Globally renowned for his wealth of intricate productions and an expansive musical catalogue that strikes the perfect balance between power and grace, award-winning producer Rodriguez Jr. now announces his latest full-length studio album project, Feathers & Bones - set for worldwide release via his newly launched imprint of the same name.
An extensive, ten-track opus that dives deep into the Frenchman's complex sonic identity, Feathers & Bones was recorded over the course of two years, conceptualized while living in Paris and completed from his new home, Miami. Pivoting towards a new chapter in his illustrious career, the album houses a collection of new Rodriguez Jr. solo productions, two singles with Cuban-American singer, songwriter and multi-instrumentalist Liset Alea, his collaboration with multifaceted Italian artist Giorgia Angiuli, as well as an eagerly-anticipated debut collaboration with legendary English hip hop / electronica outfit, Stereo MC's.
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The punk anarchists Any Act return to Tram Planet with a 5-track slaughter, Viebe Po Bratski. Picking up from where they left off with their previous release, Ne Boyat'sya, they draw from the sweatiest corners of the club to deliver an electro EBM beat down. The opening heater 'Gypsy Man' brings other-worldly sounds to a punishing electro breaks hybrid. In case you weren't awake, 'Nahuy' summons the distorted depths of screaming vocals and sub splitting kicks for a wake up call. 'Amo Delphino' raises the stakes with whispering samples and crunching rhythms while the rave punk anthem of 'Mabe' rattles the rafters of the club. The closing 'Amo Delphino' remix by Cardopusher combines the hardest elements of the EP with a KO finish with this EBM killer that can only be pulled off by a producer of this caliber.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Parallel Minds’ fifth label release is a major landmark for the Toronto-based label. Not only is it their first full length LP, it is also the debut album from co-founder Ciel, who is also making her first solo appearance on the label since its inception.
In 2021, spurred on by a productive creative streak and the economic austerity of pandemic lockdowns, the Xi’an-born and Toronto-based DJ Ciel (real name Cindy Li) applied for grant funding from the government of Canada to write her debut album. Self-proclaimed “DJ first, producer second”, Ciel never thought she would have the self-confidence and desire to write an album. It wasn’t until after spending prolonged time away from clubs & festivals whilst dedicating herself to daily sessions in her studio that she gained the motivation and aspiration to make a musical statement that only an album could express.
Since the start of the covid19 outbreak, Ciel, like many other Chinese diaspora people in the West, had felt a great deal of anxiety and pain at the rise of anti-Chinese sentiment and racism in the media — even in her corner of the dance music industry. Tired of expressing her frustrations fruitlessly online, she felt inspired to channel that into her music, to turn something that was filled with hate into a thing of joy and beauty. It was within this context that Homesick began to take shape.
After researching the rich history of Chinese instruments, a concept began to form around the album in which she could marry her love of sampling and analogue instruments. Using the eight types of traditional Chinese instruments (silk, bamboo, wood, stone, metal, clay, gourd, and hide) as a guideline, Li began writing each track with a focus on one of the eight. She hired traditional Chinese instrumentalists to play the guzheng and the xiao, whilst purchasing and teaching herself the smaller hand drum instruments like the kuaiban (bamboo clappers), and muyu (temple blocks). With the news that she had successfully been granted funding from Canada Arts Council, she wrote, recorded, arranged, and mixed all nine tracks of her album over the first three months of 2022. More than just highlighting Chinese instruments, the music on this album encapsulates so many musical influences from Ciel’s childhood when she began her lifelong love affair with music. True to her style as a DJ, the LP incorporates a diversity of genres she loves, from drum & bass to house, electro to breaks - even downtempo.
What has come out of these sessions is a deeply personal dancefloor record, a true expression of love for Cindy’s culture that came out of a time of relentless chaos, negativity, and uncertainty. Ciel sees her compositions as a distillation of herself — her life experiences, her wide interests and passions, and her often-turbulent emotions. Immersing oneself in the LP feels like listening to the musical confessions of an artist heading towards the peak of their career, who is finally starting to make sense of her artistic identity. What a joy to witness it.
credits
You Always Will Be is the new album by artist Dylan Henner.
The follow up to 2020's well received 'The Invention of the Human', the new record touches on themes of nostalgia & longing for times passed; innocence yielding hardships and vice versa; ageing; the soul; life changes; parents and children; loss; love.
Dylan says:
"The piece tells the story of a single life, from birth to death. I've been thinking about the passage of life a lot recently as I lost all four of my grandparents but celebrated the birth of my daughter all within a short period of time. The brevity and preciousness of being really hit me."
The vinyl release consists of a ~ 40 min piece split across two sides, while the digital release features extended versions of the music in that piece, making up 10 individual tracks.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
For the first release of Leeds born, London based label Mutual Response, R.O.E. delivers a club ready four-tracker with proven success on dance floors across Europe. The EP includes four varied productions from Ollie’s extensive catalogue, making a record which has something suitable for all hours.
’TRNSMSN2U’, a growling journey into breakbeat, builds to a climax with bubbling acid lines and distorted vocal samples, whilst A2, Specific Heat Capacity (Loop Mix), is a bouncy club tool which pairs a driving baseline with eerie melodies throughout.
‘Cyber Love’ continues the sinister themes of the previous side but increases the energy. More of Ollie’s trademark distorted vocals support a punchy low end and scattered percussion powerfully overlays levels of warping acid melodies. The final track, ‘0 Exceptions’, is a squelchy experiment in electro with everything you wouldn’t expect. Again, layers of acid are woven throughout and in combination with a dynamic low end, provide an unexpected depth sometimes missing in the genre.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Dame-Music is proud to present this 4 track album sampler for Ecotone's debut LP 'Under His Eye'! For the label's 38th release, Bloody Mary has hand picked this ground breaking LP from the new artist out of Berlin.
Ecotone is a project that blends electro, techno and IDM into their detailed and futuristic sound. Drawing on influences from the various works of Gerald Donald and James Stinson as well as IDM and Artificial Intelligence-era techno, Ecotone is putting their own spin on these classic musical tropes.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Swaying duby synthwave vibe slapped by the 808 snare one this very limited one sided 7 inches w/ the track Stop By from french duo Froid Dub.
In War EP Ortrotasce delivers the finest blend of new beat and proto ebm with electro funk reminiscences coming out from the states. Perfect icy vocals over classic 8 bit drum machines and magnificient sliced bass lines that creates a deep journey to the modern decadence of nowadays.
This mindblowing 5 tracks EP will be inmediately added to the top list of other essential american modern EBM acts such as “High Functioning Flesh” or “Spike Hellis” lovers. Presented in a one-off truly limited edition of 300 copies, lacquered pressed on 180gr. high quality solid BLACK vinyl.
All tracks have been specially restored and remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Tá Sempre Pegando Fogo is Rabu Mazda's second album, a long-standing solo project of Leonardo Bindilatti, this time debuting at Discos Extendes.
Leo is part of Cafetra Records, where he maintains an active role in musical creation and production. He was a member of Kimo Ameba, Go Suck A Fuck, Kridinhux, Egg Shell, Rabu Mazda & Van Ayres and is part of Iguanas and Putas Bêbadas.
This multiplicity of experiences and styles is also reflecting the private and intimate multiplicity of this Rabu Mazda that we now finally get to know better. He is ceaselessly a physical soul on fire and, thus, it sets, naturally, fire to this record that he’s sharing with us.
In parallel, if contemporaneity is also a place on fire, his music can be a timely response to this confusion. Even with all the layers that each song contains, they can bring, to anyone who wants, an energetic clarity with regard to being alive and the pleasure that one can find in that condition. Although some kind of contemporary aggressiveness and crudity are a fundamental part of the identity of this work, the tracks push us to give in to the constraints and point us to the impetus of dancing, pulsating inside the body and finding ways to get out.
It seems that this is what Rabu Mazda really wants: to light up the dance and encourage us to catch the glasses and share a wheel of positivism. Given his Brazilian ancestry, he gave his name to this disc with an appropriation of an idiomatic expression, which refers to states of agitation, sexual excitement, or drunkenness - here, as a starting point for a type of imaginary. It becomes curious to see how he uses his music not only as an end, but also as a way to create some sort of happening.
Adds, to the references of Brazilian Funk, Kuduro, Footwork and House, his melodic textures, mostly nostalgic and his rhythmic compositions to deconstruct music that we thought we knew.
text and original pic. by Sara Zita Correia
* The record also comes with a killer remix by one of the greatest in the Tuga scene! King Silvestre signs a remix for the opening track Fumo no Olho, transforming its introductory lightness and serenity into a hit that stands between Ghetto House and Rave for the littest dance floors!
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: The Cyclones With Count Ossie – Meditation
- A2: Cornell Campbell – Natty Don't Go
- A3: Freddie Mcgregor – Africa Here I Come
- A4: Bunnie & Skitter – Lumumbo
- B1: Willie Williams – Addis A Baba
- B2: L Crosdale – Set Me Free
- B3: Leroy Wallace – Far Beyond
- B4: Lennie Hibbert – More Creation
- C1: Alton Ellis – Blackish White
- C2: Winston Jarrett – Fear Not
- C3: Devon Russell – Drum Song
- C4: The Gaylads – Africa
- D1: Black Brothers – School Children
- D2: Linton Cooper – You'll Get Your Pay
- D3: Sound Dimension – Congo Rock
- D4: Zoot Simms – African Challenge
This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases, now available as a one-off special blue vinyl very limited-edition pressing (2000 copies worldwide).
Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae. This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history – The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of
seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.
Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker
T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites seminal Rastafari anthem Addis Ababa and many, many more.
This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King),
compiled by Mark Ainley (Hones Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner
sleeves.
“The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection” All Music
- Et Peu À Peu Les Flots Respiraient Comme On Pleure
- Jlg
- Hurlements En Faveur De Serge T
- Le Marin Rejeté Par La Mer
- Dernière Étape Avant Le Silence
- Dialogues Avec Le Vent
- Ses Mains Tremblent Encore
- Ma Contribution À L’industrie Phonographique
- Géographie Intime
- Je Suis Vivant Et Vous Êtes Morts
- Mon Royaume
- Potlatch (1971-1999)
- Un Souffle Remua La Nuit
Sylvain Chauveau's debut album "Le livre noir du capitalisme" is a melancholic milestone – and a precursor of what later would become the Modern Classical genre. With his release in 2000, Chauveau created a landmark of contemporary electronic music, parallel to the first releases of Jóhann Jóhannsson and Max Richter.
Inspired by John Cage's reflections on silence and Mark Hollis' solo album of the same name, on "Le livre noir du capitalisme" Chauveau assembles contemplative, repetitive piano and string arrangements with electronic sound layers and discreet field recordings to create an other-worldly but seductive Musique Noir. Midway between ambient, jazz and post-rock, Chauveau lays out a new paradigm of electro-acoustic music that functions as much atmospherically as compositionally, and whose parameters keep the boundaries between academic and non-academic music dissolved to this day.
Originally released on the small French experimental label Noise Museum in 2000, the album got reissued by Type Records in 2008 with the English title “The Black Book of Capitalism”. Being out of print for a while, Sonic Pieces now rereleases the classic with its original French title, plus new remastering by Loop-O and in an ultra-limited, handmade edition with black bookcloth cover on both CD and vinyl.
Laaps starts into 2024 with the release of the first collaborative recordings by Benoît Pioulard and Offthesky, two long-time explorers of the experimental ambient genre.
Benoît Pioulard is the primary audiovisual project of Michigan-born, Brooklyn-based Thomas Meluch. With six LPs on the renowned kranky imprint, as well as a catalog of works for Universal (UK), Morr Music (DE) and others, he has constructed a unique aesthetic steeped in the textures of analog decay and pop song structure using chiefly guitar, piano and tape processing. He has also built an extensive archive of Polaroid photographs (many of which grace his album covers), the first official collection of which is the hardcover book "Sylva", released in 2019. His most recent album "Eidetic" (Morr Music, 2023) was his first vocal-heavy work in several years.
Jason Corder aka Offthesky is an experimental-ambient multimedia artist based in Denver, CO. He has been producing music, video art, audio software, and the occasional interactive sound sculpture, for over 20 years. He teaches private courses on generative music and occasionally lectures on various sound design topics at Denver University. He currently is the Audio Director at the Denver based videogame studio Dire Wolf. Over the years, he has worked with labels such as Home Normal, 12k's term, Facture, and more. Over the years he has performed at Mutek, Decibel, Communikey and other festivals, sharing the bill with likeminded artists Pole, Matmos, William Basinski, and more.
repressed !
DJ Vern & DJ Ash bring to you the urban sound of London pirate radio, a scene that was always one step ahead of the police and the DTI. Their music was also one step ahead of the rest… merging a deep knowledge of the reggae soundsystems with the rising Jungle flavours of pirate radio. It’s now 2020 and the Jungle scene paved the way for Drum and Bass, which has since spawned numerous other genres which built the foundations that have supported many of todays EDM producers.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
• New album by Hieroglyphic Being features score for abstract animation film.
• Through off-world frequencies and raw primal sounds, ‘Quadric Surfaces’ presents a collection of exploratory left-field dance music.
• 2LP, pressed on black vinyl, printed inners.
• Artwork by Gabriela González.
VIERNULVIER RECORDS presents its new LP release ‘Quadric Surfaces’ by iconic electronic producer Hieroglyphic Being aka Jamal R Moss. It collects the soundtracks Moss wrote for ‘Parellel Spheres’ & ‘Figures in Mynd’, two parts of an abstract animation film by visual artist Gabriela González Rondon. The film premiered in October 2023 during Videodroom / Film Festival Ghent.
In her surreal and trippy gem of analog filmmaking Gonzales draws up whole universes of movement and color that seem to share a spiritual space with likeminded sci-fi writers such as Ursula K Le Guin or filmmaker John Whitney. The soundtrack for this dreamy experiment was provided by kindred soul and psychonaut Hieroglyphic Being.
For over 20 years Moss has been an one-off musical explorer that takes inspiration from House, Industrial, Kraut, Avant-Jazz and Noise to make his spectacularly unique take on radical & psychedelic (dance) music.
VIERNULVIER RECORDS is the Belgian record label by VIERNULVIER Arts Centre (Ghent). The label focuses on music that is unconventional, unafraid to go against the grain. A mix of local and international talent, always linked to visual arts or performances.
Loek Frey's Add Interaction is an exercise in damp, eerie atmospherics and intricate drum patterns. Released through Omen Wapta, the Dutch producer gets experimental through drum and bass, IDM and breakbeat deconstructed with unexpected tempo shifts and effects. Produced during the pandemic, the EP conjures loneliness, solitude and unfamiliarity. Expect tunneling, meditative, low-end structures fit for a journey through the earth's layers down to its core. And expansive, pearlescent vocals evoking spiritual bodies. Soundscape-leaning IDM weave into polyrhythms and muted breakbeats. Frey's release positions him as a teacher of brooding textures. The unpredictability can draw you deep into the sonic abyss -- if you let it.
Upcoming album ‘Zwaluwe' to be released in May 2023.
Myrddin De Cauter, the youngest son of multi-instrumentalist musician Koen De Cauter, is a phenomenon in the world of contemporary music. As a teenager, he discovered the richness and originality of the flamenco guitar. To further develop the subtleties in his already masterful playing, he went to Spain to take lessons with some of the masters of flamenco guitar: Gerardo Nuñez, Manolo Sanlucar, …
His technical virtuosity, taste for experimentation and deep lyrical sensibility merge into a unique musical world. It turns out that Myrddin is not just a flamenco guitarist, but an exceptional multifaceted talent.
This talent, passed down through many generations, now expresses itself again in Myrddin's daughter Imre. At only four years old, she received her first cello. In 2018, she made her debut together with her father at the Gent Jazz Festival.
Now five years later, on their debut album Zwaluwe, together they take us on a journey that finds its origin in Myrddin's written compositions. Imre knows and feels the music of her virtuoso father like no other. She complements him in a sensitive, cutting and unctuous way. Making a perfect blend of sharp and soft. The album was recorded in a small chapel in remote Valouse, a village in the Drome region of southern France.
“While Myrddin tells mysterious stories and fairy tales with endless intervals of notes on his guitar, Imre hypnotises your soul with the sound waves of her cello.”
Sylvain Chauveau has been releasing quiet and minimal compositions on various labels for more than two decades. ultra-minimal marks his debut for Sonic Pieces and takes the minimal approach even further, centring on reduction and limitation.
The album was recorded live at Café Oto, London in March 2022 - one of Sylvain’s rare solo concerts and the first time he performed publicly with only acoustic instruments; no machines, no recorded sounds have been used, only piano, guitar, harmonium and melodica, played one at the time. While some of the compositions are completely new, others are live versions of previously released pieces which have either been performed close to their original or stripped-down, reduced to a single instrument and partly rearranged. This reveals a predilection for repetitions and variations that Sylvain shares with Jim Jarmusch, and at the same time it is a personal attempt to avoid electronic devices as a tool for live music.
The artwork and track titles follow this reductionist idea and an aesthetic of miniaturization that Sylvain has developed for many years. They refer to the minimalist, concrete poetry that he writes regularly. In this context rewriting some of the original titles was a consistent implication to achieve a complete work, an album that perfectly represents Sonic Pieces’ aesthetics, both musically and visually.
Formerly known as James Lascelles’ Quartet, Talking Spirits present a unique blend of world jazz. These highly respected London based session musicians - with a very mixed repertoire - have touched audiences wherever they play. The quartet mixes up world music, folk, jazz and Anglo/Caribbean grooves, inspired by influences from all over the world.
They have honed their skills over the decades working with some of the biggest names in music, including Frank Zappa, Joan Armatrading, Lee ‘Scratch’ Perry, L Shankar, Ginger Baker, Jeff Beck, Steve Winwood, Incognito, Van Morrison, Billy Ocean, Mick Taylor and Steve Harley & Cockney Rebel.
The new Talking Spirits album ‘Hands’ will be released on Zephyrus Records early June. Tracks feature regular band members James Lascelles (various keys and percussion), Tim Herniman and former bandmates from the legendary Breakfast Band Richard Bailey (drums and percussion) and Kuma Harada (bass and guitar). Guests appearances by Tony Maronie on congas, Didier Malherbe (once of “Gong”) on duduk and sax, and the wonderful Mongolian group Andaunion, for whom James specially wrote Grasslands to feature the haunting morinhuur (horse-hair fiddle) and hoomei or overtone singing.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Dauw welcomes back Arovane to the label with his new album Drei Formen. A first edition on glitter tape was given away to the artist and the people we work with, while a second risograph tape edition is now available publicly. With this album the label and artist just want to thank their listeners and followers for their continued support. We hope this music resonates with you and gives some light in these troubled times.
Arovane is the moniker of German based composer and sound-designer Uwe Zahn who’s working in the field of minimal electronica and experimental music. In the late 1990’s his work reached a wider audience through releases on pivotal IDM labels DIN and City Centre Offices. In recent years, he released music on 12k and Puremagnetik and collaborated with Taylor Deupree, Porya Hatami and Synkro among others.
New album by Gonçalo F Cardoso's Hannibal Chew moniker.
Tenerife, 2054: The parrots of a local zoo inexplicably go mad, spreading a deadly virus that only affects humans. Unable to contain the disease, authorities were forced to isolate the island completely, sealing its fate in a perpetual quarantine.
Over time, the island transformed into a sanctuary for wildlife that now roams freely across its territories. Orcas and dolphins claimed the surrounding waters, while gorillas found their home in the mountains around Teide, once a popular tourist destination. The population of parrots and birds multiplied, filling the air with a cacophony of colours and sounds.
The remaining humans on the island adapted to their new reality, living in isolated communities and learning to survive in a world where they are the minority. Meanwhile, the virus continues its advance in the outside world, pushing humanity to the brink of extinction.
This is definitely our most personal work to date. During the previous works we experimented to find our sound and in this work we have found it.
It is a raw sound, which seeks to reproduce the sounds of the factories in the suburbs, among which we lived when we were children. The sound of the Great Machine of Industry at full capacity. We are happy because we think the album conveys that strange energy of today's big cities, shrouded in smog, pollution and decay.
We are also happy with the work done on the vocals. The vocals are very important on this album as, for the first time, almost all the songs are sung. The acid lyrics and the enveloping, cutting vocal melodies merge with the screeching noises of the factories, forming an indivisible whole.
All in all, we left some of our tar blood and cement skin behind in the making of this album, but the result, at least for us, has been worth it."
(Spammerheads)
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
The more you recall a particular memory, the more it distorts and plays on your sense of narrative continuity. In this way, the vividly textured layers of Secret Recess – the debut Dauw LP from Luke Entelis aka Viul – comprise a sacred experience that leaves a unique emotional residue with each listen. Some pieces feature delicate melodies curling over themselves, while others offer gradually evolving loops underpinned by subtle guitar plucking, distant found sounds and obscured voices at half-speed. All are crafted meticulously with analogue sources and sifted through soft-edged tape processes that reward a dedicated headphone session, conjuring the solitary space promised in the album’s title.
From a home studio replete with analog synthesizers, guitars, effects and tape machines, Secret Recess emerged slowly across an era when most of us turned inward by necessity, drawing upon a library’s worth of sketches, recombinations and lightning strikes. Entelis also cites in particular a road trip to the national parks of the southwestern US that significantly informed the hazy, spacious atmospheres of the work that followed; by his account, “the desert wind was too intense for field recording,” but you can still feel it drifting across compositions like “Taurum” and “Eighties”. Such a union of urban huddle and open-sky expanse allows the album to take on new colours anywhere it’s heard.
Whether fully formed in one brief spell or developed over months of revisitation and refinement, each facet of the Viul catalogue conveys a rare, sweet melancholy pulled from thoughtful circuitry and the core artistic impulse to simply document the ephemeral – those moments in existence that you have to accept losing, but which replay endlessly once the day unravels.
“In the depths of the recording process I often feel simultaneously in touch with past and future versions of myself, which is strange, but good, I think.” (Viul)
Viul has been the primary project of Brooklyn’s Luke Entelis for nearly twenty years, but only in the last half-dozen has it come to fruition beyond the ears of friends and family. The albums Bright Decline (Disques d’Honoré, 2019) and Outside the Dream World (Past Inside the Present, 2019) beautifully justified this patient arc, and the collaboration Konec with Benoît Pioulard (A Strangely Isolated Place, 2022) entwined the two artists’ sensibilities into one of the most notable ambient/experimental collections of the year.
In 1994 the South London collective Archive was formed by Darius Keeler and Danny Griffiths together with female singer Roya Arab and young rapper Rosko John. Unfortunately, a few months later, they broke up, however Darius and Danny regrouped and continued releasing more Archive albums. Their 1996 debut album Londinium features a very strong mix of trip-hop, electronica, string arrangements, and female vocals from Roya Arab. Rosko John’s tough-spoken words are very similar to Tricky, Future Sound Of London and Massive Attack. The original 1996 issue only came out as a limited edition advance release, and has steadily built in reputation as a rare and expensive record to get a hold of. Fun fact: the song “Londinium” was featured on the Playstation
1 demo-disc and the music video was directed by Matt Cook.
This 25th Anniversary Edition of Londinium by Archive features the singles “So Few Words”, “Londinium” and more. It is packed in a gatefold sleeve, and includes a 4-page booklet with song lyrics and credits.
"Serenity / Rage" focuses on the contradictory human capacity to do both good and evil, where clarity and insight can turn to blind overwhelming rage and how we find ourselves moving back and forth across this vast expanse of human emotions. With hints of classic Death Industrial and a unique cover version of Brighter Death Now's classic track "Necroses Evangelicum", Johan Levin exposes a new facet of his expanding discography. Nothing is Black nor White, we all fade to Grey…
CD Edition of 300 copies in 4 panel Digipak. 6 Tracks. Running Time 36:41 EAN: 0679628554211
Vinyl Edition of 300 copies, 3mm sleeve, Matt Lamination with printed inner sleeve. 6 Tracks. Running Time 36:41
Saint Abdullah & Eomac is a long distance, ongoing collaboration between New York based Iranian-Canadian brothers Mohammad and Mehdi Mehrabani (Saint Abdullah) and Ian McDonnell a.k.a. Eomac, based in Wicklow in Ireland. They tested the waters with their first album on Nicolas Jaar's Other People label last year, but 'Chasing Stateless' is their fullest expression so far.
The creative mindset behind the album starts with bravery and eschews escapism. Says Saint Abdullah's Mohammad, "As a collective, we exist to test the revolutionary possibilities within sound and sonic storytelling. As a means to finding a vision of the future and for building cultural dialogue today. Our belief is that the expressiveness of this vision should be pushed to its utmost limits to reveal anew. I always felt that the intensity of the middle eastern soul needs to be revealed more potently. Ian and the Irish have it too. I suspect most historically oppressed cultures do."
The music on 'Chasing Stateless' avoids easy middle eastern tropes — "I think what we're proposing here is that you don't need to water down our culture, you don't need to take only the bits that fit your idea of who we are, what we are. You ought to take it in its entirety."
Musically, the album approaches established genres and re-orientates them towards middle eastern rhythm and melody with an iron soul. Songs are rough and intense. Rusty polyrhythms, daf drums wrapped in a thick coating of distortion or punchy kicks with micro-edited samples of middle eastern life spiralling across them. Mournful melodies are squeezed out until the music teeters on the edge of rhythmic collapse. 'Chasing Stateless' is rough and energetic but also tender and reflective too. It's a human sound, utilising technology but not about technology. Sample heavy with expressions of anger, sadness and hope present and deeply felt.
The album's title speaks to a loss of collective societal imagination; of 'chasing status'. As Moh says "This generation, man, we're really good at putting up walls, despite all our openness. But where does this all lead to? What exactly are we chasing? This is where I especially love the name 'Chasing Stateless,' because if all this continues, we indeed will end up stateless, society-less, community-less, neighbor-less. Just a bunch of same-sies, living in an imaginary bubble, where we all look / think / say / CHASE the same things."
The concept of naught (Ø) has challenged Salvatore Mercatante throughout his musical career, specifically, trying to understand how the idea of ‘nothing’ fits into the realm of sound, and at the same time, exist in a world of influence at every turn. In the absence of everything, are we able to create something truly free?
As a lifelong New York-based musician, Mercatante’s influences and productions run a wide spectrum. Just as happy producing 80s-inspired horror soundtracks as he is refining acute drum patterns over and over again, Salvatore is the first to ask himself, where next? When a musician’s output can be influenced today by so much, and there is no self-defined or perceived artistic goal in mind, how do you start from a place of nothingness, again and again?
This approach has born many minimal and experimental albums of note in the past, but with Ø, Salvatore ended up with an almost controlled maximalist approach. Beginning with open spaces and allowing sonic textures to live and evolve past where you may expect, Ø allows the space between notes to become equally as important as the notes themselves. Walls of noise, soaring soundtracks, dense techno, glittering IDM, and minimal glitch, sit side-by-side to present an all-encompassing palette of sonic possibility.
Often, even without any intent, what can be born from nothing will somehow transpire back into something more recognizable. It’s human nature after all. A subtle fingerprint, as a sequence, melody, pattern, or drum kick. Whether Salvatore intended for this record to represent his defining sound or not, only time will tell.
Mastered by Giuseppe Tillieci @Enisslab, Rome, Italy.
Artwork by Brandon Locher
Written and produced by Salvatore Mercatante
4 new artists on the rise for this new VA. 3 from Spain and one from Berlin creating the new axis of modern techno.
Techno quality without concessions for the dance floor that is having the best reviews by professional DJs.
An indispensable release for the first half of 2019.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: Rainbow
- A2: Ocean View
- A3: Love & Harmony
- A4: This Is Your Sun
- A5: Spirits
- A6: Trip To Ibiza
- A7: Sunrise Over Me
- A8: Crazy Things
- A9: Love My Life
- A10: We Love Ibiza
- A11: Your Soul, My Soul
- A12: From Miami To Ibiza
- B1: Chill Tunes
- B2: Global Spirit
- B3: My Eivissa
- B4: Sunrise And Sunset
- B5: New Day
- B6: Wonderful
- B7: Aguas Blancas
- B8: Body And Soul
- B9: Salines
- B10: Chasing Horizons
- B11: Lovin´ Island
- B12: Love Love Love
A1 - Lunar Sunset
Aural Imbalance returns to Spatial with the first track of the EP opening with a typically dreamy soundscape gently luring us to the skies, an unforgettable melody chimes away as the layers of atmosphere collate. Breakwork skills are on full show as crunchy drumloops give Lunar Sunset some serious rhythm, and just wait until you hear the stunning breakdown highlighting the impact of the mournful padwork which brings the mix together.
A2 - Moonfall
The rulebook goes out of the window early doors for Aural Imbalance here as he opens Moonfall with a clean, tuned pattern of Hot Pants breaks before gradually adding smooth pads & synths and some superb sub bass. We are treated to some delicious ambient workflows later in the track but make no mistake - the breaks are the star of the show here and DJ's will love utilising the energy of the track in sets.
AA1 - Point of Origin
Starting with a punchy selection of brisk, clean-cut Apache breaks, Point of Origin sees Aural Imbalance demonstrating his musical range with a distinct electronic synthesizer style melody and full-bodied aquatic backdrops which echo around the soundscape like playful whales enjoying a vast lagoon. It's another reminder that Spatial is playing host to one of the true talents of atmospheric drum & bass - output like this being both ambient and weighty in harmony.
AA2 - Near-Earth Object
Our finale track is a special one. Opening with a luscious dreamscape of mellowed-out pads and effects, seriously heavy sub bass then takes over to test your speakers before the drop, which sees addictive, detailed analogue breakbeats enrapturing the listener with a thickly detailed drum pattern aimed squarely at the dancefloor. This one is a real mover and continues Aural Imbalance's impressive divergence of styles on Spatial.
Words by Chris Hayes
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
You reach a point in life where the question of how to stay at the top of your game looms; the only real solution being, you change the game. Our Love, the new album from Caribou, is the sound of Dan Snaith doing just that. Our Love is due October 6th on City Slang and is the sixth studio album from Caribou. The album features collaborations with Jessy Lanza and Owen Pallett. It was mixed by David Wrench and features artwork by Jason Evans/ Matthew Cooper.
Our Love is formed around a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage that can be traced all the way back to the time of Start Breaking My Heart which are, of course, all filtered through Dan's own unique perspective. The warm analogue sounds of classic soul should not be overlooked either, for they weave themselves most intensely into the records DNA. In fact, Our Love is probably Caribou's most soulful record to date, chock-full of heartfelt lyrics and organic nature which cuts through bubbling synths and blissful euphoria of their synthetic constructions. It's not all downbeat of course, whilst some thoughts linger on mortality, loss and letting go, there is always an element of celebration.
Having followed up his Polaris Prize winning 2007 record Andorra with the universally adored Swim in 2010 (selling nearly 175, 000 copies worldwide and being named 'Album of the Year' by Rough Trade, Mixmag and Resident Advisor whilst also hitting The Guardian, Pitchfork, Spin and Mojo's Top 20), Dan has spent the intervening four years not only touring the world, bringing not only the sounds of Caribou to the stage but proving his immeasurable worth as a DJ with epic 7.5 hour long sets. In 2012 Caribou were personally invited to join Radiohead on the road whilst Dan released his first album under the guise of his dance floor loving pseudonym, Daphni, to widespread critical acclaim. Following the shape shifting sounds of JIAOLONG and the brightly textured, fluid constructions of Swim - both inward looking records in their own way - Dan withdrew to the basement once more to work on Caribou's next opus. Only he didn't: Our Love isn't the sound of isolated creation but the sound of Dan at his most connected - with love for his listeners, his collaborators and those closest to him.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
orange vinyl[15,76 €]
Certainly going out to all Imperial Junglists, this track first started doing the rounds on dubplate in 1993, making an immediate impact on dancefloors across the UK and beyond. Whilst this track made waves, there were several other mixes, which were confined to DAT, never to see the light of day… Until now! Now, after many years, it’s time to liberate these mixes, as they’re just too good to be forgotten! Featuring the vocal talents of none other than Stevie Hyper D, with the original concept and premise from Remo Don and Colin Grainge. Remix production comes from Danny Styles and Eternal Bass.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Certainly going out to all Imperial Junglists, this track first started doing the rounds on dubplate in 1993, making an immediate impact on dancefloors across the UK and beyond. Whilst this track made waves, there were several other mixes, which were confined to DAT, never to see the light of day… Until now! Now, after many years, it’s time to liberate these mixes, as they’re just too good to be forgotten! Featuring the vocal talents of none other than Stevie Hyper D, with the original concept and premise from Remo Don and Colin Grainge. Remix production comes from Danny Styles and Eternal Bass.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: T Raumschmiere - Eterna 2
- A2: Mikkel Metal - Octarine
- A3: Yui Onodera - Cromo 7
- A4: Triola - Bergfreiheit Silbach, Glück Auf!
- A5: Thore Pfeiffer / Niko Tzoukmanis - Kontur
- A6: Joachim Spieth / Głós - Panta Rhei
- B1: Sono Kollektiv - Ever Last Thing
- B2: Blank Gloss The Replacement Wheel
- B3: Reich & Würden - Orbit (Feat Alex Linster; Joel Jaffe)
- B4: Segensklang - Bergfrieden
- B5: Ümit Han - Nirgends
Dear gourmets of audio-aesthetic rapture, dear sound poets, please welcome - Pop Ambient 2024. Twenty-four. Twenty-four can be divided by two, four, six, eight, twelve and itself. If something can be divided by itself, it is not really divisible. Truthfulness knows no formulas. Beauty knows no formulas. Beauty saves the world for no reason whatsoever. “Beauty is a promise that beyond mediocrity there is something where calmness reigns. Beauty calms the nerves. Beauty is not a good intention but a fact. Beauty is provocation, rigor, responsibility. And beauty has its price”.
In addition to the official version of Pop Ambient 2024, there will be an art/music edition limited to 10 pieces, consisting of an exclusive mini bonus album (vinyl dubplate) from Blank Gloss, in combination with 10 individual fine art print artworks by Veronika Unland. The edition will be available via kompakt.fm/art exclusively on November 24th, 2023.
Ladies and Gentlemen please welcome, Pop Ambient 2024
Liebe Gourmets audio-ästhetischer Verzückung, liebe Klang-Poeten, please welcome - Pop Ambient 2024. Vierundzwanzig. Vierundzwanzig lässt sich durch zwei, vier, sechs, acht, zwölf und sich selbst teilen. Wenn sich etwas durch sich selbst teilen lässt, ist es nicht wirklich teilbar. Wahrhaftigkeit kennt keine Formeln. Schönheit kennt keine Formeln. Schönheit rettet die Welt ohne jeden Grund. „Schönheit ist ein Versprechen, dass es jenseits der Mittelmäßigkeit etwas gibt, wo Ruhe herrscht. Schönheit besänftigt die Nerven. Schönheit ist keine gute Absicht, aber eine Tatsache. Schönheit ist Provokation, Strenge, Verantwortung. Und Schönheit hat ihren Preis“.
Neben der offiziellen Ausgabe von Pop Ambient 2024, wird es eine auf 10 Stück limitierte Kunst/Musik Edition geben, bestehend aus einem exklusiven Bonus Mini-Album (Vinyl Dubplate) von Blank Gloss, in Kombination mit 10 individuellen Fine-Art-Print Artworks von Veronika Unland. Die Edition wird am 24.11.2023 exklusiv über kompakt.fm/art erhältlich sein.
Ladies and Gentlemen please welcome, Pop Ambient 2024
These days, singer-songwriter and actor David Blue tends to be remembered only in relation to Bob Dylan. A member of the supporting cast in mid-60s Greenwich Village and The Rolling Thunder Revue. Yet to categorise Blue in this way is reductionist, and does him an injustice. He was something of an archetype of the 60s generation of Greenwich Village singer-songwriters. Yet, esteemed by his peers, he was overlooked. He released seven albums in a decade, and his acting career was shaping up when he died suddenly at the age of just 41. His passing was barely noted in the rock press, and in the subsequent years Blue was all but forgotten. Of late, though, that’s changed. His albums started to reappear on CD on small labels and, in 2020, both Rolling Stone and Mojo magazines published major reappraisals. Blue – at last – was getting the attention denied him in life.
It wasn’t until 1965 that Blue, as Dave Cohen, released his first recordings – three songs on Elektra’s Singer Songwriter Project. All betrayed a debt to pre-electric Dylan. But then again, so did much else coming out of Greenwich Village at the time. Elektra contracted Blue to do his own album, and in 1966 David Blue was released – his first recording to appear under that name. Electric folk rock with a garage band attitude, somewhat in debt to Highway 61, it didn’t sell well. Shortly after the album’s release Blue formed and toured with The American Patrol, a four-piece rock band, recording an album for Elektra that was never released.
Now, for the first time, Hanky Panky and Mapache release those historical abandoned American Patrol recordings, along with the three tracks included on Elektra’s 1965 LP Singer Songwriter Project, as David Blue And The American Patrol The Lost 1967 Elektra Recordings & More and David Blue, his self-titled 1966 debut album, on two exclusive vinyl editions limited to 500 copies
Following the release of the first volume of Music 4 Tesla last April, Kaba and Hyas (ex-residents of Le Sucre & Rinse FM) continue their musical exploration between rap and UKG/electronic music, going even further on volume 2.
While the influences already present on the first album are still present: UK Garage, Acid House, Ghetto House and 2step, Kaba and Hyas experiment with new sounds. Incisive flow is joined by more sung, almost r&b vocals (10 Machines, Facts, Coup du sort), new textures with crunchy sounds (Mood 4 A Classic), and sampling (Lick It).
The 7 tracks that make up "Music 4 Tesla Vol.2", including a featuring with Detroit trio HiTech (the latest signing to Omar-S's label), are a blend of pervasive house influences and bouncy basslines borrowed from the sounds of funk. Over the course of 20 minutes, they depict a captivating gradation of festive ambiences, proving once again that the marriage of rap and house is definitely made to last.
After a first festival tour, including a notable appearance at Grünt in September, the Kaba x Hyas duo will be in concert at Point Éphémère on December 16, 2023.
Repress of first release on M.A.D Edits. Single-sided 10 inch vinyl.
Very limited pressing. Vinyl only.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Ronan lands on nascent X-Kalay sub-label Another Place with renewed focus and a new EP. Musing on personal crossroads, ‘Leaves of Life’ is a highly evocative contemplation on the tides of life. It’s the culmination of a personal arc having sat with the material for six years, further refining the lush, introspective sound that’s characterised his output to date.
The outcome feels similarly unhurried; a pristine, genre-spanning exploration rendered with meticulous attention to detail. Soul-bearing stuff interspersed with words of reassurance through quietly spoken vocals.
The opener strives for utopia. Carried away on a warm current, ‘Song of Surrender’ initiates with a gorgeous unfurling of life-affirming trance that begs repeat immersion. Comparatively direct, ‘Cure for Toxicity’ comes on a breaks-driven flex before a fleeting switch-up into 2-step territory.
Supple groove and jazz modalities fuel airily introspective D&B as we shift focus to title track ‘Leaves of Life’. Then, finally, Ronan closes things out with a ritual purification of sorts. Deploying more breaks but bordering on new age, ‘Sacral Dub’ exudes a soothing, massaging quality with dubby tendencies in full effect.
Skream has become a shining example of the power of diversity, skillfully weaving together a variety of styles and influences in a way that makes sense.
Skreamizm Vol. 8 is a definitive release that represents an artist who is continuously evolving, while also driving the canon of electronic music forward effortlessly.
After a 10 year hiatus he revives his groundbreaking dubstep series Skreamizm and joins the dots between his house and techno releases, through to grime, dubstep and more.
Massive comeback for TNT Records with some unreleased and revisited material from the label's head Todd Terry.
Spinning tunes that still guarantee for some dance floor mayhem and that spanning through energetic. A cooked up killer slice of house music ! An essential for your collection!
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: On The Way Back From Wadi Rum 5 50
- A2: Want Him To Hear That 5 44
- A3: Want Him To Hear That, Too 3 41
- A4: Das Ende 3 55
- B1: Sonnentanz 3 24
- B2: Where Is My Palm Leaf? 4 10
- B3: There Was Nothing But The Swamp 4 41
- B4: The Impossibility Of Trying To Repeat Something Unplanned 7 26
- C1: Beware, Trains! 7 38
- C2: Interlude (Lang's Escape) 1 52
- C3: The Hajj Of Mansa Musa 3 39
- C4: Dreaming Of Miles Davis 5 43
- D1: Mediterranistan 3 29
- D2: Transporting Salt 7 50
- D3: Divide By Two 3 38
- A1: Minos Pour Main Basse (Sur La Ville) - Le Patron Est Devenu Fou (Sur La Ville)
- A2: Air - Soldissimo (Edc Remix)
- B1: Etienne De Crecy - Prix Choc
- B2: La Chatte Rouge - Affaires A Faire
- B3: Mr Learn - Fermeture Definitive
- C1: Mooloodjee - Les 10 Jours Fous
- C2: Minos Pour Main Basse (Sur La Ville) - Tout Doit Disparaitre (Sur La Ville)
- D1: Alex Gopher - Super Disco
- D2: Dj Tall - Tout A 10 Balles
- D3: Etienne De Crecy - Liquidation Totale
- D4: Alex Gopher - Destockage Massif
Vol.2[45,34 €]
Reissue of seminal ’90s house LP ‘Super Discount’ from Étienne
de Crécy, a founding classic of the French touch sound feat. Air,
Alex Gopher & more. Double LP housed in a gatefold sleeve.
Released in 1996, ‘Super Discount' is the debut album by Étienne de Crécy, one of the most influential figures on the electronic music scene and one of its most inspired producers.
Over time, this record has become one of the pioneering records of the French Touch and a founding classic of electronic music, both in France and abroad. It was a critical and commercial success from the start and is an icon of its time..
Column of Shadow is a grainy ritual, an array of seventies, occult moods, and the synth soundtrack to a diabolical film soon to see the dark of day.
With nods toward kosmische Musik in tender scenes and unnerving ceremonies, it is folk horror in reverse, whereby the past visits the modern world like sounds of old locating a new home in the present that embraces them.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Red Marbled Vinyl
Shall Not Fade welcomes Rotterdam based producer Kessler to the family with six weighty jams for their "Basement Tracks" series. Rising Rotterdam based producer Kessler has been bubbling over the past 12 months with a string of high quality releases on labels such as Yellow Island Records and his own KESSLER TRAX imprint. His first full vinyl outing sees him serve up a bass driven masterpiece for Shall Not Fade's new "Basement Tracks" series. Ambivalent EP is nothing short of spectacular, weighty breaks meet dreamy synth patterns on this killer dance disc.
Dublin's garage connoisseur Prozak shares with us five clean-cut steppers on Holy Spirit EP; pairing UKG with ambience and breaks with jubilant club sound palettes.
The killer record opens out with triumphant, easygoing garage on "1996". Meanwhile the title track is a raucous beast, explosive breaks and frenetic vocals that tear through the dubwise breakdown.
"Want Ur Luv" is full of romantic energy and cascading melodies; diva vocals float over classic two-step in blissed-out fashion on "Hold Me Down". Lighthearted glimmering ear candy continues on "Higher"; a high-energy rave roller with a retro feel.
Get ready, get set because here comes the latest Try Unity breakbeat hardcore explosion. After 2 years since their last solo album, Try Unity are back with the Galactica EP. Fuelled with powerful breaks and stompy kick drums, this EP fills all the boxes for the true ‘92/93 hardcore rave fanatics. Try Unity have this unique way of creating tracks that sound raw and genuine whilst using modern day production qaulity techniques.
‘Cosmic Warrior’ on the A Side sends a message of breakbeat heaven, mad stabs and hoover noises a plenty with incredible build ups and drops to make you go nuts !
‘Galactica’ on the B side lends it’s self to more of the 4/4 jungle techno inspired breakbeat rave, with sinister drops and bass that gets everyone’s 909 kick drum love pumping proper hardcore.
Buy this EP, you’ll want to mix it again and again and again in your sets that’s for sure. Plus don’t you just LOVE a LOUD 45RPM pressing !
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Massive balearic summer vibes going on here! Futuribile records did set its eyes on the past with a reissue of Il Giardino dei Semplici's "Carnevale Da Buttare". In addition to the original song, this 45rpm 12" record provides an instrumental rework of "Carnevale Da Buttare" by Raffaele 'Whodamanny' Arcella, the son of Il Giardino dei Semplici's keyboardist and founding member Andrea Arcella. Whodamanny makes a nice balance between the original and todays functionality. He swapped the blazing saxophones for mind-melting synth solos that takes things into othe realms. Hot stuff!!.
Welcome to the music of a true outlier in UK creative culture, an artist that has helped change the landscape of electronic music, KRUST.
Introducing 'Irrational Numbers,' a meticulously curated collection of five parts, available on both vinyl and digital formats. This compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.
'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.
For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.
Over the last few years, Bristol born, London based artist LCY has become one of the guiding lights in a scene of fans who like their club music deep, dark and with a heavy dose of rhythm. Releasing predominantly on their own label SZNS7N, LCY has transcended musical boundaries, taking from a wide range of musical influences to create their own fluid hybrid style that indulges the deepest desires of those who chase a visceral dancefloor response - uplifting a huge amount of unconventional producers alongside them in the process. Today marks the announcement of their first release on fabric Originals, the flagship label from global club imprint fabric, alongside a new single, ‘Bad Blood’.
Opening to a stark cascade of sonic shards and mechanised vocal chops, ‘Bad Blood’ descends into a sparse percussive workout. The track expertly makes use of space in its composition, stripping down its raw elements to reveal a beat that’s purpose built for sweat. Using glitching elements to find new elements of intricacy within its drum programming, LCY inexplicably creates a composition that’s wholly inviting despite its ominous sound - with even the track’s more human elements twisted to sound like they’re from an outer realm.
Following a collaborative release on Sherelle and Naina's Hooversound Recordings and EPs on Sneaker Social Club, WNCL Recordings and his own Club Glow (ran alongside Denham Audio, LMajor and Borai), contemporary UK breaksmith Mani Festo readies four typically lairy cuts of gun-finger, rush-in-the-rave energy.
Mani Festo has become something of a breakbeat assassin in recent years with a deserved spotlight being shone on the producer as one of the brightest artists to emerge from within the dark 'n' dutty UK breaks and electro scene. What you see is what you get from Mani Festo; what you're getting is a screwface and a smacked jaw.
'Leviathan' kicks things off with its stripped-back, grime-like textures - distorted kicks, frantic claps and growls from the belly of the beast blend on a minimal-breaks sequence that packs quite a punch despite its uncluttered soundwaves. 'Tethys' follows in a similar vein; distorted screams come from a brass-creature deep in the darkness, scattered percussion and step-tipped production blur the lines between garage, breaks and electro.
Large wubs and basslines guide the listener front left (just make sure you've got your protective earplugs in!) on 'Night Drive' before 'With U' strays down an emotional and introspective route with its otherworldly atmospherics, jungle tones and contemplative stillness - a creative combining of both heaven and hell.
Egyptian-Australian DJ/producer moktar announces his second boundary-pushing five track EP, ‘Immigrant’. An expressive and considered journey that combines his Middle Eastern heritage and influential club sounds in one.
‘Immigrant’ sees moktar continue to bring traditional Arabic instrumentation into the club by weaving samples like polyrhythmic drumming and the Arabic Oud into experimental club music which has captured the attention of many tastemakers. Giant Swan, Anz, Tash LC, Raji Rags, Jamie XX, Bonobo, Groove Armada, Hudson Mohawke, Mary Anne Hobbs and Jamz Supernova all championed his highly favoured self-titled EP in 2021, which topped the Australian community radio charts as a number #1 most played alongside the global support it received. The release represented re-learning the value of his Egyptian heritage following racism and stereotyping growing up. ‘Immigrant’ expands on the story.
Debut single ‘Immigrant’ was released in September and served as a backdrop for moktar to air the stories of many as well as his own, told through a chopped vocal sample of Arsenal Football Club’s host and hype man, Frimpon. ‘North Africa’ and ‘Al-Duqqi’ are a homage to moktar’s roots. ‘Crossroads’ represents his need to push himself and grow in life and music, and ‘Send it’ (a term in Australia that means you're about to do something wild) also aims to represent Middle Eastern communities in Bankstown, Sydney.
moktar explains - “Through Immigrant I wanted to highlight the struggle many people all over the world go through to be accepted, while representing the community in Egypt, North Africa and Australia. Fusing Middle Eastern sounds into sounds into my music has been a big part of helping me become proud of who I am. I feel passionate about bringing these sounds to a wider audience in the hope it helps others in the identity struggle feel a sense of pride too”
The EP falls just as moktar’s highly anticipated debut EU tour comes to a close, playing b2b with DJ Plead at Phonox for Yung Singh, Adaptations Festival, Repercussions Festival, Werkhaus Festival, b2b with Mr Scruff at Field Day, Lost Village, Amsterdam for ADE with Kode 9, Rex Club in Paris, and Takseer festival Berlin.
*Re-press of first-time 7″ release / limited 300 copies red vinyl / Shipping from 11 August* If you were part of a clubbing tribe in 1994 – any clubbing tribe – you will have danced to the Ballistic Brothers astounding ‘Blacker’. A track on a mysterious 12-inch that no-one could quite work out if it was a 12-inch single of a cheaply packaged album (it was in effect a 12 inch EP), but in the end it didn’t matter. It provided any DJ with a guaranteed dancefloor winner. A sly mix of beats and samples, it is nothing short of an anthem, and with the full cooperation of the group, we are making it available for the first time as a 7-inch single. The Ballistics – Ashley Beedle, Rocky, Diesel and David Hill – went on to record a further 12-inch EP and two full-length albums, making them one of the cult names of 1990s music. On the flip of this seven is one of their most popular cuts, what at the time was an LP-only track ‘Cubafro Con Amigos’, which has been specially edited for this release. Following the sellout of the first-time 7″ in 2023, we are excited to offer a repress. Limited to 300 copies and pressed on transparent red vinyl in a black disco bag!
- A1: Confidence Man - Holiday (Bruise Remix)
- A2: The Orielles - Bobbi's Second World (Confidence Man Remix)
- A3: Out Cold - All I Want (Ewan Pearson Dub Remix)
- B1: Revival Season - Iron Warrior (Raf Rundell Dubwise)
- B2: Audiobooks - The Doll (Lcy Remix)
- B3: Espiritu - You Don't Get Me (Urban Takeover Remix)
- C1: Mildlife - Automatic (Psychemagik Dub Mix)
- C2: Raf Rundell - Luxury (Feat Man & The Echo - Trevor Jackson Reproduction Instrumental)
- D1: Working Men's Club - Teeth (Anthony Naples Remix)
- D2: 77 78 - Chilli Chilli (Flying Mojito Bros Refrito Edit)
- D3: David Holmes - Hope Is The Last Thing To Die (Feat Raven Violet - Daniel Avery Remix)
Part One[29,37 €]
Heavenly Recording’s final long player release of 2022 is set to close the year on the dancefloor at home or in the clubs. More classic Heavenly remixes on wax and CD formats for your collection. Artwork by Luke Insect.
Released on Friday November 25th, these compilations follow Heavenly Remixes Volume 1 & 2 and Heavenly Remixes Volumes 3 & 4 (Andrew Weatherall Remixes).
Since the first Heavenly recording, there have been striking remixes that reframe the original track. These remakes offer a parallel reading of the last four decades of releases; they take the music to places where genres can be pulled inside out before being reassembled for different dancefloors, or for a different state of mind.
It’s a selection of those secret sounds that make up the latest in this series of flawless compilations. Each presents a parallel reading of the Heavenly Recordings story, a version that’s best heard as the light fades and the furniture gets shoved to one side of the room in decent work places the world over.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: Blackbird (Kings Remix)
- A2: Russia (Nightmares On Wax 10Th Anniversary Remix)
- A3: Clean The House (Christoph El Truento & Lucky Lance Remix)
- B1: Silver & Gold (Yarni Feat Liv East Remix)
- B2: Bones (Philippa Dub)
- B3: Soldier (Jazzanova Remix)
- C1: Mother Mother (Feiertag Remix)
- C2: Blackbird (Marcus Worgull Remix)
- C3: Blackbird (The Kcbs Rework)
- D1: Bones (Dub Pistols & Freestylers Remix)
- D2: Mother Mother (Kid Fonque Remix)
- D3: Silver & Gold (Syrup D Version)
Flying high for the tenth anniversary of "Blackbird" album, we're pleased to announce the brand new Blackbird Returns remix album descending on the breeze. Friends from around the world, Nightmares on Wax, Jazzanova, KINGS, Syrup D, Christoph El Truento & Lucky Lane, DJ Philippa, Feiertag, Marcus Worgull, The KCBS, YARNI feat. Liv East, Dub Pistols vs Freestylers and Kid Fonque have remixed their favourite Blackbird tracks.
Steel City Dance Discs presents the ‘Wonder’ EP from fast-rising Italian artist Matisa. Fresh and filled with spirit, Matisa kicks off the EP with the transcendent, IDM-meets-Bingo Beats energy of ‘Brilliantine’, where twisted modulations fuse in harmony with angelic abstract vocals. Her original ‘Eyeliner’ is a euphoric breakbeat hardcore stomper, whilst Mall Grab’s take on the same track goes in harder with jacking drums, ecstatic rave stabs and menacing bass. Closing the EP is ‘Lip Plumper’ – a hypnotic stripped-back house cut which nods to UKG. This EP represents a significant moment in Matisa’s musical journey, as she evokes a combination of discovering yourself through creative expression with losing yourself on the dancefloor.
Ein außergewöhnliches Album und eine geradezu bewusstseinserweiternde Klang-Erfahrung. Zwei Jahre nach seinem großen Erfolg "Persona" aus 2018 kehrt der Londoner Elektro-Musiker und Produzent Rival Consoles endlich mit dem rundum überzeugenden "Articulation" zurück Das Album entstand als konzeptionelles Experiment, das erforschen will, inwieweit visualisierte Strukturen sich musikalisch umsetzen und hörbar machen lassen. Während des Schreibprozesses zeichnete Ryan Lee West (aka Rival Consoles) also konkrete Formen und Muster von Hand, um zu versuchen dem Entstehungsprozess elektronischer Musik eine haptisch erfahrbare und vom Computer vollständig losgekoppelte Grundstruktur zu geben. Dazu passend wurde der Albumtitel gewählt, der sich auf ein Stück des zeitgenössischen Avantgarde-Komponisten Györgi Ligeti bezieht, weil dieses eine ganz ungewöhnliche grafische Partitur hat. Die Idee, analoge Zeichnungen und Werkzeuge zur Entwicklung digitaler Kreationen zu verwenden, ist deutlich hörbar: Auf "Articulation" beschwören grüblerischen Techno-Nummern, nostalgische Ambient-Meditation, pulsierende Soundscapes traumwandlerische Stimmungen herauf. Die Zeichnung wird zu Klang und Rhythmus und diese zur frei fließenden Energie.
In Demand Hard to Find Foundation D&B Mastered & Cut For DJs
The Worlds First Ever Drum & Bass titled album brand, the legendary trailblazing compilation album from the inception of D&B returns! For many it was their first introduction into D&B and Jungle, and as the worlds first ever TV advertised Jungle or D&B album it holds an important place in the expansion of the genre. Now the Drum & Bass Selection Series takes off from where we last visited the brand… straight into Volume 6 as if its never been away!
Drum & Bass Selection Vinyl Collectors Edition is packed this time with collectible foundation tracks hailing from the period of the creation of this iconic album series and the evolution of Jungle to Drum & Bass, cut with two tracks per side on heavyweight black vinyl for DJ use.
The triumphant return is a must for all collectors and especially vinyl completists that loved the original series of releases, and as you’d expect its packed full of exquisitely curated D&B cuts from some of the jungle music scenes most recognised producers. This amazing compilation collects together foundation jungle pioneers such as Mampi Swift, Dextrous, Marley Marl, Dubtronix, Sponge, and Cool Hand Flex.
Vinyl collectors will be excited to see the high value tracks that have not been repressed since the golden age of jungle. ‘Heavenly Body’ by DJ Dextrous, has been moving on reseller sites for up to £100! And Marley Marl’s track ‘Feel It’ has been incredibly hard to find and has changed hands for over £80, making this release incredible value for money.
Created for DJ’s, all the tracks have been carefully remastered for optimal playback on vinyl.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: Freundliche Kreisel - Gespensterland
- A2: Kirschstein - Komet Über Sch(R)Attenberg
- A3: Baldruin - Reich Der Illusionen
- A4: Kirschstein - Ach, Du Große Nachtmusik
- A5: Freundliche Kreisel - Abbild
- A6: Baldruin - Elektrische Kräuter
- A7: Kirschstein - Futura Narkotica
- A8: Brannten Schnüre - Ich Versäum' Doch Nichts
- B1: Kirschstein - Mouches Volantes Oder Die Tanzenden Mücke
- B2: Kirschstein - Gold Der Liebe
- B3: Brannten Schnüre - Supermarkt
- B4: Freundliche Kreisel - Spannung
- B5: Baldruin - In Heimlichen Winkeln
- B6: Balint Brösel & Brannten Schnüre - Disco
- B7: Freundliche Kreisel - Entwirklichung
Im Schatten von Neo-Kraut und Diskurs-Pop wuchs in den letzten 10 Jahren im Unterholz deutscher Klangtopographien fast unbemerkt ein sonderbares Myzel aus dem Boden. Aus diesem unterirdischen Geflecht treten eine Handvoll Projekte mit so geheimnisvollen und poetischen Namen wie Brannten Schnüre, Baldruin, Kirschstein, Freundliche Kreisel und Balint Brösel hervor. Die Compilation "Gespensterland" archiviert und anthologisiert erstmalig ihre magischen Arbeiten, die an der Grenze zwischen Folklore, experimenteller Elektronik und (Alb-)Traum operieren und besitzt als Zeitdokument schon jetzt das Potential, die Strahlkraft von Kultsamplern wie etwa Pordenones "The Great Complotto" zu entwickeln
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Introducing the highly anticipated EP from the legendary Aston, of the Freestylers, Blapps Posse, and Rap & Aston. This time, he has teamed up with the talented DJ Quicklung to create four brand new tracks, each showcasing Aston's impeccable production skills and style.
The EP opens with "Raggamuffin Soldiers," a hard-hitting D&B track with classic influences that has already gained significant support across clubs and radio. Next up is "Moving On," a lively club roller that clearly showcases Aston's foundations and rave pedigree.
On the flip side, "Galactica" takes things in a darker direction with moody D&B vibes that pay homage to classic Suburban Base and Boogie Times, but with a fresh twist that's unmistakably 2023. Finally, "The Hangman" closes out the EP with a stunning breakbeat masterpiece that will leave listeners wanting more.
With its diverse range of sounds and styles, this EP is a testament to Aston's enduring talent and influence in the world of electronic music. Don't miss out on this incredible release!
Limitierte Neuauflage zum 20-jährigen Jubiläum des Bonobo Klassikers. Durchsichtiges Doppelvinyl (140g) in Outersleeve mit Drehmechanismus und neuem Jubiläums-Artwork.
Wildly creative East Anglian musician Carl Brown is welcomed to the Love Love fold with great excitement. Carl has been consistently doing his own thing in music for quite a while and it’s high time some more people heard his sound. So many great ideas and lush feels are packed within. And while the sound palette is often electronic the tracks are positively human in nature, incorporating a wide variety of styles - playful, clever and eccentric, full of melodic shenanigans and top notch musicianship.
Upfront we get two rip-roaring braindance epics in the forms of title track ‘Koto アシッド’ and 2nd track ‘747 الرياض কলকাতা’, before ’S.E.T Ad '87’ changes the pace completely, cleansing the auditory palate ahead of the 2nd half of the EP with a spacey 80s dream. The pace settles out on the flip-side after the frazzling breakneck openers, slippery tones pirouetting atop a gracefully chugging bass line in ‘FWP’. Following this proceeds an unorthodox sequence of musical notes that somehow induces a series of highly concentrated fist-clenching emotions. ‘747 Red Eye Return’ slows its parent track down to a near still pace, its meditative tones bearing down like oppressive heat, before the final track provides a slice of brilliant musical escapism.
Surprising to the last second and brain-tingling throughout, this EP captures a colourful morsel of Carl’s work and should leave a lasting taste of what is yet to come from this sonic tinkerer.
- A1: Intro
- A2: When A Fire Starts To Burn
- A3: Latch (Feat Sam Smith)
- A4: F For You
- A5: White Noise (Feat Alunageorge)
- B1: Defeated No More (Feat Ed Macfarlane)
- B2: Stimulation
- B3: Voices (Feat Sasha Keable)
- B4: Second Chance
- C1: Grab Her!
- C2: You & Me (Feat Eliza Doolittle)
- C3: January (Feat Jamie Woon)
- C4: Confess To Me (Jessie Ware)
- C5: Help Me Lose My Mind (Feat London Grammar)
- D1: You & Me - Flume Remix
- D2: Boiling
- D3: Apollo
- D4: What`s In Your Head
- D5: Tenderly
Released 31st May 2013 via Island Records, Settle is the debut album by brothers Guy & Howard Lawrence, better known as Disclosure. The album was nominated for Best Dance/Electronica Album at the 2014 Grammy Award, shortlisted for the 2013 Mercury Prize and ranked as Rolling Stone magazine’s 93rd best debut album of all time.
Debuting at number #1 in the UK album chart selling 45k copies in its first week and certified platinum by the British Phonographic Industry later that year. In the US, the album reached number one on the Billboard Dance/Electronic Albums. 7 singles were released with the first, Latch (featuring global superstar Sam Smith) peaking at 11 in the UK singles chart. Second single White Noise (with guest vocals from AlunaGeorge) reached 2 in the UK singles chart.
Celebrating the 10th anniversary of this culturally important album is a 2LP transparent orange vinyl. Featuring 4 non-album tracks on vinyl for the very first time, chosen by the brothers and a new 10th anniversary hype sticker. To complement the vinyl will be a digital release of the duo’s legendary show at London’s Alexandra Palace in 2014, this will be the first time the complete gig will be available to all digital partners.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Evelyn spreads her wings and prepares to fly. This is her first offering for the ESP Institute. On side A, 'Tremors' slams together a plethora of seemingly disparate rhythms, organic percussion, field samples, hypnotic chants and a relentless low end punch, that when in full-swing, works some seriously deep sorcery. Contrasting her pounding kick and rolling sub combo are a softer grouping of melodies, soft mallets and muted tones that lay subtly beneath the aggression, skillfully playing with a sense of spatial depth and room size. Its the kind of track that draws you in with meditative bars, concentric cycles that sit ever so slightly off-axis, inducing the mind and body to obsess and regulating its timing, and then drops you into a very intentionally arranged soundstage giving expansive space to explore. On the flip, 'Pregunta' continues this approach of natural versus industrial instrumentation. The consistent machine kick has a powerful but playful tone, the negative space between each stroke evoking a mighty gesture as its note bends in the decay. Set in 3/4, a community of live percussion successively adds and subtracts, each player’s imperfect attack accumulating into a mechanically smeared and addictive loop that toys with peaks a handful of times yet restrains any unnecessary climax for the betterment of a driving groove. Near the end, as the kick and various players mute and the base of the track is given a moment to breathe, its apparent just how layered the production was in the moments prior, as we’re suddenly at home, smitten with the wobbly and lopsided innocence of the foundational percussion. These two songs will push you headfirst into the light.
















































































