Veruh makes his debut on LOK.Ltd with a powerful statement of minimal precision and hypnotic groove.
Driven by deep, stripped-back rhythms and subtle textures, Neanderthal EP explores raw energy and immersive flow.
Featuring the original “Yuca Bara” and a captivating Funky Trip Remix, this release delivers a refined yet driving sound built for late-night floors.
Minimal. Hypnotic. Timeless.
Freedom is here, but what is the cost? Lies and alternative facts - corruption and betrayal. A people disaffected. But when we dance again - nothing else matters. Under The Yellow Arch EP: A rhapsody for the return of the dance floor. Adelphi Music Factory herald the third summer of love. Sisterhood, brotherhood, freedom, peace.
AJ Christou returns to Crosstown Rebels with his captivating two-tracker, ‘Desire’. Landing on 25th April 2025, the release sees the V-House Sounds boss return following his contribution to the label’s ‘Spirits’ VA series, showcasing his slick and warm sound across two crisp productions. Manchester-based favourite AJ Christou continues his impressive start to 2025 as he steps up for his first full release on Damian Lazarus’ revered Crosstown Rebels imprint with his latest two-track EP, ‘Desire’. An exciting name within the contemporary house landscape, Christou has earned his ever-rising reputation with releases via influential imprints such as Hot Creations, Paradise Music, Cuttin’ Headz and Fools Gold Records - collaborating with renowned names like A-Trak and Robert Owens - as well as his own V-House Sound imprint. Now, with ‘Desire’, the DJ/producer and label boss delivers a refined yet electrifying showcase of his sound, blending rolling grooves and subtle intricacies.Title track ‘Desire’ opens the release with its deep, pulsating basslines, crisp percussion, and a sultry vocal line that lures listeners into its infectious energy. On the flip, ‘Patience’ offers a more subtle yet equally engaging journey, featuring textured soundscapes, dynamic drum arrangements, and a groove-laden core primed for late-night moments. Providing another standout addition to his catalogue, ‘Desire’ marks Christou’s return to Crosstown Rebels in style, further solidifying his position within the global scene.
On The Arboretum, Analogue Attic co-founder Alex Albrecht leans further into the dancefloor, channelling the more hypnotic and driving energy that Butter Sessions is known for. Across the five tracks, listeners are treated to Albrecht's signature melody-driven deep house, bolstered by intricate rhythms, a deeper low end, and hypnotic loops designed for larger systems and later hours.
The tracks are playful yet serious, functional yet full of personality. There's the joy of long blends and the tiny details that bubble up in the mix: field recordings from time spent away, nostalgic archival material, and subtle harmonic shifts that keep the tension simmering.
It's a record built for dancers, but also for home listening. By embracing a tougher, more energetic sound, this release expands Albrecht's sonic world while staying true to the textural depth and sense of journey that run through all his work.credits
ORANGE BLACK SPLIT VERSION! With no compromises on sound quality and an exclusive pressing designed for true vinyl enthusiasts, KRONERT002 is more than just a record—it's a collectible statement of artistry and innovation. Don’t miss your chance to own a piece of this journey.
Pushing sonic exploration even further, KRONERT002 embodies the raw essence of underground house music, capturing its energy, groove, and timeless appeal. This limited Coloured Splatter/Split vinyl is more than just a record—it’s a statement, a collector’s piece for those who live and breathe the rhythm.
Kronert crafts a hypnotic blend of rolling basslines, shuffled drum patterns, and atmospheric pads, seamlessly fusing classic house elements with a forward-thinking approach. The EP’s warm textures and intricate grooves ensure its versatility—whether igniting peak-time dance floors or setting the tone for deep, late-night sessions.
DJ support: Chris Stussy, M-High, Prunk, Cinthie, Michel de Hey, Locklead, Dennis Quin
When Souls Collide - A soulful fusion of sound and spirit, this track invites listeners to experience a harmonious clash where emotions and rhythms intertwine.
Shy Time - Inspired by the vibrant energy of Chicago, this deep house gem brings a raw, underground vibe that captivates and moves the dance floor.
Feel Free - A high-octane heavy house anthem, 'Feel Free' is designed to electrify any dance floor with its cutting-edge beats and infectious energy. Prepare for some real damage!
Dexed Tek- The perfect B-side to complete the EP, 'Dexed Tek' features dubby chords layered over a powerful beat, creating a deep, immersive soundscape that resonates long after the last note fades.
Next up on Industry Standard we have a very unique vinyl release from Melbourne’s Ben Silver, who recently released his ‘F So Good’ EP on the label in 2025.
‘Inside / Outside’ is pressed on to a 10” vinyl, with the ‘Inside’ track being cut from the inside of the vinyl. Flip the vinyl and ‘Outside’ is cut from the outside.
Following on from his release on IS, and also his ‘Cosmic Weapon’ collab with Oliver Dollar & Boogs on Rekids, Ben has delivered two heads down, tracky cuts that are sure to take any dancefloor on a late-night trip. They are both energetic, underground tension builders that bridge the house / techno divide perfectly.
We love this release, we hope you do too.
A multifaceted artist, who over his career has traversed between singer-songwriter, hit producer, DJ and curator, Ben Westbeech debuts on Glitterbox Recordings with a fully realised and fresh artistic vision, delivering ‘Times Are Changing’ featuring RAHH. A manifestation of Ben’s long-held career reputation as a magnet for talent, RAHH’s flawless vocal and the considered songwriting is ready to captivate listeners, creating an uplifting and anthemic quality with its jazzy bass with journey-like arrangement. The record has been committed to wax along with house legends Louie Vega and Josh Milan’s array of remixes and a Takin’ It Back Dub from Louie’s son Nico Vega. A 12” delivery already sought after by selectors of the highest order, this joyous soulful record is easily transformed into club-ready heat, without losing any of its heart across the mixes.
It’s always exciting to have a new release on Sushitech’s sub label Pariter. The label is already home to some living legends such as Delano Smith, Norm Talley and Boo Williams is surely finding himself in good company here. Night Fall / Day Rise is a two parts release, beautiful collection of driving Chicago House music at its very best!
Brazilian artist Bruno Furlan is the next to make his mark on the famed Hot Creations imprint. The two-track release, The Speakers Pump Like This, is set to bring the heat and make serious waves on dancefloors this year.
Title track The Speakers Pump Like This transports you straight to the club, with its peak-time pace, sonic synth stabs and prominent vocal cuts. On the flip, Moving gets to work with a sharp kick-drum and infectious vocals, as subtle builds and drops move throughout the track, whilst retaining the solid, rolling groove.
Hailing from the diverse and electric city of Sao Paulo in Brazil, Bruno Furlan started his DJ career while still a teenager and quickly became a highlight in the Brazilian electronic music scene, capturing the attention of artists such as Claude VonStroke, Chris Lake, Solardo, Green Velvet and Amine Edge & Dance. Always driven by a great love for his art, Bruno has created his own unique way of approaching music production, resulting in a standout discography and performances throughout the world. In addition to his own record label Whistle Records, Bruno has released on labels such as Dirytbird, Relief, , Sony Music, SOLA, Nervous, and more.
2025 Repress
DJ Support: Kerri Chandler, Chris Stussy, Archie Hamilton, Fabe, Groovesh, Vlad Caia, Andrey P Ush Krav, Thor, Masimillano Pagliara, Dubtil, Reboot, East End Dubs, IULY.B, Josh Wink
Chris Stussy ‘A Glimmer Of Hope’ EP in now being re-issued due to demand on LTD edition transparent red vinyl.
Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past 10 years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint.
Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums.
‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.
A mutant beat manifesto from Miami luminaries Jonathan Trujillo (Jonny from Space) and Pablo Arrangoiz (El Gusano, DJ Fitness, Baüzer Vep), Crespi Drum Syndicate’s Colada Talk follows the duo’s debut on Sonido Isla with a freshly freaked collection of percussive oddities. Rooted in foundational clave rhythms and avant-garde experimentation, Crespi Drum Syndicate emerges from the amphibious underbelly of Miami’s Latin-infused club scene with their singular electro-acoustic vision.
Extensive live recording sessions, free improvisation, and a ritualistic studio practice
— countless hours spent twisting and rearranging sounds from found objects and Buchla modular systems — coalesce into new rhythmic forms. Atonal saxophone, bass clarinet, and slide whistle further expand upon Trujillo and Arrangoiz’s ever-evolving sonic palette, while NYC’s AceMo lends a hand on the heavily syncopated “Siu,” and closer “Boubow” might be the duo’s most hook-driven production to date with its mangled pop vocal and lewd drum-line bounce.
Landing somewhere between Steve Reich’s polyrhythmic “Six Marimbas,” Moebius & Plank’s industrial Krautrock sessions, and Ricardo Villalobos’ hypnotic techno minimalism, Colada Talk delivers on a world of subtropical rhythmic futurism and experimental body music that’s as heady as it is culo-shaking.
Influenced by many different styles, it's hard to describe the tracks to any specific genre. Maybe they sound familiar to some of you - we thought now it's the right time to release them on wax.
4 tracks, each of them well dancefloor approved and with a unique touch for every hour of the night. Have fun.
Delusions Of Grandeur is proud to welcome back emerging producer, multi-instrumentalist, and vocalist Declan McDermott for his standout new EP, Why Don’t You Believe Me? Blending analogue hardware and live musicianship with deep, groove-driven production, the release showcases a confident and colourful voice in contemporary underground house. I:Cube & DJ Nature on remix duties!
A golden repress for a golden record. Luke Una has been shouting about this one from the rooftops. Declan McDermott on Delusions of Grandeur w/ remixes from I:Cube & Luke’s ‘man of the moment’ DJ Nature, who provides a killer remix on B1 which has been transcending dancefloors far n wide! Buy or cry!!
Demuir marks an inaugural release on Hot Creations with High. Alive. And Dirty., a
diverse four track EP made up of all original records.
The EP opens with Santa and The Elf. A penetrating bassline ratchets up and down, as horn
like synths whir occasionally in the background, alongside tassel-like hi-hats. Up next, the title
track High. Alive. And Dirty. provides stunning contrast. A happy, funk-fuelled number, the
track incorporates disco elements with “positive and soulful vibes”, before Rawness - Beat 3
features a “raw native structure”, bongo sounding drums and tropical vocals to from a well-
rounded, feel-good record. Eerbawdy Wants to Deeezsko rounds off the EP in fine form, with
more disco elements and chiming, emotional keys.
Canadian-based Demuir is a distinctive talent in the electronic music sphere. A prolific
producer, Demuir has already made a home on labels including I’m A House Gangster as well
as Cassy’s Kwench Records, whilst he is soon set to release on Loco Dice’s iconic Desolat
imprint.
represssed !
Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money.... Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts! Do not snooze. This one's a winner!
DJ Support: Enzo Siragusa, Archie Hamilton, Fabe, Fleur Shore, Us Two & VITO (UK).
UK based rising star DXNBY debuts on TRMNL Records as they reveal their next eagerly awaited EP on the Birmingham based imprint, and one of Holland’s newest hottest exports Marsolo completes the package on remix duties.
One of the main artists at the forefront of Bandcamp’s thriving underground market alongside releases on East End Dub’s Belief, Max Dean’s neXup and Ben Rau’s META to name a few, DXNBY brings his in demand signature garage and underground house crossover sound to the label with two killer cuts. The label has already offered up a plethora of sounds across the underground electronic spectrum with releases from credible names including East End Dubs, Yaya, Djebali, Ray Mono and Samu.l
Title track ‘Ozone’ oozes everything that TRMNL as a brand and the second city champions - warping basslines laid down in a fast-moving fashion for those peak time moments. ‘No Return’ continues the mind-bending journey with cleverly manipulated vocals, skippy drums and hypnotic samples before dropping into another uniquely assembled heavy hitting bassline.
Dutchman Marsolo follows up from impressive EP’s on Prunk’s PIV and East End Dub’s Eastenderz by stepping up with his take on ‘Ozone’ - as the remix takes you into after hours territory with skippy drums and a cutting bassline that creates moments encapsulating the true essence of the underground
This one has been in the works for some time and PDD, in conjunction with Armada Music & BEAT Music Fund, are delighted to announce the return to vinyl for KMS. And what better way to kick things off again with this powerful 4 tracker, gathering some of the most in demand and genre defying tracks from the E-Dancer vaults for the first time on one EP.
Label owner Kevin Saunderson aka The Elevator, is largely credited as one of Detroit Techno’s founding fathers goes by many names, with the E-Dancer signature reserved for his more underground Detroit explorations, which in turn have influenced and spawned many new genres.
Almost 4 decades on, Saunderson remains as relevant as a DJ and producer today, testament to the fact that regardless of the production moniker, no one does it better. This collection of hi-octane floor fillers signals KMS are back with a bang and to ensure the best possible sound for the vinyl, the audio has been lovingly remastered by AIR Studios and their team of celebrated engineers, fully utilising their mastering knowledge.
“The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances,” says Enrico. “The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we're all... interconnected.”
As a producer Enrico Sangiuliano has done it all, from remixes of classics to chart topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds and after 'Can U Feel It' explored the connection between auditory perception and physical sensations with fresh and emotive rave sounds, this new sound impresses once more.
The brilliant 'Interconnection' is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure as trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark and a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level.
Enrico Sangiuliano's Interconnection EP is another essential work from this revered talent.
Released in 1973 on Motown’s label, Share My Love is a richly layered and deeply expressive record that captures Gloria Jones at a creative crossroads. After years working behind the scenes as a songwriter and session vocalist, penning material for The Tams, The Marvellettes, and others, Jones finally takes center stage with a collection that radiates confidence, vulnerability, and undeniable soul.
Known to many for her original 1964 version of “Tainted Love,” later immortalized by Soft Cell, Jones brought to Share My Love a seasoned understanding of both the heartbreak and hope that lie at the core of great soul music.
More than just a product of its time, Share My Love feels like a declaration, a turning point where one of soul’s great, often-overlooked voices stepped into her own light. It remains a moving document of artistic self-assurance and one of the most heartfelt releases to emerge from Motown’s early ’70s era.
Following a breakout year that saw them torch the Sonora Stage at Coachella, storm Europe on the HONEYPAQQ TOUR, and rack up co-signs from Carl Craig, LSDXOXO, Jamie xx, Crystalmess, SHERELLE, TELFAR, Tinashe, Smino, Nia Archives, Earl Sweatshirt, and Denzel Curry, HONEYPAQQ VOL. 1 captures HiTech at their most ambitious: unfiltered, explosive, and impossible to pin down.
Across a stacked track list, the trio bring together the raw DNA of Detroit techno, Chicago house, rap, and punk, honouring the roots of Black electronic music while taking the scene to new global heights. Features include boundary-pushing collaborators like George Riley, ZelooperZ, and Na-Kel Smith, adding warped soul, razor-edge bars, and unruly energy to the HiTech universe and demonstrating how HiTech are the only act straddling underground chaos and mainstage euphoria while unifying global scenes across electronic, rap, and rock in one breathless body of work.
Ilija Rudman makes us thrilled to welcome him to Sosilly Records with this spellbinding new EP, Abracadabra. A visionary Croatian DJ producer based in Zagreb, Ilija has carved his legacy over more than two decades as a driving force in underground disco and house. Founder of Red Music Records and co owner of Imogen Recordings, he’s released over 100 vinyl EPs and 8 studio albums globally, collaborating with legends like Robert Owens, Greg Wilson, Faze Action and Ron Trent—all while maintaining his trademark analogue only, deeply soulful sound.
Drawing on influences from 1970s boogie, Prelude and Salsoul-era disco, Ilija’s music vibrates with warmth and authenticity—a perfect match for Sosilly’s ethos. This EP offers three cuts of pure groove magic:
Backatcha with some sweet, sunshine fuelled Bali business. This time Pantai People send a call out across the ocean to Brooklyn’s finest and Razor-N-Tape royalty Jkriv. In true Jkriv style he packs a punch across four peak-time edits, specially selected for the dancefloor.
From the gospel-tinged, disco house gem ‘Mountain’, to the soaring string laden epicness of ‘The House’ on the A. To the funk fuelled stomper ‘Down Slow’ and Latin loving ‘Terra Amor’, there truly is a cut for everyone on this EP.
Part 2[11,72 €]
“We All Jack” marks the first vinyl release from the Heattraxx label — a true celebration of the Chicago house scene. The original track features a powerful Klassik Mix by K'Alexi Shelby, his second release on the label, a living legend of Chicago house who earned critical acclaim with The Ron Hardy Memo and is now back on the label stronger than ever. The record also includes three heavyweight remixes: Sirus Hood, a longtime friend of the label, talented artist and producer, founder of Mood Child, and deeply connected to the Chicago scene — having produced a documentary featuring interviews with some of the most iconic names in house music; The Checkup, label head of Heattraxx, delivers his deep and driving grooves as seen on labels like Kaoz Theory, Snatch! and House Puff; and Joe Smooth, another legendary Chicago pioneer, known for classic acid house sounds and immortalized by the anthem “Promised Land.” A tribute to house heritage, infused with the spirit of the Windy City in every beat.
The album Miniature I & II by Ko Shin Moon released in 2022 got a repress in limited quantities and a special edition.
Italy’s own L.D.F. makes his debut on Shadow Pressings with a fresh slab of raw, analog funk—pressed strictly to wax and destined for selectors who still worship the turntable altar. With contributions from Detroit icons, Javonntte, Gary Romalis, & European groove architects Tilman & Böhm, the EP threads classic motifs through a modern underground sensibility—never nostalgic, always alive.
"Two-pronged, remix attacks don't come much more exciting and potent than this... as here - thanks to our good friends at Nervous NYC - we're beyond hyped to bring you the legendary Masters At Work and Dave Lee on one single, fully weaponised package.
Putting their own, inimitable spins on Louie Vega's ˙Music Is My Life˙ - which features the unique talents of Unlimited Touch - we're treated to a pair of wonderfully complimentary, but no less idiosyncratic re-rubs from these two stalwarts of the scene.
With a production hand and artistic touch like no other - Masters At Work lead the way here, with their main remix. Characterised by that trademark looseness and deliciously warm, organic approach - their rework is awash with woozy psychedelia and layered so expertly, that getting lost in the music is both gloriously simple and an absolute pleasure. But no true Vega & Dope remix suite, would be complete without a bonafide Dub version. And for ˙Music Is My Life˙ - this sees the dynamite duo take proceedings down a distinctly more mesmeric and mood-laden path… one where the vocal is instead used as a powerful rhythmic weapon, and the star of the show, is a surreptitiously morphing and shape-shifting, delicately acid-laced synth lead.
Next up - having recently switched his attentions to productions under his own namesake - is Z Records' head honcho, Dave Lee. Snapping into life with its crisp and punchy drum work - what Lee's remix does share with that of the Masters is in the over-arching, tripped-out haze which douses proceedings. However - where his remix opts to stick its head well and truly above the parapit, is in it stylistic flavouring. As when it comes to slicing that genre cake, so to split the worlds of Disco and House perfectly down the middle - there's simply no one who does it finer.”
Mario Biondi is a singer and composer, born in Catania, Italy. In 1988 he had an important opportunity as support act to Ray Charles' Italian dates. His love for soul music helped shape his particular vocal styling that takes its cue from great vocalists like Lou Rawls, Al Jarreau and Isacc Hayes. His first big break came in 2004 with the original release of the single "This Is What You Are". Originally planned for release only in Japan, the cool and irresistible song gets noticed by European radio.
Well-known DJ, Norman Jay begins to feature the song on his BBC1 show playlist and Mario's incredible voice crosses the European continent ahead of the artist himself. His album "If shot up the charts and went triple - platinum. 'This Is What You Are' is one of the most important and iconic Italian jazz vocal tracks of the last decade
Revolutionary DJ and producer Matador presents his exciting debut release for Hot Creations Wildside this July. It features two contrasting tracks that stay true to the ethos of the label synonymous with White Isle hedonism.
Wildside opens with spirited percussion of shakers and snare rolls, reverberating into a fuzzy and infectious bassline groove. The playful sample is looped over crazy effects and bright keys, before dropping into a final crescendo that will have feet stomping in unison. Sweet Release retains a classic deep house sound with dreamy chords and lush synth. The track develops with warm sub-bass, piano, arpeggiation and soulful vocals, resulting in a summertime anthem.
Matador has made his mark on the electronic music world since the very beginning, producing a BBC Radio 1 Essential Mix, becoming a brand ambassador for MODEL 1 and featuring in Resident Advisor’s ‘Top 20 Live Acts’ for three years in the early part of his career. In 2016 he launched his label RUKUS, releasing music from emerging and established artists alike. Spanning genres and formats he has made music for Sky TV and British Airways, his vinyl-only series Cyclone is firmly rooted in techno, whilst the stream only album Tuesday presents an exquisite take on ambient. His collaboration with Zurich’s Tonhalle Orchestra again highlighted his dexterity as a truly authentic musician. 2020 sees the launch of Matador’s podcast series focusing on studio gear and featuring interviews with touring artists. His new live performance ‘Live 2.0’ is also forthcoming and will feature hotly anticipated new music.
LIMITED EDITION CLEAR VINYL REPRESS X 300
The iconic Derrick May on absolutely killer form here, "Sinister" is a must have rare Detroit Techno classic, hands down. Originally released on KMS off-shoot Pheerce Citi well over 20+ years ago.
Every track on this EP is essential, this is the sound of Detroit being beamed back at us from the mists of 1988! This records has long been sought after by Techno fans worldwide and is at the top of many peoples want-lists. Now's the chance to own a piece of history.
Buy on sight.
Re-mastered, re-pressed and re-issued in conjunction with Pheerce Citi.
Mr Thing : "Quick story and some background on the 45 of mine that Koco posted yesterday in his stories, some of you know about this but here’s the whole scoop!
Around the time Biz Markie’s second album was coming out Westwood used to play Tribute To Scratching Part 2 using all Jackson’s/Michael Jackson samples - absolutely amazing but never came out for obvious reasons. Fast forward a few years and I’m doing my debut set on the show and I asked about it and if I could get a copy - he was very cool about it but said he couldn’t let me have it, which was fair enough, although he DID play it on the show when it aired when he interviewed me. Fast forward a bit more and the Hot Chillin’ 12” comes out and even that is what sounds like a radio rip pressed on the record.
Zongamin and Mytron reunite on Multi Culti with an album of collaborations. Exploring the depths of leftfield outer nationalism these two mainstays of our global family serve up a colorful array of mind-altering disco and interdimensional dub. Tribal motifs merge with field recordings while synthesized animals call out over exotic hand percussion. Jams on vintage synths meet 8-bit sampling bounced onto spring reverbs and digital delays from the 80s. Started mid-pandemic, this collaboration ignored the surrounding havoc and social distancing, instead focusing on Good Vibes TM and positivity with a genre-defying approach belying trans-continental origins. The result is a playful symbiosis that is Phatter than the sum of its elements. Mytron is Jacek Janiszewski, a pan-European multi-instrumentalist, producer and DJ, born in Poland, raised in Holland and Germany, and now living in London for the best part of a decade, his releases, for labels including XXX, Codek, Bordello A Parigi, Multi Culti, Nein and Les Yeux Orange, herald a similar nomadic spirit. Zongamin, Susumu Mukai is a composer, producer, and illustrator based in London. He has released records on Multi Culti, Flesh Records, XL recordings, Ed Banger, ESP Institute, and AD93, and has remixed for Air, John Cale, Trevor Jackson, Sandro Perri, and others. He is a member of groups Vanishing Twin, V/Z, Holy Tongue, and Stalactite.
Moscow's newly emerging Noots makes debuts with an EP that dissolves genre boundaries. Ambient washes, deep house grooves, jungle echoes and experimental textures coexist in a fluid internal architecture. Field recordings, from the daily hum of Moscow's Preobrazhenskaya Ploshchad metro to a friend's impromptu garage session, weave seamlessly into the music to ground his often abstract compositions in the real world. There is beauty in the green synths of 'Sudden Shift' and a blurry psychedelic edge to the ambient pads of 'Flowing Harmony' while a standout Nookie remix takes things into silky d&b territory.
Kontra-Musik returns with the second release in our ongoing 20-year celebration. After two sold-out releases on the label, Swedish producer PST presents the five-tracker Kognitiv Discodance. The record delivers three house cuts in his unmistakable, warm, classic PST sound, alongside two faster, harder-hitting tracks that push tempo and intensity without ever losing the funk. A limited, hand-stamped, vinyl-only release for the dedicated underground.
Mysterious Bristol based Rali Pibs, carves out 6 stunning tracks, undefinable in the left-field. File under Industrial-Synesthetic-Amnesia. “U Paradise” is a solid mix of atmospheric chugging, primal, bold and abrasive yet textured, rich and full of emotion. Outsider music with a hint of pop edge that is sure enough to make heads twist on the dance-floor (tried and tested). If you don’t believe us stick Shaka on in the club and see what happens. Weirdo music with a cosmic and emotive tinge that we love at the inc.
House royalty unite. Ralphi Rosario’s Chicago pedigree meets Bob Sinclar’s global dancefloor finesse on this uplifting, piano-charged vocal house weapon. A driving 4/4 groove underpins soaring chords and a powerful lead vocal from Donna Blakely, while Lego’s production keeps the low-end tight and club-focused. A great Chicago-classic where Bob Sinclar transformed it into a club weapon with energy, poise, breakdown drama and hands-in-the-air moments.
Big-room soulful house with crossover appeal.
Sam Interface (formerly known as SNØW) returns to the seminal R&S Records following the success of last year’s R&S Presents: More Time Records Vol 1, which was a 4 track compilation featuring Ahadadream, Bala Bala Boyz, Bryte & SNØW.
He is the co-founder of London’s More Time Records, on which he has released much of his own music as SNØW (including collaborations with Zed Bias, Fox, Dread MC & more) and can also be found monthly on Rinse FM and Reprezent Radio playing a range of percussive genres including UK Funky, GQOM, Kuduro, Afrobeats and more.
The name change takes him closer to his first alias Interface, under which he had DnB hits with the likes of DJ Die and more, he explains: “When i first released music back in my early DnB days I used the alias “Interface” and so many people still call me Sam Interface - it feels like the most natural name for me.”
The lead track “Underground” (which samples an announcement from the tube) references a range of London-centric genres, combining polyrhythmic percussion with an extremely upfront bass sound which draws influence from and exxagerates recent drill productions.
“Finally”, a collaboration with an old friend & prolific DnB producer Break follows, bringing frantic motion to the release. The third track “Crud” utilises Sam’s signature gully bass production, flooding the speakers with low end on the drop. The EP wraps up with “Pink Dolphins” - a euphoric dancefloor moment which channels the energy and emotion of jungle, drawing on some of Sam’s earliest rave influences.
These tracks are among my absolute favourites in the realm of house music. Their haunting grooves seamlessly blend into house, techno or even garage sets. Despite being recorded about 30 years ago the sonic quality remains unmatched for its time, embodying the essence of timeless music.
However, I’ve never been entirely satisfied with the sound of the original pressings. The vinyl limited total time length compromised the audio quality. Thus, I’ve long desired to remaster it in my studio and properly cut them, which led to our decision to undertake this endeavour.
I am immensely proud of this release and thrilled to include it in our exquisite collection on Pariter. YA.
These tracks are among my absolute favourites in the realm of house music. Their haunting grooves seamlessly blend into house, techno or even garage sets. Despite being recorded about 30 years ago the sonic quality remains unmatched for its time, embodying the essence of timeless music.
However, I’ve never been entirely satisfied with the sound of the original pressings. The vinyl limited total time length compromised the audio quality. Thus, I’ve long desired to remaster it in my studio and properly cut them, which led to our decision to undertake this endeavour.
I am immensely proud of this release and thrilled to include it in our exquisite collection on Pariter. YA
Since the recent reissue of Sylvia Striplin's one album for Uno Melodic Records, demand has been building again for two of the key tracks back together again on 12' single. Huge on disco, rare groove, two step scenes these track capture the essence of the period of music and genius of producer Roy Ayers. First released in 1980, both tracks became signature tracks for Roy's Uno Melodic label. Sylvia previously sang with Roy at Polydor, sang lead momentarily with Aquarian Dream and one album with Eightes Ladies.
Only vinyl. Limited edition. No digital download.
Walter G & Jay Caruso deliver a warm, groove-led Soulful Disco version of “From East To West”, built for DJ’s who appreciate real disco dynamics. Rolling basslines, bright piano chords and lush strings wrap around an emotive vocal, creating a timeless club-ready moment that bridges classic 70s soul-disco with modern dancefloor aesthetics. Ben Liebrand delivers a classic 12-inch reconstruction rather than a modern nu-disco vibe. It leans into Ben Liebrand’s signature extended format philosophy, letting the groove breathe. His is a rhythm-first reconstruction with crisp percussion, dynamic low-end and long instrumental sections. The vocal sits naturally within the groove, while the arrangement allows DJs space to build, ride and transition with ease. Less modern sheen, more heritage authority, a purist disco tool with timeless floor appeal.
Ultra Knites Records welcomes Mike Sharon for UKR058, a refined and deeply effective 4-track statement shaped for the late-night hours. Subtle in detail, hypnotic in flow, and built with the kind of understated pressure that stays with you long after the record stops spinning. Pressed on 180g black vinyl, Genetica EP fits perfectly into that classy underground space: functional for the floor, but rich enough for close listening. A versatile release for selectors who value precision, atmosphere, and timeless dancefloor design.
A deeply hypnotic and beautifully crafted statement from one of the true masters of subtle groove and atmosphere. Playedby‘s label boss himself, returns to his very own imprint Tripsi Records with a stunning new vinyl release. Pure hypnotic brilliance, essential for selectors, collectors, and lovers of deeply crafted electronic music.
Tripsi Records is more than just a label. It is an audio-visual world created by Cristi Klebleev, where sound and image come from the same hand. Every release features only his own music, accompanied by original artworks painted by Cristi himself on canvas, making each record a fully personal expression, both sonically and visually. A perfect example of why Tripsi Records continues to stand out in a crowded world. Finest mastering and Cut, 180g Vinyl!
From Wisdom Teeth’s recent compilation nagoyaka na kaze / 和やかな風 (quiet wind)—which cast a spotlight on the Japanese city of Nagoya—emerges “2++”, a new label launched by abentis, who curated the compilation alongside Facta and K-LONE as a central figure in the scene. Conceived as a series introducing facets of Nagoya’s underground electronic music to the world on vinyl, its inaugural release is abentis’ debut album, Dim Grow.
Across the album, intricately designed electronic mallet sounds—created using Ableton Live’s physical-modeling synthesizer—take center stage. Fresh and percussive like marimba or kalimba, yet simultaneously carrying an otherworldly, unreal quality, these tones form the core of the record’s sonic identity. In moments of near-silence, a crystalline resonance poised between glass and metal shimmers with subtle shifts in temperature, giving the album its distinctive texture.
While resonating with the sonic sensibilities of fellow Wisdom Teeth affiliates such as K-LONE, Tristan Arp, and Salamanda, abentis’ uniquely strange palette can be traced back to one of his strongest influences: Haruomi Hosono. In particular, Hosono’s mid-’70s tropical-infused solo albums — Tropical Dandy (1975), Bon Voyage Co. (1976), and Paraiso (1978) — serve as a key reference point. Symbolically reflected in Hosono’s marimba and vocal performance at a 1976 live show in Yokohama Chinatown, the marimba functioned as a central instrument for constructing imagined exotic landscapes inspired by Martin Denny and Hawaiian music.
For abentis—who worked at a local jazz bar before becoming active as a hip-hop beatmaker—the language of “tension chords,” a harmonic vocabulary rooted in jazz and R&B that hovers ambiguously between brightness and darkness, forms a consistent grammar throughout Dim Grow.
Behind the album’s core theme of “mallets + tension chords” lies a broad musical lineage: the harmonic sensibility of Claude Debussy, who anticipated the tensions of jazz; the proto-minimalist spirit of Erik Satie; the marimba-centered structures of Steve Reich; their continuation in Japan through Mkwaju Ensemble (with Midori Takada and production by Joe Hisaishi); and the subsequent branches into post-rock, electronica, and ambient music.
Growing up in Nagoya—an industrial city where creative independence is deeply valued—and being rooted in punk and hip-hop counterculture scenes naturally fostered abentis’ affinity with these predecessors. His practice between genres, combined with an encounter with the highly cross-pollinated musical perspective cultivated around Wisdom Teeth, provided the framework through which his own musical language crystallized. Dim Grow stands as the natural culmination of that journey.
It's a great honour to announce this Detroit legend: Alton Miller! Alton needs no introduction. A classy producer for decades, we're more than happy that he sent us some essentials over for his new ep - essentials ya dig! The main track "Where u r" is a deep, emotional and jazzy clubber, just right for some hot summer club action. The flip side offers again top quality with "Hard to lose", which is pure detroit magic and "Give it up", a track that origianlly has been relesed in 2010 and now gets a deep soulful jazzy remix from Boddhi Satva. Essentials ya dig, indeed! And yes, we love that fantastic artwork by Giza One too!
Having transitioned between London, Lisbon and back again as a DJ and producer, as well as across the world as the drummer in beloved pop group, Metronomy, Anna Prior remains an essential and independent force in alternative and electronic music culture. The current epicentre of this creativity is undoubtedly Prior’s own label, Beat Palace. Established in 2021, it has showcased the talent and diversity of FLINTA producers carving an esoteric space within alt-pop and electronic music.
Returning to the imprint for the first time since its inception, Anna Prior utilises this vital platform to refine her own craft across the five-track ‘Firefly’ EP, exploring new moods and styles, balancing playfulness with vulnerability, shadow and light. Prior describes ‘Firefly’ as, “a collection of moments - some fleeting and some stubbornly lingering.... Each track came together almost by accident, but now feels to me like they've always belonged together.”
Lead single ‘True For You’ pulsates with soft euphoria, as Prior weaves softly cascading synths with her own earnest declarations, composing a sensual, sophisticated drama about “letting other people's differing truths sit alongside your own” that nonetheless carries a distinct club energy. In contrast, title track ‘Firefly’, written alongside co-producer Matt Karmil, unfolds as a spoken-word piece, investigating memory, “the tricky mirror that reveals more than it conceals”. Throughout, Prior’s inquisitive, native Yorkshire accent anchors a wide-eyed soundscape that gradually, impressively escalates into the cinematic.
Centerpiece track ‘Silence’ turns this approach inside out, escalating the tempo and revealing a DnB-influenced shade of Prior’s work that is certain to surprise and impress, scattering elegant syllables amongst serious soundsystem pressure as Prior navigates the feeling of being ghosted; by friends, lovers and even her own work. ‘No More Drama’ returns to pop, presenting a bold cover of Mary J. Blige’s classic that inverts the original’s unmatched intensity for a more serene, but no less affecting rendition.
Finally, ‘Beside You’ delivers one last, sublime blend of Prior’s songwriting and sequencing instincts, a simple pop incantation that coaxes dancers into a soft trance while concluding with a reminder from Prior that “amid life’s unanswered calls and fleeting highs, there is always space to feel safe and unjudged.” Concluding this sublime EP, Prior finds new ground to settle into her talents.
We say it’s better to dance on a full stomach. That’s why Snaretrade kicks it’s music-label existence off with a wholesome recipe for a vegetarian pasta. Inspired by, but definitely not an authentic pasta alla carbonara. After that, we use some familiar dance tropes in an attempt to nudge you and your full tummy to the floor. Further Instructions was made after downloading a 5 euro Rhodes sample pack, and Beekkant is named after a Molenbeek Metro station. We’ll let you decide in which musical genre they belong.
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CHRISTIAN NIELSEN is a musician you would not immediately expect to see behind the SPEICHER / KOMPAKT EXTRA crest. We love to surprise your ears and have enjoyed for some time his outsider approach to any genre he chooses to tackle. In particular with 'Hard Times' - a prime-time melodic monster that bridges the right transitions. Right when you need them to.
Berlin via Belgium techno juggernaut LOCKED GROOVE has been on our radar for ages thanks to releases on HOTFLUSH and AFTERLIFE. 'Dawn' is one of those magical tunes that loop along but evolves with every listen. You hold us to it that we think it could be the best set opener 2017 will have to offer. Intricate drums balance well with lush minimalistic melodies.
Our SPEICHER series rapidly heads towards 100. Where it goes, only we know - so savour the flavour while it lasts.
Counrad runs the labels Inwave Inprint and Courad Series. - Previous releases on Inwave and Hopeless - Previous Metroline Limited sold out releases by Nami, Dhaze, Doubtingthomas and East End Dubs.
Inspired by many of the industry's pioneers, such as, Ricardo Villalobos, Masomenos, Marc Antona, Rhadoo, Seuil, Cabanne, Petre Inspirescu and Danny Tenaglia, to name but a few, Counrad has been strongly influenced by deep and meaningful techno, since he began his plight in the industry. Music has always been at the forefront, for this Italian DJ/producer , and the Inwave and Counrad Series labels boss relishes the challenge of crafting techno that reveals itself gradually to the more discerning listener, fusing a multitude of grooves from contrasting musical styles, with a combination of sexy rhythms, subtle textures and emotive melodies. In this first release for Metroline Limited, Counrad showcases the full spectrum of his versatile production skills. The title track Underwater is a full on 15 minutes epic chunky minimal monster that just keeps on building. This amazing piece of work takes the listener on a journey that starts with hypnotic minimalism and finishes with some intricate trippy techno. On the flipside you can find the dark and percussive peak time tech-house grooves of Particle Collsisions and some uber-cool modern machine funk minimalism in the shape of the closing track Synapse.
Any moment can crash your emotional state of mind. You are looking for help. You can’t find it with-inside of you. A Diamond shines twice a day. The night can be day and vice versa. We love you, no doubt. Our friends love you too. Do you love yourself? A Zebra is not a unicorn but is still unique. Who are you to tell us We can’t do it? EUPHORIC SPIRITS EUPHORIC SPIRITS Women are strong and full of love and positive energy. This life is a gift and you should genuinely use it. Read a book. Internet TV connects your brain to something not valid; remember that. We still love you. You are beautiful. Come with us to hidden spheres and find your inner voice. Shock, Projection, Ideals, Sorrow, Disaster, Fundamental, Weak, Strong, More, Less.
We love you. Follow us to the planet of our inner fears, and we do magic. It will become another planet. Together forever. We love you.
DC Salas’s second EP indeed is a tale of beautiful feelings: After his last year’s debut EP on Live At Robert Johnson called The Complicated Art of Dreaming, this fresh four tracker is a proof to his creative continuity.
A1 Did They Listen rhythmic structure banks on a pounding and effective combination of bassdrum, conga and cowbell, joined by a mildly distorted bass line figure, which embeds itself in a panoramic soundscape. A2 Beautiful Feelings introduces a remarkable striking sawtooth sequence, with repeated filtered and resonating variations, alternating throughout the track. On the flipside, B1 Within employs yet another bubbly bassline, keeping the soundscape wide-open to retain enough sonic space for that eerie, yet highly energetic Cosmic Disco touch. B2 Liquid Perception signature is a liquid acid bassline introduced in the second part of the track, perfectly befitting its track title. All tracks of this monolithic EP, thanks to its consistent approach to sound design, could easily be mixed subsequently with each others.
DC Salas is thirtysomething year old Diego Cortez Salas, a skilled talent with peruvian origins hailing from Brussels. A regular DJ at C12 and Kiosk Radio both in Brussels, Diego also co-runs Biologic Records with his mate Abstraxion since 2014.
Brussel's beat smith DC SALAS is back on the block - the Robert Johnson block that is! His 3rd release for LIVE AT ROBERT JOHNSON is also his 20th official release so far - so we have two things to celebrate spread over Diego Cortez Salas' powerful four-tracks EP called »Voces«.
Let's start with the title track: »Voces« is a call to alarm right from the beginning with its stabbing synth bass line and sirens. Add a couple of drum breaks and a heavy beat - et voilà: You have the first of four tunes to jump up and down to. Et oui, Salas surely knows how to build tension in a track - even in a voiceless track named »Voces«.
Next up is »The Lights« - and oh boy does Salas turn them on! These are quite trippy lights with a sound that could easily come from a twisted didgeridoo … The beat of »The Lights« is (of course) groovy as f*** - excuse our French. So let's turn on »The Lights«!
B-side opener »Metallic Glow« does just that: The track glows in bright metallic from the first second and features plenty of crazy sounds to do a crazy dance. Did we mention the groove? No? Well … just listen.
For »Safe Pace« Diego pulls out beautiful percussive elements and the 303 thus surfing on a not-so-safe pace to be honest: The last track of »Voces« is as fast and demanding as all the others.
DC Salas again managed to build four really solid stompers here to set any dancefloor on fire - without using any voice or vocal - these are REALLY SERIOUS SOUNDS you all should listen and dance to. NOW.
French duo Froid Dub keeps twisting its slow-motion dub DNA and hits hard with the release of Positive and Natural on Delodio— instant classic that grabs you from the very first spin with its “minimal maximal” drive. Hypnotic and raw, this eight-track manifesto glides across the holy trinity: 808, 303 and tape delays—colliding true-school dub synths, club culture and experimental twists. A masterclass of a record that flaunts its roots and stays deeply personal. Froid Dub once again proves its singular talent for pumping up a dance floor at an average of 85 BPM.
Gusgus are continuing their weird fusion of 80’s and 90’s vibes in the spirit of their last album DanceOrama. This time its nostalgic futuristic raving, delivering 2 nasty bits for those Dj’s bringing stranger journeys on floor, or some madness when the crowd is vulnerable for some alter reality experience.
here may still be electronic music artists in this age of overflow and convenience who follow their own artistic vision regardless of what attention it might bring, if any. With an output that shows individualism, ideas and a signature sound. An ongoing creative process, uncompromising and adventurous, even eccentric, with results of consistent quality and determination. Dennis Busch aka James Din A4 is an archetypical example for this type of artist. He flooded the scene with releases in the 00s with numerous monikers, mostly on his own Esel imprint, and they were all great. On the outside you had his singular artworks (he is also a very accomplished collage artist) and quirkily humorous titles, and on the inside you had his music, also seemingly informed by a collage approach (only with samples), managing to sound focussed and out of focus, often at the same time. If you listen to a James Din A4 track it probably is simultaneously playful and disciplined. Anything can happen, and a lot if it actually does.
For quite some years, music releases by James Din A 4 were scarce. Jan Jelinek, an ardent fan, re-interpreted some of his favourites from the vast back catalogue as an album in 2014, then ten years later the album „Ins Licht“ appeared, and it quite nonchalantly continued what seemed to have stopped, right on the same level of greatness. And now we know that it still continues, as the label Live At Robert Johnson releases the new album „Never Look Back“. Its title should not be taken too literally, as all the trademarks of his musical legacy are perfectly intact. You will find the light and air that seems to seep through the sounds, the frisky structural details, the jolly melodies, the subtle deepness, the minimalistic yet not too strict grooves.
But do not be mistaken, this album is not looking back too much, of course. After all, this is music that is still evolving. Let’s hope for more glimpses of James Din A4‘s special and spacious world, they are ever
needed.
Krystian Shek & Milly James return with Never Ending on Cinta Gara, and it feels like a natural next step after the beautiful impact they made with their standout Greyscale release, a record that firmly positioned them in the deeper, more immersive corner of dub-driven electronic music. With Never Ending, the duo continue to refine that signature feeling: warm, hypnotic, deeply musical, and full of emotion. This is music that moves with patience and confidence, rooted in dub house, but carried by a timeless house sensibility that makes it equally powerful at home, in the club, or in those early-morning moments when everything locks in.
Informed by a highly influential early 1980s electronic music classic, the title track literally mind-sets the theme of Llewellyn’s latest release, kicking off with a euphoric vibe and drums shimmering with digital artifacts. At times almost dreamy cinematic pads, upfront with energetic Moroder-esque propelling bass lines, are the sound signatures of Llewellyn’s journey through a warm and synthesizer laden EP, reviving the sound aesthetics of both the post-discoid VHS and today’s club era with a contemporary touch. Finishing off with a laid-back facet, this four track EP contains enough warmth and drive to get you safely through the cold months, into a warm and promising future.
Llewellyn is one of Martin Enke’s producer’s monikers, who is closely associated with the Riotvan crew and also known as Lake People. Past releases can be found on labels like Riotvan, Uncanny Valley, Permanent Vacation, Mule Musiq and others.
