Preconceived ideas about electronic music die hard. One of them is the belief that the mastery of analog instruments would be more noble than that of software's. S8jfou knows that this is false, as for him a computer is well worth a modular synthesizer, provided you know how to fully exploit it and immerse yourself in it headlong. On his new album Op·Echo, the producer has only worked with two digital tools available on Ableton: the synthesizer Operator and the delay effect Echo. Nothing else. The intend wasn’t to impose constraints or limit himself, but rather to experiment and demonstrate that the character of a sound can be made from scratch and offer a deeper music and vector of emotions.
The producer thrives on his UK electronic influences to compose broken and repetitive rhythms, but without redundancy. A basis on which he then adds several harmonic, dissonant and distorted layers, like a soloist who would express himself on moving foundations.
When you contemplate the world, you also see how violent it is. So S8jfou sometimes get more industrial and radical. But in the middle of the effervescence, the impact of the ambient on his music is felt, nourished by the lifestyle of his author who composed this album in Brittany, isolated.
So even though S8jfou has worked following his concept of limiting the tools at his disposal, it is above all to give shape to wild and crazy sensations and ideas. Isn’t that, by the way, the very essence of music ?
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