Hip-Hop Vinyl New Releases - News

Disco, latin, merengue dance foor killer edits for disc jockey use only by DJ Adjustments (dj extensive collection).

Keeping it weird for the summer 2019 DJ Fiskars returns with two edits from the deeper end of the distribution. 'Cabin Weirdo' fuses hippie disco with acid vibes while 'Bats' might work for a techno dj who also plays italo (or vice versa).

A new colossal star rises in the twilight of funky soul jazz as Ernie Hawks releases his debut album "Scorpio Man" on Timmion Records. The impressive trombonist/flutist, is known to hold no punches, when performing live in the ranks of The Soul Investigators. Here he delivers a fierce selection of S.O.U.L. and Cymande flavored instrumentals that also bring to mind some of the finest sample-fodder library music.

The album's name, "Scorpio Man" might come from the stinging and slightly intimidating style Hawks handles the trombone slide, known to pierce the hearts and souls of the ladies in the front row during his live performances. On this album, Ernie rides to battle equipped only with the flute, but this does not mean we will be exposed to some smooth jazz snooze fest. Rather Ernie handles his instrument with muscular rawness at times and moody ambiance at others, sliding with ease into any groove that the extended Soul Investigators band lays down.

"Scorpio Man" is no one trick pony, and the listener will be shifted around from the exhilarating psych funk of "Scorpio Walk" all the way to the airy moods of "Street of Tears". Take a chance with the Scorpio Man, his sting will give you a funky high much better than what they sell in the streets.

(180 gram pressing) Kosmo Sound from Ghent presents its long-awaited debut album 'Antenna'. The instrumental sextet is inspired by the typical dub sound where their background in jazz is never far away. They mix heavy bass lines and tight drums with spacy melodies into an organic trip that sets every venue on fire. They have already performed twice as the support act for Dub legend Adrian Sherwood and became winners of Sound Track 2019.

Previously Unreleased material recorded in 1979 at Allen Toussaint's legendary Sea-Saint Recording Studio in New Orleans, LA.

Freaky With You is a Six-and-a-half minute Psychedelic Disco Funk excursion taking you on a wild mojo trip with a four on the floor backbeat and extended conga breakdown peppered with some New Orleans Voodoo that reaches for the Bondye Celestial Heavens.

On the B-Side, Welcome To My World is a Modern Soul Steppers masterpiece. A version was also recorded by Joe Chopper for the Lanor Records label.

James Dumaine remembers the studio session well. After having oral surgery that morning, a grotesque, theatre of the absurd incident followed causing him to bleed onto the microphone as he was singing. That combined with the miscommunication with the audio engineer to watch the volume levels on his new synthesizer: The Engineer decided not to take heed to the warning… Half way into the recording all the band could see from the other side of the glass were heads frantically rushing to the mixing board. The synthesizer levels had caused the monitors in the control room to blow up. Superior Elevation wasn't invited back to record at Sea-Saint. 40 years later, with all that chaos, hoodoo and gris-gris enveloped into the magnetic tape, it magically survived the catastrophic 2005 floods during Hurricane Katrina and ended up in the hands of Mike Nishita along with many other Reel to Reel Tapes of Allen Toussaints' masters of The Meters albums he produced and recorded. It's available now, preserved with Family Groove Records.

Record Kicks pres. "Another Shot Fired" the sophomore album by Dutch soul band The Tibbs.

Record Kicks proudly present the The Tibbs new album "Another Shot Fired" coming out on CD – LP – Digital November 20th. Recorded at Electric Monkeys in Amsterdam, produced by Paul Willemsen (Lefties Soul Connection, Michelle David & The Gospel Sessions) and mastered in Nashville by Soul veterans Bob Holsen, who used to cut vinyl for Motown back in the day.

"Another Shot Fired" is the second studio album from the Dutch soul combo and introduces a new singer to the project, the young super-talentedRoxanne Hartogwho penned the lyrics of most of the songs on the album.

On the new album the formula remains the same employed by classic soul record labels like Stax and Motown: a super tight house band, first class production, some wicked arrangments and a signature vocalist. Think- The Marvellets, Booker T and the MGs, James Brown, The Supremes.

From the smashing opener "The Main Course" to the last dark instrumental groover "Circeo" the 12 tracks of the new album prooves that The Tibbs can do no wrong. The sound is vintage, gritty and raw with some extra doses of RNR on the bluesy number "Mama Says" and even throws in some sun soaked reggae vibes in their title track "Another Shot Fired". Roxanne is perfectly at ease and brings the heat as she sweats her way through each number while the rest of the band deliver their unique super tight blend of garage soul.

Based around Amsterdam, The Tibbs took off in 2012 - fronted by Elsa Bekman – covering a lesser-trodden path, combining special soul classics with rare beat instrumentals. Their increasing popularity quickly led to a natural desire to expand their repertoire, beyond the confines of others' thinking outside the traditional box and creating their own unique soulful creations.

Working right from the start with producer Paul Willemsen (Beans & Fatback, Lefties Soul Connection, Michelle David & The Gospel Sessions), the first EP "Cleaned Out" debuted in 2014. Later that year, the German funk label Tramp Records released their debut single – "Footprints In The Sand/Cleaned Out". Two years later, The Tibbs' first LP, "Takin' Over" marked their debut with Milan based imprint Record Kicks. The singles "Next Time" and "The Story Goes" received critical acclaim on radio stations throughout Europe and North America and the 45s flew out the door in record time.

The release of "Takin' Over" delivered the band far richer rewards. Playing sold-out venues in both Milan and Frankfurt. The Tibbs' profile rose further still with wonderful festival performances in Germany and Hungary, followed by a successful sold-out tour of Spain. In late 2018, Elsa decided to follow her heart and focus on a solo career. The Tibbs duly began their search for a truly worthy successor, bringing astonishing vocalist Roxanne Hartog and the band together for the first time.

With new recordings in the bag and a great new album about to be released, The Tibbs are once more ready for lift off.

A collection of hot and dusty rare funk cuts.

An exploration of the meeting of funk and world music. Running through the 70's and 80's, its African and Oriental rare grooves from Ethiopia, Nigeria, Burkina Faso and Libya, Lebanon or Egypt.

Dubquake Records aren’t simply doing a reissue, these new remastered editions are a complete upgrade from the original release: for the first time, the whole 15 tracks previously only available on the CD are getting pressed onto a double LP (only 8 and 10 tracks featured on the original vinyl releases). And icing on the cake, the artwork on the inner leaflet is made of old school pictures and flyers, taking you straight down memory lane. A crucial double release!

Dubquake Records aren’t simply doing a reissue, these new remastered editions are a complete upgrade from the original release: for the first time, the whole 15 tracks previously only available on the CD are getting pressed onto a double LP (only 8 and 10 tracks featured on the original vinyl releases). And icing on the cake, the artwork on the inner leaflet is made of old school pictures and flyers, taking you straight down memory lane. A crucial double release!

The Debut “Cobra EP” comes from a new production project “Mogambo” a collaborative brainchild of Sunju Hargun and multi-instrumentalist Jerom Doudet.

Both located in Thailand and bounded by a shared love of acid electronica, Bollywood movies and big psychedelic gongs.
Delving deep into a highly personal and unique sound cosmos this album covers a wide range of sound textures. Featuring trippy jungle grooves, mesmerizing tribal percussion, countless eccentric effect pedals and hints to 90’s Goa.

The EP ranges from spacey Asian soundscapes, sweaty basement after hours journeys to slow-burning hypnotizing grooves slithering as a Cobra! Recorded- and mixed in the City of Bangkok & Islands of Koh Chang- Mastered at Maspaventi Studio, Amsterdam. Artwork Designed by Taychin Dunnvatanachit.

JAM CITY (Chicago, USA) & IZIPHO SOUL RECORDS (Surrey, UK) collaborate to bring you one of the finest discoveries of the year, tracked down and first played on Starpoint Radio’s Soul Sermon Show. Blown away on first listen, we knew what we had to do and quickly got to work with producer and writer Al Wordlaw. Back in the late 80s, the singer simply known as ‘RUSHING’ was a local sensation, performing to sold out crowds whenever he was booked for Chicagoland performances; no surprise when you hear these incredible vocals!

Both songs were recorded in 1987, but never released. Thankfully the original reels were kept and have been restored, transferred and mastered for a vinyl release thirty three years later!

Washington, 19 year old rapper hailing from Paisley, Scotland, releases his debut EP, “Rookie”. With features from Feux, Hannymoon, Gillieson, and guest production from Andy Moses on the title track. The EP explores the days in the life of Washington, and his dreams for better ones. This being his first full length release, produced by Gillieson, showcases his trials of breaking into a new scene, as the rookie. First up on Swim Shallow.

Music comes on an apricot Yellow cassette with graphic print on A-side. Held in a transparent case, sealed by grey gaffer tape.

Monster garage rock 45 which might appeal to funk 45 collectors too! "Fire" is certainly one of the best cover versions of the Jimi Hendrix classic, drum breaks galore! The flip side is an original composition from the band and equally great.

Limitied to 250 copies!

After the release of Brazilian Disco Boogie Sounds (FVR098), Favorite Recordings follows-up, this time focusing on its homeland language.
Helped by a close connoisseur friend, DJ and collector Charles Maurice presents a fine selection of what he thinks represent best the amazing energy of this specific movement and period. With 10 rare titles, all produced between 1975 and 1984, he shows a perfect picture of what you could find in French record stores at that time, On one hand, tracks by Overdrive, Marché Noir, Didier Makaga or France-Lise, were produced by underground artists and labels from the French Caribbean and African community and also filled with the raw spirit of this Tropical stamping. On the other hand, tracks by Beckie Bell, Kelly, Le Club, or Bernard Guyvan, were released by major labels such as Trëma, Carrere, Disques Vogue, or Pathé Marconi, thanks to confirmed independent producers, acting not only in France, but also in Canada and the US.
Today, Favorite Recordings and Charles Maurice are very proud to shed some light again on these gems, and hopefully offer them a new life on your turntable.

Future Archive Recordings is extremely proud and excited to present new material from BLOCKHEAD. The internationally renowned NYC producer has released 10 albums over the past 15 years, including four acclaimed records for Ninja Tune and numerous production jobs including notable works with Aesop Rock. He is regarded as one of the modern masters of instrumental hip-hop, and the forthcoming new album sees him return to record-label-released music with the bold and exciting roster at Future Archive Recordings (co-founded by artists Arms and Sleepers, Sun Glitters, Little People and CNJR, and also co-run by Mark McGlinchey).

Arp Frique is back, delivering four dance floor ready cuts in his signature style. 'Minina Bem Li' is loosely inspired by Arp Frique’s Cape Verdean connection through Rotterdam and Americo Brito, echoing the spacey 70s sounds of some of his favorite music. On vocal duties and doing em BIG is Mariseya aka Marissa Nyamekye. Dancefloor flavours with a zouk flow and arpeggiators on blast.

Wrapping up the single release series from Carlton Jumel Smith's album "1634 Lexington Ave.", comes the deep beat ballad "Help Me (Save Me From Myself)". Progressing from moody minor keys towards the bittersweet hopefulness of the chorus, the track sounds like fell from Menahan Street Band's debut sessions with Charles Bradley and flew across the pond to soggy Helsinki, where Cold Diamond & Mink nurtured it to it's current glory.

The track starts up in classic hip hop soul style, with open drums and cinematic Rocky horns. But after the intro, when the ghost-like piano notes hit, is when the song really gets going. Carlton delivers one of his best dark-end-of-the-street vocals, matching his Timmion debut "I Can't Love You Any More". Tuomo "Pratt" Prättälä's haunting background vocals seal the deal, lifting the chorus to seventh group soul heaven.

Whether you're completing your Carlton single series with this gem or just getting your first whiff of this contemporary soul master, we salute you.

Cosmic Shuffling, the Geneva based combo, made a strong impact a couple months ago with its double A side ska 7” single “Eastern Ska” b/w “Western Ska”. Before releasing the band’s new album, we are happy to give you another double scorcher on 7” record. The gorgeous instrumental “Short Break” on the A side brings us right back to the mid sixties of Jamaica, when Rocksteady was king. “Revenge” on the flip side is a shuffle ska led by a magnificent six-piece horns section. Named after Anne Bonny’s boat, this song is an exclusive 7” release, it will not feature on the upcoming album. Real authentic sounds to make you jump and twist!

Dilla, Pete rock , Primo samples jazz funk breaks.
Galaxy samples Breaks

One of Detroit Electro's most unique producers Erik Travis is back!

Mukatsuku presents the second volume of killer Ghanaian highlife/afrofunk monsters this time focusing on two artists legendary in the genre. First up first time on a 45 from 1980 is '' What Is Life '' from the Ebo Taylor & Uhuru Yenzu album ''Conflict Nkru! ''. Amazing brass,flute and afrocentric rhythms lay the path for the track once heard never forgotten. On the flip first time ever on a 45 Pat Thomas who features on volume 1 of the series comes correct with possibly the best version (and there are a few ) of ''Gyae Su'' . With its jangly african guitar licks and infectious chorus lines the feel good factor is set to maximum. Another dope afro burner on Mukatsuku and sure to sell out fast. 500 hand numbered copies and no repress

While it’s undeniable that Eric B & Rakim crafted and concocted classic after classic back in the Golden Era of the late 80’s and early 90’s, very few of their records could ever be classified as ‘dancefloor fillers’. But that’s exactly what ‘I Know You Got Soul’ was.

The duo’s third single was released at a time when their debut LP, 1987’s ‘Paid in Full’ was already being hailed as a gamechanger. Rakim’s smooth but sombre flow had introduced new phrases to the hip-hop lexicon, while the barrage of James Brown samples had declared open season on the Godfather of Soul’s back catalogue.

There were already stirrings of a backlash from the more frequently sampled artists at the time this came out, and the fact that it took not just its main hook but also its title from Bobby Byrd’s James Brown-produced 1971 single was almost like rubbing salt in the wound. The hip-hop fans and the dancefloor didn’t care – this played all summer long in 1987, elevating the group to a Soul Train performance.

Only months after this dropped, the UK collective M|A|R|R|S turned Rakim’s “Pump up the volume” line into the basis of their own hit. Pop will eat itself.

The original 7” was released in a no-frills generic sleeve – this re-release comes with a brand new cover utilising some of Dan Lish’s trademark artwork.

Vinyl Edition Featuring New Art! Features Guest Verses From Cormega, N.O.R.E., Meyhem Lauren, Freddie Gibbs, And More Plus Guest Production From Alchemist, DJ Premier, Pete Rock, And More. Kool G Rap doesn’t let his legend status stop him from continuing to do what he loves. Last year, the Corona, Queens veteran dropped his ‘Return Of The Don’ album, and in 2018, he’s following up the solid effort with a collaborative album full of heavy hitters behind the boards and on the mic, alongside Rochester native 38 Spesh (aka $pesh), who linked with Griselda Records’ Benny the Butcher earlier this year for the well-received ‘Stabbed & Shot’ album. The album’s tracklisting boasts veteran features like Cormega and NORE, while also brandishing newer school spitters like Freddie Gibbs and Meyhem Lauren, and Griselda Records’ Benny The Butcher. Behind the boards, as mentioned, KGR summoned production akin to MCing prowess. Alchemist heads up “Land Mine” while DJ Premier and Pete Rock lay the beats for two tracks each. Album mainstays Midnite and 38 Spesh handle most of the rest of the production. Overall, the project is a lot of what you’d expect from Kool G Rap: grimy street rhymes full of stories of peril and the beats to match. On “Land Mine,” the duo of 38 Spesh and Ransom provide a rather introspective look-back on their troubled come up while a song like “Flow Gods” reminds everyone that G and his assembly are nothing to be taken lightly when it comes to witty wordplay and velvety smooth bars.

A modern soul double header 7” that has become increasingly in demand is this gem by Marc LaRoi Cummings. Original copies on the Setting Sun label have been exchanging hands for £60-£80 where they have become available. The original label, song writing and production is courtesy of former Motown artist Ronnie McNeir, now a member of The Four Tops, and always of interest to the soul community through the quality of his work on his own releases and for others. It was his first album on Ronnie’s own Setting Sun label from 1985 that became Expansion’s first artist album release, while his label engaged with other artists such as Marc who worked with Ronnie as a backing singer on work with David Ruffin (“Gentleman Ruffin”) and The Four Tops (he co-wrote “Strung Out For Your Love”)

"Mr Bop" aka DJ Damage of the almighty Jazz Liberatorz' presents
his first solo project. Expect nothing but Jazz samples and already nineties - feeling Hip Hop!

Danny McLewin and Tom Coveney aka Psychemagik have dropped their new single, the effortlessly smooth and immediately deep ‘We Can Be One Ft Quinn Lamont Luke’.

An invigorating and ethereal slice of psychedelic funk, formed of reverberating acid rifts and the balearic vocals of New York’s Quinn Lamont Luke, ‘We Can Be One’ beautifully lays down the foundations and entry point into the endlessly unique and diverse world of Psychemagik.

DJs, producers and unrivaled selectors, Tom and Danny are known for their beautiful production work, obscenely vast record collections and transcendent mixtape journeys.
They boast one of the most impressive and comprehensive remix outputs in contemporary electronic music for names including Roisin Murphy, Noel Gallagher, Haim, Bryan Ferry, Beyond The Wizards Sleeve, Paul Weller and Metronomy.

Dynamite cuts has another Roy ayers 7” releases, this time, a collaboration with Wayne Henderson. Both of these tracks have never been on 7” before. A side is a laid back groove with hip-hop feel.
The B-side “For Real” a little known cover version of the Flowers Anthem, which sell for £2k+. So that Make this release a gem of a find.

Welcome To Unreality Records Has The Pleasure To Presents For The First Release Dean Dennis Aka Sector.
Selected Tracks From The Sector Debut. Made In Sheffield During 1993-1994, Having Finally Left Clock Dva In Late 1992, Guy Fawkes Night To Be Exact.
A Mix Of Techno, Downtempo And Drum'n'bass That Makes This Ep A Trip Into The Uk Electronic Music Scene Of The 90's.

Repressed for the first time in 2 years, Note price change. Remastered from the original masters and pressed extra loud for DJs. There are very few albums across any genre that stand the test of time better than 93 ‘Til Infinity, the classic debut record from the Hieroglyphics crew’s very own Souls of Mischief. In an era where Gangsta Rap and G-Funk dominated the West Coast Rap scene, Souls broke ground on a completely unique and thoroughly west coast sound.

While the Dr. Dre’s and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 ‘Til Infinity was propelled into success by its title track and lead single, which reached #32 on the Billboard Hot 100. It also featured singles “That’s When Ya Lost” and “Never No More” which also reached the Hot Rap Singles.

In 1998, the album was selected as one of The Source’s 100 Best Rap Albums of All Time. Considered by many to be a text book “slept-on” classic Rap record, 93 ‘Til Infinity has only grown better with age.

The album simply defines the Hiero golden age with a sound that would later be fine tuned with strong releases from MCs Del The Funkee Homosapien, Casual and Pep Love. It takes some serious bravado to name your album 93 ‘Til Infinity, but certainly the goal of creating a Hip Hop “classic” must have been on the collective minds of group members A-Plus, Tajai, Opio, and Phesto when recording this landmark moment in Hip Hop history.

It’s true, even seventeen years after the album’s initial release many people are still discovering it, and with this re-mastered reissue on double vinyl, fans all over the world will once again discover the brilliance that 93 ‘Til Infinity delivers and will continue to deliver beyond infinity.

Celebrating live music and record store culture.

After having completed the first run of shows for their recent album "2066" through UK, France and Germany, the Mighty Mocambos did an intimate performance at world-renowned Groove City Record Store in their hometown Hamburg.
Not content with just playing stripped down versions of existing material, the band wanted to step up a notch from the "tiny desk" type concert idea and decided to record unreleased tunes for a vinyl single capturing the live energy and crowd atmosphere with analog studio techniques. After having warmed up with a couple of songs from "2066", a cheerful crowd in the packed shop witnessed the band tracking magic takes of unheard songs directly to tape.
"St. Pauli Second Line", an instrumental live favourite with simple but irresistant swamp funk ostinatoes turned into a frenetic call and response chant workout midway of the song. Singer Nichola Richards' tune "Keep It Movin'", a mainstay of the band's live repertoire for years, was cut with great energy, finally finding its way onto wax. "Something's Missing" is a brand new tune with a raw sister funk vibe - written and arranged for the occasion, rehearsed once and performed live for the first time in the version you hear on this record.
While many live recordings a are mere mix of crowd noise and neglectable renditions of well-worn tunes that are unusable for DJs and hardly appealing to the dedicated listener, THE MIGHTY MOCAMBOS - Live At Groove City au contraire is a treat for turntableists and a testimony of the spark that a well-attuned live band can light up, combining the vibes of a concert with the no-nonsense analog sound of their well-loved studio recordings.

Dynamite cuts, releases another funk dancer this time from one of the New Orleans funk crew. Big vocals “Handa Wanda” is a true get down roots funk dancer (head down and get lost in the groove - move that body). On the flip is the Full ticket the super heavy “(somebody got) Soul Soul Soul” this has it all, superb funky vocals including chant! heavy bass groove wah wah guitar. Which when added together give you one of the most outstanding super loops. used by Cold cut in Beatn pieces way way back in the early day of hip hop and DJ tool.

Dope 12! Both tunes taken from early 80's LP tracks... HEAVY!!