Stellar Mode is a galactic, bright, and dark Electro expressed by two artists with a goal to project the concealed music with unique soundscapes of known, mysterious, and unknown waves of sound. These are not electro bangers, rather a space electro voyages that will allow you to enjoy the beauty of the universe in your own observatory.
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Running Back & Dusky proudly present Life Signs Vol. 1. The band that brought you the fabulous remix for KiNk’s „Perth“ lavishly donate a whole EP to Running Back. And it has all the classic trademark sounds we cherish them for: British bass science applied on classic house tropes, breakbeats underpin transcendent melodies, IDM meets UKG. The sounds of Guerilla records, Northern Exposure and the mash-up aesthetics of early Rage parties all echo through the ranks. All of it expertly executed and as much fun to listen to as to play it out. But handing the microphone over to the band themselves:
„Boris Borrison’s Trip To Morrisons: An Italo inspired bassline meets Belgian rave vibes via a British supermarket chain. Who is Boris Borrison? Perhaps we’ll never know. Some say he’s still wandering around in the freezer aisle to this very day.
Lea Valley is a homage to the area in London along the river Lea, home to a mix of nature reserves and industrial warehouses and wasteland, historically famous for illegal parties. The area was a regular haunt in our teenage raving days.
Static: A warm wash of melancholic euphoria in which to submerge. Inspired by classic electronica and the melodic techno of early Autechre and Aphex.“
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Arkada records is excited to announce our 3rd release - forthcoming split EP featuring the sounds of Phausis and JFrank.
We are very happy to present the first part of the EP and the sounds of one of a kind underground producer and the man behind Arkada label artowrks Phausis also known under his Dj alias Agent2.
Born in London and raised on a mix of electronica and Detroit techno, Phausis doesn't put his head above ground to release music very often. With the occasional release on Earthlings compilation, acre recordings, Subgrade and the Anti- The Social Network here he presents two rare tracks of electro/acid especially brewed for Arkada records.
Second part of our EP presents the music of the Rome based most talanted electronic music producer JFrank.
Co-founder and Generalissimo at brainstormlab, and master General at Distant Future with well over 10 years of live gigs under his belt, JFrank is well known for his late night dancefloor breaks and has played everywhere from the arthouse to the doghouse – London warehouses and Berlin basements to Spanish squats and Roman ruins – with his special brand of space-age electronics. Along with a broad portfolio of releases, he currently has vinyl out on Pyramid Transmissions, Kaer'Uiks and The Irrational Media Society
On the second chapter of Arkada003 - 2 outstanding Electro/Glitch tracks of Julien which were also produced especially for the release.
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Todd Modes comes through with another slab of killer leftfield house sounds for the fledgling Psychic Zebra label, run by the man JP Carpenter. This record needs to be heard loud. In the dark. Twirling like a top at 4am. 'I Can't Stop' is a moody cut that distances itself far away from the usual House jams. It's sleek, sexy and oh so wobbly. The darker psychedelic option 'Wizard Man' is a bonafide wrecker. A must for all weirdo collectors. These are bonafide discotheque weapons.
This is a strictly vinyl only release. There is no digital release whatsoever.
All tracks written and produced by Todd Modes. Vocals by PRLZ.
Mastering and lacquer cut by George Horn at George Horn Mastering.
Pressed in Detroit MI by Archer Record Pressing.
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Fresh 1983 electro boogie funk from Brooklyn's very own James "D-Train" Nelson Williams and Hubert Eaves III aka the legendary D-Train, best known for their huge era-defining club classics 'Keep On', 'Music' and 'You're The One For Me'. Mixed by the equally as legendary studio team of Nick Todd and David Martinelli, 'Keep Giving Me Love' is another prime slice of that early 80's proto-house sound that Prelude Records nailed so well while bridging the gaps between disco and the oncoming house sound later in the decade, sonically inspired by the discotheque dancefloor and exciting technological studio advancements to create a modern and inspiring new strain of club music. True to the times, there is an awesome dub mix on the flip that deserves a mention that will no doubt get some much deserved spin thanks to this limited coloured wax reissue from your friends at Unidisc.
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eon Vynehall veröffentlicht den Nachfolger seines von der Kritik gefeierten Debütalbums auf Ninja Tune!
Auf „Rare, Forever“ erforscht Vynehall zum ersten Mal, wer er als Mensch und Künstler im einzelnen, jeweiligen Moment ist, anstatt in die Vergangenheit zu schauen, um herauszufinden, was und wer ihn geprägt hat. Das Ergebnis enthält dann zwar mehrere Seiten von ihm, aber Abwechslung ist etwas, an das Vynehall in seiner Kunst gewöhnt ist, so beschrieb er in seinem Resident Advisor Podcast 2018, dass er den Dancefloor „links und rechts, oben und unten“ mitnimmt. Auf „Rare, Forever“ begibt er sich auf eine Sieger-Runde. Das Album ist eine wunderbare Mischung aus allem, was er bisher gemacht hat, und bleibt dabei wirklich progressiv; das Endergebnis klingt wie „Nothing Is Still“, nur, dass die Erzählung abgeschwächt und der Dancefloor aufgedreht wurde. „Rare, Forever“ wird sich für Fans von Vynehalls DJ-Kicks-Mix oder seinen eklektischen Ausflügen beim weltbekannten Community-Radio NTS vertraut anfühlen, während es gleichzeitig anders klingt als alles, was er bisher gemacht hat. Auch wenn es viele Dancefloor-Erinnerungen und -Momente gibt, ist es keineswegs eine reine Dance-Platte - stattdessen ist „Rare, Forever“ die klarste Repräsentation des breiten Spektrums an Musik, die er bisher gemacht hat. Zuletzt hat Vynehall mit dem „Studio Ooze“ einen neuen Aufnahmeraum eingerichtet, um seine Kollaborationen zu erweitern und hat für Leute wie Kam-Bu, Wesley Joseph, Kenzie TTH und Jeshi geschrieben und produziert, die in naher Zukunft ihre jeweiligen Tracks veröffentlichen werden.
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Limited, hand numbered 10" from Pola T on Traditions, you know the deal...
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This Burial Soil release is produced by label owner Ravn Jonassen
and it comes with remixes by Radioactive Man and DJ Frankie. It was
an advertisement of the UK government, suggesting a ballet dancer
called Fatima, should retrain in cyber security, that caught his
attention and initialized thoughts about the situation of artists during
and after the on-going pandemic. That's why he dedicated the title of
his EP to this fictional character, which stands for all artists, that are
left without much perspective or help or even any appreciation of
their government and the general public: „Fatima, The Struggle Is
Real!“ But in the end the message is clear, we will get through all this
misery, as long as we don’t give up. Artists where always a filter of
their environment and past has proven that it's been the tough times,
that pushed artists to reach their full-potential.
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Achieve inner peace with RM12010 by Salomo.
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*Repress*
Following two well received releases on 20/20 Vision - 'Machine Life' & 'Asimov's Code' Versalife returns to the label with his latest album 'Manifold' serving up futuristic electro with signature emotive synth work to trigger the imagination. The Dutch producer Boris Bunnik aka Conforce continues his dystopian journey with auditory echoes of a cosmic abyss. Peppered with moody tones, deep bass lines and robotic funk, 'Manifold' navigates the future landscape in true Versalife fashion.
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Dj octopus presenting his new label devoted to rough edged electronic music. Monthly releases both digital and cassette tape.
First issue by Matteo Stella aka Broken Audio sharing a complete journey through unexpected bass visions and underwater break scenarios.
Mastered by Lucretio with NeverEngineLabs' ZDF Filters for Symbolic Sound Kyma and a G SSL 4k compressor. Dedicated to Baio. Artwork by Vittorio Valigi.
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Tim Digby-Bell, Peter Kriek and Ariaan Olieroock are Cubicolor. In 2016 they released their debut album ‘Brainsugar’ via acclaimed independent label Anjunadeep. Accumulating over 40 million streams, the album won praise from Mixmag, Resident Advisor, Consequence of Sound and DJ Mag, who described it as “a startlingly accomplished debut” in their 9/10 review.
Originally an electronic duo comprised of Dutch producers Ariaan and Peter, Cubicolor became a three-piece band with the arrival of British singer-songwriter Tim in 2015, after collaborating on breakthrough single ‘Falling’.
A published poet and playwright, Tim’s musical upbringing was rooted in playing guitar and listening to Nick Drake. Combined with Ariaan’s encyclopedic knowledge of electronic music and Peter’s love of late romantic classical, created what Clash described as “a beautiful, haunting fusion of ideas.” In 2018 the band delivered, and then shelved, their second album…
“It had twelve tracks, a different name, all the artwork was done and a date was set for it to be released. We got home and listened to it, then called each other and decided to drop the whole thing. The next week we went back into the studio and started again.
We loved the record we made but for some reason, it didn't feel right, so we didn't keep anything, we shut ourselves on the boat in Amsterdam where we work and didn't stop until we'd written a new album.” A year after going back to the drawing board, the trio now presents ‘Hardly A Day, Hardly A Night’.
Inspired by the cycles of time, and the cyclical movements of the planets, the new 12 track record weaves together themes of loss, hope, and acceptance. “There were a lot of moments when we weren't sure we'd ever find what it was we were looking for. On the way, we lost friends, lost loves, battled health issues, lost an album, lost each other and came back together again.
It feels like a lifetime has passed but the world keeps spinning and I guess we knew we would eventually find our strength and make the album we wanted to make.” Showcasing their remarkable production techniques and textured sound design throughout the album, Cubicolor continues their unconventional rise to the upper ranks of the electronic music world.
The band will celebrate the album release with a listening event in London in February 2020, before taking their live show to festivals around the world in the summer.
Their 2016 debut album ‘Brainsugar’ picked up wide spread support including backing from BBC Radio 1's Annie Mac, Pete Tong and Phil Taggart, BBC 6 Music's Nemone and Tom Ravenscroft, Joris Voorn, and Kölsch and accumulated over 40M streams. 'Brainsugar' - Press pickup included Mixmag, RA, Thump, Consequence of Sound and the album was given a 9/10 review in DJ Mag.
Cubicolor are Amsterdam based producers Ariaan Olieroock and Peter Kriek, and British singer-songwriter Tim Digby-Bell. They made the album on Peter’s studio boat in Amsterdam. Ariaan built the custom modular synths, mixing desks and speakers that the band use in their studio - every Cubicolor sound is created from scratch.
They also DJ and release music as 16BL on Anjunadeep. one of the labels most loved and legendary acts, responsible for some of the biggest releases in the label's back catalogue.
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Nuclear Device / Mahres 001 is a mini-album with 6 hot tracks produced by STIGMA the first time use alias of Steve Marie. The tracks are written during pandemic, it's a mixture of some slow industriel influenced compositions, late night club bangers and 2021 revisited synth pop 80's sounds.
The whole record is mixed & mastered at South End Studios by the master Chris Key It comes with an original artwork on labels and a fat old school 30 x 10 cm stickers on sleeve. Limited 300 copies.
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Der in LA ansässige Produzent Bonobo (alias Simon Green) veröffentlicht mit ‘Linked’ einen atmosphärischen Dancefloor Hit für den perfekten Festivalsommer. Die one-sided 12” enthält den bisher unveröffentlichten Song und das Cover Artwork wurden von Green selbst gestaltet.
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4 cuts from 5 champions of the nu-disco and edit scene with French inspired homages, latin peak time shufflers, electronic old school stompers and slo-mo set starters all present and correct. Something for all the family!
DJ Support: Fingerman, Hotmood, Andy Buchan, Paper Music camp, Get Down Edits
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SUZI is the new label from Cleveland, the Brussels-based artist behind releases on Kalahari Oyster Cult, ESP Institute and Hivern Discs. The label’s inaugural release unites contributions of 4 artists, with a common ground of techy, playfully modern-sounding tracks with a serious edge and a decent amount of bleeps.
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Vivod label boss Ali Renault serves up this rather moody ep in memory of his late friend, Pete Mangalore of Human Shield fame. The five tracker kicks off with Northdown Acid, a brooding sprawl with elements of Italo and acid combined to beautiful effect. The amusingly titled Imminent Salad follows with its jacking strut groove, laden with lush pads. Peter Summoning breaks up the ep with its simple ambient suggestion. On the flip things get going again with slo mo stomper Forbidden Mind before title track Nawce Blizzard closes with it’s electro style hypnosis. Finally we’re left with an infinite cat purring locked groove to send you to sleep. Great ep from start to finish. All copies come with a free Peter plectrum and vivod sticker Only 280 for the world so don’t miss out!
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Krokakai, an emergent Glaswegian producer with a penchant for hardware – largely using an MPC2000XL, SH09, MS20 Mini, TT-303, Roland Alpha Juno and other trusted tools – he’s already turned heads on labels such as Invisible Inc and PowerStation Records. Right here he lays down the label’s parameters with four unique, far-reaching escapades.
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In the early hours of one morning in 1996, Asad Rizvi (aka Silverlining) and Wiggle's Nathan Coles found themselves marooned on the planet Wrong. They had crossed paths at many of the infamous raves that shaped London's underground house sound, and opted to take controls at the cockpit of a Brixton studio that, in a single night, yielded 'System Error'. The two Right Wrongans were hence born.
Their first release, 'Not Quite Right EP', rocked dance-floors from San Francisco to Tokyo in a short space of time. 'System Error' was further celebrated on Danny Tenaglia's legendary 'Athens' CD. Interest has again been sparked by numerous DJs such as Petre Inspirescu and Ricardo Villalobos playing the track at gigs around Europe during the Summer of 2018. Yet, prices have inflated way beyond accessibility to mortal buyers, and hence this reissue has been chosen to inaugurate a brand new imprinted called Neotropiq. The single has been backed by the devastatingly groovy 'Straight Ahead Then Take the Next Wrong'. Order with haste, as this one is going to go!
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Glasgow label Silver Dollar Club return with their second release, this time by local talent and friend Krokokai, titled "Strange Behaviour". Four tracks of tripped-out dub beats and squelchy acid treats to take you on an odyssey to the outer reaches.
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A smokey hookah lounge lies nestled amongst Saturn’s outer rings - for those who know where to look. Its sole occupant for a thousand years, the being known as Planar Traits.
Lick the cosmic toad and strap yourself in for a fourth ride on the Magic Carpet. Propulsive breaks and mystical atmospheres send us crashing through the waterfall, deep into the velvet jungle beyond.
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It is truly a family affair over at 7 Days Entertainment. Butterbandz, the youngest son of 7 Days Entertainment label head Big Strick, gives us his debut EP titled Legacy. This freshman EP of the youngest of the Strickland clan is nothing short of what you would expect from a family member deeply rooted in dance music from Detroit. The first song off of the EP is a vocal track from BBZ with help from the artist Marc, who is a rising vocal talent from Detroit associated with the 7 Days imprint. If You Don’t Dance is slated to be an anthem among the scene for years to come. It evokes you to get out there and move your body. It brings the energy from start to finish with excited high hats, a grumpy bass and an admirable synth pattern. Things slow down for a more relaxed groove on Free Roaming, a laid back chiller with a smooth synth and a mellow bass of pure delight. Its reverbed synths take you on a never-ending journey through your own mind. Hellraiser is a straight high-octane pure adrenaline rush. It has the soul of true Detroit techno. The unforgiving drum and percussion pattern shines brightly over an acid bass line and catchy synth keys. The last song on the debut EP, Monkey See, closes the project out with a bang. An offset drum knocks on top of an offset synth and warm pianos. The flute is complementary and the percussion ties it all together nicely. Butterbandz shows unparalleled promise for more top-notch projects in the future
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Some tunes can teleport us to the right place - you just need to close your eyes and let yourself go. With Overtunes 002 it is not the exception. Cape's label is back with Cordero's first solo vinyl debut you can't miss. The young Argentinian talent has finely produced 4 club-oriented bangers showing strong influences of 90's house, acid, progressive and electro.
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Music from late nights in Montréal.
Dj Medallion has programmed and recorded the patterns of personal experience, influence, and desire. These songs are now at the mercy of the world and its residents... please use to provide moments of chaotic ease, where all the anxieties and pressure are externalized so you may see that it can all be fabricated and dismantled from within.
This is the first of hopefully many releases brought to you by La Rama Records, a shop located in the city from where these songs were made. If you find your self in the city, please do visit.
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Ben Gomori dons his G. Markus mask once again following a hotly repressed sixth volume. '4Play' cuts up anthemic '90s house, while 'Inta' goes deeper on a 4/4 garage flex.
DJs who like a bit o' G-Edits include Move D, Romare, Disclosure, Jeremy Underground, Detroit Swindle, Hercules & Love Affair, Auntie Flo...
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A new label, run by an old head, Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’. Known to many who inhabit the realms of underground House and Techno, the imprint sprang to life at the tail end of 2020 from his hugely popular Facebook community under the same banner.
Born out of a lifelong affair with the many shades of deep electronic rhythms, coupled with a thirst for collecting records since 1988, Paul’s mission is all about sharing and releasing new music for the dance floor, front room or even just your headphones. Rather than staying hung up on the past, his reputation for digging into the annals Acid, Electro, Techno, Deep House alongside the odd slice of Downtempo precedes him, as he readies the third WGD volume for release.
Bubbling up with another 4 track EP comprised of cuts from equally brilliant artists, the opening shots are fired on Side A with the unmistakeable sounds of Moy “Ouroboros”. A finely crafted slice of robotic acid funk entices you into the wilds and waves of moody 303 action as machines collide with precision accuracy. Bringing you back to a calmer vision and seas of tranquilty, Rekab aka James Baker’s “Summer Dreams” demonstrates just how blissful ambience and slowing the pace in these testing times can soothe the soul. Leading Side B, fans of Chi-town grooves will not be disappointed with Garrett David’s “Cruisin Through”. A Smart Bar resident and Gramaphone Records employee, he’s no stranger to sumptuous jackin’ edged house jams packed full of bouncing beats. Blending an irresistible rump funking groove to synth-led melodics that build and build, the total sum of these parts will not fail to get you out of your seat. Signing off in style, Moody Waters takes us into hypnotic house territory as low slung beatdown vibes meet mysterious atmospheres and vocal fx, emerging from the haze of that 5am smog that all too often glazes your inner mind.
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Emile Facey, maybe better known as Plant43, is releasing his next album, Scars Of Intransigence on Dutch label Shipwrec. An associate of labels like CPU, Semantica, the late Ai Records and Frustrated Funk, Emile has been producing since 2006 and has released more than 70 tracks, equally inspired by the 80's electro of his youth and the Drexcyian sounds of the 90's. Emile is also a graphic designer and co-founder of bleep43, an electronic music site and underground techno/electro party. As such and as a designer, Emile has a strong artistic vision and that plays out in this carefully crafted album, which has been written as a coherent story that unfolds from start-to-finish and comes complete with artwork designed by the man himself, in collaboration with German photographer Jurgen Heckel. Rather than being purely a collection of DJ tools, Scars Of Intransigence has also been made with the home listening experience in mind so that the album works in both contexts equally well. Says the man himself: "I try to express my emotions and feelings though the mood of my music, images and song titles, and Scars Of Intransigence captures some of the anger, sadness and hope I feel in relation to the state of the world we live in today. The scars are those inflicted by governments who seem hell-bent on perpetuating a world reliant on fossil fuels where elitism, privatisation and vast personal wealth thrive at the cost of other people, animals and our environment." Kicking off with 'Dormant Technology', a liquid electro funk is set in motion immediately. From there the tempo drops into the doleful and sombre 'Unnamed Resistance' before 'Cavernous Bones' explores deeply emotive electro, 'Fire Burning Inside' demonstrates Emile's ability to programme a hugely resonant synth line and 'The Coldest Rule' then comes on like a dystopian vision of an unsettled underwater world. 'Wounding Words' is a tentative track that is imbued with a real musicality as well as ponderous sense of cerebral charm and closing tracks 'Emerald Abyss' and 'Pale Reflection' are fantastic offerings that glow with a retro charm at the same time as pushing electro well into the future. Scars Of Intransigence is a thoughtful and accomplished album that stays with you long after it has finished playing and is Plant43's most complete artistic statement to date.
FEEDBACK:
"amazing LP, oooof"
Funk D'Void
"Plant43 - a long time favorite. Love this!"
ND Baumecker (Freundinnen Audio, Berlin)
"up my alley!"
Steffi (Klakson/Dolly/Ostgut Ton, Berlin)
"yum yum yum"
Objekt (Objekt)
"Emile's typical sterile and raisor sharp sound design, the sleeve image used and the double colored wax came together really nice. Quality package for the heads.."
Klen (Ovatow / Frustrated Funk)
"timeless stuff, Emerald Abyss is my pick on first listen but many moments. thx!"
Ben Sims (Theory, London)
"Big Lp.. a future classic ! "The coldest rule" is my fav !"
Umwelt
"really cool album ... great electro !!!!"
Solenoid (Graphene / Belief System, Berlin)
"emerald abyss and a few others for sure!!"
DVS1
"Electro city... great stuff"
Charlton/Tapirus (Mord / Krill Music /Midnight Shift, Rotterdam)
"Top grade electronics from Emile, full support from me. would love to get higher quality files if poss."
Alex Downey (Third Ear / Split / (covert), London)
"10/10 Bam !!!!! Perfect, beautiful .... thanks"
Zadig (Construct Re-Form, ROUEN)
"Really cool stuff"
Truncate/Audio Injection
"thats a truly amazing album. spacey, futuristic, haunting. love every single track. thanks!"
Marcel Heese (Tresor, Finitude)
"amazing!"
Dax J (Monnom Black)
"Brillant and pure!! will pick up the vinyl! thanks!!"
Stenny (Ilian Tape)
"Cavernous Bones is my favorite!"
Secret Cinema
"Nice one... Thanks!"
Henning Baer (Grounded Theory, K209, Berlin)
"Loving this album. Looking forward to playing a few of these out.. Thank you"
Breach (Naked Naked, Aus, Atlantic, Amsterdam)
"Pure class!"
Surgeon
"Pale reflection and Coldest rule are fave but lots of goodies here"
Tomaz (22tracks, Sint Pieters Leeuw)
"love this"
Marco Bernardi (Take the Elevator, Bristol)
"Sounding great! Thank you!"
Chevel (Enklav / Vae Victis)
"Excellent stuff"
Truss / MPIA3
"love it, will play cavernous bones on rinse"
Jamie Russell (Hypercolour Ltd, Bristol)
"love it...a bit cinematic...thanx"
Roland Appel
"great album overall, but emerald abbys & wounding words are the ones that will find their way in my set"
Locked Groove (Hotflush / Turbo, Antwerpen)
"Some cool stuff on here, thanks."
CTRLS (Token)
"emerald abyss is my favorite here."
Electric Indigo (indigo:inc)
"Great album! Especially like "Emerald Abyss" and "Cavernous Bones"."
Sven VT (De-bug, Berlin)
"The best one yet. "The Coldest Rule" the standout cut."
Toby Frith (Bleep43, London)
"Beautiful!!!"
The Exaltics (Solar One Music, Jena)
"Beautiful album! Music with heart & soul!"
Chille jr. (Night Moves@Fnoob radio, Koprivnica)
"Mysterious, dope and funky! Thank you!"
Marco Zenker (Ilian Tape)
"Plenty to get stuck into there - thanks."
Necta Selecta (Eat Music)
"Great album! As expected from Plant 43. Love it!"
Dimi Angélis (A&S, ANGLS, Traut Muzik)
"Very nice album indeed. A nice companion for travelling. After a first listen I would say that my favourite is Cavernous bones but also Emeral abyss and Fire burning inside got my attention. "
Ksoul (Ksoul & MuteOscillator, TORINO)
"stunning !"
Giles Armstrong
"Can never have enough Plant43. Brilliant LP."
Tom Dicicco
"bloody great LP - tight work. Carvernous Bones really gets me."
John Osborn (Tanstaafl Records, Berlin)
"beautiful release! not just a collection of tracks but this really has the spirit and logic of an album, great job"
Artefakt (Field, Prologue, Amsterdam)
"yeah ! One of those album to join to my classic Elektroids/Drexciya stuff. Superb. And Cavernous Bones is simply awesome. Beautiful, deep and nervous track. "
Fabrice Lig
"Cavernous Bones" is the track i´ll play in DJ Sets and will use in a podcast. - HUGE PLANT 43 FAN"
(Hardfloor)
"Crazy electro album ! always happy to get more Plant43 :) love almost all tracks and Pale Reflection in particular"
Voiski (L.I.E.S., Construct Re-Form, Dement3d, Ivry Sur Seine)
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Two electro fellows uniting in one record to share their impressions and memories from travel experience around Europe.
This release transmits the beauty of nature and architecture through eyes and feelings of two producers - Low Tape and Dmitry Distant. Close your eyes and keep your belt fastened.
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Brooklyn-based musician and producer Varsity Star makes his Small Pond Records debut with ‘More Than Anything’, a mini-album of deeply moving and emotive electronic music.
Varsity Star is an electronic musician and upright bassist who grew up in Boston and spent time playing with various bands as a multi-genre sideman. After deciding to go it alone and produce music on a synth and Ableton, he had a spell living in Berlin. Now back in Brooklyn, he has become a prolific artist who, in just a couple of years, has put out various singles, remixes and LPs. As a programmer by day, he has put together high spec live shows involving 3D printers, soldering together LEDs and writing his own programs that read Ableton and output light patterns, he is a truly creative mind.
There is a soft and warm late-night melodic glow to the beautiful opening ambiance of 'Christmas Lights' which then makes way for the prickly live drums of 'Mixtape.' Littered with off-grid hits and detuned synth sounds, it's a modern and electronic take on jazz that is deeply absorbing. 'Bedroom' is a gorgeous affair that floats on airy pads and scuffed up, organic drum sounds while the most innocent of melodies play out.
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A chirp, a wine and a gurgle are the sounds that make the song of swallow. You won't find any of them on here though. The third installment of this sampler series features well-rounded dance and prance material instead. Four artists, four hits. Berlin duo Cyrk pay tribute to their favorite Sunday parties with Italo Blade. Barely hidden by its name, it cuts right through any heart of stone with aural infatuation and elation. Portraying the best moment in someone's life after a gig at the infamous Papaya Playa Project, Smallville records associate Snad, delivers a skippy and irresistible MPC jam that makes one want to whistle along. The baroque effect and element of Voon's music is a given. The Italian duo made that clear with Rose in Japan and is able to repeat the trick with Brando. Like Rondo Veneziano at a rave, it's larger than life and happily jumping over the inhibition gate of restraint. Finally, Lukas Lehmann takes the boiling pot off the stove. Juno Cuts A Caper is an ode to synthesizer number six of the renowned Roland series and a masterclass in simmering down. All in all: fun, fun, fun.-
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