House Vinyl New Releases - News

Second Ep for Alex neri on Windflower Records.

Four tracks of pure electronic house.

2026 REPRESS

Pure, Distilled Dub. Upholding Jamaica's Legacy As Well As Germany's Unequivocally Influential Dub Techno Spirit, Moonshine Recordings Proudly Welcomes Their Next Addition To The Roster. On The Controls For The 9th Full-length Album Release, A True-to-the-roots, All-analogue Musician: Another Channel. Having Put Himself On The Map With Releases On Soukah's Blacksoil Records, Bristol's Transient Audio As Well As On Australian Imprint Modern Hypnosis, It's Now Time For The Album Release, We've All Been Waiting For. No Computer Involved As Impeccable Arrangements And Analogue Reverberations Unfold. Live And Direct In The Original Dub Mixing Fashion, The Augsburg-based Artist Uniquely Transports The Sonic Characteristics Of Rhythm & Sound Into The Present Time.

Subtle Vinyl Crackles Gently Introducing Meditative Beats, 'run Dub' Sets The Pace. Keen Listeners Find Themselves Embedded In Lively Echoes And Reverbs, Left To Bask In Smooth, Sonic Contemplation. Engineered To Soothe The Soul, Timeless Foundation Sound. Intensified Groove Meets Low-frequency Pressure In 'amir Dub' Among Haunting Melodica Fragments. '(yes!) Badness' Unsheathes Its Off-kilter Swing, Vocal And Foley Samples Musing In The Distance - Further Showcasing Another Channel's Technical Prowess. Heavy Chord Stabs And Delicate Overdrive Counterpoint The Immense Scope Of Conjured Space In 'ael Na Dub', Concluding A Beautiful A-side.

Lush Chords Lure Us To The Flip-side - 'solid' Kicks Off With A Staccato Bass-line In The Midst Of Lavish White Noise Surges And Minimal Drums. Rooted In Endless Feedback Trails, Steadily Kept In Check. Previously Teased, The Mighty 'ethiopian Dub' Steps Through In Full Glory, Carried By Militant Drum Motion And Forceful Low-end. On A More Spacious Excursion, 'uranus' Takes A Brightly Lit Stroll Through The Analogue Dub Universe, Led On By Another Channel's Signature Groove Propulsion. Pointing Back Towards A-side, Prolific Dub Proponent Babe Roots Presents His Musical Qualities In A Monumental Remix Of 'run'.

2026 REPRESS

Pure, Distilled Dub. Upholding Jamaica's Legacy As Well As Germany's Unequivocally Influential Dub Techno Spirit, Moonshine Recordings Proudly Welcomes Their Next Addition To The Roster. On The Controls For The 9th Full-length Album Release, A True-to-the-roots, All-analogue Musician: Another Channel. Having Put Himself On The Map With Releases On Soukah's Blacksoil Records, Bristol's Transient Audio As Well As On Australian Imprint Modern Hypnosis, It's Now Time For The Album Release, We've All Been Waiting For. No Computer Involved As Impeccable Arrangements And Analogue Reverberations Unfold. Live And Direct In The Original Dub Mixing Fashion, The Augsburg-based Artist Uniquely Transports The Sonic Characteristics Of Rhythm & Sound Into The Present Time.

Subtle Vinyl Crackles Gently Introducing Meditative Beats, 'run Dub' Sets The Pace. Keen Listeners Find Themselves Embedded In Lively Echoes And Reverbs, Left To Bask In Smooth, Sonic Contemplation. Engineered To Soothe The Soul, Timeless Foundation Sound. Intensified Groove Meets Low-frequency Pressure In 'amir Dub' Among Haunting Melodica Fragments. '(yes!) Badness' Unsheathes Its Off-kilter Swing, Vocal And Foley Samples Musing In The Distance - Further Showcasing Another Channel's Technical Prowess. Heavy Chord Stabs And Delicate Overdrive Counterpoint The Immense Scope Of Conjured Space In 'ael Na Dub', Concluding A Beautiful A-side.

Lush Chords Lure Us To The Flip-side - 'solid' Kicks Off With A Staccato Bass-line In The Midst Of Lavish White Noise Surges And Minimal Drums. Rooted In Endless Feedback Trails, Steadily Kept In Check. Previously Teased, The Mighty 'ethiopian Dub' Steps Through In Full Glory, Carried By Militant Drum Motion And Forceful Low-end. On A More Spacious Excursion, 'uranus' Takes A Brightly Lit Stroll Through The Analogue Dub Universe, Led On By Another Channel's Signature Groove Propulsion. Pointing Back Towards A-side, Prolific Dub Proponent Babe Roots Presents His Musical Qualities In A Monumental Remix Of 'run'.

Charm are back from the depths of Berlin. Following three successful releases, they are now presenting their new EP on Flaneurecordings. The EP comprises three tracks that captivate with their warm atmosphere, profound soundscapes and driving basslines. In doing so, they create space for the sound to unfold and invite listeners to an intense listening experience. With their music, Charm succeed in striking a balance between depth and movement.

Freerange Records proudly presents SUN, the brand-new album from Crackazat - a radiant, genre-spanning statement and the long-awaited follow-up to his critically acclaimed 2021 LP Evergreen. SUN is Crackazat’s fourth album and his most expansive work to date: a rich blend of jazz, house, hip-hop, soul, and funk that fully steps into his own lane as a musician, bandleader, collaborator, song writer, and producer. Early radio support from 6 Music (Craig Charles), NTS and Jazz FM. Press/online support from Notion, Electronic Groove, Atwood, Earmilk & Magnetic Magazine.

Damian Lazarus and JOJO ABOT unleash mesmerising new single ‘Warrior Dance’ on Crosstown Rebels. The single builds on the release of the Crosstown founder’s fifth album ‘Magickal’, with remixes provided by Major League Djz and Raxon.

Following the initial shock-drop release of his latest album ‘Magikal’ and the 2025 edition of his revered Day Zero Festival in Tulum, Crosstown Rebels founder Damian Lazarus unveils his next sonic offering, ‘Warrior Dance’, featuring Ghanaian interdisciplinary artist and healer JOJO ABOT.

A dynamic and powerful composition, ‘Warrior Dance’ sees Lazarus and JOJO ABOT craft an entrancing fusion of pulsating beats, immersive textures, and commanding vocals, adding to the album’s diverse soundscapes and blending hypnotic rhythms with amapiano influences. Their synergy extends beyond this track, with the duo having already collaborated on ‘Force’, another standout moment from ‘Magikal’ that showcases JOJO ABOT’s evocative vocal prowess and the influence of her Ghanaian roots.

The release also features two expertly curated remixes as Lazarus once again showcases his renowned A&R talents. South African trailblazers Major League Djz serve up signature driving and captivating grooves, following their remix of Lazarus’ ‘Into The Sun’ feat. Jem Cooke as part of ‘Crosstown Rebels pres. CR20 The Album: Unreleased Gems and Remixes’. Meanwhile, Egyptian-born, Barcelona-based DJ/producer Raxon makes his Crosstown Rebels debut, delivering a tunnelling, driving and off-kilter rework that stays true to his trademark sound, as heard on labels like Kompakt, Ellum, and Diynamic.

Limited turquoise vinyl edition. First come - first serve!
Vibraphone Records is back from winter break with a new release by Danijel Kevic!
Classy retro Acid House with this remakeble Vibrapohone sound.
Highly recommended!

The Austrian imprint Fortunea Records took a little break to fill up their batteries and comes back now this summer with a release by the Bavarian duo Decent Rides. They are around for a couple of years and are also the masterminds behind the label Interloot Records.

On the ‚Like We Do‘ EP they are your guides for a versatile house infiltrated tour. The title-track is an energetic floorfiller with modulated synth sequences and heart stomping drum patterns. Definitely the killer app on this wax.

The second track on the A-side features the tune ‚Mind Maze‘. A funky bouncing bassline, reverberant almost siren sounding tones, staccato vocal samples and high accentuated hats make you blister your feet from your high intensively dance moves.

On track B2, the duo adds further "Colours" to the record. This melancholic deep house tune exudes a beautiful, somber, and yet captivating atmosphere that is impossible to resist. This track could be very effective when played during sunrise or sundown.

And finally, they round off this release with cosmic dub sounds and shimmering chords. "Lembo" invigorates the senses. Every beat on this tech house track is an invitation to let go and feels you the pulse of the underground scene.

Go check this out!

Limited to 200 records. There will be no repress!
Mastering by Patrick Pulsinger.

Delusions Of Grandeur is proud to welcome back emerging producer, multi-instrumentalist, and vocalist Declan McDermott for his standout new EP, Why Don’t You Believe Me? Blending analogue hardware and live musicianship with deep, groove-driven production, the release showcases a confident and colourful voice in contemporary underground house. I:Cube & DJ Nature on remix duties!

When the first lockdown hit, Ben Westbeech ended up stranded in Walthamstow after months spent drifting through India and Thailand, unable to make it back to Ibiza. Armed with little more than an SM58, a Korg Minilogue and a soundcard, he pieced together a temporary setup in a friend’s flat and got back into the habit of writing music in splendid isolation.
Somewhere in the middle of all that, Deetron sent over a sketch that instantly hit a nerve. Ben wrote and recorded the vocal for Deep In Your Soul in one sitting, then the track quietly sat and evolved over the next couple of years until Sam resurfaced with the finished version. A final vocal session in Ibiza sealed it properly.
What emerged is one of those records that feels lived-in rather than laboured over: warm, soulful and naturally unfolding across different places, phases and points in time. Another chapter in the long-running musical conversation between Deetron and Ben Westbeech.

If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – 'A Lifetime In Dance Music' highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.

The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades.

Within this first volume you’ll find signature and standout remixes for all-time greats such as Diana Ross, Depeche Mode and Degrees of Motion alongside Kupper classics both new and old under his own name and the legendary K-Scope alias.

'A Lifetime In Dance Music' will be available across three separate vinyl and digital release packages including a full collectors CD release in 2023.

Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Curtis Mayfield, Diana Ross, Earth Wind & Fire, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.

Having worked on over 100 Billboard #1 ‘Dance’ records and mixed two records that have received the ‘Dance Record of the Year’ Grammy award, it is safe to say Eric Kupper’s hugely successful career underpins house music.

Music For Parents is a low-frequency, vibroacoustically informed album developed through research into sound, rest, and nervous system regulation. Composed between 2019 and 2020, the record explores slow-moving bass structures and reduced harmonic density, inviting a form of listening that is felt as much as heard.

The work emerged from a personal process, shaped by a desire to support rest and release through sound. Music For Parents takes its title reflecting on the dynamics of parent–child relationships - formative environments that shape emotional, sensory, and relational orientation, often without clear language or shared understanding.

While effective on standard playback systems, the album can also be paired with vibroacoustic devices such as bass transducers or wearable low-frequency systems for enhanced somatic engagement.

High Cube is the beat-focused brainchild of Brian Foote (Peak Oil, Leech) and Paul Dickow (Strategy, Community Library), two low-key legends of the American experimental underground. After some 30-odd years of making music separately and together, Foote and Dickow are collaborating in earnest for the first time as a duo. For this debut, the pair enforced a simple, stringent set of rules: five instruments, a one-hour timer, and a total ban on overthinking.

The result is a record that is the sound of two old friends unplugging the usual levers and letting the "accident" of their chemistry take the wheel. It is drier, sparser, and decidedly "chunky"—a fictional band stepping into a suit to drive around for a while. It is neither dance nor chill-out, but a moody, complex trajectory defined not by the gear used to make it, but by the narrative mood it compels.

"Volcano Snail” starts things off in a disheveled shuffle, locking into gear with blurred and bubbling effluence. The shimmering dimness is lit low, with a woozy gait that recalls the headiest highs and luminescent lows of Jan Jelinek. “Underwater Welder” is a foggy, neon-lit cruise of skittering low-ends suspended in a permanent fall of color, while “A Dragon’s Treasure is its Soul” offers blown-apart, low-end city pop fragmented into an array of rhythmic detritus. Chordal textures hover in the air as a percussive loop takes its beguiling and frolicking shape.

B-side opener “Yonaguni” shapeshifts in real time, drifting with the grace of a glacier before bobbing in a frigid pool of vibrating clatter, static, and synth stabs. “Ofid+wor” offers a tried and true blitz of braindance, nodding to an endless list of 20th and 21st-century electronic body music. Buoyant closer “Mother of Thousands” holds a gravity-defying tenderness, pirouetting on a breeze with the elegance of effervescent longing. Woven together, the six extended tracks of High Cube are tethered to nothing but the ether—a giant sonic leap of peripheral absurdity from two artists with a lifetime of shared rhythm.

French house maestro Franck Roger returns with the latest chapter in his Earthrumental Music series.

A standout 4-track EP designed for deep, late-night dancefloor sessions.

From Pasha With Love (love in times of war)

Pasha is a soldier on the front line, fighting those who till the day before were friends from the town next door, probably fighting his
own brothers-in-law, Natasha’s brothers, his great love, mother of his children in a senseless war if only wars had a meaning …

In the evening when the madness slows down.. Pasha takes his cell phone and talks about the horrors and the desperation but also the
infinite gratitude he feels for having had her as a gift in his life. His texts always end with "From Pasha with Love"

The atrocities, pain and the inhumanity he experiences every day, every hour, are alleviated in the pauses between one explosion and
another by his most intimate memories... Natasha's laughter as they chased each other in the sunflower fields in their first summer
together, his Yes! to her at the altar, her kisses first thing every morning.

While he runs surrounded by the screaming of the wounded and the whistling of bullets in the woods, in every moment that could be
the last, he searches for that tree where at their first date they carved that little heart with the words ..
Pasha & Nasha-Timele.

Beltran and Harvy Valencia team up for their label debut on Hot Creations, unveiling a slick collaboration alongside solo cuts on their three-track ‘Origins’ EP.

Bursting onto the scene as standout talents, Brazilian Beltran and Colombian Harvy Valencia are quickly becoming globally recognised figures in their own right. With releases between them on esteemed labels such as Cuttin’ Headz, Solid Grooves, and Revival New York, the two now forge a new path as they unite for the first time on Hot Creations. Unleashing a trio of vibrant and impactful productions, headed up by their debut collaboration, the pair unveil a collection of cutting-edge sounds across their latest EP, 'Origins'.

Opening with playful bass grooves and crisp, organic drums, title cut ‘Origins (3AM Tusi Mix)’ welcomes a rolling masterclass from the duo. On the B-side, Beltran takes the lead with ‘Tira A Roupa (Putaria Mix)’, delivering punchy beats, funky riffs and crisp percussion, crafting a flawless laid-back groover. To close, Harvy Valencia delivers a powerful dancefloor experience with ‘Brut’, showcasing vibrant vocals, infectious beats and playful phone rings. showcases a deeper, sultry vibe with alluring male vocals at the core.

"A leading light of Baltimore’s experimental hip-hop scene. A brilliant, unpredictable work"
Spin

"Matches old school flow with meticulous productions"

Barcelona's JULIAN RECA & LUDVIQ deliver hypnotic, cosmic, leftfield grooves- a 12" tribute to Andalusian roots with selections across the BPM spectrum. The record features LAS DEBLAS plus top-tier remixes from RIC PICCOLO, MARCELLO GIORDANI & NYC's PETER MATSON of UNDERGROUND SYSTEM. 7-27

Though of much of STAR CREATURE's catalog gets heavy rotation in Ibiza and Balearic themed events across the globe - this giant EP sets it off in the truest sense. Barcelona’s JULIAN RECA & LUDVIQ deliver hypnotic, cosmic, leftfield grooves on this 12"-- a tribute to Andalusian roots with selections across the BPM spectrum. The record features family friends: Flamenco pop/rumba disco legends LAS DEBLAS plus top-tier remixes from RIC PICCOLO, MARCELLO GIORDANI's ITALO DEVIANCE, and NYC's PETER MATSON of UNDERGROUND SYSTEM. Essential Balearic dancefloor heat just in time for the seaso

Damian Lazarus invites Kristin Velvet to Crosstown Rebels for ‘Wasp Nest/Get Down’, featuring and remixed by house icon Fred P. Delivering her first material on the iconic label, the Arms & Legs boss serves up two diverse productions, including a collaboration with Fred P, with the New York favourite also providing two slick interpretations of his own.

Rising to prominence over the past decade as an artist backed by a wealth of support from BBC Radio 1, Australian-born DJ/producer and label boss Kristin Velvet has garnered consistent support from The Blessed Madonna to Fat Boy Slim and Carl Cox, seamlessly blending her roots with influences from her adopted homes across the globe, including London, Tokyo and most
recently, Berlin and Ibiza. Collaborating with Felix Da Housecat while releasing material via Josh Wink’s Ovum Recordings, Cassy’s Kwench and Hot Since 82’s Knee Deep In Sound, plus her own Arms & Legs which she co-manages with Daniel Steinberg, she continues a busy 2024 with a visit to Damian Lazarus’ Crosstown Rebels for the very first time with her two-track EP ‘Wasp Nest / Get Down’ - featuring a collaboration with house pioneer Fred P who also serves up two trademark, deep dives.

Warping and twisting, armed with robust drums and ever-evolving synths, ‘Wasp Nest’ is a trippy excursion through an amalgamation of textures, delivering a driving production with twists and turns at every moment, while the slick ‘Get Down pairs crisp percussion and smooth grooves with Fred P’s iconic vocal for a classy house outing. Delivering his own takes on the production, Fred P’s first reshape is a delightful dive through dubby pads and hazy chords before serving up a cosmic excursion across his ‘Deepness’ reshape to close things in style.

Repress!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.

This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Tutti Pazzi Ltd returns with its second release, presenting a 6-track mini album by the extraordinary Makina Gigir. The French duo made their debut in 2007 on the legendary Das Drehmoment in Berlin, a cult label and record store for fans of the genre. Their influences draw clearly from italo-disco and new wave, with melancholic and nostalgic atmospheres running through each track, leaving a lasting impression. The mini album features a selection of tracks originally released between 2007 and 2010, now reissued in remastered form, taken from rare compilations and their debut EP.

Released in limited numbers in tandem with Black Mahogani back in 2004 and never repressed. Black Mahogani II was a departure from Kenny Dixon Jr's usual house based music and featured cuts from Kenny Dixon Jr's late night jazz band sessions
The centrepiece is the eighteen minute 'When She Follows', a deep jazz session skittering live drum rolls into an electric Fender Rhodes, loping acoustic bass and distant saxophone all wrapped up in an amorphous vocal that drifts ever onwards like some epic detroit techno cut replayed by Gil Scott Heron's band in 1970. Incredible music.
'Rectify' follows in a similar mode, jazz in a detroit techno framework, while the final two tracks 'Dirty Little Bonus Beats' and 'When She (Reprise)' are revisions of the main cut, the former altering the bassline, adding vocal sighs and more rhythmic drums, while the latter shifts up the tempo with a wigged out techno synth element.
Stone, cold.

Repress!

Two of dance music's most recognisable names come together once more as Nic Fanciulli returns on the mighty Rekids.

Fanciulli has long been one of the leading lights in the house world. His Saved Records label is one of the go-to outlets for forward-thinking grooves thanks to his own music and his on-point A&R of many other talents. Over the years, his releases have explored every facet of house and tech, while the man himself has played every major club and festival in the world. This is Fanciulli's third outing on Rekids after 12"s in 2019 and 2020, and it might be his best yet.

The stylish and seductive sounds of 'On My Mind' open up with loopy and catchy vocals, disco-tinged house beats and plenty of feel-good energy. The funky basslines and innovative samples make this a fun, full flavour and heart-warming groove that is sure to get crowds locked in and hands in the air. The brilliant 'U Gotta' is another track steeped in classic references but with a modern twist. It builds in careful layers that tease and please with sustained strings and low, grinding bass offset by the diva vocals and atmospheric crowd noise. When it drops, it is the sort of tune to bring real rapture to the party.

Bruno Silva returns under his Ondness moniker for his most personal album yet.

Recorded as an homage, a reference map, and a temporal slippage back to a transformative period of Bruno Silva's life, I Can Only Put So Much Into a Song conjures the threshold between his shoegaze-leaning teen years and a young adulthood defined by profound sonic landmarks: Iran’s The Moon Boys (whose cover serves as a key influence), The Microphones’ It Was Hot, We Stayed In The Water, Fennesz’s Endless Summer, and the communal, tape- hiss maelstrom of the New Weird America underground—all underscored by a persistent Black Metal tension.

Taking its title from a lyric in Farrah Abraham’s masterpiece My Teenage Dream Ended, this new humble offering from Ondness drifts into the memory of song as half-remembered recollections, as if beamed from a recurring "now" of unfulfilled possibilities.

Originally released in 1993 on Full Motion Records, Tranvision by Optical Phase is a cult Italian progressive house / trance record from the early ’90s underground.

Produced during the golden era of Italian progressive, the track captures the hypnotic and melodic sound that defined many European dancefloors of the time, driven by atmospheric pads, rolling rhythms and uplifting synth progressions.

Long sought-after by DJs and collectors, the record has become increasingly hard to find in its original pressing.

Now finally back on vinyl, making this early ’90s Italian progressive gem available again for a new generation of DJs and collectors.

This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all.

Let’s back up. The roots of the trio date to 2020-21, when Will and then Booker moved to the Hudson Valley, where Ben was already living. The three got into the habit of playing together at Ben’s house, and they soon realized that their hang sessions felt fundamentally different from making music in some falling-down studio in Bushwick. Where those experiences were rushed and cramped, a new sense of time and space now suggested itself. Where once they rat-raced the music, now they relaxed into it.

Early gigs yielded similar revelations. A booking at Tubby’s, the beloved Kingston venue, evolved into a kind of residency. Tubby’s is a small space, fitting around 100 people, with a bar in the front room and a stage in the back. Play Time decided that they didn’t want to play on the stage; they wanted to play in front, among the people in the bar. Rather than hogging the spotlight and overpowering the other voices in the room, they blended with the energy of their surroundings and emerged as a sort of minimalist-jazz-krautrock bar band.

Gradually, they discovered a newfound “elasticity”—Ben’s word—that reshaped the music from inside. “It’s this communal thing,” he says. “It’s vibes. And it’s embedded in the community up here, which feels really vital and nourishing.” They were jamming, but it wasn’t just a free-for-all; they found themselves listening to each other in new ways. “Ben and Booker joke that they’re always playing in different time signatures,” Will says. “We’re all going forward with our own ideas, but we’re open to each others’ as well, and they’re all sort of dancing together.”

“We all have our painterly solo projects,” Will says—where, Booker adds, “we do a lot of studio arranging and thinking and composition that takes shape over a period of time.” Play Time, on the other hand, is all about being in the moment. That spontaneity was key to the process of recording the album. They booked two days in their friend Joey’s studio, a converted wooden barn. “It’s just a live room,” Booker says. “There’s no separation or anything. So we’re all in the space together and it’s got this beautiful, woody sound, and that’s very much the sound of the record.” For two days, they just jammed, for seven or eight hours each day. When it was over, they went through, edited down the portions they liked, and added very judicious overdubs designed to enhance the original recordings without fundamentally altering them, staying true to the spirit of the sessions.

The result is something like a snapshot and a mission statement all rolled into one. “You’re hearing us discover the voice of the band in real time,” Ben says. “We finished those sessions and we were like, ‘Oh, that’s what our band sounds like now.’”

Now, with Magic Object, the rest of us get to find out too.

—

Balmat is a label with a cloudy outline. Jointly shepherded by Albert Salinas and Philip Sherburne, two friends living in Cardedeu, Catalonia, and on the Balearic island of Menorca, Balmat grew out of Lapsus Radio, a weekly show born almost ten years ago. Balmat’s mission is simple: to foster new ideas, expand upon personal obsessions, and put enveloping sounds out into the world.

“Balmat” means “empty” or “void” in Catalan. But quite apart from any negative connotations, we prefer to think of it in terms of possibility: a space waiting to be filled.

We are ready to go with a fresh new record from R&C boys.

Logo side delivers a magic Balearic rework of a Chris Rea’s classic.

On the flip one of the most iconic track from Italian golden-star Mina gets the treatment, reimagined into a dry & tight funk-filled groove.

Summer is served.

All The Robert Miles Tracks whose have made the Dream History printed in a single vinyl

co:clear is blessed to share the latest offering of Leipzig-based artist, tibslc. Like many, we were introduced to her work through those two stunner long-players on Sferic at the turn of the decade. Five years have passed since then and her work continues to mesmerise – a string of accomplished self-releases have nestled themselves amongst contributions to STROOM.tv and SoundSupply_Service, to name but a few.

In the here and now, we are pleased to showcase ‘City of Something’ – 8 fragments of deluxe hi-fi ambient that further dissolves us in digital haze. Traversing through meticulous fragments of sound, tiblsc entices the listener to her synthetic dreamworld with an album of deep, euphonic electronics. Serene moments of singer-songwriting are sprinkled throughout and remind us of the artist’s delicate ability to captivate with her ethereal voice.

Artwork comes courtesy of Berlin-based artist, Margarita Maximova. Strictly limited to 250 copies of 12” wax and via most digital outlets. Out 29th May 2026.

Out on limited edition 12” vinyl & digital, 29th May 2026. Limited to 250 copies.

Glitched out, sub bass roller from the masterfully mysterious EEE camp with a warped noughties vocal for good measure. The previous four releases have flown out of the racks - don't sleep!
Heavy support already from the likes of Raresh, East End Dubs, Barac and Priku. As always - one-sided, 180g, hand-stamped gear!

Incl. Pryda, Dexter Connection, Superfunk feat. Ron Carroll, Dave Swayze, Chris Bangs feat. Rita Campbell, Hyper Pearl, Daniel Bovie & Roy Rox, The Disco Freaks, The Mackenzie feat. Jessy



Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 9 & 10, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 9

A1) Pryda - Allein (Original Release 2012)

Pryda, the legendary alter ego of Eric Prydz, has earned iconic status in the electronic music scene with his refined productions and epic tracks. Under this name, he has released several hits that have stood the test of time, including Allein. This track is a progressive house masterpiece built around a sample from Polarkreis 18's Allein Allein and is infused with the characteristic Pryda sound: grand, hypnotic, and emotionally powerful.

With its timeless and universal appeal, Pryda - Allein has captivated fans worldwide. The track is an absolute floor-filler that forms a highlight in any DJ set. Notably, this iconic track has never had a vinyl release, making this edition extra special for both collectors and lovers of true electronic music history.

A2) Dexter Connection - Baby Be Mine (Original Release 2003)

Released in 2003, this delightful groover samples Michael Jackson's Baby Be Mine and Brothers Johnson's Stomp. The track combines funky basslines with a tight, rhythmic groove that immediately invites dancing. The nostalgic vibes from the classic samples provide a familiar sound, while the modern production gives it a fresh, contemporary twist. Ideal for DJ sets where you want to get the crowd in the right mood.

A3) Superfunk feat. Ron Carroll - Lucky Star (Original Release 2000)

This track needs little introduction. Released in 2000, with soulful vocals from Ron Carroll, it quickly became an iconic hit within the house scene. Lucky Star was the breakthrough single of Superfunk, a French house group,and sold over 500,000 copies worldwide. The track reached number 42 on the UK Singles Chart and has since become a staple in house and dance sets.

With its funky basslines, catchy melody, and infectious groove, it's a perfect mix of disco, house, and soul. The track includes a sample from Chris Rea's Josephine, adding to the recognizable and nostalgic vibe. Lucky Star became not only a floor-filler but also an anthem of the French house movement, alongside acts like Daft Punk and Cassius who dominated the world in the same period.

B1) Dave Swayze - Goldwave (24K) (Original Release 1996)

This 1996 trance classic needs little introduction. Goldwave is a timeless track that continues to resonate with trance lovers, thanks to the unique combination of dreamy synths, hypnotic rhythms, and epic build-up. The track is a true ear-candy and touches anyone who hears it. Originally released in 1996 on Belgium's DiKi Records, it quickly became a classic in clubs like La Bush, Illusion, La Rocca, and many more.

To this day, Goldwave is still played in the sets of many DJs, and remains a favorite at retro trance events. The track has stood the test of time and remains a key track for fans of old-school trance. It's a piece of electronic music history that makes people dream on the dancefloor with its dreamy Goldwave.

B2) Chris Bangs feat. Rita Campbell - Warm Weather (Ibiza BeachBall Vocal Mix) (Original Release 2000)

Warm Weather by Chris Bangs feat. Rita Campbell is a summery, uplifting track that perfectly evokes the atmosphere of Ibiza. The song blends house and trance with the infectious vocals of Rita Campbell, creating a warm, relaxed vibe. The Ibiza BeachBall Vocal Mix adds a touch of Balearic energy, with a calm rhythm and melodies that immediately remind you of sunny beaches and carefree days. Originally released in 2000 on the UK label INCredible, it remains a hidden gem for many trance lovers.

C1) Hyper Pearl - Can You Feel The Pain (Up & Vox Version) (Original Release 1995)

This 1995 trance classic made a lot of noise in clubs like Illusion, La Bush, Lagoa, and At the Villa. Pure old-school trance with emotion and drive like only that era could produce. A fantastic track, produced by Carl Drake, Matt Spinner, and Zzino, originally released on Belgium's Aquatic label.

C2) Daniel Bovie & Roy Rox - Stop Playing With My Mind (Dub) (Original Release 2008)

Daniel Bovie (aka Danny Van Wouwe) is a versatile producer with dozens of tracks to his name, many of which are considered classics. This track is no exception. Originally released on the legendary Strictly Rhythm label, co-produced with Dutch producer Roy "Van Luffelen" Rox, this track quickly became a floor-filler and charted in Belgium and the Netherlands. The vocals wereprovided by the talented Nelson.

D1) The Disco Freaks - Make My Dreams Reality (Chord Memory Mix) (Original Release 1997)

Originally released on an EP by The Disco Freaks, the alter ego of producers Bart Grinaert and Lajos Meszaros. This mix, which is much stronger than the original, quickly became a club classic and was played extensively in clubs like Illusion, Carat, and Extreme. A delightful, groovy, and uplifting track that combines disco elements with house. The Chord Memory Mix adds a nostalgic touch by using warm chords, funky basslines, and uplifting percussion.

D2) The Mackenzie feat. Jessy - I Am Free (Marino Stephano Club Mix) (Original Release 1997)

I Am Free by The Mackenzie needs little introduction and is a must in every DJ and vinyl lover's collection. This mix, often played at our parties, is something special. The man behind many legendary trance classics, Marino Stephano (RIP), hasreworked this version in his unmistakable way. The remix has an energetic and captivating vibe, with deep, hypnotic beats and floating synths. A beautiful track in its original version, it continues to fascinate.

Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 9 & 10, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 10

A1) GusGus - Crossfade (Maceo Plex Remix) (Original Release 2014)

Released in 2014 on the German label KOMPAKT, this remix by Maceo Plex features Ten Walls-like horns, vocals, and pumping drums, making it a true Ibiza floorkiller. The vocals are by Konstantin Sibold. This remix was only released as a white label (Kompakt Exclusive) and has yet to have an official vinyl release. Despite this, it remains a favorite among DJs and clubbers worldwide, regularly played at festivals and clubs.

A2) Plaything - Into Space (Original Release 2001)

This groovy track, released in 2001, contains a sample from Sheila & B. Devotion's Spacer, with Nile Rodgers as one of the producers. The original trackSpacer is an iconic disco hit from the 1970s, and Plaything put a contemporary spin on this classic. The track was a hit in Belgian clubs in the early 2000s, often played by prominent DJs. It has since been released on various labels and remains a timeless favorite in the electronic music scene.

B1) Ion - W.B. (Original Release 2002)

This trance classic by DJ Ion was first released in 2002 on the Belgian label B². The track quickly became a beloved classic within the trance community. Danny Casseau, the producer behind this track, is also known for other legendary works, including the trance classic Ion 98 - Tructure, which had a significant impact on the trance scene. W.B. is a pure, old-school trance track, crafted in the way only tracks from that era were!

This vinyl is extremely rare and hard to find, making it a sought-after item for collectors and trance lovers. It is still played in the sets of DJs who cherish the older trance sound, and it fits perfectly in contemporary sets as well!

B2) Subaltern - Forever (Ledge Forever Remix) (Original Release 2007)

This club banger was released in 2007 on the French label Voices Records and was a popular track in well-known Belgian clubs like Illusion and La Rocca. The Ledge Remix added an energetic, infectious vibe that made it a true hit on the dancefloor. It received an official vinyl release in 2007, but it is now difficult to obtain. Subaltern's Forever remains an unforgettable club classic still appreciated by electronic music lovers.

C1) Lykke Li - No Rest For The Wicked (Joris Voorn Remix) (Original Release 2014)

Swedish singer-songwriter Lykke Li scored a worldwide hit with I Follow Rivers, but also had great success with the powerful track No Rest For The Wicked. The Dutch producer Joris Voorn gave his own tech-house spin to the track in his known style!

Voorn's remix keeps the atmospheric mood of the original but adds a new, dancefloor-friendly dynamic that makes it suitable for the electronic music world.

This is the first time this remix is being released on vinyl since the original release in 2014, making it a rare and desirable item for both collectors and DJs. Thanks to the powerful mix of melody and rhythm, this remix of No Rest For The Wicked remains a timeless favorite that has found its place both in clubs and in vinyl collections of music enthusiasts and DJs.

C2) The Roc Project feat. Tina Arena - Never (Filterheadz Luv Tina Remix) (Original Release 2002)

This Spanish dance track hit Europe in 2003, thanks in part to the legendary remix by the Belgian techno duo Filterheadz. Brothers Bert and Maarten Wilmaers, known for their distinctive techno sound, gave the track their own twist with strong beats and an uplifting bassline, creating a timeless club hit that was heard everywhere in the early 2000s.

The vocals by Tina Arena add an emotional layer, while the Filterheadz Luv Tina Remix has stood the test of time and still gets everyone moving. At 12 Inch Lovers parties, this track never goes unnoticed and often brings the night to a high point. This track is a must-have for both collectors and DJs who love a mix of emotion, energy, and a solid techno sound.

D1) Soul Syndicate - Inside Of Me (Steel Union Remix) (Original Release 1995)

Speaking of a trance classic, this one is a true gem! Inside Of Me was released in 1995 during the golden years of Belgian trance music on the legendary Belgian label Aquatic Records. The Steel Union Remix by Zzino is an absolute favorite among trance lovers.

With its iconic sound and unmatched energy, this track is a true ode to the Belgian trance scene. It remains an unadulterated classic that still makes an irresistible impact, not only at retro trance events but also in the sets of contemporary DJs. Since its release, this remix has been hard to find, making it an even rarer piece of trance history. A track that has stood the test of time and is a must-have for collectors and fans of old-school trance.

D2) Ken Laszlo vs. Disco Dice - Hey Hey Guy (House Dub) (Original Release 2003)

Ken Laszlo, the Italian singer who became globally famous in the 1980s with the iconic Italo-disco hit Hey Hey Guy, received a re-release in 2003 on the house label Dubmental. This version was reimagined by Disco Dice, who gave the track a fresh house vibe with a more modern sound. Belgian DJ Jean, known for his influence on the Belgian nightlife scene, introduced this track into the clubs and transformed it into a club classic.

This release, although released in 2003, is now very rare and hard to find on vinyl. It's a hidden gem that continues to withstand the test of time, making it a valuable collector's item for lovers of both Italo-disco and house.

D3) Icehouse - Hey Little Girl (Infusion Remix) (Original Release 2002)

The Australian band Icehouse released the iconic track Hey Little Girl in 1982 on the British label Chrysalis. This synth-pop track was a big hit and still remains one of the classics from the 1980s. The original track was later included in the remix album Meltdown in 2003, where the Australian duo Infusion created a contemporary electronic remix that gave the track a new dimension.

The Infusion Remix adds a modern, danceable twist to the original synth-pop sound. This version surprised both fans of the original hit and lovers of electronic music, remaining a sought-after track in DJ sets.

This track has been unavailable on vinyl since its original release in 2003, making it a rare collector's item.

Following on from the first KMS Sampler, PDD in conjunction with Armada Music & BEAT Music Fund return for Volume 2 in the series. Once again mining the delights in the expansive catalogue, Volume 2 showcases four more essential cuts. Up first is the classic MK Mix of R-Tyme’s – Use Me. Next up on the A side we have the legendary pairing of Chez Damier and Ron Trent with their remix of Inner City – Share My Life. On the flip, the D’Pac Dub of Dionne opens the B side and then rounding off the EP is the second Inner City track, this time remixed by another Detroit hero, Carl Craig.

Just like Volume 1, the audio has been lovingly remastered by AIR Studios and their team of celebrated engineers, fully utilising their mastering knowledge. Another brilliant volume from KMS!

All Day I Dream bids farewell to another radiant summer with its Summer’s End Sampler, a 12-track collection of deep, melodic, and transportive sounds. Carefully woven together from a mix of rising favorites and emerging talents, the compilation encapsulates the warmth, nostalgia, and new beginnings that arrive with seasonal change.

The Rotterdam producer duo Vesuvio Vortex and DJ Seutek first connected through a shared love for records, long listening sessions, and spontaneous DJ sets at his record store.

One evening, Seutek recited his poem ‘Ruimte Zat’ (In Space There’s Space Enough). The reaction was immediate: this had to become a record. That same night, the vocals were recorded and the music began to take shape.

The result is a melancholic piece driven by his unmistakable voice, weaving spoken word through ’80s-inspired sounds. Raw and unmistakably Rotterdam, ‘Ruimte Zat’ finds hope in uncertainty while keeping its eyes on the horizon.

Join the trip with some breakbeat euphoria by HAAK. on the flip. Ga mee op reis!

YIA, the emerging DJ duo, returns with a release that blends house, deep tech, and minimal influences, creating a refined yet impactful groove, designed to light up the most selective dancefloors.


The vinyl includes two exclusive remixes from two prominent international names:
• Argentine producer Guile, known for his organic and hypnotic sound, delivers a deep and immersive rework.
• From the UK, Duncan Thomas presents an elegant version, full of tension and groove, perfect for the more sophisticated nighttime sets.


Released by Yes I Am Recordings, a label active in both digital and vinyl formats, this EP is made for diggers and those seeking authentic, underground sounds.

In Walter Benjamin’s seminal essay “Art in the Age of Mechanical Reproduction”, he posits that the aura of art objects is destroyed by the ability to photographically reproduce them. When you had to make a pilgrimage to a work it remained elusive, charged, ever distant; but when you can easily see a reproduction, such aura dissipates. What Benjamin did not anticipate is that in the age of AI and the frictionless fount of digital content, we have imbued mechanical and analog means of media production with aura. Film cameras from the last 100 years are in high demand (the point and shoot Olympus Mju I featured in Wim Wenders film Perfect Days still sells for $200), vinyl sales continue to grow year by year, 35mm and 70mm film screenings have become aura-drenched events people travel across country for, and as to the world of vintage and analog synthesizers, when a friend asked for the price on the Yamaha CS-80 synth used on Toto’s “Africa”, the answer was a cool $60,000.

Despite the ability to simulate almost any synthesizer on a computer, the original physical units retain their mystique. Perhaps this lies in the physical process, many of these synths are temperamental and difficult to fully utilize, and the effort and ingenuity can be felt in ways that will always be absent from easy digital simulacra. Perhaps there is an aura in their imperfection, as Brian Eno wrote: “Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided.” Some may call this nostalgia, but such sonic imperfections are the sounds of humans interacting with the physical world, and it is understandable to feel a pang of emotion and attachment in a time of exponential alienation.

Marche 22 was recorded over a week at the Museo Del Synth Marchigiano in Macerata, Italy. The museum is filled with rare and obscure synths (especially CRB, GEM & Elka) as well as salvaged materials from a nearby shuttered Farfisa organ factory, including MARS, an unfinished realtime audio processing application developed by IRIS - similar to the now well known MAX/MSP. Kyle Dixon and Michael Stein play a suite of pieces that encompasses the last sixty years of synthesizer music—there are nods to Cluster, Tangerine Dream, Jean Michel Jarre, and Morton Subotnick. Dixon and Stein are like jazz masters playing the American songbook with their own riffs and quotations. What shines through in these varied works that are sometimes rhythmic, sometimes melancholic, and sometimes both, is a soul, a spirit, an emotion vibrating through the tones like the charge of coming rain or the thrum of a distant train on the tracks. - Neil Fauerso