House Новости

“Rhythm is a dancer
It‘s a soul‘s companion
You can feel it everywhere
Lift your hands and voices
Free your mind and join us
You can feel it in the air”

Who does not remember the legendary lyrics? The synth sounds, the drum echoes, the pumping beat and the vocals starting with „Rhythm Is A Dancer“?

On March 30th, in 1992, German Eurodance act Snap! released the single „Rhythm Is A Dancer“, which soon turned out to be a worldwide hit, charting on #1 in several countries across the world. The track had been originally released as part of the platinum long-player „The Madman‘s Return“ on March 24th. With their iconic single Snap! ultimately started the Eurodance wave and created a hype which continues to this day.

Celebrating 30 years the 30th Anniversary 10“ EP „Rhythm Is A Dancer“ will be released on a limited, sun yellow vinyl (45 rpm) on June 3rd 2022 including the hit 7” edits Rhythm Is A Dancer, Exterminate, The Power and Ooops up.

Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on LP/CD/MC and DCC.

House hero Miguel Campbell releases he debut single on the ever-consistent Hot Creations imprint. ‘Baby I Got it’ - a mouth-watering mix of sexy disco-tinged house cuts with a dose of murky business from Richie Ahmed in the remix.

Kicking off the EP, title track ‘Baby I Got It’ is a teasing disco-house work-out full of funky bass, and shimmering, cosmic streaks. Miguel’s retro bounce, richly weaved instrumentals and down-low b-line make ‘Baby I Got It’ a compelling introduction to Miguel’s future facing disco strut.

Next up, ‘Something Special’ flaunts a sultry R’n’B vocal infused with a garagey housevibe. Set against a glitterball backdrop, the velvet ripple of “Something special sexy wonderful” coursing through the tide of funk-laden disco grooves just oozes soul and sex appeal.

On remix duty, Richy Ahmed brings a dark and dirty edge to ‘Baby I Got It’. Drivenby a chugging, druggy groove and warped distorted melody, this is moody tech built for the after hours. A Hot Natured resident, and part of the British House renaissance, Richy is cutting through the hype and proving himself to be a truly gifted party-starter behind the decks and in the studio.

When first released back in 2000, Tourist was a global success, selling over four million albums worldwide. It was Ludovic Navarre’s (aka. St Germain) third studio album which really transformed his career into superstardom; combining elements of house and nu jazz to produce an impeccable album to chill out to. The album continues to be hugely popular to this day, with the critically acclaimed Jorja Smith doing a cover of Rose Rouge earlier this year.

To celebrate the 20th anniversary of his Tourist album, Ludovic Navarre aka St Germain has invited UK, South Africa, USA, Reunion Island and France producers, DJs and remixers with various musical inspirations, from Deep House to Afro House and Chicago House.

He declares: “I would like to thank all the people I asked to travel through their favorite Tourist album track. Some of them worked on my last Africa-in- spired album in 2015, like my dear friend Atjazz, who helped me a lot on this new project, and also Terry Laird Dj Deep and Traumer. I don’t haveto introduce highly respected newcomers such as Nightmares On Wax ,Jovonn, Ron Trent, Black Motion, Osunlade and Jullian Gomes. I truly enjoy their passion for music, their personality and musical integrity. I know they’ve got soul!”

Repress

Clear Vinyl

A long-awaited vinyl-only sampler showcases some of the most seminal and vanguard recordings from one of the finest minds behind the American electro and Miami bass scene. The four tracks listed here are all original recordings from 1984-85 fully licensed by the author himself James McCauley and accurately remastered via Omaggio Records. Thirty-five years later, its still the case to say: "Welcome to the Future".

Running Back introduce a very important Mastermix /Mastercompilation 2LP GATEFOLD+ 24Pg BOOKLET) project centering around FRONT,

a legendary piece of german club culture and their music.

Eponymous Resident DJ´s Klaus Stockhausen and the later on globally known Boris Dlugosch and Running Back take a close look back at that Time, guide you through the early beginnings and absolute key moments on (House Music) Club Culture.
37 (!) legendary Tracks - many of which have not been on sale forever and a day - that mark the masterclass sound of that Era and could be an essential start or - end - point to any great collection. In Addition , the - stunning - Mixing brings back the "Front" itself and must be heard by old and , most of all, new fans , all over.

amburg's Front club was already the stuff of legend, when it was still open. When I was teenager on the outskirts of Frankfurt in the very early nineties - and before the name Klaus Stockhausen rang a bell - Boris Dlugosch was not only at the helm of said club, but also one of Germany's finest purveyors of house music. Front was his home as well as the playground for a colourful bunch of club kids from all walks of life. Its roots went back to the eighties as a gay club and it branched out to anyone who couldn't - even dance straight '. 
The rumours about this club were strong enough to get people like Playhouse's Ata on a road trip and have youngsters like me fantasizing about it. The musical menu during that time was the monster house sound from the US and the UK that rotated deepness with hysteric glamour.  
Of course, Front's sound was finely nuanced. Boris Dlugosch learned his craft from Klaus Stockhausen, who stopped his DJ career in 1992 (because - as he told me in an interview about ten years later - - every Bratwurst wanted to be a DJ all of a sudden') to pursue a career as fashion editor and stylist.  Stockhausen's thing as a resident (which actually meant to play at ONE club EVERY week during that time), was a mixture between electro, US-American R&B, British street soul, new wave and the emerging house sound. If you manage to dig up old recordings on the internet (a musical diet I lived on for a few years), there are striking similarities to the way classic US-American DJ would play, while adding a fierce uniqueness that won't let it pale in comparison. On the contrary, the sound of Front is one of the most interesting, you will ever lend your ears, too. 
So, why a Front mix and compilation 21 years after the club closed its doors On the one hand, because it's story hasn't been told yet and it's worth telling. On the other one, German clubs like Robert Johnson or Berghain - as divergent as they might are - both resemblance Front's spirit, diversity and musical open mindedness. And finally, because dancing is still fun.
Even, if putting a compilation like together this took over one year in the making, is peppered with licensing horrors and other obstacles to dreadful to share them here, we are happy to have it done. Spread over a double-CD and two compilation LPs that are mainly chronological, Klaus Stockhausen and Boris Dlugosch picked and mixed some of the club's most cherished records and sweetest moments. This is the sound of Front. And even, if I was never able to move my feet on its dance floor, I for one would be a very different DJ without it. I hope you enjoy it as much as I do. 
 
Gerd Janson

The world of dance music 25 years ago was a very different place from the one we now inhabit. Rave had transitioned through Hardcore into Drum & Bass whilst UK Garage was brewing nicely and the UK pop charts were full of underground dance records. Meanwhile, the likes of Mo Wax, Ninjatune and Compost were pushing away from the dancefloors, introducing blunted beats, jazz-fusion sonics and a whole new movement to electronic music. It was into this atmosphere that Freerange was born, a UK label that reaches its quarter-century this year. At the helm over the last 25 years has been the partnership of childhood friends Tom Roberts and Jamie ‘Jimpster’ Odell.

It’s been a long and eventful journey, from an era of 56k modems, faxed reaction reports and when DJs still bought actual records, Freerange has weathered many storms and sailed through some of the most revolutionary changes to hit the music industry. Through those 25 years, and like the proverbial comforting sound of Bob Ross’ voice, Jimpster’s own music and those artists he releases through the label remain a constantly reliable, not to mention dance floor-smashing presence through the ups and downs of the house music continuum.

This Anthology brings together some of Jimpster’s finest productions across two double pack vinyl LPs from the preceding two and a half decades, showcasing his detailed approach to production and proving why he continues to thrive in the current scene, continuing to be held in high regard by many of the founding fathers of house music and young up and coming producers alike.

The comp kicks off with the absolute dance floor fire of 2008’s ‘Dangly Panther’, a simple combo of some keys, some beats, some FX and a jazzy sample, but executed with such class and confidence that it became a deep house staple. ‘Seventh Wave’ first appeared in 2006 as part of Jimpster’s ‘Amour’ album. It’s a bit deeper, a bit techier and with a few more bleeps and plenty of that characteristic Jimpster heft and weight: proper 3 am business. ‘Don’t Push It’, features some of finest percussion you’ll hear on a contemporary house record, gorgeous strings and that indefinable something that Jimpster brings to all his records, that raise them above being a collection of pads, keys, beats and bass into compositions with longevity that you can dig out and play ten years after release and they still slay.

In some ways, this collection is a record of developments in UK Deep House as Jimpster slowly refined his sound over the years, continually reinventing the 4/4 template, creating new sounds, fresh chord progressions and original audio ideas, all geared towards creating memorable dance floor moments. He’s perfected a UK version of the sublime anticipation that is at the heart of the very best Deep House, that sense of sitting on the very edge of ecstasy, creating tracks that wonderfully stretch out those blissful moments.

What also becomes clear from listening through this compilation is the variety of styles and moods he’s bought to his releases. 2009’s ‘Sleeper’ for example is sleek, driving and futurist while 2018’s ‘Curve’ almost glows with a sun-kissed warmth. ‘Can’t Stop Loving’ from 2012’s ‘These Times’ EP is another tough jam, with its twisted vocal sample and prominent kick working in perfect sync with a set of classic Jimpster arms-in-the-air chords and wonderfully squelching bassline, an exercise in confident production. Meanwhile, the beguiling ‘Rollergirl’ has hints of EBM in its rigid sequenced bassline and epic pads.

Bringing us bang up to date is last year’s anthem-in-waiting ‘One’ featuring Casamena, a ticking time bomb of a track just yearning for a packed dance floor to go off in. Also included is the magnificent ‘English Rose’ featuring some of the tightest beats ever put on wax and its vocal-pads that are haunted by the ghost of ‘Blue Monday’. Ben Watt’s Buzzin Fly label was home to 2006’s ‘Square Up’, seven and a half minutes of gorgeous chords getting thoroughly rinsed out through a series of subtle peaks and troughs, Deep House heaven. In contrast, we’ve also included 2018’s absolute monster ‘Burning Up’, a taste of the tougher side of Jimpster’s production and a track 100% guaranteed to take the roof off every time. Likewise, his ‘A Love Like This’ is another crisp and highly efficient underground anthem. The album finishes on the almost-psychedelic sonic-soul treat ‘The Sun Comes Up’ featuring vocalist Jinadu, taken from the peerless ‘Silent Stars album.

In addition to Volumes One and Two, there is also a third (digital only) volume containing a selection of Jimpster’s more downtempo gems for the more horizontal moments.
Jimpster has become a watchword in house music for a particular kind of Deep House depth, warmth and groove, a reliable source of utterly solid dance floor jams, his production schedule a conveyor belt of high-quality sonic bombs, loved by DJs and punters alike. Here’s to another quarter of a century of Jimpster's music.

Steve O'Sullivan's work as Bluetrain ranks amongst the finest distillations of sleek techno minimalism and spatial dubwise sonics. As part of Sushitech's 15th anniversary celebrations, they're doing us all a massive favour by revisiting their comprehensive compilation of the finest Bluetrain joints, replete with a tasty coloured vinyl pressing this time around. The tracks are beyond sublime, riding steadfast, understated grooves, which underpin beautifully sculpted, metallic chord clusters that sink in easy but run deep. If you need a dependable clutch of stellar dub-tech-house workouts to suit full-immersion DJ sets, this essential double pack will keep you trucking long into the morning.

It's the platform for most past, present and future productions from Frederick Schmid and we can tell you - the Vaults are endless!

We'll start with Fred Fresh ‎– Feelin' Mighty Fresh from 1996!

Running Back & Dusky proudly present Life Signs Vol. 1. The band that brought you the fabulous remix for KiNk’s „Perth“ lavishly donate a whole EP to Running Back. And it has all the classic trademark sounds we cherish them for: British bass science applied on classic house tropes, breakbeats underpin transcendent melodies, IDM meets UKG. The sounds of Guerilla records, Northern Exposure and the mash-up aesthetics of early Rage parties all echo through the ranks. All of it expertly executed and as much fun to listen to as to play it out. But handing the microphone over to the band themselves:
„Boris Borrison’s Trip To Morrisons: An Italo inspired bassline meets Belgian rave vibes via a British supermarket chain. Who is Boris Borrison? Perhaps we’ll never know. Some say he’s still wandering around in the freezer aisle to this very day.
Lea Valley is a homage to the area in London along the river Lea, home to a mix of nature reserves and industrial warehouses and wasteland, historically famous for illegal parties. The area was a regular haunt in our teenage raving days.
Static: A warm wash of melancholic euphoria in which to submerge. Inspired by classic electronica and the melodic techno of early Autechre and Aphex.“

RAWAX welcomes Thomas barnett to the family! It was more than about time to invite this great artists to our label. We are very happy to present you a great treasure from the past back on vinyl. It's the "Foundation Series Volume One". Originally released in 1997 on Visillusion Records, Detroit.

Producer Frank Farian, the man behind Boney M and Milli Vanilli, rolled out his ‘90s equivalent, La Bouche, in 1995. The German based Eurodance duo La Bouche featured vocalist Melanie Thornton and rapper Lane McCray. They gained international success in 1995 when the hit single “Be My Lover” reached the top of the charts. In that same year they released their debut album Sweet Dreams featuring the singles “Fallin’ In Love” and “I Love To Love”.

Greatest Hits of La Bouche is available on vinyl for the first time and is released as a limited edition of 500 individually numbered copies on gold coloured vinyl. The package contains an insert with credits.

Repress

Round two of Classic Todd Terry tracks reworked by Shan & Gerd Janson!

Incredible, stone cold classic house music from the mighty Wayne Gardiner, a truly underrated producer whose output has remained evergreen over the decades and is definite deep house royalty. 'Moments In House' is from 1990, unbelievable really when you hear how fresh it sounds today. The clue is in the title, this is a killer version of Art Of Noise's seminal 'Moments In Love', a landmark record in itself. Gardiner pays tribute to the Art with his stripped, funky and driving use of their infamous pads and tones, a nod to the NYC / NJ clubs where records such as 'Moments In Love' would have been deemed the classics of the day. 'Just A Touch' is on the flip, a beautifully deep and bassline driven cut that evokes the spirit of Larry Heard, but doesn't borrow too heavily from him while carving out it's own late night sonic niche. One for the dancers and the lovers of the deepness. It's hard to top records like this, from the dawn of house music's golden age, innocent and uncomplicated yet oozing with soul and depth. There aren't many out there like Mr. Gardiner. Untampered with and re-presented in it's original 1990 form with original Strictly label artwork, you need this! Essential.

Finally, the long awaited follow up to DJ Duke's house classic "Old Skool Deep Sampler Vol 1, which featured homages to Marshall Jefferson (Jefferson), Fingers Inc (Fingers), Larry Heard (Heard) and Ron Trent (Trent). This follow up E.P. (Vol. 2) features another string of worthwhile homages to the late Frankie Knuckles (Knuckles), Farley Jackmaster Funk (Farley), Chip E (Chip E.xtacy) and Boyd Jarvis (Jarvis).

Duke has always respected the pioneers that created the house/club scene and set the grounds for what's become of the biggest music crazes in the world. For example, Boyd Jarvis used to play live on air with Timmy Regisford on NYC radio station 107.5 WBLS using drum machines for the beats and then play keys on top of it. Duke tried to keep the tracks as close to the feeling of these pioneers, selecting the right drum machines, sounds, and overall vibe, but still keep the tracks fresh and not derivative.

Dj Duke Presents Underground Attorney - Nothing Stays.
This High Demanded Re-issue Comes In January 2019 - Don't Miss!

HESITATION return with a heartfelt take on the Christmas record. A gift of seven traditional pieces fed through a brandy-oiled machine of analogue synthesizers and robotically assisted singing, festooned with wayward horns and primitive sprigs of guitar recorded in a conservatory in Dorchester.

The emotional hit of the results - from the deconstructed Macca synth and plucked harmonics of 'Good King Wenceslas', to the zero gravity glacial cloud that forms 'Once in Royal David's City' - is undeniable. Think John Fahey and Beefheart pulling an augmented reality wishbone, and you're halfway there.

Recommended if you like CS + Kreme, Zappa, Colleen.

After being dorment for quite some time the Clone Club Series returns with some classic House tunes! None other than the legendary Chicago singer/producer Paris Brightledge and house music royalties, Kâ??Alexi Shelby, Marshall Jefferson, Eric Kupper, Hula Mahone and Robert Bond bringing some true House Music on his â??Deep in My soulâ?Â� EP. Paris lays down his distinctive vocal style for the tracks, while collaborating with fellow Chicago natives who each give their fine touch to the release. Essential!

The world of dance music 25 years ago was a very different place from the one we now inhabit. Rave had transitioned through Hardcore into Drum & Bass whilst UK Garage was brewing nicely and the UK pop charts were full of underground dance records. Meanwhile, the likes of Mo Wax, Ninjatune and Compost were pushing away from the dancefloors, introducing blunted beats, jazz-fusion sonics and a whole new movement to electronic music. It was into this atmosphere that Freerange was born, a UK label that reaches its quarter-century this year. At the helm over the last 25 years has been the partnership of childhood friends Tom Roberts and Jamie ‘Jimpster’ Odell.

It’s been a long and eventful journey, from an era of 56k modems, faxed reaction reports and when DJs still bought actual records, Freerange has weathered many storms and sailed through some of the most revolutionary changes to hit the music industry. Through those 25 years, and like the proverbial comforting sound of Bob Ross’ voice, Jimpster’s own music and those artists he releases through the label remain a constantly reliable, not to mention dance floor-smashing presence through the ups and downs of the house music continuum.

This Anthology brings together some of Jimpster’s finest productions across two double pack vinyl LPs from the preceding two and a half decades, showcasing his detailed approach to production and proving why he continues to thrive in the current scene, continuing to be held in high regard by many of the founding fathers of house music and young up and coming producers alike.

The comp kicks off with the absolute dance floor fire of 2008’s ‘Dangly Panther’, a simple combo of some keys, some beats, some FX and a jazzy sample, but executed with such class and confidence that it became a deep house staple. ‘Seventh Wave’ first appeared in 2006 as part of Jimpster’s ‘Amour’ album. It’s a bit deeper, a bit techier and with a few more bleeps and plenty of that characteristic Jimpster heft and weight: proper 3 am business. ‘Don’t Push It’, features some of finest percussion you’ll hear on a contemporary house record, gorgeous strings and that indefinable something that Jimpster brings to all his records, that raise them above being a collection of pads, keys, beats and bass into compositions with longevity that you can dig out and play ten years after release and they still slay.

In some ways, this collection is a record of developments in UK Deep House as Jimpster slowly refined his sound over the years, continually reinventing the 4/4 template, creating new sounds, fresh chord progressions and original audio ideas, all geared towards creating memorable dance floor moments. He’s perfected a UK version of the sublime anticipation that is at the heart of the very best Deep House, that sense of sitting on the very edge of ecstasy, creating tracks that wonderfully stretch out those blissful moments.

What also becomes clear from listening through this compilation is the variety of styles and moods he’s bought to his releases. 2009’s ‘Sleeper’ for example is sleek, driving and futurist while 2018’s ‘Curve’ almost glows with a sun-kissed warmth. ‘Can’t Stop Loving’ from 2012’s ‘These Times’ EP is another tough jam, with its twisted vocal sample and prominent kick working in perfect sync with a set of classic Jimpster arms-in-the-air chords and wonderfully squelching bassline, an exercise in confident production. Meanwhile, the beguiling ‘Rollergirl’ has hints of EBM in its rigid sequenced bassline and epic pads.

Bringing us bang up to date is last year’s anthem-in-waiting ‘One’ featuring Casamena, a ticking time bomb of a track just yearning for a packed dance floor to go off in. Also included is the magnificent ‘English Rose’ featuring some of the tightest beats ever put on wax and its vocal-pads that are haunted by the ghost of ‘Blue Monday’. Ben Watt’s Buzzin Fly label was home to 2006’s ‘Square Up’, seven and a half minutes of gorgeous chords getting thoroughly rinsed out through a series of subtle peaks and troughs, Deep House heaven. In contrast, we’ve also included 2018’s absolute monster ‘Burning Up’, a taste of the tougher side of Jimpster’s production and a track 100% guaranteed to take the roof off every time. Likewise, his ‘A Love Like This’ is another crisp and highly efficient underground anthem. The album finishes on the almost-psychedelic sonic-soul treat ‘The Sun Comes Up’ featuring vocalist Jinadu, taken from the peerless ‘Silent Stars album.

In addition to Volumes One and Two, there is also a third (digital only) volume containing a selection of Jimpster’s more downtempo gems for the more horizontal moments.
Jimpster has become a watchword in house music for a particular kind of Deep House depth, warmth and groove, a reliable source of utterly solid dance floor jams, his production schedule a conveyor belt of high-quality sonic bombs, loved by DJs and punters alike. Here’s to another quarter of a century of Jimpster's music.

Limited edition remastered, originally released on F Communications 2004. A beautiful release for the French label here provided by a man that very rarely puts a foot wrong. - RA review (4.5/5)

The brilliant Jori Hulkkonen returns to the French based F Communications to help the label celebrate 10 years in this volatile industry by gracing them with 2 original productions of his own in his A Letter From Cardassia EP. Expect trademark quality house that Jori has become famously known for in his years of producing.

First up on the EP is Fermi Paradox. Retro at its finest, the track features some very nice crisp drum patterns and a bouncy baseline to get very excited about. As the track builds, the baseline forms into a bouncing retro synths, accompanies by fantastically produced drums and percussion. Funky house with a electro and techy edge, it really must be heard to understand the appeal!

On the flip is the Live Version of 7 Strange, 7 Faith. The beats are quirky, and the baselines bouncy in this production that is just as impressive as the tasty a-side. A brilliant groove is created by the low end sounds, and also by the beautiful string patterns that ride the track for the majority of the record. A quirky vocal line doesn’t harm its allure in a track that increases in emotion as it progresses.

A beautiful release for the French label here provided by a man that very rarely puts a foot wrong.

A double-LP comp of timeless techno gems including Jaydee 'Plastic Dreams', Laurent Garnier 'Crispy Bacon' and Ame 'Rej'.

typische minimale kölntracks !!!

Das Marek Hemmann seinen ganz persönlich geformten Stil entwickelt hat ist unbestritten. Nun geht er einen Schritt weiter in Richtung Song statt Track. Mit den bisherigen Erfolgen im Rücken, schafft er es mit einer
Unbeschwertheit seine eigene Marke zu festigen und weiter zu entwickeln.

The milestone of French electronic music
25th anniversary edition
Only available on physical format, NO digital release
Remastered version of the classic album " Pansoul " by French legends Philippe Zdar & Etienne de Crécy aka MOTORBASS
Originally released in 1996

- Limited Ten Year Edition
- 180G Black Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut for superior sound
- Download Code

- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's

It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.

What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on crystal clear vinyl to the let glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.

While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.

Stewart S. Walker's genuine techno works from his late 90's EP 'Abstract Symbols Of Decadence'. The extended version of 'It's Process Not Substance' brilliantly brings the best out of monotonity and rawness, while 'Something For You' keeps the release balanced with its warm and mellow vibe.

Dutch duo Lars Dales and Maarten Smeets, better known as Dam Swindle, are the latest in a line of decorated contemporary producers taking on rework duties for legendary New York disco label, Salsoul Records. Comprised of four tracks split into two volumes, the pair provide fresh takes on a number of Salsoul hits, including the classic ‘Let No Man Put Asunder’ by First Choice and Double Exposure’s ‘Everyman’. There’s some funky edits of tracks by Kebekelektrik and Kongas, wrapping up an essential Reworks package courtesy of one dance music’s premier acts.

Limited edition 12's - hand-numbered - and dedicated to the 1984 Long Version of the famous hit 'Kalimba De Luna' by
Tony Esposito. Enriched by two remixes by the magical Italian duo Hear & Now.
On Tony's Tamborder: You are also an instrument maker: you created the Tamborder - how do you create an instrument? Where did the idea of creating an instrument that creates sound come
from?
Tony: Every gesture always hides a basic culture. I come from the art academy, from drawing. A person that comes from drawing, from painting, clearly comes from an impact with colour. I turn to music first with a colourist aspect, that is, the music for me
is in color; for me the combination of colours is fundamental. When I go to Africa, I see that there are coloured things... I used to say: I play the drums, everyone's drums, but what is my drum? So I thought of combining a bit of modern electronics with what is instead the sound of Africa and the Tamborder was born - which means frontier drum.
An instrument was born over the years, perfected but unique. I made Kalimba's notes with that instrument, I can make a complete composition with that instrument. I have been to America to do music therapy and to universities to show this instrument. It was born like this, by chance, I can't tell you how the path went, it was magically born from a mistake. I was looking for something, on my own I was trying to mix crazy combinations and this unique sound was born.
Archeo Recordings is a re-issue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70's, 80's and 90's.
All releases are licensed, audio tracks re-mastered in their original form, and sleeves re-created for today but all based on the original images. Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.

Repress

One of the most valuable records of the entire House and Techno scene, certainly one of the most deserving of an official reissue, as was the original mix. Finally it comes via the new Italian label 'La Bella Di Notte' courtesy of
Franco Falsini, founder of Interactive Test and Marco Febbraro, music consultant at Strictly Groove.

Repress

Remastered reissue of the classic Sunbeam and Fictional Frequency tracks by Duplex. Previously released on the now defunct Frantic Flowers label.

White Vinyl Repress

Renaissance recruit Tale of Us for the second the second edition of their quarterly-century celebrations.With the first release in this series occupying #1 status for 6 weeks last summer, Renaissance are back with the second instalment of their 25th Anniversary 'The Remix Collection' project. For the follow-up to Solomun's immense reworking of Age Of Love, Renaissance have bagged more Techno royalty in the shape of Italian duo Tale Of Us, to take on the huge task of remixing another iconic 90's classic.The track in question is the legendary 'Café Del Mar' by the 90's trance project, Energy 52. Much alike the previous remix by Solomun, it seems Tale Of Us also have their work cut out for them, as this track has had no shortage of remixes over the years. However, the popularity of 'Café Del Mar' is not simply reflected through its remix roster. Named after the iconic bar at the heart of the Ibiza clubbing scene, it was the soundtrack to the rave-culture movie, 'Human Traffic' in 1999. In addition to this 'Café Del Mar' later went on to be voted #1 in MixMag's 2001 '500 Best Tracks Ever' list.With this second remix, Tale of Us take the classic elements that made Café Del Mar such a huge track in the 90's, bringing them into the present-day with big licks of bass and a huge crescendo. Carrying forward the focus of the series, this remix refreshes the iconic track for a new generation of listeners. Undoubtedly, as with the original, it is sure to be the soundtrack of Ibiza this summer.With the first release in this series occupying Beatport #1 status for 6 weeks last summer, Renaissance are back with the second instalment of their 25th Anniversary 'The Remix Collection' project. For the follow-up to Solomun's immense reworking of Age Of Love, Renaissance have bagged more Techno royalty in the shape of Italian duo Tale Of Us, to take on the huge task of remixing another iconic 90's classic.

Curated By Time is back with another classic reissue!

Originally released in 1998 on Mark Ambrose's own Crayon label, it brings 3 spacey tech house cuts from the man himself, under his Skymaster moniker.

classic !

Thomas P. Heckmann's 30th Anniversary Special Edition !

LTD Splatter Repress !

Original released in 1999

the megaclassic. be fast to secure your copys!

Superpitcher is Aksel Schaufler who is resident DJ at the legendary Total Confusion club night at Cologne’s Studio 672 alongside Michael Mayer and Tobias Thomas. After his storming contribution for Speicher 1 and a remix for Contriva's club hit 'Monika' which became one of the hottest moments during the last cold winter nights he presents his beautiful debut 'Heroin'. Kompakt is his work place, technopop his mission - watch out - you' ll get addicted!

Superpitcher ist Aksel Schaufler, der neben Michael Mayer und Tobias Thomas Resident DJ bei der legendären Clubnacht Total Confusion im Kölner Studio 672 ist. Nach seinem aufsehenerregenden Beitrag für die Speicher 1 und einem Remix für Contriva’s Clubhit “Monika“, der in den letzten kalten Winternächten für heiße Momente sorgte, präsentiert er nun seine wunderschöne Debüt-Maxi “Heroin“. Kompakt ist sein Arbeitsplatz, Techno Pop seine Mission - Vorsicht - Ihr werdet süchtig danach werden!
Downloads

Repress

place 1 groove charts 123 Zaki Dee, Rob Mello and Luke Solomon present Heaven and Earth! We know, we know, the current re-issue wave of classic house music platters is a bit much - especially the unlawful ones with photocopied artwork.

Re-Issue of the classic Open Door 12" as originally released in 1996.

- Limited Ten Year Edition
- Crystal Clear Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut for superior sound
- Download Code

- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's

It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.

What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on crystal clear vinyl to the let glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.

While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.

"UK Electronics 1988-1994" is the sound of an era, via the very personal vision of a young Englishman who would spend all of his dole money on the production of underground compilation cassettes spanning across electro, early techno, ambient, experimental, house and industrial music, all while keeping it cohesive.

KosmoramaDisco Vol. 2 is the second of a series of compilations that KosmoramaDisco label begun to release in 2018. This is a follow up of what the label it's been trying to show in the last 2 years. For this we have a new bunch of artists which music styles fit again with the philosophy and taste of the label: from Italo to Dark Disco and Slow Mo all wrapped, as usual, in club dancing format.

“Dive / 4AM” is the latest outing from San Francisco Bay Area-based six-piece, The Seshen. The 7” outlines thesteps the group has made since their critically acclaimed sophomore album in 2016, both as a band and as individuals. “Since ‘Flames & Figures', a lot has been taking place both internally and externally. We were on tour for the last album when Trump was elected. There was an intense heaviness, a familiar one, one that extends generations and it just sunk in even further”, singer/lyricist Lalin St. Juste explains.

Side A opens with distorted four-to-the-floor chomper, “Dive”. Aggressive yet danceable, gritty but somehow unstoppable, “Dive” is inspired the profound need for change, catalysed through the somnambulant Larry Heard-esque bassline meshed to the warped tones of Lalin’s vocals. “The path towards my power, my strength, being okay with being unapologetic is just starting. I’m reclaiming what I have lost, reclaiming what has been passed down to me. The song is about the ground beginning to shake”, Lalin preaches.

While in contrast on side B, “4AM” untethers the listener by exploring a sense of spaciousness, flourishing the sparseness, distracting with moving snippets of delicate production. Lyrically tackling the insomniacs waking nightmare, “4AM” is about the witching hour, battling against oneself. "I was experiencing anxiety at night...where I would review all my actions and all the things I said throughout the day in search of something that I did wrong. At times it would keep me up, and I felt that I was at war with my mind.”

10th Anniversary Re issue of this Classic
Dj Mehdi is back with a second single from his album « Lucky Boy ». To make things easy we choose to put out the track « Lucky Boy » as new single. An exclusive track, 2 remixes and one club edit is the perfect package we propose you, lucky you ! « Lucky Girl » is the follow up of « Lucky Boy », Fafi on the mic, could have been Gwen, but she was busy, and Fafi rocked it anyway. Two of the hottest french producers delivered the remixes.OUTLINES, the parisian duo signed on Jazzanova's label Sonar Kollektiv droped a slice of 50's boogie. SURKIN from Institubes label proposed us a trip between Baltimore and Chicago in 4 minutes ! THOMAS BANGALTERwas crazy about « Signatune ». We ask the chief to make a club friendly edit, HOW LUCKY YOU ARE!

Seefeel, Peel Session, 27/05/94: Eine Liveband-Session von Seefeel aus der Phase ihres "Succour" Albums (1995) mit den exklusiven Tracks "Rough For Radio" und "Phazemaze", die nirgendwo sonst zu finden sind.

Zur Sommersonnenwende 2019 nahm Warp den Onlineradiosender NTS für ein ganzes Wochenende in Beschlag, um die Feiern zu seinem 30-jährigen Jubiläum zu eröffnen. Über 100 Stunden Programm mit Mixsets, Dokus, Live-Performances und Sessions des gesamten Warp-Artistrosters von Aphex Twin über Brian Eno bis Kelela samt Gästen wie Ryuichi Sakamoto wurden von hunderttausenden Fans weltweit live verfolgt. Jetzt knüpft Warp mit der Veröffentlichung der "WXAXRXP Sessions" an diesen Event an, einer Serie aus zehn 12" Vinylen mit Radiosessions aus 30 Jahren Labelgeschichte, von frühen Peel Sessions bis zum diesjährigen WXAXRXP x NTS Wochenende, allesamt in höchster Audio- und Design-Qualität. Feat. Boards Of Canada, Aphex Twin, Flying Lotus, Bibio, Oneohtrix Point Never, Mount Kimbie, u.v.a.

REPRESS !

repressed !

This re-released the first track of The Micronauts, "Get Funky Get Down", accompanied by his remix by Daft Punk (The first they ever did!). Both were originally released in 1995 on the London label Phono (which Also discovered Matthew Herbert, Morgan Geist and Freaks aka Luke Solomon & Justin Harris ...). Never before reissued, the original version makes a comeback noted for two years in the playlists of the diggers of London, Berlin or Brussels ... Notably those of Jamie Fry, English DJ living in Berlin, who realized for the occasion the "J Dubs Edit ", in line with the sound of his 100% vinyl sets (Jamie is the producer of the famous Stablo series, which Can reach 100 € on Discogs, and co-directs with Radio Slave the label The Double R). In conclusion of this EP is the "Nature's 1994 Cassette Version", totally unpublished and recovered as its name On a tape recorded in 1994.

Orlando Voorn returns on HOUSEWAX under his legendary FORMAT moniker!
"Keep My Fire On" is a deep house beauty and perfect for the summer season!

sehr schöne techhousetracks !!! A awakening

pumpend & groovend

kompakt brett ! klasse mixes !!!

Rediscover all the gems of electronic music in a double vinyl anthology collection. After the success of the first 4 volumes, here they are finally available again, accompanied by a new volume more emblematic than ever.

The award winning compilation series Future Disco returns with it’s 14th instalment ‘Dance Club’, an embodiment and celebration of dancing, unity and togetherness, packed with key artists such as Dimitri From Paris, Dr Packer, Gerd Janson, Aeroplane & more.

Following a year of club closures and festival cancellations, 2020 was a year unlike any other. And our separation from the club environment was a reminder of its inherent beauty, empowering nature and community of dancers. ‘Dance Club’ is a symbol of this embodiment, that draws people to one common purpose - to dance.


Following the series’ 10th anniversary, the release of 2020’s highly regarded ‘Visions of Love’ album garnered widespread support and the aptly named successor ‘Dance Club’ follows suit. Also scheduled to take the concept to spaces across the globe as we get back to dancing together again in your own Future Disco Dance Club.

And of course, the eighteen carefully curated tracks by label owner and curator Sean Brosnan featured on the album are some of the finest selections of disco, and club ready DJ tools to soundtrack the summer of 2021 and beyond. The album also features a raft of exclusives, edits and unreleased tracks from Theo Kottis, New World, Antenna, and The Showfa.

The award winning compilation series Future Disco returns with it’s 14th instalment ‘Dance Club’, an embodiment and celebration of dancing, unity and togetherness, packed with key artists such as Dimitri From Paris, Dr Packer, Gerd Janson, Aeroplane & more.

Following a year of club closures and festival cancellations, 2020 was a year unlike any other. And our separation from the club environment was a reminder of its inherent beauty, empowering nature and community of dancers. ‘Dance Club’ is a symbol of this embodiment, that draws people to one common purpose - to dance.


Following the series’ 10th anniversary, the release of 2020’s highly regarded ‘Visions of Love’ album garnered widespread support and the aptly named successor ‘Dance Club’ follows suit. Also scheduled to take the concept to spaces across the globe as we get back to dancing together again in your own Future Disco Dance Club.

And of course, the eighteen carefully curated tracks by label owner and curator Sean Brosnan featured on the album are some of the finest selections of disco, and club ready DJ tools to soundtrack the summer of 2021 and beyond. The album also features a raft of exclusives, edits and unreleased tracks from Theo Kottis, New World, Antenna, and The Showfa.

Athens of the North's first foray into releasing house records (with more on the way) may come as a surprise to some but not to people who've heard them DJ. Dirty Channels vs Danny Russell 'Watchin' Out' is a horn-fuelled lesson in peak time energy; working a relentless groove before dropping into a hook that you'll be hearing a lot of this Summer.

It's already gained plaudits, left,right and centre, including house single of the month in the July issue of Mixmag and DJ support from Jeremy Underground, Dan Shake, Josh Wink, DJ Haus, Jimpster, Jaques Renault, DJ Boring, Nyra (Canoe Recordings), Jimmy Rouge (Orange Tree Edits) and Red Rack'em.

On the flip, Bristol born and Edinburgh based, Linkwood of Firecracker fame presents a tasteful edit of Frazelle 'Today Is The Day', chopping up the rare 12" instrumental with the rarer 7" vocal version into a spanking definitive 12" inch mix for maximum dance floor satisfaction.

Superfunk's classic is back on Paradise with the original tracklisting + one more remix from Junior Sanchez !!

Proudly presenting the inaugural release on A’s and Bees, a new label of heavyweight 12 inch pressings highlighting double sided delights, with 50% of the profits from each release being donated towards the British Beekeepers Association.

First up, Rare Pleasure’s ‘Superfine Feeling’. Only ever pressed as an almost unattainable acetate that’s rarely traded hands and when it does we’re talking £400 upwards. A 1977, modern-soul-tinged disco number from the New York troupe with soaring vocal harmonies, jamming guitars and big band section galore.

Who better to take on the Bee side than Ashley Beedle himself, offering up a signature NSW rejig - retweaking, dubbing and straight buzzin this cut out across those summer thermals for maximum dancefloor bedlam.

Buzz for life!

A cult of house music reprinted on its thirty anniversary.

Due to the popular demand, the STRCTR001 will be repressed !!

The much-anticipated first release from STRCTR is now upon us, showcasing the art of Matthieu Faubourg, Dub Striker, Harrison BDP and ManooZ.

*2021 Repress*

The first vinyl release on Alter Ego Recordings presents a re-release of two Alter Ego classics remixed by Luke Slater in 1993 and 1994 ! A. Alter Ego - Soulfree' Luke Slater's Ortoe Circuit Mix B. Alter Ego - Lycra' Luke Slater's Dinosaur Mix Roman Flügel and Jörn Elling Wuttke are very happy to present their first vinyl single on their own platform Alter Ego Recordings. In charge again of their entire back catalogue, under monikers like Acid Jesus, Sensorama and Alter Ego, they're starting to re-release all the classic albums sometimes accompanied by newly curated vinyl Ep's. The singles will feature unreleased material, forgotten classics and brand new remix-projects of favourite producers and friends in perfectly re-mastered 12- sound. The first vinyl release on Alter Ego Recordings presents a re-release of two Alter Ego classics remixed by Luke Slater in 1993 and 1994. For many people he is the epitome of hard and driving British electronica. His music, especially under his Planetary Assault System moniker, influenced just about everyone in techno over the last twenty years. Things kick off on the a-side on this record with a Basic Channel style sounddesign. The dubbed chords, moved by a full-bodied bassline and frequent cowbells featured in his Ortoe Circuit Remix' of Soulfree' are showing that Luke's more soulfull side is as good as his tough mode. The slamming Dinosaur Mix' was already in boxes of jocks like Sven Väth and Andrew Weatherall and shows Slater with the foot on the pedal. Cascades of flanged sounds drifting in and out of focus, while no-nonsense drums and percussion driving dance floors in frenzied submission.

Remastered repressing of Stephan Bodzin´s and Marc Romboy´s biggest common classic track „Atlas“ plus „Hyperion“, an insiders tip on the flipside. The pressing comes along with the original signature artwork which made the imprint Systematic popular. Go and get this temporary released collector´s item!

The classic Aphex Twin album - originally released in 1992. Arguably one of the most influential electronic albums of album time. A total must have.

Mount Kimbie, WXAXRXP Session, 21/06/2019: Das erweiterte Live-Lineup von Mount Kimbie demonstriert hier hervorragend, wie sehr sich ihr Material 'on the road' weiter entwickelt hat. Aufgenommen für den WXAXRXP x NTS Event. Inklusive eines Gastauftritts von Mica Levi.

Zur Sommersonnenwende 2019 nahm Warp den Onlineradiosender NTS für ein ganzes Wochenende in Beschlag, um die Feiern zu seinem 30-jährigen Jubiläum zu eröffnen. Über 100 Stunden Programm mit Mixsets, Dokus, Live-Performances und Sessions des gesamten Warp-Artistrosters von Aphex Twin über Brian Eno bis Kelela samt Gästen wie Ryuichi Sakamoto wurden von hunderttausenden Fans weltweit live verfolgt. Jetzt knüpft Warp mit der Veröffentlichung der "WXAXRXP Sessions" an diesen Event an, einer Serie aus zehn 12" Vinylen mit Radiosessions aus 30 Jahren Labelgeschichte, von frühen Peel Sessions bis zum diesjährigen WXAXRXP x NTS Wochenende, allesamt in höchster Audio- und Design-Qualität. Feat. Boards Of Canada, Aphex Twin, Flying Lotus, Bibio, Oneohtrix Point Never, Mount Kimbie, u.v.a.

LTD repress !

Repress!

the first roule produced by thomas bangalter @ daft house in paris
,

Some of these edits came before on a now hard to get 12"... remastered and cut now with some dope additions.

repressed !

Kling Klong celebrates its 10. birthday with the selections of their biggest selling tracks & remixes from the past

Black Loops teams up with Seven Davis Jr. and Nikoss for a killer EP of deep soulful house tracks. Often times, spontaneity in the studio can lead to moments of pure creative flow, and if these tracks are any indicator, that was certainly the case here.

Both tracks feel fully realized, all elements blending together beautifully into two emotional burners. Seven Davis Jr. delivers another classic vocal performance, his warm tone perfectly complementing Black Loops' signature groove and Nikoss' piano playing.

Functional for both the club and the headphones, both tracks will please even the most discerning DJ or audiophile. So, don't miss out on these when they drop, because this stuff is as real as it gets.

Great collection of previously unreleased material written and produced by DJ Nature under his Nature Boy alias between 1991 and 1992. Yes the Ruff Disco years! So, expect that same hard hittin' cut-and-paste deep house feel and chunky, bass-heavy grooves that Nature Boy is known for. Classic stuff!

12 years after Samim scored a worldwide underground smash with his massive 'Heater' tune, Get Physical re-release a fantastic packages of remixes with new versions from Tube & Berger, Diplo and FNX Omar.

It was impossible to dance in 2007 without someone dropping 'Heater' at some point in the set. It still sounds as quirky, inventive and left of centre now as it did then. The fresh 2019 remaster beefs up the drums, crystallises the Colombian cumbia lead sample and it's not hard to see this being big once again this summer.

Detroit's John Beltran under his alias "Indio" was released on CD back in 1999 on Derrick May's Transmat label. We are very pleased to present you this fantastic album which have been remastered and will now be available for the first time on vinyl. A timeless journey of warm Detroit vibes from the start to the end...

Fresh, jacking & swinging, classic 1990s US House trained, highly effective DJ tool set.

From "Tomorrow" and back to plus thirty years, more precisely in 1987, a teenager named Thomas, Thomas Barnett the full name, released the track "I Can Feel It" mixed by Juan Atkins, one of the first mix by who became the main DJ and producer from Thomas's hometown, Detroit.

Today "I Can Feel It" is a very hard to find record that finally will be available for an official reissue via Omaggio, after a skillful re-master from the original source by Andy Toth former member of Detroit Grand Pubahs.

History says that the '87 was a lucky year for Thomas Barnett, who also written "Nude Photo" the second ever release out on Transmat, credited to Rhythim Is Rhythim, definitely one of the moment to define the genre. Well, we all agree to consider Mr. Barnett an originator of Detroit Techno. From there Thomas travels across the world as DJ and live performer and when at home he is a busy managing multiple labels and still an illuminated recording artist.

Limited edition remastered, originally released on F Communications 1996. St Germain is a true reference, and his influence has been pivotal for the French scene. With his melodies, new and successful fusions between different musical styles, and the flawless and classy productions of his records, has earned Ludovic Navarre being copied but rarely equalled.

With his melodies, new and successful fusions between different musical styles, and the flawless and classy productions of his records, has earned Ludovic Navarre being copied but rarely equalled. St Germain is a true reference, and his influence has been pivotal for the French scene. At the age of 21, Ludovic Navarre started out on the Dance Division of Fnac Music and stood out above all in the techno world, coming out of maxis in 1991.



His passion for jazz, house, blues, funk, techno, soul and hip-hop gave him an open spirit. Very quickly, he became an essential composer of the house scene, under different pseudonyms like Deepside, Modus Vivendi, D.S or St Germain.

Disk 2/5

10th Anniversary Edition - LTD Col. 2LP

TEEBS veröffentlicht Vinyl Reissue seines kultisch verehrten Debüts und Durchbruchsalbums „Ardour“ an, welches vor 10 Jahren erstmals via Brainfeeder veröffentlicht wurde!

Am 11. Oktober 2010 veröffentlichte Brainfeeder das Debütalbum eines 23-jährigen Ex-Skaters, Malers und Musikproduzenten aus Chino Hills namens Teebs (wirklicher Name Mtendere Mandowa). Der Titel "Ardour" bedeutet großer Enthusiasmus, Liebe oder Leidenschaft und war eine treffende Beschreibung für seine von Natur aus warmen, üppig texturierten Beats. Er ist ein unbestrittener Klassiker im Brainfeeder-Kanon und gilt weithin als ein wesentliches Kapitel in dem sich ständig weiterentwickelnden Puzzle der globalen "Beat-Szene”. Auf „Ardour“ (10th Anniversary Edition) finden sich neben den Hits wie „Why Like This“ oder „Gordon“ sechs neue Songs auf der D-Seite, die bis heute unveröffentlicht blieben. Teebs, der seine Wurzeln beim "My Hollow Drum"-Kollektiv, Dublab und Low End Theory hat, ist eine feste Größe in der Musikszene von Los Angeles. "Meine kreative Familie in LA ist so wichtig", erklärt er. "Sie ist ein Teil davon, wer ich bin, wenn ich nach draußen gehe und wie andere in LA mich sehen. Ich liebe das Gefühl der Gemeinschaft und versuche zu verstehen, wie ich darin nützlich sein kann.

Nach "Ardour" (2010) veröffentlichte Teebs "Collections" (2011), "Estara" (2014) und, nach einer fünfjährigen Pause, 2019 sein neuestes Album "Anicca" mit der Hilfe einer Reihe von Musikfreunden, darunter Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta alias MNDSGN, Miguel Atwood-Ferguson und Anna Wise. Von allen Seiten gefeiert, gab Pitchfork "Anicca" eine glühende 7,8-seitige Rezension, in der Mandowas "mühelose, formwandelnde Tracks, die die Zeit stillstehen lassen" gepriesen wurden. Unterdessen beschrieb FADER die Platte als "zutiefst atmosphärisch... kühl und unheimlich"

The album 'Balance' by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks on 'Balance' are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 90s and early 2000s.

The two masters of microscopic sounds and sine wave/white noise-based music constructed these seamlessly mixed pieces around rhythms and melodies, which grants the album plenty of dynamics. The wide variety of carefully chosen ambient sounds throughout the whole work endows 'Balance' warmth and intimacy.

The recordings are now available for the first time on vinyl within the KeplarRev series, presented in a new updated artwork based on the original layout with photographs by Taylor Deupree.

From the original press release in 2002:

"Balance is the first and so far only collaborative release from Frank Bretschneider (Berlin) and Taylor Deupree (Brooklyn). Both of these artists are no strangers to the ears of many; Taylor Deupree is one of New York's most vibrant electronic producers. From his early techno days as a member of Prototype 909 to his current status as one of N. America's key "microscopic" electronic composers and to add runs the prestigious 12K and LINE labels. Frank Bretschneider is a key member and founder of the prestigious Raster Music label, he has critically acclaimed releases under the names Komet and Produkt. It's easy to say that Frank Bretschneider has created some of the most influential spatial electronics of the late 90's.

Utilizing both artists keen ears for carefully crafted sounds, Balance blends the clean sine wave / white noise of Bretschneider with the defined grit of Deupree's granular synthesis. Realized entirely on Nord Modular synthesizers, Bretschneider and Deupree exchanged patch files through email and began constructing foundation loops. Bretschneider then created initial mixes of 9 songs and then sent them to Deupree who remixed and re-processed them. This digital exchange allowed for them to work using their own methods and aesthetic while combining the similarities of each others interests. The result is a looping and churning rhythmic work that is both synthetic, warm, dubby and tonally challenging. Thus Balance creates an engaging balance between the 2 artists aesthetics."

Repress

French House Classic Must Have !

Repress

Essential 1993 techno masterpiece! Remastered and beatifully reissued by Emotions Electric. Originally released on Djax-Up-Beats.

Repress

Renaissance recruit Tale of Us for the second the second edition of their quarterly-century celebrations.With the first release in this series occupying #1 status for 6 weeks last summer, Renaissance are back with the second instalment of their 25th Anniversary 'The Remix Collection' project. For the follow-up to Solomun's immense reworking of Age Of Love, Renaissance have bagged more Techno royalty in the shape of Italian duo Tale Of Us, to take on the huge task of remixing another iconic 90's classic.The track in question is the legendary 'Café Del Mar' by the 90's trance project, Energy 52. Much alike the previous remix by Solomun, it seems Tale Of Us also have their work cut out for them, as this track has had no shortage of remixes over the years. However, the popularity of 'Café Del Mar' is not simply reflected through its remix roster. Named after the iconic bar at the heart of the Ibiza clubbing scene, it was the soundtrack to the rave-culture movie, 'Human Traffic' in 1999. In addition to this 'Café Del Mar' later went on to be voted #1 in MixMag's 2001 '500 Best Tracks Ever' list.With this second remix, Tale of Us take the classic elements that made Café Del Mar such a huge track in the 90's, bringing them into the present-day with big licks of bass and a huge crescendo. Carrying forward the focus of the series, this remix refreshes the iconic track for a new generation of listeners. Undoubtedly, as with the original, it is sure to be the soundtrack of Ibiza this summer.With the first release in this series occupying Beatport #1 status for 6 weeks last summer, Renaissance are back with the second instalment of their 25th Anniversary 'The Remix Collection' project. For the follow-up to Solomun's immense reworking of Age Of Love, Renaissance have bagged more Techno royalty in the shape of Italian duo Tale Of Us, to take on the huge task of remixing another iconic 90's classic.

When it arrived on the progressive house scene in 2000, it quickly made the rounds as a tune to be reckoned with. Played by nearly everyone in the industry, its haunting vocals
and psychedelic synths captured the minds and hearts of ravers worldwide.Now, fifteen years later, Victor Ruiz and Cristoph have put their own spins on the Yoshi Classic. Victor contributes a round, pulsing bass line that has had listeners of Sharam's
recent sets ask, 'what IS this' Victor's unique style of impeccably-mixed, maximalist tech house is a tenacious tribute to Luzon's composition, capturing the psychedelic energy of the original and warping it into what will no doubt be a staple in many of this summer's sets. Where Victor opts for immensity, Cristoph dials back to reveal a dark and beautiful side of Baguio unheard before. Delicate sounds float in and out as the tune unveils, building to a dramatic vocal climax that guides the composition to its close in an outcry of raw emotion. The new package includes an expertly remastered version of the original 'Igorot Vocal' mix. When put together, the three create a complimentary system of sound, imparting new depths to the classic. We hope you enjoy the return of the Luzon's "The Baguio Track.

Auf ihreneuen Album "Plexus" präsentieren die französischen Electro-Popper Hypnolove eine gekonnte Mixtur aus Eurodance, Italo, Space Disco und Boogie-Funk mit vielen 1980er Anleihen.

One of THE most important / BEST New York House Records ever made gets an unexpected Reissue. Despite being “Remixes Only” these 2 Tracks Cater what defined the Classic Mood II Swing Sound in an ideal way. The Ultimate Long and “Haunting” Underground Vocal Mix and a likewise touching “Insane” Dub. A Legend in it´s own Right and must have for every “sane” record collection - HOT!

With MEL016, Melodies International are extremely proud to take one more step into house territory with their reissue of what certainly constitute the two most exciting remixes of Flame by UK Trip Hop group Crustation: New York House legends Mood II Swing’s Vocal and Borderline Insanity Dub mixes. John Ciafone and Lem Springsteen from Mood II Swing grew up and met in New York City in the early 90s. They were club kids with roots in early hip hop, soul and disco and soon decided to start producing together. After a fateful encounter with Louie Vega from Masters At Work, Ciafone and Springsteen committed to pursue dance music, and given the opportunity started releasing their own records that would lead them to settle in as genre defining house producers celebrated by their contemporaries back then whilst informing and influencing the styles of many eminent dance music producers of today. Flame was originally produced by Crustation, a Trip Hop group from Bristol formed by Ian Dark, Stig Manley, Mark Tayler and singer Bronagh Slevin, as part of their last album Bloom originally released in 1997 on Jive. The same year, Jive released a string of remixes including two from Mood II Swing included here on this release.

What a privilege it is to continue this series of reworks and remasters on Food Music and this time we’ve got "I’m Rushing” from Bump!! The original from 1992 was (and still is) one of the most infectious house records ever made, with it’s uplifting synth patterns and vocals filling the air with pure joy and happiness. In addition to a re-master on the well known original, the new reworks here bring “I’m Rushing” bang up to date in impeccable style. Chambray leads the charge with an uplifting new synth pattern and pounding drums which compliment the original so well. Theo Kottis steps up with a beautiful mix that adds an Italo twist to complete a killer reworks package. Don’t sleep on this one.

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

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Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording spills into the next with sonic precision. From the monumental masterpiece of the album’s opening track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’, the listener is left captivated. And, because it’s what they do best, the destruction and artful reconstruction echoed through their shows are also present. These are beamed out in the exclusive live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance music—is both undefinable and strays well past the norm. Their chance to manipulate their creations in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information everywhere. The result is an experience focussed on purism with great care in presenting the deepest core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is something of a triumph). With that, Extrawelt invite those that were there from the start to join them in getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear their story up until now, like it’s never been told before. And yes, while the listener may have outlived many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the newones to go totally nuts.

one of the hottest items around !!! now repressed !!!

The eternally prolific duo PSYCHEMAGIK are back once again (already?!) with yet another mind blowing edits package.

This latest offering from the Cosmic Forest is their reworking of Chillys, Yardbirds classic, For Your Love think epic 10 minute cosmic dancefloor monster complete with guitars, violins and soaring vocals.

And then there’s more… the flip “Aldeia De Ogum”, a reworking of the Joyce original, has Ibiza sunset written all over it, transporting you immediately to the beach within the first few bars.

Latin percussion blends with beautiful guitars, flutes and horns to create a truly breathtaking sonic vista .

This is sure to be included in many a summer playlist over the coming months

second reissue of japanese house music legend “yukihiro fukutomi” on studio mule.

title track on a side “it’s about time” was included to the compilation “remix trax vol.6- japanese new vibes”.

“it’s gonna be alright” on b1 is e2-e4 influenced deep house and “facing up” reminds us danny tenaglia’s harmonica track. both tracks on b side are taken from his 2nd album which is released on only cd in 1993.

Black Vinyl

A masterclass in millennial House, Sasu Ripatti aka Vladislav Delay’s debut as Luomo returns for a 20th anniversary edition newly remastered at D&M and packing the deepest bounce per ounce Upon its original release in 2000, ‘Vocalcity’ was a totally unexpected turn from the artist best known as Vladislav Delay, who’d by then established his reputation as a producer of abstract dub techno for Chain Reaction that was ostensibly far removed from deep, vocal-led house music. But prejudices were swiftly assuaged as the Finnish artist’s keen knack for shifty rhythm programming was brought in line with Johanna Johanna Livanainen’s perfectly poised vocals, revealing the core influence of sensuous, soulful deep house and garage on his sound in a similar way to the links between Maurizio’s M-Series and the vocal-led Main Street volumes. Twenty years later it’s fair to say the 6 tracks of ‘Vocalcity’ have withstood the test of time and are bound to weave their slinky magick on ‘floors everywhere. With mint copies now near-impossible to find on the 2nd hand market, this new pressing of ‘Vocalcity’ is perfectly timed for a zeitgeist looking to the late ‘90s and early ’00s for inspiration. Cut a side-per-track, just like the original edition, each of the songs - ranging between 10 and 16 minutes each - have plentiful headroom and leg space for dancers, DJs and audiophiles, keeping the album’s crucial balance of luxuriant minimalism, and the space between its coiled grooves and burning vocals, perfectly taut and intact. Getting under the skin with the sculpted swing and hair-kissing vox of ‘Market’, and shuffling up close to Moodymann’s Detroit house depth in ‘Class’, the album is perhaps best loved for its timeless highlight ‘Tessio’, a rich, warm and writhing beauty that would set the template for myriad House records to come in the following two decades. Along with the mid-tempo lather of R&B vocal inflections on ’She-Centre’, and the lip-smacking sensuality of ’Synkro’, this whole lot is an absolute must-have for fans of late night/all day dancing sessions as much as those who like do
it quieter.

100% classic material.

Eternity and a day. In the early nineties Automation were the masters of UK rave. 27 years later its about time to refresh one of their finest moments. Extended original version comes with three stunning remixes.

Throw' by Paperclip People is reissued, accompanied by LCD Soundsystem's sublime and inventive cover on the flip. Perhaps the best known release from Carl Craig's long-running alias, 'Throw' is instantly recognisable to the day; a joyous distillation of Craig's house, techno and disco nous, as a chugging, organ-led bassline leads to a sensational breakdown. Once a favourite of LCD Soundystem's live set, the flip of the record captures the now Grammy-winning US group performing a studio-recorded cover, one that instantly, naturally captures the original solid groove, while adding shades of their post-punk approach.