Hip-Hop Vinyl New Releases - News

"Phil Seamen Meets Eddie Gomez" is a jazz album by the Phil Seaman Trio, featuring the renowned bassist Eddie Gomez. Phil Seamen himself was lauded by Ronnie Scott as “Britain’s best jazz drummer”. The album showcases a selection of jazz standards, highlighting the interplay between Seamen's drumming and Gomez's bass work.
Lineup:
Bass – Eddie Gomez
Drums – Phil Seamen
Piano – Tony Lee

One trio that not only succeeded, but blossomed following the onset of reggae, is The Pioneers, who in 1969 became one of the first Jamaican acts to achieve international success with their UK hit, “Long Shot Kick The Bucket”. Their third album Battle Of The Giants is a little bit softer compared to their previous records, and even features a soul ballad. “Consider Me” and the title track “The Battle Of The Giants” are two of the best known songs from this album. The collection is a must-have for all self-respecting fans of boss reggae and is now finally available once again.

Battle Of The Giants is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

Full page feature in Wire Magazine (March 2025, Issue 493) 'the freak audio series continues with the lysergic You Didn't Hear It From Me which combines dubbed out sampledelia and metallic beats with ghostly saxophone soaked in an acid bath'

Polonius AKA Egyptian-French artist Seif Gaber, whose works spans a decade of “science fiction archeomiragical time travel" explorations and is an important piece of the healthy electronic/far out mosaic in Milan.

With a considerable number of releases under his name, both self released and through such likeminded labels as Ikuisuus, Goaty Tapes or Sun Araw's Sun Ark, Polonius grand vision encompasses a myriad of languages culled from kosmische travelings, exotica's dreamlands, soundtrack psychedelia, spiritual jazz escape routes and transmuted beat science to convey them into a sonic fiction where all these trails intertwine in a cosmological soundscape filled with wonder and speculation.

Building on last year's more beat-centric excursions of his self-titled vinyl debut on Stoned to Death, Polonius' first entry into the Discrepant extended family via Souk finds him dwelling deeper into rhythmic mystic extrapolations through a series of hallucinatory tracks. Conveying jungle's kinetic energy, dubwise meditations on bass weight, collapsing beats, globetrotting percussion accents and synth-driven night drives, 'You Didn't Hear It From Me' finds Polonius with a strong sense of purpose and direction, reconvening bits and pieces from the netherworld into a more urban scenario, not quite any we can stand or dance on. Just dream of.

Popcaan first unveiled his latest project titled FIXTAPE via Unruly / OVO Sound last year.

FIXTAPE includes a star-studded lineup, such as the Nineteen85-produced track “TWIST & TURN” featuring Drake and PARTYNEXTDOOR. Additional guest appearances include French Montana, Preme, Masicka, Stylo G, Dane Ray, Frahcess One, Tommy Lee, and Jada Kingdom. FIXTAPE continues Popcaan's historic narrative as one of the most prominent global superstars in the reggae space today. It is also the follow-up to his Vanquish mixtape, which was released after it was announced that he had signed to OVO Sound.

The 19-track body of work is powered by Popcaan’s potent energy, lyrics, and unique amalgam of genres from hip-hop to dancehall and pop. FIXTAPE is further proof that his cultural appeal spans from the streets to the club.

Originally released in 1978, produced by Bertram Brown, now with two previously unreleased versions.

Reissue on high quality, 180gr, limited color vinyl for PRINCE BUSTER's first studio album from 1963. Includes many of his top ska classics including "MADNESS", "THEY GOT TO COME", "WASH YOU TROUBLES AWAY", and "BLACK HEAD CHINAMAN". The musical accompaniment was by the DRUMBAGO ALL STARS and RICO RODRIGUEZ BLUES BAND. Essential early ska.

Ska icon Prince Buster changed the face of Jamaican popular music by helping give birth to the form in the late 1950s by blending Caribbean cadences with a rhythm-and-blues backbeat, its rhythmic emphasis shifted to the afterbeat rather than the fore. National Ska: Pain In My Belly is a killer various artists compilation that Buster produced in 1964 for Blue Beat Records in Britain, its blistering contents featuring Toots and the Maytals, Eric ‘Monty’ Morris, and the Prince himself, as well as the pivotal musicians Don Drummond and Tommy McCook, who would shortly form the Skatalites. Essential listening for all true ska devotees!

High Blood Pressure: Buster’s vocal take on the New Orleans classic by Huey Smith & the Clowns.

Raindrops Falling: Nice duet with Derrick Morgan and Patsy (Millicent Todd), with characteristic handclap percussion.

London, UK – May 23, 2024 – The Original Gravity Label proudly announces the release of "Gravity Dubs Vol.1," the highly anticipated new LP from label boss and chief musician Neil Anderson, a.k.a Prince Deadly. This pioneering collection sees Prince Deadly masterfully dubbing some of the early Original Gravity Reggae releases, transforming them with his signature early dub style. "Gravity Dubs Vol.1" is a testament to Neil Anderson’s deep-rooted passion for reggae and dub music. As Prince Deadly, he has meticulously reimagined and remixed classic tracks from the Original Gravity catalogue, infusing them with a fresh, vibrant energy while staying true to the genre's authentic roots. This LP is set to be a landmark release, bridging the gap between the past and present of reggae music. Neil Anderson, the creative force behind the Original Gravity Label, has long been celebrated for his innovative approach to music production. With "Gravity Dubs Vol.1," he continues to push the boundaries, offering listeners a rich, immersive experience that honours the traditions of early dub while introducing contemporary elements. "Gravity Dubs Vol.1" features an array of reworked tracks that highlight the versatility and depth of the Original Gravity Label's early reggae releases. Each track has been carefully crafted, showcasing Prince Deadly's expertise in blending hypnotic basslines, echo-laden rhythms, and atmospheric effects. The result is a collection that not only pays homage to the genre's pioneers but also sets a new standard for modern dub music. "I've always been deeply inspired by the roots of reggae and dub," said Neil Anderson (Prince Deadly). "With 'Gravity Dubs Vol.1,' I wanted to take the ethos of the formative years of Dub, where studio creators re-visited the classic Studio One rhythms to create a completely new sonic landscape. "Gravity Dubs Vol.1" will be available on all major streaming platforms from 1st June and the vinyl is now on pre-order and will be shipping in early June.

First album from pioneering Jamaican deejay. Prince Far I has a cult following in Europe through his handful of albums on Virgin in the late 70s / early 80s. First time reissue with the original artwork. Unique reggae concept album. Extra heavy original Jamaican mastering. 10-song LP from 1976, Prince Far I's ­rst album. Produced by Lloydie Slim, this unique album ­nds Far I chanting Psalms and prayers over a tough selection of mostly Aggrovators-backed rhythms. This was resissued once before over a decade ago, now back again with the original artwork, and pressed from new stampers made from the pristine-condition original mother plates, yielding the identical deep and full Jamaican mastering of the original. A truly unique album that deserves a place in every self-respecting collection of deejay records.

Prince Far I was a Jamaican reggae DJ and producer, and a well-known member of the Rastafarian movement. Known for his distinctive voice. Far frequently used his music to criticise the Jamaican government. On his ninth album Jamaican Heroes, he collaborated with musicians like Roots Radics and The Flying Lizards. The album was mixed by Anthony “Crucial Bunny” Graham at Studio One in Jamaica. Each song has something special, and revolves around topics that were close to Prince Far‘s heart. That makes this record a must have for everyone who is interested in reggae music and Rastafarian culture. It’s available as a very limited edition of 750 copies on orange vinyl.

Der britische Produzent und Dub-Engineer der nächsten Generation Prince Fatty (Mike Pelanconi) präsentierte ein sorgfältig ausgewähltes Set digitaler Mehrspur-Masteraufnahmen aus den Archiven des kultigen jamaikanischen Reggae-Produzenten Bunny Striker Lee und mischte die Audiodaten mit einem sorgfältig gebauten analogen System, das dem von Osbourne Ruddock (King Tubby) ähnelt, um 10 neue Dub-Mixe für das moderne Zeitalter zu produzieren.

Grippng, grooving digi-dubs from the late-80s.
Replay Version sets the mood — malevolent, sick and haunted, but funky like a train, with cruelly brilliant effects; really a stunning piece of music.

'Ride with the Rasses' was an unequivocal statement of Prince Lincoln's
Rastafarian faith and a discernible demonstration that his "determination
(was) inexhaustible"
The LP found favour with listeners worldwide, but, without the extensive,
expensive promotion and publicity a major label could provide, the album went
relatively unheard outside of those who had kept the faith with conscious music
making. This Burning Sounds re- release will, hopefully, secure a long overdue
measure of re-appraisal and positive reassessment.
Vocals – Prince Lincoln Thompson
Album first released 1983
Released on 180 gram RED vinyl
Promotion across social media platforms
Advertising in Riddim, Black Echoes and Record Collector Magazine

Album first released 1979 and now re-released on yellow vinyl
All tracks written, composed, lyrically and harmoniously by Lincoln Thompson
Producer – Prince Lincoln Thompson
Engineered and mixed at Harry J. Studio
Includes extensive sleeve notes
The Royal Rasses :
Lincoln Thompson (Sax)
Keith Perkins (Cap)
Clinton Hall (Johnny Kool)
Promotion across social media platforms
Advertising in, Echoes, Record Collector Magazine and Riddim

Includes Murder Remix Style by Prince Jammy at King Tubby's Studio, Heavy Dub 180-gram Vinyl. CD Includes extensive sleeve notes.

Out 26th April, "Atlantic Oscillations" marks the return of world-renowned British producer Quantic ahead of the release of his most cohesive and intricate album to date. Bringing together new players and concepts with a dance orientated sound that has enchanted fans and tastemakers across the world for nearly two decades.

As the first Quantic release under his main solo moniker since 2014's critically acclaimed 'Magnetica', "Atlantic Oscillations" embodies a disco vibrancy taken directly from sweaty dance nights in Brooklyn's small disco and dance clubs, "I've had the chance to see some great DJs and got into the disco edit and some incredible dance songs. NYC summers are great for outdoor parties and I wanted to make something which was long and had a real journey for these kind of parties", Holland explains "it was primarily my wish to make a bad disco tune". The finished product is a track shimmering with the warmth of a New York City summer and the energy of a party equipped with a well-stocked free bar.

The hottest female ‘Sing Jay’ of 2023 doesn’t disappoint with this heavy hitting album Servant of Jah Army!

One of the rarest and most sought after roots grails in existence from enigmatic Jamaican Canadian singer Prince Robinson aka R. Man Prince.

Funny Dream, an apocalyptic roots stepper from 1976 is a 45 so rare that it has developed its own mythology in the small circle of collectors who know of its existence.

One rumour suggests that so few copies exist because Robinson’s Russian wife took all the records from Canada back across the iron curtain in the late 70s when they split up. Some suggested he had died.

Shella Records eventually tracked down Prince Robinson not far from Toronto and learned the true story of why the original 45 is so impossibly rare- almost all copies were destroyed shortly after they were pressed, tragically reduced to ashes inside an incinerator.

Thankfully Prince has kept the original mastertapes stored safely in a briefcase for almost 50 years knowing that his music had value and biding his time.

"One turntable, one microphone, a mek we skank it til a morning!" Taking you back to the roots of sound-system culture: when entertainers rocked the dance until morning, with the most basic equipment. The skill and the vibe were all that mattered. "One turntable, One microphone" captures that essence. Sweet, lilting saxophone licks from Jazz futurist Marcus Joseph (Jazz re:freshed) set the scene for the gathering. Ranking Joe bawls out, "forward rub-a-dub style!" as clean, crisp piano chops out the backbeat. A rock-hard rhythm section drops in to put the bassline in your waistline. As the crowd swells, so too does the energy of the performers, with spaced out echoes creating a lush soundscape for the deejay to ride over joyfully. Ranking Joe is a foundation reggae artist from Kingston Jamaica. His first recording was on Coxsone Dodd's legendary Studio One label in 1974. He has cut hits with Sly and Robbie and Easy Star All Stars, enlivening any production with his fast, intricate and sometimes humorous lyrical flows. This latest release shows the endurance of his musical gift and reactivates the essence of golden-era Jamaican dancehall for modern ears.

The most known tune for the legendary artist Ras Michael (aka Dadawah or Tesfa Zion, born Michael George Henry) is "None A Jah Jah Children". Recorded in 1975 for the Starapple label with his band The Sons Of Negus and producer Tommy Cowan, it comes along with the great instrumental dub version entitled "Jah Glory". Finest Nyahbinghi Drumming & Chanting!

Packaging: 7" Picture bag, matt finished, manufactured in Europe

Recorded and Mixed - Jamtone Studio by Darren MathersMastered by - Nick Manasseh
PRODUCED - CHANNEL ONE SOUND SYSTEM - 2024