House Vinyl New Releases - News

A &meless disco classic meets modern house energy as Hamilton Bohannon returns with a brand new
reimagining of “Let’s Start The Dance”, featuring the unmistakable touch of interna&onal house icon Joe T
Vannelli. This special release blends the original groove and soul of Bohannon’s legendary sound with
ontemporary club produc&on, delivering a powerful package for DJs and dancefloors worldwide. Alongside
the main Joe T Vannelli Remix, the release also includes a Classic Mix that stays closer to the spirit of the
original version and a New Corve7e old school mix. A perfect fusion of disco heritage and house music
culture, created for true lovers of groove, rhythm and &meless dance music.

BOO locks in with some of his strongest work of the decade on this 10 track double. Heads might catch echoes of his RELIEF classics or FINGERS INC., but there's no nostalgia trip here. Deep, hypnotic, groovy forward thinking house at it finest. Do not miss this one.

1x per customer !
Dutch psych-rock artiste Jacco Gardner, and production partner in crime, the percussive culprit behind many a twisted tropical beat, Nic Mauskovic, have teamed up for a devilish EP of cinematic, Balearic disco for their debut EP as Bruxas. Wielding a love for the wild and exotic, Más Profundo is a record influenced by the black arts, the sun, and the love of making nostalgic, summertime music.
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Fall under a deep, exotic spell with the new project that is Bruxas, a psychedelic journey into the tropics. Together Gardner and Mauskovic are all about pure vibes, and international feel. You will constantly be picking the sand out from the record's grooves, whether you play it on the beach or not. Gardner's self-titled solo project, featuring Mauskovic on drums- has to date, won him many, global plaudits, comparing him to the likes of Broadcast, and Tame Impala. Mauskovic meanwhile garnered himself a reputation for sub-equatorial percussion, featuring in bands such as Altin Gün, Eerie Wanda, and of course, the aptly-titled cumbia, new-wave act, The Mauskovic Dance Band.

Bruxas came together when the two were playing backing band for the 70s James Brown-meets-Black Sabbath act, Witch. Feeling inspired, they began their collaborative musical odyssey by writing new music together in Portugal.

(Bruxas is Portuguese for witch by the way). "It was a combination of things that sparked the idea to start Bruxas," Gardner states, "our love of 70s soundtracks, library music, African disco, and Afrobreat." Mixing together their well-honed percussive rhythms, along with layered synths and the occasional vocal, Bruxas was born, a project less on the side of fuzz-rock, and more on the side of an occultist rhythmic, devil-dance.

"We both love exotica and electronic music. I was really getting into library music while working on my last album, stuff recorded in the 70s that is difficult to classify, where traces of psychedelia can be found in almost everything. We wanted to make our own mix, and see if we could mold it into a contemporary music project, that's easy to bring to the stage." - Jacco Gardner

The Dekmantel EP is a kaleidoscope cabinet of curiosities, unearthed from the tropical wilderness. 'Más Profundo' is the deepest of all the treasures, while 'Tropicacovas', with its wistful island ambiance, conga beats and rolling bass, soundtracks the whole affair, before delving into the jungle with 'Selva Cosmica'. Animals gasp as the energy becomes more electric, while the Dutch duo play on, with 'Plantas Falsas'. A true carnival of wild assorts. Drinks are free. Fun, and sunshine, there's enough for everyone. "Each track is a little journey, some through Africa, others just at a fancy Italian pool party," Gardner says about the EP, "there is definitely a worldly character about them, which ties into the exotica element that connects all the tracks."

1x per customer !
Jan Schulte makes his Dekmantel debut with Peace Moves, an EP of percussive soul, that captures the Salon Des Amateurs resident in full, tribal swing. Four tracks of informed, well-paced grooves, and finely crafted beats that extenuate the German's penchant for the mature, and fun loving heads.

“Welcome / to my galaxy / of snare drum samples / full of emotions”

The year is 2019, and Jan Schulte is spelling out his vision in simple terms. Within the first few of Albumsi’s hour-plus runtime, our host lays out the mat, and welcomes us to the ‘Galaxy’, just as he welcomed us to ‘Zum Paradies’ on Instrumentalmusik von der Mitte der World. There, he donned a Wolf Müller mask. Here it is nom de doof, Bufiman. The directive is clear: buckle up, as this trip advisor for countless left-of-the-dial dancers and deep thinkers alike is back in the hot seat.

True to his word, the first thing that hits is the drums. Across the album are samples that Bufiman has been collecting since he was a mere Bufiboy. Recordings culled from market stalls 20+ years ago and song sketches that lay dormant since 2006 get a facelift at the Wolf Müller Flanger Studio and walk into the world as finished articles. A proggy tribute to funk classic ‘Blow Your Head’ takes this updating job most directly, transporting Fred Wesley & The J.B.’s to the fringes of a Frankfurt rave with a decanter of spiked punch, doin’ the worm through a space-time wormhole as they go.

Sometimes those drums jive away steadily, and sometimes they boom and bap right under your nose (and in the middle of the LP, they are barely present at all). Live instrumentation and digitised rat-a-tat link like brothers in arms. What might Mantronix sound like if they were from North Sentinel Island instead of New York City? Albumsi could be the answer.

This is the first record Bufiman has since leaving his day job of 11 years. It is the first made after touring and exploring some of the furthermost pockets of the globe – something that left a naturally great and greatly natural impression on him. A switch was flipped, he says, once he realised he could finally paint these pictures without pressure: “For the first time in my life I suddenly had a studio, a bit of gear and 3-4 days of time every week at once. Before I might have had one or two of these components, but never all at once.”

The resultant Albumsi is the most accurate measure of the ‘man to date. Thick waves of bass lap up at an exotic shoreline of greenery and indistinct birdsong. Tunes swell, ebb, crest and recede over 6, 8, 13 minutes at a time. Are we in Goa or Grafenburg? Rasping synthesisers taking off on ‘Well, Traumhaft’ and SFX like suction cups on ‘Hoolock Rock’ suggest the latter. But then, listen to the ecosystem of competing animal voices on ‘Apo-Calypso’ or the marriage of hand drums and wavering lead on ‘Pantasy’, and it’s impossible to be sure.

As ever, our host does not toil in studio solitude. Master mastering engineer Carsten Dämbkes brings the hi-def best out of the dense thicket of grooves. Close collaborators and friends like Niklas Rehme-Schlüter (Cass.), Lucas Croon, Nikolai Szymanski (Airchina), Alexander Dorn (Credit 00), Gregor Darman & Aki Vierboom (Phaser Boys), Sara Dudzinski Rodriguez and Florian Van Volxem variously add tweaks to the kit and compliments to the overall product.

Truly however, Albumsi begins and ends in the galaxy of Bufiman. With feet in the forests and head in the night sky, one arm pulling samples from the past and another jutting fingers into the future, the album is a rich stew of sounds, mantras and motifs and that have been simmering inside for a long, long time.

Jan Schulte aka Bufiman drops a 12" of dubbed up drum versions of tracks from his‘Albumsi' LP (out earlier this year on Dekmantel).
Bendy ol TIP on this!

Call Super debut on Dekmantel, 2 superb tracks

Hailing from Århus, Denmark second largest city, Zaks feels closely connected to the rock, punk and experimental scene blooming in his hometown. The same DIY esthetics can be found throughout his own, idiosyncratic take on electronic music that, apart from being highly distinctive, is best to be described as incredibly versatile.
Central's sterling Dekmantel Records debut is spread out into a montage over four sides of vinyl - DKMNTL034 & DKMNTL035. On the second EP, the innocuous playfulness of 'Tubelife', the soulful and brooding 'Detour King' and the jazzy undertones of 'Politcal Dance' are colorfully-plumed dance tracks drawing on jazz-soul and deep house knitted together with impressive precession.

Denne plade med det semi-melankolske nummer Pillow Peace er meget personlig for mig. Efter et år i glemsel samlede mine hollanske venner nummeret op. Marco hjalp mig mixe det færdigt og sammen lavede vi den alternative version. 1000 tak til Casper og Marco for at tro på dette.

Vivod proudly presents the long-awaited debut album from Cestrian. The release features five essential tracks pressed to vinyl, with all eight tracks available digitally. A collection of dystopian electro workouts designed to clear the mind, fuel the imagination, and offer just the faintest glimmer of hope—though not too much. Dark, driving, and unmistakably Cestrian, this is a soundtrack for uncertain times.

Limited to just 150 vinyl copies worldwide. Get your pre-orders in early to avoid missing out.

Damian Lazarus continues ‘Magickal Remixed’ with second instalment featuring Cinthie, Timo Maas, and Anthony Middleton.

With his surprise fifth studio album ‘Magickal’ continuing to resonate across the global electronic landscape, Damian Lazarus now unveils the second half of the project’s ambitious remix series. Out 26th September via Crosstown Rebels, ‘Magickal Remixed (Part II)’ enlists the talents of Cinthie, Timo Maas, and Anthony Middleton, with each of the three celebrated artists bringing their unique perspective to the Crosstown head’s latest long-player. Arriving in both digital and vinyl formats, this three-track package builds on the energy of Part I, which featured takes from Harry Romero, Jonathan Kaspar, and Mëstiza, and THEMBA’s earlier remix of lead single Searchin’, continuing a journey that reimagines Magickal’s most defining moments through fresh, club-ready interpretations.

Opening the release, Berlin favourite Cinthie takes on ‘Y Don’t U’, injecting her signature analogue warmth and groove-driven touch into the album cut, reworking it into a silky, floor-focused workout that radiates her unmistakable house sound. Longstanding innovator Timo Maas steps up next with his remix of ‘Warrior Dance’, Lazarus’ amapiano-inspired collaboration with Ghanaian artist Jojo Abot. Stripping back and rebuilding the track into a hypnotic, low-slung affair, Maas balances subtle percussive detail with deep, pulsating basslines to create an intoxicating new dimension. Closing out the EP, Anthony Middleton, one half of Audiofly, reshapes the soulful ‘So Low’ featuring Zeo Kypri into a textured and emotionally charged journey, weaving its vocal lines through expansive sound design and rolling grooves.

The 2nd in this fine series pops out. Showing the diverse selections of the Dekmantel crew: Awanto3 (Alfabet, Rednose Distrikt), Makim (Dkmntl) and Lone (Werk, Magic Wire, R&S) on the line up this time... TIP!
To celebrate Dekmantel's five year anniversary, the Amsterdam based label release a compilation which features tracks from friends and artists who have
performed at the successful Dekmantel's parties. In a series of five EP's the label presents the genres that they have become know for throughout The Netherlands and beyond: quality house and techno in the tradition off all the good that came out of Detroit and Chicago when it comes to electronic music. Both Dutch and international producers are featured on this comprehensive compilation. The last part will be released in the last week of march as Dekmantel then will celebrate their anniversary with a big party in Amsterdam.
Awanto 3 - PregnantAwanto 3 aka Amsterdam based multi-talent Steven de Peven delivers some
pure Detroit house on this one. A slow burning and ever changing piece of music, loaded with a bunch of strings and keys to warm your winter ears by.
Lone - Rissottowe
There's tracks for your personal hi-fi system, there's tracks for the dance floor, and tracks that are somewhere stuck in between. Lone brings his intentions to the table loud and clear with Rissottowe though - turn up the volume and bring out the rimshots please.
Makam - Cleaning
The living proof that quality house music isn't just related to the two major cities in The Netherlands goes by the name of Makam. The The Hague based producer
has slowly but surely developed his own take on Detroit-infected house music. Cleaning reminds off early Moodyman jazz-tingled house material.

After going AWOL, the elusive DJ Boneyard checks back in with 'Bonestyle' – a six track ruckus of raw techno jaunts.

Propelling Down Under techno and house into the world's clubs with classics such as Phreakin', LSD and 6AM in the mid-90s, djhmc (Cam Bianchetti) is rightly hailed as the 'godfather of Australian techno'.

Now with more than 30 years experience of transcendentally moving dancefloors - and 20 years with his productions, remixes and edits; djhmc is back with a new label - reflector.

This will be an all new platform to showcase totally remastered versions of his back catalogue as well as to provide a vehicle to bring his current and previously unreleased
work to his already loyal following and to new believers.
Cam Bianchetti is a man of many talents who is very much in demand as a DJ and a producer, and he applies the same meticulous attention to detail and knowledge of what works a dancefloor across both disciplines. Under his djhmc alias, it isa very broad church that covers disco, house and techno, whilst his other monikor, Late Nite Tuff Guy focuses more on his love of Funk & Soul. When it comes to giving a classic sound a new contemporary twist, there is simply no-one better.

With the arrival of the 'reflector' label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc; once again its time to prove why he is one of the most talented techno and house producers and DJs to ever grace the turntables....the Godfather is back!

Enter a world of post-IDM, ambient and reggaeton, with a progression of deep synths, reverb, and percussion whose rhythms are born from the southern hemisphere. This is the world of DJ Python, a.k.a. New York based producer Brian Piñeyro, who also sometimes goes by Dj Wey, Deejay Xanax, and Luis. Making his Dekmantel debut with an extended EP of contemporary electronica, fashioned in his cult unique style, Python brings his deep-reggaeton style to the Dutch imprint.

With his first LP Dulce Compañia released in 2017, Python extended his cult status in the electronic music sphere with motives of ambient, and tropicale, all the time keeping his music deeply rooted in classic underground dance music. Along with a Breaking Through feature on Resident Advisor, an almost legendary appearance on Boiler Room — in which he ignited the room in Santiago with bellowing reverbs —, extensive touring, and a residency at New York’s Nowadays (healthy programmed by the team behind Mister Saturday Night), Python has dutifully snaked his way in today’s cult artist category. Making his next step with this six-tracker on Dekmantel, Python aggrandises his prestigious drum sequencing, merging the world’s of drone-driven electronica, cerebral synths, and steely out-of-this-dimension-dancehall.

The EP’s pening track 'Lampara' snakes and twists, like a rugged 90s London broken-beat, electronic exploration, evoking nostalgic feelings a la Boards of Canada. The retro aesthetic flows through with second track 'Tímbrame', where the tropical reggaeton percussion floats through wafty, deep synth melodies and chimes, like a vibey, emotive, come-down, get-down, post-party dancefloor filler. 'Cuando' steps up a gear, as the digital percussive rhythms go into overdrive, while 'Espero' goes all Gaussian, by offering a transportive, meditative expression. 'Be Si To' pulses into full Phython territory, chops-and-cuts-and-slices across a sleuth of Warping, proto-drones. The record’s final track 'pq cq' is a singular question mark about darkness, feeling, and trans-dimensional thinking, as the track shifts in-between kicks that feel one and the same between past, present, and the dub.

The Moment Is Forever' by Draso finally on vinyl.

E-bony returns to Distant Gaze with a full 6-track EP, diving deep into the unfiltered world of acid and Detroit, where roots meet modern.

This release delivers a range of moods and intensities through analog textures, heavy-hitting kicks, and gritty basslines that have become synonymous with E-bony’s distinct sound. As the EP unfolds, PRZ shifts gears into a futuristic electro soundscape, a glimpse into a sci-fi utopia. Clouzer wraps up the EP with a crushing rendition of ‘Let it Be’—a hard-hitting rave anthem.

BBMXI!! What a ride. Eden is back with another (un)holy 4 Track Ep.
You can not stop the Big Beat Manifesto, it is here to capture dancefloors across the globe, gaining
new followers by the minute.
Give in to it, surrender to the beat & move your feet. Bless you in the morning. Peace and unity.

Surrrealism label boss EdOne returns to HABITAT with the ‘Show Me Love’ EP, following the release of his track ‘Madness Diary’ on the ‘METAFLORA III’ compilation in April 2025. Dropping on 26th February,
‘Show Me Love’ is a striking four-track EP that captures the full emotional range of his meticulously crafted sound. With multiple top ten Beatport chartings and releases on respected imprints such as Innervisions, Bedrock, Global Underground, and Renaissance, EdOne now brings his signature intensity, tension, and melodic precision into one of his most complete and expressive works to date, with the package featuring a collaboration from Rotterdam’s Beswerda.

Title track ‘Show Me Love’ opens the EP, delivering a backbeat-driven, clap-heavy groove, with soothing maracas, sundrenched synths, and warm pads creating an inviting, melodic house cut. ‘DTS’ serves as a moodier counterpart; its thudding bassline, rattling central synthline, and atmospheric low-end strings build a deep, cinematic tension. On the flip side, ‘The Next Men’ leans into EdOne’s progressive, hypnotic sound, featuring preaching vocals, minor-key progressions, and steadily building emotional weight. Closing with ‘Lahn’ , EdOne and Dutch mainstay Beswerda descend into a raw aesthetic, blending industrial grit with dub-like textures for a brooding final statement.

Connecticut's Jon Beall, recording as Entro Senestre, has gained critical acclaim thanks to brilliant releases on labels like W.T. Records, Echovolt and L.I.E.S..
On his debut for Dekmantel, Beall has taken his signature vintage flavors of techno and electro and pushed them into news spheres of the frightening, combining chalky, continuous drum tracks with an ear for emotionally challenging melodies. Championing timeless electro-techno that breathes real soul, this four tracker does Senestre proud and alters a dynamic EP that is ear-piercing and contemplative, nifty and evocative.

Dekmantel happily presents Esa Williams's debut EP Aweh on the label. With his discography growing steadily over the past couple of years, the South African artist constantly breathes new energy into his music by magnificently incorporating global influences in his work. His Dekmantel Records debut and three-tracked Aweh is no exception, and includes his promising hit track 'Blast'.
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For Williams, Aweh, which is Capetonian slang for 'awareness', spreads the message of his continuous musical journey and presents his many musical partnerships. Especially, 'Blast' shows a true master piece on this release and is a perfect mixture of eerie Afro-noise with staggering traditional Gogo music vocals. 'It's very special to me', Williams says about the track. 'I made this when I was in Uganda to record an album with the children of the legendary Tanzanian artist Hukwe Zawose, including Msafiri Zawose. One of them, Pendo Zawose, had an extremely powerful presence and was doing incredible backing vocals. I wanted to see what she would do if I presented her something totally different, so I put on an extended version of a modern kwaito beat I got from Narch Beats. We only did one take, but her vocals completely blew me away.''

The flipside covers two well-thought gems including 'Rift Valley', a house track mixed up with drums and vocals from the East African collective Santuri and Abakisimba. Aweh's 'Rent-A-Disc' represents the name of a Cape Town based music library that opened its doors in the early to late 90s. The library was the place to be to get all the early house records for many local DJs on the Cape Flats - including Williams's late father - and served as the inspiration for the B-side track. A dark, energetic and yet percussive Cape Town meets Chicago vibe is the result.

Franck Roger is back with 4 handpicked tracks from the legendary archives of Real Tone Records.

Real Tone Classics Vol 5 – a limited-edition vinyl release act fast!

global swing announces new sub-label “healing channel” with a collaboration between berlin’s taslo and global swing boss garrett david

garrett david & taslo present Exaura

The world we know has dissolved. Sleep has become a commodity while neural markets bloom overnight. Your first currency? Your consciousness. Your dreams? Already sold. Thanks for nothing. Here’s a receipt for your precious bandwidth. However…deep inside the datastream, redemption exists. Mystics called it the Healing Channel.

Disco Segreta proudly presents the reissue of one of the most elusive and sought-after gems of underground italo disco, Govindo’s “Ou Ka Vini Com Moin”.

Originally released in 1983 on the obscure “Gala” label and quickly withdrawn from the market, this hypnotic, space-tinged cosmic italo disco bomb remained virtually unknown outside a small circle of hard core italo disco collectors — until now.

Wriitten by Mario Baldoni aka Miro and recorded during a journey across the French Antilles, the track was laid down in Fort-de-France, Martinique, capturing a unique cultural and musical intersection. Its title comes from a typical Martinican Creole expression—”U Ka Vini Co Muè”—meaning “C’mon, come with me.”

The track’s lush arrangement, crafted by Gregorio “Greg” Puccio, is a quintessential snapshot of analog italo disco at its finest: Roland Juno 60, JX-3P, Korg PolySix / Poly800, and LinnDrum LM-1 create a dreamlike, deeply atmospheric soundscape.

For the first time, this edition presents the original 12” full-length versions (vocal/instrumental), alongside the shorter 7” vocal version, remastered directly from the actual analog master tapes, plus two new remixes: the Marcello Giordani Hypnomix – a future electro synth classic from one of Italy’s finest producers and the Miro’s Fort de France Sunset – a balearic downbeat contemporary reinterpretation by the original artist 42 years after.

EVPHORIA is not just a record. It’s a trigger.
140 BPM of tension, ascent and release — engineered to push the dancefloor into collective hypnosis.

Balancing power house propulsion, techno pulse and large-scale emotional lift, the track transforms a strangely familiar sensation into something raw, direct and uncompromising. No nostalgia — only forward motion. A rise that refuses to come down.

The original version unfolds as a sustained euphoric surge: driving percussion, insistent hooks and controlled repetition built for peak-time unity.
The edit version distills that energy into a tighter DJ weapon — immediate, sharp, floor-focused.

On the B-side, Inflammable Noise appears in its instrumental form — pure club mechanics, no vocals, no distraction. A stripped version that amplifies tension and turns the track into a true dancefloor weapon. Already tested in demanding environments, it notably detonated a peak-time moment when Chloé Caillet played it at Berghain — a point where the room tipped over.

EVPHORIA moves freely across scenes — from house floors pushing tempo to techno basements and high-intensity dance spaces — built for DJs chasing the rupture point.

Pressed in a strict limited edition.
Vinyl only — no digital release.

Created under the EVPHORIA imprint by Hardrock Striker — dancefloor architect and driving force behind the Skylax universe — this release stands as a physical, autonomous club statement.
Sleeve artwork by H5 (Daft Punk, Air, Étienne de Crécy, Logorama, Kanye West / Adidas), reinforcing EVPHORIA as both a sonic and visual manifesto.

EVPHORIA doesn’t ask permission.
EVPHORIA triggers.
A record for the moment the room tips over.

Strong international support from Richie Hawtin, Arnaud Rebotini (Black Strobe), Kristian Beyer (Âme / Innervisions), Dax J, Ilario Alicante, Chris Fortier, Michel Gaubert, DJ Mag, KEXP Seattle, Byte FM, Tsugi, Waveform Transmitter and many more.

Outstanding reactions included: "This is just perfect... one of the best things I've heard in recent weeks. Supported!" (Club Furies), "Great release! Adding to Waveform Recommended." (Ste Knight), "Excellent work here! Will play on my show." (Fly Radio 104 FM), "Great – will play." (Radio Reverb), "Energetic and ethereal club energy." (CJSW Canada)

Voodoos and Taboos unveil their highly anticipated new series with ‘Human Aventura,’ the debut album from promising Corsican producer.

Right from the start, his talent captivates listeners. The record boasts exciting collaborations with fellow artists and friends, including Noiro and Blinkduus Dischetto (Solid State).

With its esoteric and melancholic atmospheres, interwoven with nods to the Chiptune scene, the album seamlessly blends elements of electro and house music. “Defined as ‘libidinous Mediterranean spoken disco,’ the album promises an immersive journey into a unique sonic landscape, where sultry rhythms meet hypnotic melodies.

Hyperstellar returns on Bordello A Parigi with a nocturnal and deeply magnetic EP. In For a Flash captures the fleeting beauty of a moment stolen from the night, the tension of a glance that will never return, the sensation of having loved inside a dream. The record carves out a singular aesthetic through new wave, shady atmospheres, and early electronic influences.

The eponymous track, In For a Flash, opens the record like a sudden vision: a burst of light in the dark, propulsive, yet already fading. From its fatalist urgency to the longing of The Dance We Never Had, each piece suggests a different facet of the same mirage. Surrender unfolds like a slow implosion, a toxic war between release and control, while L’Amour sur Saturne drifts endlessly in a suspended space, like a tale where the impossible is still imagined.

Influenced as much by Burial as by New Order, the solitude of classical composers or eccentric glam rock acts, Hyperstellar continues to build his artistry on numbers, and intimate constellations.


2x12" vinyl with printed innersleeves.

"Interstellar Funk has crafted a raw, yet simultaneously hauntingly beautiful and endlessly intricate record. Layers of blended harmonies and melodies form the basis for jettisons into leftfield experimentation, heavily processed drums and oscillating frequencies. The result is as infectious as it is pensive; a transcendental journey into a synth-laden landscape.

A stalwart name on our Dekmantel line-ups and with prior releases on the likes of Rush Hour, Berceuse Heroique and L.I.E.S., Interstellar Funk is synonymous with the more brooding side of Dutch electronica. Akin to his DJ sets, which also glide effortlessly between genre, tempo and sound, Into the Echo is daringly eclectic, combining sung-spoken iterations with hypnotic samples and machinic industrial. The release will be supported by a hardware based live-show tour later in 2022.

Ethereal voices haunt the album, a spectral presence emanating both on the titular track and its eponymous twin, 'Octave Echoes.' The latter is built up around breathy reverberations partnered with steely chords and dissected drumbeats. While 'Crickets at Night,' featuring fellow Amsterdam-based producer Loradeniz, switches pace from ghostly ambient to a pulsating, metronome's tick, clockwork rhythms and eerily looped vocals.

Channelling introspective atmospheres, Into the Echo nevertheless holds steadfast to a club- ready beat and momentous bass. 'Northern Winds,' composed with JASSS, edges along the hardcore continuum, exploding with spiraling percussion and flashes of the pair's shared affinity for electro's gyrating-circuitry and dub's ominous dread. And, ionised by piercing synth and bolts of acid, 'Psycho Panner's occultist refrain climbs to an otherworldly crux.

A homage to the potency of analogue machinery and experimental electronica, Into the Echo fluctuates with organic life, often melding synthetic and acoustic instruments together. Guitar riffs flutter on 'Dreamers' before pattering out into warbling, glacial fragments and 'Last Piece of the Puzzle' features a glockenspiel-esque rhythmic element rising to a harmonic crescendo.

Sleeve Photograpy by Bea1991. "

Ismael Pinkler lives in Buenos Aires. Belly Dance Services head Nick Hanzo in Vienna. Turns out the exact midpoint between the two is somewhere in open ocean. So they abandoned the plan to meet on Earth at all, and met on planet 126 in outer space.

It turned out to be a strange, hospitable little world — spinning at its own pulse, 126 beats per minute, changing landscape every few kilometers, as if it couldn't decide what kind of planet it wanted to be either. Ismael and Nick wandered it together, letting each new terrain talk them into a different song, until ten tracks had quietly assembled themselves. What they brought back drifts somewhere between shoegaze, techno, ambient, trippy tribal house and pop — grounded and gravitational, emotional and mental, to put it in terms Earthlings might understand.

Now, speaking seriously: Ismael and Nick built Planet 126 by passing sounds and ideas back and forth across the ocean, night after night, for eight months. The entire process — composition, vocal recording, production and mixing — took just eight months, a dream scenario for any electronic musician. The collaboration stayed positive, proactive and fresh throughout, letting the project move forward effortlessly. All tracks were written and produced by both musicians together; Nick wrote the lyrics and recorded the vocals, Ismael handled the mix. No samples, no references — just two people building a world from scratch.

Planet 126 also marks a milestone for Belly Dance Services: the label's 30th release, and likely its last. BDS began with BDS001, a vinyl EP by label founders Hanzo & Yaman, and has been solely helmed by Nick Hanzo for the past five years. Now it comes full circle — laid to rest with a big bang: a double vinyl gatefold album co-produced by Ismael Pinkler and label head Nick Hanzo.

One NYC's brightest drops a beauty of a double LP on Dekmantel. Awesomely dope! TIP!
Spring 2014 will see Dutch label Dekmantel release the debut full-length album from New Jersey producer, DJ and Inimeg Records boss Joey Anderson. Entitled After Forever, the album is the natural next step for a producer who has turned out plenty of deep and intriguing techno EPs for labels like Latency, Deconstruct Music and Syncrophone over the last couple of years.

Having been championed by the connoisseur likes of Levon Vincent and DJ Qu before the rest of the world cottoned on, Anderson's style has proved to be truly idiosyncratic, where near bottomless techno grooves get run through with haunted piano lines, shadowy synth work or elegant drones. There are barely ever any claps or snares, instead just plenty of deeply hypnotic kicks and plenty of noir tension.

'Every track on the album has its own take on my personality, my mentality musically and my vision of off-dancefloor music,' says Joey. 'I find it very difficult to create something for people just to like. I'd rather pay attention to making them get close to the album and uncover the ideas within it. Being my first LP, it's dedicated to my two daughters, Akatriel and Auset.'

As well as two tracks that were released on Anderson's previous Dekmantel EP, the album offers nine new cuts and kicks off with 'Space Between Curtains'. Haunting, saddened piano keys linger in the air above metallic synth sounds for the emotive duration of the track. Then there's the teary eyed, end-of-the-world yet optimistic vibe of 'Space Colors Ideas'. After that various intimate moods are explored, from heavy and ominous on 'Maidens Response' to celestial and cautiously uplifting on 'Archer's Ceremony' via 'Amp Me Up', which sees Anderson's spacious and atmospheric style suck you in with its weird, gurgling machine noises unravelling above an unchanging drum track.

It's an album that demands and indeed warrants close inspection, and is the sort of work that really transports you deep into another world far away from here. With After Forever, then, Joey Anderson confirms he crafts moody and atmospheric techno like few others.

Mr Anderson taking a fresh twist and releasing more excellence on Dekmantel. Big TIP!

oh oh oh... this is a bit good! Full album from the astonishingly talented JuJu & Jordash. This time crossing their more psych side (Golf Channel recordings) with their proto-everything electronics. How many more tricks do they have up their sleeves Killer! TIP
Continuing their distinctive synthesis of spaced-out jazz un-standards, murky dub and hypnotic electronics, Juju & Jordash exploit the triple vinyl format to launch a mission bound for the innermost depths of their sound. It's obvious the writing and production have reached a new level in their exciting evolution. Now it's time for the music to reach an audience beyond just techno and house. "Techno Primitivism" is just beautiful music, period.

Another killer offering on the Dekmantel label from Juju & Jordash - 2 long assed winners on here! Don't sleep get with the 'Sensational Israeli Jazzmen' sound! TIP! .
'An obsession', that's what making music is for Gal 'Juju' Aner and Jordan 'Jordash' Czamanski, and Dekmantel couldn't be happier that these two possessed masterminds are working for them again in mesmerising ways.

Aner and Czamanski helped shape the Dekmantel label to what it is today - an ever expanding fortress of futuristic house and techno - by releasing two acclaimed albums and various singles on the Amsterdam based imprint. Now the duo prepared two of their out-flooded tracks in the form of their double a-side single 'Waldorf Salad/Third Planet From Altair'.

The title 'Waldorf Salad' refers to the legendary synthesizer that helped shape the landscape of clean, detailed yet warm electronic music. The latter is exactly what you'll recognize in the a-side cut. Juju & Jordash smoothly ride the flawless waves of house music resulting in an unfussy, old school feel. Stirring and instantly infectious, the plodding synths make for an intriguing final chapter of this track.

The aa-side contains 'Third Planet From Altair'. Here Juju & Jordash redefine an anthemic journey with a more than nine-minute-long cut. It's a quick paced, gliding deep house affair with plenty of elegant synth work and closes out yet another essential offering from the duo.

Hot and 'clean' new album from JJ&J...TIP!
Two years after the artistic statement that was their expansive third LP, famed live act and hardware lovers Juju & Jordash are releasing another full-length on Dekmantel. Clean-cut, a nine-track affair, comes lovingly pressed to vinyl in autumn 2014.

The duo fully embrace the album format, creating a tight tapestry of emotive and danceable sound that reveals more detail and depth with each new listen. Textures range from organic and lush to synthetic and arresting. Deep-space serenity gets juxtaposed with more urgent and alien paranoia.

"Clean-cut is tighter, more honest and there's less hiding behind a hazy screen of FX," say the pair.

The new release marks a clear evolution in the career of these singular artists. Clearly, Clean-cut is another feather in the already resplendent bow of Juju & Jordash.

Juju & Jordash have a longstanding and tight relationship with the Amsterdam based record label and event powerhouse Dekmantel. Juju & Jordash are a staple on Dekmantel clubnights and festivals. This is their third full-length on Dekmantel, a further consolidation of their 5 year bond.

Dekmantel won the minds and hearts of electronic music enthousiasts throughout the world with their record label and club nights over the past 7 years. Dekmantel Festival -which saw its first edition in 2013- has seen unanimously glowing reviews for two years in a row now, further affirming the path Dekmantel chose to be the right one.

What's left to explain about Juju & Jordash The longtime Dekmantel affiliated duo (Gal Aner, Jordan Czamanski) helped shape our club nights, festivals, label and other music endeavors to what they stand for today.
In other words: without these jazz trained cats, there wouldn't be a Dekmantel. It's with great anticipation that we announce Dekmantel release #8 (!) from these utterly talented musicians. DKMNTL026 is a club friendly yet sophisticated four tracker that is as abstract as it is deep, and as elegant as it is effective. Raw, energetic stuff for your peak time bag!

heavy three track debut from amsterdam. juju & jordash on the newly formed dekmantel recordings. featuring an exclusive mix of lerosa's 'ruski' track