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Beats News
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DVA is a natural maverick, a one man spaceship, who on 'Pretty Ugly' shows off an uncanny ability to create urban pop and dance that's full of rich musicality and unusual textures and ideas. Like all the most exciting pop and dance music producers through the generations he has a real flair for looking from the outside in and creating his own unique colour filled 3D sound, with a knack of tethering off-key ideas to good songwriting and pop formats. He's a producer that has come through grime and then uk funky but he's always pulled the blueprints out of shape, messing with different time signatures and syncopations, unusual speeds and strange synths, upsetting vocalists and creating music that doesn't easily slot into the format for raves. Hyperdub saw this maverick nature as a blessing, and so he's gone into the studio and done what he needs to make the music he wants. As the presenter of Rinse FM's flagship breakfast show for several years and now the presenter of Hyperdub's Rinse FM show, he's sat right in the middle of London's urban music scene as a trusted and respected conduit. Several of the singers on 'Pretty Ugly' have been selected from favourite songs from his radio show. Natalie Maddix, Muhsinah, A.L., Zaki Ibrahim, Fatima and Cornelia, all entered the studio, leaving their comfort zone at the door, and wrote lyrics with a twist befitting of DVA's music. On the title track, Cornelia drops a lyric about frustration and insomnia. On 'Why You Do', A.L. sings about being cheated on in a surprising fashion that leaves her unsure how to feel. Fatima dreams of having more space on a new stripped down version of previous Hyperdub single 'Just Vybe', while Zaki Ibrahim sings about a strange, glowing love on 'Fire Fly'. On '33rd degree', Muhsinah launches an emotional coup while Natalie Maddix's 'Eye Know' sings a comforting lullaby as Scratcha creates a zingy synth forcefield around the vocal. Coupled with the strange uk funky inflected house and techno of 'Reach The Sun', 'Polyphonic Dreams' and 'Bare Fuzz', the lush broken beat of 'The Big Five' and the instrumental grime fanfare climax of 'Where I Belong', Scratcha DVA has come up with probably the finest match between album title and music in the history of the universe. 'Pretty Ugly' is what it is - sweet and sour, blaring and lush, rough and smooth. The man is a genius.
TRACK LIST : 01. Reach The Sun 02. Just Vybe ft Fatima 03. Polyphonic Dreams 04. Pretty Ugly ft Cornelia 05. Bare Fuzz 06. Madness ft Vikter Duplaix 07. Fire Fly ft Zaki Ibrahim 08. Why You Do ft A.L. 09. The Big Five 10. Eye Know ft Natalie Maddix 11. 33rd Degree ft Muhsinah 12. Where I Belong
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A brand new mini-album from one the most charismatic figures on the Warp roster. Once again the most hip-hop mystic you will ever encounter brings us this brilliant 10 track release.
The album's downtempo strings, heartbreaking soul, reanimated hip-hop and crackling haunting vocal stylings are stitched as a running thread throughout each song like a patchwork quilt.
It's a lonely journey that will take you through the innermost thoughts of Gonjasufi's darkest hours. He recorded and mixed it on his own in his home studio surrounded by his family and the stark contrast of the Mojave desert. The end product is his outlet and realization for who he is, a way for him to feel comfortable in his own skin again.
"You can put a muzzle on me, cover my mouth, cut out my tongue but the truth will still come out" - Gonjasufi
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- CD 1: Still Unable To Throw Off That Teaching A Heart Left Abandoned Unable To Get Inside That Empty Space Nerves Freezing That Unconcealed Sadness
- CD 2: Ready And Waiting Ready And Tired Of Waiting This Happiness Hovers For A While Opaque
- CD 3: Invited In Practically Drawn In By Something Facing The Exit Of This Hiding Place Who Is It That Went In
- CD 4: An Acute Sensitivity Is Not Simply A 'Madness' An Acute Sensitivity To The Resonance Of 'I Love You' Teaches Us Just A Little Something It's Not That We Can't Do Something It's Just That We Haven't Done It Yet
he yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of last year's highly praised 'in a flash everything comes together as one there is no need for a subject' (BT05) and bringing to them a newly sustained intensity.
The yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of last year's highly praised 'in a flash everything comes together as one there is no need for a subject' (BT05) and bringing to them a newly sustained intensity.
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- A1: Still Unable To Throw Off That Teaching A Heart Left Abandoned Unable To Get Inside That Empty Space Nerves Freezing That Unconcealed Sadness
- B1: Ready And Waiting Ready And Tired Of Waiting This Happiness Hovers For A While Opaque
- C1: Invited In Practically Drawn In By Something Facing The Exit Of This Hiding Place Who Is It That Went In
- D1: An Acute Sensitivity Is Not Simply A 'Madness' An Acute Sensitivity To The Resonance Of 'I Love You' Teaches Us Just A Little Something It's Not That We Can't Do Something It's Just That We Haven't Done It Yet
The yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of last year's highly praised 'in a flash everything comes together as one there is no need for a subject' (BT05) and bringing to them a newly sustained intensity.
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- CD 1: Come In Slow
- CD 2: Keep It Simple
- CD 3: Decay
- CD 4: Into The Distance
- CD 5: Secret Room
- CD 6: Shuttle
- CD 7: Dig The Past
- CD 8: All Places
- CD 9: Sugar And Cream
- CD 10: Long Way Out
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- A1: Into The Distance
- B1: Secret Room
- B2: Cinematic Diversion (Skit)
- C1: Decay
- C2: The Lust (Skit)
- C3: Ayuse
- D1: Long Way Out
- CD 1-1: Come In Slow
- CD 1-2: Keep It Simple
- CD 1-3: Decay
- CD 1-4: Into The Distance
- CD 1-5: Secret Room
- CD 1-6: Shuttle
- CD 1-7: Dig The Past
- CD 1-8: All Places
- CD 1-9: Sugar And Cream
- CD 1-10: Long Way Out
Naibu steps up with a massive debut long player for horizons, and this highly polished 'concept' album has everything. Our resident french drum and bass maestro blends together an impressive range of styles into an all encompassing theme of lush, spacious, melodic soundscapes featuring organic instrumentation and percussion, soulful vocals and biting electronic synthesis. 'Habitat', described by Naibu as a term chosen to encapsulate the idea of each track as a different room, a different experience, is so versatile, it rocks the dancefloor at times, while on occasions propels the listener far into the depths of chill-out territory and beyond (think Zero 7 and 4hero - yes, it's that good!).
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Kicking off our 2012 release schedule the affirmed pairing of Optiv & BTK make a welcome return to the label. Having sent serious waves across the scene over the last year with their no nonsense approach to writing straight up dance floor killers. The duo's impressive discography boasts recent releases on Virus, Dispatch, Frequency and of course Renegade Hardware. Taking the opportunity of the EP format to delve deeper into their evolving sonic soundscape to provide the listener with 4 razor sharp cuts of future d&b.
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Killer 12' from Ray Keith & N Type. Smashing up all dance floors and taking no prisoners!..D&B and Dubstep!. Bladerunner's Remix VIP brings the real deal, heavy beats and punishing basslines. Bladerunner's talents were spotted by Ray Keith in 2004 and he was signed to the mighty Dread Recordings. Remixing jungle classics like Renegade Terrorist, The Chopper and Dark Soldier. On the flip proper Dubstep pressure from, one of the most talked about upcoming producers of the moment, Benton. His remix brings pure stepping sickness.
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Large Casebound Book - Limited DVD + Bonus CD
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Standard DVD Packaging
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On his debut album The Host works in a spacey interzone, using vintage gear to create dramatic panoramas for the headphoned mind. He creates a unique suite of modern impressionistic sonics that tumble and waft in and out of the mix, earthed with strong melodies that take inspiration from net-age genres while never recalling them directly. Throughout, he masters all the potentials of vintage synths, drum machines and reverbs, along with guitar and bass to explore a sound that sets him apart from producers working on computers, creating something much more band-like but rich with lively micro-detail. Opening track 'Neo-Geocities' is full of drifting synths and distorted drum machine toms reminicent of a jerry-rigged footwork style. 'Angel Fire' melts muted guitar and gentle keys into haywire 808 rhythms, while 'Internet Archaelogy' dubs hazy melodies, tape edits and bass guitar into murky but upliftingly melodic shapes. 'Hidden Ontology' riffs majestically over arpeggiated synths, while '3AM Surfing' and 'Summer Solstice At Cape Canaveral' sound like savoured quiet moments after a good night out. 'Rainy Sequences / Phosphene Patterns' is a dense and ecstatic blur of sound, coalescing into a pretty guitar melody weaving through the lush noise while 'Aeontology's pastoral drift is probably best appreciated horizontal, and the delicate and exquisitely detailed spring mood of 'Birthday Bluebells' is a gentle closer. A focused and unique artist with a strong debut which often suggest a similar musical language as that of Kuedo's 'Severant'.
TRACK LIST : 01. Neo-Geocities 02. Angel Fire 03. Internet Archaeology 04. Tryptamine Sweep 05. Hidden Ontology 06. Org 07. 3AM Surfing 08. Second Life 09. Rainy Sequences / Phosphene Patterns 10. Summer Solstice At Cape Canaveral 11. Aeontology 12. Birthday Bluebells
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On his debut album The Host works in a spacey interzone, using vintage gear to create dramatic panoramas for the headphoned mind.
He creates a unique suite of modern impressionistic sonics that tumble and waft in and out of the mix, earthed with strong melodies that take inspiration from net-age genres while never recalling them directly. Throughout, he masters all the potentials of vintage synths, drum machines and reverbs, along with guitar and bass to explore a sound that sets him apart from producers working on computers, creating something much more band-like but rich with lively micro-detail. Opening track 'Neo-Geocities' is full of drifting synths and distorted drum machine toms reminicent of a jerry-rigged footwork style. 'Angel Fire' melts muted guitar and gentle keys into haywire 808 rhythms, while 'Internet Archaelogy' dubs hazy melodies, tape edits and bass guitar into murky but upliftingly melodic shapes. 'Hidden Ontology' riffs majestically over arpeggiated synths, while '3AM Surfing' and 'Summer Solstice At Cape Canaveral' sound like savoured quiet moments after a good night out. 'Rainy Sequences / Phosphene Patterns' is a dense and ecstatic blur of sound, coalescing into a pretty guitar melody weaving through the lush noise while 'Aeontology's pastoral drift is probably best appreciated horizontal, and the delicate and exquisitely detailed spring mood of 'Birthday Bluebells' is a gentle closer. A focused and unique artist with a strong debut which often suggest a similar musical language as that of Kuedo's 'Severant'.
01. Neo-Geocities 02. Angel Fire 03. Internet Archaeology 04. Tryptamine Sweep 05. Hidden Ontology 06. Org 07. 3AM Surfing 08. Second Life 09. Rainy Sequences / Phosphene Patterns 10. Summer Solstice At Cape Canaveral 11. Aeontology 12. Birthday Bluebells
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TMSV has built up quite a reputation, with three sell-out releases for Box Clever and his massive refix of Mavado's track Dem A Talk. To build on that success, he has now readied a split EP of collaborations with rising stars DJ Madd and June Miller, due for release on the Covert Ops division of Black Box.
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So after our chart topping first Allstar 45s release featuring The Dancefloor Outlaws & Coldvet, where back with another special Limited Edition 45.
First up its the turn of Ghetto Funk label manager Slim Goodgroove alongside Funk Ferret. They deliver a rather tasty slab of funk, with just the right amount of bass for their track Rockin Rollin.
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- CD 1-1: Mark Ernestus Meets Bbc
- CD 1-2: Oni Ayhun Meets Shangaan Electro
- CD 1-3: Mmm Meets Tshetsha Boys
- CD 1-4: Dj Rashad & Dj Spinn Meet Tshetsha Boys
- CD 1-5: Burnt Friedman Meets Zinja Hlungwani
- CD 1-6: Actress Meets Shangaan Electro
- CD 1-7: Old Apparatus Meets Shangaan Electro
- CD 1-8: Theo Parrish Meets Mancingelani
- CD 2-1: Demdike Stare Meets Shangaan Electro
- CD 2-2: Peverelist Meets Tshetsha Boys
- CD 2-3: Anthony Shake Shakir Meets Bbc
- CD 2-4: Rp Boo Meets Shangaan Electro
- CD 2-5: Actress Meets Shangaan Electro 2
- CD 2-6: Hype Williams Meets Shangaan Electro
- CD 2-7: Ricardo Villalobos & Max Loderbauer Meet Shangaan Electro
- CD 2-8: Mark Ernestus Meets Bbc Version
Actress, Oni Ayhun, RP Boo, Demdike Stare, Mark Ernestus, Burnt Friedman, Hype Williams, MMM, Old Apparatus, Theo Parrish, Peverelist, DJ Rashad & DJ Spinn, Anthony Shake Shakir, Ricardo Villalobos & Max Loderbauer.
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Mob Tactics are on fire right now and this release is made even more disgusting by Ganja's very own Prolix. Flip that shit over and don't expect anything different because 'The Watchtower' is filled with anger and aggression which are always good ingredients for all out war on the dancefloor.
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The triumphant return for Mouse On Mars with 10th studio album!
With former releases for labels like Domino, Ipecac, JVC Japan, Thrill Jockey, Too Pure, and the artist's own label Sonig, here's the first full length release for Modeselektor's label Monkeytown.
Tracklisting
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Special and avantgarde drum and bass by Allied awaits on TRIM028. Already infamous for the unique drumwork in their tracks, combined with deep and minimal arrangements - the Brighton duo deliver a hypnotic release. - Isolated', a collaboration with Quadrant, sets the mood for this epic journey with a stripped down and minimal, yet funky tune. - Cryptic Era' explores the mystic sphere further, but this time with a fuller, rolling beat.
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In 2012, things (or tingz even) are set only to get even bigger for the Bristol-based collective, as this latest 12" boldly attests in typically upbeat style. Enlisting Jamaican-born regular contributor Blackout JA alongside the UK's own David Boomah, this is another slice of completely original magic from the Run Tingz camp, without a shoddy acapella or ripped vocal sample in sight!
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2011 was a banner year for Borrowed Language -- both the split 12'' from Jeff Pietro & Israel Vines (BLX-2 "Distance No Object") and Jeff Pietro's definitive "Still" 10'' (BLX-3) garnered plaudits from all corners of the globe and were charted and played by the likes of Surgeon, Miles Whittaker (of Demdike Stare fame), Peter Van Hoesen, Xhin, and many others. We kick off 2012 with this astonishing 4-track EP from Detroit's Justin Ivey, and if this is anything to go by, it's going to be a hell of a year... limited white vinyl pressing
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Time to move on... I dont know about you, but I've had this strange nagging prejudice about digital labels for some time. It's obviously born out of my chronic love for vinyl and while I have nothing against wav's and mp3's as such, it's when they exist without a more credible partner release on the black stuff, that i loose interest. Of course I am aware there are many labels doing great things via the digital medium and I'm aware that I have probably missed out on some very special music as a result of my narrow minded thinking. As there is so much music about these days, I guess, in the end, some sort of selection criteria is required, certainly there seems to be one already in place. Perhaps it's worth noting also that i have a similar prejudice against laptop dj's, so getting through to me on this level is always going to be difficult.
Anyway then along came uk based Audio Parallax Records. With one hand in the edits scene and two feet in original Deep House territories, this digital label has quickly (in just over a year) signed and released a huge amount of very lovely, deep music by various players from these terrains (both heavyweight and lesser known). Lets see, the list of contributors includes Volta Cab, Mannmademusic, Cole Medina, 78 Edits, Andras Fox, Andrew Clarke, Matthew Kyle, Legendary 1979 Orchestra, Joseph Terruel, Another Project, Quiet Fish, James Johnston and Simon Weiss amongst many others. I think there are 31 ep's in all and many of them are excellent. There does seem to be a thread which loosely connects the music on offer; it's all pretty underground, quiet a lot of it is mid tempo or even slo mo, it's often atmospheric as f*ck, and it looks to be a furtive breeding ground for creative endeavors. Not having released any vinyl so far has allowed the label to move quickly and perhaps make freer choices, it hasn't however, like so many other digital labels, meant that quality is compromised.
I've meant to do several posts about the label before (thankfully they don't rely on me for their publicity), but their recent EP from Chubbie Boots (their fifth from a Melbourne based artist) has forced my hand in getting on with it. Chubbie Boots is Gavin Walsh, originally a guitar player; his musical journey from 60's and 70's Rock through Krautrock and Drone, eventually led him to left field modern electronica like Caribou and Flying Lotus. It's this journey that filters profoundly into his music and it's why the results are so individual. "The Cracks Are Starting To Show" is a strange and beguiling hybrid of Hip Hop, Indie, Cut Up Disco and Electronic Psychedelia, the opening track 'Adlerwerke' is a beautiful, sun drenched and hypnotic un-anthem (very the theme from Brokeback via some sort of Canadian electronica outfit). But then there's also the blunted boogie of the title track, a backward sliding melodic workout called 'We Don't Want No Stinkin' Wurli' (which may be impossible to really describe) and the Slo Mo slice 'n dice quickie 'How Could I Forget'. This may be the label's finest moment so far... it's an opinion... Anyway the extra good news is this looks to be coming out on vinyl quiet soon. Which is having your cake and eating it as they say... check their site for more...
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Here we have a new label and it's some of the best Techy Drum and Bass we've heard for a while. Counterstrike and Cooh do what they do best and bring their trademark tight production along with a load of bass that'll rumble any bass bin. Looking forward to hearing what else this exciting label has up its sleeve.
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Following their incredible debut album "Alive In Us", Darkness Falls quickly return on hfn with their next release - "Timeline". Including the brooding original version, then a real international crowd of remixes from the likes of Trentemøller -who has already worked with Darkness Falls as producer of their aformentioned album, US upstart Com Truise, the UK's Tom Demac and Spain's Pional.
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Mostly known in the drum & bass world as a MC, Mark System is a well known name with a broad range of vocal skills with countless world class DJ's requesting his abilities at their events! Over the last couple of years has seen his production take a huge jump in the scene as well! Already having releases on amazing labels such as Exit, Digital Soundboy & Integral to name a few! Warm Communications is very proud to have him grace us with a stormer of a 12!A. GO AGAIN - Amazing production on this one as usual from System. Taking a page out of the oldschool rollers comes Go Again. A 2 step affair with this one rolls along with thunderous bass and errie strings reminiscent of the old classic 'Shadow Boxing'. Strictly for the dancefloors! AA. THE DIVER'S DREAM - One of our favorites from System for awhile now! This tune encapsulates the saying 'as deep as it gets'. Driving live sounding drums forge through and a punchy bassline keep the momentum going. Beautiful strings and pads take this tune deep down! Any fans of the 'rough with the smooth' will love this!
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Mercado is a true roller! Crisp breaks and congas merge with perfection to the b-line and percussion. This one is sure to nice up any dance floor on the planet. Strictly for the heads! On the flip is Munk's Stomer: Templar. Neuro funk bass lines and heavy breaks collide with cinematic FX to create just the right amount of tension. No quarter is given as this tune progresses and each element builds upon the next flawlessly.
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[A] CD 1 | Echoes From The Future [
[B] CD 2 | Payback (ft.Triage) [
[C] CD 3 | New Orleans (ft.Misha) [
[D] CD 4 | Low Life (ft.Misha) [
[E] CD 5 | Obfuscate (ft.Smooth) [
[F] CD 6 | Sludge Tunnel (Optiv Remix) [
[G] CD 7 | Hells Beach (ft.Nme Click) [
[H] CD 8 | The Chippy (ft.Muller) [
[I] CD 9 | Insilva (ft.MC Fava) [
[J] CD 10 | Black Friday (ft.Trei) [
[K] CD 11 | Into My Mind (Dj Hidden Remix) [
[L] CD 12 | Redford vs Jackson [
[M] CD 13 | Outro [
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We LOVE Spearhead records here at Nu Urban, they're always finding these little gems and these two tracks from Technicolour are exactly what i'm talking about. Both 'Centrifuge' and 'Winter Rose' have been getting serious love from all the DnB heads and i know for a fact that Spearhead have got a lot of amazing releases lined up to follow on from this release.
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- A Ulterior Motive Ft. Codebreaker - It's On
- Aa Ulterior Motive - Point Of Difference
Fearlessly fusing raw elements of funk with precision percussion, the unmistakable Ulterior Motive remain sonically unrivalled and continue to set their own standards in 2012. Breakthrough releases for Subtitles, Metalheadz and Reinforced resonated deep within the underground to put their name on the map. Urgent and immersive, the duo's contemporary take on the drum & bass template has won regular support from scene stalwarts like Andy C, dBridge, Friction and Hype along with DJ sets at institutions including Fabric, Star Warz and Sun & Bass. Driving forward with another momentous Subtitles single UM look set to tour Australia & New Zealand after a busy spell in the studio reshaping classic cuts from Future Cut and Klute. With their sound in constant evolution it's impossible to predict exactly what will come next but with proven pedigree and the passion to keep pushing themselves further, you can be sure Ulterior Motive will stay two steps ahead of the rest.So far we have Dj support from: Hype Bailey Friction Pendulum Lenzman Rockwell S.P.Y & KasraHYPE 'another slab of magic from one of my favourite producer duo teams in the drum and bass scene today!'
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Benny Page's High Culture Label has been churning out the hits over the last year and Zero G teams up with Benny once again to produce some of the most exciting Drum and Bass around. 'Undead' and 'Game Of Death' both carry serious weight so much so I've already blown up one set of speaks just trying to review this ridiculous 12!
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In Spring 2009, Danish sextet, ALCOHOLIC FAITH MISSION, released their 2nd album, '421 Wythe Avenue' and received loads of critical acclaim and attention from blogs and media around the world. Since then, the band has released another renowned album, 'Let This Be The Last Night we Care", an EP - and now they're ready with their 4th full-length album; 'Ask Me This". ALCOHOLIC FAITH MISSION left Copenhagen in 2009 and started their extensive touring schedule and they haven't really slowed down.
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Cyrus makes his debut release on GetDarker with his most encompassing work yet. The two track release comes primed with Cyrus' trademark of 'dubstep for the chest'.Opening track 'Hot Pan' which has been aired on a tidal swell of support from Radio 1, Kiss FM, Rinse FM and leading DJ throughout. Built on a wave of solid drums before unleashing its full force with a maniacal, mechanised baseline that writhes through the core of the track, wiring itself around the ambient tones, strings and hooks. Up next 'Ears Lowered'is a schizophrenic balance of the above. Delicate melodies combined with an elevating, progressive & relentless opening builds tension superbly before bringing in a chaotic drop. Showing off the sleazy and darker side of this pioneering sound with maximum impact. Cyrus delivers this special two-track release, a perfect calling card from a producer who holds such longstanding dubstep status.
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UNATIC: New addition to the Ghost outfit "Caski" delivers Big energy and brings a classicly known dubstep break up to date. A track that has been damaging dancefloors for some months now & with a formula so affective,The Bedford based producer only had to roll out the barest of grooves to do the job.
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This is the last broadcast from the acclaimed debut long player from Hyetal. Featuring his own kick drum driven reanimation of album favourite Searchlight, discordant keys and angular synth work keep it equally match for dance floor and headphones. On the flip we have the massive noir epic re-rub from current indie dance hotboys Stay+ who stretch the original to it's limits creating a moody and atmospheric anti-anthem.
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NCQL annouces himself in no uncertain fashion with the anthemic strings of 'The Framed Dreams Of Loki'. The track nods to DJ Premier, Prefuse 73 and classic Metalheadz D&B Hidden Agenda style and there's a subtle (!) reference to a certain classic 90s rave tune in there aswell. It sounds like a mess - it's anything but ! This is uplifting breakbeat at it's very best. It's not often a tune gets played twice by Bailey on his BBC 1Xtra show in the space of a month, so this must be something special. The flipside has a similar organic & uplifting aesthetic. A strutting break is the base for a deluge of warmth in the shape of synths, strings, flutes, harp and vocals - an unusual sound palette for a Drum & Bass track these days but refreshing to hear. DJ Flight thought so and has aired it on one of her 'Next Chapter' Rinse FM broadcasts.
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Representing a fresh and unheard style that is currently redefining the boundaries of neurofunk drum and bass, Neonlight return to their homebase with 'The Frozen Tape' - a discerning dancefloor bomb with the trademark stuttering and growling synths and epic soundscapes. Judging alone by the efforts of people on the net to get a copy of this track (cut out of a youtube liveset of Optical mixing 'The Frozen Tape' in Russia), this track has all the potential to become a dancefloor anthem.
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Overstepping boundaries, transcending electronic genres, hot stepping between bpm and diving into a range of thoughtful and often beautifully delicate sounds. Synkro has proved himself a force to be reckoned with in 2012, Progression is arugable his finest work to date. This 12' features the original mix backed with Indigo Remix.
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Early last year, Baron Zen teamed up with regular collaborator, Tekblazer, to release the 'Electrik Surgery' EP on their long-time home, Stones Throw Records. The EP included guest spots from the likes of underground heroes such as Megabusive, Tchaka Diallo, Nathan No Face, Zackey Force Funk, Gary Davis and Stones Throw's Koushik. Executive produced by Peanut Butter Wolf and with a sleeve designed by Matt Rowland/Liger Vision (based on the sleeve for The Wreckin Cru's 1984 electro classic 'Surgery'), the EP evoked the spirit of that classic era of electronic sound and innovation. Now, almost a year on, skweee pioneer Daniel Savio has produced remixes of two tracks from 'Electrik Surgery', namely 'Bass Attack', and 'Goodtimes' (featuring Megabusive), for this 7' on the burgeoning UK-based Astro:Dynamics label. Savio's strutting and swaggering percussion fuses with the golden-era energy of the originals, making this cross-hemisphere link-up the perfect fit. Add to that the artwork, which has also been expertly designed and illustrated by Stones Throw's Matt Rowland/Liger Vision (building on the theme from the original EP sleeve), and you have a pretty sweet little package.
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A Canadian DJ, a Japanese guitarist and a Turkish vocalist meet in Berlin. Together they record an ambient album that harnesses the experimental spirit of jazz and the aesthetic austerity of minimal electronica. These are the elements that comprise and distinguish Blue Fields' Ghost Story due on Haunt Music, 2012. But they are hardly the whole story. Individually, Blue Fields are Mike Shannon, the leftfield electronic artist behind Cynosure Recordings; Takeshi Nishimoto a classical guitarist who also collaborated with mini-tech artist John Tejada as I'm Not a Gun; and Fadila, German-Turkish singer who has previously appeared with Shannon on Wagon Repair and Cynosure.
The convergence of their personas, talents and influences yields a stripped-down imaginary soundtrack that is brooding and seductive, reminiscent of trip-hop duo Lamb, neo-soul turntablists Zero 7 and electronic composers Ryuichi Sakomoto and Steven Reich. Timeless instrumentals complement Nishmoto's fluid, ethereal guitar and Fadila's smokey vocals; up-tempo beats tap into Shannon's dance-floor impulses.
In just a few eloquent tracks, Blue Fields bridge the gap between that which is familiar, earthy and remembered and that which is exotic, cosmic and imagined. Their double-edged jabs of sonic love will tame the industrial beast about
01. Open Your Eyes 02. Sequenced Love Affair 03. Best Served Cold 04. Carmens Ghost 05. Bones And Butterflies 06. Why Continue The Lie 07. New Shade Of Blue 08. Seven X Seven 09. The Hive (Nothing To Hide) 10. Interlude 11. Eternal Fields 12. That's What It was 13. Close Your Eyes
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DJ Fresh's 'Hot Right Now' is the eagerly awaited follow-up to, 'Louder', his second hit, one of 2011's biggest selling No.1 singles (500,000+ sales and counting) and the track that changed the game for bass music in the UK. On the Radio 1 A-list for several weeks, 'Louder' stayed in the station's Top 40 'most played' for 20 weeks via continued support from Zane Lowe, Chris Moyles, Annie Mac, Greg James, Fearne Cotton and many more. Elsewhere, the track was A-list at Kiss, Capital, MTV, Viva and 1Xtra along with full additions to The Box, 4 Music and Smash Hits.
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Five brand new emissions from Bristol's premier electronicist Nick Edwards, alias Ekolplekx.
300 copies only, no repress.
Opening with a glorious ode to the founder and oldest surviving member of the BBC Radiophonic Workshop, "Dick Mills Blues" we are deep inside a mournful place, lathered in digital vapour trails and infectious circuit-gunk. Soon drops a nod to King Tubby down Dromilly Avenue, sliding the biggest drums this side of Dub-Kingston, slowly dissolving in pure liquid drift.
Rocketing onto the flip we are plunged into a headlong fizz of modular scorch with "Neutronik" and into the fractal Chris & Cosey cabaret of "Jugglin' For Jesus", before our heads are gently assaulted in wave after wave of gaseous Radiophonic noise with "Clayton Freak".
Somewhere holed up inside these single-take, unique abstractions is the sound of Pop-Electronic, it beats roughly, strangely against the vinyl groove-wall, in sweet disharmony just waiting to be discovered by your stylus.
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Over the course of a year, Keith Fullerton Whitman performed a piece of live electronic music a few dozen times entitled "Generator." The debut was given in San Francisco at Root Strata's "On Land" festival at Cafe Du Nord on September 19th, 2009 ... over the months that followed stagings took place in venues ranging from flooded basements to festival stages in Baltimore, Boston, Brooklyn, Chicago, Easthampton, Iowa City, Jamaica Plain, Northampton, Raleigh, Saint Louis, San Francisco, Somerville, & Washington D.C.
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Mass Pod is Martino Marini, born in genova in 1983. his interest in developing electronic music project dates from 1998, resulting in a evolution of sounds and beats inspired by varied influencies. In 2003 Mass Prod project unfolds with his live set and djing in Italy's top clubs. A live set of strong impact on the dancefloor, supported by the perfect syncronicity of Stefano Moretto's videos (aka goofo) who in 2004 becomes Martino's visual alter ego in Mass Prod. Spokesman of Genoa's clubbing scene, since three years Mass Prod schedules eventsand plays as dj resident at club 74 , and in 2005 has become dj resident at Rocket (Milan). Finalist as best livemidia show in the last edition of Elettrowave Challenge (most important italian contest for electronic music and videos). Looking forward his first release on beatperminute records, a good networking and positive response of the public to his live set lead him to play in the most important clubs in Italy. His live set debut in 2004 at link 8Bologna) brings him onstage alongide established artists as jeff Mills, Mike Banks and many other. From then on he has played live at Brancaleone and Goa (Rome) magazzini Generali (Milan), Elettrowave festival, MUV Festival, in Berlin's club Kit Kat and at Manic Monday's afterparty amongs artists such as Ellen Allien and Apparat, Legowelt, Solvent, Miss Kittin and many more. Along with his live and dj sets he's involved as sound designer in Corpicrudi's video projects, exposed permanently at the Museum of New Art (MONA), Detroit USA and in GOSH/FARM's (Riesi CL) permanent collection amongst works of art of Araki, Beecroft, Richardson, Serrano, Kern.
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Dark Horizon is the perfect crossover tune with a dark Dubstep/Grime vibe and raw energy, being battered by N-Type, JJ, Spyro, Chef, Hatcha, Walsh and MistaJam. Blotter Paper: Bouncy club banger with gliding coki-esque bass line. Fresh off the factory line battered by N-Type, Hatcha and the usual dubplate suspects.
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Audio Phreaks new boy Mr Vermin is here is with an amazing new single that is sure to tickle a few ear drums. You can instantly hear that Mr Vermin is no stranger to the studio and has a wealth of experience behind him. Not only is Mr Vermin the man lacing down the beats on his productions, but also is the voice behind the catchy vocals that feature on a majority of his tracks. His sound is current, but also extremely unique. It's only a matter of time until this boy blows, this is Dubstep at it's best! 'The Time is Now' is the A side of this record and is a well rounded, crisp, clean production with bags of cross over appeal. 'Speakers Up' is equally as catchy and will send shock waves through the globe..
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After they already introduced themselves vinylside on V.A. BigMP16, Nynfus Corp. now starts straight into the new year with their own EP as first BigM vinyl for 2012. A smashing 12" mashup EP with club
blowing breaks in four different styled tunes, to present their whole variety of amazing skillz from Budapest.
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- A1: Pferdchen
- B1: No Milano
- B2: Ewige Mimose
SCHNITT represents the artistic collaboration of Fraülein Amelie and Drama aka Marco Monfardini has founded with Mirco Magnani the independent label Suite inc./Suiteque/Suitevision in the 90's. Marco has been working on the project Minox since the 80's and he has collaborated with Steven Brown and Blaine Reininger of Tuxedomoon and most recently with Murcof, Nobukazu Takemura, Lydia Lunch and The Gentle People. He has produced with Minox some Suite inc./Suiteque releases (MissQLee, Enfantronique, Dubital, Krisma, etc.). The result is an electronic pret a porter - without compromise. A sonorous dress - flexible for all kind of changes, which, once worn , attracts by sensations and emotions emerged by the mix of pure sound and noise. An internal mirror , which reflects the personal image. The live set echoes the uniting of the 2 artists - not only in their styles. The equipment consists of the latest high tech material mixed with antique '50s turntables. The set previews the publication of a "12" mix for the swiss label Invisible Recordings / IT'S as well as "Razionalismo in vinile volume 2" for the italian label Registrazioni Italiane.
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T.C.O. is Mirco Magnani, member and composer of Minox, Technophonic Chamber Orchestra and 4Dkiller, producer for various Suite inc. and Suiteque projects (Enfantronique, Dubital, Miss Q Lee, Krisma, etc.), has worked in studio and live with artists from the new wave scene like Steven Brown and Blaine Reininger from Tuxedomoon and Lydia Lunch. He has also worked with artists from the electronic scene like Nobukazu Takemura, Murcof, Daedelus, The Gentle People. Apart from directing sound reproduction and machines, Mirco also plays clarinet, piano and electronics. He has founded with Marco Monfardini the independent label Suite inc./Suiteque and Suitevision by which he has produced various visuals and installations for events and concerts, also for the label's artists like Technophonic Chamber Orchestra, Minox and in particular visuals for his solo project T.C.O. titled 'Decompositio Sonata' (Suitevision - 2006) and 'Parenthesyne Suite' (Suitevision - 2008). This 12' is released on the brand new label IT'S (a collaboration between Suite inc., Angle Records and Invisible Recordings) with three unreleased new tracks; 'Antro' another unreleased track is included in the compilation Snob Night Sessions (Video-Radio/Rai Trade).
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After the massive impact of Harvest's dance floor destroyer 'Militant' Apexx Recordings proudly returns with our second release and we have pulled out all the stops for this one.Dj Taktix's needs no introduction and neither does 'It's The Way' first come out in 1994 and the remix featuring Top Buzz's Mad P vocal is a benchmark tune to say the least. Taktix returns after a large break from the scene and comes with a remix with afresh new angle, rather than your typical junglist approach he gives it a dark more twisted vibe, metallic beats, dirty amen and still keeping the vocal gives 'It's The Way' a fresh new vibe. Serum remix on the other hand is exactly what you expect from this highly rated producer and he brings it right up to 2010 with all the attributes there from the original and this remix has caused a storm. Been on dubplate for a while now and still getting airplay on all major radio stations this has had massive support from the likes of Andy C, Bryan Gee, Dj Marky, Nicky Blackmarket, Crissy Criss, Bailey and that's just a few.......Also Watch out for forthcoming track from Dj Devize 'Build N Destroy' massive support from Dj's Hazard, Marky, Brockie, Nicky Blackmarket & more.
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The Tamba Trio were one of the most important musical groups to emerge out of the Bossa Nova movement in Brazil in the 1960s.
The group released their debut album, Avanço, in 1963 on Philips Brazil.
Led by the young genius pianist, arranger and composer Luiz Eça, and formed in Rio de Janeiro in 1963, the Tamba Trio became the central group at the legendary Bottle's Bar - home of the Bossa Nova in Beco das Garrafas - where they played alongside the many stars of the day such as Elis Regina, Carlos Lyra, Nara Leão and Edu Lobo.
The groups unique and highly distinctive bossa jazz and vocals style was to prove highly influential in the development of boss nova, never more so than on their amazing original version of 'Mas Que Nada', written by Jorge Ben and featured here.
1. Garota de Ipanema
2. Mas, Que Nada!
3. Negro
4. Mania de Maria
5. Vento de Mar
6. Sonho de Maria
7. So Danco Samba
8. O Samba Da Minha Tierra
9. Moca Flor
10. Rio
11. Tristeza de Nos Dois
12. Esperanca
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Terror Danjah's first Hyperdub single of 2011 is an amazing coup, pulling out of the archive a near-perfect collaboration with singer Meleka, where Terror tempers his grimey production, veering uncharacteristically towards featherlight lushness, while lacing Meleka's sensuous, pitched melisma with a deceptively vicious sub. Terror's crisp, asymmetric bed of stuttering drums remind us of a time gone by when Timbaland's falter-funk R&B rhythm programming was an inspiration. 'Morph 2' featuring D.O.K. is the yang to 'U Make Me Feel's yin, drawing gruff, serious strings through hall of mirrors micro-edits, dragging the riff backwards, punctuating it with gremlin chuckles and 'woo's and running the pattern against a tense bleepy melody. It's a dark and vertiginous rush with all the anger of Grime at it's ferocious peak.
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WXWL001 sees Manchester based music producer Compa deliver a serious piece of sound system music after being supported by most of the worlds most important and respected Dubstep DJ's from Mala to Joe Nice, J:Kenzo to Tunnidge, Goth-Trad to Jay 5ive and many others.'Dem A Talk' has been receiving airplay across all of the most influential UK radio stations, Including Rinse Fm, Sub Fm and BBC Radio 1, and has had fans of Dubstep music worldwide anxious to own the release on vinyl for many months. This track has undoubtedly been amongst one of the most anticipated releases of 2011, and has helped cement Compa's name in Dubstep music.
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The third part of our Producer#3 series. Following his recent release on the Manchester based Mind On Fire label, Danny Drive Thru provides two tracks for Producer#3. Eclipsemoonsun is a deeply burnt piece of atmospheric cimematica, smouldering & minimal. Crumbling drums merge with ethereal voices & weightless keys, its 3 minutes of disintegrating funk.
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tís been almost six years since Liberto released his debut album ìLullabyî for Klik Records. His warm deep and tech house sound received at once the best comments of the Greek and the nternational music press alongside the interest of some of the most important names in the electronic music scene.
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Four bass heavy, dancefloor ready tracks by Roel Funcken!
Again, Roel Funcken proves to be a master of technoid, bass heavy and intelligent dance music that defies any genre. His latest EP for Eat Concrete titled 'Fes Bace' is a beast, a collection of perhaps his finest, probably his most effective work to date. It shows a man on a mission, reinventing himself constantly after his much acclaimed solo debut 'Vade'. On 'Fes Bace' Roel has taken his sound to a whole new level, delivering four tracks of uncompromising quality and diversity that could easily destroy any dancefloor.
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Slovenian based Sare Havlicek is a bit of a hoarder. A hoarder of old synthesizers, drum machines and most of all 70's & early 80's euro/cosmic disco sounds. A trip around his luxurious studio is a bit like a day at the synthesizer museum. Throw in some liberal doses of Adriatic-disco & early 80's Shalamar Vs Shakatak vibe. Then add a sprinkling of magic fly and long, lazy, girl-on-arm coastlined days. Bake for a year or so and Toscana Nights - the album - pops right out.
And so to the Music... the album's lead track Toscana Nights opens up proceedings with a killer lead line and Sare's trademark pulsating 1/8 note synth-bass groove. Studio 54 would have loved this track. Next up is the sunshine anthem Lazy Summer, dripping with kitsch, sweetening strings, cocktails and sunglasses in equal measures. Then its onto UFO's Are Real... or are they' Ask the Media...
The album features the catchy vocals and snappy lyrics from US Import, Hannah Mancini. You can hear her add her slinky sheen to the vocal tracks Dreams In Light , In Out and Pleasure Storm (which also features a Lipps Inc 'Funky Town styled string section... Sare must have been in the same studio session via his Time Machine).
Tracks such as Dancing In Val D'Isere 1979, Attack of the Vowels and Song mine deep into Sare's analog synthesizer collection. If you want to hear 70s oscillators doing there thing, then this is the place for you. No samples or loops are aloud past the door here boss.
The artwork for the album is co-created with fellow Slovenian and Yugo-Disco General Ichisan. Its surprising what a collection of objects from Sare's youth & consciousness and a day in a studio with a highly respected professional photographer can result in. Some of the finest artwork that has passed out the doors of our young label called Nang
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The latest EP from the notorious man of mystery, forthcoming on vinyl in October. ARP 101 has become something of a mythical character, lurking in the shadows with his astral blend of gangsta boogie and synth heavy electronica.
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***Limited to 500 copies***
With the release of his eagerly anticipated album 'The Politics of Envy' fast approaching (due March 26th), Mark Stewart has announced his first single 'Autonomia' a no-holds-barred collision with long-time fans Primal Scream.
It has been remixed by two heavyweight champions of the underground, Pinch and JD Twitch. Pinch loads up on dark and brooding, with a stripped and dubby Shackleton-esque interpretation, while Twitch opts for a warped and slo-mo, acid-licked stomp. Both offering, deliciously moody interpretations of the first single from the upcoming Mark Stewart album 'The Politics of Envy'.
'Autonomia', a dense agit-protest superfunk monster with sirens and Bobby Gillespie's frenetic 'keeping the dream alive' call-and-response chant with Stewart who explains the story behind the song - 'I'd written this song about a guy called Carlo Giuliani, who was killed at the G8 demonstrations in Genoa, this kind of autonomist bloke. At that point, it was kind of like a protest song ... afterwards I started getting on with Bobby, who was interested in politics and I asked Adrian [Sherwood] about doing it. It's important that people hear about the story, it's the message and the atmosphere as much as anything.'
Stewart's scathing political barbs with the Pop Group and beyond, heavily informed Primal Scream's ferociously politicised Xtmntr and other works. With the intensity of Stewart's latest body of work back to red alert, this apocalyptic collaboration, made possible by the two camps' lengthy associations with Adrian Sherwood, has been further honed into a heat-seeking radio edit.
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The first official 12" on Push & Run lands on November 14th and it comes from the fast ascending talent that is Pedestrian. Working the angles in the depths of the low end spectrum, this young DJ/producer already has releases for two globally-respected purveyors of experimental bass music - Goldie's legendary Metalheadz imprint and Gilles Peterson's Brownswood Recordings - under his belt. Following in the footsteps of Dillinja, Photek, J Majikand Source Direct - true innovators in the evolution of UK bass music - Pedestrian contributed a richly textured, shuffling UKG dub to Commix's 'Re:Call To Mind' project on Metalheadz. Then Gilles P's all-seeing eye picked up 'HeiPoa' for the sixth chapter in his much loved Brownswood Bubblers series, which resulted in an invite to DJ at the Boiler Room and a tight, bright excursion across the bass spectrum going b2b with his friend Gang Colours.
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Soaring straight out of the hotbed of drum and bass talent that is Russia, Place 2b lands his debut on Trust In Music, armed to the teeth with 2 razor sharp neuro cuts for TRIM029. His lead track ''In The End'' opens proceedings with super tight drums, horror fx and a ripping mid bass riff, catapulting you head first into his twisted vision. ''Warpath'', a monster from the deep created with partner in crime Krot then pulls you under with arpeggiated synths before slamming you with reese basses and razor sharp edits.
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Since the formation of PNAU Nick Littlemore and Peter Mayes have grown to become one of Australia's most loved electronic acts. Having already released three critically acclaimed albums over in Australia it is with great excitement that PNAU announce the release of their new single 'Unite Us' for Ministry of Sound
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The one and only studio rocker Tony Thorpe - aka Moody Boyz, illustrious low end manipulator of some 30 years acclaim - teams up with three of the most exciting and original UK producers in Si Begg, Nuphlo and Pempi, to present the first release from his monumental Globe Stepping project, taking world music atmospheres and giving them a sideways twist to create a new flavoured selection of dancefloor killers and chill-out epics. All sounds on the five part series of Globe Stepping albums are sourced from original archive audio held in the cavernous vaults of the decades-old Boosey & Hawkes publishing company, known today as Imagem Production Music. Imagem have founded the 2NX label as a bespoke outlet for these new recordings, which draw deep from ethnocentric pools including African, Indian, Eurasian and South American, and a run of club-tooled beat-working versions will be released on limited 12' pressings outside of the full length CD and download output. First up, veteran Si Begg joins Tony on lead track 'Kongotronic', a rolling UK-bass-meets-funky number with bright synth stabs and distant African vocals. Next Nuphlo - declared 'genius' by BBC Radio 1's Bobby Friction - jumps on board to bring the desert storm to 'Dusty Path', where oud and flute textures float over furious percussion, with the most atmospheric drop you'll hear in these early days of 2012. Finally, Mixmag 'one to watch' and BBC 1Xtra favourite Pempi brings a more mellow edge to the Thorpe sound on 'Chai Garden', with its arcing melodies, skippy beats and a deep, punchy bass. Tony Thorpe is the ideal pilot for this project, with a huge knowledge and understanding of rhythm that has spawned such recent CV highpoints as his curation of the seminal Dub Step Chronicles event for Massive Attack's Meltdown Festival, and being the catalytic element in On-U Sound's Lee Scratch Perry dubstep remix collection. Combining his long-established progressive sound with an ethnic soundboard, this is a record worthy of a place in any serious musicologists collection. Massive release, no question.
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If you are in to dreamy piano sounds and poppy vocal cuts this is one to check out. Beautiful drifting melodies combined with 90's pop like vocals and rolling beats. The singers on this release know how to catch your attention. Especially the track on the flip ''Put me Down'' has potential to become a true Radio anthem.
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7 tracks on the new Lowriders release and it's a real joy to listen to! The ep opens with the cheerful title track with the likes of Kissey on vocals and it is amazingly sticky and feels like a compendium of 30 years of electronic music, with seemingly effortless transitions between detroit house, booty bass and future music.
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- 1: Scuba - Ignition Key
Scuba is the production and DJ alias of Paul Rose, the curator of Hotflush Recordings, a label, which having released some of the most important tracks of the formative period of dubstep, has grown into a leading player in the wider world of electronic music. A celebrated and influential DJ, Scuba was voted #25 in Resident Advisor's 2011 poll of the world's Top 100 DJs and has also been nominated for several categories in DJ Magazine's Best of British 2011 Awards. Earlier this year Scuba released his 'Adrenalin' EP, picking up radio plays from Zane Lowe, Annie Mac, Rob Da Bank as well as Mistajam, illustrating how his sound has mutated into previously unexplored areas. Alongside 'Adrenalin, Scuba also released his addition to K7!'s DJ Kicks series which has made notable appearances on several 'Best of 2011 lists. On the 27th February, Scuba will release his third album through Hotflush. Entitled 'Personality' and featuring 11 brand new tracks, it takes in a wealth of genres across contemporary dance music, proving once again Scuba's place at the cutting edge of the electronic music scene. Preceding his LP will be 'The Hope'; pushing on from the tense atmospherics of previous Scuba material, the single fizzes with claustrophobic bass pressure and menacing narration. Backed by an exclusive non-album cut 'Flash Addict', 'The Hope' will proceed the album on the 6th February. Originally from London, Scuba relocated to Berlin in 2007, and released his debut album, 'A Mutual Antipathy' in 2008. The stylistic synergy of the album cemented his position as one of the most forward-thinking producers to emerge from the London bass scene. In the same year, Scuba founded the massively successful SUB:STANCE night at the legendary Berlin club Berghain. SUB:STANCE has since launched in New York with a look to expanding further in 2012. Scuba's second album, 'Triangulation', was released on Hotflush in early 2010, joining the likes of Mount Kimbie, Sepalcure, Joy Orbison, Untold, Sigha and George Fitzgerald on its enviable roster. With 'Personality' due for imminent release and plans for a live show in the works, Paul Rose's constantly developing world seems set to keep on turning in 2012.
2 Scuba - Underbelly
3 Scuba - The Hope
4 Scuba - Dsy Chn
5 Scuba - July
6 Scuba - Action
7 Scuba - Cognitive Dissonance
8 Scuba - Gekko
9 Scuba - NE1BUTU
10 Scuba - Tulips
11 Scuba - If U Want
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Arctic Music celebrates 16 years of Alaska with the new 2012 release Arcosphere / Moraine.Just when you thought Alaska couldn't top AM006's Boreal / Isochime the programmer steps up another gear and unleashes Arcosphere / Moraine for the die-hard ambient-jungle lovers.Arcosphere is simply 'beautiful drum and bass'. Ambient pads and trademark funky breaks gather pace and on the 1:50 mark the bass drops with guitar hooks that melt you instantly and you feel the warmth and identity of Arcosphere. Layers of ambience and breaks unfold building the vibe up to a gorgeous breakdown at 4:45 demonstrating Alaska's 16 years of experience to perfection. Close your eyes and let the sounds of Arcosphere take you away on a journey of bliss.Moraine is ethereal Alaska back in the hot seat. Dreamy strings hook you from the word go and you would presume a calm ride was ahead, however Alaska is the master of raw breakbeats and a powerful harsh 1970's funk break appears from nowhere destroying all in it's path whilst letting the strings breath on their own to lead Moraine into an atmospheric crescendo.Arctic Music is proud to be the only label releasing this style of drum and bass on vinyl, flying the union jack for ambient jungle the world over.
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Audio Phreaks are proud to present an astonishing new EP from their exciting new signing, Diesel! Diesel has been locked away in the Studio perfecting his sound to a very high production level and you can instantly hear this boy has been putting in the hours since his earlier recordings. His productions are just insane and are certainly not for those who are looking out for an easy listen. Basslines and beats collide with some very imaginative arrangements that make up a truly unique and distinct sound that only can be associated with the rising young talent that is Diesel. 'Chew Your Brains' Featuring scratching from Captain Crunch is a 100BPM roller with more wobble than a jelly on a train! Then Durty Phresh (Formally Mr Vermin) is on remix duties and gives it a 140BPM twist that is sounding very fresh indeedy! It's got that Thugstep swagger that Durty Phesh executes so well and gives the tune a totally different flavour. 'Play that Funky Bassline' is a new style of Dubstep that seems to be flying around at the moment that infuses Dubstep with some Funky flavours of the past. 'Make the beat Bite' is the last track on this incredible EP that features Brotherhood of Filth and MC Maksim. Another 100BPM recording with a proper edgy, Grimy influence that is immaculately produced.
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After the success of their last vinyl outing on Phuzion Records, dRamatic & dbAudio return with a truly outstanding follow-up! 'Strike It Down' has all the hallmarks of a future classic with it's deep, rollin' amen vibes and haunting hook line, with the bassline taking no prisoners with it's deep descending sub! 'Please Me' is simply a musical masterpiece! sax fueled hook and silky rhodes with an infectious bassline and dreamy vocals. Hi-Tech soul for the 2012! Since their last Phuzion Records release the boys from Nottingham have been riding high with releases on V Recordings, Sound Trax and Mars Recordings to name but a few, and now they return with this guaranteed dancefloor smasher!
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- CD 1: Intro
- CD 2: Back In The City Feat. Kev Luckhurst
- CD 3: Raw Root
- CD 4: Watch This Feat. Domu
- CD 5: Eufumo Feat. Deize Tigrona
- CD 6: Grot
- CD 7: When I Was Lost
- CD 8: Too Much
- CD 9: Bunda
- CD 10: Essay
- CD 11: Mind Over Matter
- CD 12: Everybody Needs A Nemesis
- CD 13: We Are One Feat. Domu
- CD 14: Believe In Something Feat. Heidi Vogel (Trg Remix)
Mind Over Matter is the debut album release from UK producer Greymatter. "We Are One / Waqtch This" are the last ever tracks to feature production from the legendary Domu, he wasn't exactly asing in to his recent early retirement! "Watch This" is definitely one for the steppers; it builds like an itch with an insistent, broken, and bashy vibe, forged in the fires of West London dance floors. We Are One is much darker with minimal beginnings and driving drums, falling away to reveal a deep, pulsing dubstep
burner.
Changing it up "Eu Fumo" features Brazilian funk carioca artist Deize Tigrona, known for her work with the likes of Buraka Som Systema, and whose hit song "Injecao" has been widely sampled by the great and good. Unsurprisingly receiving support already from Sinden (Kiss 100), this tune is a dance floor sure shot, with the kind of jump up vibes and stabbing horns that seem so delightfully inappropriate on a gloomy day in London.
Mind Over Matter is a testament to Greymatters' diversity as a producer, who describes his debut effort as being "a big jumble of energies... with balls". Inspired by years of international DJing and crate digging for everything from UK garage to Jazz fusion, jungle raves and Human League gigs - this album was made for people who love to dance in the dark. Watch out for the digital single releases featuring a set of remixes from an all-star line up including Illum Sphere, Klic, TRG, and Karizma.
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Limited edition heavyweight 180g 12 vinyl.
Once again, another heavy release from the french upcoming label ClekClekBoom Recordings. This one is a pop/club influenced 2 tracks produced by Ministre X, the franco-brazilian deejay and co-founder of the label. A very sensual femalish EP with two lovely guest singers: Sana and Romy. The first track 'Calling Me' featuring the fresh and lovely Sana is full of delicate and suave soul vibes mixed up with sophisticated club beat. The second track 'Just To Please Ya' featuring Mademoiselle Romy., takes us to a darker side of emotions, with subtle vocals and down tempo instrumental full of slow and heavy sub-bass. This 2 track EP will take you to the sensitive side of this eclectic label. Grab it asap!
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Having had one of his most successful years to date during 2011, releasing the immense 'Falling' on Island Records, dubstep stalwart DJ Distance kicks off 2012 on his own beloved Chestplate imprint to assert his grip on the scene he's played such a large part in shaping since its inception. Heading up CHST016 is longtime sparring partner and Chestplate affiliate Tunnidge, who as ever gets ready to drop some seriously dangerous aural artillery on us. Get ready, speaker's gonna shake!'Aftershock' rolls out hard! A seemingly short intro of eerie pads and blip fx give way to one hell of a barrage of bass that'll have you wincing with pleasure as it rattles your ribcage and forces you to submit. Raw, analogue sounding, distorted but punching dubstep that takes no prisoners. Essential dance floor dynamite.Flipping over and Tunnidge is joined by Distance on 'Blame', a deep brooding slab of bass music that won't fail to move you. Cinematic soundscapes abound as it kicks off, setting the scene perfectly. Whispered vocals, industrial palettes of percussion and a sinister seeping riff make for a drop into a classy piece of rootsy dubstep that sits perfectly on a label that always stays true to the cause. One for the soldiers.
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GoldFFinch kick of 2012 for Saigon
Recordings with a highly anticipated release, 2
dancefloor smashers entitled 'Funky Steppa' and
'Groove Panda' originally brought to the surface via
Loefah's Swamp81 RinseFM shows and since
championed by Boddika in the majority of his DJ
sets and online charts. Having already had releases
on Numbers, Airflex and 877 Records these Belgian
based producers are set for a great year ahead.
This is EP1 of 2, the second part will be released in
March and features the tracks 'Tip Of The Dog' and
'Outer Twigs'.
Video of Boddika smashing Funky Steppa live: http:
//www.youtube.com/watchv=10X5YEYDtTM
Support elsewhere from 2562, Blackdown, Addison
Groove, Mary Anne Hobbs, Bunzer0 etc...
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Hemlock are proud to introduce the debut for Brighton boy Guy Andrews. Two tracks of brilliantly unpredictable, percussive wizardry with more twists than a season of the Killing. 'Shades' combines of precision drum edits, killer 808 booms and woodblock percussion that will bring a tear of nostalgia to the eye of the Blue Note & Metalheadz vets and a smile to the face of the most discerning new dancefloors. 'Textures' on the flip kills it with an arrangement that just keeps you guessing. Perfectly poised between light & dark, delicate & heavy, and taking you seamlessly from locked 4/4 to dubbed out techno via all-out percussive funk and back before you know it.
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Nice Up's first release of 2012 comes from none other than the legendary Monkey Mafia aka Jon Carter. One of the DJs and producers at the heart of the Big Beat explosion of the mid '90s, Carter's musical history reaches much further back. It is of course his antics at the seminal Heavenly Social alongside fellow residents The Chemical Brothers and Fatboy Slim that Carter is perhaps best known for. Starting his recording career on Wall Of Sound, he soon decamped to Heavenly and started making dancehall influenced beats under the Monkey Mafia name. Remixes soon came flooding in and the project quickly developed into a live band with the album 'Shoot The Boss' providing a blueprint for generations to come, with its heavy dub influences, razor sharp breakbeats and a creative depth to the dance. Despite his bulging global DJ diary, becoming a pub landlord and urban fox hunting, Jon still found time to indulge his love of reggae and dancehall and has recently revived his erstwhile moniker (with many thanks to the Dub Pistols' Barry Ashworth for tempting Jon back into the studio). Featuring longtime collaborator Doug'e Reuben, 'Royal Ascot' is a dark and dirty electro-bashment banger, that has already gained a lot of love from Rob Da Bank, Mary Anne Hobbs and Eddy Temple Morris . With a bouncy reggae rework from Bristol's rising star Mr Benn on the b-side as well as an exclusive acapella and full colour picture sleeve into the bargain, every one is a winner!
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ACP Recordings are proud to present Wonky - the official return record after an eight year studio hiatus by world reknowned UK dance duo Orbital. Nine brand new tracks recorded in late 2011 by the Hartnoll Brothers and produced by Flood.
1. One Big Moment
2. Straight Sun
3. Never
4. New France (feat. Zola Jesus)
5. Distractions
6. Stringy Acid
7. Beelzedub
8. Wonky (feat. Lady Leshurr)
9. Where Is It Going
CD2
1. Lush (Live In Australia)
2. Impact (Live In Australia)
3. Satan (Live In Australia)
4. Belfast (Live In Australia)
5. Chime/Crime (Live In Australia)
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Anthem alert!! 2011 is geared to being a big year for Stinkahbell and 'Something In Your Eyes' is the tune that will blow them up. One of the biggest tunes going right now a infectious vocal hook massive vocal track thats won over the support of the likes of Mistajam & Annie Mac. Sin City Recordings are proud to release this alongside GTS.
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Following the huge success of xxxy's summer anthem 'Open Your Eyes', Orca Recordings is back to deliver its highly anticipated fifth instalment; which sees Canadian born artist XI return to the label for his third release on the label.With his new outing on Orca, XI's musical style has evolved considerably to incorporate a whole new set of influences and ideas. This bold move coincides with his imminent arrival in Berlin, which leads us to proudly announce that the productions set for release in the Orca series are 'Immunity' and 'Squeeze'.'Immunity' sees XI venture into new sonic territory, dropping the bpm to a tempo usually applied to house & techno, but this track keeps all the swing and swagger of the finest UK garage record. This combined with XI's trademark palette of sonic textures, vocal edits and a nod to the haziest of west coast hip-hop has created a deeply original composition with a unique vibe.On the flip, 'Squeeze' is another experiment into this freshly styled structure that XI has created, but with the dance floor more in mind. The introduction breeds tension as the drums roll from side to side, before a patterned vocal stab is brought in to focus the main body of the composition.Both of these productions are a clear indication of XI's creative flair and taste for new sounds. Allowing this to develop has been the primary focus of Orca and this ethos is now starting to pay dividends to all fans of the Orca Recordings catalogue.
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AM/TM are San Francisco pro bros Anthony Mansfield and Tal M Klein.
Who's Afraid Of Monty Luke is a VERY SERIOUS song Anthony and Tal wrote about their friend Monty Luke who left San Francisco and moved to Detroit so he could live closer to his techno friends and run A&R at planet-E communications for someone named Carl Craig who AM/TM think may be related to Carl Cox because they have the same first name. It's a song about house music, or possibly this old house, and it might be a tribute to Bob Villa whose last name actually means house in Latin.
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Demdike Stare and Hype Williams present sun-dazed, 180º revisions of the Shangaan Electro sound for Honest Jon's Records !
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Total Reflection X-ray Fluorescence (TXRF)* is a method used to analyze the surfaces of materials by firing extremely flat X-rays. Subsequently, the physicist Joachim Knoth (1941-2004) developed a patent for precise measurement of defects in semiconductor chips.
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Info:Total Reflection X-ray Fluorescence (TXRF)* is a method used to analyze the surfaces of materials by firing extremely flat X-rays. Subsequently, the physicist Joachim Knoth (1941-2004) developed a patent for precise measurement of defects in semiconductor chips. In 10 sequenced based electronic miniatures, Felix Kubin, who presently consists of dangerous uninsulated powerlines, conducts the TXRF through an acoustical test arrangement. The experiment consists solely of a synthesizer, filter and sequencer. Full-bodied consecutive organisms arise out of which kaleidescopic irridescent blossoms sprout. At times they appear as acoustic by-products of high energy discharges on an X-ray picture and sometimes as quiescent fluorescent images. Who knows when the experiment will come to an end Will X-rays break at irregularities Will transparent ears crawl over fixtures and make laboratory benches corrode In view of the entire event's musical beauty, all these questions are completely unimportant. Artist Info: Felix Kubin is one of electronic music's most dynamic and versatile personalities. A lovechild of the home recording era, his various experiments and epithets include radio playwright, composer of futurist and dadatronic experimental pop as well as chamber orchestra music, filmmaker, incendiary performer, record label owner, lecturer and curator. He has made artwork in all sorts of fields since the 1980s, after studying media art at the ArtEZ Hogeschool voor de Kunsten in Enschede, Netherlands and illustration/animation at the University of Applied Sciences in Hamburg. Kubin's music is saturated with enthusiasm for disharmonic pop, industrial noise, and 20th-century avant-garde music.
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LD's sound is his own. Drawing on his roots, you can hear the drum pan sounds of Jamaica resonating throughout, flashes of Soca drums, subtle tribal nuances, and the ghost of Jungle reverberating in the warm, pulsating sub bass. It seems now is the time for LD to make the transition from behind the scenes and into the limelight.
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Fresh after the success of his superb Sarah Vaughan & Marvin Gaye edits, Marc Rapson comes correct with his amazing debut 7 track EP entitled "Dark vs Light".
Beautiful hip hop/soul grooves combined with lush keys and sublime bass lines create an EP of rare quality. From the forthcoming album.
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uan Atkins returns to R&S on a Model 500 solo mission. The last Model 500 single enlisted the help of the live line up that includes Detroit techno royalty Mike Banks and UR alumni Mark Taylor, but this latest release is just Juan in the studio and back at his best.
'Control' is vintage Model 500, the classic electro that Atkins pretty much invented, with his treated vocals riding over the crisp rhythm programming, dark basslines and Detroit synths.
'The Messenger' on the flip is a moodier affair, with the liquid synths almost running away with themselves over the rough beats.
Model 500 and R&S has proved to have been a classic combination over the years and this release is one to file next to the classics.
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Engine Music are back with an absolute beast of a record from D&B's finest, Break! Slick artwork as always from the Engine boys, who are also responsible for all the fine Subtitles Music artwork which has surfaced over the years. This is classic Break, loud bashy and ultimately danceable, don't sleep on this one, it won't hang around for long!
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- CD 1: Joyrex J4 4:30
- CD 2: Afx 114 1:21
- CD 3: Cordialatron 4:44
- CD 4: Italic Eyeball 4:25
- CD 5: Pigeon Street 0:23
- CD 6: Astroblaster 5:29
- CD 7: On The Romance Tip 5:06
- CD 8: Joyrex J5 6:54
- CD 9: Fantasia6:02
- CD 10: Humanoid Must Not Escape 5:42
- CD 11: Clayhill Dub 3:24
- CD 12: The Garden Of Linmiri 6:10
- CD 13: We Are The Music Makers (Hardcore Mix) 4:01
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RAMP is very proud to present the first release on the label from new signing, Dro Carey.
Coming straight outta Sydney, Austraila, the DroC has been actively freaking people out with his Brain So Soft Tumblr for the past 18 months, earning him a place in FACT Magazine's coveted Ones To Watch in 2011. A few almost impossible to get hold of releases on Will Bankead's Trilogy Tapes, Templar Sound, and Ikonika's Hum&Buzz, labels followed, along with an epic 2 hour FACT mix.
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Funkystepz return to Hyperdub, their debut 12' 'Fuller' / 'Hurricane Riddim' having detonated dancefloors earlier this year. It's rare to find an act who's name describes so functionally what their intention is and how they are going to get there, and their ruff but complex productions and DJ sets are incredible at raising energy and getting bodies moving in a way that so much modern dancefloor music just doesn't. These three tracks are straight up dancefloor destroyers, almost overloaded with energy. 'Trouble' is exactly that; with martial stomping kick drums, whistles, a tough, infectious melody line, and chords like a skidding car, this tune is built to bounce to. 'Dirty Dutch' has structure that breaks down and breaks up again, playing question and answer between a twilight zone style melody, a wiggly, scratched in test-tone, a grime-styled violin melody, and rapid-fire drums and claps. 'John Wayne' is so bow-legged that it almost falls over, made of loose, galloping drums with a backward drunken melody and skippy snares, a hilarious repetition of the words 'John Wayne', a rollin sub, and a spacey breakdown. It's really fun, strangely surreal and massively compelling on the dancefloor.
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Dubstep For Deep Heads are proud to present a stunning new record from one of Dubstep's biggest names, Kromestar! 2 tracks that are just mind blowing! "Boookey" on the A side has Kromestar's beats flying all over the place with basslines and futuristic samples neatly slotted in between. Then "Alone" on the flip takes it low. Dark and gritty and seriously weighty!
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- CD 12: Falling In Love - Ironik Ft. Jessica Lowndes (Remix)
- CD 1: Grime - Ft Dot Rotten, Ghetts, Lil Nasty & Griminal
- CD 2: Modern Warfare - B Live Ft. Newham Generals & Skepta
- CD 3: Hot Ones (Ogz Madness) - P Money
- CD 4: J.m.e - Jme
- CD 5: Hype Ting (Dpmo) - Stutta Ft Mercston, Tinchy Stryder & Ghetts
- CD 6: Martian Attack - Guvnor Ft. Scorcher
- CD 7: Don't Run It Up - Lethal Bizzle
- CD 8: Salute Me - Ghetts Ft. Badness & Delusion
- CD 9: Silencer - Badness
- CD 10: Dat - Trim
- CD 11: Stratford To Plaistow - Griminal Ft. Tiny
- CD 13: Confidence - Dot Rotten
- CD 14: Barclays Freestyle - Tinchy Stryder
- CD 15: We're Moving Along - Ghetts Ft. Maxsta
- CD 16: Gingerbread Man - Skepta
- CD 17: My Sperm - Ghetts
- CD 18: Over Me - Jme (Remix)
- CD 19: Final Lap - Stutta Ft. Ghetts
- CD 20: Down With Us - Marcus Beatz, Kozzie & Scrufizzer
- CD 21: Spray Dem - Tempa T
- CD 22: Doomed - Newham Generals
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So in October last year Granholme finally became a reality with the release of Graphic's Wiping The Eye EP. As the first release on a label no one had heard of it was both humbling (people were actually willing to listen) and reassuring (after being obsessed with the tracks from early on) to see the support from a bunch of people. A large and sincere thank you for that. You might have spotted the shift in sound of the last track, a well received remix by Zoltan that was later given away on XLR8R (& is now on our soundcloud page). We're finally ready to release GHM-002, a 3 track Zoltan EP with Graphics returning the favour with an extra promo only remix. It's a change in tone from our first release flying it's floor filling ambitions with pride, and for that we are thankful. 'Pluton' opens the EP with a relentless crack and percussive chatter quickly joined by diva glitches and gyroscope bass stirring, before said low end rotations and hi hats resolve themselves into motorik syncopation, periodically cooling down before bursting back into life. Flipside 'When I'm' further ups the raver uniting stakes with crunching ST-esque kicks & snares and chiming vocals building into plunging breakdowns, all sucked down by a heaving space where the low end should be. Digi-only track 'You Don't' brings the EP to a close with a further refinement of 'Pluton's helicopter bass, adding hammering acid flecked psychosis to the party. There's also a vaguely recognizable vocal buried in there that might have kept the track from vinyl inclusion, but we wouldn't know about that.Finally there's Graphics aforementioned rework of 'When I'm', due to be released as a free promo download in the coming month. More in tune with the post-rave dawn crawl home, Graphics slashes the tempo while the vocal is twisted into an unintelligible taunt and isolated kicks & stomach cramp synths coalesce into a uniquely dead eyed shuffle. Confirmed DJ & Radio support so far from; Jackmaster (Numbers / Rinse), Scratcha (HyperDub / Rinse), Roska (Rinse), Shox (Rinse), xxxy (Orca/TenThousandYen), Presk (Ten Thousand Yen / AudioCulture - used 'When I'm' on his Fact mix just before Xmas).
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