Beats Vinyl New Releases - News

Xciot EP is the first release by Pyramid Of Nahash (Pyramid Of Knowledge and Nahash), who in this project for Asphalt Records, tag team to merge breakbeat science and bass experiments with classic analogue Trance and early Ambient-Techno melodies. The result is a cinematic, sci-fi safari through outer space in a futuristic hardcore vessel.

Remixing duties have been handed to a second collaborative effort: RVSHES (Logos and DB1), who in their Recombination Mix, carve, bend and reshape the original material into a rugged, angular, yet melancholic techno artefact.

Sweetpea releases her debut release on AKO10 and it is an absolute beauty. 2 atmospheric tracks that take you on a journey.
Sweetpea has put a lot of work into this release and we are proud to present it to you on AKO.
This is just to start look out for more from the talented Sweetpea in the future.

Ach, komm, ein Mensch kann nicht immer gut sein... This sentiment rings amusingly true for us. How did we find ourselves in this post-truth era, and why does such a term actually exist? In a world where distinctions between right and wrong blur, does the clarity of a black-and-white delineation persist? Are we progressing, or are we regressing to a state reminiscent of the past?

Weaving together the complex tapestry of gore, politics, emotions, and, of course, the human experience in this work is done intricately and reflectively by the hands of Christoph de Babalon.

Rushing out advanced patterns that springboard from hi-tek soul, jungle, footwork and weightless grime into unknown zones, J-Shadow arrives on Sneaker Social Club with an album which cements his status as a true sonic scientist.

Since his first drops some five years prior, the London-based DJ/producer has weaved a web of intrigue across labels like Bun The Grid, Nous Disques, Warehouse Rave and an album last year for Keysound. Through it all, he’s demonstrated a prodigal affinity for the elements of hardcore -rooted soundsystem culture without ever being beholden by the perceived rules of dance music. In his hands, tracks can hover in suspense without ever needing a breakdown or build-up, pivoting on skittering drum machine pulses or teetering on the precipice of mountainous subs, gliding on celestial pads or skating into abyssal negative space. The acknowledgement for past methods is there in some of the canonical samples - like where Heather O’Rourke’s Poltergeistcall takes on a truly alternative dimension subtly bedded into the vast swathes of ‘Beneath The Undertow’ - but nothing is as it seems.

The End Of All Physical Form is no self-consciously ‘deconstructed’ record, though. It’s futurist rather than post-modern, carrying on the legacy of jungle and other such forms as vehicles for innovation and urgent exploration, bristling with energy and still, ironically, physical despite the mutated forms the beats and basslines manifest in. Find these works an open-eared soundsystem and they’ll absolutely do the damage, taking the dance somewhere far beyond in the process.

The Rave Doctor – a pseudonym of Dave Wallace, who had a huge input and impact in the UK rave, hardcore, jungle and drum & bass scenes under numerous names such as Mad Dog, Fugitive as well as Aquasky, plus many, many others!

This is the second EP under his Rave Doctor alias that was originally released in 1993 on the Southampton label Adrenalin Records, that was run by Stu J (who also had a release on Vinyl Fanatiks a few years back). Featuring the track ‘Ruff In The Jungle’ that went on to become an anthem in Tenerife where 10,000 ravers will all throw their hands up and cheer when its dropped at a festival. I am reliably told that the track is bigger than Liquid’s ‘Sweet Harmony’ over there which came as quite a surprise to Dave who only recently found this out.

All four tunes are anthemic party tracks with that Dave Wallace melodic midas touch. If you like this, then grab a copy of The Rave Doctor ‘Lost In Bass’ EP which is still available via Sequence.

Settle Down is the music project of Greg Hepworth a DJ / Producer hailing from Bournemouth on the south coast of England. Formally one half of Ulterior Motive, with many releases under his belt, including Teebee's Subtitles, Metalheadz, Shogun Audio... He also launched his own label, Guidance, in 2017, releasing a handful of 12"s and EPs. Onto the future Greg will be producing under the name SETTLE DOWN, with this 12" being one of the first under his new solo project.

Hand-Numbered

Incl. Legowelt, Younger Than Me, Hardway Bros & DJ Squid Remixes

Breaka’s come a long way since he first turned heads in 2018 with shivering bass anthem ‘Rory’s Theme’. After releasing further records on Holding Hands and other labels, he also kicked off his own eponymous label, and held down remix duties for Interplanetary Criminal and Kelly Lee Owens. Now, his musical curiosity gets the spotlight with self-released debut LP ‘We Move.’

Made on a laptop and midi keyboard during the winter of 20/21, the album clearly goes out to the club: singles ‘Mass Gathering’ and ‘Solaria’ earned attention from DJs like Anz, Call Super, and Om Unit, while also doing the rounds on NTS, Rinse FM, and the BBC, as well as featuring on BBC essential ‘Mix of the Year’ by Elkka. Tracks such as ‘Look Inside’ and ‘Solaria’ navigate themes of reflection and isolation, while numbers ‘We Move’, ‘Honeydrum’ and ‘Baile Steppa’ work genres like UK funky, trance, kuduro, and samba together into new forms. Whether considering the dance from a distance or toying with new ideas of what the dance can be, ‘We Move’ is a confident statement of intent, showcasing Breaka’s love for explorations across the electronic axis.

Artwork comes courtesy of Breaka and Jake Elwes, with featured photography from Sophie Jouvenaar.

Repressed!

The south coast of England was a hot bed of amazing Hardcore musical talent in the 90’s, and here is more proof of that! Some of the finest that the south coast had to offer was thew combination of Dj Druid & Vinylgroover, so when they got together to make an EP the result was exceptional. This 3 track EP is full of floor fillers from back then, and it has now has been remastered for a whole new generation of music lovers to enjoy, or for those that remember the days and want to feel that awesome vibe once again.

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

More breakbeat wizardry from Maverick Friske on his now buy on sight imprint Requisite with two more cuts of masterful yin vs yang futurized Drum & Bass.
“Reprizal” aims straight for the jugular with chest out stabs, growling subs and B Boy attitude whilst Apache breaks duel back and forth in an apocalyptic call and response.

Flip for the aptly titled “Light Beams,” where neon synth horns and hypnotizing arpeggios wash down in waves of atmosphere, shining warm sun rays through the Jungle canopy of clattering breaks and 808 groove to bring early morning dancers back out of the darkness.

To ignite Alternate Recordings with a prestigious spark, we've linked up with the legendary J:Kenzo to present two sublime cuts from within the 170bpm spectrum. Kicking off with the aptly-named 'RawZ' - This stripped back DJ weapon resides deep in the jungle sphere. Its sub-line is militant and moody, the breaks are ludicrously tight and as with any J:Kenzo piece of work; it's got professionalism and a passion for the dancefloor at it's core. 'Typhoon' demonstrates Kenzo's staple of deep, textured bass, combined with stripped back half-time sonics. Each element as strong and equally as superbly executed - This one oozes personality. We are honoured to be kicking off Alternate Recordings with Jay and these stellar tracks.

repressed !

7" flexidisc vinyl

Dub Tree is a sine wave heavy bass line trip. Pads and light rave pianos keep this track both heavy and light at the same time, delivering a track with serious punchy kicks that'll keep any raver stomping wildly thru from beginning to end.

Pads and light rave pianos keep this track both heavy and light at the same time, delivering a track with serious punchy kicks that'll keep any raver stomping wildly thru from beginning to end.

The fourth instalment of the FDX Black series sees label boss Skitty reunited on wax with long time production partner Nolige aka SB81, who's in fine form after his well received cutting edge remix of J Majik's 'Your Sound' for Metalheadz. This plate is an essential purchase for any fan of the trademark Foundation X style, perfectly bridging the space between head nod rolling Drum & Bass, and vintage jungle breakbeat edits.

Western Lore is proud to present 'We're All Disturbed', the debut long player from Mancunian brothers, Response & Pliskin.

Throughout a dreamlike sequence of 10+ minute epics that further blur the boundaries of jungle & techno, the duo explore themes of violence, corruption, tyranny & propaganda; Painting a stark vision of a present day dystopia lurking within the cracks of society.

3 x heavyweight (180g) black vinyl, shrink-wrapped & housed in a full art gatefold sleeve.

Skins is a producer/DJ based in Leeds with an active history in dance music that goes back over 10 years. He cut his teeth DJing regularly at the legendary former Oxford nightclub The Cellar. He played here as part of the Subverse Radio collective as well as for other favourite local promoters, alongside a regular radio show on the aforementioned station which he co-founded. After moving to Leeds in 2016, Skins focused his attention on music production and self-released a string of white-label techno EPs which garnered support from artists such as Djrum, Jane Fitz and Mike Schommer of Deepchord.

More recently Skins has moved away from the dub techno sound with which he had become associated, with an EP from speed garage newcomers Spin City on heavy rotation with DJs including Evan Baggs, Andrew James Gustav and Sugar Free. His latest explorations have found him returning to the futuristic jungle stylings which originally drew him into the world of electronic music in his teens.

Whether it’s in the studio or behind the decks, Skins draws on a wide range of influences from hip hop, deep house and techno through dubstep and grime to jungle, with a preference for playing vinyl over three turntables. He has performed alongside the likes of Willow, Batu, Answer Code Request, Levon Vincent and Ben UFO.

Foundation X's white label 'Amenizer' project returns with volumes 4 & 5.

Both landing at the same time, each feature heavily requested Foundation X classics previously only available digitally but now available on wax!

Cantina Cuts welcomes Eruption FM's DJ Uplift to the label with four heavy jungle and hardcore tracks.

6-track EP compilation with Terada's work for the Ape Escape games, tip!

Outside of the international house underground, where his early ‘90s works for the Far East Recording label he co-founded with Shinichiro Yokota are rightly celebrated as bona-fide classics, Soichi Terada is best-known for his work composing music for video games. Yet until now, few of his productions for video games have been released outside of Japan, especially on vinyl.

Apes In The Net, a six-track EP featuring music composed for the popular PlayStation 1 series Ape Escape, sets the record straight. It not only showcases Terada’s quality as a composer and producer, but also his versatility. Like much of Terada’s work on the Ape Escape series, the tracks featured don’t explore deep, New York and New Jersey influenced house sounds, but rather his lesser-celebrated love of jungle and drum & bass – a sound he fully explored on 1996 album Sumo Jungle.

“The producer of the Ape Escape games heard that and got in touch,” Soichi remembers. “They asked me to make the soundtrack, and then work on the music for the sequels after that. I used to love making music with AKAI hardware samplers, synthesisers, and computers, so I played and recorded the tracks using almost the same methods as I did when I made house music. Using breakbeats and audio samples with a sampler was the most useful way to make the soundtracks.”

The six tracks on show, which were originally recorded in the ‘90s but reconstructed and remastered for Japan-only CD and digital releases over a decade ago, mix elements of Terada’s familiar deep house style – think warming chords and pads, memorable melodies, and emotive musical motifs – with blistering D&B breakbeats, 16-bit synth sounds, electronic bleeps and undeniably weighty basslines. They’ve stood the test of time and arguably sound just as fresh now as they did at the turn of the millennium.

For proof, check the soaring, spellbinding ‘Spectors Castle’, where uplifting lead lines and sumptuous chords dance atop punchy beats and growling bass, the jazzy and saucer-eyed rush of ‘Mount Amazing’ (all twinkling piano motifs, alien synth sounds, squelchy bass and skittish drums) and the intergalactic, liquid D&B excellence of ‘Time Station’, whose whistling melodies and stargazing chords are undeniably alluring.

There are plenty of other delights to be found across the EP, too, from the bustling, race-to-the-finish breathlessness of D&B/bleep techno fusion workout ‘Spectors Factory In’, and the rumbling sub-bass, creepy pads and suspenseful melodies of ‘Haunted House’, to the bombastic, all-out-assault on the senses that is ‘Coaster’, the set’s most “purist” jungle workout – albeit one that also doffs a cap to the pulsating world of big room techno.

Apes In The Net, then, celebrates Soichi Terada’s mastery as a video games composer and early Japanese junglist. Props are well and truly overdue.

The journey of BASIC RHYTHM, all the way from mid 90s pirate radio, to abstract electronic sounds, has eventually seen a return to his musical roots-jungle and drum & bass. Pushing forward into new territories, his tracks often stand out as brutalist and adventurous, while all the time keeping the dance bouncing. After recent collaborations with Sully and Blood Trust among others, there's plenty of more exciting new music to emerge, starting with 'Sound Killa EP' on Straight Up Breakbeat.

Minds At Large comprise of Zak and Hoj from Watford, North London who were active between 1992 – 1997, releasing on their label Choicest Music. Most of their releases were white label only releases, some handwritten, others stickered. Each release was a limited pressing and since they debuted over 30 years ago, they have become hugely popular and collectable.

Here is out first release with the group – 4 tracks of hardcore/early jungle.

Only 350 pressed on an incredible marbled vinyl.