Hip-Hop Vinyl New Releases - News

After the tremendous success of the first two boxsets of Nuyorican goodies, Rocafort Records heads to Peru for our next instalment of Salsa & Boogaloo treats!

We have compiled six of the finest songs from Alfredito Linares' first two albums, both recorded for Manuel Guerrero's label 'MAG'. 'El Pito Y Otros Exitos' was released in 1968, followed by 'Yo Traigo Boogaloo' in 1969. Both albums are highly sought after and prized by collectors, DJs and music lovers. Not only do they showcase Linares' talents as a pianist, composer, and arranger, but they perfectly capture the infectious rhythms of the era 'con tremendo swing'.

Including liner notes by DJ Timber.

First Word Records are extremely proud to welcome aboard Allysha Joy and her first EP

for the label, 'Light It Again'.

Well versed in poetry and performance, Allysha Joy's potent lyricism, unique musicianship and killer vocals have garnered legions of attentive fans the world over. She's an integral member of the Melbourne soul jazz scene, known as part of the acclaimed 30/70 Collective and for her own equally revered solo work.

'Light It Again' is a 4-part expedition across a variety of grooves and deep lyricism that marks a defiant statement of intimacy and hope. Produced and engineered by twice Grammy nominated artist Clever Austin, the EP features accompaniment from an all-star set of Melbourne artists; Horatio Luna, Ziggy Zeitgeist, Danika Smith and Josh Kelly. This EP marks a new sound for the young artist, transmitting her honest and raw expression through the signature crunch and sonic landscape of Clever Austin.

Allysha is already well established across Europe, performing on the live circuit alongside the likes of Sampa the Great, Matthew Halsall, Ezra Collective, Bradley Zero and Children of Zeus, as well as currently hosting two regular radio shows, on Worldwide FM and Reform Radio in Manchester respectively.

Her 2018 debut album 'Acadie : Raw' on Gondwana Records won 'Best Soul Album' at the Music Victoria Awards, was nominated for a Worldwide Award, and featured in many an end-of-year list, including Bandcamp's Top Soul Albums, whilst she's also featured on releases on UK labels such as Rhythm Section, Total Refreshment Centre and now an EP for First Word, 'Light It Again'.

The EP touches on love, shame, mental health, grief & spirituality. 'Watercolours' sets off on a mid-tempo neo-soul jazz tip. Allysha says "I wrote this in the hope that maybe we could all feel the beauty that is present in the every day - in nature, in art, in each one of us mirroring each other so intrinsically. Then maybe we'd all start to live out a message of love."

'Better' follows on an uptempo vibe influenced musically by The Senegambian Jazz Band, who Allysha would watch regularly at Bar Oussou in Melbourne. Lyrically the song explores the external and internal struggles that occur trying to create a more inclusive and compassionate world. "It's about catching myself pointing the finger outwards to challenge social / political systems and certain individuals, then coming to the realisation that I must turn that finger back on myself to ask, "how can I do better, how can I know better?"

Lead track 'Light It Again' begins with Allysha's keys gliding a steppa-like rhythm - head-snap snares and punchy bass accompany ethereal harmonies and delicate vibes on an ever-evolving groove before switching entirely mid-track. This time the subject matter is mental health and "the cycle of addiction and pain, the coping mechanisms that hold us back from reaching our true potential".

The EP closes out with the beautiful 'Mardi'; deep Rhodes, sax and synths build ahead of deliciously slushy percussion and jilted drums. Named for her grandmother, 'Mardi' is a tribute to the spiritual connection they shared before her passing. Allysha writes, "it's about the connective forces of the matriarchal lineage and the drive to step into my own sense of self, in all the beauty and pain which that entails".

Allysha's lyrics weave together a heartfelt mix of love, power, desire, wonder, anger, faith and hope for change. An artist that presents a palette of intricate grace and optimism, whilst unafraid of adding uncomfortable truths. Allysha is an incredibly powerful live performer; her husky vocals sonically synced with her formidable Fender Rhodes playing, whilst her influences are a solid base of jazz, hip hop and R&B; all glazed with the unique special sauce the Melbourne soul scene has become known for globally. A gloriously meditative, raw soul, we are delighted to be able to share her music with you.

'Light It Again' is released on vinyl & digital worldwide, November 20th 2020.

Nahawa Doumbia's new album Kanawa concisely captures this current moment in Malian history. The singer, whose storied career spans more than four decades, reflects on the immigration crisis from the Malian perspective in the title of her new album Kanawa. Across eight songs recorded in Bamako with a band including traditional and modern instruments, Doumbia merges her early work that relied on a spare expression of her trademark didadi rhythm with the bombastic range of contemporary Malian pop. The beautifully complex musical accompaniment that results is courtesy of the large ensemble she pulled together with producer and arranger (and day one collaborator) N'gou Bagayoko. The band features two highly expressive Malian string instruments, the ngoni and the slightly smaller kamalé ngoni, as well as a variety of percussion, drum programming, karignan (a metal scraper) and acoustic and electric guitars. Doumbia's daughter, a celebrated singer with her own group and busy concert schedule, Doussou Bagayoko sings on "Adjorobena," a song about patience, tolerance and living in peace. Doumbia weaves together a roadmap of her psyche when it comes to the good and bad life has to offer. She talks about marriage and women leaving home to join another through the metaphor of a tree in the garden; she includes gunshot samples in the song "Foliwilen" to honor the bravery of hunters, soldiers and other courageous people; she uses a bird in "Djougoh" to talk about lazy people; and, in "Ndiagneko" she advises people to ignore critics, just do you. Mali has gone through an intense period of regional strife and terrorist incidents over the last ten years and Doumbia roots the album in tragic local concerns with deep global implications. "The meaning of Kanawa is so simple. We see our children trying to cross the ocean all the time. I said that many of our children die in the ocean and some of them die while crossing the Sahara. But I ask them why do they leave their country? They said that they leave because of the family situation or problems like poverty and unemployment. I ask them to stay and work in their country. I call on the UN and African leaders so that we can coordinate our efforts to find a solution, to create jobs for them so that young people stop leaving. That's why I chose it as the title of my album so that everybody can learn from it and also so that there is a reduction in the number of people emigrating. So that some will hear the message and stay home and grow the land. Leaving is not the only solution. My message is to help the youth find jobs."

Original Flavor originally consisted of Ski aka Ski Beatz (Reasonable Doubt, Camp Lo, Pilot Talk, 24hr Karate School) and Suave Lover and released two albums—This Is How It Is (1992) and Beyond Flavor (1994). On Beyond Flavor, Suave Lover was replaced by T-Strong and DJ Chubby Chub. Their biggets hit "Can I Get Open," off Beyond Flavor was realeased in late 1993 and reached #46 on the Billboard chart. The track prominently features Jay-Z. The group, managed by Damon Dash and cousin Darien Dash, disbanded after it released Beyond Flavor but Ski went on to work with Roc-A-Fella Records, Camp Lo, Curren$y, Murs and many others.

"White label/Promo" edition 7" of the this 1993 classic single by Original Flavor. The track was produced by Ski aka Ski Beatz and features a young guy you might've heard of by the name of Jay-Z. This is your chance to grab a copy of the record that set off Jay's reign in the industry for the first time ever on 45 with the album and instrumental versions.

By the late seventies Nigerians were increasingly drawn to reggae. It was regarded as a more spiritual and contemplative type of music. When the bright lights and cheap thrills of the dance floor waned, reggae provided life with a deeper meaning. And it didn't come any deeper than 'We Shall Win' by Pogo Limited. Pogo Limited were a Beninese 'super' band, made up of performers from the popular Nigerian Television Authority program, 'Music Panorama'. Emma Ogosi, future superstar and household name, was on rhythm guitar. Robo Arigo was on bass. Pat 'Finn' Okonjo, former frontman of The Hykkers, provided lead vocals. 'We Shall Win' was their first album and a clarion call for change. 'Together' envisages a time when everyone enjoys the riches of Africa. 'Switch Your Lights On' bathes in the purest kind of love and in 'Something Must Be Done', the dream is a long, happy life with great grandchildren. The album's brightest moment, the upbeat 'We Shall Win', takes heart from change in southern Africa. Ironically, it was adopted by the Nigerian ruling party in 1983 as their theme song in what was widely regarded as a massively rigged election. Focussed, deep and contemplative, 'We Shall Win' is a thoughtful alternative to the bright lights of the Lagos dance floor, an album where exceptional musicianship combines with a meaningful lyrics to provide hope in a desperate world. It is an album as relevant today as it was back then.

Pressed on 180g Gold heavyweight vinyl, this collection Shalamar’s greatest US and UK top 40
chart singles.
Shalamar broke onto the disco scene in 1977, but 2019 marks the 40th Anniversary of the classic
line-up formation of Howard Hewett, Jody Watley and Jeffrey Daniel, who set the UK charts alight
throughout the early 80’s with hits like ‘Dead Giveaway’ and ‘There It Is.’
From their debut discofied Motown medley, ‘Uptown Festival,’ Shalamar became constant hitmakers on both the US R&B charts and the UK pop charts, scoring with the dance-floor classics
‘Take That To The Bank,’ ‘The Second Time Around’ and ‘Make That Move.’
While promoting A Night To Remember’ on ‘Top of the Pops’ in 1982, Jeffrey Daniel introduced
UK audiences to the moon walk and started a body popping craze across the country. Their top
ten album ‘Friends’ subsequently spent over a year on the chart and achieved platinum sales.
Shalamar’s current line-up of Howard, Jeffrey and Carolyn Griffey still tour regularly in the UK and
have closed every year since 2010 with a sell-out show at London’s 02 Arena.
The album has an introductory note from the Band’s Jeffrey Daniel

Funk? Garage Rock? Blue-Eyed-Soul? Sometimes it is obviously difficult to classify a style. Most likely this goes for Sound Inc.'s fabulous double sider. This 45 is not for those who are on the lookout for classics only but DJs/collectors with an open minded taste for quality stuff will love it.

Trevor Wyatt aka ​Spiltmilk ​is madly passionate about refining his sound techniques. He is totally in to spacey mutated funk right now, so keep an eye for his latest Album: ‘Funk Side of A Moon’ which will release in early 2020 on MSLX recordings.

Jozy​ is one of Canada’s hypest new vocalists and she carries a strong message. Her new R'n'B Hip-Hop album ‘Next Phase’ will release in early 2020.

The New Philadelphians recorded their sole 45rpm single "Mustang" for the local Quaker City Jazz label in the late 1960s. And what a monster it is. 8 minutes of smokin' soul-jazz at its best. If someone would claim this was an unreleased Jimmy Smith Blue Note recording from 1969, no one would doubt it. More information about Charlie Chisholm and the band can be found on Tramp's "Movements Vol.10" compilation album.

This 12" record mainly sums both previously released "Beep Aaah Fresh" 7" Vol 1 and 2.

Edition special 3D cover with viewer inside limited 500 copies.

Schmelzend und beschwingt: Berühmte Sänger knöpfen sich bekannte Weihnachtstitel vor: Wenn Dean Martin den Schöpfer dazu auffordert, es schneien zu lassen ("Let It Snow! Let It Snow! Let It Snow!"), Paul Anka weiß, dass nun überall Weihnachten ist ("It's Christmas Everywhere"), Harry Belafonte Glöckchen vernimmt ("I Heard The Bells On Christmas Day"), Frank Sinatra die Heilige Nacht beschwört ("Silent Night") sowie Bing Crosby & The Andrew Sisters beobachten, wie der Nikolaus in die Stadt kommt ("Santa Claus Is Coming To Town"), nähern wir uns nicht nur dem 24. Dezember, vor allem hat dann die Stunde der Crooner geschlagen. Mit ihren schmelzend-beschwingten Swing-, Soul- und Gospel Interpretationen bekannter Weihnachtstitel sorgen sie auf der LP-Kompilation "Noël Crooners" auf unterhaltsame Weise dafür, dass die Stimmung nicht ins Rührselige abdriftet, und dennoch eine besinnliche Note bewahrt bleibt. Das gilt auch für weitere Titel wie "Wade In The Water" (Sam Cooke), "Christmas In New Orleans" (Louis Armstrong), "Blue Christmas" (Elvis Presley) oder "The Snow Is Falling" (Ray Charles).

From the acclaimed Alpha Steppa album 'Raise The Ark' - due to popular demand Steppas Records have finally unleashed the until now much sought after dubplate 'Dear Friend' featuring one of the most innovative and loved modern reggae, hip-hop and bass music artists of our time; Pupa Jim of Stand High Patrol. Alpha Steppa's unique heavyweight yet soulful sound coupled with Pupa Jim's profound, direct and infectious vocal make this long-awaited collaboration well worth the wait. With its clear and crucial message on the climate crisis, 'Dear Friend' is quickly becoming an anthem for an international, inter-generational fight for a sustainable future. The single edition includes exclusive vocal and dub mixes, plus two powerful and uplifting instrumentals featuring the great King David Horns and Ras Divarius – sleeved in the Steppas Records house-bag made from high quality 100% recycled card.




c b1 Dear Friend (ft. King David Horns) Trombone Mix
Violin Mix

Worst records is proud to present the third release of its growing catalogue. Unlike his
alias could evoke, Christian Coiffure is not so much specialized in online hairdressing
tutorials but has a fierce passion into brushing serious quality tracks. « Un Nouvel Âge
Réminiscent » hits hard with its progression into sharp and colorful forms, never bound to
redundancy. From slow EBMish , industrial tainted marching anthems of « A New New
Hope » and « Slowly Merging Into One » to synth-infused acid railroads built for futuristic
Trance Europe Express trains in « Révolutions Synchrones » and « La Dernière Volonté
des Atlantes », everything functions as a toolkit for imagination. Add to this a breaky
andrefreshing post-dubstep turn on « Biosphere is Reborn » alongside a delicious
headshot surprise on digital bonus with « Pouvoir Lacrymal Renforcé », and you will
never see the word « coiffure » the same way again.

Multi-disciplinary creative Jude Greenaway presents his latest project Parallel Action, and reveals the lead single ‘10/10’ featuring the enigmatic MC Charlie Boy Manson, out on the 11th December.

Heavy acidic sonics from Parallel Action meets intense, confident and twisted raps, written and performed by Charlie Boy Manson, a mysterious character challenged by the constant plight of debauchery. ‘10/10’ drops us into a psychedelic arcade, cranking the bass valve up a notch, telling a rebellious story of hedonistic invincibility and freedom - a cocktail of grimey dystopian arrogance, trip-hop breaks, sound-system basslines and lyrical gymnastics.

Part one of a four part series, bringing artists from different musical hubs on this planet, onto the one record. To make the connections far between, closer together. Bristol, Berlin & Christchurch - Part one. Inspiring Modern Hypnosis, these three Artists and their established musical endeavours have laid path to our own make up and ethos - chur.

Versa. Orson. Akcept.

Founded in 1996 by the German-Nigerian lead singer Ade Bantu, his brother Abiodun Odukoya and Patrice, BANTU have been one of the West African acts transforming the legacy of King Sunny Adé and Fela Kuti into the soundtrack of the continent. The group is distinguished by the fact that while created and fronted by vocalist Ade Bantu, it is unmistakably a collective, collaborative effort. When you have a band this strong, this tight where everyone gets to shine, magic happens. And once again with this new album, the 13-piece ensemble is pushing the boundaries of funkiness and political prowess for contemporary music, in Africa or globally.

From their first release, “No Vernacular in 1996 to the present, BANTU has scored a series of hits across Europe and Africa garnering major awards. Indeed, the list of artists who've collaborated with BANTU is a testament to the power, originality and talent of the band: an international cornucopia including UB40, Tony Allen, Orlando Julius, Brothers Keepers (which they created), Gentleman, Ebenezer Obey and Burna Boy just to name a few. These collaborations helped the band earn several major Continental awards, including the Kora Awards (the Pan African equivalent of the Grammys) for “Best Group West Africa” and “Best Group Africa”.

Their latest release Everybody Get Agenda is nothing short of a musical sensation - Afrobeat, Funk and Soul seamlessly flow into one another as they merge with Jazz, Highlife, Hiphop and Yoruba music. The lyrics address issues around corruption, injustice, migration, xenophobia and urban alienation while a guest appearance by Seun Kuti on “Yeye Theory” rounds up this solid long player. There is no doubt that with Everybody Get Agenda BANTU has not just charted new musical territory but reached it and planted the flag.

One thing hip-hop has never been great at – and certainly something for which it has zero reputation – is nuanced emotion. Enter Large Professor and ‘Looking at the Front Door’, the group’s first single on Wild Pitch Records and the lead out for their stunning ‘Breaking Atoms’ album.

Wrapped around a loop from Donald Byrd’s Blue Note classic ‘Think Twice’, bolstered by the infectious chorus of ‘Chick A Boom’ by The Pazant Brothers and Beaufort Express, it’s a melancholy tale of love gone wrong. It was a brave choice of lead single in the 1990 hip-hop landscape, plucked from an album full of genuine head-nodders and standout tracks. It was also the right choice – a piece of production perfection laced with romantic honesty.
The B-side also strikes a different tack, a tale of a brother who “doesn’t fight, his brain is his left and right.” Using a solid foundation of drums from Funkadelic’s ‘You’ll Like It Too’ (most famously used on Eric B & Rakim’s ‘I Know You Got Soul’), Large Pro weaves his tale of an ambitious, studious man over an original organ line (by JD Drumsticks) that wouldn’t sound out of place at a hockey rink. The theme is sledgehammer subtle – don’t sell drugs, stay in school – but delivered with the lightness of touch that would be Main Source’s signature.

This is the first official UK release, and the first time both sides have been together on a 7”.

“The Band That Can Do Anything - that’s the literal English translation of the name of a band whose creativity, productivity and influence ran far and wide during the notorious era of racial oppression in South Africa. The Makgona Tsohle Band was easily the most popular and highly productive instrumental team in the African music business of the 1960s and ‘70s. Assembled by formidable talent scout and producer Rupert ‘Bops’ Bopape, Makgona Tsohle provided musical accompaniment on literally hundreds of Gallo recording sessions, as well as creating some of the biggest dance hits of the era. They are often credited with the invention of that staple township music, mbaqanga. A big boast – but only a slight embellishment. Makgona Tsohle’s members were utterly crucial to the style’s formation and development, reinforcing the more modern, danceable, electrified jive as the leading force in township music until the mid-1970s.

Makgona Tsohle Reggi was issued only once, in May 1970. It quickly became a collector’s item. This sought-after album now makes its welcome return to African record stores as well as its debut in the international market. The stunning diversity of the Makgona Tsohle Band’s musical genius spans pure sax jive through to swinging ‘60s soul, ska and even hints of rocksteady and ‘reggi’. This is the authentic sound of Soweto as demonstrated by the experts!”

• 1 x 180 gram heavyweight LP pressed by Mobineko Taiwan

• Digitally restored cover artwork on quality 350gsm gloss-laminated artboard

• Includes full colour double-sided insert with extensive historical notes, full personnel and newly discovered Makgona Tsohle photos from the archives

• Strictly limited to 400 copies

• The 50th anniversary reissue of this epic, experimental LP by the Makgona Tsohle Band, South Africa’s answer to the Motown Funk Brothers

• From the genius session team behind the music of the ace Mavuthela jive label and the 'Mahlathini & The Mahotella Queens' supergroup

• A unique Soweto take on Jamaican ska, American soul and ‘reggi’, plus the finest 1960s Afro sax jive

• Never previously reissued in any format!

• Fully licensed and transferred from the original master tapes in the Gallo studio vault

Prince-influenced previously unreleased Modern Soul & Boogie-Funk. Recorded in North Hollywood, 1984.

Limited Edition 'Smoke Wax'

For those who have been following Laurent Garnier for a long time, know how multipurpose this artist is, how his status as "best DJ in the world" is only a shortcut used by default. It should be recognised that this man is gifted with an extraordinary sense of combat, and that he has been fighting for many years to impose good music on the public. Laurent Garnier has always refused chapels and privileged actions; he does not support repetition, even less compromises, and certainly no downtime.

A fun and catchy, but deep set of songs by a mysteriously dark executive character, exploring themes of capitalism and the power of money, all while somehow remaining funky as hell.

Brooklyn guitar maestro Max Zuckerman strikes out from his regular jazz-pop band "Blue Jazz TV" with a tour de force concept album that's part Steely Dan and part American Psych.

Beautifully smooth horn hooks and cutting disco guitar leading to prodigious solos over groovy city pop rhythms,eventually culminating in the mellowest tune regarding corporate sell-outs that's ever been committed to wax, this imaginary AOR CEO "gave the devil what he promised...for The Corner Office."

The genre, electro (or electro-funk), is sometimes perceived to have a separate identity to hip-hop; however, this electronic cousin was integral to the early development of the hip-hop sound. Drawing on drum machines, such as the Roland TR-808, and influenced by funk, these two genres were intertwined and rode a parallel axis for a while, with rap, breakdance, and graffiti as pillars of the culture and community. The mechanical sound of electro would later go on to inspire a different set of producers and played its part in influencing contemporary electronic dance music. For this 7" release we are taking things back to 1984 and 1985 with a split single from The Egyptian Lover and Jamie Jupitor.

First up is a track from The Egyptian Lover, AKA Greg J. Broussard, the cult Los Angeles-based producer, vocalist and DJ, who is a true hip-hop / electro-fusion pioneer. 'Computer Love (Sweet Dreams)' is a seminal electro-fusion / machine-funk classic that saw a release on the iconic label Freak Beat Records (owned by Greg himself). The original 7" release is now very sought-after by collectors.

On the flip we have another electro jam from The Egyptian Lover disciple, Jamie Jupitor. 'Computer Power’ was additionally produced and arranged by The Egyptian Lover, and was released on Egyptian Empire Records (the label that evolved from Freak Beat Records). For this release we have opted for a special 7" unreleased radio edit, that has Greg kindly provided us with, which differs slightly in composition from the previously released versions. One for fans of Dãm Funk, electro and 80s funk.

Outider sweet soul track by Mississippi Garage Band the Sypyres, 'Looking for a place' was originally the flip to Mark Prewitt insanly rare cover of Animals classic 'Baby Let Me Take You Home'. The new masters sounds significantly better than OG plus is on Vinyl rather styrene so its ready for bumming out the finest clubs and bars as soon as they open!! Big up to Brian Sears who did the reasearch on this one.

Celebrated artistic director of Louis Vuitton and Off-White, Virgil Abloh remixes ‘Solid Ground’, taken from Michael Kiwanuka’s Mercury Award winning third studio album.

Written by Michael Kiwanuka, Danger Mouse & Inflo

Remix and Additional Production by Virgil Abloh and The Cruciverbalist

The fourth release on LA's Pleasure of Love 'Pleasure of Edits' series features west coast talent Air Zaïre on editorial duties.

The desert drive opener 'Midnight Sun' finds a hypnotic groove with woodwind leads and acoustic guitar on a cosmic journey through daytime disco.

The A2, 'Canguelo Perro,' struts through a Paraguayan groove with a sweet saturated guitar hook that sticks with you in the best possible way.

The B side features an off kilter synth bass and pad heavy 80s Japanese flip in 'Shojo Showdown' with crunchy effects and chugging arps leading the way.

Closing out the record is 'South of Sunset,' a euphoric looping strings party starter, an instant classic at the Hollywood weekly party.

Detroit Rap Sista jewel ! Featuring French producers Mr Modo & Ugly Mac Beer !

1982 tune for the first time officially authorised for 7-Inch single release produced by Henry "Junjo" Lawes. Recorded with the Roots Radics Band (including horn section by Deadly Headley and Nambo Robinson) at Channel One studio. The second side presents the wicked dub version "Dangerous Match Two" mixed by Overton "Scientist" Brown at King Tubby's studio.

Dusty archives, the backrooms of record stores, private reel to reel stashes, master tapes - these are the environs of the Dynamic Range experience. Dynamic Range is a label focused on unearthing deep Soul, Funk and Disco jams that continue to resonate with todays dancers and DJ's. Time spent scouring the bowels of the majors and independents has unsurprisingly resulted in numerous gems being added to the DR wants list. High quality, fully licensed reissues are the order of the day, always taken from the correct master source and re-presented to hungry record heads the world over. To repeat, this is a fully legit operation - Avoid the sharks at all costs!

Javaroo are perhaps not the most well known of Soul / Funk acts, but this UK outfit dropped on full length LP in 1980 that yielded the monstrous 'Breakin In' that has become a hugely sought after 12" single that is a bonafide killer in the AOR / Modern style. It's no surprise then, that this bullet was penned by none other than Heatwave's head honcho, the late, great Rod Temperton. A true visionary and legendary figure in the music industry, Temperton's skills wouls touch the careers of luminaries such as Michael Jackson, George Benson, Quincy Jones & many more. Not bad for a lad from Cleethorpes! 'Breakin In' is one of those records that sends the dance wild, it has had collectors and DJ's clamouring for a copy for many years with the deepest selectors guarding the secret! This is a fully legit repress, complete with Capitol Records OG 12" artwork, featuring the hot as long version 'Breakin In' backed with 'Change It Up' and 'Bring Out The Women' as per the 1980 promo 12" release. Incredible, essential and funky - get some Javaroo into your life!

All music selected by the Dynamic Range team / Licensed and reissued by Above Board distribution in conjunction with Universal Music.
Remastered with love by Optimum Mastering, Bristol UK. Artwork edit by Atelier Superplus. 2018.

Grey Marbled Vinyl

Turntablism electro tool !

Their third album from 1983. Described by producer Adrian Sherwood as "experiments in active frequencies, out of time noises, rhythms within rhythms, and endless tape edits'.
Re-cut at dubplates & mastering in Berlin for maximum bass pressure.
Includes printed inner with sleevenotes by Steve Barker (On The Wire), plus download card for full album

After a well received and enjoyed first joint on this freshly founded co-founded music label joining Kalakuta Soul Records with the neighboring Bahlo Records Store, Kalakuta Soul Bahlo Records is more than happy to re-issue a Disco gem that has been enjoyed in several occasions in the past years but seldom was easy to find.
On a working trip to Italy the salesmen Mohmed Fersi, Lotfi Ferjani, Smir Almia, Mohsen Matri and Nejib Toukabri used their stopover in Italy for a recording session guided by the owner of Phono Sound Dischi Francesco Ammaturo and that resulted in the release of „Dance“ and „Can’t You See Me“ in 1980.
Almost 40 years later, KABA’s half Guy Dermosessian got invited by the mighty Najib Ben Belgacem for a memorable party he organized together with Tunis’ mighty „Downtown Vibes“ Family at Wax Bar followed by a live stream for downtown based and freshly found record label „Eddisco“. Why we’re telling you that? Well, odds are it
turned out that one of Downtown Vibes’ Baba and Eddisco’s Mama was the amazing selector and DJ Hamdi Toukabri, nephew of Nejib Toukabri, Corniche Band’s Keyboard maestro. And the rest is history as you can imagine.
We are more than pleased to have had the chance to re-issue this amazing record we hereby would like to dedicate to the shortly deceased Mohmed „Momo“ Fersi and his family. May his soul rest in peace. We would also like to thank Hamdi Toukabri and Nejib Toukabri for making this happen and possible as well as our brother Najib
Ben Belgacem for bringing us all together in the first place.
Corniche Band comes in its original Cover design and with the same tracklist.
Stay tuned for an exclusive and lovely Edit of „Dance“ by Downtown Vibes’ super amore Hamdi Ryder hitting the digital shelves upon release of this record.