House News

Some smooth remix action going on here!! Italian DJ and producer Gianluca Pandullo a.k.a. I-Robots has chosen six of his favourite Electronic Emergencies tracks to reconstruct. The second part of a collaboration after a digital-only compilation of EE tracks by the founder of Opilec Music in 2020, the six rigorous reconstructions on this double 12-inch are long, luscious, and full of energy. Move Like Rays by Machinegewehr was injected with a high-energy vibe, while Das Ding's Want Need was transformed into an electro classic. Skeleton Head's queer anthem Beaten, Bloody, Bruised was given the percussion treatment, Danza Obscura by Borgie got an Italo Wave twist, and New Wave legends Chris Davis and M/A/N/O/S had their tracks worked over by dubby electro and minimal techno. Electronic Emergencies reconstructed by I-Robots consolidates the label's frontier electronic underground reputation.

A pair of high voltage fairy-tales from the ever psychedelic Leisure Connection crew (responsible for the classic frolicking, sloth adorned Jungle Dancing No 'Label' 12" back in 2013) . With twists and turns a plenty along the way - everything sounds gloriously badly wired and sparking. Big. Recorded in Los Angeles. Mastered by the Bastard.

Since relocating from Amsterdam to Bergen on the Netherlands’ north west coast, Tom Trago has gone back to basics. Every day he jams out tracks in his home studio using a small selection of electronic instruments, drum computers and effects units, a process that allows him to quickly capture ideas, emotions and the intense moments he experiences while making music.

It’s these diverse and sometimes surprising musical moments that will be showcased on Trago’s new DIY record label, Jong Nederland. The imprint is named after the building where he now lives and works, an historic and storied place that has been home to artists of all descriptions since the 1960s. Each vinyl release will feature tracks made by Trago using his improvised, straight-to-tape technique, packaged in handcrafted sleeves illustrated by internationally renowned Dutch artist – and fellow Bergen resident – Pieter Bijwaard.

The Jong Nederland story begins with two tracks of undulating, slowly shifting dancefloor voodoo rich in crunchy drum machine hits, lilting electronic melodies and instinctive dancefloor warmth. On the A-side you’ll find “Whisper”, a hypnotic but fluid affair where hushed melodies tumble down over off-kilter polyrhythmic machine drums, spaced out effects and bubbly, ever-changing analogue electronics.

B-side “Belltower” sees Trago up the tempo a little and bounce us towards the farthest reaches of the galaxy. Utilizing a rubbery rhythm track full of sturdy but supple kick-drums and hissing cymbals, Trago layers up fizzing synthesizer lines, poignant minor key chords, wiggling acid-style motifs and starburst electronics to fire the synapses and stir the senses. Like its’ A-side companion, “Belltower” gently twists and turns throughout, reflecting the real time, hands-on changes made by its creator during the spontaneous sessions that led to its creation.

And We Finally Heard Them Singing » is the first release of Umbra and the first release on Magma Records. The Brussels based producer and magma co-founder produces frenetic yet refined and emotive tracks. His signature palette gathers melancholy and tension with a DIY approach, sampling and mixing live sounding beats and electronic percussions. A large range of influences are morphed into this record showcasing a perfect blend of organic warm sounds, melancholic pads and electronic production.

Repress soon!

The first EP from Belin Based DJ Quest’s Label LA NOTA DEL DIABLO.

The third release on Elma RIvaga is signed by Riccardo. This record drives you into an archetypal musical word rich in shades between shadow and light, enjoy it!

A true king of the disco revival, JN is back with a 2019 sampler featuring his reworks of songs by TAMIKO JONES, THE TRAMMPS, and PATTI LABELLE. (Z RECORDS)

Straining the boundaries of electronic music once more is the innovative, Varme imprint. The futuristic label have been constructing a reputable platform in recent years, propelling underground sounds. For the sixth release they call on Colombian beatmaker, Buraye, four unique tracks that blur the lines between genres, all boasting direct dance floor energy that packs a punch

An exploration of extra terrestrial textures from Buraye, sitting comfortably on the Varme label.

3rd release for the Ravanelli Disco Club this time courtesy of Eben Rees (Haws). Freerange head honcho Jimpster & Tech Support on remix duties.

DJ Support:

Hotmood
Crazy P
Cody Currie
M.ono
Luvless

On a newly arisen Amsterdam – Berlin axis, Daniel Monaco and Sauvage World unite for their first collaboration EP on San Francisco based Roam Recordings.

“Paninari On Acid” is a twisted tribute to the first golden age of Italian electronic music. Israeli talent Niv Ast turns the trip into a dance floor bomb, leaving no choice but to move with its chubby bass and synthetic lead lines.

“Teneré” was not only one of Milan’s paninari favourite motorbikes but – most importantly – means “desert” in the Touareg language. This is where Monaco and Sauvage World are taking you for a lysergic adventure filled with sand through a solitary land.

Fabrizio Mammarella brings it back to the age of the machines and delivers an hypnotizing electro version, brilliantly mixing the Arabic tinged nuance of the original with unstoppable killer rhythms and robotic vocals.

Following critically acclaimed releases with Dance Regular and Rhythm Section (releasing under SAUL with Jack Stephenson-Oliver), London-based producer/DJ Footshooter lands on Astral Black with his full-length debut, the 'Southside Hymns' LP.

'Southside Hymns' is a decadent tribute to the community, club nights and culture of London that Barney Whittaker (Footshooter) is intrinsically a part of. This ethos is embodied in the skippy, broken-beat of the MA.MOYO featuring 'Passing Clouds' (a tribute to the community-ran venue of the same name), whilst the piercing synth stabs and horn laden grooves of 'Juno Café' is a nod to the South East London club space it's named after.

Following the Albertina-featuring single 'Twilight', the EP transitions from a dusk drive through the city - taking in the sights and sounds of Whittaker's favourite foliage-flaunting haunts, to parking the listener firmly on the dance floor with the trunk rattling bass of 'Untether' and the Natty Wylah featuring 'Bloom'.

Through enlisting a guest cast including the likes of vocalists MA.MOYO, Natty Wylah & Albertina, guest instrumentalists and long-term collaborators Wilf Petherbridge, Isobel Risk, Ebyan Rezguli & James Mollison, as well as artwork by Illustrator & NTS resident Anu Ambasna - Footshooter has ensured that 'Southside Hymns' at once embodies the contemporary London music community that it is also a dedication to.

'Southside Hymns' drops October 1st on 12" vinyl & digital DL via Astral Black Records.

The International Music System series is finally complete, with Volume 4 released on Mr. Disc Organization next December 13th!

Pressed on transparent yellow-vinyl lmited to 300 hand-numbered copies, It’s another essential vinyl for collectors with four killer tracks extracted from the International Music System second LP dated back to 1984 and all remastered for 2019.

On the A-side, the sophisticated “Love Games”, that will be included in the official soundtrack of the fifth season of the so popular Netflix series "Narcos", plus the slow ballad "405 North".

On the B-side , "Vanity Rap" which brings Rebecca McLain vocals to the fore while and "Freeze Rock".

Often abbreviated as I.M.S. the project was created in Vicenza, Italy in 1983 by Maurizio Cavalieri and Giorgio Stefani, the same musicians who brought you “Spacer Woman” by Charlie. Under this moniker, the two would release two albums of stylized and syncopated electronic dance songs showcasing the still-evolving advancement of computer and keyboard-generated music.

Distorted Sensory Perception returns for their 4th release, proudly welcoming Eddie Symons AKA Nullptr to the fold. ‘Lost Time’ boasts 4 deep and dynamic analogue cuts that are sure to stimulate the mind, body and soul. The EP forms the penultimate part of Nullptr's 2021 triptych, recorded over the final months of a difficult year when the distance between friends and family really started to be felt, yet the hope of better times felt close.

The A-side opens with the bass heavy ‘Adrift’. Shrouded in eerie synth leads and tasteful modular bleeps. All presented over heavy hitting drum loops that together make an emotive, uncompromising whole.
The first side concludes with the warm and funky ‘Islands’. Smooth sailing synthesis and popping percussion in combination create a sonic delight for the ears.

The B-side opens with the dark and moody ‘First Light’. A deep, dystopian example of UK Electro that takes no prisoners. Deep menacing bass pads, melancholic synth leads and acidic squiggles all bubbling under a punchy broken beat. Finally, the last piece of the puzzle and title track of the release ‘Lost Time’ is a lighter, dreamier example of Eddie’s versatility as a producer. Signature arpeggios and contemplative leads all tied together with shuddering percussive elements. A beautiful insight into the reflective mind of its creator and a fitting end to an emotion-inducing record.

For the third edition of the Tsuba Special series we bring together the ItaloJohnson remix of Spencer Parker and a previously unreleased remix of Detroit Swindle from Soulphiction.

With inspiration taken from Dario Argento’s iconic 1970s horror film "Suspiria" and his surrounding works, Aura Nox expands on the supernatural canon with her first Vinyl EP release, Levana’s Tears. Each track drawing from the occult elements embodied by the story, dark electronica melodies transcend over rhythmic EBM grooves, striking an intimate balance between horror and beauty. Remixes from Trenton Chase & Black Merlin included!

Who would have thought that Gerd Janson and Phillipp Lauer, aka The Tuff City Kids, delivering a 'Rocker' mix for Alter Ego, wich is not only one of their best up to this date remixwork, but also probably one of the biggest electro-summerhits in 2016. The Tuff City Kids production work is quite similary eclectic like in Roman Flügel and Jörn Elling Wuttke's original version. They know exactly how to juggle with different styles, until they come up with a fresh new sound that transforms an ordinary rave into an unforgettable happening. In this case they are mixing real performed krautrockdrums, 90's prototrance-balearicstrings and an unexpectedly new, enthusiastic way of working with Alter Ego's trademark melodyhook. This melody-theme is dripping formally out of every programmed bass and synthesizer line without beeing to cheesy, superficial or over the top. Even their 808 electro-remix for the track Gate 23 is keeping to the premise of the legendary New York punk rock band The Ramones, that a good party track should not illustrate the effects of psychedelic drugs, the music has to be the pill itself. The rich details and playfulness of the mixes are showing Gerd Janson and Phillipp Lauer as real fans of the original versions.In the same spirit, they are trying to melt pop-appeal, art-sensibility and clubhit-function in one piece of vinyl.

Turbo pulls out amazing vinyl-only remixes from Red Axes and Johnny Aux to go alongside a massive acid version from Martinez Brothers.

When it comes to creating atmospheric soundscapes, rhythm and melodies Vick Lavender is a true master. Shifting Gears, the debut release for Local Talk is a lesson in deep and soulful house music, rich in organic instrumentation.

Opening track Shifting Gears is a bouncing dancefloor gem that's sure to turn heads from the get-go and have everyone smiling and dancing thru out the entire track. 'Here In Spirit Sid' is rhythm-driven affair with added solos that create fresh excitement, Vick shows his diversity as an artist and ability to produce a timeless vibe which we're proud to be bringing you on Local Talk

There are few who can breathe new life into old Polish songs as well as the Warsaw duo Holiday 80.
Their new versions of forgotten Polish songs are always incredibly danceable, featuring great production quality.

This spring the duo will finally release their self-titled EP for The Very Polish Cut-Outs - the cult label from Poland.
This recording also marks the start of a new series of samplers, which will fully showcase the production artistry of individual Polish producers.

The Very Holiday 80 Sampler EP features four new edits that are perfect for both the clubs (once they've opened of course) and home.
The release opens with "Byles, Jestes, Bedziesz Moj" ("You were, you are, you will be mine") - an electro funk interpretation of Krystyna Pronko's 1987 song which is beefed up with some straight forward drums and lots of new effects.
The next track on the same side, the Holiday 80's version of Tubylcy Betonu track "Ye Ye Ye" will prove to you that the Poles felt the Manchester groove no less than the crazies from Happy Mondays.
Yet the real gem in this set is the B-side opener "Zaopiekuj sie mna", a synth-wave, dark-italo style take on the 1985 hit track by Rezerwat that was on top of Polish favourite lists of the era.

The release closes with an edit of "Centrum Wynalazkow", one of the best examples of Polish new wave electronic music of the late 1980s. The forgotten recording by Formacja Niezywych Schabuff has been cut with a skill worthy of the tailors of London's Saville Row.