House News

Hitting back with another 2-tracker, Jay Tripwire delivers two more timeless pieces.

“Incantation” homes in on tribal drums and innate patterns, teeming with abstract chants, noise and other such oddities. Building tension through cleverly structured beats and carefully crafted sounds, spellbinding stuff as ever from Mr. Tripwire.

Over to the other side, “HEAR ME OK” embraces the light as it paints prettier pictures with hypnotic arpeggios, techy drum patterns and intricate plucks that evolve and meander before giving way to some wiry lines that usher in a darker side. A tale in two parts that culminate for an intense ride.

Red light therapy, Fiona Zanetti’s debut ep is a body and mind driven sonic collection of memories: music from and for the club, the nervous system, the physical and the mental. Built on no nonsense grooves, haunted bass pressure, rolling percussion, breakbeats, and hypnotic vocals.

The record delivers functional dance floor tools with emotional depth. From the addictive affirmations and sultry bassline of trust the process to the sensorial, ambient slowdown of skin deep, the EP traverses house, techno, breakbeat, downtempo, and experimental club.

Engineered for heads down sets, late night hedonism, and those suspended moments when you plunge inward on a crowded dance floor, it balances inner and outer listening, unifying depth with playfulness and introspection with fun.

UK producer and DJ Huxley return’s to Rekids with the ‘Pinball Skizzard’ EP, arriving 10th April 2026.

It follows last year’s ‘MIND G%MES’ EP, which marked his debut on Radio Slave’s label and won support from artists including Enzo Siragusa, Jennifer Loveless, Carista, and Laurent Garnier. Active for over two decades, the Dumb Safari label boss has left his mark, founding the online
R Trybe community with Ramin Rezaie/BAKKIS, while boasting label credits including Aus, 20/20 Vision, and collaborator Steve Bug’s Poker Flat.

Huxley opens the ‘Pinball Skizzard’ EP with ‘Pinball’, setting the tone with a hefty House groove, anchored by cavernous bass, and brought to life by old-school vocal touches and bright sax motifs that inject warmth and energy into the mix. ‘Heaven’ follows with a buoyant rhythm, pairing glowing chords and twinkling melodic details with deep, dubby low-end pressure designed to keep bodies locked in motion. ‘Deep Down’ shifts into a slinkier back-room groove, rich in atmosphere and soulful vocal fragments that underline its timeless house feel. Closing track ‘Felix’ rounds things out with a percussive roller built around vocal snippets and subtle tribal accents, delivering a stripped-back but effective finale that fits neatly within the Rekids aesthetic.

Michael follows up his debut release on UK label Digthis Records with a strong new EP on the Austrian imprint Rhythm Science.This four-track EP moves effortlessly between house and electro influences before closing out with a moody house weapon on the B-side.This release marks a confident statement, underlining Michael’s growing presence and serious talent.

Final chapter of the Monochrome series by Okain.
Started in his Berlin studio a few years ago and completed just before moving back to France, these tracks mark the end of a special period.

They are the last recordings made in that space, capturing a moment in time.

The Monochrome concept was simple: one track, one day, one idea.

This EP brings together four new cuts, each drawing from different influences across deep tech house, dub techno and UK garage.

Pirka Vinyl Cuts returns with a new chapter in its unknown edits series, featuring four anonymous cuts built strictly for the dancefloor.

From the rolling grooves of “KINR” and the raw energy of “Ruffneck”, to the sun-soaked swing of “Sun Goes Back” and the late night vibes of “Get Me Down”, the record delivers four funky house tools packed with classic samples, tight drums and peak-time flavor.

A no-nonsense DJ weapon designed for long blends, sweaty rooms and proper moments behind the decks. Limited vinyl release on Pirka Vinyl Cuts.

PPP: a whirlwind new link-up between contemporary club heartthrobs Piezo, DJ Plead and DJ Python. A trio of the best in the game come together for a new collaborative project on Facta and K-LONE’s Wisdom Teeth imprint.

The project was recorded gradually over a two year period at Piezo’s studio in Milan. Initial sketches were written when Python came to stay for a few days in late 2023. Later, when Plead travelled through the city, he stopped by to add his own contributions - and the record grew incrementally and organically from there across multiple visits.

The initial MO was to workshop a warped take on early 00s minimal and tech house - but at a certain point the record took on a life and soul of its own, spreading out in a number of disparate yet interconnected creative directions: from the peak-time euphoria/melancholia of ‘Wisco’ through to the shoegazed minimal of ‘Plz’, via proggy psychedelia (‘Bborn Again’), glitched Perlon reconstructions (‘Pez’) and downbeat downtempo (‘Coni’).

At points you can clearly hear their individual voices break through: be it Python’s whale-song melodies on ‘Coni’, Plead’s frenetic hand drums on ‘Wisco’, or Piezo’s sound-design freakouts on ‘Pez’. At other points the joins are harder to find as the record takes on a unique voice far beyond the sum of its parts.

we are super excited to present a brandnew artist straight out of France - Alik
the "Dans Le Club EP" is fully packed with 2 high-level pumping, jackin fast House tunes ranging from 136-140
BPM - the short french vocal cuts make it feel like a crossover between Ghetto Tech and Garage House.
To round it up the remaining two tracks are more soulful house tracks for the ladies.

Bifu is a new curation project by Pirka that translates the concept of a gentle wind into a refined electronic signature.

Marking the label's inaugural release, Barut crafts an atmospheric, airy landscape where floating textures meet dancefloor weight.

By seamlessly weaving mellow synths and emotive vocals over the organic warmth of swooshing congas and groovy basslines, this debut defines a space where deep house feels entirely natural, refreshing, and moving as a gentle wind.

Fresh Tunez is back with Eliaz. Four tough, spacey, snarling cuts for uncompromising dancefloor impact. This one is powerful. Vinyl only.

There is a quiet, seasoned assurance to how Heimyl operates. Perhaps best known under his Lazer Man moniker the Lyon based producer a fixture in France’s undergroove community.

He burrows deep into a groove and lets the room come to him. On this record, that patience yields a formidable four tracker engineered specifically for proper sound systems and slow-burn dancefloors.

The A side sets the trap with "I Want Speak," a masterclass in tension pairing a skippy lock groove rhythm with a fragmented vocal samples.

"Power Cat" maintains the momentum, threading bell-like melodic fragments through a rolling, hypnotic bassline with a light, remarkably effective touch.

The flip is where the record earns its weight, anchored by "Sector 14." Here, pads rise imperceptibly over a relentless groove, mounting a subterranean pressure.

The closer "New Place" shifts gears gracefully, cooling the room down with a looser, sophisticated house sensibility, a natural exhale that hints at Heimyl's broader sonic palette.

Shaped by the pair’s long-running chemistry, November Snowflakes moves with a sense of wonder, unfolding with gentle percussion, absorbent melodies, and airy textures that are simultaneously familiar and refreshing. Each track carries its own reflective mood, yet the EP flows with the warmth and cohesion that embody Lee and Lost Desert’s creative partnership.

Released in limited numbers in tandem with Black Mahogani back in 2004 and never repressed. Black Mahogani II was a departure from Kenny Dixon Jr's usual house based music and featured cuts from Kenny Dixon Jr's late night jazz band sessions
The centrepiece is the eighteen minute 'When She Follows', a deep jazz session skittering live drum rolls into an electric Fender Rhodes, loping acoustic bass and distant saxophone all wrapped up in an amorphous vocal that drifts ever onwards like some epic detroit techno cut replayed by Gil Scott Heron's band in 1970. Incredible music.
'Rectify' follows in a similar mode, jazz in a detroit techno framework, while the final two tracks 'Dirty Little Bonus Beats' and 'When She (Reprise)' are revisions of the main cut, the former altering the bassline, adding vocal sighs and more rhythmic drums, while the latter shifts up the tempo with a wigged out techno synth element.
Stone, cold.

Steyoyoke Anniversary, Vol. 15 marks a special chapter in the label’s history with a double vinyl edition dedicated to the sound, artists, and identity that have shaped Steyoyoke over the years. Across eight original tracks, the release brings together Soul Button, Clawz SG, Nick Devon, 2Qimic, Monarke, MPathy, Seismal D, and René Diehl, forming a carefully curated journey through the label’s Ethereal Techno sound.

From the emotional depth of Silent Truth and the shadowed atmosphere of Lumen Obscura, to the melodic tension of The Day You Decide To Change and the introspective movement of My Dreams, the first part of the vinyl sets a deep and immersive tone. The second half expands the energy with Pressure, Sora, Consciousness, and Pulse, moving between driving grooves, cinematic textures, and refined club-focused intensity.

Pressed as a double vinyl, Steyoyoke Anniversary, Vol. 15 stands as both a celebration and a reflection - a collection built around memory, connection, and the unmistakable emotional language of Steyoyoke.

Written in the wake of a relocation year that quietly rewired the Australian-Macedonian DJ/Producer’s instincts, the latest record on Aldonna’s own Re-leaf Imprint trades the melodic density of earlier work for something more intimate, immediate, and bodily. ‘Infatuate’ closes the gap between what she is making and what Aldonna is reaching for in her record bag. That shift manifests in a tighter focus on groove. Gritty, swung drum samples lifted and reshaped from vinyl, FX drenched stabs flickering through delays, and basslines that feel less composed than inhabited.

The A-side rides a continuous low-end groove. The environments that shaped these tracks are still embedded in them: the sunburnt euphoria of a Brussels day party bleeds into “Squeaky,” while “Keep Up” captures the nervous, sleepless churn of a Berlin weekend on the edge of breakthrough.

The B-side’s “My Dear” softens into something more viscous and intimate, its warmth underscored by Aldonna’s own spoken word vocal in the Macedonian language, an understated but pointed nod toward underrepresented Balkan textures in club music. The EP rounds off with a functional remix from Berlin’s ‘Revivis’, applying his signature rolling sound to ‘My Dear’.

As a whole, the record feels deliberately situational, equally at home under low red lights in a sweat-slicked club or stretched across a festival system in broad daylight, but always orbiting that same core impulse: to pull bodies closer, lock them into the groove, and let everything else dissolve.

A cult classic reborn for a new generation.

Originally released in 2002 on the short‑lived US imprint Square Room Records, the In Stereo EP by Aruba (Darran Nugent) has long been a prized gem for vinyl collectors of quality underground house and techno.

Now, two decades later, Darran brings In Stereo back to life on his new Sleight of Hand label, with ‘Soundz From My Stereo’ completely re‑recorded and sounding hotter than ever. This special edition also features a brand‑new Re‑edit plus a standout remix from UK DJ and producer Man Power (Geoffrey Kirkwood), who delivers a bold, imaginative re‑interpretation that elevates the release into something truly special.

Also returning is ‘Body Groove’, freshly reimagined for today’s floors. The original’s slap‑bass funk remains gloriously intact, now paired with a more modern, refined house sensibility that gives the track a whole new swagger.

Dream Dancing are back with the second release in their series of rediscovering the underground gem, Blueless.

Here with the 'Tar Liom' EP, once again showcasing her timeless and true deep house sound.
'Maybe Nothing' & Are You Pleased?' came out on her own Capture Records back in 2005. Both with a fresh remaster ready for those late night or early morning sessions.
On A2 you will find 'Weep 'n Crash', which was written in around 2008 but never saw the light of day until now, clearly inspired by the emotive depths of Larry Heard.

A melting pot of danceable melancholy, uplifting and hypnotic rhythms !

The third and final(?) 12" in the series comes in the form of this four track 'Within Without' EP.

'Invidia' & 'Deep Breath' originally released on Capture Records in 2005, these are the most wanted tracks from her small yet mighty discography. Playful, driving, emotive, pure Blueless!

Both remastered for an extra bit of punch. On the inner tracks we have 'The Pleasure Is All Mine' & 'Much More', which came to life a lot more recently with some help in the studio from Oliver.r.
Two sun shining jams, moving and grooving, house music for all.

Thank you Blueless, for the music new and old, and giving us the opportunity to shine a much deserved light on them!

Moments is a music company organizing remarkable events, releasing groundbreaking productions, and daring to push innovations in underground dance music. The number seven symbolizes a quest for knowledge, and the seventh edition of Moments represents another step towards new horizons. Come Closer is a relatively new project on the global music scene. However, its mature artistic expression demonstrates the highest level of skills. The two- track material consists of over thirteen minutes of sounds that transcends genre divisions. Come Closer's music does not hesitate to include ethnic elements, funk, and even rock influences in the electronic dance structure. Both in its harmonious and production statements, Come Closer leaves nothing indisputable.

London based imprint SHIBUI follows up with a second 12" on the label, with a four track EP from Brennan.

SHIW002 features Tech-House cuts with an unmistakeable old school feel, an essential for every DJ's record bag.

Moments! Not just a music company but also a series of events under thesame name, releasing only outstanding works by musicians performing atthose events. When the award-winning producer, and an internationallyacclaimed DJ, Guy Mantzur, started a new enterprise, Moments, he had highgoals for a new endeavor. Since then, every label's release has pushed theenvelope.

According to numerology, eleven is the first of the Master numbers, and theeleventh release is nothing short of pure mastery. Tel-Aviv-based ChicoShuella, better known as Chicola, is one of the jewels in the crown of theIsraeli DJ scene. With a couple of decades under his belt and a stellarreputation, his debut brings a special touch to the label's exciting catalog.

Chico's debut on the label brings a three-track concept that takes theaudience on a twenty-minute journey. The opener, Dear Kobe, a collaborationwith Yoav, is a masterful work based on abstract emotions and spacy synthwork. The second track, Every Pain Got A Name, speeds up the tempo andreaches for the psychedelic atmosphere breaking the rules of the genre. Theclosing song is an ambient version of the middle piece, focusing on narrativelyrics and grandiosity.

Moments! Every second counts.

Real heads with good memories and a lifelong love of good grooves might remember that the original mixes of 'Disco Glory' first appeared on DJ Garth's Wicked imprint in 1996. Top DJ dogs like Danny Tenaglia, Francois K and Doc Martin all used to drop them on the regular and ensuing remixes even made their way onto Sony Pictures' 'Groove' soundtrack. The DJ Garth & ETI mixes have long been out of print, so fetch a pretty penny on the second-hand market, which means it's great news that the 30th anniversary is marked with a fresh return to wax. The Acid Rock mix is psychedelic and trippy, the Look To The Moon dub is a dark and dubby tech sound that could be brand new, and the Ye Olde Organ Grinder mix has a moody and retro house charm.

Rotary introduces its musical imprint with its first vinyl release.

A project carefully curated and perfectly represented by Francesco Farfa and Paolo Mosca. “Nocturnal Atmosphere” is a sonic compilation that will take you on a unique journey, filled with a deep love for music.

The eleventh release from label Early Morning, run by Guy J, presents a three-track EP totaling 22 minutes and 23 seconds, reinforcing his position as one of the most disciplined and forward-thinking figures on the global scene. Despite intercontinental recognition, Guy J continues to approach his work with restraint and focus, treating sound not as a finished achievement but as an ongoing exploration. His imagination remains a constant source of carefully developed ideas that resonate through a restrained yet expressive intensity.

The opening track, Piece of Cake, sets the tone with confident momentum, unfolding through a precisely balanced structure where hypnotic rhythm meets expansive spatial design. Selector expands the palette with a fierce bassline drive, textured atmospheres, random squeaks, and euphoric build-up, building on the opening piece and taking the vibe into psychedelic territory.

The release concludes with Against the Wall, a composed and decisive finale. Strong rhythmic foundations, paired with suggestive female narrative vocal samples, bring the record to a resolved and coherent close.

Way back in 1998, following five years DJing and organising free parties as part of Sheffield's Smokescreen Soundsystem, Andy Riley and Laurence Ritchie joined forces in the studio as Inland Knights. They went on to deliver a huge amount of high-grade UK house music, but it was on this EP - here reissued for the first time in remastered form - that they first showcased their distinctively chunky, DIY-influenced sound. Check first the squelch-and-bump of soul-flecked late-night roller 'Mud Substance', before getting your ears around the dubby bass, hypnotic beats and spacey licks of 'Souldoubt'. 'Deep In' is a strutting, energetic affair full of raw analogue bass and mind-mangling effects, while 'Spent Up' is a tougher and looser slab of deep house funk.

In 2011 Kevin Saunderson, Ann Saunderson and Paris Grey, collectively known as the legendary band Inner City, released ‘Future’, their first entirely new material since taking a break in 1996, written and produced in collaboration with another Detroit legend, namely Kenny Larkin, and the very talented producer / remixer Orlando Voorn. The track marked a welcome return for a group that combined the tough, futuristic grooves of the Detroit scene with the vocal energy of R&B and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come.

The Kenny Larkin remix devastated dancefloors at the time and continues to do so over 10 years since its release. Now fully reissued backed with the Carl Craig edit from the original pressing and the MK AW Deep Dub which had previously only seen a one-sided hand stamped white label vinyl outing.

Lady Jane Beach land on Slacker 85 with their lo-slung label debut, ‘Binman’. A short, sharp shot of minimal rhythm and rhyme, ‘Binman’ is the sound of the enigmatic London-based trio soundtracking their trips around the capital’s outer ringroads seeking adventure, trouble and corrupted drum machines. Blessed with loose, confident production and verses like glue, Slacker boss Seth Troxler doubles down on his support with a beefed-up, roadtested club edit.

An undisputed trailblazer of UK rave, Zed Bias fires up his studio for two contrasting takes on ‘Binman’, each capturing split sides of the soundsystem culture he helped define. Zed’s ‘Weighty Dub’ goes unapologetically raw, transitioning between skippy beats, heavy bass drops and a fusebox melody out of the darkness. From the basement straight through to the beach club, the ‘Nostalgia Mix’ makes good on its promise of misty-eyed reverie, recalling the first-wave of UKG domination with lush strings and steppin’ drums that still sound like a bright future.

From one generation to the next, fast-rising DJ and producer HalfPint is already familiar to dancers of Circoloco's famed Terrace and Garden. His take on ‘Binman’ finds a fresh frequency, converting the rhymes of the original into a precision-tooled tech house groove, primed for the summer season.

Repress!

Maceo Plex teams up with Gabriel Ananda to deliver the momentous 'Solitary Daze'. An awe-inspiring piece of music; Maceo and Gabriel have pulled out all the stops in creating this anthemic masterpiece. A sure fire dancefloor destroyer! The original is also deftly remixed by Barnt and by North Lake.

The A Side features North Lake's infectious deeper remix whilst the flip features Barnt's epic revision of the original. Both of which create fantastic versions of the original version, taking it off into new stratospheres. Another great single from Ellum, who seem to be going from strength to strength.

More than thirty years after conquering dance floors across Europe, Mo-Do’s “Eins, Zwei,
Polizei” returns in a special picture disc reissue, available in record stores from January
30, 2026.
Originally released in 1994, the track quickly became a defining anthem of 90s eurodance,
blending driving electronic beats, a hypnotic German-language chant, and an infectious
club energy that still feels fresh today. Mo-Do turned a simple counting rhyme into a
worldwide phenomenon—one that continues to ignite dance floors, throwback playlists,
and DJ sets around the globe.
This new picture disc edition goes beyond sound, offering a highly collectible visual
experience. The striking design enhances the iconic imagery associated with the project,
making it as appealing to display as it is to play. It’s a reissue that honors both the artist
and an era, preserving the immediacy and impact that made “Eins, Zwei, Polizei” a true
timeless classic.

A must-have release for vinyl collectors, 90s dance enthusiasts, and anyone looking to
rediscover one of the most recognizable tracks in European dance music history.

Per Hammar joins Craigie Knowes for his label debut ‘Sidewinder’ EP. 4 rolling tracks built to maintain and elevate dancefloor momentum. Per Hammar’s production mastery is distilled into these monstrous club jams with every element tailored to serve the rhythm and keep you moving. This record is varied yet coherent package of house, tech-house and minimal flavour; from the rolling bassline on Sidewinder, the minimal chug of Viper, the euphoric uplift of Afterglow, to the thump and swing of Mono Boy. A record for the DJs and listeners alike.

2024 Repress

Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

2026 Repress

We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).

Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.

Moving shadowy into 2K26, presenting the latest addition to our EYA catalog ~ Secret Powers EP by Colombian artist Samuel Jabba

His music has long been a mainstay in our record bag, and this release only confirms why. Bold, creative, and deeply musical — at times ethereal. Samuel continues to unleash energy through the rhythm of his compositions.

Chicaiza, aka The Children Of The Sun, adds even more depth to the EP with rumbling drums and jungle echoes in his breakbeat inspired interpretation of the A1.

2026 Repress

Evasive are back on track with this stylishly smooth three track 12", Mistaken Identity, Pursuit of Bliss and Restless are the first three offerings from The Inhabitants (Rob Pearson & Kate Smith). With this their debut release as a duo the pair deliver us some fat, futuristic, Detroit meets South London Tech House. Rob & Kate are currently in the studio working on more material so a follow up E.P is imminent.

Originally released in 2002.

Desert planet house from inner spaces - the mountain people‘s premiere full EP outside their own imprint. Featuring sand shattering subbasses alongside vintage stabs, wobbling chords and otherworldly chanting. Something you will not dig up easily from your discogs collection and which will further enchant the children of the light.
Play or face the Gom Jabbar.

The highly sought-after Party Tool series returns.

For the first instalment of the 2.0 run, a mysteriously unknown operator delivers a fresh batch of rolling grooves in true tool fashion!

4 loopy drum patterns, squelchy leads and core warming chords that belong in every DJ’s bag.

No names. Just back to party business as usual.

The SOUP crew return, with a monstrous melange of musical delights to ignite hedonistic basement bashes and Balearic backyards alike.

Cultural reincarnation, a sonic samsara for enlightened minds and elastic hips

oung Adults return to their spiritual home, Private Parts, for their third outing on the label with a monstrous four–track EP packed with everything.

Kicking things off is Get A Grip — haunting pads, squelchy bass and rolling beats set the tone from the off. Next up, Listening Spa dives into robotic tech grooves making this pure heads-down, hip-shaking tackle.

Flip to the B side and G-mate (In Rest) delivers flanging snares, driving house basslines and a pace that’s properly effective. Closing the EP is the bouncing Sauna Cell 120°C, bringing even more bass, lush pads and a final headsy trip.

Young Adults and Private Parts continue to prove they’re a match made.

DJ support; Diplo, Oliver Heldens, Groove Armada, Nicole Moudaber, D.O.D, John Summit, Claptone, Roger Sanchez, Solardo, Martin Garrix & more.

Toolroom’s next vinyl single comes from 3 legends in the scene; Armand Van Helden, label boss, Mark Knight & D.Ramirez with recent hit, ‘You’. With another killer weapon from Van Helden and Knight on the b-side in the form of ‘The Music Began To Play’.

A reissue of Volumes 1 and 2, originally released on the Rephlex label in 2007. This time, both volumes are brought together in a superb gatefold sleeve 4LP, taking you on a journey through the very best of Andy Jenkinson's work: Cool music, a blend of such quintessentially British culture that swings from gabba to IDM, from rough techno to electro to acid and analogue sounds - all packed into over two hours of madness. Here we go again!

Cerrone has been a musical icon beyond Disco for 5 decades. He keeps inspiring the greatest names of electronic music and improving his way of playing & creating music. With “Disco Symphony” Cerrone revisits in a symphonic way 21 of his greatest hits performed with the Symphony Orchestra of Cannes (+50 musicians) directed by the legendary Randy Kerber , also featuring Cerrone himself on the drums & an additional bass-guitars-keyboards band playing with the orchestra. Merging the power of electronic music , the groove of Disco and the lyrism and unique touch of a symphony orchestra , in respect of the club Culture Cerrone was born in and with . This performance recorded live will be played in Paris at La Philharmonie de Paris on February 21st 2025, day of release.

The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.

Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.

The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.

On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.

DIM KELLY unveils wondrous 9-Track Album Beau Rivage

Belgian electronic artist DIM KELLY returns to All Day I Dream with Beau Rivage, a stunning nine-track album shaped by solitude, reflection, and a renewed sense of creative purpose. The release finds KELLY channeling a winter spent building his new studio into an absorbent body of work and his most personal to date.

“Building tunes, one mistake at a time. This album is made to dance and to remember where it takes you.” – DIM KELLY

A-Side: Spiralen - DJ Koze
It is said that DJ Koze creates musical universes - yet what many don't realize is this: the universe itself was created 13.8 billion years ago by DJ Koze, before he condescended to become physical matter. He was the force of gravity that held everything together - and today, as for over 35 years, he continues to surprise again and again, scattering his stardust across the night sky.
It's simply unbelievable.

"In your eyes, spirals are turning
They pull me deeper than any mind can reach
The world goes soft around its edges
And everything drifts into no man's land"
B-Side: "Wo's Patric?!?" - DJ Koze
The title says it all - fortunately, Patric is always there. So beautiful that he exists.

2026 Repress

Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions.
Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and
the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.

To celebrate three decades of one of electronic music’s most iconic tracks, ‘Insomnia’ by Faithless will be released as a 12” single on orange vinyl. Featuring classic mixes of the track including fan favourite Armand Van Helden European Vacation Mix as well as the Original Mix, this colour vinyl is housed in a replica die-cut Cheeky Records house bag and will be released on 5th June.

Theory Therapy is pleased to present ‘we’re here all the time’ by jp (aka J.P Wright) – the New York producer behind one of last year’s shinetiac remixes on the OST label, and a member of Housecraft Recordings’ trip-bient group Ahem.

Compiling several years of well-worn material, the Brooklyn artist’s debut solo LP was the result of many hours of hardware jams and happy accidents, later meticulously edited down into these seven arrangements. Blending first-thought-best-thought spontaneity with extended DAW labouring, Wright delivers some of the most immediate music yet on Theory Therapy.

The album is reminiscent of ’90s and early-’00s IDM. Syncopated rhythms and atmosphere swirl into a mutable whole, as hardcore breakbeat, ambient trance and acidic electro bleed together into a liquid mélange. The sequencing drifts from gauzy, ethereal openings into tensile, club-ready pressure before swerving toward moments of stillness – like lingering in an emptied club hours after the crowd has gone.

There’s a distinct physicality to the music too. Kick patterns jitter like loose live wires, delays ripple through the fog-soaked air, yet the album’s finest moments lie in its more subtle textures and tonal shifts. This is proper braindance that keeps you suspended in its pulse, caught in non-linear time. Wright lets the music wander in unpredictable arcs, moments folding back on themselves, stretching in multiple directions at once – tracing and retracing a memory that refuses to settle.

Mastered and cut by Beau Thomas

Renowned US producer Maceo Plex releases his highly anticipated third album, ‘’93', a homage to his three-decade journey through the realms of electronic music. Marking both a passion and a prolific career, the maestro presents a tantalising body of work that masterfully blends House, Hip Hop, Global Bass, Techno, Breaks, and Electronica. This audacious fusion delves into historic and modern influences, crafting an audio journey that transcends time, rich in history yet boldly future-facing.

‘’93' is a cross-genre exploration, seamlessly balancing emotion with hard-hitting beats. Maceo Plex collaborates with a stellar lineup of artists, including Diplo for his contribution on ‘You Don’t Have To Wait’ with Cubicolor, Oscar and the Wolf, Perry Farrell (Jane’s Addiction), Johnny Jewel and Desire, Kirsty Hawkshaw, Mystic Bill, AVNU, Giovanni, Ishi, and Tyler Hill, resulting in a diverse and dynamic musical affair.
This album narrates the story of a highly esteemed artist at a pivotal juncture in his career, consistently evolving towards new directions. Departing from the early deeper house sound that initially defined him, Maceo Plex intentionally ventures into new territory, steering away from his famed melodic and techno direction in recent years. Nevertheless, '93' retains the essence of Maceo Plex's signature style, transcending various sounds and genres in a manner reminiscent of his electrifying DJ sets, meticulously curated for the dancefloor and the crowds.

‘93’ vinyl LP by Maceo Plex is available on Lone Romantic from 17th May 2024.

Key Feedback Quotes:

Pete Tong - Maceo is such a talented producer. A sonic juganaut. An inspiration to so many aspiring music makers. He's a master of analogue and digital in the studio. He's a total 'one of'.
Kolsch - Incredible album!!!!
Artbat - “Very cooooool album!
Gregor Tresher - Wow, now this is what I call an album! Extraordinary stuff, I love it! Big up, Eric!
Hot Since 82 - Nothing short of sensational. My fav producer and DJ who consistantly sets the bar far too high and we all play catch up. Love it.
Rodriguez Jr - Awesome album. LOVE IT. Such a wide spectrum of influences here. Respect!
Laurent Garnier - Very cool. Will play these
Hernan Cattaneo - This is a really good album!
Wehbba - happy to finally see the album coming out, lots of gems, Nasty, Just You and I, Get out Of Here and You're My Desire are my main picks.
Eelke Kleijn - Already listened to the whole album on Spotify. Fantastic. Miles ahead of everyone else. Thanks for sending this, will play many of these for sure.
AFFKT - all tracks are amazing
Ida Engberg - Loooove this release! Stop that and Serpent jazz for me, can't wait to play them. Lone Romantic killing it!
Victor Ruiz - Honestly, you’re a genius! 10/10 productions always.
Pig&Dan - Great to hear new tunes from one of my favorite producers out there
Oliver Huntemann - some real gems on here
Fideles - wow, love it all
Peter Kruder - Love 'em all! Thanks for sending my way!
Yotto - Sick Sick Sick work!
Jody Wisternoff - Insane tracks from Maceo!!!
Terr - Amazing music as always, thx!
Nicolas Masseyeff - Solid release! Full Support!
Paige - Nasty is an absolutely mind-blowing track!!
Braxton - Incredible Album. .
Dense & Pika - Wicked stuff from Maceo.
Eli Brown - Always great music from Maceo Plex.
Anden - Congrats on the album! Love it!
Sergio Muñoz / Fur Coat - Great work from Eric! Congratulations.
La Fleur - So many gems in there, looking forward to having a proper listen from start to end! Thx
Captain Mustache - Big work here from Maceo, congratz!
Alex Kennon - This is a masterpiece!
Timo Maas - Clickbait is a cool track, I like the deep funk.
Martin Eyerer - This is a great album!! I love nasty most, but all great.
Nick Warren - This is such a great album.
Laurent Garnier - Very cool EP. Will play these.
Jonas Rathsman - Stop That sounds interesting

“Harness the star to your cart" R.W. Emerson

Back in stock !

The biggest selling 12” single of all time in the UK, reissued and remastered from the original master tapes at Abbey Road Studios. Originally released on Factory Records in March 1983, the single has become the band’s most recognisable track

Peach’s Soak Vol. 1 is a cross-Canadian link-up with Mood Hut that moves through slower, deeper waters.

The mini-LP was written after a tour through Asia that opened up something new in how Peach approaches making music. The turning point, as she tells it, came during a visit to a neighbourhood sento in Tokyo, while surrounded by steam rising in suspended time, something clicked about the relationship between the body and the sounds she wanted to make.

She’d been learning about cycle synching and working out with the phases of her hormonal cycle, respecting energy fluctuations throughout the course of a month, and decided to apply the approach to writing music. She allowed shifts in energy to guide tempo, density, and emotional tone rather than strictly answering to the floor.

Soak came out of this exploration, sketched and layered with field recordings from her trips to Vietnam and the Philippines during a challenging time in her life. Fragments of heat, air, and shoreline are absorbed into the music itself. Vapourous pads, low-end weight, fractured percussion, and melodies hover at the edge of dissolution. Water runs structurally through the record in surges, in tidal pacing, in the slow accumulation of texture.

Wherever this music finds you, please enjoy the Soak.

DJ, producer, songwriter and cultural trailblazer Peggy Gou releases her latest single, 'D.A.N.C.E'.

This full sleeve 12" edition features the full extended version of 'D.A.N.C.E.' plus two alternative cuts for dextrous DJs on the B-side: the Grooveapella and Danceapella mix. The 12" also comes packaged with an exclusive sticker sheet k of the different cats that adorn the artwork.

“This track to me is all about connecting with joy and feeling free. I hope it makes people want to dance all summer long.” - Peggy Gou

Grammy award-winning titan of dance music Purple Disco Machine joins the illustrious list of Defected House Masters with a celebratory compilation. The German producer, DJ and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim’s ‘Praise You’ and the London label’s top tracks including Shakedown’s ‘At Night’ and ‘Coma Cat’ by Tensnake – as well as striking originals like ‘Beat Fantasy’. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognisable, one that is not afraid to reference or not reference and is always bursting with joy. Across Defected presents House Masters: Purple Disco Machine, the full breadth of the iconic German selector’s sound is felt from the 2019 smash hit ‘Dished (Male Stripper)’ to deep cuts like his re-work of Fallout’s ‘The Morning After’ as well as remixes of legendary tracks like ‘Lola’s Theme’ by The Shapeshifters and Spiller’s ‘Groovejet’ featuring Sophie Ellis-Bextor. Defected presents House Masters: Purple Disco Machine is here to showcase the sound of a bona fide electronic maverick in full.

Disco figurehead Purple Disco Machine celebrates his return to the White Isle and forthcoming Pure Ibiza residency with the release of the appropriately titled ‘Disco Cherry’. Drawing on the elegant, unmistakable energy of the legendary Ibiza nightclub, the Grammy Award winner delivers a historic first - a release dedicated to a Pacha residency.

Sampling the 80s Italo-disco classic ‘Walkman’ from Kasso, the track embodies Pure Pacha’s feel-good mantra and instantly captures that effervescent feeling of confidently strolling through the streets of Ibiza. Layered with irresistible energy and punctuated with a subtle but effective call to ‘party’ weaved throughout the mix, Purple Disco Machine effortlessly carries listeners onto the dancefloor. Through driving rolling drums and that signature funk flair, the multi-Platinum award winner melds production precision with timeless emotion in a way that only Purple Disco Machine can. The Dresden-born producer has once again assertively stepped into his role as disco’s modern-day ambassador, with this release serving as the cherry on top of a stunning 13-night residency that is set to bring disco back to t

"Receiver Objects Without Sender (R.O.W.S) is a collaborative project between the late, ever-enthralling Eletun Selona and Martinou. R.O.W.S was conceived as an open, exploratory outlet for the two artists over several years. It became a space to lean into heavier, more textured techno and dub influences, while still grounding their shared instinct for house. The LP release 6.05 for St Odes is a collection of some of the many finished and unfinished collaborative projects left in the wake of Eletuns passing in 2024, finished and cared for by Martinou over the course of the past year, as a means of coping with the immense sorrow."

Repress!

Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. With a sophisticated house remix with a nu-disco edge is Purple Disco Machine, fusing a funk-infused bassline with Terra Deva’s unforgettable vocals. Finally is a brand new version from the Shakedown duo themselves, the Galactic Boogie Mix. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.

Step back to the original 2013 release of Imprint of Pleasure by Tube & Berger, which held Beatport #1 longer than any other track that year and peaked as a Beatport Top 10 all-time seller. A record that defined a moment, it captured dance floors worldwide with its hypnotic vocal, rolling bassline and perfectly measured build. Balancing deep emotion with understated power, Imprint of Pleasure stands as a defining benchmark of modern house: timeless in its groove and effortless in its execution.

Super Rhythm Trax are proud to present this reissue of one of the most loved, most underground and most sought after Breakbeat Hardcore records from 1991. Raw rugged and authentic, no silly chipmunk vocals or twee piano here, oh no!

Carefully remastered from the original dat tapes, both original versions of Underkut “Both Ends” are now available at a reasonable price after 35 years!!

Since its original release in 1991 it quickly gathered legendary status with it’s super slamming breaks and ‘that’ huge Bassline, it doesn’t get any better than this.

On the DAT tape, we also chanced upon an unreleased, unheard version, and We include this unheard vocal mix as an ‘of it’s time’ artefact for the collectors, as it really accentuates the record’s obvious HipHop leanings and there are parallels to be drawn with the whole Britcore movement of the time, where crews like Hijack, Gunshot, Cash Crew, Demon Boyz and London Posse were flourishing.

12 Inch Lovers nothing but classix, straight from vinyl! Part 2 of two double vinyl-pack incl. Tensnake, Afro celt Sound System, Midnight Star, Robert Babicz, Gregor Salto, Lovebirds, and Codec & Flexor



After its foundation in 2012, 12 Inch Lovers have become a household name for vinyl lovers in Belgium. Their parties sell out time and time again and focus on an adult audience that loves house and club music from the mid 90s to the present. This in combination with unique locations and DJ's that only play vinyl generates a very dedicated and passionate audience that share one big love: vinyl.

Timeless classics.

Three tracks from house music masters: Ron Trent and Chez Damier.
All "hard to find" versions. Enjoy!

(incl. The Mackenzie, The Chemical Brothers, Oxia , Mr. Happy, Gregor Tresher, Cari Lekebusch, Thugfucker & Klangkarussell) After the successful release of 12 Inch Lovers vinyl 1 & 2, a sequel was inevitable. Again 2 compilations with a fresh and contemporary mix of true classics combined with more recent, hard to find club hits.

(incl. Nina Simone, The Swiss, Greko Feat. Gosha, Toto , Nneka, Reflekt Feat. Delline Bass, Ragged Life & Julien Jabre) After the successful release of 12 Inch Lovers vinyl 1 & 2, a sequel was inevitable. Again 2 compilations with a fresh and contemporary mix of true classics combined with more recent, hard to find club hits.

The Sampler compiles artists from the Indulgence roster, all with one thing in mind... to jack it and then track it. TIP!

Terra Magica Rec. returns with its 12th release. Movin Below, it’s more than just a 12", it’s a full-roster compilation, spanning roots, present, and beyond. The formula is simple but powerful: bouncy basslines, warped drums, groovy breaks and chuggy dubbed-out textures with granulated vocal UK Ragga Muffin chops.

A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it!

The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking.

Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.

For thirty years, Alden Tyrell has been at the forefront of electronic music. This analogue alchemist has concocted heady grooves that transmute genres: acid, disco, electro, house, italo and techno; no style left unturned. Under his Tyrell Corporation moniker, he returns to the Bordello with a sound forged for dancefloors. Midnight Machines is a warm embrace that melts electro‑disco with star‑gazing synthlines. “Midnight Machines Pt. 1” balances robust melodies and incising snares with soulful undercurrents and joyous breaks. Past energies are re‑channelled. Arpeggiators rumble as beats throb. Beneath it all, there is a greater consideration of the interplay of elements.

This focus pulsates through speaker cones on the needle‑drop of “Love in Decay.” Elated key changes and bright shifts are tempered by bittersweet moments, early‑morning light piercing fresh mists of grey. Tempos rise on the flip with “Midnight Machines Pt. 2.” Sci‑fi‑scored disco lifts ever higher as scaling notes untether themselves from the floor and soar above vibrant rhythms. Coy and alluring, the bright “Romance Obscura” closes the record. Cowbells and bending wavelengths open into an expansive, intoxicating melody where keys search the horizon as arms fold around celestial bodies.

SYD001 | Casio the Calculator’s Elementary Calculations

After years of scrounging the dark corners of Discogs, contributing a small piece to this vast ocean of music is a huge milestone.

Casio the Calculator steps up for this double debut with 3 cuts in an attempt to reconcile the dusty sound of the past with today’s polished acoustics. Describing music with words can only say so much, so we’ll leave the rest for you to hear.

Bass and Guitar on A1 and B by Loarcangelo

Hiriketiya is a small, enclosed bay on Sri Lanka's southern coast, where jungle leans toward the water and the days unfold without urgency.
Passing through in early 2025 on the way to Europe, Alex Albrecht spent a week here at MOND's artist residency, allowing the rhythms of the place to quietly shape the work that followed.
During the residency, Albrecht recorded and exchanged ideas with Sri Lankan musicians Dhyan Basho on sitar, Dinelka Liyanage on electronics, Uvindu Perera on double bass and Pasindu Herath on saxophone.
Their performances appear throughout the album, sampled and re-contextualised, influencing its melodic language, pacing and emotional tone.

Much of the music was shaped directly by its surroundings. Field recordings were gathered across Hiriketiya, and instruments were played wherever it felt necessary. This included rocks beside the ocean where waves set irregular rhythms, tall grasslands where wind and insects blend into the recordings, and open decks overlooking the sea. 'Round Table' captures this approach most clearly. Recorded while sitting together overlooking the ocean, a large steel table in front of the group gradually became part of the composition, used instinctively as an unplanned percussive element.

Not everything could be captured. Some of the most meaningful moments occurred before recording was possible. Those sounds exist only in memory, and the album is shaped in part by an attempt to hold onto their feelings.

Rather than documenting the residency in a linear way, the album gathers fragments, recordings, electronic sketches and field sounds, assembling them into a continuous listening experience shaped by place and recollection. MOND owners Jess and Renato foster an environment that supports artists without directing them, creating space for focus, trust and connection.

The result is a record shaped by Hiriketiya's enclosed bay, dense vegetation, heat and night air. Music formed through listening, restraint, missed recordings and the sensation of being temporarily held by a place.

Alton Miller’s Still Purpose EP sounds positioned squarely in the zone he’s refined for decades: deep, spiritual Detroit-rooted house with jazz warmth, restrained groove architecture, and soulful musicality.