Exclusive Novedades

We continue the Color Of Crocus Canvas series.
COC006 by Lulla (inc.remix Triptil)

A second release, talented painter from Kherson /UA/ Konstantin Tereshchenko, inspired by the tracks of Lulla, provided his artistic work called "Морская" for the cover of this release!

Minimal house grooves, Limited copies,
Vinyl only

The crispy Kaleidoscopic Minds Series on Abartik is back. Ready for tropic summer days & impulsive club nights.

Abartik’s second VA - a perfect interaction between atmospheric breaks, deep & dub techno. Vinyl only.

French techno artist Cøncenträte returns for his second vinyl release of Gynoid with a very deep and haunting track Semantika, that also gets a slightly more industrial rework by Jonas Kopp . The second track Timewarp is much fatter with lots of dance-floor punch and a bonus Developer remix.

The EP has already gained support from Ben Klock, Dave Clarke, Deep Space Helsinki, Drumcomplex, Kwartz, SLAM, Philippe Petit, Robert S (PT), Arnaud Le Texier, Rraph, Takaaki Itoh, Amelie Lens, Noaria, Advanced Human, Tom Hades, T-Dok, Unbalanace, Marcel Fengler, Cari Lekebusch.

CV016 “This Time I’m Serious”
The long awaited second LP from Herck
2x12” consisting of 6 tracks , limited to 300 copies, with full gloss cover art , This one is not to be missed !
Played by all the big guns , Cezar , Praslea and more

Jens Schwan, best known as the owner of the THE CLUBMAP magazine and co-founder of ZUG DER LIEBE, has been in the techno scene for 30 years now. "Frontier Reichenberger" marks his debut though when it comes to releasing records.

The title might ring a bell for some of us as it is a literal combination of a track by Underground Resistance and the old location of the Hard Wax record store in Berlin.

The record itself reminds us of classic Chicago House style music - claps, hi-hats and bass drums are neatly pumping their way into this nimbly track with its noisy attitude.

The remix delivered by Jarno Eerola is a playful deep house track, a chugging jazzy piece of music that shuffles along slightly dragged, demanding your attention with loud little surprises.

Jarno releases music under his alias Joe Le Bon and Aitokaiku and has now released three albums and various tracks on labels such as International Deejay Gigolo Records, Pro-Tez, Plastik.FM and Blumenbeat. His remix is a true evidence to his skills in the studio. On a side note, Jarno is not just a DJ and procuder, though - he is a tinkerer and a little bit crazy. He has toured conferences and festivals all over Europe and Russia, building audiovisual installations.

It’s an overall pleasure, having both Jens and Jarno releasing this piece on Dizzy Tracks and it’ll be interesting to see, whether there is more to come

Construction G - carefully selected tracks from Ki.Mi. to our new vinyl release.

Mastering by Kashatskikh Studio, Saint-Petersburg (RU)
Design & Illustration by Kirill Kashatskikh

RE.FACE LIMITED has come to its 9th vinyl output which sees label head Toguè finally releasing on his baby. The Italian DJ and producer delivers three club missiles within which sonic atmospheres and enchanted twisted synths are free to take the skies above heady grooves and bulbous basslines. The label also welcomes Berlin-based Lorenzo Chiabotti who enrich "Cosmic Echoes" with some modular magic and a pinch of pure Italian flavor.

Following the release of a number of EPs on Swiss, German, British and Australian labels, Trinidad will release their debut album ‘Palm Trees & Thirty Degrees’ on October 16th 2020.

The album draws on the Swiss-based trio’s experience of sustaining the energy of festival and club shows, while also providing the perfect background to a relaxed summer evening with friends.


The project provides an opportunity for the trio to indulge in a range of musical influences, blending together a mix of synthesizers with the haunting tones of a church organ, the warmth of a string quartet and regality of an opera singer. The album grew organically, with inspiration taking hold beyond the confines of the studio: the bonus track recorded with a Jamaican reggae singer in the back of a VW bus in Greece. Soundscapes from Colombia to India were captured and embedded.

With "Palm Trees & Thirty Degrees" Trinidad guide listeners on a journey to a tropical paradise; to a wonderful, perhaps peculiar place of confidence, created and shaped by the mental theatre of the moment.

The soft kiss of a warm breeze hits you as you adjust to your new surroundings ("Desembarco"); leaving the static chatter of your thoughts behind in the "Lobby" (feat. MonoAbe) of your mind; you allow yourself to imagine what the evening holds in store (“Kopfkino”); But first, there’s a drink in the “Sunset Bar”, a refreshing cocktail "Luciola" that serves as a gateway for you to plunge into the night. A night of unlimited possibilities, the first instances a blur ("Sagrada"), as time starts to lose its meaning ("Tempus Fugit"); everything spins, everything is possible, everything is ("Elevate"). Suddenly, hours (or is it days?) have passed – it doesn’t matter; what matters is the first sign of dawn, the unmistakable warmth dissolving the darkness (“Alma”); the beat slows, and you feel the "Libération" of the new day; looking around you see the moments you’ve shared etched on the faces of your friends ("Fleeting" feat. Julia Portmann); It is not goodbye, it is only "Au Revoir".

The album was produced by Trinidad in their own studios in Bern and Zurich. It features collaborations with a number of artists: Cornelia Aeschbacher Firmin (Hang), MonoAbe (Mallets & Percussion), Jack Williams (text of "Fleeting"), Julia Portmann (vocals), Zenyth (vocals) and Michael Meier (electric bass). The songs were mixed by Marcel Schneider, mastered by Benjamin Fay. Raïssa Lara Lütolf was responsible for the graphic design.

RNN001 - Ronin 01

Infidel Bodies is proud to present the next release signed by Turvia, an Argentine artist who surprises us with an album composed of 12 tracks that interpret a journey through the most complex minds and the darkest corners of experimental electronic music.

You can't always portray "Orwellian" situations that donʼt have traces of reality. That is the case of a dystopian place, a non-emancipated and dependent population that donʼt fear power ... but something worse:
resigns itself or praises it in search of a precarious subsistence.
Nobody is going to raise their heads, nobody is going to try to raise their voices.

The Mind Of A Mind Handler goes from a resident narrator to an orator of power.
From resignation and anger (The Owner Gives The Owner Takes)
From the tireless repetition of the same obeisances, the same desires, the same fears (Repeating The Myth, A Path To Delusive Heaven).
From the submission, the complete surrender waiting for that something in exchange, forgetting the dignity (Choose The People, As We Bow Down). From cynicism, the pride of consolidated power, the reduction of all to simple entities that only add up when they are summoned to certain expressions (A Handlers Smile, Relentless Pursuit Of Power, Numbers And Indifference, Subnormal).
From the recognition of the dramatic of the present, of the past that is repeated, of the future that is no other than going back to the past to repeat it in the present and reproduce again...to be the object of the mind of a mental controller. (Drama, Paradise, Wake Up In The Hands Of) Living through this in modern times may seem like an anecdote, especially if you do not suffer personally...you can even think that it is just a metaphor, a literary lie to talk about oppression. But it is real. That's why this album exists.

Some records you play so often that the sound will get worse and worse then when you actually want to grab a backup copy, it's frickin expensive....

Not Anymore!

Here we go, lucky number 3 we have Stefan Willenegger aka DJ Mastra with his Foyer EP, a nice blend between Tech House and Techno.

Give it a listen, you surely heard it in a club near you!

Barren wastelands, a distant moon.
Far screeches: gloomy rituals.
Piercing cries.


The deepest indigo, a desolate and rude imagery.
Yoga-darśana : this is a den of iniquity.


Hyperlacrimae’s savage sound shows the Italian duo’s roots in industrial music with the addition of a strong dark-infused oniric attitude.
Straddling post-industrial sounds and a personal style with tribal and catacombic features.
A sort of mystical and distorted ritual, a wild dance with an ancient and primordial flavour.
The LP oscillates between a raw intense dynamism - fully demonstrated by “Kobra”, the album’s climax, “Kogawa No Gotsu” and “Blood Ties” - and a sense of perdition, evinced in reflective acts like “Incubus” and the outro “Korekore-Matakawa”. There’s also room for the distressing atmosphere of “In My Poison”, a contemporary example of obscure Industrial’s heaviest face.
The remixers Shrouds, Impure Secretion, Scarpa participate with three reinterpretations of great impact.


Recorded and Produced by Erminio Granata & Carmine Laurenza
Vocals by Carmine Laurenza
Mastered by Hyperlacrimae at Red Dungeon (Naples)
Artworks and Photos by Nullam Rem Natam (Athens)
Design and Layout by Erminio Granata

Into The Woods marks the start of a brand new journey in its history with an iconic three-track EP from one of the most versatile producers in the scene, Sepp. 'About Us' leads the way as an iconic end-of-summer anthem, whilst 'Kiss' and "Delta Quandrant' standout as underground dancefloor bombs with twisted vocals, sharp basslines and unique drum patterns that keep the body moving.

Pluto’s Plan is back with another carefully selected four-tracker EP, featuring Man/ipulate, Marcos Coya, Existencia Pasajera & Mati F, and Lorenzo Slider. Hard-hitting grooves and pure nostalgia guaranteed.

Exceptional collection of Eddie Richards classics and rarities. A retrospective series of UK Acid-House pioneer. Played by Richie Hawtin, Ricardo Villalobos and Craig Richards to name a few.

TOP CUT is the newest gem to shine rich on the dance floors. You might have heard these tunes make the rounds lately by the likes of Raresh, Apollonia, Cristi Cons or Ivan Iacobucci and the vinyl is now finally up for grabs. With a bold, uncompromising concept to accompany the flawless production that Iuly.B has already accustomed us with, TOP CUT is definitely making a sharp statement of intent and looks bound to surprise in the future. Definitely keep an eye out for them!

Valencia based “only vinyl” label delivers a new installment after the success of TS004 by Silat Beksi & Florian Meffert.

This time a VA collaboration between the rominimal maestro Direkt, Miami based underground stars Amo & Lulla + executive producer, label owner & mastering engineer of this release Alex Font.

Este quinto lanzamiento amplía el entretejido musical del distintivo “sonido borde”. Borde05 sigue sorteando los lugares más comunes de la música electrónica actual, expresándose en texturas deli y ritmos refinados. El álbum se convierte en un diálogo múltiple que entremezcla ambientes y conecta pasajes vocales tanto indefinibles como reales.

Evocando una especie de lenguaje antiguo en “Sucre” y su rito extrasensorial, el tema en manos de Vince (UY) abre el lanzamiento de forma dinámica y un tanto impredecible, de esqueleto mínimal pero con el alma house, este track es ideal para el comienzo de cualquier dj set. Inmediatamente después, los acordes junto a unos sutiles hihats dan bienvenida al tema “BeB” de Antonio Lentini alias Ezzy (ITA), cargado con una vibra de influencia electro y una progresión de acordes que destila una especia de nostalgia positiva, es la pausa meditativa necesaria para el cierre del lado A.

Al comienzo de la cara B, “Global Heat”. La voz de Camilo Castaldi alias Tea-Time (CHI) tratada con efectos y sobre-grabaciones, habla sobre la sociedad actual y su relación tóxico-dependiente con la tecnologia, animales encerrados y contaminación infinita, invita a la reflexión y toman por sorpresa cualquier pista. Esta composición de ritmo dub pero de pulso uptempo ha sido producida por el dúo chileno Area 51 (Rodrigo Valdivia & Camilo Gil). Eso nos llevará al final de este V.A,"See You" es una conclusión ambient con matices IDM y unas progresiones melódicas en eterno ascenso en una amena despedida del disco, ideal para el cierre de cualquier set, una obra hermosa creada por el artista Sasha Nevolin (CZ).