House Новости

A chirp, a wine and a gurgle are the sounds that make the song of swallow. You won't find any of them on here though. The third installment of this sampler series features well-rounded dance and prance material instead. Four artists, four hits. Berlin duo Cyrk pay tribute to their favorite Sunday parties with Italo Blade. Barely hidden by its name, it cuts right through any heart of stone with aural infatuation and elation. Portraying the best moment in someone's life after a gig at the infamous Papaya Playa Project, Smallville records associate Snad, delivers a skippy and irresistible MPC jam that makes one want to whistle along. The baroque effect and element of Voon's music is a given. The Italian duo made that clear with Rose in Japan and is able to repeat the trick with Brando. Like Rondo Veneziano at a rave, it's larger than life and happily jumping over the inhibition gate of restraint. Finally, Lukas Lehmann takes the boiling pot off the stove. Juno Cuts A Caper is an ode to synthesizer number six of the renowned Roland series and a masterclass in simmering down. All in all: fun, fun, fun.-

“To Will One Thing”… determine what it means in your life.

the second Laen Disc 12” following last year’s ‘Attention Renders Our Reality’. hand stamped & numbered in NYC. 150 copies.

blessed to finally get a club test this autumn, play ‘em loud when you have the chance. see you out there.

Extending their branches once more, the System Error brand presents their latest offshoot - Party Bombs. A catalogue which will be dedicated to the peak times of the night, covering various strains of what they may entail. Looking to find a consistent spot in the record bags of the party starters amongst us.

The opening track by Oshana, “Everlast”, boasts nostalgic synths, and an energetic drum arrangement , inaugurating the Party Bombs Various Artists Series with a dynamite production. Sitting comfortably as the A2 is “Party Bass”, a debut outing for DJ Stroboscope who some might know under different names, an artists shrouded in mystery only illuminated by the stroboscope flashing through the thick fog covering the peak time dancefloor, a chunky slab of dancefloor chemistry, consisting of a winding sub bass, and direct drive from the word go.

On the flip side, Obsidian steps up with a playful and animated groove in “Hall 46”, smooth sunshine sounds cruising the openair party into fifth gear. The ice cold hip hop vocal samples bring all of the characteristics of the track together. Closing proceedings is a slinky and enthusiastic power house track from Magic Doz. “With You” presents raw old school elements with a modern day twist.

Bombs by name, bombs by nature.

2021 Repress in Red Vinyl

The LP edition will contain 2x180gr-vinyl Navigate between dreamlike electronica, hypnotic ambient and melodic techno. No doubt this is one of key electronic albums of 2012. Despite the many years still ahead of him, Rone has already come a long way, being one of the most acclaimed young French musicians on the electronic scene.

His videos have spread all over the World Wide Web with the speed
of light and his powerful liveset has been appreciated from Sonar Festival to Panorama Bar. Three years have passed since the release of 'Spanish Breakfast' and now his next album, 'Tohu-Bohu' (hurly-burly), is coming out 5th November 2012 via InFiné.

Live At Robert Johnson introduces SIRS to its artist roster, with a two-track laid-back Balearic disco EP, reducing the tempi to bring on a nicely crafted and floating cosmic groove. Arrived EP kicks off with Keep Forgetting, a laid-back and slowly evolving cosmic vibe, which lets you forget the daily routines and hardships for a while. On the flip-side, Junee widens the Balearic panorama with added pads, uptempo beats, and a heart-warming synth line. Available digital-only, Call Me turns a notion of long-distance longing into a punchy downbeat, with floating chords and melodies building into a labour-of-love tune. Daniel Klein aka SIRS (read: Sounds In Real Stereo) has come a long way since getting acquainted with electronic sounds in the 1980s and into DJing just a decade later, inspired by the early Hamburg gay scene. His mid-Nineties relocation to Ibiza and Mallorca has clearly informed SIRS’ productions and overall style, which features on many remixes and co-productions, as well as his own tracks and label SIRSOUNDS.

Beginning in 2008, Nathan Taylor produces techno and DJs under the alias “Sponge Bath,” creating his own space for rhythmic sound design, straight forward DJ tools, and an unabashed love of the more psychedelic and experimental sides of music intended for the club, dancing, and the mix. Based in Carrboro, North Carolina, he has spent the better part of a decade learning, gigging, and DJing throughout the region. Previously, he’s released recordings on Tonelog Records, Grovl Tapes, New Body Tapes, and Acid Etch Recordings.

“Tributary,” his first double vinyl release, contains seven tracks of hardware techno, recorded over the span of three years in his home studio and intended for the working DJ to use and abuse in service of the dance floor. The record exists as a small link-in-the-chain of American dance music, paying tribute to those who pioneered the sound of the underground dancefloor. 100% respect and gratitude to the elders, the trailblazers, the unknowns who’ve paid the price and continue on.

44 Tours Records kicks off with its first release. A gathering of local talents, who turned to become friends by hanging out at the 44 Tours record shop. One would say that fresh ideas bloom out of hard work. We believe that drinking beers on breezy afternoons, while debating on the last pieces of wax imported at the shop surely helps in the process.

« Six Ponts », literally « Six Bridges ». Like the ones that connect the city of Nantes to its isle. A creative and forward-looking district where 44 Tours is located.

Early support by Laurent Garnier, Stenny, Justin Cudmore, Kris Wadsworth, Renaat (R&S), Ciel, Jacques Renault, James Zabiela, The Burrell Connection, Worldwide FM, Rinse France..."

FAKE #1 – THE ABSENCE

The deaf noise of the socialmedialism thrills misery. The hate array, the dreams of profit spurt a modern ideology made of science and technology for a factory shaped city. The user worker, the content product. Login. All in. Proletarian Romance - Life in sharing. Love by the hour. Idealism motel. Sexual class conflict. Moral hierarchy.
Fast Sci-Fi, Internet Overdose, Gourmet overexposition; Speed depression. Ethical inquisition. Wellness preservation. Right patrol. Afflicted soul. The information, the information - the information...
The new verbs of the power. To like, to be Liked. The followers - the swollowers. Mobile addiction.The window on the wall. The beginning of the century. Political correct. Business coma. Social Warming. Open Sea - freedom breakdown. West civilization sunset - block express. External Memory. Extra limb. Grim... Tough solutions required, the destruction of meaning. Emergency exit, only.

The second episode comes from Uruguay's finest talents, Cosmonaut. 
Three outstanding cuts of thick dance floor nourishment where time dissolves into relativity with nostalgic, emotional and profound sounds designed to have its inherent connecting factors in every DJ set. To complete the experience we have Derek Carr on remix duties delivering a true masterpiece for your listening pleasure.

Russian musician Low Tape debut on Luck of Access with three electro influenced tracks.

PHI008 features the next generation of Slovenian producers and a talented French artist.
Produced in a time when dancing was a crime.

Deep driving techno tracks by the Spanish techno don.

Kompakt welcomes 2021 with a new member that many of you will recognise. For over 3 decades, Orlando Voorn has been a force in dance music like few others. One of the first Dutch producers to establish a connection between Detroit and Amsterdam (check “Game One” his collaboration with Juan Atkins for Metroplex). He has recorded under a trove of alias that include Fix, Frequency, Format to name a few.

Orlando Voorn brings his extensive knowledge of Techno and House to the forefront for his Kompakt debut “Internal Destination”. We offer up the title track ahead of the 3 track EP’s February 19 release date. Spacial sounds connect perfectly together – the playfulness of the track feels like each moment is caught in mid-air but the beat keeps it all moving forward without hesitation. “Ride The Wave” rounds out this EP – an electro loop is serenaded by a funked up synth melody that jams to the drum in the most soulful of ways.

Kompakt begrüßt das neue Jahr mit einem neuen Familienmitglied, das dem ein oder anderen geläufig sein dürfte. Schon seit über 3 Jahrzehnten prägt Orlando Voorn die elektronische Tanzmusik wie wenige andere. Als erster holländischer Produzent werkelte er schon sehr früh an der Detroit - Amsterdam Achse (siehe "Game One" mit Juan Atkins oder die legendären Ghetto Brothers Releases mit Blake Baxter). Er hat unter unzähligen Pseudonymen wie Fix, Format oder Frequency Platten veröffentlicht, die heute Kultstatus haben.

Mit seinem Kompakt Debut "Internal Destination" zeigt er, dass seine Musik auch im Jahre 2021 tiefes Wissen verströmt und nichts an Relevanz eingebüßt hat. Der Titeltrack "Internal Destination" ist Groove pur. Räumliche Klänge verbinden sich perfekt miteinander - die Verspieltheit des Tracks fühlt sich an, als wäre jeder Moment in der Luft gefangen, aber der Beat hält alles ohne Zögern in Bewegung."Ride The Wave" rundet diese EP ab - ein Elektro-Loop wird von einer funkigen Synthie-Melodie begleitet, die auf gefühlvolle Art und Weise mit den Drums jammt.

Albums often try to evoke a time and place, few manage to do that with such startling effect as the unlikely collaboration, Leave the Bones, between the multi-generational Haitian band Lakou Mizik, and Grammy-winning electronic music artist Joseph Ray. “Haiti'' is a word that conjures up a lot of images, it is a country judged by many, most of whom have never set foot on its shores. But its history is rich, its people proud and defiant, and nowhere is that more evident than in its music. Culture is what defines the country - its drums and Vaksins (traditional horns) are symbols of freedom and pride, liberty and struggle, and represent the escapist joy of dancing. Leave the Bones paints a musical portrait, a fresh glimpse of an oft misrepresented country, that through Vodou chants, chest-pounding Rara dance tunes and contemporary protest songs, conveys the listener to Haiti’s spiritual heart, a place that remains a compelling mystery for foreigners and a source of pride for every Haitian.

For its sixth release, the Madrid-based label N2MU presents an eight-track Various Artists compilation featuring Ivna Ji, Teslasonic, and Larionov among others. A gathering of renowned artists able to convey a homogeneous music message without losing sight of their creative individual characters.

As in the latest N2MU release, Xergio Córdoba (Eternal Midnight Mastering Studio) has been in charge of mastering duties, while the Galician visual artist, Plástica, has created the artwork for the project.

LTM presents a limited double vinyl gatefold edition (500 copies only) of B9, the definitive collection of cold wave and minimal electronica from Belgium, recorded between 1979 and 1983.
Originally released on Sandwich Records in May 1981, B9 featured 10 exclusive tracks by luminaries such as Digital Dance, Polyphonic Size, Kid Montana, Pseudo Code and Prothese, the latter the first recording project by Daniel Bressanutti of Front 242. Now digitally remastered, with 10 additional tracks on the second disc, this new deluxe vinyl edition also features Front 242, The Names, Marine, Siglo XX, The Neon Judgement, Berntholer, Allez Allez, Isolation Ward and more.
Cover op-art by Victor Vasarely. Design by Benoît Hennebert, based on a poster for The First Belgian Rhythm Box Contest (1981). Liner notes by James Nice. The existing CD version of B9 is also still available (LTMCD 2486) 

After a short hiatus, Brother Nebula is back home on Legwork with his debut long player.

Less FaceTime, More Spacetime.

Krystal Klear presents Cyclia One! Informed by Jim Henson’s psychedelic and cinematic nightclub fantasy of the late 1960’s, which was supposed to be the entertainment of the future and the theatre of the year 2000, the man who brought you „Neutron Dance“ also dives deeper into his own universe. Starting with „Entre Nous“(that also is keeping the tradition of debuts in Gerd Janson Boiler Room videos) and following the uplifting piano path, while applying the thumbscrews of happiness, it’s easy to imagine bursting oversized lava lamps. The despair of turtleneck existentialism on the other hand, which was still of importance in Jim Henson’s heyday, penetrates every fibre of „Autobahn“- disoriented drivers included. „I’ll Be There When You Need Me“is the cloud with the silver lining that renders every philosophical debate useless: life is great! Nothing less could be said about „Gambino “: mid tempo beatnik boogie. Even though Henson’s vision never became a reality, Cyclia One would probably make him happy. And if not, we can still dance, if we want to.