Alien Men is a 9 track compilation of abstract Dub & Synth experiments by a range of new artists coming out of Glasgow's Southside.
The idea for the compilation came about during a time of lengthy periods of isolation, where loneliness, insecurity and a willlingness to connect with other like-minded souls was challenging or near impossible. The artwork was subsequently created and the music followed, allowing each producer to tell their own story throughout this period.
The music featured, although hard to pin down to one notion, is Bass/Grime-esq, mutant Dancehall in parts with awkward, Ambient synth moments across this essential Club/Not Club record.
Beats News
Cosmos 2043 is a wild, science fiction-themed library LP by French synthesizer wizard Bernard Fèvre. Released in 1977, Fèvre imagines a far future populated by space-age electronics and lush, vivid melody. This edition has also been treated to a remaster from the original tapes by Fèvre.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
For an understanding of the past, you have to look to the future – or was it the other way round? No matter how you want to put it, some things are an aesthetic choice, and the meaning of style does not necessarily go hand in hand with the latest fashion fad or an incurable retromania. Chinaski’s debut (album under that name) on Running Back seems predestined to resume these discussions. Drenched in sepia colors and faded VHS tapes memories, fed by a science-fiction that never became a fact, essentially made with the ultramodern instruments of yesteryear (see back cover for further reference) that became redundant through their own relatives and a need to ensure efficiency (time, space, money), it’s either concept art, an ode to Disco Piu, a post card from the early days of Frankfurt’s Dorian Gray or the search and itch for a time machine.
All of the debate above is rendered useless by the title though: No Pop, No Fun! And those are the main musical reference points here: instrumental pop that you can dance to, pastel melodies that stick with you and fun frequencies. Downtempo ballads for video game characters in love meet cabriolet anthems and scooter songs. Perfectly composed and carefully made.
If John Hughes would have ever aspired to make a high school movie set in a post-apocalyptic Italy: this is what the score would probably sound like.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
repress
Dame Area ended 2021 and has started 2022 acclaimed in the european stages with a live show praised for its power and darkness, made up of many new tracks.
Some of those have been gathered in this EP. Industrial music with a touch of EBM without ortodoxy nor cobwebs, with metallic percussions performing some atypical rhythms and Suicide's minimalist spirit overflying the scene.
Probably Dame Area's most dance-floor oriented record till the date, "Esto me pertenece" is not simply "dance music" but combat music instead. In fact it doesn't lose sight of the fact that what's most important are not the fat kicks, the unrelenting synths or the percussion, but the attitude. And in spite of the patent darkness of the record there is a clear call to arms to claim what belongs to us: the present.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
- A1: Arifa - Naomi's Dance
- A2: Kijk Een Ster - Freedom Feat Gregg Green
- A3: Scallymatic Orchestra Autumn - Forest Song
- A4: Monsieur Dubois S Amuse - Wicked Jazz Sounds (Leroy Rey Remix)
- A5: Sophia - Over Feat Cloud Orchestra
- B1: Ranie Ribeiro - Morning Meditations
- B2: Maarten Hogenhuis - Lemniscate
- B3: Melle Jutte - Man Up And Create
- B4: Benny Sings - Hold That
- B5: Kraak Smaak - Naked Ft Ivar And Berenice Van Leer
- C1: Jesse Koolaas - About Time
- C2: Greyheads - Beat1(Lo Fi Session)
- C3: Hvnly - Sacred
- C4: Gino Cochise - Fo Woa
- C5: Planty Herbs - Back Into The Night
- D1: Rippps - Ar ..Ps
- D2: Bruxas - Sirocco
- D3: Kofi The Unkown - Bubinga Drum
- D4: Duke Hugh - Greenleaf
- D5: Sykes - Jazz
An ecletic musical representation of infamous Rotterdam Jazzclub BIRD with well-known and lesser-known Dutch artists from the black music spectrum, varying from Jazz, soul, hip-hop to electronic music. Compiled by BIRD musical curators Philip Powel and Guido van Dieren.
- A1: Catherine Brénot – Et Tout Est Yin Et Tout Est Yang (Club Mix)
- A2: 1 Plus 1 – Coming Up For Air (Instrumental)
- A3: Fragile - We've Got Tonight, Boy
- B1: Jarmaz – Night City Life (Disco Remix)
- B2: Friend Of Mine – Just Your Pride
- B3: Mac & Monica – You’re So Good To Me
- B4: Sala & H – Feel The Love
- C1: Alexandra – Fantasia (Fantasy)
- C2: Gioia – No Secrets (Instrumental)
- C3: Janelle – Don’t Be Shy (Dub)
- D1: Alessandro Scellino – Dinner In The Jungle (Erotic Mix)
- D2: Brian Tatcher – Hot Love (Instrumental Dub Version)
- D3: Preludio – Mysterious Nights
Should you find yourself taking a Thames-side stroll in the shadow of the City of London, keep an eye out for the headphone-clad figure of Ilan Pdahtzur. While be-suited bankers and frustrated office workers scurry home to their families, Ilan can frequently be found casting admiring glances towards the blinking lights of towering skyscrapers while filling his ears with the synthesizer-driven sounds of lesser-known 1980s dance music.
Ilan, an avid but little-known record collector best known for sharing the artwork of obscure and under-appreciated early-to-mid ’80s club cuts on his popular Instagram feed, has been digging for vibrant, kaleidoscopic records since his teens. Now, thanks to Spacetalk, he’s been given a chance to offer a glimpse into his neon-lit nocturnal musical world.
The result is Night City Life, a killer collection of 1980s synthesizer songs inspired by Ilan’s admiration for the glow of London’s late night skyline. Over the course of 13 essential tunes, Ilan escorts us on a vibrant sprint through rare Italo-disco, steamy South African synth-boogie, fizzing American freestyle, oddball Austrian electrofunk and so much more.
There are naturally a fair few sought-after cuts present, but also a fine selection of under-appreciated gems that for one reason or other have been all but ignored since they were released three and a half decades ago. In fact, some selections are so obscure that barely any information exists about them online.
Check for example Preludio’s “Mysterious Nights”, an evocative fusion of slow electronic grooves, dreamy chords and twinkling piano motifs previously buried on a lesser-known album of unremarkable German synth-pop, or the dollar-bin brilliance of Fragile’s sweet synth-pop gem “We’ve Got Tonight, Boy”, a cut that Ilan says is capable of “wrapping itself like tendrils around your soul”. He’s not wrong.
At the other end of the scale you’ll find the ultra-rare Italo-disco breeziness of Friend of Mine’s incredible “Just Your Pride” and Mac & Monica’s soulful 1986 South African synth-boogie cut “You’re So Good To Me”, copies of which regularly change hands for hundreds of pounds online. Ilan originally reached out to the men behind the record last year to tell them how one of their other forgotten gems had been played on a Boiler Room session; naturally, they were thrilled.
There’s plenty to admire elsewhere on the compilation, too, from the waves of analogue synths, bubbly melodies and bobbing beats of the instrumental dub version of Brian Tatcher’s “Hot Love” – a cold-war era cut inspired by the idea of love blossoming in the midst of a nuclear meltdown – to the Bobby Orlando-esque freestyle bustle of Janelle’s “Don’t Be Shy (Dub)” and the sparkling post-boogie brilliance of Jarmaz’s “Night City Life (Disco Remix)”, a track Ilan has listened to countless times while admiring the midnight skyline of his home city.
What is Randolph & Mortimer? A folk duo, a pair of accountants, a techno act…a law firm? What started off as an ‘art project’, influenced by 80s Industrial, 90s rave music and inspired by the documentaries of Adam Curtis, has morphed into a full on New Beat / Body Music dance-floor moving machine. Their studio releases have gained support from some of the biggest underground DJ’s in the world like Ancient Methods and gone on to top various genre sales charts on Bandcamp. Whilst the R&M live shows have seen them share bills with Godflesh, Youth Code, PIG and 3Teeth.
In 2019 it was time for R&M to throw a marker down and so came “Manifesto For A Modern World”, the debut album comprised of tracks from the “$ocial £utures”, “Hope Tragedy Myths” and “Citizens” EP’s plus some additional songs. This album is basically a greatest hits of Randolph & Mortimer. A statement of intent. All killer and no filler. The original limited edition CDs and tapes sold out and it had some incredible reviews. A Model Of Control called it “An absolutely outstanding release” and super cool New York DJ Andi Harriman (Synthicide) made it one her of top 10 albums of 2019 on Post-Punk
So here we are in 2020 and the Randolph & Mortimer story has seriously stepped up a gear with this double vinyl version of the album featuring all Manifesto tracks plus the acid styled dance-floor favourite “Apply Yourself” and four brand new tracks (“Crystal Peaks”, “Stateless”, “What Are You?”, “Fantasy Land”) which make up a whole new EP.
Limited edition of 400 copies with folded poster/insert and sticker.
Get ready to warp drive on the Disco Segreta spaceship !
This time we pay tribute to the overlooked work of italian musician Luciano Zanetti. Still relatively unknown to most, he was born in Lecco, where he graduated in violin and piano at the local Conservatorio, but then focused on acoustic and electric guitar, spending most of his life as a musician and teacher.
The only recorded evidences ever published by Zanetti are incidentally just two disco-related 45s. The one presented here, “Volo Delta”, was a synth driven space disco track released in 1976 on Zanetti’s own private label Rot, before such niche subgenre found its way into disco productions.
But we discovered that “Volo Delta” was just a part of a sort of “space suite” Zanetti had been working on: a wonderfully cinematic blend of downbeat electronica, chiptune, library music and mellow synth-work recorded in 1975, sounding way ahead of its time, perfectly rendering what was the concept of “future” and “space” back in the 1970s.
The EP “Space” presents for the first time the original slightly extended version of “Volo Delta”, and three *previously unreleased* tracks: “Esplorazione”, “Incontri Ravvicinati” and “Verso Base Terra”.
As usual with our extreme quality standards, all tracks are taken from the actual analog multitrack masters and respectfully remastered.
Strictly limited edition on 180gr. audiophile vinyl.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
(incl. WheelUP, Ben Hauke, SofaTalk remixes)
Rhythm ever present, melody rising and captivating, thirsting for the chance to wrap the listener around its little finger, a tantalising and ever entrancing meander through the possibility of complex percussion and heart warming keys….
The world of Re:Fill can really be summed up with two words: keyboards and drums, but to limit the their capabilities to purely instrumental elements would be a disservice to the incredible soundscapes they create. The duo, consisting of Gaetano DeCarli and Stefano De Santis, have set a very large line in the sand since their inception in 2020, with their deftly crafted blend of jazz laden polyrhythms and softly spoken melodic structures greatly admired for their ingenuity and dexterity. To ensare yourself within their music is to see two heartbeats at play, the pulse of the music inviting hearts and minds alike to swivel and turn at every given opportunity, with the depth on display all the more remarkable that it is all created by two people. Their previous releases all hint towards a number of influences, such as Tony Allen and the London district of Shoreditch, references which give the music an extra edge and allows for the possibilities to flow forth. Singles like ‘The Vinyl Session’ feel as if they contain a multitude of strands, despite the music’s short length, whilst their most recent release, ‘Districts’, has that ultra modern feel to it, as glimmering stabbing synths collide with impeccable percussive elements. if you listen to their previous efforts you see the blue print of much more ambitious things to come, and well the time seems perfect for an LP release….
It all leads onwards, a sound that feels like it could reach heights of unimaginable possibility, and with ‘Cycles’, the duo have crafted something that rises to the very top. Welcomed into the Cognitiva fold like an old friend, ‘Cycles’ reflects the groups’ evident ambition that has dissipated from their previous singles, and provides plenty of breathing room for new styles to evolve and new scales to be explored. The album consists of a number of original cuts along with some excellent remixes, with longtime Cognitiva family member Sofatalk, WheelUP and Ben Hauke invited to place their spin upon the record. What results is a wondrous unravelling of melody and rhythm, with each track opening up like a majestic flower in bloom in the early morning sun, before grabbing the listener by both hands as the groove evolves with such purpose and invention. The opener, ‘Impulse’, does just that, as densities shift perspective within the keys, creating a call and response feel with the drums that merges superbly between expansive scapes and tight, concise funks. The track has not one but two remixes, both of which break things down and rebuild the track with respect and alternative angles, and act as perfect counter balances to the effortless progression of the original. ‘Intemperance’ is perhaps the most powerful track the duo have ever released, with a thick keyboard bass line permeating hard through swirling cosmic synths and heavy hitting drums, with plenty of density found within. ‘Atomism’, ‘Radiance’ and ‘Stillness’ are different beasts, their tone and form slightly less explosive but with the transitions expertly pulled off by creative usage of instrumental shifts and percussive movements. The use of guitar should be noted, giving a very Japanese Jazz Funk feel to proceedings at times, which is always welcomed. ‘Stillness’ also receives the remix treatment, with Ben Hauke’s version doing the milage in bringing the funk into a skippy 2 step space, with looping horns and piano really doing the business as a final curtain call.
Arms open, smiles abounding, and bodies ready for a dance. Cognitiva couldn’t be prouder to release this special album, from a duo who have a very bright future ahead of them. So sit back, or stand up, and prepare to free your mind and let go of your body – this is music to live for.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
- A1: Hope Valley Hill (2022 Remaster) 05 23
- A2: Come With Nothings (2022 Remaster) 05 08
- A3: Fourteen Drawings (2022 Remaster) 04 37
- A4: Backlight (2022 Remaster) 04 55
- B1: The Red Truth (2022 Remaster) 04 43
- B2: A Mountain Of Ice (2022 Remaster) 04 30
- B3: Shoulder To Hand (2022 Remaster) 05 22
- B4: Hollie (2022 Remaster) 04 41
Originally released in 2008 on Type Recordings, Caesura by Helios aka Keith Kenniff returns in a new 2022 edition vinyl re-release, remastered by Taylor Deupree.
Keith Kenniff had been with Type from the very beginning, and in the fifth year of the label he offered his fifth gorgeous release. In those five years Keith's style had evolved constantly, with his drifting piano compositions taking the Goldmund label and the Helios sound moving out from underneath the clipped beat-heavy electronics of 'Unomia' and into a more unique place, even incorporating vocals on the 'Ayres' mini album. 'Caesura' however was his 'proper' follow-up to the acclaimed 'Eingya', and has seen Keith return to the instrumental sound he knows so well. In fact in many ways 'Caesura' is a more electronic work than its predecessors, blending layer upon layer of synthesizer and adding his assured drumming to come up with the perfect meeting of indie-pop and ambient music. The haunting cinematic element is still present of course, but these songs are more rounded and confident than any in Keith's career to that point.
From the delicate bliss of 'Hope Valley Hill' which opens up the album with gauzy nostalgia and, as the title promised, hope, through the chunky pop of 'Come With Nothings' it is clear that Keith's music is as arresting as it ever was. Taking cues from the lilting indie-electronics of Ulrich Schnauss and the unfussy ambience of Brian Eno, Keith manages to inject this with his knowledge as a composer. The epic harmonies of 'Backlight' for instance reveal a lightness of touch rarely heard in the genre with sweeping synthesized chords buzzing alongside Keith's signature guitar.
Accompanied by more gorgeous artwork from Matthew Woodson, 'Caesura' still is a glowing record for the winter months, and a glimmer of hope to keep the seasons at bay.
From Nursery to Misery crawl back to Dark Entries with Tree Spirits, the follow up to 2017’s Pixies In The Woods. The project was founded in 1987, when producer and keyboardist Lee Stevens invited identical twins Gina and Tina Fear over to record in his home studio in Basildon, Essex. Four years of prodigious studio experimentation followed, resulting in two full length cassettes (1989’s The Oak Tree and 1990’s Equilibrium), and a split EP with Nostalgie Eternelle in 1990. Stalwarts of the Mail Art scene, they also appeared on over 22 cassette compilations, home-dubbed in true DIY fashion, before splitting in 1991.
The eleven tracks on Tree Spirits display From Nursery to Misery’s signatures: chunky drum machine patterns, playfully eerie synth melodies, and Tina and Gina’s stark, nursery rhyme-esque vocals. The lyrical content ranges from dreary to grim; they explore existential despair, sexual violence, and death through an acerbic, feminist lens. Inspired by the Bladerunner soundtrack and 4AD, Lee’s production is alternatingly warm and icy, like a glacier wrapped in analog tape hiss. Stylistically, the tracks range from charmingly miserable synth pop on “Cry Me”, to the clanging rhythmic industrial of “The Daily Raper”, and even a haunting flute driven instrumental with “A Summer Morning Trip Through The Misty Woods”. From Nursery to Misery are a pure expression of the British DIY aesthetic, which is made all the more captivating by the band’s own confession that they were just trying to make pop music!
All songs on Tree Spirits were remastered by George Horn at Fantasy Studios. The cover art by Eloise Leigh features a photograph of the twins posing dramatically in the woods. Included is a 12-page booklet with lyrics, liner notes, and an archival interview with the band, as well as a bonus 1.25” square pin featuring the band’s logo.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Synth pulsing heaven is what we all need and the new Baldocaster, Traveller CS split EP is here to aid.
Exodus: A collaborative cinematic concept EP with washes of Tangerine Dream and Jean-Michel Jarre influences. Vintage hardware blasts spacey synth sounds with some beautiful melodic grounding.
Solare: A more beat driven Berlin school EP from Baldocaster. Loosely conceptualised around Galileo and his discoveries. Otherworldly synth escapism at its finest.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
- A1: Intro
- A2: Chrome
- A3: Too Tuff To Bluff
- A4: Curb Dogs (Part 1 & 2)
- A5: Kuwahara Dreams
- A6: Goodtimes In Badlands
- A7: Gettin' Crit
- A8: When Haro Met Sally
- B1: Mushroom Grip
- B2: Sunset On Overland Drive
- B3: In Dominguez We Trust
- B4: Skyway Skit
- B5: Me & My Mongoose
- B6: Throwdown At The Del Mar
- B7: Heartbreak At Runway Park
- B8: Mirage Skit
- B9: Upland '84 (Endless Summer) (Endless Summer)
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Debut Solo Album From John Carpenter Musical Collaborator On Very Limited Vinyl.
Daniel Davies Has Announced The Impending Release Of Events Score, An Eight-song Collection Of Otherworldly Instrumentals That Expands On The Musician's Distinct Talent For Wringing Modernistic Soundscapes From Vintage Synths. Perhaps Best Known For His Role As A Collaborator And Co-writer On Horror Auteur John Carpenter's Recent Lost Themes And Anthology Albums (as Well As A Pillar Of His Live Band's Subsequent Tours), Events Score Marks Davies' First Proper Solo Album. To Accompany The Announcement, Davies Has Shared 'shadows Alive,' A Melancholy Theme Built On A Glassy Synth Melody Arpeggio, Bolstered By A Creeping, Expansive Low End.
The Album Began As A Brainstorming Session For A Movie. 'i Was Talking With A Friend About Writing A Sci-fi Film, But I'm Not A Screenwriter So I Wrote An Album,' States Davies. 'i Could Imagine Huge Spaceships Cracking The Sky, Giant Sand-snakes Barreling Through The Desert, Or Someone Drifting Across The Bottom Of The Ocean With Just Barely Enough Light To See The Creatures Beneath. It's The Score To All That...'.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
- A1: Your God Is Too Small
- A2: A Promise For Komiko
- A3: Destroy All Humans
- A4: Skit_Legend Of Poison Cobra
- A5: Gunman Omega
- A6: The Mysterions
- A7: Skit_Legend Of Opal Moon
- A8: Tokyo Sos
- B1: Tears In A Demons Eye
- B2: Myuki My Love
- B3: Phantoms
- B4: Skit_Legend Of Heavenly Sphere
- B5: Theme For Hoshino
- B6: The Second Death
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Accomplished musician / producer Bryan Richie, bassist for American rock band The Sword, has announced a new solo project under the pseudonym Galactic Protector. Overflowing with bright, synthesizer melodies and blissful, melancholic IDM, the 15 track effort plays out like electronic dream pop songs, hovering between ambient introspection and more active synth pop and post-rock elements.
Tranquil, nostalgic and melodic, 'Evening' pushes sound beyond the realms of IDM and ambient, conjuring a more kinetic, experiential expression of sound. Using an arsenal of analogue and digital synths, Richie's music as Galactic Protector blends new wave and cinematic influences with sophisticated downtempo beat patterns. The tracks initially took shape at Richie's home studio as well as in the Portland studio of producer Tucker Martine (Neko Case, Modest Mouse) during recording sessions for The Sword's 2018 release 'Used Future'.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Harglow is a musical project composed of Colin Nance and Eric Gorman. After bonding over a mutual love of horror and working in several music projects together, the pair embarked on an experiment to combine their love of horror and music. Harglow was the result. Originally based out out OKC, the record started as a series of stand alone sessions. After Colin relocated to Austin, the process evolved and became a satellite project, leading to the remainder of the record being completed over several months of file sharing. This is their debut record.
Record concept:
The songs contained on this record were originally discovered on two 1/4' tape reels with a single word written on them; "Harglow". The tapes were initially discovered during the estate liquidation of a well afflunced, yet eccentric, gentleman believed to be highly involved in the occult.
Based on additional material found along with the tapes, the sounds collected on this record appear to have been used as a soundtrack for the man's grotesque rituals, and the original creators are unknown. Notebooks and additional articles were also found that could point to connections to a larger occult involvement. This has yet to be confirmed.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"




















