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Lullabies for Insomniacs brings you the debut release from the intoxicating Garland. A project which emerged years ago and subsequently developed and transformed through overseas exchanges. Influenced by popular media and musical practices the duo channels a resonating wonderland that echoes, calling for magic to ignite.

-Vinyl comes in black or clear colours.-LP includes download.
-Recorded and mixed at Decade Music Studios (Car Seat Headrest, Tortoise).

* Starting in 2014 as a collaboration between visual artist Heather Gabel and percussionist Seth Sher, the Chicago based industrial duo known simply as HIDE was formed. The following three years have seen HIDE crash through with a number of aggressively rendered singles and EP's while quietly collecting the shattered pieces that would form their debut full length album, Castration Anxiety.

* Those familiar with HIDE's provocative live performances will already be accustomed to the hypnotic low-end and sinister vocal delivery that has become the band's signature. The opening track, Fall Down, sets an eerie tone that permeates Castration Anxiety until the end. Throbbing pulses swirling around Gabel's death laden mantras succumb to themes harvesting power from desperation and hopelessness.

* The first single and video for Wildfire, keeps the same repetitive, dark emphasis but delves deeper into the ideas of the physical world rejecting its inhabitants. Harkening back to the slow, brooding industrial anthems from decades before, HIDE's treatment of this sound is notably unique as it is familiar.

* Tracks such as Fucked (I Found Heaven) and Bound/Severed ratchet up the tempo with a hedonistic dance floor séance. Each song ripping apart the ideas of empowerment and autonomy, throwing them back out to the audience in the form of Sher's addictive rhythms, shattered EBM-styled samples whipped at the end of a leash, held in check by Gabel's cathartic delivery.

* Wear Your Skin unveils HIDE in a disruptive personal state. Churning electronics stepping up to anthem-styled synth melodies, disrupted sparingly by incantations of Gabel's experiences about identity and obsession, blurring those themes into prophetic feedback.

* The past few years has seen HIDE touring nationally, playing alongside related acts such as ADULT., Ceremony and Champagne Mirrors, as well as providing main support for Marilyn Manson during The Pale Emperor tour.

* Dais Records presents HIDE Castration Anxiety' on March 23, 2018 in limited edition splatter and clear vinyl, as well as standard black vinyl and digital formats. Castration Anxiety was recorded and mixed by Adam Stilson at Decade Music Studios with additional recording at Valley Recording Co. by engineer Joe Cardamone, who contributed additional instrumentation and arrangements.

-Vinyl comes in black or clear colours.-LP includes download.
-Recorded and mixed at Decade Music Studios (Car Seat Headrest, Tortoise).

* Starting in 2014 as a collaboration between visual artist Heather Gabel and percussionist Seth Sher, the Chicago based industrial duo known simply as HIDE was formed. The following three years have seen HIDE crash through with a number of aggressively rendered singles and EP's while quietly collecting the shattered pieces that would form their debut full length album, Castration Anxiety.

* Those familiar with HIDE's provocative live performances will already be accustomed to the hypnotic low-end and sinister vocal delivery that has become the band's signature. The opening track, Fall Down, sets an eerie tone that permeates Castration Anxiety until the end. Throbbing pulses swirling around Gabel's death laden mantras succumb to themes harvesting power from desperation and hopelessness.

* The first single and video for Wildfire, keeps the same repetitive, dark emphasis but delves deeper into the ideas of the physical world rejecting its inhabitants. Harkening back to the slow, brooding industrial anthems from decades before, HIDE's treatment of this sound is notably unique as it is familiar.

* Tracks such as Fucked (I Found Heaven) and Bound/Severed ratchet up the tempo with a hedonistic dance floor séance. Each song ripping apart the ideas of empowerment and autonomy, throwing them back out to the audience in the form of Sher's addictive rhythms, shattered EBM-styled samples whipped at the end of a leash, held in check by Gabel's cathartic delivery.

* Wear Your Skin unveils HIDE in a disruptive personal state. Churning electronics stepping up to anthem-styled synth melodies, disrupted sparingly by incantations of Gabel's experiences about identity and obsession, blurring those themes into prophetic feedback.

* The past few years has seen HIDE touring nationally, playing alongside related acts such as ADULT., Ceremony and Champagne Mirrors, as well as providing main support for Marilyn Manson during The Pale Emperor tour.

* Dais Records presents HIDE Castration Anxiety' on March 23, 2018 in limited edition splatter and clear vinyl, as well as standard black vinyl and digital formats. Castration Anxiety was recorded and mixed by Adam Stilson at Decade Music Studios with additional recording at Valley Recording Co. by engineer Joe Cardamone, who contributed additional instrumentation and arrangements.

The first full length LP on KSE comes from the Belgium electronica mastermind Luc van Acker. Taking Snapshots is his first full-length album recorded in the early 80's in his own home. Witness Luc van Ackers enlightened musical spirit at the start of his career with this far-out experimental electronic release.

Having debuted with a fine EP by Job Sifre, Artificial Dance has returned to the source for release number two. The 12' pays tribute to one of the most influential figures of original DIY electronic music scene of Holland, Hanjo Erkamp.
During the first half of the 1980s, Erkamp had a hand in some of the most experimental and forward-thinking releases on the now legendary cassette label, Trumpett. Famously, he was a member of two of the label's key bands - industrial outfit Doxa Sinistra and new wave combo Ende Shneafliet - but during the period he also recorded a swathe of solo tracks as C. Stein, most of which only saw the light of day decades later.

La Bombe Plastique', a thrillingly spacey and futurist cut rich in proto-techno rhythms, intergalactic electronic motifs and drowsy choral vocals. For this timely reissue, the superb original version comes accompanied by a fresh re-edit created primarily for DJ use.

Respuesta Alternativa or the Alternative Response was the project of Spanish musician Jesus Mª Catalan, created with the help of Julián C. Pérez.
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As the title implies the music was generated in response to traditional music notions of the time, and reflects how Jesus Mª Catalan would challenge these traditional ideals using a fusion of styles and his unique vision. Jesus laid out his synths and drum machines, while other musicians played traditional instruments over the top. This unique approach worked to create atmospheric tracks capturing simple themes, with each influence being carefully thought of in the joint result. As he explains each instrument weaves independently throughout a passage in a curious game where the listener's attention goes from focusing on a keyboard, guitar to bass or percussion. Previously only released on a cassette album in Spain, Left Ear have polished 5 choice cuts for a 2018 12'.

Recorded in Miami in 1985 by a school teacher and originally released as a self-published single for educational purposes, copies of 'Do You Know Black History' did not circulate much further than Florida's public school libraries and the record has been shrouded in mystery up until now.

Dr Mary Sullivan Bain recorded the song to be used as an educational and motivational tool in the Miami-Dade public school system she taught in.

Produced with no label constraints, this cross-genre grail sits comfortably in many boxes... 808's, bass synths, deep chords, live percussion and effects dubbed into the mix. The production leans towards the electronic diy framework that informed the local sound on the Miami south side. Whilst the categories are blurred what's clear is that Bain was thinking outside of the box. Official 12' reissue from Backatcha Records.

His first solo EP, Barbie's Back, out on Gomma, is a huge success for the ghetto-disco wizkid and everyone starts falling in love for his sound: his first album, Hot Robot, is released in 2008 and Erol Alkan, Jori Hulkonnen, PrinsTomas, Digitalism, Shitrobot play his tracks all around the world. Thought, recorded and produced in his studio in Gracia, Barcelona, V.I.C.T.O.R features a number of collaborations: Julienne Dessagne (Sachienne), Yan Wagner, Fabrizio Mammarella, Moscoman, Guillaume Atlan, In Fields , Pajaro Sunrise

Idiology was originally released in 2001 and is now finally back on vinyl. This re-issue is pressed on white color vinyl and presented in a die cut jacket with artworked inner sleeve and free download card. From their beginnings in 1992, Cologne native Jan St. Werner and Dusseldorfer Andi Toma have consistently challenged electronic music"s paradigm in often surprising and always intriguing ways. Idiology is the duo"s seventh album and is no exception to this rule, as Mouse on Mars surround themselves with strings, woodwinds, brass and the band"s own heavily modified fleet of machines in the St. Martin"s Tonstudio. Fans should once again brace themselves for the inevitable shock of the new as Germany"s most irreverent audio renegades have created the perfect soundtrack for a highly sinister dance party. Kicking off with "Actionist Respoke", the album"s first single, Mouse on Mars officially declare their independence from glitchtronica"s shoegazing legions. Longtime collaborator Dodo Nkishi lends a uniquely warped vocal sensibility to the track which already features Mouse on Mars"s darkest grooves to date. The rest of the album continues to thicken the group"s sonic stew. Tracks such as "Presence" and "Catching Butterflies With Hands" have their populist intentions undermined by Werner and Toma"s meddling hands, while the duo reprise their flirtation with the orchestral as heard on the opening tracks from 2000"s Niun Niggung. At the other end of the spectrum, "Introduce" is a truly evil slice of twisted lympho-zoid hip-hop. Idiology takes no prisoners in its dual-pronged assault on the conventions of modern music. Only with the loungy closing number, "Fantastic Analysis" (a term Werner and Toma invented to describe their working process), do Mouse on Mars let the arrangements breathe a long sigh of relief, the calm after the storm. To enable these stylistic achievements Mouse on Mars enlist the help of partners in crime such as: Nkishi, the multi-talented Harald "Sack" Ziegler, house icon Matthew Herbert on piano, violinist Matty Arouse, in addition to fellow programming wizards Adam "Vert" Butler and F.X. Randomiz. The latter two toured with Mouse on Mars in 2000 as they successfully triumphed over audiences around the globe.

As one-third of Yellow Magic Orchestra and an Academy Award-winning composer for his work on the soundtrack for The Last Emperor, synth pop innovator Ryuichi Sakamoto is among the most groundbreaking artists to have emerged since the late 70s. A musician's musician, Ryuichi Sakamoto has created intriguing musical unions with artists such as David Sylvian, Iggy Pop, Tony Williams, Bootsy Collins, Jaques Morelenbaum and many others.

Following the massively successful release of the electronic masterpiece async in 2017, Ryuichi Sakamoto's first studio album in eight years, Milan is proud to announce the remix compilation async remodels: a dozen remixes of async's tracks by a who's-who of experimental giants - everyone from Icelandic composer Jóhann Jóhannsson (Arrival, Sicario) to Oneohtrix Point Never (composer of Good Time) to Arca (producer of Björk's numerous releases) have gotten their hands dirty remixing Sakamoto's work. Even reworks by the Canadian synthpop duo Electric Youth and Austin-based synthwave legends S U R V I V E are included. With such a well of talent reinterpreting such a personal album, this is one release Sakamoto fans can't afford to miss.

Two spontaneous recordings made by Mystic Jungle and Rico Milord during an hot midsummer night at West Hill Studio (Camaldoli, Naples). Lo-fi reverbered analog cheap drums, fm synthesizer, electric bass and lazy guitar movements amplified in a vintage space echo.

Hailing from a H Class planet far across the cosmic highways, BÊNNÍ is "hi NRG New Age" music. A pivotal member of bands Wizzard Sleeve/Gary Wrong Group, Heavy Lids, Roman Gabriel Todd's BRUOOTS, 9th Ward Marching Band, and many more, BÊNNÍ was born from his personal need of new music to listen to while driving his spacecraft long distances.

Tired of listening to Van Halen's "5150" and Zebra's self-titled album on his journeys, he began creating sci-fi landscapes and ethereal soundtracks of his own. Often at times primitive, BÊNNÍ's music can go from Vangelis, to John Carpenter, to 80s dungeon electro band into vintage arcade game circuitry with the blink of an eye. With his first LP release, BÊNNÍ will be embarking on a Euro/Scandinavian tour in August.
New Orleans' enigmatic Quintron weighs in:
"The thing to me that has always kinda set the Memphis / New Orleans punk scenes apart from other places is that music and musicianship always outweighs high concept or the typical sneering "fuck you" attitude of other places. BÊNNÍ is a Musician with a capital M and it's no accident that within a year of his coming to New Orleans (from less than an hour up the Gulf), he began to influence the local landscape as much as any of us who had been here and doing it for decades. BÊNNÍ is special, especially for a young dude. He NEVER overplays, he always listens, he's funky as a church lady, and his memory for parts and complicated song structure is unmatched in anyone I have ever worked with....plus he's chill as fuck. There is a reason that he is in almost every good band in the entire city right now. So yea...if any of you Memphis bitches get funny ideas about stealing him away from us, there will be a straight up lazy drunken army riding up the river to forcibly take him back."

Brass Hearse will be available on limited edition single sided black vinyl, with screen printed image on the B side. Download card is included with 2 extra bonus tracks. Limited to only 250 worldwide.

The goth soaked electronic rock of Brass Hearse's debut album is here to take over your dark souls and have a ball!
They are black chrome'

BRASS HEARSE is made up of WOLFMEN OF MARS (L Liberty, J Clapp, N Merryweather) and the vocalist from ICE DRAGON

Sequenced and recorded in using synths like Roland 909, Roland Juno 106, Akai Cassette Deck GXC 325D, MFB 522, Doepfer Modular, Telefunken M15A...

This is a comp of Peter's work from the 80s and 90s with some material never released on vinyl.. More info soooon!

21 shades of freak from the illuminati of lost sides, Light Sounds Dark.

Don't expect pretty synthpop with bouncy rhythms, catchy melodies or cute Casio sounds. Vono's style is different. To say the least. It's unique. The album is full with short minimal purely electronic sounding sequences.

Music For Dreams is proud to announce the new album by Danish legend Dub Tractor. One of the founding fathers of electronica in Denmark in the early 90s, Anders Remmer has remained a reluc-tant beacon of Copenhagen's scene ever since, with his musical legacy still a work in progress. As well as being a member of Future 3, Remmer has released material under a number of different ali-ases, but his most frequent guise dating back to 1994 has been Dub Tractor. Under this name, he gently crafts complex yet warm and organic electronic music that flirts with ambient, dub and IDM.

With Hello Ambient Wash', the first Dub Tractor album since 2009, Remmer explores further the pos-sibilities of Dub Tractor after the more pop-oriented & shoegaze-flavoured approach of his last album "Sorry". In addition to new material, the second half of Hello Ambient Wash' presents a retrospective of hand-picked tracks from his first three albums on Flex Records (the label which Music For Dreams founder Kenneth Bager ran with Ole Mortensen from 1994 to 2007). Two "Discrete Recordings" tracks from 1994 highlight the atmospheric dub origins of Remmer's sound, while the two tracks from the 1996 album "An Evening With.." see Remmer at his most accessible and funky. The four cuts from his seminal 2000 album "Delay" still sound as vibrant and fresh today as they did then, and perfectly add weight to this unique collection.

Back on the new material, we see Remmer experimenting further with the style he has become syn- onymous with. On tracks like "Wow" and Flutter', he plays with elements of distortion and layers of sound to create an atmosphere of fragility and nostalgic haze. Loops trapped in reverse over the delicate but intense humming of lo-fi ambient noise create a sense that these tracks could fall apart at any given moment, but still push forward at a cautious pace. The melodic side of Dub Tractor shines through on the opening track "C8 90", the title track "Hello Ambient Wash", and "A7 94". Coming off as crackly old cassette recordings of some lost Southeast
Asian folk music filtered through the high-tech dub engines of Remmer, the sound of the new
Dub Tractor proves a heady stew of influences that still sound wholly their own.

Stay Home' echoes more the shoegaze direction Remmer took on "Sorry" with a melancholic sway which layers ghostlike vocals over muted lingering chords. While on tracks like "SIne Song" and "Ltl" Remmer truly gives cause to the name Dub Tractor, as he ploughs down tight rhythms over sub-bass frequencies and a myriad of trickling effects. Like walking through a dense rain forest of sound,drum clicks stick to your body like moist leaves - these tracks conjure the sensation of a cannabis high or an ASMR episode (google that if you don't know it). Remmer must have tapped into some masterful technology of sine wave manipulation to push the listener into these mind altered states.

Limited European edition of 50 copies numbered.

"The Portland based trio of Alexander Wolfe (Vocals), Wolfgang Williams (Guitar), and Tim Iserman (Synth/Programming) cater to all your death disco needs, as Ritual Veil are well versed in the pleasures of synth & sin.

There's some serious nods to Depeche Mode embedded in their DNA, especially in the blackened sex appeal of Wolfe's rich Gahan-sian vocal styling, all while the arrangement bristles with taut energy.
Favorite Toy' is pure sexbeat of the highest order, as Williams and Iserman lay a fitting bed of club ready goth pop for Wolfe to vocally gyrate over.

Ritual Veil know their way around a perfect pop gem, one that pulls from sultry mechanics and dancefloor urgency, while deploying such gothly weapons as an echoed beat, pulsing synths, and cooled vocal exuberance..." Screaming For Years

Visible Cloaks' Lex proposes a utopian dream language and its accompanying sound, a limitless, delicate space developed by fluid musical techniques and subconscious voices. The six pieces comprising Lex simulate a more peaceful future, their mysteries telling a new tale in an unknown but imaginable melodic language. Visible Cloaks are the Portland-based musicians Spencer Doran and Ryan Carlile. Utilizing software-based composition rooted in randomization, MIDI-translation and chance operations, the duo has established an improbable humanist mode of music from esoteric processes. Following their self-titled debut album, Visible Cloaks offered Reassemblage, an album simultaneously honoring the post-Yellow Magic Orchestra school of avant musical adventure and diverging from it. Veering from the paths cleared by Japanese and Italian electronic pop and ambient artists of the mid-80s / early-90s, Reassemblage established Visible Cloaks' own camp in a forest of deep sound canopied by trees grown from synthetic seeds.The sound represented on Lex is webbed with sculptural arrangements and interpolated by the sounds of alien speech. These strange and serene utterances were created by Doran feeding a chain of multiple dialects and accents through a language translation software to create an auditory poetry of an evolved place and time.

Lex features both the final version of this process and earlier, simplified experiments with it ( Keys'). The idea - building on 'fourth world' or 'global village' type concepts - was to create a projected language that was a fusion of many,' Doran explains. The result was a very disorienting form of non-language that amplifies the lapses in meaning that occur with the inaccuracy of auto-translation software.'

Permutate Lex, a companion short film to Lex made by Visible Cloaks in collaboration with artist Brenna Murphy (who also created the artwork for Reassemblage and several virtualist videos for the album), is an integral counterpart, both visualizing an aesthetic alive with human form and guiding the sonic experience of the first five pieces: Wheel,' Frame,' Transient,' Keys,' and title track Lex.' World,' the longest piece presented on Lex, is redrawn from a generative composition originally produced for an installation Doran made with Murphy.

The original work incorporates LFOs and randomized MIDI-information, and was intended to variate indefinitely. In this 'fixed' version, World' provides a more conclusive view into the impossible musical environments Visible Cloaks make real. Longer than any track on
Reassemblage, World' expresses the deepening, patient intimations suggested by Lex.

Doran says the Lex attempts to communicate the essence of a world distant enough that it can't be captured or comprehended from the present, appearing only surreal and inscrutable.' The statement reveals a broader musical philosophy fueling this new moment, an awakened voice woven through complex melodic shapes and phrases establishes communication between listeners and the unknown, here presented by Visible Cloaks as sounds coloring the very edge of the envisionable.

Debut release from Dust Witch. A 5-piece synth outfit that recall the heyday of 70's prog rock. Their sound is tight, complex and densely layered - recalling Goblin at their most fluid, and Yes during their most wigged out moments. What sets them apart from their current synth wave contemporaries is not only their exceptional song writing skills but the addition of live drums & guitar which gives their dense sound an extra kick, and a very human element missing from most current synth acts operating today. This 7-Inch single, pressed on 140g vinyl features artwork by Daniel Danger.

Japanese/French, girlish, mysterious, sensual, always longing, a bit out of this world, but in a way also open and frank

These rare recordings were recorded as part of the legendary prescription label
album series in the late 1990's that resulted in the album "Astral Disaster".
Coil were invited to record at sun dial's studios beneath the London Bridge Hop Exchange. This studio was originally know as Samurai studios that was originally built and owned by Iron Maiden. The premises in Victorian times was an old debtors prison which had three levels underground, and still had the original chains, manacles and wrought iron doors from the old prison. This caught the attention of John Balance and was very keen to record there.

At Gary Ramon's invitation, Coil spent a number of days recording at the studio during Halloween 1998 and they developed a number of tracks some of which resulted in the "Astral Disaster" album.
For various reasons, some of the unissued material and mixes released on this album were omitted from the original Astral Disaster album, and so now is the opportunity to listen to the "Astral Disaster" sessions.

The album includes previously unissued mixes, and the rare version of "I Don't Want To Be The One" that was only included on the very rare 1999 promo CD only Prescription sampler and the 14 minute track "Cosmic disaster" that was the original working title of the album.

Taken from the master tapes and remastered by Denis Blackham.

mitra mitra was formed in Vienna in late 2014 by Violet Candide and Mahk Rumbae.

Originally from New Zealand, Violet Candide is a founding member of the Crazy Hospital DJ collective, and one of the organisers of the legendary Future Echo club night in Vienna, and is one half of Anesthetic Hairpins.

British musician Mahk Rumbae is known for his work as a member of the industrial/experimental project Konstruktivists, Oppenheimer MkII (with Andy Oppenheimer of Oppenheimer Analysis) and his solo techno project Codex Empire.

After working together on one of Violet's solo songs, Heat, the pair decided to continue working together as mitra mitra, with the aim of writing electronic songs not tied to any particular influence or style.

mitra mitra have so far released a limited 7" single on Polytechnic Youth and a self-titled debut album on their own label Micromort Music - both of which sold out almost immediately.

For their new EP, released in conjunction with Peripheral Minimal, they present four new songs, including live favourites The Flood and One Universe, as well as Snakes and Phantom Flats. Rounding off the 6 track EP are two special remixes from LowSea, who remix Snakes, and IV/AN who remixes Blender (from the debut LP).

Meaning all things magic and supernatural, the root of the word occult is that which is hidden, concealed, beyond the limits of our minds. If this is occult, then the Occult Architecture of Moon Duo's fourth album - a psychedelic opus in two separate volumes released in 2017 is an intricately woven hymn to the invisible structures found in the cycle of seasons and the journey of day into night, dark into light.

Offering a cosmic glimpse into the hidden patterning embedded in everything, Occult Architecture reflects the harmonious duality of these light and dark energies through the Chinese theory of Yin and Yang.

Following the Yin (feminine, darkness, night, earth) represented on Occult Architecture Vol. 1, Vol. 2 presents the Yang. Yang means the bright side of the hill' and is associated with the male, sun, light and the spirit of heaven, and as such Vol. 2 explores the light and airy elements of Moon Duo's complex psyche.

In production we referred to Vol. 1 as the fuzz dungeon, and Vol. 2 as the crystal palace,' guitarist Ripley Johnson explains. The darkness of Vol. 1 gave birth to the light of Vol. 2. We had to have both elements in order to complete the cycle. We're releasing them separately to allow them their own space, and to ensure clarity of vision.

In the early 1980s, Alice Coltrane Turiyasangitananda formed an ashram in Agoura Hills, California. There a beautiful, multi-ethnic and multi generational religious community grew up around her. The highpoint of living in this very special and loving environment took shape on Sundays when Alice would lead the community in a musical ceremony, mixing both gospel and Indian chant, to create a music she wholly invented - it was something extraordinarily powerful. The Ashram is still there today. There are still some who live there and there is still a weekly Sunday service that is open for everyone.The folks who populated the Ashram world of Alice Coltrane Turiyasangitananda were a very special group of people. Many of the adult members were musicians before having moved there, and many of the younger followers have become musicians and film makers as they grew older. One these amazing artists is John Panduranga Henderson.Panduranga played organ, piano and sang with Ray Charles in the 1970's where he was a star performer in Ray's band. When he joined the Ashram, he became in essence a star performer there as well, though of course there were no 'stars'. Alice sitting at the organ would say, Panduranga' and John would come to the front and let loose one of his amazing gospel-esque solos praising Rama or Vishnu or Jesus, Muhammad, Moses and more. He made one record under his own name - a record so obscure it's not listed on Discogs, nor found on the interweb what! Today, for you dear listener, we would like to present Panduranga Henderson's Ocean of Love.' Om Shanti.

We don't know much about George Boutz, except that he released two cassettes in the early 80's. All recorded at home, using several synths such as the OB-08 and the Micromoog, making weird, spacey and trippy tracks. Tip tip tip! Orbeatize has 3 more releases coming up in December, check out the link below the info of ORB 06!

Espectrostatic's 3rd LP, Silhouette, comes to vinyl for the first time as a hand-numbered limited edition of 500 on transparent Spectre Blue wax with download card. Including re-imagined artwork and insert by Hauntlove.Silhouette, the follow-up LP to 2014's Escape from Witchtropolis, is a seductive and enthralling mix of creepy horror and melodic beauty.Alex Cuervo's Espectrostatic moniker once again manages to create its own world and effortlessly draws you into his dark creation. As soon as the opening track 'The Corridor' begins you know immediately whose dystopian world you have entered.The melancholic beauty of 'The Day We Were Captured' will melt you without remorse, building synth upon synth atmosphere. There is also a fun and teasing side as highlighted on 'Dead End City' with its post punk drums and guitar flare.

Terrific 12¨ purple vinyl and as Waste Editions crew are really into emotive and personal sounds ,on this occasion this new release 'Inside us ' by Old Coroner can´t be otherwise. We can´t talk about a trend since the producer from Barcelona Victor Safont ,who is the man behind this project ,started producing synthwave music in 2003. Yes siree! Powerful beats ,dark textures and touching melodies which are perfect for a diabolic dance floor or a meeting at a lodge.

Splendid production, full of electronica and deep ambiances, offering some techno, some breaks, and a lot a nostalgic ambiances... Sweet music. A superb album !

Music for post-apocalyptic deserts. Experimental synth-sounds with hypnotic percussions - imagine Moondog performing with John Carpenter and Cabaret Voltaire.

Relating to their live appearances, Phantom Horse might be named a lazy combo since they are not to be found on stage all too often. Yet their withdrawn approach fits this album very well - Als Ob' is once more a journey through inwardness, a contemplative excursion to the electronic outback, still friendly asking for your attention. There's plenty of things to discover if you listen mindfully, the Phantom Horse rides out where you as a listener like to be lonely. Those ancient synths are still around, playing their melodies as if* there were no time thieves waiting around the corner (*That is what Als ob' means).

Altogether, the sound has become more electric yet not eclectic, the duo has dekrauted, describing their sound as more ritual but of course avoiding any kind of mysticism and fairy-tale dullness.

Since 2015's Different Forces' (also on Umor Rex), Phantom Horse have fleshed out their friendly stoicism that hauls their experimental synth sounds into the area of songs - maybe even pop songs that aren't tangible at least. Welcome to the insular state of Phantom Horse.

Two songs by the LA-based former Corners frontman. "Protect Your Head" recently used in DC Shoes/Thrasher skate video,
First LP Subterranean released on Burger Records in Feb. 2016, new LP A Place for Nothing and Everything in Its Place out
Oct. 2017, also on Burger.

The Lavel 'Moods & Grooves' welcomes Athens based rising star Phaze Dee to it's roster of well respected and established artists.

Approaching a decade of work - Phaze had appeared on several popular labels as a producer and in demand remixer.

'The Game of Life EP' is a mixture of raw, deep, and soulful tracks featuring Phaze Dee's signature warm synth chords and deep hypnotic grooves. The diversity of this EP will allow it to stay in the bags of DJ's for years.

Robert Scott Pearson's music can be viewed as surrealist, impressionist, post-industrial, mystical or avant-garde, but it goes beyond categories. His work embraces software, philosophy, poetry, visual arts, and generative algorithmic creation in general. At an early age, he began to experiment in this field, releasing his first music privately on cassette, and he was part of the undergound industrial scene in Seattle. Post-industrial but not really nihilistic, he continues nowadays to produce his beautifull music which has anticipated for more than 30 years IDM or modern ambiant for example. This first issue on vinyl and first official release of this discreet but brillant composer is truly a big joy.

Fresh ambient / synth / wave compilation centering the man who brought us Absent Music / The Misz / June11. Introvert gold!'

Horse Follows Darkness is the second record by Delia Gonzalez, her follow up to the album In Remembrance'.

The title is taken from a werewolf genre film her 8 year old son Wolfgang had created. At this time, Wolfgang also turned Delia onto a genre of cinema she had always resisted - the American Western.

Delia explains that what she observed was all relevant - the album is based on our personal experience of moving back to America (from Berlin) and the journey that followed. The record is a manifestation of that, and what one creates for themselves under the given circumstances. Coming back to America, I felt like a foreigner and NYC / America felt like the Wild West. Most Westerns from the 1960s to the present have revisionist themes. Many were made by emerging major filmmakers who saw the Western as an opportunity to expand their criticism of American society and values into
a new genre.'

The narrative of the record is one of re-encountering the frontier mentality that shaped the country but somehow never faded. This time as a foreigner. The genre of the Western remains pertinent, many of the same stories of that brutally deromanticised era are still relevant today. America hasn't changed - the cast, times and settings have, but we still hold onto the same ideal.

Horse Follows Darkness is essentially a modern electronic soundtrack for the Revisionist Western. Even the idea for the record cover is inspired by one of the most well known modern Westerns, Robert Altman's McCabe & Mrs Miller.

The album was recorded with Abe Seiferth at Transmitter Park studios, which Delia likens to going to the finest tailor'. Abe became an integral part of the recording, playing guitar and helping to suggest experimenting with different synthesizers, something Delia was keen to do. Delia refers to Abe as a magical and incredibly intuitive collaborator' regarding the sound of the record.

The music that emerged from these recording sessions combines a range of influences - from the compositions of Erik Satie to 'Salon De Musique', the solo piano record by Su Tissue (of the L.A. punk band Suburban Lawns). The record also took on a much different shape and sound with the introduction of the Sequential Circuits Prophet VS, as well as a vintage Korg Poly synth and the Roland SH-101. The golden era Krautrock recordings of bands like Neu!, Cluster & Harmonia were touchstones as well, the repetition, swirling soundscapes and locked-in rhythm tracks.

One more time Carlos Martin aka Mynationshit has just produced an emotive and gloomy work. This new album which is the fifth is called 'Malevolent Charmer' and once again this carries on telling us about the ethical conflict between good and evil, nature and built environments and even admiration and comedown. Dark and catchy melodies, epic beats and nostalgic atmospheres for the first Waste´s edition where he is a part of this label with his brother Alejandro Martin and Avencio Delgado. On this occasion ,this work comes out with an outstanding design by Alonso Urbanos who loves like Carlos Martin ,martial arts and Asian culture and obscure folklore. As well,this album comes out with a professional audio studio work by Elias Saura and Pablo Moreno(Irradian).

Project formed by Mynationshit and Sentionaut which is influenced by horror movies .They definitely love directors such as Dario Argento ,John Carpenter,Wes Craven, Mario Bava and of course their hypnotist aesthetics and sinister atmospheres. .On this occasion, They have recorded an eerie album with two outstanding remixes by Hyboid and Synth Alien and also four tracks of them where black cats,stained glass window and darkness are always present. This is called 'Sequanza Lunga' and obviously is inspired by Suspiria which is a 1977 Italian horror film directed by Dario Argento.