Beats Vinyl New Releases - News

Flevans, vielseitiger Produzent und Multiinstrumentalist aus dem südenglischen Brighton, ist bekannt dafür, sich nie auf einen bestimmten Sound festzulegen. Auf seiner neuen LP "Stand Tall" beweist er einmal wieder sein Gespür für den perfekten Hook, während er Genres wie Disco, Soul und Electronica durchquert und abschliessend auf Drum & Bass hinweist.

Xciot EP is the first release by Pyramid Of Nahash (Pyramid Of Knowledge and Nahash), who in this project for Asphalt Records, tag team to merge breakbeat science and bass experiments with classic analogue Trance and early Ambient-Techno melodies. The result is a cinematic, sci-fi safari through outer space in a futuristic hardcore vessel.

Remixing duties have been handed to a second collaborative effort: RVSHES (Logos and DB1), who in their Recombination Mix, carve, bend and reshape the original material into a rugged, angular, yet melancholic techno artefact.

Fat french drum & bass release. A huge production for those who wants some good banging unusual breakz. Efficient and powerfull. A real pleasure for us !! Killaz'

Ach, komm, ein Mensch kann nicht immer gut sein... This sentiment rings amusingly true for us. How did we find ourselves in this post-truth era, and why does such a term actually exist? In a world where distinctions between right and wrong blur, does the clarity of a black-and-white delineation persist? Are we progressing, or are we regressing to a state reminiscent of the past?

Weaving together the complex tapestry of gore, politics, emotions, and, of course, the human experience in this work is done intricately and reflectively by the hands of Christoph de Babalon.

After an outpouring of online support, Australian producer LUUDE officially releases his iconic drum & bass rework of the cultural anthem ‘Down Under (feat. Colin Hay) LUUDE presents a whole new dynamic to the 1980 anthem, which went to #1 in Australia, New Zealand, United States, United Kingdom, and Canada.

This release also features Luude's masive track 'Wanna Stay' Featuring Dear Sunday plus a tasty remix by Fred V.

The tussling vegetables in Mal Dean's cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink. Recorded in London in 1972, Incus 9 was their second record (after an ICP in 1969), becoming a blueprint and inspiration for generations of free-improvisers. It is paired here with a brilliant session from the following year, with the same power and friendly combativeness, and oodles of creativity, technique and humour. It's obvious how much they loved playing together.The tussling vegetables in Mal Dean's cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink. Recorded in London in 1972, Incus 9 was their second record (after an ICP in 1969), becoming a blueprint and inspiration for generations of free-improvisers. It is paired here with a brilliant session from the following year, with the same power and friendly combativeness, and oodles of creativity, technique and humour. It's obvious how much they loved playing together.

The south coast of England was a hot bed of amazing Hardcore musical talent in the 90’s, and here is more proof of that! Some of the finest that the south coast had to offer was thew combination of Dj Druid & Vinylgroover, so when they got together to make an EP the result was exceptional. This 3 track EP is full of floor fillers from back then, and it has now has been remastered for a whole new generation of music lovers to enjoy, or for those that remember the days and want to feel that awesome vibe once again.

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

More breakbeat wizardry from Maverick Friske on his now buy on sight imprint Requisite with two more cuts of masterful yin vs yang futurized Drum & Bass.
“Reprizal” aims straight for the jugular with chest out stabs, growling subs and B Boy attitude whilst Apache breaks duel back and forth in an apocalyptic call and response.

Flip for the aptly titled “Light Beams,” where neon synth horns and hypnotizing arpeggios wash down in waves of atmosphere, shining warm sun rays through the Jungle canopy of clattering breaks and 808 groove to bring early morning dancers back out of the darkness.

To ignite Alternate Recordings with a prestigious spark, we've linked up with the legendary J:Kenzo to present two sublime cuts from within the 170bpm spectrum. Kicking off with the aptly-named 'RawZ' - This stripped back DJ weapon resides deep in the jungle sphere. Its sub-line is militant and moody, the breaks are ludicrously tight and as with any J:Kenzo piece of work; it's got professionalism and a passion for the dancefloor at it's core. 'Typhoon' demonstrates Kenzo's staple of deep, textured bass, combined with stripped back half-time sonics. Each element as strong and equally as superbly executed - This one oozes personality. We are honoured to be kicking off Alternate Recordings with Jay and these stellar tracks.

The fourth instalment of the FDX Black series sees label boss Skitty reunited on wax with long time production partner Nolige aka SB81, who's in fine form after his well received cutting edge remix of J Majik's 'Your Sound' for Metalheadz. This plate is an essential purchase for any fan of the trademark Foundation X style, perfectly bridging the space between head nod rolling Drum & Bass, and vintage jungle breakbeat edits.

Foundation X's white label 'Amenizer' project returns with volumes 4 & 5.

Both landing at the same time, each feature heavily requested Foundation X classics previously only available digitally but now available on wax!

Slammin' drum & bass.

Massive rave Ragga drum. Feat the total hit Bombaklot remix.

The second release from Wax Ninja, a Moscow-based record-shop-turned-record-label, is the longed-for gem cut by Artem Xio, the humble leading light of the local underground scene. Can't Stop Now EP is a universal musical weapon, perfect for a DJ bag in which a variety of genres - from hip-hop and jungle to garage house and techno - coexist peacefully. Each side reflects Xio's stages of formation: not only as a collector, DJ and artist, but primarily as a an educated listener with a sensitive ear. The title track Can't Stop Now was written in 2010 to be rethought 10 years after and become a house banger powered by emotionally charged vocals. The dramatic opus that is Crucial Moment pleases with its Detroit-style anguish, while the U Took My Love, an ode to electric organ, gives out some proper Jersey house vibe. Raw and heavy, True School was born out of an unreleased remix for the local rap group, and finally Now U Know takes you back to the beginning of 00s thanks to Cream Soda d'n'b rework. In other words, this "unstoppable" EP is a true delight both for nostalgic old school heads and for those who expect some quality time on the dancefloor.

DJ Feedbacks: (please find all feedbacks in the pdf sheet)
Laurent Garnier: “GREAT EP -- Love the whole thing”
Tensnake: “can't stop now is big thanks”
Robert Owens: ''cool tracks!"
Ka§par: "“For me the house tracks are fun and all, but it's the
Cream Soda jungle mix that's got me into this release,
thanks!”
Anja Schneider: “Great thx .”
Portable: “Wonderful summer vibes post lockdown!”
Black Madonna: “Nice!”
Moodsetter: “Damn Yeaaah !!!
This is classic New York underground sound...
what a vibe !!!
I just L. O. V. E. I. T !!!

1 strong Breakbeat / 1 ragga drum

Ragga Jungle from Canada.

The journey of BASIC RHYTHM, all the way from mid 90s pirate radio, to abstract electronic sounds, has eventually seen a return to his musical roots-jungle and drum & bass. Pushing forward into new territories, his tracks often stand out as brutalist and adventurous, while all the time keeping the dance bouncing. After recent collaborations with Sully and Blood Trust among others, there's plenty of more exciting new music to emerge, starting with 'Sound Killa EP' on Straight Up Breakbeat.

C.Z. debuts on LA's Evar Records with the uncompromising Heat Index EP.

The Los Angeles-based producer, beatmaker and DJ sets a course through IDM, techno, jungle and trance to deliver five frenetic, emotionally-charged dancefloor cuts.

Over the course of an intensely productive career, Colby Zinser (aka C.Z.) has made music spanning genres like pop, rap, hardcore and jungle. As well as releasing music as C.Z., he's operated multiple aliases, including the prolific Ice Underlord. Drawing from a longstanding fascination with breaks, trance and the IDM of artists like Warp Records' Clark, he's developed his own rich and eclectic style of club music - a sound that crystalized on his 2020 debut album Hyperfocus.

C.Z. emerged from 2020 armed with a mass of new dancefloor tracks, freshly inspired to make club music a central focus, after years of smuggling techno, trance and breaks elements into the rap beats he was making for others. As he explains: 'It's great to come back to music and just make what I love, I don't want to be someone else's secret weapon, I want to be my own.' Heat Index refuses to toe a line, steering skillfully through genres and setting a tone that oscillates between club-fuelled euphoria, heartbreak and the looming threat of planetary crisis.

Opener 'Midnight' rattles along at a breathless 160 BPM, transporting you to a breakdown in the middle of a pounding hard trance set. Within a minute the rushing neon trance synths collide with huge, sub destroying kicks. The title track 'Heat Index' follows, with brooding pads bolted onto a tight breakbeat, leaving space open for the razor sharp, searching synth line.

Moving rapidly through the gears, 'Hurricane' is an aptly titled exercise in precision programmed classic jungle breaks, carried forward by bubbling earworm melodies. 'Retrograde' shifts the focus again - a pitch-black, dark, fast and seething techno track ripe for warehouses and dungeons, before 'Radial Lens', a melodic, anthemic set-closer built on a muscular, downtempo break.

C.Z.'s first appearance on Evar Records, the LA label founded in 2020 by Trickfinger and Aura T-09, follows a series of hard-hitting releases from Speed Dealer Moms, Limewax and Kilbourne, all artists who like C.Z., are able to traverse twisted electronica, club music and pure abstraction with ease. 'I want to help encourage a more open electronic music space, less pretentious, and encompassing all genres.' C.Z. says. 'It's an important goal of mine, and one the label shares.' Heat Index is a wide-ranging EP from a versatile producer, and a celebration of unfettered expression, for minds and dancefloors free from inhibition or genre restriction.

Chase & Status liefern die sechste Ausgabe der relaunchten "Fabric Presents" Serie und darin das erste neue Drum'n'Bass-Set. Es besteht aus heftigen 44 Tracks der Crème de la Crème der D&B-Szene, darunter vier neuen Chase & Status Exclusives. Der Mix mit Heavyweights wie Ray Keith, DJ Rap, Dead Dred, Hype und mehreren Tunes des neuen Shy FX-Labels cult.ure fängt die Energie ein, die Chase & Status 2019 mit ihrem "RTRN II Jungle" Meisterwerk entfachten. Acht ausgespielte Highlights finden ihren Platz auf dem Doppelvinyl, darunter selbstredend die vier Exclusives des populären Londoner D&B-Duos.

7"

Hamburg's long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless occasions over the past years, slowly and carefully building up towards a full vinyl release.
The A-side „I Can't Believe (baze.djunkiii meets The Crystal Apes 'Breakbeats Dream Of 92' Remix)“ hits dancefloors with an original Oldskool Rave / Breakbeat Hardcore vibe,
dramatic panorama strings and seductive vocals for the lighter and whistle crew.
Meanwhile the flipside „Broken End (baze.djunkiii meets The Crystal Apes 'When Time Decays There Is No Need For Architecture' Remix)“ brings forth a different flavor, fusing a blurred out, spatial, minimalist and heavily Dub-infused take on Bass Music / Post Dubstep with more dramatic dramatic string works and a surprisingly powerful Rock attitude for very
special moments on the dancefloor.
Initial pressing will be limited to 200 copies on black vinyl.

On March 22, 2024, Anetha will release her inaugural solo album under her own label Mama told ya, marking a significant milestone in her career.

MTY-010 - « Mothearth » is a celebration of Anetha’s decade-long journey in the music industry. It also commemorates the fifth anniversary of her label and its 12th release. Anetha is set to unveil not only her musical prowess but also her critical insights into the music industry and society at large, representing a significant moment of artistic revelation and self-expression.

Definitely post-club, freed from the codes, engaged, this landmark album serves as a declarative statement for Anetha, an assertion that she wants to explore the entire spectrum of electronic music. « Mothearth » includes 2 vinyles, 10 tracks.

All of them are produced by Anetha.
Mix and mastering : Le Dom.
Artwork : Elmo Mistiaen ( Aidesign.png ) / Edit : Valentin Nozay (FEMUR) & Guerand Retout / Shooting : Malte Daniel Hoekstra
Design : Diplomatie Studio

For us at 1985 Music, our Various Artists series are extremely important. It not only provides a great platform to celebrate music from a wide range of artists, but it also enables us to promote both veterans and newcomers in the scene and to introduce them as part of our extended family. We are very excited to share the second part of our Atlas series which includes both new and familiar faces.

The final Samurai Music vinyl release for 2023 sees ASC return to the label with four new 160 BPM jungle excursions.

Conjuring the spirits of the more heady work of Photek, Source Direct and Innervisions, ASC dives deep and transforms the breaks, bottomless sub and eerie synths into 3 forever futurist head cannons.

In true classicist fashion, the EP culminates with the blinding emotive amen flourish of Exploration #4.

House of Leaves is ASC at full strength, again laying out a masterclass of the genre.

A1 - Atmospheric Entry
Aural Imbalance opens his latest Spatial EP with an immense, synth-laden track edited to perfection. Wonderfully robust rolling amens, programmed with inspired analogue sensibilities capture the timeless essence of yesteryear, an anxious, wistful undertone punctuates the surrounding melodies, resulting in a slice of inspired jungle which will fit neatly in your record box as well as being that perfect Sunday evening number you can quietly lose yourself to.

A2 - Lysithea
Opening with an immediate dancefloor impact, Lysithea utilises an addictive, memorable breakbeat pattern with thrusting snares and excitable hi-hats to craft a classic old school serenity, riddled with the washing waves of ambient soundscapes that intersect jubilantly to the breaks. A piece which demonstrates Aural Imbalance's versatility in the genre, blending an abundance of both adjacent and paradoxical techniques to the mix.

AA1 - Altered Perception
Thick, enveloping atmospheric synths open Altered Perception, a track perfect to reset the mind with delicately balanced serene tones and a smooth drumloop. The breakdown arrives and the star of the show reveals itself for the second half, an unforgettable earworm melodic bassline that elevates the track to new heights. When the graceful outro knowingly takes its bow, you will be left to reflect on something quite special.

AA2 - Mountain Sky
Aural Imbalance closes the EP in style with an uneasy array of effects stuttering around tense synths to create an eerie introduction to Mountain Sky, before finely edited Hot Pants breaks and a delicious 808 bassline begin their calculated phonic onslaught to the ears. We are treated to an impressive medley of classic atmospheric inspiration here, rounded of superbly with a nicely elongated outro.

Words by Chris Hayes.

Dutch jungle loons FFF and Coco Bryce team up once again for another Amen excursion on Myor Massiv. Space is the place on this 12', with both jams featuring a short documentary's worth of chatter about giant planets, failed stars and opposing quadrants. Whereas FFF takes a rather intricate and, dare I say it, intelligent approach on the A-side, Coco Bryce's 'More Massiv' goes straight for the throat, with Amen chops and a double tempo pulse bassline being dropped mere seconds after take off.