären Duos Cluster und Pate des Elektro-Krautrocks, war ein Avantgardist der deutschen elektronischen Musik. Tim Story und Jon Leidecker sind zwei amerikanische Elektronikmusiker, die unterschiedlicher kaum sein könnten: Story ist bekannt für seine warmen Soundscapes, Leidecker hat sich unter dem Pseudonym Wobbly vor allem mit experimentellen Klangforschungen einen Namen gemacht. Außerdem ist er Mitglied des Musik- und Kunstkollektivs Negativland. Im September 2012 quartierten sich die Drei in den Bergen Montanas in Brett Allens fantastischem Aufnahmestudio Snowghost ein, das hoch über dem Whitefish Lake inmitten der Rocky Mountains thront. Dort verschmolzen die Tage ineinander und hatten weder Anfang noch Ende. Aus Improvisationen entstand Musik, die erst im Moment des Klangs zu dem wurde, was sie war. Nach sieben Tagen hatten die Musiker eine Festplatte voll mit Material gefüllt, aus dem später die Alben "Snowghost Pieces" - das 2014 bei Bureau B veröffentlicht wurde - und "Familiar" entstehen sollten. Auf "Familiar" scheinen explizite Anspielungen auf die Schönheit der umgebenden Natur nur schwer zu finden zu sein - das Album enthält etliche der ruhelosesten und abstraktesten musikalischen Arbeiten des ganzen Aufenthalts.

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Sad - Super Sounds Ii

Sad

Super Sounds Ii

12inchUDACHA014
Udacha Records
21.07.2017

Moscow-based hereditary shamans Vasiliy Stepanov (p-sh) and Vladislav Dobrovolski (fitz ellarald) are back to the Udacha camp as a joint project S A D. Music from another dimension is here again. 14th release on the label will help you to open all secret doors, solve all the puzzles, see the sounds and hear the colours. Be ready! 18+

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Siaubas/ Kris Baha/ Disrute / Dane / Close - Pc 003

Power Cuts 3: Siaubas - Vilinus. Kris Baha - Melbourne/ Berlin. Disrute - Melbourne. Dane//Close - London/ Berlin.

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The Moods - Missing Peace
  • 1: P.o.p (Profit Over People)
  • 2: Inception
  • 3: Keep Your Powder Dry
  • 4: Bad Boy
  • 5: Black Triangle
  • 6: Gotta Get A Hold
  • 7: Joy
  • 8: Atmosphere
  • 9: Hidden
  • 10: Speaking Tongues
  • 11: Together We Will Fight Them
  • 12: Missing Peace

The Moods New Album, is packed with potent political messages, this is way more than just infectious music and rap. With honesty and urgency, The Moods tackle topics such as social injustice, inequality, poverty and corruption. (Released on A1M records Digital, Vinyl & CD on 29th September. P.O.P, (Profit over People), is the bands, second single, and is taken from the album. It comes with a powerful political message and thought provoking new video. At a moment in time when music is a crucial part of the push for social change, this breathtaking track is both resonant and relevant. (Single released on the 8th September).

The Moods are a ten-piece collective of producers, poets and musicians from Manchester and the North West. Combining drum & bass, reggae, hip-hop and EDM, The Moods' mighty music sparks off a contagious need to dance. The band's live act just got even more powerful with the welcoming of Alice, a classically-trained violinist, to the family, her stunning strings bring a whole new level to The Moods' already awesome performance. The Moods make music with real grit and substance: they're a band with plenty to say, singing and rapping with raw passion about the important stuff: war, famine, love, life and death. The Moods will make you dance, and then they'll make you think.

Summer 2017 has been unforgettable for The Moods and their fans. The band have wowed crowds in iconic venues, in fields, even in a forest. What's more, their first single, JOY, was met with critical acclaim, primetime regional radio airplay, tens of thousands of streams and stellar reviews. And the thought-provoking video to accompany the single, starring Steve Evets (Looking for Eric) has been entered for the BFI London Film Festival.

The incredible summer season culminates on the 8th September, with a huge homecoming gig for The Moods at Manchester's landmark O2 Ritz, A huge celebration, to herald the release of Missing Peace, and signal a significant turning point in the bands progress. The Moods are ready to spread their word and their sounds all over the UK, so look out for even more unmissable live shows as the Mighty Moods, in the autumn, as they take Missing Peace' on the road.

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The Moods - Missing Peace

The Moods

Missing Peace

12inchAM26LPGRN
A1 (M) Records
29.09.2017
  • 1: P.o.p (Profit Over People)
  • 2: Inception
  • 3: Keep Your Powder Dry
  • 4: Bad Boy
  • 5: Black Triangle
  • 6: Gotta Get A Hold
  • 7: Joy
  • 8: Atmosphere
  • 9: Hidden
  • 10: Speaking Tongues
  • 11: Together We Will Fight Them
  • 12: Missing Peace

The Moods New Album, is packed with potent political messages, this is way more than just infectious music and rap. With honesty and urgency, The Moods tackle topics such as social injustice, inequality, poverty and corruption. (Released on A1M records Digital, Vinyl & CD on 29th September. P.O.P, (Profit over People), is the bands, second single, and is taken from the album. It comes with a powerful political message and thought provoking new video. At a moment in time when music is a crucial part of the push for social change, this breathtaking track is both resonant and relevant. (Single released on the 8th September).

The Moods are a ten-piece collective of producers, poets and musicians from Manchester and the North West. Combining drum & bass, reggae, hip-hop and EDM, The Moods' mighty music sparks off a contagious need to dance. The band's live act just got even more powerful with the welcoming of Alice, a classically-trained violinist, to the family, her stunning strings bring a whole new level to The Moods' already awesome performance. The Moods make music with real grit and substance: they're a band with plenty to say, singing and rapping with raw passion about the important stuff: war, famine, love, life and death. The Moods will make you dance, and then they'll make you think.

Summer 2017 has been unforgettable for The Moods and their fans. The band have wowed crowds in iconic venues, in fields, even in a forest. What's more, their first single, JOY, was met with critical acclaim, primetime regional radio airplay, tens of thousands of streams and stellar reviews. And the thought-provoking video to accompany the single, starring Steve Evets (Looking for Eric) has been entered for the BFI London Film Festival.

The incredible summer season culminates on the 8th September, with a huge homecoming gig for The Moods at Manchester's landmark O2 Ritz, A huge celebration, to herald the release of Missing Peace, and signal a significant turning point in the bands progress. The Moods are ready to spread their word and their sounds all over the UK, so look out for even more unmissable live shows as the Mighty Moods, in the autumn, as they take Missing Peace' on the road.

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Various - Visions

Various

Visions

12inchM&Q011
Mystic & Quantum
09.02.2017

Every story has an end. But in life, every ending is just a new beginning. Life goes on - not always as we envisioned it would be, but always the ways it's supposed to be.
Remember, we usually can't choose the music life plays for us, but we can choose how we dance to it. Make yours a beautiful memory.
Mystic & Quantum 2013-2016.

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Various - Trax Test (excerpts From The Modular Network 1981-1987)
 
25

'Trax Test' is the first ever survey of Italy's pioneering, visionary and influential label and mail art collective Trax, which ran from 1981 - 1987 as a network for the creation of collaborative projects. The collective included a pre-NWW Colin Potter and some of the earliest work from Masami Akita aka Merzbow, but also had deep connections with the art world; a few trax members went on to become famous designers and artists - Ettore Sottsass of hugely influential Memphis Group even guests on vocals on the last track of the compilation. The whole selection here is rare as heck and sorely in-demand by collectors, much of it now making its vinyl premiere some 30 odd years after the fact.
With credit due to compilers Vittore Baroni of Trax and Ecstatic's avowed wave fiend, Alessio Natalizia (Not Waving) - who was also behind the 'Mutazione (Italian Electronic & New Wave Underground 1980-1988)' compilation - 'Trax Test' is a portal to the international scene which laid the grassroots for a proliferation of electronic music over the proceeding decades - a pioneering part of the infrastructure for independent music distribution which could be said to pre-echo the myriad social networks and platforms which exist for sharing music today.
As Frans De Waard astutely points out in the 16-page booklet, there were no 'templates' for this thing back then - as opposed to the forms of Soundcloud, Spotify or YouTube nowadays - meaning artists did everything DIY: from cutting, pasting and xeroxing their artwork to xperimenting with recording techniques and disseminating their work; all resulting a wonderfully daring and freeform mosaic of ideas which valued the virtues of ostensibly 'unfinished' or open-ended work, when compared with more expensive, 'proper' studio output.
Traces of disco, cosmic krautrock, jazz, electro-pop and industrial noise are all tessellated across the compilation's 25 tracks, with a number of artists and the same equipment - cheap drum machines, synths, FX and tape - cropping up in various, mutant formations.
In terms of obscurity, quality and variation, this set is right up there with the best compilations from Vinyl-on-Demand (an early supporter of this project), Light Sounds Dark (although Ecstatic guys did it legit, lol), or Minimal Wave, and likewise probably saves you the few months wages it would take to track down all the originals. Fucking bravo, we say!









REDNIGHT (EXCERPT)

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Unknown Artists - Superstylin' Remixes

Unknown Artists

Superstylin' Remixes

10inchSUPERSTYLIN001
08.09.2017
 
2
также имеющийся в продаже

Black Vinyl[12,56 €]


Hold tight the artists unknown giving the far-famed superstylin' their idiosyncratic palate.

140 on the A - 170 on the B gives it ummer vibes, dubby vibes, drum and bass vibes, super vibes!

10" transparent hand stamped vinyl for maximum brightness in these summer months.

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Afefe Iku - The Blues

Afefe Iku

The Blues

10inchYSD43
Yoruba Records
19.09.2017

REPRESSED !

Yoruba Records proudly present the return of Afefe Iku. Returning after a four year hiatus with is his first release since his 2008 debut album and smash hit Mirror Dance, here we have a four song EP entitled 'The Blues'. With his eclectic force and sound, Afefe brings us another chapter in his developing story. 'The Blues' gives us the dark edge of deeper techno, whereas 'The Arsonist' is an in your face mid tempo head banger featuring Osunlade on vocals. 'Dakountdown' and 'Jungle Beats' stand alone in style and approach as a throwback to the days when house was simply just house, without the multitude of today's dance genres. Yoruba pray that you embrace the next wave of sound from the mind of the man who brought you the classic 'Artifacts Of Pottery Vessels'.

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Amateur Childbirth - Your Afterlife Is Cancelled
  • 1: My Throat = Abyss Of Tar
  • 2: Emissary Of Light
  • 3: Alive With Desire
  • 4: Portents To Beauty
  • 5: Iridescent Effigy To Hades
  • 6: In Greenland, Alone
  • 7: Lithium Hangover / Ordinary Morphine
  • 8: High Calvinism
  • 9: All Doomed

This is Amateur Childbirth's Christian Rock album. The previous LP from Ivan Matthew David's solo project, 2015's Pripyat, concerned itself with the blighted belief systems of UFO worshippers, Your Afterlife Is Cancelled expands this compelling solo project's field of enquiry to look at a wider array of religious anomalies' - cults, for want of a better word. Each song is about a different such anomaly.To call Hicks' vision apocalyptic would be to underplay its cruelty. The Bible's rampant sadism pales in comparison.

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Joy O - Wade In / Jels

REPRESSED !
Since the release of his debut 'Hyph Mngo' that swept the global dance music world in 2009, British producer Peter O'Grady (aka Orbison) makes his return on Hotflush Recordings as Joy O in 2011. These two productions take a more straightforward approach, toeing along the lines of classic house music, infused with this talented producer's own signature style, weaving rolling acidic basslines in 'Wade In' and uplifting melodies in 'Jels' and over shuffling Roland drums and blissful atmospherics.

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Laszlo Hortobagyi - Transreplica Meccano

Hungarian composer and musicologist László Hortobágyi, took his first expedition to North India in the late 1960's to record music, study philosophy and learn traditional instruments such as the rudra-vina, sitar, surbahar and tabla. These ongoing trips heavily influenced his musical style and much of his recorded work. LFI is happy to announce the reincarnation of one of his most illustrious works, Transreplica Meccano originally released by Hungaropop in 1988.
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As a child László fantasised about interacting with otherworldly muses and imploring them for the hope and guidance he yearned to escape the intellectual bareness of his surroundings. His early feelings of alienation combined with the almost sensual pleasure he remembers from these interactions, influenced and helped shape his life long musical journey. In 1980 he established the musical society called Gáyan Uttejak Mandal. It was named after the Hindu-Moslem musician's society founded by Navraojí Kabrají in 1870 (it was the school of the great musicologist, V.N Bhátkhánde).
The society expanded throughout the 1980's with an archive of oriental music, to be considered unique and unrivalled in Eastern Europe, which has operated parallel to the Gáyan Uttejak Studio and the Gáyan Uttejak Orchestra. The members have made it their duty to practice and study the world heritage of traditional cultures.

The remastered and revised edition of Transreplica Meccano is reborn after 31 years. László weaves a tapestry of sample based magic, transcribed from travels across the orient, transporting the listener to a fascinating world of archaic musicality. His sound palette is rebuilt and restructured using PCM morphology and FFT spectrum analysis as well as virtual overtone processing synthesis software he developed in 1988. The new live program's repertoire is also based on the classical Indian instrumental technique of the Gáyaki-Ang and the Tablá-tárang polyrhythmic structure, and is mixed with his developed sound morphology of the granular systhesis technique according to his original 'computed memesis of music' concept. The result is an incredible amalgamation of musical worlds, allow yourself to be immersed in a truly unique dialect.

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Masaki Uchida - Xenolinguistics

Following up on their intricate and thought-provoking cassette from Berlin's Circula, and a string of highly appreciated Bandcamp compilations, Loose Lips turn the tables to present this debut album from Japanese producer, Masaki Uchida.

The mysterious composer presents his inaugural venture into album territory with a full length LP soaked in atmosphere, intimidating noise and razor sharp attention to detail. Uchida's uncanny approach leaves the listener dazzled, moving from perturbed ambience and experimental sound design through to baffling broken rhythms.

Xenolinguistics' thoughtfulness comes from anger, prayer and sorrow. Despite sounding alternative in its construction, Masaki's desire is to to share these expressions with popular culture.

The album is rounded off by 2 remixes from Loose Lips crew members, Rico Casazza and T-Scale. Following Casazza's masterful album of moody electro on Archipelearlier this year, the inspired Italian here covers 'Logos' in sophisticated breakbeats & moving instrumentation. Then T-Scale's remix transforms the already overwhelming 'Black Puzzle' into a lengthy industrial labyrinth.

Mastered at Dadub Studios.

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Sgt Pepper Meets Fullness - Fu 12006
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The Hacker & Hiv+ - Novo Disko 12"

The Hacker&Hiv+

Novo Disko 12"

12inchOR-16-2016
Oraculo Records
24.10.2016

A record produced in cooperation with Unknown Pleasures Records under the 'Black Alliance' project. Michel Amato and Pedro Peñas Robles signed back in 2006 this EBM dacefloor missile that finally will be released in vinyl after 10 years. The techno revelation Alek Drive signs a perfect remix for a sure classical release. All tracks have been analogically remastered specially for this vinyl version by Eric Van Wonterghem. Including Növö Diskö (2006 Original Mix) and Növö Diskö (Alek Drive Remix).

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Tremble - Vibes Deh Bout

Tremble

Vibes Deh Bout

12inchSFA001
Safari Art
07.09.2017

Having first surfaced on Osiris sister label 'Ruffcut' just over 2 years ago, Tremble has quickly built a small, but core following. 2017 sees Tremble launch his own platform 'Safari Music'. The first release is a 3 track slab of dubbed out plastic, with each tune offering the usual Dred beats, Heavy subs, and blissed out atmospherics that Tremble has become known for. Safari Art has a lot of exciting music lined up for the remainder of 2017, and we thank you in advance for your support.

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