Beats Novedades

SCAR
* The new dream team collaboration of Survival and Script stride into the Horizons Music camp with a smattering of low end driven Drum & Bass.
Fair Game
* Later displays SCAR's ability to delve into some of the furthest depths of what Drum & Bass has to offer. Almost industrial in its delivery, this villainous track pushes forward with a grinding groove accompanied by unrelenting sub bass and gnarled synth jabs. Think of this track as the tamed Minotaur in your collection.
Later
Tenacious and intensive, Fair Game possesses the perfect qualities of a true dance-floor roller. Tight drums combined with ferocious bass hits propel the track on an outing that exhibits the fully-fledged sound of Drum & Bass coming correct.

Musician and skateboarder, member of the legendary Bones Brigade, prolific artist & designer, the untamed kid of San Francisco haunt back our turntables with his new album "No Man's Land".

From dangerously rythmic dating under a dazing sun, to melodic oasis deliciously refreshing, "No Man's Land" marks a change in the work of Tommy Guerrero : beyond the clever alchemy of ambient jazz tinged by hip-hop and soul, T.G. reveals a mastery of a typical style that becomes unique and eternal, where are unveiled enjoyment, fun and the raw talent of a mature artist who managed to preserve the purity of his childhood dreams.

BIOGRAPHY
Once upon a time, the City of San Francisco gave birth to an untamed beast named Tommy Guerrero. From a very young age, the kid could skateboard up walls and down hills like no one else. He played in punk rock bands well before he could even get into the clubs legally. And he displayed an artistry in life that few folks ever even fantasize about.
It's 2014 and the guy's resume reads like a dream- Bones Brigade skate team in the 80's, movie appearances, co-founder of Real Skateboards and 40's Clothing, art director for Krooked Skateboarding, and prolific recording artist- from the 'Fat Jazzy Grooves' and 'Another Late Night' compilations, to albums for Mo'Wax, Galaxia, Function 8, Rush (Japan), Quannum and Ubiquity, T.G. has lead a full life. Then there's the collaborations with Lyrics Born, Jack Johnson, Curumin, Bing Ji Ling and Prefuse 73, remixes for Money Mark/Nigo, Poets of Rhythm and Shawn Lee. His band Jet Black Crayon has toured with Isotope 217 and Tortoise. He's scored tunes for Thomas Campbell's surf film 'Sprout', the EA video game 'skate' and had the honor of being the sole provider of music for Todd Oldham's show 'Hand Made Modern' on HGTV. His songs have been licensed for zeitgeist television shows like 'Queer as Folk', 'Sex in the City' and 'CSI Miami'. His concerts packed houses from the Fujirock Festival in Japan to Café DuNord in S.F. and The Knitting Factory in N.Y.C. His designs are found on Levi's in Japan, Vans shoes worldwide, and Sutro eyewear. Tommy's music, like his graphic design, is beguilingly simple. He sounds like a guy messing around on his front stoop, and maybe that's exactly what he is- but the result will touch you down to your toes. From Mission District punkers to Shibuya-ku hipsters- his melodies dance lightly around your head while the rhythms build under your feet. His is SOUL music, made by a street kid raised on Santana and Bill Withers (with more than a little nod to the Clash and Public Enemy in there, too).

Deluxe Re-Release des 1990'er Meilensteins des Künstlers Jon Hassell, der World-Fusion mit Einflüssen aus frühem HipHop zu einem futuristischem Sci-Fi-Funk verband, und Ideengeber für Brian Enos Klassiker "My Life In The Bush Of Ghosts" mit David Byrne war. Das Dreifachset enthält desweiteren ein bislang unveröffentlichtes Livekonzert von 1989 in einer Abmischung von Brian Eno, sowie diverse Outtakes, Demos und Neuinterpretationen zeitgenössischer Musiker (patten, 808 State, Some Truths). Für das Vinyl wurde das 1990 Originalalbum neu als Doppelformat für verbesserten Groove- und Basssound geschnitten, und enthält als Downloadcode zusätzlich nochmal das gesamte Material der Dreifach-CD.

EP with download card

Produzent und Musiker deadmau5 hat seine neue große Vision fertiggestellt- eine, die sich wie ein Gesamtkunstwerk anfühlt: while(1<2) (gesprochen: 'while 1 is less than 2'). while(1<2) besteht aus insgesamt 25 Tracks und wird zum ersten Mal als Doppel-Album erscheinen. Was kann man nun von while(1<2) erwarten 'Es ist eine tolle Mischung aus dem heißen Scheiß, den ich machen wollte, und dem heißen Scheiß, den die Leute hören wollen oder von mir erwarten. Es ist eine ausgewogene Balance. Es ist jetzt nicht so wie, 'Oh, das ist ja voll die Kehrtwende, er macht jetzt smoothen Jazz'', sagt deadmau5. 'Als ich an meinem Live-Set gearbeitet habe, Setlists für die Show und solche Sachen, sind ein paar Tracks entstanden, die von Anfang bis Ende ziemlich gut zusammengepasst haben. Da habe ich gedacht 'Nun, wenn ich jemals ein Album oder diese Stück auf eine Art Album packe, dann ist das genau das richtige Format für die Anordnung dieser Tracks.' Ich habe einfach alles genommen und musikalisches Tetris gespielt.'

Detroit-based vinyl-only label debuts w/a bracing set of late night sounds from disco to sludge by Sly Foxx label head, Appian, Atlanta's REKchampa, sludge purveyor, Marshall Applewhite.& local hater, The Friend.

Debut EP from Amsterdam-based producer.


Features vocals from Ruben Hein, Amsterdam-based, signed to Blue Note in Holland and a rising star of the Dutch jazz scene, Romaine Smith, Bristol-based soul singer on the rise who works with Typesun, and Aja Monet, NYC-based poet who's been praised by Talib Kweli and Nas. Individually the singers have received support from mainstream national radio including the BBC.


Early support for the tracks from Kutmah, Jay Scarlett, LV and Austrian national radio.


Music is soul, simple. Reminiscent of classics from D'Angelo, Erikah Badu, Jay Dee and The Roots. Stripped back production and great, direct vocals that speak to the listener.


12" vinyl features cover reminiscent of classic Ohio Players records.

Extra Special Edition for the Label 3rd Year Anniversary
LebensStrasse presents:
"Your Unknown Imaginary Friend" x "The Glitterswave Beatwizard"

In late February Bok Bok revealed 'Melba's Call', the single featuring vocals by Fade To Mind star and BBC Sound Of 2014-listed Kelela. Now Night Slugs are pleased to announce an EP of new material from the producer and labelhead; his first full work since 2011's 'Southside' EP and its club anthem 'Silo Pass'.

Expanding on a theme first started on the 'MJT' white label in 2012, this EP sees Bok create a replicant funk, built with fragments of classics, arranged with a grime logic and weaponised with 2014 subweight.

Citrus releases combined in one low priced pack. Incl. great tracks by Quadrant, Dabs, Brainfuzz & Kenei, Spinor and N.Phect

As rapper Rakim would say: 'It's been a long time' .. Mischa van de Bilt aka Mav (and earlier - Maverick) is back in the game. Old-timers will surely remember him from his groundbreaking 'Me Against the Machine' released on Fokuz back in 2005, as well as his atmospheric and futuristic creative output found on Citrus, Red Mist, Camino Blue, Offshore, Warm Communications or KOS.MOS, Soul & Ice (to mention a few), as well as on the now defunct ASC's Covert Operations Recordings. It's hard to believe this is actually his first full-length album.

Starting off with the light-amen-laden progressive and atmospheric 'Skylines', with its airy pads, quick-paced hi-hats and stepping beat, setting you up for the more lively and uplifting jazz-flavored
'Jackie Style' (featuring the sweet duo of P-Gemma and Jackie Valerie on the vocals). Then it's the laidback, liquid and leisurely 'Open Your Mind', followed by the mesmerizing, rolling straight-to-the-point 'The Dolphin and the Bassline' adding a great classic atmospheric touch to the whole.
Mav also shows his versatility by pursuing some more experimental sides of D&B, such as with the crazily-syncopated 'Trigger the Rabbit' and the lush, variously-paced 'For the Little Ones (Sweet Dreams)' (again with the voice of Jackie Valerie). And if you're looking for a heavy punch he offers the razor-sharp broken beats of 'Makati Oasis' and the dirty 'Break Is The Legend', a remarkable tribute to one of the essential elements of drum & bass music - the amen break.

Fleshing out the album further, Mav has recruited some massive names from across the D&B globe on remix duties. From Jazzsticks' honcho Paul SG and his lush remix of 'Open Your Mind' to Hungary's one and only Chris.Su rendering the classic 'Me Against The Machine' into his own razor-sharp and deep neurofunk language. Brazilian maestro Bungle offers a fresh, tranquil, broken-drummed remix of 'Skylines' and French producer Naibu's riveting drums and mysterious backgrounds take centre stage on his rework of 'Between Heaven and the Deep Blue Sea'. The same track has been also treated by Scandinavian bigwig Seba, who delivers a punch in the face with unique subtlety like nobody else. The circle of remixers closes with 'Makati Oasis' revisited by the mighty Future Engineers, lending their expertise to transform the original fierce amen breaks into a smooth, overwhelming bass-machine!

Mav has certainly served up a banquet with an audible focus on the Chef's Special - traditional atmospheric, energetic drum & bass with a twist of contemporariness, all of this served as a finger-licking feast of dishes, each of a different flavor, but all of them equally exciting.

2CD great lounge tracks and remixed new versions, including tunes such as The Fifth Dimension, Neja, Papik, Sugarpie, Marvin Gaye, Cocktail Martino, Cunnie Williams, ... and many more !!!

"hi there
this is my new album.
keeping with the tradition I decided to call it "III".

there's no great concept, no specific theme, no scheme, no plan... no space disco but still plenty of "space".
it is just documentation of the music I made during the recording period.
a musical diary so to speak.diary entry number three.

musically I feel it belongs somewhere between my last 2 albums, 2009's "prins thomas" and 2012's "II".
they where both a result of the recording techniques and
musical ideas I had at the time. the former organic, freeform(freerange) and organic, the latter
more polished and "square" as I just had figured how MIDI worked(I have to admit...I'm actually still not sure I know....)
anyway, what I've learnt so far is now coming together in some kind of musical (dis)harmony. one I hope you enjoy
listening to as much as I enjoyed making it."

thomas moen hermansen aka prins thomas, asker 4th of march 2014

Diamond Version's debut album pairs blistering electronic rhythms, deconstructed techno and dread static with clipped slogans borrowed from advertising and marketing, in both lyrics and track titles such as 'Science For A Better Life', 'Access To Excellence' and 'Raising The Bar'.

CI (which stands for Corporate Identity), follows on from a series of five 12 singles released through Mute, and is the culmination of nearly three years of hard work which began when Raster-Noton and Mute both curated the 2011 Short Circuit Festival of electronic music at the Roundhouse in Camden, London. 'It started with the Roundhouse,' recall Diamond Version. 'Daniel (Miller, Mute founder) has always been interested in what we do. We shared ideas and experiences, and then it was very clear that we should do something together.'

This is the collaborative project between two of the most groundbreaking, experimental and visionary creators in modern music and, although Olaf Bender and Carsten Nicolai have worked closely together since founding Raster-Noton in 1996, it wasn't until they formed Diamond Version that they started working together as a duo.

For the debut album, Diamond Version came up with an unusual list of possible vocal collaborators. 'We tried to find unpredictable vocalist collaborations - something that you would not think of in the first place, so it didn't feel streamlined. We wanted to break a certain kind of logic.'. As well as Neil Tennant of Pet Shops Boys, guest vocalists on the album include musician and poet Leslie Winer and Kyoka - a Raster-Noton recording artist.

James Leyland Kirby returns with an uncompromising, poetic and unexpected 4th and final instalment of his long-dormant 'Intrigue & Stuff' series despatched from his new base in Krakow for his own History Always Favours The Winners label. Since we last heard from the provocateur he's issued brilliant albums as The Caretaker and The Stranger, a cracking 12' for his formative heroes R&S/Apollo, and marked his 40th Birthday last week with a 40-track album of Piano pieces...yet we can't help but feel that he's saved some of his most deliriously spannered and heartbreakingly personal intimations for this new LP.

Leyland Kirby presents Vol. 2 of his four-part 'Intrigue & Stuff' series. There's absolutely no predicting what direction this series will take, and for this instalment we're privy to an internal ocean of quieter thoughts and moods, smudged with a majestic yet somehow solipsistic glow

Our maverick protagonist again looks to the future mindful of the past, following a twisted trajectory from imagination to realisation which would leave lesser artists and musicians exhausted (or in need of drying out). But as we all know, Leyland Kirby's lifestyle and cathartic sonic processes are not in vain: for many this series has provided some of the greatest material of an already crazy career.

The indomitable Leyland Kirby returns two years since his memory mangling and essential 'Sadly, The Future Is No Longer What It Was' LPs, offering the first in a series of four 12"s entitled 'Intrigue & Stuff' - channeling some of the weirdest, most discomforting and downright essential music we've heard this year

Brooklyn-based producer, composer, pianist, DJ and live musician Taylor McFerrin is set to release his first full length LP, Early Riser, in June 2014 on Flying Lotus's Brainfeeder record label. Taylor's musical style is equally influenced by the legends of 60s/70s Soul, the kings of the Modern Beat Generation, Golden Era hip hop, free form jazz and electronic music. By playing all of the instruments on his productions, while also relying heavily on sampling and chopping up his live takes, he has found a sound that seamlessly bridges myriad musical worlds and draws the listener into a constantly shifting audio soundscape. 'I spent years laying down tons of tracks,' McFerrin explains, 'and I got into a really bad habit of never really finishing anything. So this last year the concept was - let me go back and find all the stuff that really felt right, the stuff that felt like an honest moment of creation for me, and just force myself to finish those tracks.'

From the opening build of 'Postpartum' onwards, you know you're in for something pretty special with 'Early Riser'. It's a smouldering, woozy and intensely beautiful record. Tracks like 'Degrees of Light' and 'Stepps' establish a sun-up mood in their opening few bars and then develop it, the organic live feel perfectly balanced by the the snap of their programming. If McFerrin's own voice on a track like 'Florasia' adds a genuine neo-soul emotion, his guests are sensational. From Nai Palm of Melbourne's Hiatus Kaiyote on 'The Antidote', through Emily King on 'Decisions' ('one of the best singers alive in my opinion' - McFerrin) and on to labelmate RYAT's collaboration on 'A Place In My Heart', each adds a different mood and lift to the music they're involved with. Taylor's father, the legendary Bobby McFerrin, teams up with Brazilian master Cesar Mariano on 'Invisible/Visible' for one of the jazziest moments on the record. Robert Glasper, Thundercat and Marcus Gilmore also provide their substantial jazz chops to 'Already There'. But the key to the whole record is the balance which McFerrin keeps throughout - between his guest's individuality and his own vision, between the styles of music he loves, between a feeling of intense, sunlit joy and a deep aching sadness, which, it could be argued, is a definition of soul.

Since creating a major buzz with his first EP, Broken Vibes, McFerrin has toured worldwide as a one man show and has played major festivals such as Lollapalooza, Glastonbury, The Big Chill, and Gilles Peterson's Worldwide Festival. In his home base of New York City, he has performed at such legendary venues as The Apollo, The Blue Note, Radio City Music Hall and The Lincoln Jazz Center opening up for artists such as Erykah Badu, The Roots, Nas, Talib Kweli and Robert Glasper. In addition to producing and performing, Taylor has served as the Head Instructor of the pioneering Beat Rockers program over the past 4 years, teaching beatboxing and musical self-expression to students who are blind and/or have multiple disabilities at the Lavelle School for the Blind in the Bronx.

Taylor's ability to create and evolve musically by drawing inspiration from all corners of his life translates into a music of exceptional honesty and emotional directness, deep sophistication and effortless style.

The 2nd in Dego's Good Good compilations, Vol. 2 brings together some of London's finest boogie excursions. starting with Mark De Clive Lowe & Abdul Shyllon's 'Relax..Unwind' a favourite in NYC with the likes of Masters At Work and DJ Spinna. This compilation comprises of many genre influences all kept within a dance music frame work including the Brazillian sound of Assassino Daninha and the Detroit/Chicago influenced 'Ice' by Opaque. Other highlights include the cosmic Jazz of Da One Away, Germany's Micatone remixed by Seiji and Domu's dancefloor smash 'Save It'. (2002)
1 Relax.....Unwind (feat. Abdul Shyllon)
Mark De Clive-Lowe
2 Smile
Assassino Daninha
3 LO:K8
Domingo
4 Music Of the Earth (feat. Nix)
Domu
5 To Tomorrow (feat. Bembe Segue)
Da One Away
6 Ice
Opaque
7 Save It (feat. Face)
Domu
8 Let Your Feelings Show
Restless Soul
9 No Return (feat. Corinna Anderson)
MM Black
10 Goza
Afro Force
11 Run (Seiji Remix)
Micatone
12 Brand New Day (feat. Vanessa Freeman)
Pavel Kostiuk
13 Soulbreeze
Volcov & Paradox

Not much is known to us about Belly Dance, or the producer behind this imprint, what we do know is it's from the Manchester area of the UK. The record itself is intially a vocally, slow beat, number with big kicks and heavy synths proceeding male and female vocals that could have been lifted straight out of the Trash Indie sound that domintated the early 2000's. The vocals are not credited to anyone so its not clear if this is the work of more than 1 person or not but the male vocals sound in some way familiar, almost like a voice from the past. On the flip side things hit a slightly different, funk, Nu-Disco kind of vibe in the form of Headman on the remix. We can only assume if a producer of Headman's esteem is putting his mark on this record then this is not going to be the last we see from Belly or this intirguing, yet slightly odd, imprint Belly Dance.

Damien Dubrovnik are Loke Rahbek (Lust For Youth, Var, Croatian Amor) and Christian Stadsgaard, two Copenhagen residents who are known for running the highly respected and prolific Posh Isolation label. 'Patterns of Penetration' is a new EP which comes relatively hot off the heels of a USA and UK tour with Helm and their first new material since last year's Alter debut, the 'First Burning Attraction' LP. Lead track and recent live staple 'Penis Corset' is the most potent and pointed piece the duo have penned yet - the main body of the track is driven by a crude and primative rhythm made from an electronic bass pulse and blown out synth noise, punctuated by feedback and guttural vocals. The result is probably the closest the duo has ever come to creating something that fits the traditional 'song' format yet fully retaining an industrial atmosphere that is consistent with previous DD releases. On the flip, title track 'Patterns of Penetration' presents a calmer side of the duos work yet also find them at their most complex and rich, sonically speaking, with a two note synth lead, spoken vocals and washes of analog tape noise. Edition of 400 copies with artwork by Danish artist Martin Erik Andersen.

Electronic auteur Actress (Werkdiscs / Ninja Tune) casts his hand over 'Rumble', taken from Kelis' critically acclaimed new album 'Food' via Ninja Tune. 180g heavyweight vinyl with black label in a black sleeve.

Kyle Hall back on Hyperdub for our 10th Anniversary - Yes please. In fact this is more or less a long delayed EP from the vaults, recorded around the same time as his 2010 'Kaychunk' EP ... which just goes to show how ahead of the curve the young Detroit producer is. Starting with 'Girl U So Strong', the track riffs on a distorted arpeggiating bassline, seasick organ and a dubbed out voice, and a flicking metronomic note, starting slowly before shuffling drums give the track some rhythmic focus. Soon a warm melody builds over some happy arpeggios, and the whole track feels like a product of brilliant spontaneous energy. 'Take Me Away' works an 8 bit bassline, bleeps and throbs into an off beat shuffle over a pulsing bass drum, loose and happy, dosed with sunshine and space.

Marvin Gaye and Tangerine Dream together in an elevator in Detroit again!

Almost 5 years after his previous album 'Horror Disco' (which was a concept album drawing connections between Italian '70s and '80s giallo and horror movies soundtracks and disco music) Bottin is back with a stunning new full length opus. Entitled 'Punica Fides' the album was made during sessions in Venice, Rome, Berlin and Ibiza.


Releasing on labels like Italians Do It better, Nang and Z records, Bottin has made a reputation for himself as a fine craftsmen who really knows his musical history and has a true passion for soundtracks. This new album, his third in a career that dates back more than a decade, was made using a ton of synthesisers, guitars, FX machines and with the help of some standout vocal collaborators.


According to the artist, 'Punica Fides is a Roman expression that means "treachery". The concept behind the album (made clear in the song titles) is manipulation, falsehood, seduction (and the will to be seduced knowing it's a lie), propaganda but also parody and satire. I think music (and especially dance music) is always also a parody. A dance track is a parody of itself and of other tracks that came before it. The album is not as soundtrack and nostalgic as Horror Disco was, I think this is a musically diverse album which ranges from synth-house, dark electronica, neo-new-wave dystopian landscapes, space disco and Italo disco. I suppose it's more of a dance record, which reflect the past 5-6 year touring the world as a DJ, as well as the will of creating my own musical bubble.'


The album opens in spiky fashion with the raw drums and serrated synths of 'Lies' coming over like a shimmering deep disco jam. Many styles are explored from there on in with 'Flow Of Persuasion' being a fast paced, melodically rich house cut that is stuff with analogue lines and oozes psychedelic charm.


Next up is the fantastic 'Poison' with Steve Strange (lead singer of Visage and co-founder of the Blitz Club which set the New Romantic template for the music and style of the 80s) which cuts a fine form with its squelchy synthesized basslines, pop leaning vocals and brightly coloured keys. Mid way through the album comes the frazzled synths and steel drum charm of 'Lust for Deception', a raucous and ravey disco cut of sheer pleasure.


'All For One' is another dazzling jam shot through with laser synths, arpeggiated lines and robotic vocals that sound like Kraftwerk on acid. Every new track seems even more fun and colourful that the last and the album as a whole leaves you feeling hugely energised, happy and very much alive. The closer is a reprise of 'Lies' with vocals from Lavinia Claws that comes straight from some intergalactic disco party it's so spangled and sugary.


Fans of Todd Terje, Pachanga Boys and all Bottin's previous work will no doubt fall madly in love with this beautifully crafted and sensuously shiny electronic album.

"Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation (...,) Lines of light ranged in the nonspace of the mind, clusters and constellations of data." Liar attempts to translate this definition from the very author who first coined the term, William Gibson, to a 4D vantage point. As such, he imagines not only every single point in infinite 3D space theoretically collapsed to a single point upon digitally trivializing distance, but, furthermore, the collapse of every discrete instance of said 3D space into a single, non-linear event, upon digitally trivializing time. Hence, "Cybertime". Functionally, this equates to music that, seemingly, effortlessly splices DNA from digital conceptualists as Fatima Al Qadiri or Oneohtrix Point Never, from retrofuturists such as Bok Bok or Surkin, from 90's hardcore stalwarts such a Special Request or Zomby, and from sound design heavyweights such as Amon Tobin or Noisia, all towards achieving a unified, stable construct of antique, classical, retro, contemporary and futurist sonic vocabulary.


Opener "Erumpo Ortus" is, potentially, the most cinematic of the six. With the opening sample beckoning one to "dance like there's no tomorrow", it's ostensibly driven by hundred-handed tribal drumming and monolithic choral manipulations. At its basis a simple oldskool electro beat, overall it's a rousing overture, most committed to the release's origin- and time-defiant aesthetic.


The title track is Liar's most grime-leaning track since "Alpha" (although, again, barely so). The sluggish-bass-driven, instrumental grime backbone is expanded upon with junglist references, a healthy serving of rave, and a Night Slugs-indebted sound palette. As it progresses, it becomes half adult vaporware, half "Jock Jams" revivalism, and all love letter to Golden Age sci-fi.


"Hekatonkheir" is a genre-obsolete piece of bass histrionics. Beginning with a titanic bellow that segues into cinematic orchestration, it timely explodes into dozens of distinct sounds thrashing about, nevertheless, as one single congruous beast. This volley of sound design goes through several distinct sections with operatic flair and pomp, sometimes seeming like a cut from Don Davis' work for the The Matrix trilogy, sometimes seeming like a saccadic dream sequence, sometimes seeming like a rhythmically-subverted neurofunk banger, and frequently punctuated by ethereal vocals chanting about Iapetus, the third moon of Saturn.

Smilax Records presents the first compilation dedicated to relax and wellness, Spa & Beauty Farm - Lounge Selection. Let yourself be lull from this selection specifically made it for makes your experiences unforgettable.

Man/machine magician Boris Divider unleashes his fourth album... And, as with much of Fundamentals' current output, it's highly limited. Continuing his explorations and escapades into the darkest, iciest realms of electronic music, Deflector/Atractor is perhaps his most extensive collection to date as we're treated to shimmering ambient bliss ("Particle") to dreamy, skippy, robot-charming fracturism ("Mikrowelt") via his more classic, straight up funky electro ("Deflector"). Yet another bold march into the coded unknown for both Boris and Fundamentals, this can't be slept on.

Flying saucers, whooping synths, and antennae-coming across an artist with a name like "Ancient Astronaut," what else would you expect Yet this is something entirely different. Ancient Astronaut's debut doesn't deal in campy sci-fi tropes, but in mysteries that run deep as their basslines. Whether this record comes as a transmission from the future, or a strange artifact of the past, it's hard to say. Crackling futurist synths coexist with thick, almost tribal grooves. Ancient Astronaut's productions are at once playful and painstaking, explosive and arranged, kinetic and curious. Blockbuster-worthy sonic pyrotechnics fill each track, and every blast is explored to its last frequency. Like a high-speed camera catches detail, Ancient Astronaut catches the smallest tone, twists and tweaks it into mad, dissonant shapes, and never loses momentum. Hi-hats and handclaps splay out in wacky elastic intervals, and tight synth riffs shred into roars of noise over a kick drum so deep it seems to burrow into the earth. What's old, and what's new Ancient Astronaut asks the question. What's the difference

Anchored between the end of the 80's and the beginning of the 90's, when industrial music courted funk, when electro(nica) made a shy appearance and house was visceral and plaintive, also inspired by current R&B productions and futuristic hip-hop, Tropics of Love is a slow tempo record that shines like a steel sun and rings diabolically romantic. 'On the Beach', a Balearic sombre take on Neil Young's classic song, makes you melt with pleasure; 'This is My Life', a Lil' Louis inspired scathing techno attack makes you dance; you put your arms up in the air for 'Bring Your Love', a pure gem of mournful pop with Luke Jenner of The Rapture on the mic; you move your backside to the syncopated beats and the feline voice of Akwetey (Dragons Of Zynth) on 'Each Other'; and only Joakim can make you fall asleep with your eyes wide open on the deviant electro jewels that are 'Three Lazer Fingers' and 'Hero'. Altogether retro futuristic, nostalgic and forward looking, danceable and contemplative, Tropics of Love draws the fine contours for the soundtrack of a summer that promises to be radiant and solar.

It's is a pretty groovy and energetic EP from uP & pG. Eastern melodies carry's vast expanses of Asia. Remix by Andrea Roma is delicious and particular, a combination of excellent pumping percussions.

This super limited edition 400 press is mastered by renown mastering veteran Beau and housed in the reverse-board Trigram house bag. FIRM SALE ONLY. STRICTLY NO RETURNS.
'The A side, Fire Key, features Ras Dago and is everything you'd expect from Alpha Steppa. Eastern influences, killer percussion, dread vibes and enough sub to put even the best soundsystem to the test. The B side, Shaka Satori, is an altogether different beast. It opens with an almost haunting stringed instrument, before the kick drops and prepares you for the impending undulating bass line. As Mixmag have said, Alpha Steppa's music truly does 'put the dub in dubstep'. And if you've not come across his music before, Alpha's Trigram release will definitely make you sit up and take note!' FKOF
More information: http://www.steppas.com/trigram

Paul Rose's Scuba project has seen him make some of the most pertinent and exciting music of the past few years, and through his legendary Hotflush imprint he continues to push innovative, exploratory new club music in every way he sees fit. From winning a coveted DJ Mag award for 'Best Live Act' to the release of 'Update', a collection of tracks exploring his rich and diverse back catalogue, Scuba enjoyed a remarkable 2013. Now back with 'Phenix 1', his first new material since 2012's acclaimed Hardbody single, expect him to enjoy an equally successful year this time around.

'Phenix 1' is the first in a series of three releases that represent a bold new chapter in an already diverse career. 'After 'Triangulation' I made a conscious effort to do the opposite thing that people expected of me', Scuba himself explains, '..which is obvious in the contrast between that album and the 'Adrenalin' EP, the 'Personality' album and then the 'Talk Torque' and 'Hardbody' singles - those two tracks especially were the furthest I could push that approach. I feel like it's time to move on now and the Phenix series is quite a large step away from that sound and that approach to things.'

Having originally made his name as a pioneering dubstep producer in the genre's formative period, Scuba has since gone on to develop a distinctive sound incorporating elements of house, techno and even disco. Inspired (though not defined) by a move in 2007 to Berlin and close ties to it's revered Berghain club, he has continually set the benchmark for others to follow in the world of underground electronic music. Now intent on exhibiting a different sonic approach to that which made him a fixture in top clubs across the globe, Scuba is ready to make waves with the first installment of the Phenix series.

'There's still a strong dance floor element to it all but with a much greater emphasis on mood and atmospherics', Scuba himself says of the EP. 'There are elements of all the different stages my production work has taken in previously too, but the result is a bit different to all of them.'

Full to the brim with ingenuity and underpinned by a firm desire to tread it's own path, Scuba's 'Phenix 1' ranks as some of the most intriguing work of his career to date.

Enigmatic artists from Eastern Europe had a ace in their sleeve when they came out with the project of Suburbs. They come up with the most mystical sound for their first EP on Archipel under "Plaeisii." The strange classical texture swirl with a very lush rhythm that at first, appear to be extremely predictable but then, as you listen carefully, you get caught up on the most capturing pattern. The main song as well as Amorf both are music for the soul and will be played in very special moment that will have people close their eyes to enjoy the shifting mood.

The friendly, handmade - Quasi Dub' is at the same time experimental and accessible.The Quasi Dub Development (QDD) wurde vor vier Jahren von Luca Fadda und F.S. Blumm gegründet. Nach - Limousine To The Guillotine' (2011) erscheint hier ihr brillantes zweites Album. QDD lieben den Dub aus ganzem Herzen, jedoch entwickeln sie ihren Sound nicht entlang der klassischen Post-Production Methoden des Dub Studos. Ihr handgespielter Quasi-Dub setzt häufig auf den unprozessierten Sound der Instrumente, ist gleichsam experimentell wie zugänglich und freundlich. Und er überzeugt mit Lee 'Scratch' Perry einen Pionier des Genres zum Gastauftritt auf "Let's Communicate".

***RECORD STORE DAY TITLE***


After an intense and busy time supplying their music to film and TV around the world and playing shows in countries like Kazakhstan and the USA, Torpedo Boyz are officially and finally back on the recording track with their first new release since the album "Return Of The Ausländers" in 2010.


"(Hey You) The Rock Steady Crew" - you guessed it - is a cover version of the classic theme tune by the groundbreaking late 70s Bronx street dance troupe The Rock Steady Crew. Being true fans of the original breakbeat style, the Boyz deliver an authentic interpretation while adding a funky twist in their distinctive Torpedo style.


"(Hey You) The Rock Steady Crew" will be released as a limited edition 7inch golden vinyl single in a glossy Torpedo Boyz picture sleeve on Record Store Day 2014

300 ONLY!!!

Tempa091 is a two-track collaborative 12 by Wen and Parris, featuring dramatic rollers 'Caught' and 'Collide'. Parris is the founder of rising label Soundman Chronicles, while the past year has found Wen exploring his own idiosyncratic, haunted visions of grime and dubstep.

Their debut for Tempa, it follows on from their collaborative track 'Time' earlier this year, which featured on Wen's acclaimed Signals album for Keysound. These two new tracks find them plunging still deeper into sparse, sensuous territory.

Shifting away from the harder angles and subtle garage flex of Wen's album, both 'Caught' and 'Collide' - which are regulars in the record bag of DJs such as Youngsta - heighten the atmosphere to near breaking extent.
'Caught' is all abrupt percussive tics, flickering melodies and snippets of voice that cut through the air, while the rhythms underneath reshape themselves in real-time, switching from grime's staccato bass blasts to sinuous, sidewinding grooves. 'Collide' is even more exquisitely fluid, with its drums and distant melodies swimming though a backdrop that's somehow monolithic and tantalisingly fragile at once.

The mysterious project by Jodey Kendrick who has released his first pure electro double album with Drexciya influences. Without compromise. Brut, Faster, Sexy like Varla.
1. Varla 1
2. Varla 2
3. Varla 3
4. Varla 4
5. Varla 5
6. Varla 6
7. Varla 7
8. Varla 8
9. Varla 9
10. Varla 10
11. Varla 11

* In a world of saturation where so many others copy, emulate and imitate, Metalheadz once again continues on a path to create, push boundaries and originate.
* Ahead of his forthcoming release on the next Platinum Breakz instalment, META012 sees the hugely talented Om Unit arrive on Metalheadz firing off a clear warning shot and sending out a clear message of things to follow.
* With three stone cold future cuts drawing upon influences from a time when content and credibility were key; Om unit stays true to the original blueprint and delivers a 12' which demonstrates why he is clearly pack leading right now, issuing quality with the metaphorical confidence of a lone wolf circling a field of sheep.
* All three tracks are a clear marker of Om Units sublime versatility, all healthily stamped with his unique production signature and incorporating a perfect contrast of evocative soundscapes against a 6ft deep brick wall of drum weight that hits at heart level, there is no subtlety here - simply music with intent and clear purpose, music which flies the Drum and Bass flag with pride and demands respect and attention.
* To finish off the release, the vinyl salutes back to early origins of the label and includes all three tracks on one lovely piece of black vinyl gold, the lead track A side and two tracks on the flip, all finished perfectly with original Metalheadz centre art to complete the package - You'll probably be best buying two, one to play and one to leave untouched!

* Over the years, drum & bass has seen literally thousands of record labels come and go. But amid the seemingly infinite imprints that have provided an outlet for the music, very few can claim to have had anywhere near the influence of the mighty Virus Recordings.
* Ed Rush & Optical, alongside fellow 'tech step' luminaries Matrix, Trace, RymeTyme and later Bad Company and Cause 4 Concern, layed down the Virus template on timeless tracks such as 'Gasmask', 'Watermelon' and 'Medicine', as well as LPs 'Wormhole' and 'Sleepwalk', and within just a couple of years had a seismic influence on the sound of Drum & Bass.
* Optiv & BTK join forces and invite you into their Blackjack album. Representing the next step in both their journeys,
the album sets the stage for Virus Recordings for both this year and the future. With dynamism, funk and an
overarching sense of groove, the record plays to the strengths of both producers, creating something which is more
than the sum of its parts. Take a trip into the darkside, with the experience and talent of Optiv & BTK as your guides.
* The album begins with tracks like the stalking, shimmering title cut, which features vocals from MC Rymetyme. The
pace is picked up with choices such as Telepathy and Subterranean, which show that BTK and Optiv, both with years
in the game, are still repositories of new, fresh and invigorating ideas. The latter, especially, see the producers go deep, working the elements of their tracks into different directions, but holding things together like only they can
do. The sawing, cutting Shredder is an absolutely huge track, taking influence from both electro and dark techno, to
create a menacing underworld where the stuff of nightmares comes alive.
* Complete dancefloor devastation has always been Optiv and BTK's aim, and if that is your bag, go no further than
the phenomenal Dirt Box, with its riffing, riding bassline and pure in-your-face feel. Nothing will feel the same after
you hear it, but there's no rest, as Ground Shaker (with Nuklear MC) and Snake Bite (once again with Rymetyme)
keep up the pace. The album is fresh, exciting, and shows two masters of the music taking it far and wide. The beats
smash anything they have done to date, and the basslines are always hard and tight throughout.
Touches of the old skool on Nemesis (with Mindscape), and the sheer power of Weapon Of Choice show the variety
at the heart of Blackjack, and the passion and delivery of cuts like Heart Shape (which benefits from the inclusion of
Black Sun Empire) shows that the years have taken nothing from Optiv & BTK's creative flow, and desire to rock the
crowd.
Blackjack is next level, and will be many people's choice for album of the year

Martin J. Thompson is the man behind the alias Pokk! and he has the very interesting and creative sound blog Mono-log where he post a new sound every day done with his Clavia Nord Modular. And that sound blog led to this release on SonuoS due to that i (Finn Albertsson) started to follow his very interesting blog and out of curiosity started to combine different sounds together just to see what happened... It worked like a charm! FLFLP is a slow beat driven dub track with just a few sounds to keep it together and has a stab that comes in both in and out of sync and velocity almost at random while Karen ebb and flow ever so slow with a Kraftwerkian hi-hat on top of that. Martis also work with Lucia H Chung as Mimosa Moize that has been released on Murmur Records & Dragon's Eye Recordings . The remix is made by Mokira (Raster-Noton / Mille Plateaux / Type / iDEAL / Kontra-Musik) aka Andreas Tilliander who is well known in the electronic music world for his adventures in both clicks'n'cuts and dub. He strips away the beat structure of FLFLP and replace it with a punctuated sub bass that is roaming in a slightly distorted dubby soundscape.

* Presented on heavyweight 180gram Vinyl, with full colour outer and inner sleeves.
* A fine fusion of jazz and drum & bass - Free-spirited, rule-free and forward-thinking: jazz and drum & bass have always been a perfect fit, both spiritually and sonically. Nothing represents this better than 'JAZZ'N, a brand new collection that features goodlooking's most exciting new signings from around the world, plus tracks from some of the label's finest familiar faces. Soul massaging on and off the dancefloor, 'JAZZ'N' oozes class from every double bass-thumping, piano-stroking, trumpet-tooting beat. Curated with timeless love, 'JAZZ'N' is a vital exploration of drum & bass's most underrated yet hugely influential creative inspirations.
* Highlights:
Dj Quotes:
Dave Owen - Less Is More ('Giles Peterson - reminds me of speed back in the day')
Blade & Jrumand - Cascade ('Phat Playaz - again heavy!')

4 killing tunes... 2 ragga jungle, including one with what we need (a hardcore oldschool feeling)... And B-side one fat Stepper dub, and an instrumental amiga dub booster... A must have.

Dublin-based Absys Records launch their newest sub-label, Absys Limited, with this ethereal three track EP from Gdansk's Hatti Vatti, including a stunning remix by the leading light of the autonomic scene, ASC .
Opening track 'Simple Words' unfurls majestically with its crisp, swaggering 2-step beat and the beguiling, echo-laden vocals of Lady Katee that will no doubt see the future garage scene sit up and take notice of this exciting new label.
'Palms' is a blissfully melancholic chorus of intermingling synths, cavernous sub-bass and Chicago footwork revivalist drum patterning that exhibits Hatti Vatti's impressive knack for creating magnificent retrospective futurism.
Stepping up on remix duties, the ever in demand ASC maintains the brooding, sentimental ethos of the original, replacing its high-octane kick drums with his own unique brand of delicate and off-kilter percussion, further confirming that everything this unparalleled producer touches turns to gold.

---

'Absys Records returns with first release in 20

---

Absys Records Limited sublabel shows up again, now with this 'Deep Dubstep Compilation'. Twelve tracks, most of them in 140 bpm tempo, are brought to our attention by various artists from all around the world, many of whom previously contributed their work to the label with great outcome. As Absys had proven before, quality is constant, but each single track differs in atmosphere, as the range of influences is very wide. We are cruising from dark and brooding concerns in 'Inhale' and to the lighter touch of summer in Barefoot's 'Sundance', ethnic elements in 'Unsafe Operations' are moving towards some catchy vocals and stabs in LeStR 'Vapour', sense of ethereal feeling of 'Queen of Heaven' to overwhelming power of doubt in Nuage's 'Let me Believe' - it is all here. Those twelve diverse works available on CD and digital in all respected stores, so do not hesitate and grab yourself a copy!

Celsius Recordings keeps on rolling out soulful music! For their latest installment they now push forward two tracks by Spearhead Records head honcho Bcee together with Bladerunner!

Fünf Jahre, zwei Alben und mehrere hundert Millionen Video-Views später ist das Rap-Rave-Duo bereit sein drittes Album "Donker Mag" auf die Welt loszulassen. Dabei setzen Die Antwoord ihren eingeschlagenen Weg fort und verbreiten die Zef Kultur mit ihren herausragenden Video-Projekten. Seit heute steht das Video zur ersten Single "Pitbull Terrier" im Netz, nachdem bereits vor fast einem Jahr mit "Cookie Thumper" der erste Albumtrack aus "Donker Mag" vorgestellt wurde. Während das Duo seitdem den Albumrelease vorbereitete, führte der darum herum entstandene Hype dazu, dass die am 22. Mai in Nordamerika startende Welt-Tournee in kürzester Zeit ausverkauft war.

Die makabre und wahrhaftig süchtig machende Natur ihrer Video-Kunst kann nicht oft genug herausgehoben werden. So waren es die audiovisuellen Meisterwerke, die der Band direkt von Beginn an, gleichermaßen von Fans und Presse, euphorische Aufmerksamkeit und Faszination bescherte. So erreichten die Clips zu "ZEFSIDE" und "Enter The Ninja" vom ersten Album "$O$" in kürzester Zeit schwindelerregende YouTube-Klickzahlen im zweistelligen Millionenbereich. Dies weckte natürlich auch Begehrlichkeiten in der Major-Welt und es dauerte nicht lange, bis ein Millionen-Dollar-Deal mit Interscope Records auf dem Tisch lag. Jedoch war es der Band wichtiger weiter völlig uneingeschränkt ihren eigenen Weg zu gehen, weshalb sie sich bereits nach einem Album vom Major trennten und ihr eigenes Label ZEF Recordz ins Leben riefen, auf dem sie 2012 ihr zweites Album "TEN$ION" veröffentlichten.

Der Begriff "Zef" lässt sich sinngemäß mit "einfach" oder "gewöhnlich" übersetzen und hat seinen Ursprung in der Gegenkultur der unteren Mittelschicht Südafrikas. ¥O-LANDI VI$$ER beschreibt den Begriff folgendermaßen: "It's associated with people who soup their cars up and rock gold and shit. Zef is, you're poor but you're fancy. You're poor but you're sexy, you've got style."
1. Dont Fuk Me
2. Ugly Boy
3. Happy Go Sucky Fucky
4. Zars
5. Raging Zef Boner
6. Pompie
7. Cookie Thumper!
8. Girl I Want 2 Eat U
9. Pitbull Terrier
10. Strunk
11. Do Not Fuk Wif Da Kid
12. Rat Trap 666 Ft Dj Muggs
13. I Dont Dwank
14. Sex
15. Moon Love
16. Donker Mag

finally repressed!
Hot on the heels on our favourite boywonder from kazachstan Command Strange, Fokuz now presents Intelligent Manners straight from ST Petersburg.
This double 12inch perfectly defines his funky style and is a great addition to the liquid vibes of Fokuz.

Jean-Baptiste de Laubier, aka Para One, has always been an hyperactive guy. He first
started as no-nonsense hip-hop producer in the mid-nineties, making beats for undeground rap
artists. His recording studio was actually his one-room apartment in Southern Paris, where MCs
were coming on a daily basis, crammed around a mic, an MPC and a battered convertible.

At the turn of the century, he began producing his own instrumental tracks and soon got in touch
with the TTC people, then at the core of the burgeoning French indie rap scene. This was the
beginning of a new exploration in sound for him : from traditional rap, Para One switched to IDM
and techno-infused beats, fizzing with 8-bits FX and deconstructed grooves.

After TTCís first LP Ceci níest pas un disque, in 2002, for Ninja Tuneís rap sublabel Big Dada,
Para produced LíAtelierís (an indie rap supergroup) album for seminal Parisian label Institubes,
with his boy Tacteel, whom with he also started a live electronic project named FuckALoop.
In 2003 came the massive ´ Beatdown EP ª, and then TTCís 2nd album in 2004, B‚tards
Sensibles, two records that definitely proved how rap attitude and electronic wizardry could be
melt into one single sound ñ an idea many people didnít quite buy at the time. In 2005, Laubier
graduated from the FEMIS film school, and found the time to start working on his first solo LP,
the critically acclaimed Epiphanie, that came out in 2006 on Institubes.

Finally Repressed!
PRSPCT vs PRSPCTXTRM 666 will be hitting the streets on March 8th 2013.

2 banging tracks of epic proportion by The Hard Way aka Limewax vs Bong Ra vs Thrasher!

The Hard Way are working hard on a full length album that is planned to be released on PRSPCT after the summer. To keep everyone entertained till that time here is a new full color artwork release on Blue vinyl by these Dutch Hardcore Drum& Bass PRSPCT Warriors!!!

On the A side we have: Devil Worshipping Motherfuckers
This tune has been creating a big buzz already. Crazy Amens, 4/4 hardcore Rave. This track has it all.
If a dance floor needs destroying. This is the tune to drop!!

On the flip of this release we have: Pentagram Of Coke
The guys felt like experimenting with 190 BPM instead of the usual 175 BPM and Pentagram Of Coke was the result. A (UK) Hardcore influenced monster with a Breakcore centre piece followed by a filthy extra hard kick after the second drop to fuck shit up even more.

Hope you guys enjoy this release as much as we do and play the fuck out of it!!!!

We love feedback so please let us know what you think!

finally repressed!

"SUNSET", the ChillOut serie edited by Lola's World, is this time in Mykonos. Rapresented by artists such as : Paik, Pink Martini, Vinicius Cantuaria , Gabin & Z-Star, Khaled Mouzanar, ... and many more !!

Since 2012 the Sheffield-based producer has carved a steadfast reputation with an ascetic production technique augmenting the dread and atmosphere of early DMZ dubs with the velocity
of classic Grime and Bleep Techno, and the haughty rudeness of early New York House, minting a distinct new sound which sent shockwaves thru the scene thanks to his now-legendary showcase mix for Keysound.
Beneath's PAN 12' consolidates up-to-the-minute electronics and rooted dancefloor dynamics with incisive style and pattern. All four tracks are skeletal but big boned rollers' riddims and masterful exercises in dancefloor pressure. 'Bored 2' is rent with cattle-prod Grime stabs and a show-stealing, radioactive bass roil, whereas
the hunched, grimy rolige of 'Occupy' is all about his shifty, idiosyncratic syncopation. 'One Blings' cools out on buoyant subs with glass-cut electronic motifs standing miles out from his scene, and 'Stress 1' trips out with restless drums and lucid electronics tessellating dipping rhythms with skin-prickling harmonic resonance. It adds up to the freshest mutation of accelerated UK dub/SoundSystem culture, stoking an aesthetic extant since the first rumblings of Saxon Studio International and Coxsone in the late '70s/early '80s, thru the forward leanings of the contemporary UK sound in 2014, mapping the software timbres and possibilities of new technology to the timeless mantra of rudeboy dub
proper, yielding maximum affect from optimised elements.

Finally Repressed!
10 Years ago BONG RA unleashed his legendary Bikini Bandits album to the world. The impact was huge. For many this was their first introduction to the Breakcore genre. Peel sessions, MTV video's.. the list goes on...

Now 10 years later, the legend that is BONG RA is still standing strong as ever and to celebrate this PRSPCT recordings is releasing a 10 year anniversary remix EP of this classic album.

4 tracks containing 2013 remixes of classic tracks by the dreaded Breakcore Master himself!

With releases already under his belt with Cosmic Bridge and Civil Music, Danny Scrilla returns with a killer 12" released on
Rudimentary Records. The release continues Danny's exploration of cinematic bass heavy sounds, with a dynamic astral sound.
Bismuth rides the slowfast rhythm with intricate beats and a constantly evolving synth melody, on the flip Lone Ranger takes you on an epic journey into deep space. Already receiving airplay from Jay Scarlett who featured the release on Sounds Supreme, Boxcutter, proclaiming "Its his best release so far", Om Unit dropping Lone Ranger on Rinse FM's Metalheadz slot and Nick Luscumbe giving praise on BBC 3's Late Junction.

Erotic Chill Vol. 4: Und wieder betreten wir den Bereich
der ästhetischen Erotik und des lasziven Sounds:
Verführerisch-schwelgende Klänge von Paulsen &
Stryczek, Mirage Of Deep, Velveta Dreamer, Weed,
Lemongrass und vielen mehr, die Lust machen auf mehr.
Wieder im Booklet: erotische Bilder auf höchstem Niveau,
die das erfüllen, was das Cover verspricht.
Erotic Chill Vol. 4: Let's do it one more time!

After nearly three years since the release of their universally acclaimed 2011 album Ritual Union, Little Dragon return with their highly anticipated fourth album, the futuristic sounding Nabuma Rubberband, via their new label Because Music (Justice, Metronomy, Django Django, Major Lazer) on 12 May 2014. Having premiered as Zane Lowe's 'Hottest Record In The World' last night, listen to the sheer force of nature that is first single 'Klapp Klapp' here: (insert link)

The Gothenburg electro-R&B adventurers were the latest artists to be invited to curate a 'Dazed Visionaries' takeover on Dazed Digital this week, highlighting the work of artists who have inspired their creative life, culminating with the video for 'Klapp Klapp' premiered today. 'Klapp Klapp' is the first in a two-part collaboration with the creative director Nabil (Frank Ocean, James Blake, Kanye West). Part one is directed by Taylor Cohen and features an enigmatic young zombie girl in a post-apocalyptic landscape at the start of her life / death. Watch the striking piece of film here: (insert link). Part two will follow later this year and is directed by Nabil.

Musically inspired by the more experimental pockets of Prince's back catalogue, club culture and the vintage Janet Jackson slow jams Yukimi used to listen to wandering around Gothenburg during the unrelenting winter, Nabuma Rubberband has a different feel to previous Little Dragon albums. 'When you put some of Janet's really slow stuff on you feel like you're floating,' Yukimi explains. 'That feeling really influenced me and maybe that's why there are quite a lot of slow jams on the record. In the past we've been a bit self-conscious about making slow jams after 'Twice'. Then we wanted to make dance music which we did with Machine Dreams and then Ritual Union still had a dance vibe, but with this album it wasn't about that. The intention was about whatever we felt strongly about.'

There are some bands who fit nicely into certain genres, fulfilling expectations and generally confining their sound within a specific set of parameters. Little Dragon aren't one of those bands. Yukimi Nagano, Erik Boden, Fred Wallin and Håkan Wirenstrand make a slowly-unravelling, constantly evolving melange of R&B, electro, pop and dance, anchored by the otherworldly vocals of their incomparable front woman and an innate way with melody. Over the course of three critically-lauded albums, Little Dragon have established themselves as a band keen to never rest on their laurels - not only prodding and playing with the boundaries of their own sound, but collaborating with the likes of Gorillaz and SBTRKT to expand their musical horizons still further. With strong influences from Prince and Janet Jackson through to Frank Ocean and OutKast, Nabuma Rubberband is their most exhilarating record yet and will catapult the Dragon's into another realm, as its title suggests.

Limited to 500 units.
Inspired by the rhythmic, clattering sounds of the industrial machines that soundtrack his day, Quirke produces a unique blend of acoustic and electronic music. From the frenetic, driving rhythm of 'Break a Mirrored Leg' to the modern classical piano on 'Acid Beth' Josh's sonic world is distinct and immersive; his bold sound felt best represented by one word, his surname: Quirke.

Ben Frost liefert mit "AURORA" ein harsches, dunkel leuchtendes Elektronikalbum auf Mute ab, welches komplett auf die Gitarren, Pianos und Streicherarrangements des Vorgängeralbums verzichtet. Von allem Ornament befreit, bietet "AURORA" eine trotzige, eigensinnige neue Welt aus harten synthetischen Formen, kosmischen Interferenzen, magnetischen Oberflächen und Batteriesäure: Leuchtende Alchemie, die Ben Frost gemeinsam mit Greg Fox (Ex-Liturgy), Shazad Ismaily und Thor Harris (SWANS) entworfen hat. Aufgenommen wurde das Album in großen Teilen im Osten des Kongo, gemischt gemeinsam mit Valgeir Sigurðsson (Bedroom Community) in Reykjavik. Darauf zu hören: Maschinenmusik, die uns daran erinnert, dass Schönheit allzu oft auf Zerstörung gründet. Karge Visionen, Zeugnisse des Überlebens. Keine schön illuminierte, neue digitale Zukunft, sondern flackerndes Licht, Energie aus ratternden Notstromaggregaten, die bestenfalls die Ruinen eines Nachtclubs erleuchtet. Eine Musik, von deren Dunkelheit dennoch ein strahlendes Leuchten ausgeht.

Limitierte exklusive GTG Pool Edition im colourierten gelben transparenten Vinyl, Gatefold Sleeve + Poster! 75 EH für Deutschland/Österreich!

Ellis Island Sound comprises the duo of Pete Astor (The Loft, Weather Prophets, Wisdom of Harry, etc) and David Sheppard (State River Widening, Snow Palms, etc). 'Regions' is the duo's third album since their inception, it has already been described as 'Afro-Krautrock' and 'Teutonic High Life'. It is possible to detect the influence of Jean Bosco Mwende or King Sunny Ade's guitars, along with polyrhythmic ensemble force of Fela Kuti's Africa 70 and T-Funk-period Talking Heads. Sometime Radiohead collaborator John Matthias's applies vocals to five tracks, coming on like an opiated James Brown channelling Damo Suzuki. For fans of Can, Fela Kuti, Talking Heads and Neu!

* RAMP welcome Birmingham-based Filter Dread into their warm bosom. Let's hand you over to the man himself for introductions:
* "In 2000, I started going to raves in Cambridge, and my dad got me a copy of cubasis. After a steady diet of ambient dub and drum and bass I moved to London and discovered Pirate Radio. I completely immersed myself in the music making process and dedicated my time to a sound that I was consistently happy with. A lot of my inspiration comes from early rave production and the quick and unapologetic techniques that were used to make tracks. Short sampling space, limited save functions and other restrictions lead to music that I find to be very pure, energetic and creative."
* With a digital-only single on Visionist's Lost Codes, and the FACT-championed 'Space Loops' cassette under his belt, RAMP would like you to acquaint your with the kaleidoscopic Grime of the 'MIDI Space' EP.

1st of 4 7"s drawn from production archives. 2 tracks f/words spoken by Bill Russell, friend of Sun Ra's. Timeless sentiments over world-flavored downtempo beats on the A, jazz drums w/spiritual words, flute & trumpet, bass, on the flip. Custom series sle

Exklusive 12" Vinyl mit drei exzellenten Reinterpretationen von Harold Budd Tracks von patten (Warp), Odd Nosdam (Anticon) und Personable (Opal Tapes) aus der "Greather Lengths" 2CD-Compilation. Personable ist das Alter Ego von M Geddes Gengras (Robedoor, Pocahaunted, Sun Araw & The Congos, LA Vampires). Sein epischer "Dark Star" Remix ist auf der 12" in der kompletten 20 Minuten Version enthalten, während die 2CD einen Edit enthält.

Kassem Mosse's Ominira presents a selection of recordings produced by Nicola Cunningham and Karl Skagius (who have previously released material on Micron Audio and Icasea), evoking and re-imagining the sound-world of classic British Horror.
A very special late-night listening experience!

Compa returns to Boka Records for a special release, a multi-format single released on Limited edition vinyl; even more limited
edition cassette (yes, you read that correctly) and digital.
'Let Them' is the lead track and a rare collaborative production between Compa and Ipman, a raw and spacious piece of music
which, like a psychedelic trip needs to be experienced with an emphasis on set and setting, tune in and exit.
The flip 'Earths Orbit' is a tune that pricked up the ears of the Boka gang the first time it was heard, especially as it not only reflects
back on the early sound of the label but gives fresh perspective on that sound too, a masterpiece from a producer who can seemingly
do no wrong.

Our man Daniil Marin aka Detail from Kiev, Ukraine returns to Commercial Suicide with perhaps his best release yet, its fucking
unbelievable. Detail started making music at 16. Influenced by Technical Itch music, has carved out a niche for himself and stepped up his production skills to create techstep dnb with a dancefloor power. With releases on C.I.A., Proximity, etc. support by Noisia, The Upbeats, Break, Klute and forthcoming releases on such labels like: Symmetry, Dispatch, Utopia Music & Demand - Detail is definitely one sexy motherfucker.

Next up on COMMERCIAL SUICIDE we have label boss KLUTE with an extra special 12" single with a remix of "My Black & White" - one of the standouts from last years "The Draft" LP. Chosen for the duty is long time friend Dominick Martin aka CALIBRE. Featuring the vocal talents of North Carolina based Klose, CALIBRE has delved deep and turned this tale of heartbreak into a 7 minute hypnotic beauty. We strongly suggest you download and use it. For the flip KLUTE brings a slice of jiggy only he can do and we know you'll love it.
Available in a blue vinyl edition of 300 copies and eternal digital formats.

POLY KICKS is a new UK label run by Ed Russell
AKA Tessela. First single is the much anticipated
Hackney Parrot backed with Helter Skelter. Both
tracks are rich with the sounds of early UK hardcore
and show Tessela continuing on his breakneck
rhythmic explorations. Expect rough percussive
workouts and quality control of the highest order.
Support from Jackmaster, Loefah, Pangaea,
Pearson Sound, Paul Wollford, Truss,
Modeselektor, Addison Groove....

Superb new Criterion... coming after 04, dancefloor Jungle pure killer, deep and sweet... with some dry snares and rimshots... Pure energy melt. Good One !!

A superb project in total autoprod, and bringing some tribe and hardtek both cool and soulfull sounds. Opposites gives dynamics. And there we go for full breathing production. Big Up to Sparks for his wings !

An astonishing set of Concrète pieces hugely recommended if you're in awe of Bernard Parmegiani - presented in a double 140g vinyl set mastered and cut by Rashad Becker at D&M, housed in pro press jacket and a silk-screened PVC sleeve with photography by Trainanos Pakioufakis and artwork by Bill Kouligas** An alchemical triumph of modern concrete and avant-garde composition, Valerio Tricoli's 5th album, 'Miseri Lares' is one of the most remarkable records in PAN's distinguished catalogue. The Italian artist's first solo LP in seven years is the culmination of tireless experimentation in studio and live arenas - he's got a formidable reputation on the experimental live circuit both solo and in the band 3/4HadBeenEliminated - and pays testament to his adroit instrumental skill and virtuosic electronic processing. It's his magnum opus - a definitive work characterised by incalculably complex construction and a haunting sense of spirit and narrative which is all too often intangible or elusive in this area of the sonic map. His bewildering alloys of atomised acoustic textures and cut-up vocals are at once jaw-droppingly unreal and disturbingly visceral, matching the oneiric strategy and dramaturgy of Robert Ashley with the sort of precise, pointillist dynamics associated with Bernard Parmegiani and the visual analogues of H.R. Giger. Weaving texts by Italian poets Dante and Guido Ceronetti along with excerpts from The Ecclesiastes, H.P. Lovecraft, E.M. Cioran, and his own writings within the fabric of its eight extended pieces, the scale of Tricoli's ambition and vision can't be sniffed at. But more importantly it's the way he so vividly, affectively invokes the unknown and states of psychological panic that will resonate beyond experimental circles and into the listening lives of soundtrack fans, sound designers and inquisitive ears looking for unpredictable, powerful, and mind-bending new sensations and ideas. This is what we feel PAN to be all about, presenting challenging, spectacular work that transcends borders.

* SHRINKWRAPPED AND BARCODED
* The four man Austrian drum & bass dynasty Fourward come crashing through the Shogun Audio doors with their debut EP of some of the most gut wrenchingly great bass signals you'll have heard yet this year.
* 'Coundown' featuring the vocal flows of Kyza is a snarling slice of tech-stepping, Wormhole era drum & bass ready to slice the dance in two. Letting the vocals roll over the top, Fourward deliver one of their most significant moments yet, showing just why they're the newest addition to the Shogun roster.
* Watch out though as things get absolutely marching on 'Wise Guys' where it's all about the mid-range riff that works its way inside your head with military precision making for a 100% bonafide sound system banger!
* One the sickest 12's to have landed from the Shogun ship in recent months.

Dutch drum & bass imprint Citrus Recordings gears up for their 59th vinyl release by L 33, Cooh and A-Cray! Hard hitting neuro sounds made for the dancefloor, this is after dark music.

The A-side unleashes a torrent of techy beats, rolling hard and crisp over deep, undulating bass. The other track offers no rest. As its name suggests, "Extortion " is relentless, hammering down hard stepping rhythms under minimal atmospherics and the darkest of techy basslines. Do not miss this.

Apron return with Lord Tusk & Brassfoot in tow for this damaging split 12". Lord Tusk steps up with the colossal, elephantine beats of "Space Invaders", while Brassfoot brings the raw with "Foxhole" & "Chugginville". Please order ASAP to avoid disappointment!

Mika Vainio was one half of the minimal electronic duo Pan Sonic. His solo works, under his own name and under aliases like Ø, are known for their analogue warmth and electronic harshness ranging from abstract drone works or minimal avant techno. Arne Deforce is renowned for his passionate and unparalleled performances of contemporary and experimental music. In Greek and Roman Mythology, Hephaestus was the god of fire; celestial blacksmith; craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes; son of Zeus and Hera; husband of Aphrodite. The album a fascinating journey through the netherworld of human extremity presented as a combination of pure acoustic and electronic sources and realised in both physical and psychological manifestations.

Unstoppable: that's the only way to describe DC Breaks right now. 2013 was an insanely big year for DC Breaks outings on Ram Records as the likes of 'Swag' dominated the Beatport number one for nine weeks and other heavyweight cuts scored support from DJs in every corner and continent. 2014 looks set to continue the onslaught. And it starts right here with 'Lock In / Shakedown', a dynamite double header designed purely for total dancefloor obliteration. Get to know: 'Lock In' kicks off with serious intent: a sharp, clipped riff and trembling, emotive pads set the dramatic scene before we're hurled into a thick bass fray. The low end roars and stretches as DC Breaks trademark drum science surges through the mix. And with additional breakbeats peppering the fills with chop-slapping cymbal splashes and chest-pressing double-kicks, an intense dynamic is maintained throughout. Handle with care... This one's dangerous.

'Shakedown' upholds the Bristol/London duo's menacing message as we're instantly sucker-punched with nagging middy notes, subtle bass tears and a pensive build-up. Before we know it, we're surrounded in a swarm of basses, each one soaring and sneering, buzzing and biting, vying for our full focus. As a cool tape-stop effect to introduce us to the breakdown, the rebuild and second drop live up to the track title in every way: this is guaranteed to shake your dancefloor so hard it's pretty much criminal.

Two huge cuts from one truly unstoppable act. DC Breaks are genuinely smashing it right now. And they're smashing it strictly on Ram Records.

Jumping Back Slash returns with a brand new EP for Pollinate. With 'Namhlanje' JBS has shifted gear to his fast paced 'Khawulezayo' style. Literally translated as 'Fast' it's defined by military precise percussion that fires over a 150-160bpm range. The EP is a relatively deep affair that builds and builds with bursts of energy. In the spaces between snares & synth squelch, there's a cast of vocalists bringing the mic to life - Spoek Mathambo, Okmalumkoolkat & Qubekani The Ndola all feature as well as vocal edits from lost studio sessions... It rides similar to the Juke styles of Chicago but this is a distinctly South African record and perhaps one of the most accomplished releases to come out of the country for some time. And rightfully so: despite 'Namhlanje' meaning 'Today' it took almost a year to surface. To connect the dots we invited Chrissy Murderbot to remix 'Night Time Business'. With Spoek Mathambo at the vocal helm and Chrissy's irresistible urge to rave forging a hot Jungle/Juke mash up, it's a smooth & wildly percussive banger. Free with the record, the remix is a digital exclusive. JBS once again proves that patience is a virtue in the recording process and puts out one of his finest records to date - This is a record not to sleep on

This release blows the trio's instrumental palette wide open for a single continuous piece.
Begun as a one-off collaboration in 2009, the trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi has now become a solid working group, refining its craft through a series of annual concerts at Tokyo's legendary SuperDeluxe.  Much of their recorded work has focused on their intense, ritualistic take on the rock power trio of electric guitar, bass and drums, with last year's 'now while it's still warm let us pour in all the mystery' (BT09) containing a series of instant compositions of stunning power and concision that demonstrated how familiar and attuned to one another the three have become.

Presenting the entire first set of the trio's March 2013 concert at SuperDeluxe (the second set will follow on Black Truffle later this year), 'only   wanting to melt   beautifully away is it a lack   of contentment  that stirs affection   for those   things  said to be as of yet unseen', their fifth release,  blows the instrumental palette wide open for a single continuous piece focused on acoustic strings, synth, flute and percussion. Featuring one of Haino's most delicate and moving recorded vocal performances, the opening section of the record takes the form of a spare duet between O'Rourke's 12-string acoustic guitar and Haino's kantele (a Finnish variant of the dulcimer), behind which Ambarchi provides a hovering backdrop of wine glass tones. While on previous releases the listener has often sensed that Haino was firmly in the driver's seat, here O'Rourke takes centre stage with an acoustic guitar performance that takes the lyricism of John Abercrombie or Ralph Towner and refracts it through the free improvisation tradition of his mentors Derek Bailey and Henry Kaiser. The atmosphere of meditative, abstracted song is reminiscent of some of Haino's greatest recordings, such as the legendary 'Live In The First Year Of The Heisei' volumes recorded with Kan Mikami.


02. beautifully away
03. is it a lack of contentment 
04. that stirs affection  
05. for those things  
06. said to be as of yet unseen Part 1
07. only  
08. wanting to melt  
09. beautifully away
10. is it a lack of contentment 
11. that stirs affection  
12. for those things  
13. said to be as of yet unseen Part 2

* Following the success of Rawtekk's enthralling debut album 'Sprouted and Formed' last year, Med School is excited to present a brand new, limited vinyl product that features four incredible drum & bass remixes from some of the scene's most techncially-accomplished and well-respected producers.
* Friend and fellow German, Phace, has stepped up with a rework of 'Photone recruits' that is somehow even heavier and more brutal than it's predecessor, receiving DJ support from S.P.Y, Ed Rush, Enei, June Miller, Foreign Concept and Radio 1 airplay from Rockwell and Friction. Austrian Mefjus adds his own high-energy twist to 'No More Vaccine' whilst Sarajevo's finest Billain gives 'Amber's Love Was Like A Marble' the full neuro treatment. In addition, Rawtekk supply a Neuropop VIP remix of their own 2011 Youtube hit 'Snowflakes', which featured on Med School's "New Blood 011" compilation and has racked up over 350,000 views.
* The original 'Sprouted and Formed' album was featured in VICE magazine's top 5 "Best Drum & Bass Albums" of 2013 and the limited-edition vinyl sold out within 3 weeks of release. Don't miss this!

Der seit 1991 aktive DJ EBAR ist schon ganz schön umgekommen in der Welt...
Seine ersten DJ-Schritte macht er in Chicago, darauf zog es ihn nach Florida, Phoenix Paris und nach New York City. Die Bühne hat er sich schon mit Großen wie Josh Wink, Louie Vega (Masters At Work), Kevin Hedge (Blaze), Kaskade, Tiesto, Moby und unzähligen mehr geteilt. Auf - Made 2 Lounge' liefert er nun einen 16-Track starken DJ Mix der seinen Style perfekt wiedergibt! Deep-House und Jazzy House speziell für Lounges & Bars konzipiert...

An album with a high crossover appeal. Maybe best described with Kate Bush meets Autechre.
Since their inception in 2012, Claire Brentnall and Richard Knox's project has evolved from solo endeavor to fully realised duo. Starting with last year's single The Rule, Shield Patterns have shown a maturity and sophistication beyond their years. Spacious soundcapes are scattered with trembling piano phrases, skittering beats and waves of warm keys, all shaped into dark, menacing pop songs by Brentnall's bewitching vocals. Their two singles thus far have already caught the ear of alt-J and Dutch Uncles, both of whom have provided remixes of those singles. Now comes their debut album.Following on from critically lauded lead single Dust Hung Heavy, Contour Lines carries the listener deeper into their world. Each track is laden with the kind of dark atmospherics most groups take years to unearth. Here, the fragility of Brentnall's early demos remains, but finds itself imbued with a richness of sound that can only come from studious soul searching and a cathartic creative process. The vulnerability of her intensely personal lyrics is tempered with highly processed strings, subby bass-lines, and ambient passages that brood as much as they shimmer. Lines between aesthetic and content are blurred, so that singer and song are intertwined.

One Sided Dub Stepper killer remix. Limited edition, strictly. No Digitals. Fat Sound.

* Metalheadz platinum is back with a debut from drum n bass finest newcomer Xtrah with tracks 'No Good' and 'Directive' alongside Headz crew member and co-conspirator Mikal.
* No Good
'No Good' sees Xtrah fusing his musical leanings with his technical prowess. The intro is awash with atmosphere and much scene setting, eventually giving way to the vocal refrain that sums up the vibe of the track very well- Its about the dark nature of beauty and everything this entails. The track concerns itself with dark atmospheres and soulful tones, showing an unseen maturity to Xtrah's production.
* Directive feat Mikal
Very much a clash between Mikal and Xtrah, it's a bass workout that you would expect from there pair. The stepping drums are accented by drum and percussion fills adding to the uncompromising nature of the track, basses snake and contort around the drums encouraging one to screwface whilst eerie FX and strings add an element of mystery to proceedings.

The veil is torn once again and ANDHORD are back with their first EP after three years sunk in the loudest silence. Pleroma of Uncreation is a sophisticated triad which will feast upon the blind and rejoice with those whose eyes are open. Expect no mercy in this 22 minute-long nightmare plagued with tortuous riffs, vile vocals and carefully crafted melodies that will drown the incautious, a combination sustained by the most vicious drumming and the transcribed visions of terror and spectral manifestations of awe. Fans of a dense, vibrant and cryptic brand of Black Metal will enjoy this grandiose monument to iniquity. The most primeval darkness falls upon the listener with every note. This is a one-way trip into the abyss.

One-sided black vinyl, matte finish sleeve and insert. Limited to 300 copies.

* Known to his Mother as Yemi, Blacksmif grew up in South London and was surrounded by Jazz, R&B & Gospel from a young age. Moving onto to Garage, D&B & Dubstep through his adolescence, he manages to shoehorn all of these influences into his music.
* 'My Own Blood' sees the young producer make his vocal debut over a minimal house beat, with percussion reaching a crescendo, then falling away - underpinning his stark vocal about his relationship with his brother.

Superb stepping Dub Reggae in lovely Zam Zam packing

Silent Dust approach their label none60's second release with two remixes of 'The Giant,' one of the most moving and emotive tracks off their self-titled debut album. Marcus Intalex pulls 'The Giant' out of its eerie, ethereal atmosphere and re-envisions it with tougher percussion, and a deeper sense of urgency.

Exklusive 12" Vinyl mit vier exzellenten Reinterpretationen von Jon Hassell Tracks von Bandshell (Hessle Audio/Mute), patten (Warp), No UFO's (Public Information) und Some Truths (Magic & Dreams). Drei Tracks stammen aus der CD3 der Expanded Reissue von Jon Hassells "City: Works Of Fiction", der Bandshell Remix aus der "Greather Lengths" 2CD-Compilation.

John Elliott (Emeralds) and Andrew Veres release their first new material since 2012, Elliott's first since Emeralds ceased and the first as a duo. Editions Mego are well chuffed to release 'Phantom Center', a stunning 2 track EP to kick the spring season off. "Arrival and Assessment" confidently sets the tone with multi levels of bass lines weaving around complex rhythms and those vast atmospheres we come to expect from this project. Flip it over and we encounter the earth shattering "Crixa / 5925", the perfect soundtrack to staring into an endless void with bottomless sub-bass and Raicevic-informed synthesizer disarray.

The sum of many musical adventures, Will 'Quantic' Holland's new album 'Magnetica' sees him revisiting his electronic

roots, blending cutting-edge and distinctive production with elements of folk, reggae, soul, highlife, cumbia and more;

demonstrating the rare quality and artistry that has enchanted fans and tastemakers across the world, over more than a

decade of releasing music on Tru Thoughts.

'Magnetica' is the first studio album from Quantic under his main solo moniker since 'An Announcement To Answer' in

2006, so anticipation is running high. He has, of course, been far from quiet in the intervening years, with releases from

many acclaimed side-projects including The Quantic Soul Orchestra, Quantic and his Combo Bárbaro, Quantic & Alice

Russell, Flowering Inferno and Ondatrópica, and a host of thrilling and high profile live shows to match.Sales Points

Ed Upton returns to CPU with a no compromise electro 6 tracker. Aimed squarely at electro purists with tracks reminiscent of classic Hashim and Man Parrish right up to the modern chilling electronics of Arpanet. As always working evocative melodies effortlessly into every track.


The Limited edition (250 copies worldwide) 12" vinyl includes Space Eyes, Not Very, Spook Show, Crawl Space, Shared Library and Give Me A House.


Part of a limited binary catalogue series.

Django Django is the latest band invited to curate a prestigious Late Night Tales collection set for release in May 2014. For 2014s RSD we have made their exclusive Late Night Tales cover version of The Monkees 1968 cult classic 'Porpoise Song', The psychedelic coloured vinyl 7" is backed by actor Benedict Cumberbatch, who exclusively narrates the fourth and final part of the "Flat Of Angles" tale.

A very warm welcome back to the marvellous CREATIVE USE imprint.
After a short hiatus, Kelvin Andrews' world famous stable for his own and likeminded producers (like Mark E & Mark Seven to name but two) secret DJ weapons is back to the fray with another dancefloor sureshot !

This is a VERY Limited Sampler 12 from the forthcoming CREATIVE USE CD compilation

Surge' / 'Remnants' is the second of two new Livity
Sound 12"s to be unleashed in the run up to the
release of the Livity Sound double CD compilation
this Autumn,
Following on from the Pev & Kowton 'End Point'
single, this new record marks the first collaboration
between Peverelist and Asusu.
Since late 2010 their Livity Sound label has
released a series of vital 12"s by Tom Ford
(Peverelist), Joe Cowton (Kowton) and Craig
Stennett (Asusu) Low-key, hand-stamped white
labels, with tracks cut loud for optimal sound system
use, they contain some of the most exciting and
visceral UK dance music of recent years - placing
Pev's exquisitely balanced rhythm science
alongside Kowton's grime-infused techno and
Asusu's atmospheric, percussive club tracks.
Livity Sound's music to date has emerged from that
dialogue between Pev, Kowton and Asusu.
Imagining techno as futuristic sound system music,
it's rooted by dazzling rhythmic interplay and dread
sub-bass pressure that floods from speaker stacks
to shake your organs and rattle your nervous
system. Those core traits are expressed repeatedly
throughout the music on the Livity Sound CD: from
the shuddering thrum of....

U.K.-based visual artist Quayola teams up with Hong Kong-based music label NLS records on a limited edition run of collectible vinyl records featuring musical scores from his Strata series. Music has always been a critical component in Quayola's audiovisual installations and digital film compositions, resulting in collaborations with world-renown electronic musicians like Mira Calix, Autobam, Plaid and Matthias Kispert. As a sort of artistic tribute to the role music plays in animating, activating and completing the visual works, this vinyl project sees the video works' audio scores--the most intangible element of these already ephemeral, digital works--transformed into a traditional, analog, archival format.


Inspired by the invisible geometries and topologies contained within iconic works of classical painting and architecture, the Strata films are a collision of old and new aesthetics. While sound and imagery were conceived to work in perfect harmony, the soundscapes are beautiful and evocative in their own right. Even so, they still carry traces of their visual counterparts.


"Like a landscape painter who is inspired by a specific image or place, these pieces of music carry the essence of the video works, as they were generated accordingly," notes Quayola.

The original soundtrack of an unreleased movie... became the soundtrack of a comic book.

14 tracks produced by Krazy Baldhead, Mr Flash, Busy P, Feadz and the mysterious 40106 (aka Mickey Moonlight).

Influenced by John Carpenter, Wendy Carlos and Vladimir Cosma, the Ed Banger records artists imagined the perfect soundtrack of a "à la Ed Wood" movie.

Nostalgia and sound anticipation, Vandroid should be listen reading a comic or the head in the skys.

A concept album which allows the artists of the label the least exposed to prove their talent.

Chris McWayne's productions tie in his hip hop & jazz themes then pushed to the outer realms much like his friend Afrikan Sciences. Includes the title track, and the gorgeous winding "Islands of Dust". Afrikan Sciences chimes in with a remix for "Islands

LTD 12" from Chase & Status, featuring vocals from Ed Thomas taken from their third studio album Brand New Machine. Contains the origianl version & a Calibre Remix.

John Foxx and Jori Hulkkonen have collaborated on a new EP, featuring 4 brand new songs, 2 remixes by film-director David Lynch and a radio edit of the exquisite lead track 'Evangeline'. The other songs - 'Strictly', 'Something Is Coming Down The Avenues' and 'Can't See You Anymore' - are as dream-like and strange as anything in either artist's catalogue. For Foxx, the closest reference would be his 1981 album, The Garden but the surrealist feel of the new material is more displaced and dislocated. There's a strong sense of melancholy, loss, destruction and also romance. Perfect material for David Lynch to reinterpret and re-imagine, quietly stretching out 'Evangeline' with the sound of surf, a drum machine heartbeat and the twang of a 50s guitar. It's a beautiful, evocative remix and a shimmering instrumental version.
According to Hulkkonen the idea was first discussed back in 2010 'when John Foxx And The Maths played a live show at the Roundhouse in London with me supporting as a DJ - and I also ended up on stage to play on John's song, 'Underpass'.'
 Foxx and Hulkkonen had worked together before on two singles, 'Dislocated' in 2005 and 'Never Been Here Before' two years later, but the pair were keen to try something new. 'What I wanted to do was try a somewhat deeper way of collaborating,' says Hulkkonen. 'Creating an EP where the tracks are linked thematically, emotionally and sonically. Thankfully John agreed. Now, some three years later I'm happy the record is finally done and it indeed carries the elements of mystery and surprise it was intended to have. And the fact that David Lynch is on remix duties further adds to the conundrum that is European Splendour.'

The Rita is a Canadian harsh noise project that started in 1996. The Rita's influences include Italian Giallo films, Great White and Bull sharks, the gillman, lake/sea monsters, and the female posterior; always striving for crunched out rumbling walls of noise.Meanwhile Dead Body Collection brings you Harsh Noise Walls. This brainchild of Aleksandar Nenad crawled to th surface in 2010 and has released no less than a whopping 107 (counting split releases), albums, tapes and singles in these last four years! In this flood of noise, Dead Body Collection has been able to maintain a constant high quality and is now regarded as one of the more interesting projects in HNW.


This split release see's both acts actually utilise Nylon as a sound source to create terrifying noise! Limited to 200 copies on black vinyl. Please note that due to an error at the pressing plant, the tracks are on the opposing sides.

AMBIENT LOUNGE lädt Euch ein zum Zurücklehnen und entspannen. 13 wundervolle Chill Out und Ambient Tracks aus Serbien, Italien, Türkei und Weißrussland. Nehmt Euch eine Cocktail und relaxt.

WALLS are a band from London made up of members Sam Willis (of ALLEZ-ALLEZ) and Alessio Natalizia (of BANJO OR FREAKOUT).