Skin is the debut album on Omena by Aleksandir.
Both musically and conceptually it's his most ambitious work to date, and maybe the first project that feels like a true piece of himself.
Half of the tracks are uplifting, while the other half dark, with a more serious tone than we’ve seen from Aleksandir before.
For the first time, the artist has included his own vocals on tracks, adding framework to the album.
Repress!
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on then Montreal-based imprint with a long-awaited repress of all three EPs: Variations, Conspiracy Pt. 1, and Conspiracy Pt. 2.
Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen The Hacker and David Carretta, but it sounds like a fresh update rather than pastiche, revitalized and refined down to a modern and versatile core.
These tracks work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are equally at home in a more underground setting, e.g. Von Party's 5am warm-up before Ivan Smagghe at a London warehouse party. The title track has the most attitude, establishing a palette of dark staccato basslines, crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces and Atmosphere are arguably even more straightforward club weapons, their breakdowns creating just enough 'insanity' without getting annoying, their grooves dropping back in with a cool, restrained power that will win over hiss weary DJs.
With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the works... if you want an idea as to how big Gesaffelstein will get this year, just think of him as 'Brodinkelstein.'
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Following up our 7“ series, here we go with our first 12“ release with a selection of inner circle artists.
Out of the “Internationale Normalitätszentrale” Bufiman delivers the soundtrack - a looong breakbeat piece loaded with Casio CZ sequences in form of sunbeams which are tickling your senses, Wolf Mülleresque kinda adlibs floating around your head and are stimulating your membrana tympanica. Precise snare drum samples from all around the globe transmitted via the MPC minister are throbbing. This is the “Members Of Warning Theme 2020”.
A darker and more disturbing approach comes from our family member Nadia D’Alò under her DALO alias. This track is more like - did you ever went to a dark and sweaty basement Electro party while in the middle of the floor at 04:20 a yellow purple sprinkled zebraseal named “ZAFRAM“ Mc Schnork wants to sell you liability insurance for a special discount? The 808 is bouncing, accents are placed carefully and harsh but also cute baby demon vocal effects are panning in between all 4 dimensions while the 303 hits you so hard that your legs are shaking? Then it gets really weird when this strange looking Otter from New York in a pink pony costume pops up and takes out the gear of his attache, offering you everything to pass the bat country safely? Well, it’s Philipp Otterbach's “Otter Space Mix” which put this special flavour on top.
Welcome to Warning 1201 - Enjoy your trip!
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Deepening the comic tones using cosmic relief, and lively vibes, La Science des Imbéciles (Ludicrous System), Brigitte Barbu’s sophomore sonic adventure, manifest a blurry creation intersecting orbital audio paths and damaged smoking instruments. Could have easily been called Birdless Science but it wouldn’t be funny…
Joining us for the third release of Arpanet, Infinity Plus One, veteran producer coming to us from the London underworld.
His unique sound oscillates between a twisted, distorted techno with hypnotic vocals and breaky electro.
Truly timeless sounds that we dare you to recognize. Two of the tracks are repressed 2005, but two others are unreleased from his 1999 catalog and the other was cooked up just a few months ago in 2022
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(Doubting Thomas, Olaf Stuut remix) No longer a stranger on the international scene, Kerala Dust manages to weaken many knees with his low, soothing - almost romantic - voice, covering the four-to-the-floor ever so effortlessly.
No longer a stranger on the international scene, Kerala Dust manages to weaken many knees with his low, soothing - almost romantic - voice, covering the four-to-the-floor ever so effortlessly. This time around however, the project of the London/Berlin-based artist is aiming for the downright no-nonsense attitude of the dance floor with a defining club track. It’s housy, techy, groovy, with no vocals this time - yet he does not lose his sense of self and manages to remain recognizable.
Olaf Stuut’s remix strays from the usual path and gives us a dirty and rough rendition of the original, accompanied by relentless teamwork between drums and bass.?French expert minimal specialist DoubtingThomas explores even further in his inimitable style and delivers a rolling workout.
Support by: Acid Pauli, Monolink, Rolandson, Be Svendsen, Dance Spirit, Supernature, Audiofly, Paco Osuna, D’Jamecy, Joseph Capriati, …
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Celebrating 20 years since the original release, Tosca are proud to present this remastered version of cult classic album Dehli 9. Carefully reworked by Bo Kondren at Calyx Mastering in Berlin, this 2023 master purposely avoids any modern hi-fi tricks and techniques and is committed to the sound of the early 2000"s, creating an improved authenticity of the original album.
Following the release of her debut album on Aus Music this
summer, Cinthie returns to one of her own labels with
some fresh original material. A four-track EP coming on
the fledgling 803 Crystal Grooves imprint, a platform solely designed for the release of the Berliner’s own material
and launched in 2018.
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The second of two new EPs by HVL from Georgia on Appian Sounds. Alignment EP showcases different flavours this time - Warmer acid, breaks, oscillating techno and early morning sounds. This EP was chosen from a different body of work (ten APPIAN015) but no less brilliant collection of tracks that Gigi put together towards the end of 2020 …Timeless cuts to suit all intimate dancefloors.
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Shcuro is the alias of João Ervedosa a DJ, producer and graphic designer based in Lisbon. He also runs the record labels Sombra and Paraíso, makes music as Jose Acid and hosts a show on Rádio Quântica. His first contact with a DJ setup happened at age 15, and that’s when Shcuro decided to buy his own turntables and mixer; and started producing his own beats, too. He’s since released music on Basal, Circus Maximus, Obscuur Techno, Golden Mist Records and his most recent collaboration with Photonz for Future Déjà Vu.
‘Particle of Memory’ is a hypnotic 6-track EP that explores new territories in contemporary dance music. Sonically Shcuro paints his sounds blending moody techno with industrial noises alongside fast, apocalyptic electro and breakbeat. He is influenced by Portuguese rave culture that was born in the mid-90s at Lisbon clubs Alcântara-Mar and Kremlin and the country’s first electronic label Kaos Records. Shcuro continues to expand and morph this rich dance heritage to create something entirely different. The bouncy, lead track “Afterlife” features vocals and lyrics by London's ELLES followed by a Decadent Dub rework. All songs have been mastered by George Horn at Fantasy Studios. Housed in a die-cut jacket designed by Eloise Leigh reminiscent of ‘90s escape/sci-fi films with futuristic bright pink pop flourishes
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Hearse are back with their 3rd emission and there’s no letting up. Another cluster of dark electro tracks from some great producers. First up is Miami’s Exzakt & BFX collaborating for the electro bass stormer ‘Raw’. Next we have Hamburg’s Kluentah serving up the bunker style ‘Jungle Juice’. On the B side is Gothenburg’s electro don Luke Eargoggle with acid electro beast ‘Olympia’ and closing the ep is the mysterious Amboss with a track that’s like a crack to the face with a bream ‘I want to live in my car’. You know the drill, 300 copies, screen printed sleeve. Once they’re gone they’re gone.
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Lisbon's purveyor of dance incantations Paraiso are back with an EP that packs a meeting of 3 legends of the local and global underground - a trio of fearless pioneers and cultural agitators from different eras. Yen Sung and Photonz have partnered up in 2020 to collaborate on new music and start a record label. Fast forward to today and this Paraiso EP is their third release, further exploring their mutual penchant for ethereal house music drenched in subtle but fiery grooves and acid basslines. Opener 'A Temperanca' taps into moody yet bouncy motifs, punctuated by crisp claps and an infectious 303 line in the vein of DJ Pierre's record 'What is House Music', their confessed influence for this track. Things get slower on the A2 where the title track gets reworked with alternative elements - aptly named Gravity Mix. The B side continues the metallic acid exploration via 'Akasha', twisting and turning like only expertly crafted basslines do before things blossom into a sunny house groover with enticing percussion and variegated hats. Legendary Angolan-Portuguese producer DJ Satelite steps in for remix duties, adding his iconic deep afro house edge to a wonderful effect, all blissful motifs and broken percussive sonics.
With Augustus Williams Metroplex welcomes one of Detroit's new generation of electro and techno explorers to the label. His debut titled ,,Increaser EP" offers four tracks of celestial funk deeply indebted to the classic sound of Metroplex. The EP starts off with ,,The Hook-Up", a bouncy yet minimal electro permutation built around a propulsive Bassline and a percolating synth arpeggio. On the other three tracks Williams flexes his techno muscle and shows his keen sense for deep and focused techno-soul with a futurist edge that has any dance floor heaving with energy. - most notably in the noisy abstractions of ,,Submission".
Having been previously released digitally and on CD back in 2009. We decided RSD 2022 was a great opportunity to release this seminal album on Red Transparent vinyl for the first time.
‘Don’t You Remember The Future’ is the debut artist album from Jamie Jones, peering into the coming apocalypse with a body-shaking, teeth-grinding, tripped out fusion of sound on Crosstown Rebels.
There are some talents that remain inconspicuous and then there are some you can’t ignore. Jamie Jones is the latter, quickly rising to superstar status in underground dance circles over recent years. Releases on Crosstown Rebels Hot Creations, Defected, Cocoon, Get Physical and BPitch have catapulted him to become a cult figure and he is widely admired for his true originality. From his debut single ‘Amazon’, to his albums' anthem ‘Summertime’, his unique sound has won him worldwide audiences and this album has been widely anticipated as one to change the face of current house music.
With ‘Don’t You Remember The Future’ Jamie Jones delivers an album of “intergalactic techno house, where old school prince meets cybertron.” A seamlessly blended up-tempo mix filled with eerie and energetic moments. Featuring ten brand new tracks from Jamie Jones, alongside this years dance floor anthem ‘Summertime’ and the current ‘Galactic Space Bar’ - which features the vocals of Egyptian Lover - the album’s twelve tracks are stitched together in an entangled web of beats and bleeps, available digitally as separate edits.
Cosmic cuts such as ‘Mars’ and ‘Deep In The Ghetto’ create a new dimension through soaring synths and idiosyncratic samples while the sonic dance floor weapons ‘Half Human’ and ‘This Is How’ release the lethal disco master within Jamie Jones. The jacking, peak time moments of ‘Summertime’ and ‘Sand Dunes’ produce a current take on the early acid house sound and each step of this peculiar story solidifies the strange notion of being within an undiscovered time and place. ‘Don’t You Remember The Future’ features the guest vocals of a variety of musical souls, checking off some of Jones’ remote influences and revealing the greater versatility of this skillful artist. Norwegian oddball duo Ost & Kjex feature on the anthem, ‘Summertime’.
The seductively charged ‘Absolute Zero’ unmasks the talent of London based DJ, producer and vocalist Alison Mars (AKA Alison Marks), resulting in a beautifully epic and mysterious after hours track, and the toxic ‘Galactic Space Bar’ features live vocals from one of the creators of the electro scene, The Egyptian Lover, an old hero to Jamie Jones through early rap cuts like ‘Egypt, Egypt’ and ‘I Need a Freak .’ ‘Don’t You Remember The Future’ vinyl release is the album that brought the future into the present."
