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Joao Selva - Natureza

Joao Selva

Natureza

12inchFVR133LP
Favorite
30.06.2017

avorite Recordings proudly presents Natureza, first album of Joao Selva. The story of Natureza is made of the meeting between two passionate artists who are Jonathan "Matuto" Da Silva and Bruno "Patchworks" Hovart.Born and raised in Ipanema and son of a pastor, Jonathan Da Silva grew up in a community of ex-prisoners and converted artists. He made his first guitar notes before his 10th birthday, under the watchful eye of Wanda Sa (muse of the bossa nova), and influenced by a father who in addition to his work, was also a true music lover with a collection, where black music, rock and classical meet. From the age of 18, Jonathan began a life of entertainer, traveling the world to offer shows for disadvantaged children and intensively practicing the Brazilian traditional music arts (Capoeira Angola, Maracatu, Samba de Roda, Coco de Roda...). It was later in France and in Lyon that he put down his instruments. There he formed the trio Forro de Rebeca in 2008, touring the all country and winning many praise in media. The trio recently joined forces with American producer Maga Bo on the project Sociedade Recreativa, whose album was released in 2016 on The Jarring Effects label.Bruno Hovart is a recognized producer, multi-instrumentalist, and remixer. After passing through Angers, Birmingham and London, he's based in Lyon since 2001. Bassist and guitarist for various bands, he switched to production in the mid-90s. Passionate about music and tireless creator, Bruno has practiced in almost every imaginable style, when it comes to groove music, collecting many aliases and projects for more than 10 years: Patchworks, Voilaaa, Uptown Funk Empire, Mr President, Taggy Matcher, Mr. Day, Hawa, John Milk, Lightnin 3, The Dynamics or Metropolitan Jazz Affair ... Nothing resists and escapes his talent and production skills. Thus, when he discovered and met Jonathan and his music, Bruno saw an immediate opportunity to broaden the spectrum of his discography a little more, by looking at Brazil. Beyond its traditional heritage, Brazil has always been a land of extremely varied music, influenced by the international scene. Soul, Jazz and American Pop did inspire many local stars such as Chico Buarque, Carlos Jobim, Gilberto Gil, Tom Zé, or Erasmo Carlos. Both fervent lovers of this movement and these names, it's with the idea to pay them a faithful tribute, that Jonathan and Bruno began the Joao Selva adventure. Together they gave birth to Natureza and embark us for a trip into the heart of the Tropicalist Pop influences of Jorge Ben and Caetano Veloso, the intoxicating Funk of Tim Maia, and the social poetry of Vinicius de Moraes.

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14,41 €
Leon Ware - Candlelight
  • Invitation
  • Red Top
  • My Funny Valentine
  • How Insensitive
  • Skylark
  • Round Midnight
  • Equation
  • Stella By Starlight
  • Candlelight
  • Misty
  • My Foolish Heart
  • Let Go
  • My Ship
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Leon Ware - Musical Massage
  • Learning How To Love You
  • Instant Love
  • Body Heat
  • Share Your Love
  • Holiday
  • Phantom Lover
  • Journey Into You
  • Musical Massage
  • Comfort (Come Live With Me Angel)
  • Long Time No See
  • With You
  • I Wanna Be Where You Are
  • French Waltz
  • Best Of Two Worlds
  • Turn Out The Light
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Leon Ware - Rockin' You Eternally / Leon Ware
  • A Little Boogie (Never Hurt No One)
  • Baby Don't Stop Me
  • Sure Do Want You Know
  • Our Time
  • Rockin' You Eternally
  • Got To Be Loved
  • Don't Stay Away
  • In Our Garden
  • Slippin' Away
  • Lost In Love With You
  • Shelter
  • Why I Came To California
  • Deeper Than Love
  • Can I Touch You There
  • Words Of Love
  • Miracles
  • Somewhere
  • Where Are They Now
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Various - Leon Ware & Friends
  • Leon Ware What's Your World
  • Al Wilson You Do The Right Things
  • Syreeta I Don't Know
  • El Debarge Heart, Mind & Soul
  • Chuck Jackson No Tricks
  • Rockie Robbins Point Of View
  • Norman Connors Everywhere Inside Of Me
  • Shadow (21) I Can't Keep Holding Back (My Love)
  • Bobby Womack Trust Your Heart (12" Extended Mix)
  • Melissa Manchester Almost Everything
  • Donny Hathaway I Know It's You
  • Leon Ware Girl, Girl, Girl
  • Minnie Riperton Can You Feel What I'm Saying
  • Booker T* I Came To Love You
  • Krystol Just Don't Make It Hurt
  • Vesta Williams You Make Me Wanna Love Again
  • Thelma Jones I Can Dream
  • Jerry Butler Thank You Early Bird
  • Michael Wycoff Looking Up To You
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Luis Bacalov - Carrefour / Sistemo L'america E Torno - Seq. 7
  • A Carrefour
  • B Sistemo l'America e Torno - Seq. 7

The Italian funk god Luis Enriquez Bacalov is celebrated here with this unmissable 7-inch record, featuring two of his grooviest tracks ever: on the A-side, the legendary CARREFOUR is maybe his funkiest soundtrack piece, here released for the first time in its entirety, with an unexpected introduction via a powerful horn section, which was cut from the original 1976 RCA 7''. Behold an eternal jazz-funk masterpiece with solid drum breaks and hip hop heavy beats, funky congas, wah wah guitar, psychedelic organ. This track was used for the 1976 movie Colpita da improvviso benessere', directed by Franco Giraldi, but was originally conceived for the 1974 movie Sistemo l'America e torno' by Nanni Loy. For the B-side, we have chosen from this same score another killer groovy track which was already compiled on our ESTERNO NOTTE Vol. 1 compilation.

SISTEMO L'AMERICA E TORNO - SEQ. 7 has a tremendous rhythm section, a wonderful guitar riff, psychedelic flute, and

stunning Hammond organ solos. This is another future classic from the golden age of Italian soundtracks, and an absolute must-have for any and all jazz-funk DJs worldwide!

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Romano Mussolini, Roberto Pregadio, Antn Garcna Abril - Kriminal / Il Cobra

One of the rarest and most sought-after Italian holy grail soundtracks ever is finally back from the grave! Originally released in

1966 on Beat Records (45-BT 024), the KRIMINAL main theme was written by Romano Mussolini (Raymond Full in the

opening credits) and Roberto Pregadio for this sleazy crime-pop movie directed by Umberto Lenzi, and based on the cult Italian

comic hero. Actually, this could be considered one of the best swinging jazz-beat themes from the 60s, with its wonderful horn, acid vox continental organ, and terrific rhythmic guitar. On the B-side, we have another jewel from 1960s Italian spy-pop cinema: the main theme of Il cobra' (from the Mario Sequi's movie). This swinging and uptempo jazz-beat piece, written and conducted by the Spanish composer Antón García Abril, is a poisonous shake with a supergroovy mood - a doublesided

floor-filler, not to be missed by any serious soul-jazz DJ.

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Aretha Franklin - Try A Little Tenderness
  • I'm Sitting On Top Of The World
  • Try A Little Tenderness
  • How Deep Is The Ocean
  • I'm Wandering
  • Rock-A-Bye Your Baby
  • Exactly Like You
  • Lover Come Back To Me
  • Ac-Cent-Tchu-Ate The Positive
  • Blue Holiday
  • I Surrender, Dear
  • You Made Me Love You
  • Just For A Thrill
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Fabio Frizzi - Contraband

Death Waltz Recording Company are delighted to bring you something that's a little away from the DW norm, yet still fits together with our other releases like a black leather glove: Fabio Frizzi's score to the 1980 Lucio Fulci thriller Contraband (aka Luca Il Contrabbandiere).

Famed as part of the poliziotteschi movement, Contraband stars Fabio Testi as Luca, an Italian smuggler who is forced to take revenge against a new Mafioso boss after a gang war erupts into bloody murder. While the film is a crime thriller, it's notorious (like all of Fulci's pictures) for its uncompromisingly gory scenes of violence.

Fabio Frizzi's music is irrevocably cool - and surprisingly upbeat at times. Contraband's main theme is a wonderful melody that is reprised throughout the score, with a suitable touch of melodrama. Frizzi's talent for catchy tunes is always apparent, whether it includes the stereotypical wah-wah pedal effects or some grooving slap bass. Kept modern by mixing traditional orchestral elements with electric guitar and a wailing sax, there's always a degree of underlying tension, mainly coming from the brass section, and there's some amazing moments featuring a big organ and a sleazy keyboard riff. This is even before the uber-catchy 'You Are Not The Same', one of Frizzi's many contributions to the songs of moviedom. Another excellent Frizzi/Fulci-fest!

180g vinyl housed inside a 425gsm card sleeve. Artwork by Graham Humphreys. Mastered for vinyl by James Plotkin.

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Little Stevie Wonder - I Call It Pretty Music, But The Old People Call It The Blues
  • I Call It Pretty Music, But The Old People Call It The Blues (Part. 1)
  • Fingertips (Part. 1)
  • La La La La
  • Don't You Know
  • Sunset
  • Little Water Boy (With Clarence Paul)
  • Hallelujah I Love Her So
  • Frankie And Johnny
  • Mary Ann
  • The Masquerade
  • Come Back Baby
  • Drown In My Own Tears
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Trevor & Lisa - L.a. Nights

Trevor&Lisa

L.a. Nights

12inchH&F00021
Hi & Fly Records
27.01.2017

Trevor & Lisa, the Parisian Funk band, is back!

L.A. Nights, their new EP on Hi & Fly is a new milestone in the band discography, setting it to a next level. The title track is a cover of the famous Yasuko Agawa's track (itself based on Light of the world's London Town') inspired by strong Zapp and West-Coast influences. Fat basslines, tight horn riffs and funky talkbox parts galore!

Break Droppin'' and The Battle' are infectious medleys played by the band with an extended line-up including extra brass, strings and percussions. In Breaks Droppin'', you'll find a carefully selected mix of cuts, ranging from the Hawaiian Hal Bradbury's You win, I Lose', to Julius Brockington's This Feeling (Freedom)', passing through CTI and other sampler friendly tracks.

The Battle' is a b-boy style up-tempo selection, mixing Latin influences with some classic battle cuts and evolving to a Disco finish, with a cover of the great Brothers' break Under the Skin'. It is 10' long, the beats & percussions are heavy and the extended band is in top condition. It won't let some rest to your feet for sure!

Last but not least, it's also the comeback of Hi & Fly, a French diggers' reference since 2000. So, one reason more to have a listen... Enjoy!

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Blackcash & Theo - Galaxy Vol 7

Thelonius (Theo) & BlackCash - Back at it with this series of Funk & Drum Break edits 45.

Frankie Seay & The Soul Riders - Soul Food

This song starts innocently enough, with a little solo flute passage, then the heaviest drums in all of creation (like Black Sabbath heavy, yes THAT heavy) arrive to knock you out of your seat before going into the full rhythm with equally heavy bass/guitar lines and horn. Solos from sax and guitar keep it extra gritty and round out one of the most head-bangingest funk songs ever heard.

Lyn Christopher - Take Me With You

"Take Me With You" is probably the only Lyn Christopher song youve ever heard, and even then, had it not been for the Smut Peddlers, you probably wouldn't even say that. They looped this up lovely in 1998. Also sampled by LL Cool J, Havoc feat Raekwon and Styles P, The Game feat. Nas, etc etc,

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El Michels Affair - Tearz / Verbal Intercourse

With the full length, Return To The 37th Chamber dropping April 14th, El Michels Affair releases another flawless two sider to hold us over. Side A's cover of Tearz is as much an homage to the Wendy Rene sample as it is to the Wu-Tang Clan track. The song starts as a glazed over cover of "after laughter, comes tears" with Shannon Wise of The Shacks singing Wendy Rene's timeless mantra. Halfway through, the mood dramatically shifts and the drums and organ that drive the original RZA sample, take over. A dubbed out Lee Fields taps in like only he can, and the song spirals into outer space. Side B finds EMA dipping into the deeper side of the Wu catalog with Raekwon's Verbal Intercourse. Mixing the grimy, gritty production aesthetic of the original with elements of dubbed out reggae, El Michels Affair once again pushes the definition of a cover' and truly makes it a tune of their own.

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Marvin Parks - Marvin Parks

Marvin Parks

Marvin Parks

2x12inchSCLP476
Schema Records
27.11.2018

The arrival of Marvin Parks on today's musical scene is a perfect addition to the renaissance of the Afro-American Jazz Crooner panorama, deeply rooted in the Black Music tradition. Having his roots in Gospel and in the '50s and '60s jazz singers by the likes of Nat King Cole, Johnny Hartman and Joe Williams, Marvin Parks yet remains by all means an artist of today. In his debut Marvin shapes his light baritone colors within the sound of a well-established group of musicians under the direction and production of Nicola Conte, giving a different light to well-known standards and some originals.

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29,37 €
Dj Monchan / Bradford James - Dsr 007

This 7th Dailysession release is packed with party-banging grooves for various occasions. Side A starts with Monchan

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Ikebe Shakedown / Monophonics - Curitiba Strut / Hanging On

Ikeb's newest A-Side, Curitiba Strut,' delves deep into disco, with four minutes of musical fire. Driven by the deep-pocketed pulse of its four-man rhythm section (Barnaby Alter, drums, Dave Bourla, percussion, Vince Chiarito, bass, Robin Schmidt, guitar) and one of the tightest horn trios on the East Coast (Mike Buckley, winds, Jason Colby, trumpet, Nadav Nirenberg, trombone), Curitiba takes flight. Adding in special guest Kelly Finnigan of the Monophonics on synth, this is a can't-miss for DJs and dancers alike! Monophonics B Side Hanging On' is what happens when California Psychedelic Pop meets Detroit Soul. Heavy Vocals and Horns lead the way over a steady groove of Drums, Fuzz Bass, transistor Organ and a whirling wave of 6 & 12 String guitars. Picked from their 2015 psych-soul gem 'Sound of Sinning', this California flip is a perfect Northern Soul answer for DJ's and to balance such a heavy Afrofunk Instrumental on the A Side from one of Brooklyn's finest bands!

- 1st 45 release on Transistor Sound
- Special edition split side
- Original music by 2 of the heaviest bands in the soul/funk scene
- A side is new unreleased music by Ikebe
- B side by Monophonics is off their popular LP Sound of Sinning
- Both sides are uptempo and DJ friendly
- Both bands have previous popular releases on Ubiquity & Colemine Records

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Juan Muro - Teu Sapato

Juan Muro

Teu Sapato

7"-VinylMAD006
Madmua Records
24.05.2017

This EP was originally released in 1977 by Audio y Vídeo through the label Iris. These bossa instrumental songs were composed by Juan Muro (Loeme is one of his pseudonims) and were recorded by great musicians like Rafael Martínez (guitar). The first (and only) release was very limited and the copies were sent exclusively to radio stations, discotheques and clubs. Because of that have surfaced so few records.
There are only 400 copies available of this reissue. All the songs have been remastered by Ángel Álvarez and each record includes a postcard signed by Juan Muro.

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Shiro Schwarz - Together & Boogie Ghost

SHIRO SCHWARZ returns after a successful breakout 2016 including debut singles on STAR CREATURE & MOFUNK. Two floor fillers - The B Side featuring a party cut, "BOOGIE GHOST" - a cult favorite from their live performances & the romantic floor filler on Side A with "TOGETHER".

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Sister Rosetta Tharpe - Gospel Train

Sister Rosetta Tharpe

Gospel Train

12inchDOS721H
DOL
08.03.2017
  • A1: Jericho
  • A2: When They Ring The Golden Bell
  • A3: Two Little Fishes, Five Loaves Of Bread
  • A4: Beams Of Heaven
  • A5: Cain't No Grave Hold My Body Down
  • A6: All Alone
  • B1: Up Above My Head There's Music In The Air
  • B2: I Shall Know Him
  • B3: Fly Away
  • B4: How About You
  • B5: Precious Memories
  • B6 99: 1/2 Won't Do
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Les Hommes - The Sinner

Les Hommes

The Sinner

12inchSHLP003
Sudden Hunger
10.04.2017

London-based jazz exotica trio Les Hommes are back with the thoroughly off-kilter long-player The Sinner. The mood is a globe-trotter with sounds from Arabian cafes, sonic postcards from Rio and deep modes from European jazz quarters. The Sinner is a continental audio trip, an excursion into east-meets-west where Les Hommes's core line-up of vintage Lowrey organ, a gamut of exotic percussion and amazingly swinging jazzuous drums, joins a high-contrast sonic palette that includes frenzied Eastern chimings of santur, Italianate clarinet, vibraphone and alto flute - channelled through the cinematic variations-on-a-theme blueprint.
From the Shearing-meets-Monk 1960s club grind organtronica of 'Queen Fez', the noirish clarinet-led brooding shimmer of 'Canticle', the primal swing of the jazz samba 'Espírito santo' to the visceral pulse of the Persian daf in 'Dusty road' and the modal mood that colours 'Dolores', The Sinner is a supremely mondo bella figura. A fairground ghost train ride into unchartered sonic territory with its unspoken salutary tale of The Sinner and his arcane quest for atonement.

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Tommy Mcgee - Now That I Have You

Having anthologized his '60s songbook with 1976's overdue long-player Positive-Negative, Grand Rapids, Michigan's Tommy McGee was eager to place something more modern into the marketplace. Brass at Brunswick and MCA failed to hear a hit in McGee's sultry-yet-assured delivery of Now That I Have You.' Unable to find a home for the romantic anthem, McGee issued his 2-step masterpiece on his own TMG Records in 1981. McGee would revisit the composition later in the decade, dressing the tune with drum machines and synthesizers for a run of 12-inch singles. However, this 45-only version from 1976 captures the progressive soul stepper at its most organic.

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The Haggis Horns - Stutter & Twitch

Long celebrated as the hottest funk band around, with a sustained tenure of fiery singles and a distinctive northern funk sound, The Haggis Horns are coming at you with their latest track! Exclusive to Stutter & Twitch, 'Outta My Head' has been re-recorded and re-released, renovating HH' tantalizing sound into an, 'ass shaking' hit for the ages! 3rd March will see The Horn's twelfth release in as many years, with STR004 marking our funkiest release to date!

Side A, 'Outta My Head' gives you The Haggis Horn's sound that we all know and love, bringing a classic, carefree warmth just in time for spring, with a rejuvenated angle! Destined to be an instant classic, the seven-piece have besieged the track with ample horns, enticing keys, frenzied backing vocals all in a killer verse/chorus/solo combo. A contagious sing-a-long and a party starter, all in one! Side B 'Give Me Something Better' is an example of established producer/artist, Werkha shying away from the 'electronica norm' of decapitating funk standards of their soul. By adsorbing the rhythm, and imparting a creative flair and organic sounds with an infectious curiosity, Werkha places the funk innovators in an augmented light.

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"The best horn section in the world!" - Mark Ronson

"You can always rely on The Haggis Horns to get the party started! Funk at its tightest!" - Bill Laurance (Snarky Puppy)

"Sounds amazing! Some of my favourite musicians are playing on this record and every single one I've learnt something from. Raging grooves!" - Corinne Bailey Rae

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After a decade of performing at some of the hottest venues on the globe, and with every name who has an agenda for funk, The Haggis Horn's addictive sound and live force has rumbled every joint imaginable. The harmonious seven-piece have conquered most of Europe preserving a legendary presence, with slots on Kendal Calling, Edinburgh Fringe, Cambridge Jazz Festival, 02 Academy, Leeds, Y Not Festival, etc. In addition, the globetrotting act has recorded and supported the likes of Jamiroquai, John Legend & The Roots, Amy Winehouse, Corinne Bailey Rae, Take That, Mark Ronson and Elbow across the world, and received airtime from BBC Radio 2, Radio 6, Reform Radio and Craig Charles Funk & Soul. 2017 sees another huge year for The Haggis Horns, and the hype for one helluva anticipated drop has only just begun.

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Various - Funk Originals

Breakbeat Paradise Recordings is turning back time to the early 70s when funk music was made by talented musicians joining forces in bands with the objective to create the next big funk anthem. So many big tunes and classic funk productions came out of this era and it also harnessed a new breed of funk bands across the globe who is dedicated to continuing the legacy of the funk music in the new millennium.

Breakbeat Paradise Recordings has proudly collected 4 bands to represent the new era of funk from various parts of Europe. German based Grand Slam, Swiss funk band Grand Mothers' Funck, Nasa Funk from Greece and A Man About a Dog from the UK has all provided original funk jams to this groovy 12" vinyl.

Leading the way on the a-side is Grand Slam who has created a big summer tune which sits in well with some of the current radio funk jams and will be sure to bring the ladies on the floor. Grand Slam has been around since 1985 by incorporating various flavors from Rock, Jazz, Soul and Hip Hop. The Get On Down jam from their upcoming release due May 2017 shows just how its done to do classic oldskool P-Funk which sounds as fresh as anything else on the radio here in 2017! Produced by (and featuring) veteran P-Funk legend Gary "Mudbone" Cooper!

Grand Mother's Funck means business on the straight up funky The Dog tune taken from their brand new album Take The Money. A special edit was done for this release as they are celebrating their 12th album release from a legendary veteran funk band who has been tearing up the Swiss funk scene for over 23 years now.

On the flipside the funk is riding equally high as Nasa Funk rolls in their Stand Up jam. Straight outta Thessaloniki, Greece comes this 5-man band with vocalist George Perin leading the way. This tune is produced with old friend of label Basement Freaks.

Last but certainly not least we turn our attention to the UK where the band A Man About a Dog has cooked up a latin-inspired and jazzy funk tune called Pollos.

That sums up the first all original funk release to be dropped on Breakbeat Paradise Recordings. After digging in a sampling so many great funk tunes over the years, this seemed like only right way to pay our respect to the genre of music we love and cherish so much.


[B] A2 | Grand Mother's Funck - The Dog (Throw Me A Bone Mix)

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8,36 €
Dean Parrish/ J. B. Troy - Bricks, Broken Bottles And Sticks/live On

DEAN PARRISH was born Phil Anastasi in Little Italy, New York in 1942. He developed his love of soul music listening to black doo-wop singers at art school and to early Motown. He cut his teeth as a performer at the legendary Peppermint Lounge, a basement club in Manhattan and the Lighthouse Club on 76th and Broadway alongside Jimi Hendrix. In 1965 Dean signed to Musicor and recorded the first of his soul' sides Bricks, Broken Bottles And Sticks' which became a local radio hit and earned him a contract with Boom Records. Tell Her' was released in June 1966, his only Billboard pop hit breaking the Hot 100 at No.97. Determination' was next followed by the Mod favourite Skate' before the year was out. A switch to Laurie saw the release of the Northern Soul anthem I'm On My Way' in November of '67, which sank without trace, and Dean bowed out as a solo artist.
Reverting to his birth name he took up work as a session musician with his friend Jimi Hendrix and played guitar on Bob Marley's Reggae On Broadway'. When the session work started to dry up Dean (Phil) became a wedding singer, a career move that led to a cameo appearance in an episode of The Sopranos! All the while Dean Parrish was blissfully unaware of his cult status across the Atlantic on the UK Northern Soul scene, despite selling 250,000 copies of I'm On My Way' as part of Russ Winstanley's Three Before Eight' EP. He had to wait until the dawn of the new millennium before he was finally tracked down by soul detective Andy Rix and, to his astonishment, the truth was finally revealed.
Bricks, Broken Bottles And Sticks' remains Dean's favourite recording bringing back memories of performing in clubs and at racetracks around New York City with the Motown Revue. It is also the rarest of his US recordings and is long overdue a vinyl revival.

J. B. TROY was a New York balladeer who sank without trace after two flop singles for Musicor Records in the Summer of '66. He has been well known to deep soul fans for some years but it is his much overlooked storming dancer LIVE ON' that we feature here. Originally spun at Wigan Casino by DJ Pat Brady this rare Musicor 45 is rapidly increasing in value and is set for big things.

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The Willow Band - Willowman/funky Guitar Man
  • WILLOWMAN
  • FUNKY GUITAR MAN

The Willow Band were singers and musicians under the direction of Jesus Alvarez of the group Shirley & Company. As 'Alvarez' his Polydor his rare groove Sooner Or Later' was on the Step inside My Soul' CD collection, but this much sought after funky project with The Willow Band' has not been reissued since the original Epic 7' came out in 1976.

pre-order now17.03.2017

expected to be published on 17.03.2017

15,92 €
Various - Funk Fever 02

Various

Funk Fever 02

12inch134751
Wagram
07.11.2016

Ende der 1960er-Jahre entwickelte sich aus Soul, Rhythm and Blues und Jazz das Genre Funk. Es erlangte
insbesondere durch James Brown und Sly Stone größere Popularität. Stilbildend für Funk sind repetitive
Rhythmen, akzentuierte Bläsersätze, synkopische Basslinien, ein Offbeat mit Betonung auf "eins",
ausgeprägte Rhythmusgitarren und Soul-Gesang. Kurz: ein köchelndes Gebräu, das Funk zu einer bis heute
populären Tanzmusik machte. Wer's nicht glaubt, greife zur zweiten Ausgabe von "Funk Fever". Die 4CD-Box
bündelt 80 hochinfektiöse, thematisch sortierte Funk-Songs aus rund fünf Jahrzehnten mit dem Besten, was
das Genre zu bieten hat. Dazu zählen Songs von u. a. Ike & Tina Turner, Gil Scott-Heron, Etta James, Ann
Peebles, Stevie Wonder, Eddie Floyd, Willie Colon & Ruben Blades, Curtis Harding, Omar und Mo'Horizons.
Sie finden sich auf den vier CDs "Rare Groove Funk" (CD 1), "Funky Soul" (CD 2), "Tropical Funk" (CD 3)
und "New Funk" (CD 4)

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Various - Screamers, Bangers & Cosmic Synths

Stunning compilation (every track is a winner!) of obscure and oddball tracks that range from rare African disco to the freakiest of jazz workouts and psychedelic kosmiche! Features one of the most sought-after afro-disco cuts, the jaw-dropping minimal electronics of Steve Monite's 'Only You (Disco Jam)'!

A brilliant compilation focusing on the more fun and weird - an essential label debut from small Scottish collective, Triassic Tusk!

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Earth, Wind & Fire - That's The Way Of The World
  • A1: Shining Star
  • A2: That's the Way Of the World
  • A3: Happy Feelin
  • A4: All About Love
  • B1: Yearnin' Learnin
  • B2: Reasons
  • B3: Africano
  • B4: See the Light

Rolling Stone 500 Greatest Songs of All Time - That's The Way Of The World - Rated 337/500!

Rolling Stone 500 Greatest Albums of All Time - Rated 486/500!

The 1975 album "That's The Way Of the World" was also the soundtrack for a 1975 motion picture of the same name which featured some of the band members of Earth, Wind, & Fire in cameo roles. The album includes the ballad "Reasons" alongside the #1 US pop and R&B hit single "Shining Star" as well as the title track which reached #12 on the pop chart.

"Before he got into African thumb pianos and otherworldly philosophizing, EWF founder Maurice White was a session drummer at Chess Studios. EWF's sixth album is make-out music of the gods." - rollingstone.com

"Earth, Wind & Fire has delivered more than its share of excellent albums, but if a person could own only one EWF release, the logical choice would be That's the Way of the World, which was the band's best album as well as its best-selling. Open Our Eyes had been a major hit and sold over half a million units, but it was World that established EWF as major-league, multi-platinum superstars. Fueled by gems ranging from the sweaty funk of "Shining Star" and "Yearnin' Learnin'" to the gorgeous ballad "Reasons" and the unforgettable title song, EWF's sixth album sold at least five million units. And some of the tracks that weren't major hits, such as the exuberant "Happy Feelin'" and the gospel-influenced "See the Light," are equally powerful. There are no dull moments on World, one of the strongest albums of the 1970s and EWF's crowning achievement." - allmusic.com

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Lancelot Layne - Blow 'way

Lancelot Layne

Blow 'way

12inchCLP1211
Cree Records
31.03.2017
  • A1: Afro' Dadian
  • A2: Bring'in Off
  • A3: Dat Is Horrors
  • A4: Kaiso For Mouth Band
  • A5: Song For Music
  • A6: Make Life Easy On Me
  • B1: Yo Tink It Sorf
  • B2: Carnival Drum Song
  • B3: Doh Dig No Blues
  • B4: Umbawa
  • B5: Do You Know Where You Are Going To
  • B6: In A Man's Life
  • C1: Chant
  • C2: Get Off The Radio
  • C3: Dance Jambalasie Dance
  • D1: Free South Africa
  • D2: Kamboulay (Dance Mix)
  • E1: Blow 'Way
  • F1: Funky Calypso

Rapso, 1970s West Indian music from Trinidad & Tobago, incorporating Soca, calypso and hip-hop.

Rapso was born out of the social unrest of the 1970s when Black Power and unions grew on Trinidad &Tobago.

Blow‚Way by Lancelot Layne is regarded the first Rapso recording.
Exclusive packaging, 2 LPs (pressed on 180gram virgin vinyl) plus a single (45rpm)Gatefold sleeve with 20-page booklet (21x21 cm) inserted.
Cover and booklet artwork by famous Scottish painter, Peter Doig, one of the most renowned living figurative painters who settled in Trinidad since 2002.
Personal liner notes by Lancelot's daughter, Niasha Layne-Forde, and Christopher Laird.

In 1971 two songs were released in Trinidad & Tobago that represented completely new directions in the musicaland lyrical expression of Trinidad's place in the diaspora, Indian on one hand and African on the other. Nanny &Nana by Sundar Popo and Blow 'Way by Lancelot Layne were revolutionary and ground breaking and spawnedtwo distinctly new genres in Trinidad & Tobago music — Chutney music in the case of Sundar Popo and Rapso, in Lance's case. Brother Resistance calls Lancelot Layne the father of Rapso music.
During the early 1970s Lance recorded at least a dozen startlingly original songs including Blow 'Way, Afro'Dadian, Bringing' Off, Dat is Horros and Kaiso For Mout' Band. Each one expanding his talent for musical arrangements and dramatic counterpoint with chorus responses and vocal variation. He enlisted musicians, each exciting and pioneering in their own right, breaking ground in the post 1970 cultural revolution: calypso/jazz pianist, Clive Zanda, composer, guitarist, singer and flautist, Andre Tanker, Mau Mau Drummers including the young Jah Jah Onilu, Mansa Musa Drummers, vocalists, including Ann Marie Innis and Ella Andall. The result is exciting, confident and musically ground-breaking. Until his death in 1990 he kept commenting and educating T&T's society with songs like Get Off The Radio, Kamboulay, Jambalasie Dance and Strike Squad.
Lancelot Layne was a phenomenal singer, composer, arranger, bassist, producer, and bandleader. For over two decades he had challenged all people of African descent as well as those of other races who were considered 'black', to detach themselves from the ideology that their race was inferior to others. His focus was mostly on Trinidadians and Tobagonians and his dedication to his country could only be described as infinite. Even as he struggled to get the population to heed his words, he would be confronted with immense adversity by the same nation he loved so dearly. His immeasurable commitment and contribution to Trinidad and Tobago culture is still recognized by only a small percentage of the nation to this day. He is considered as one of the greatest
musicians to have ever come out of the Caribbean, although by no stretch of imagination the wealthiest. He was a man who was obsessed with national unity and saw no problem with ethnic groups uniting. He tirelessly and assiduously aimed to be an educator to his people.

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Mfsb - Mfsb

Mfsb

Mfsb

12inch810542
Intermusic
24.03.2017
  • 1: Freddie's Dead
  • 2: Family Affair
  • 3: Something for Nothing
  • 4: Back Stabbers
  • 5: Lay In Low
  • 6: Poinciana

180gr. Reissue incl. Original Artwork, classic debut album by Philadelphia International Records houseband MFSB, released in 1973.

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V/a - Woody Wagon Vol.2
  • A1: The Vibra-Sonics - Thunder Storm
  • A2: Los Rogers - Yo No Se
  • A3: Rodney & The Blazers - Wrinkles
  • A4: Scotty McKay - Let's Do It
  • A5: Ronnie Self - Instant Man
  • A6: Lee Denson - Devil Doll
  • A7: The Barbarians - You've Got To Understand
  • A8: Jerry And The Rialtos - Whatcha Gonna Do
  • B1: Nancy Holloway - Tu n'es Pas Venu
  • B2: The Cascades - I Dare You To Try
  • B3: Merv Benton - Cincinnati Fireball
  • B4: The Searchers - I'm Ready (Estoy Listo)
  • B5: Prentice Moreland - Holly Mack'rel
  • B6: Neil Sedaka - Too Late
  • B7: Eddie Quinteros - Come On Little Girl
  • B8: Paul Hampto - Please Love Me

Second volume of this fantastic compilation of differents style for only dancefloor killers!!!

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Voilaaa - Des Promesses

Voilaaa

Des Promesses

2x12inchFVR132LP
Favorite
07.04.2017

Voilaaa is one of the many projects led and produced by Bruno Patchworks' Hovart, who's proven over the past 15 years, his place amongst the finest producers of groove music in all genres.

This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa's first album, On te l'avait dit, released late 2015 on Favorite Recordings.

Following to that success and pursuing the same direction combining of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, Voilaaa's now presenting its 2nd efforts, Des Promesses.

The 13 tracks of the album are again up to expectations, and Voilaaa has not finished feeding international dancefloors with heavy Afro-Disco music. Alongside Bruno at the production, singers Pat Kalla and Sir Jean are back providing their carefree lyrics and Afro vibes, and Senegalese artist Doctor Lass comes to extend the team, with 3 brilliant titles, including a great Funky cover of the classic Mandjou' by Salif Keita and Les Ambassadeurs Internationaux..

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Various - The Soul Of Disco Vol. 1 Compiled By Joey Negro & Sean P

Love to unearth DISCO's more SOULFUL jewels but don't have the time or money to dedicate yourself to the mouse-click
battles between pasty-faced collectors on e-bay Disco-nut producer Joey Negro and fellow crafty crate-digger Sean P came to the rescue in 2005 with the first of their great value Soul of Disco albums that was rammed to the rafters with CLASSIC, RARE, HARD to FIND GEMS from the era that brought us fantastic music and sparkly platforms.Now, more than 10 years later the album finally sees a gatefold double vinyl release featuring 10 of the best tracks from Vol.1 of the series.So rare and highly sought after are many of these tracks by Disco connoisseurs that the original 12's of this album would likely cost you several thousand pounds, if you were lucky enough to find them in the first place.This collection spans the years 1976-'82, with an R&B slant and more song-based material; and is intended to show that there were a few more sides (many more to come, of course) to one of the last century's biggest musical phenomena. Some of the tracks included appear in EXCLUSIVE DJ FRIENDLY RE-EDITS courtesy of JOEY NEGRO himself. In a compilation brimming over with accessible earthiness, rawness and downright soulfulness, Joey and Sean continue their mission to help us understand how disco's influence is still shaping music 30 years after it broke into the mainstream. DISCO JUST GOT SOUL!

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Ahmed Malek & Flako - The Electronic Tapes LP

In the early 1980s, Ahmed Malek was already in his 50s , when he discovered synthesizers and electronic music for himself and started to experiment with sounds. The result was a mixture of ambient synth music, field recordings he made in Cuba and a wide variation of different sound experiments that he also presented as different avanguarde music festivals in Cuba and the US. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of material that sounds like it might have if Mr. Malek would have finished it himself before of his death. Fully approved and licensed from the artists family.

The album comes with an informative booklet with liner notes, an interview with Flako regarding his approach towards the production and unseen photos. We will also release a third album by Ahmed Malek which will be more in the vein again of the music he is known for and this album will also be previously unreleased.

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Los Piranas - La Diversión Que Hacía Falta En Mi País
  • 1: Delincuencia Precoz
  • 2: Del Sol, A 18 Minutos
  • 3: Las Olfateadoras
  • 4: Guabina Aguachiquera
  • 5: Sir De Gusano
  • 6: Mis Animalitos: Homenaje a los Mayas
  • 7: El Colibrí Bajo Perfil
  • 8: La Diversión Que Hacía Falta En Mi País
  • 9: Dragones Chinos
  • 10: Cómo Me Calmo Yo

For more than 20 year Eblis Alvarez (Meridian Brothers), Mario Galeano (Frente Cumbiero, Ondatropica) and Pedro Ojeda (Romperayo, Sidestepper) have been exposed to latinamerican tropical types of music that for many years (and still these days) have been relegated to the last place of good taste. Vallenato, peruvian chicha, colombian raspa, champeta, some african sounds and cumbia in its different genres (sabanera, rabajada, sonidera) make part of the new style that Los Piranas expose in the agitated Colombian music scene.

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Robo Arigo & His Konastone Majesty - Sexy Thing

Robo Arigo is an extraordinary multi-instrumentalist from Nigeria's Ogun State. A founding member of Pogo Ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on Sexy Thing too. One listen to the record, however, (and a quick look at the back of the cover), and it's pretty clear that playing bass is where Robo's heart lay. Especially when he gets to slap it. The slapping starts early on 'Konastone Ponk', a dippy, funky track where Robo implores that if his music 'touches your soul, get up and dance.' The interplay between bass and guitar is magic - it's clear that Eno Louis is Nile Rodgers to Robo's Rick James, with a bit of Prince and Parliament thrown in for good measure. The funk feels dark and dangerous on 'Girls Reservation' and gets seriously slinky on 'Sexy Thing'. I can't over emphasis what a truly great album this is. The sound is clean and the production is stripped back and funky, a sound Robo would finesse as a producer with his Robbosoneex Music Company in Benin. Listen to the audacious cover of 'Get Up, Stand Up', and tell me that you're not convinced that very Bob Marley songs needs a slap bass break in the middle. You need this record in your life. - Peter Moore

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Robo Arigo & His Konastone Majesty - Sexy Thing
  • 01: Konastone Ponk
  • 02: Girls Reservation
  • 03: Get Up Stand Up
  • 04: Them Crazy
  • 05: I Want You
  • 06: Sexy Thing
  • 07: I'm Gonna Love You

Robo Arigo is an extraordinary multi-instrumentalist from Nigeria's Ogun State. A founding member of Pogo Ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on Sexy Thing too. One listen to the record, however, (and a quick look at the back of the cover), and it's pretty clear that playing bass is where Robo's heart lay. Especially when he gets to slap it. The slapping starts early on 'Konastone Ponk', a dippy, funky track where Robo implores that if his music 'touches your soul, get up and dance.' The interplay between bass and guitar is magic - it's clear that Eno Louis is Nile Rodgers to Robo's Rick James, with a bit of Prince and Parliament thrown in for good measure. The funk feels dark and dangerous on 'Girls Reservation' and gets seriously slinky on 'Sexy Thing'. I can't over emphasis what a truly great album this is. The sound is clean and the production is stripped back and funky, a sound Robo would finesse as a producer with his Robbosoneex Music Company in Benin. Listen to the audacious cover of 'Get Up, Stand Up', and tell me that you're not convinced that very Bob Marley songs needs a slap bass break in the middle. You need this record in your life. - Peter Moore

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