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Fifth Installment Of The 12 Inch Series From Madrid Based Monoclap. Vinyl Only. Limited Copies. Including Tracks By iO Mullen, Olga Korol, Sandro Kuhne & Ben Zulauf

Panea records, is a concept based on sharing their lifestyles with all who share a passion for music. And aspiration to provide talented musicians, producers and DJs with valuable opportunities within this label..
Four spanish friends came together in Berlin sharing their love of music. Each of them influenced by the Berlin music scene

Time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: Jay Shepheard, who's back with a track that's so infectious if you licked its back you'd trip for weeks. Prepare yourselves for 'Bullfrogging': wry funk, warmth and humanised technoid soul. Taking a vocal texture then processing, harmonising and splicing the spawn out of it, Jay's precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. 'Early Doors' follows suit and there's a massive clue in the title... Soft-focused, warm, rolling and laced with textured chimes, it's definitely tailored for those key transitions between warm-up and second gear. Deep, trippy but coded with a hookiness that grabs rather than soothes, once again it's classic Shepheard but with a revitalised 2017 twist. Hey, he didn't lock himself away in the studio for twelve months for nothing, right Neither did Jay's long-time friend and neighbour Mark Henning; a man who hasn't taken on a remix since the early 2010s. His return to the remix game is as poignant and powerful as Jay's return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of Jay's original. Two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. We're pulling out some serious stops here.

It's hard to imagine being at the cutting edge of electronic dance music for over three decades, and never resorting to cliché or tired gimmicks in order to create unique and forward thinking music, but Matthew Herbert is still channelling original and thought provoking ideas into his projects all these years later. Via his Accidental record label, he has always excelled at left of centre productions, and through a variety of genre aliases (including Doctor Rockit, Wishmountain and The Matthew Herbert Big Band), his imagination has always run wild, resulting in an infectious catalogue of music over the years. 'Brand New Love", featuring the vocals of rising star, Zilla, finds Herbert creating a dense and dramatic bass heavy cut. A steppers beat, utilizing Herbert's trademark sampling techniques, it's a killer cut with sweeping cinematic qualities that sounds head and shoulders ahead of the rest. Special Request, the jungle heavy arm of Paul Woolford's many recording talents, is enlisted to put his breakbeat spin on the original, and turns in an absolutely lethal version; choppy breaks, spinbacks and booming subs come with intent, whilst a sumptuous string arrangement accompanies Zilla's vocal for a truly uplifting spirit. 'The Peacock", with its loose beats and opaque stabs, rolls along with its industrial undertones and ravey motif, discordant at times but a truly hypnotizing but in the finest of side B1 traditions. Bringing up the rear, 'Cheekbone' is frenetic and charging micro tribal rave (a new genre classification right there); a glorious medley of percussion, earworm synths and guillotined vocal samples, showing just why Matthew Herbert is as vital an artist now as he has ever been.

LARK vinyl is a new Label. Based in Berlin & Osaka Japan.
1st EP is collaboration by Nekes (Oslo) & Yoske.
Mixed by AOKI takamasa (Raster-Noton).
Vinyl only release.

Coming hot on the heels of Samuel Rohrer'sRange of Regularity album are two EPs of striking reinterpreta- tions. These new remixes provide an intriguing parallax view of the original tracks, using the percussive eclecticism of the parent LP as a starting point from which to journey into soni- cally vibrant, feature-rich territories. The production specia- lists on the first EP include Ricardo Villalobos and Vilod, the collaborative duo with Max Loderbauer. Villalobos, has alrea- dy formed a strong working relationship with Rohrer's AM- BIQ trio, lends his talents to both of these new EPs. The se- cond one will be completed by a remix of Burnt Friedman. Each individual remix has its own character, they are all united in their ability to provide a quick cure for fatigue with the common loop': they are strung together from fleeting phra- ses that evolve as if they are taking on a life independent of their creators.Villalobos' compelling take on Lenina' pulsates from start to finish with a kind of voluntary anxiety, a commitment to painting every corner of the sonic surface with clearly defined pointillist touches. While this kind of approach would cause less confident producers to collapse at their editing worksta- tion, Villalobos takes to the task with gusto - leaving see- mingly no corner un-animated by sound, he pieces together something surprisingly funky and hyper-real from a catalog of distinct percussive hits, time-reversed ephemera, and playful kitchen sink' ambience. Vilod's Uncertain Grace' remix, though marginally more laidback than the flipside, is no less engaging. A buzzing beehive of activity powered by an organ- like refrain, this is one of those pieces that will induce a fee- ling of perpetual movement into even the most still of physi- cal surroundings. This is especially true when, after four and a half minutes of flotation, a straight-ahead techno rhythm ta- kes over and all the disparate hovering elements fall into place.

* Lump Were Born Of Good Timing And Predestined Compatibility. It Began One Night In Mid-june 2016, When Mike Lindsay - Founding Member Of Tunng And Throws And A Prolific, Mercury Prize-winning Producer - Was Introduced To Grammy-nominated, Brit Award-winning Singer Songwriter Laura Marling After Her Show Supporting Neil Young In London.
* A Heady Blend Of Wonked-out Guitars, Moog Synths And Pattering Drums, Set Against Droning, Coiling Clouds Of Flutes And Voices. Marling's Lyrics Slice Through The Apparent Emptiness Of Contemporary Life. Her Resulting Creation Is A Bizarre But Compelling Narrative About The Commodification Of
Curated Public Personas, The Mundane Absurdity Of Individualism And The Lengths We Go To Escape Our Own Meaninglessness.

the new 10" vinyl by terry lee brown jr. !!! contains mixes by david alvarado and nick curly !!!

killer doublepack with rmxs by Milton Jackson, Roberto Rodriguez, Einzelkind, Johan Ilves, Francois Dubois, Terry Lee Brown Jr. , Manuel Tur, Neil Qiugley !!!

a strong 2x12" vinyl !!

Argentinian Imprint For Club welcomes Cazaux for it second release. Four tracker EP from the bottom of Cazaux mind.

It's been a while since the latest Melisma release, last time we saw Ricardo Villalobos & Argenis Brito deliver the Amnesia EP which was supported by pretty much everyone and is considered a underground techno classic... This time it's a double pack from label owners Dani Casarano & Felipe Valenzuela who delivers 5 tracks of deep electronic techno phunk of the highest quality, aimed straight towards the dancefloors.

Cosmic Dust EP is the debut of Heerd on COTEOF. Four original cuts of timeless house music

Mihigh steps up for TLR006 and in Mihigh's true fashion brings his usual dark flavour to Trapped Ldn. Mihigh is known for his head bending, dark, trippy erie minimal style and he has once again delivered with this evil 2 track EP. Mirrors is a mix of driving minimal and dark atmospheric sounds which gives you a great after party style of track but could also be blended into a maintime set. Mutual contemplation is our personal favourite which can be used as both a tool, a warm up track or an after party track. Its crazy trippy leading synth keeps you entertained throughout the whole track and sounds like it was created to mess up anyones mind while at a party. We are super happy to have Mihigh in the Trapped family as he has been one of our favourites at various festivals we have seen him

180g, vinyl only!

3rd release of rumanian producer Moratu on the mysterious Beech Music Label!

AMZS present their next release made by Italian and Berlin based producer Otis! House and Techno for any kind of dancefloor, enjoy it!

Axpin debuts with its EP "Gilgamesh", including three deep house tracks and a first floor remix of mastermind Christian Burkhardt (Cocoon, Oslo, CBSessions). It smoothly combines multifarious arrangements and arousing melodies with a forward pushing club sound. Suitable for the dance floor as well as the afterparty at home, this EP transports the listener to a faraway world of subtle grooves, pushing drums and mesmerizing sound design.
"Gilgamesh" is a track based on the story about the journey of an ancient emperor, searching for enlightenment in the highlands of Mesopotamia. So it comes as no surprise that a driving beat breaks through the laid back percussions and hypnotizing atmospheres. Wandering through this track side by side with mysterious pads and exotic sounds, a lost but defying melody accompanies the listener on his steps.
"Catiba" is a track with a multilayered arrangement, that doesn't necessarily reveal its complexity on the first look. Different rhythmic moods provide the structure for two melodic lines, competing at first but working perfectly together after a thrilling break, melting your soul. They're supported by a pervading deep bass groove that will make your body vibrate.Christian Burkhardt summarizes both tracks' features and unifies them in an impulsive club remix that floats every second and climaxes in a thrilling break. Dry but playful, perfectly fitting for the dance floor without losing the warmth and lightness of the original.
"Kryon" is the EP's third and most expressive track. Starting with lost parts of a melody, rather an echo in the vast distance, the track continuously  increases its tension, extending the rhythms until the arrangement blasts out a stunning break that, contrary to all expectations, is a calm and compassionate moment with a transient theme. The clear production provides a place in the mix to each sound, a deep moog bass rumbles in the basement while the stimulating percussion coats the volatile beat.

A new series of releases hosted by the label Superluminal.
Re Discovery represent a slightly different shade from the usual path that Matthias has been following by far, this time a feeling that evokes Lo-Fi beats towards deep/house inspirations. Since the beginning has always existed an idea of creating a "subculture" related to the initial project Superluminal developed in 2017 in Berlin, Re Discovery is considered as an experiment to re program elements which were adapted and developed considerably, particularly referring to surgical breaks and deep twisted drum patterns.

Sequenced using instruments such as: Miami Acidlab, Roland 909, Roland Juno 106, Moog Minitaur, Roland 505, Akai325Dx Cassette Deck...

Nektar Agu strikes a joyfull three-tracks with his "How To Be More Fun EP".

Sticked on some hypnotic grooves that are fitting so well with the sounds that the label is promoting since the very beginning (How to forget those great successes obtained by "Lost" and "Prologue"), the argentinian artist comes with a latin vibe filled with minimalistic touch. An analog experience through the very first listen heated up with the hotness and the romantic atmosphere of his native land.

Supported and played by Barac, S.A.M. , Kozo, Dan Andrei.

Four Fresh House Techno tunes ...nice

Windmühle strikes again with some exquisite material from the Romanianmaestros. This release is called La Relanteu' by Brind, a moniker of an artistyou all know from his releases on UVAR and PELERIN . La Conac' is an airy, almost light-headed release. The first track is a cheerfulinvitation to dance, with an easy touch of introspection. La Peles' on theother side, is an entrancing twelve-minute, hymn-like track, with an almostfolk-ish melodic line. The label's second release, in general, explores deeperand more head-nodding rhythms.These gems have already been supported by romanian house pioneers !

Although the definition of the word artist is quite ambiguous, Liou definitely breathes through music, either as a part of the audience, later as a DJ and finally as a music producer.
His music has been released on labels like Signatune Records, La Vie En Rose, Daydream and Broox Records.


This record has limited copies and there won't be any repress...


Only Vinyl

Thomas Brinkmann is one of the great producers of Techno music and modern dance music. He initially gained notoriety in the experimental electronic music and Techno community for his full-length 'variations' of material by Wolfgang Voigt under his Mike Ink moniker, and Richie Hawtin. The variations were made by playback of the original artist records on a turntable of Brinkmann's design, which has two tone arms with separate outputs for left and right channels. The turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. Both Voigt and Hawtin were sufficiently impressed they released the results on their own labels. Since then Thomas Brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by Thomas Brinkmann himself. There are unreleased tracks, different versions, and tracks that have never been released on vinyl. A full colour 20-page book with track notes by Thomas Brinkmann and photos from his personal collection is included. Limited edition box. Highly Recommended!

Opening cut 'Acido' setting the tone perfectly via murky broken rhythms and glitched out bass hits before the latter stages introduce a squelching 303 lead which tails out the rest of the record. 'Nylo' follows and draws on an earth shattering sub bass lead, sparse percussive shots and a subtly bubbling synth stabs.


Opening the flip is 'What' which takes a more robust approach rhythmically with a weighty kick drum, shuffling congas and choppy hats lying at the forefront while spiralling bass hits and vocal chops meander around them. Lastly the package is closed with 'Nasty', an intricately programmed energy fuelled workout featuring reversed bass swells, jazz tinged Rhodes melodies and crunchy distorted drums.

a vinyl debut of a great Serbian label CMOK (Centar Muzicko Omladinske Kulture), which is quite known by a narrow circle of professionals and great sound lovers.

this release has got a total urbanism in the sound that undoubtedly will be a big joy to drop on some good party with friends.

William has been an intriguing presence in Sydney's music scene for over ten years, performing and releasing under several monikers including most recently, T.Morimoto. As a producer and teacher he has inspired the work of artists such as Seekae, Cliques and Cassius Select. His EP Annum Contra is a diverse collection of percussive approaches and rhythmic studies that sees William moving in a dance floor friendly direction - whilst maintaining the idiosyncratic style he is known for. Annum Contra also features a handful of guests including Lamtech9 and Kid Kairo. Both regularly attend Lion Mountain Studio, a community recording space for young people from Sydney's Sierra Leonian community where William volunteers. Chun Yin (aka Rainbow Chan) also makes an appearance providing her vocal touches. The first track, Tuition", reflects William's interest in stretching clichés and testing aesthetic standards: I like the idea of building something around a really stock emotional fragment - how far can you go with just a minor triad, or a straight arpeggio, or a few tuned drum sounds Can you undercut and reclaim musical clichés' Busss' is a percussive jam built around Lamtech9's entirely improvised verse. Rue Vavin' is an intense polyrhythmic experiment drawing on footwork kick patterns and live percussion all recorded in William's studio. Sleepwalk' is an expansive and driving four-to-the-floor tune. Plastic World is excited to present Annum Contra to DJs and listeners alike.

A small studio visit in Dresden expanded to a studio session and from a studio session they
developed two tracks. Mariano and Daniel published one of it, a timeless, spherical one, on
this 'Everlasting Treasuries 5' EP on vekton black. On the B-side of the record Maki and
Lorenzo present their vekton black debut with a trippy, minimal and very creative track. Call it
modern house whatever ...

Part Time Dreamers (SSBS001) is the first release on separate skills black series and comes with three excellent tracks. The A Side starts with a dubby sounding offbeat part before the kicks come in with exceptional metallic chords combined with some very nice 707 rimshots. The first track on the flipside has beautiful themes, raw toms and a subtle acid sounding line. A harmonicaly inter -pretation with sough and windy sounds, great deepness and perfect hi-hat settings are given at the last track on that side. A varied record with emotional, timeless and driving soundscapes.

WRITTEN & PRODUCED BY GORBANI & MAURICE GIOVANNINI
REMIXED BY HUBBLE & ADJUSTMENT BUREAU
DESIGN BY VG VISUALS
VINYL ONLY !

After big releases from Lyssna's own Adam Stromstedt and Flord King, the Stockholm based imprint are proud to give you their first VA compilation: ZNA001. This time around they are showcasing some of their favourite artists. A-side kicks off with lekker Dutch producer Levi Verspeek, who has had numerous critically acclaimed releases on labels such as Apollonia, Raum Musik and RUIS, just to name a few. His track '256' takes you on a deep dancing journey.

It has a certain attitude about it that coupled with a rolling bass line carries you through to the end, creating the perfect vibe for the dance floor. A2 gives you newcomer Peshka from Ukraine. With his unique sound, his track 'Miracle' is a sophisticated and delicate minimal masterpiece, with strange vocal samples that make it perfect for those early morning sets. On the flip side, Lyssna hands the reigns back to their own heroes. B1 'Steff Off' by Flord King gives you a mellow and housy ride with dreamy chords and a jazzy bass line that pays homage to his musical background. With B2 'HM 2016', Adam Stromstedt makes sure his hypnotic sounds are being heard. Fine violins, breaking glass and his signature sampling methods make for a heady musical trip into his unusual mind.

Having released a number of tracks for on Level NO Zero, Cocoon, Escapism and Tanzbar, the german guy from Frankfurt, Matt Star finally breaks on our Rounqube Musik dropping his own EP after the appearance on the 2X12 Roundqube Family Anniversary. Radio EP is a crazy minimal microphunk four-tracker with 3 originals with precious bouncy remix of the main track reworked by the label ambassadors' Gabriele Carasco and Francesco Passantino.

vinyl only, 180g, unknown

The 2nd Vinyl Ep From Terre's First Album In Five Years 'deproduction' Features Its Two Bonus Tracks: Admit It's Killing You (and Leave) (piano Solo)' And Sprinkles' Corresponding 'dead End' Deep House Mix
Presenting Vinyl Versions Of The Bonus Reworks To His 43 Minute Deproduction Album Track Admit It's Killing You (and Leave) , The A-side Includes Terre's Haunting 14 Minute Piano Solo, Where He Drops The Unsettling Backdrop Of Samples Of Domestic Violence To Leave The Keys Suspended In Reflective Space, Reverberating In Plangent Overtones Which Take On A Starker Effect If You Care To Play It At 33rpm.
The B-side Is Sprinkles' Uncannily Brilliant Dead End House Mix, A More Percussive Adjunct To The House Arrest Mix Off Ep1, Framing Traces Of The Original Vocal And Keys In A Sumptuous, Rolling And Swinging Deep House Workout Full Of Rustling Congas And Lustrous Low End That Marks Up Among Her Most Affective, Especially In Its Closing Minutes. So Damn Good...



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Here To Hell is an Australian label project conceived by The Presets' Kim Moyes, and Revolver resident DJ Mike Callander. This, the second release on the label is their first original work as Zero Percent.

After dragging Aussie rockers The Drones onto the dancefloor with HTH001, the Here To Hell label bosses show us a little more of what they're all about. Volumes is raw and tough, focused on groove and aimed squarely at late night dancefloor hypnosis.

Named after one of their early live performances, this first Zero Percent outing demonstrates the direct link between their live shows and studio sessions. With Kim and Mike living in different Aussie cities, their production sessions are few and far between. Often these long weekend jams coincide with the hangovers and sleep deprivation that come with gigging in each other's cities.

From all of these sessions across the last few years, Volumes stood out as their first work that satisfied the NO BRAINER test... that is, if you don't need to explain it, then the job is done and the dancefloor can fully consume it.

On the flip Kim and Mike invited The Mole to deliver his own version of dancefloor hypnosis, and they were most satisfied that he also delivered a fantastic NO BRAINER that now appears in all of their DJ sets.

3rd release of Botanic Minds Sunset Series. 12" 180g Vinyl Only.

'Source', a new release by Wolfgang Tillmans, comes in an original version and two remixes by legendary German producer Roman Flügel.
The sixteen-minute original version is a vocal piece in which Tillmans explores his abilities to generate vocal sounds to tell a story while refraining from using actual words. Meshing six different sequences into one composition, each sequence investigates different moods and emotions meandering between the guttural, sacral, and absurd. Recorded in a studio session in 2017, the piece focuses on the immediacy of vocal improvisation as much as on its post-production and edit.
Tillmans knows that whatever is achieved through spontaneity can as easily be lost, as he recently told Emily Bicks in a feature for 'The Wire': I am, of course, always planning things ahead, and I am managing an archive of 25 years, and communicating in the now with dozens of contacts, but the fortunate thing that I feel I've retained is an ability to get in touch with this moment of being in the here and now, and seeing, or hearing, or allowing words or melodies to pop into my head in such moments.
The A-side and an additional bonus track are both remixes by German producer Roman Flügel. In a ten-minute remix, the multi-faceted producer stays true to the original's spontaneity and develops changing arrangements wherever Tillmans' vocals are creating momentum. Exploring various directions, Flügel's experience allows him to glide effortlessly through the different sequences. The bonus 909 Mix instead takes a tighter direction with claps and high-hats and builds up around Tillmans' staccato laughter before culminating in beautiful house piano chords.

The title may suggest a specific origin, a 'source' that is to be located, but in Tillmans' understanding it is a transient space abundant of undiscovered possibilities.
.

Unblock presents it's 7th release with another solid vinyl offering with this 4 track EP by two well established and respected producers. Tato (who also has his own success with his label Isgud Records) on the A side, and TIJN (Label boss of other vinyl only outlets such as In Haus Wax & self titled TIJN) on the B side.
A1.Estic has a deep underground percussive tribal balearic feel to it with rolling cool dark melodic synths and infectious moody pads that carry the energy solidly throughout the track
A2. Lusyormaind has a slightly lighter feel while still maintaining a deep groove over an intelligent key riff, a dirty baseline with a padded wholesome kick and a dark and sexy hypnotic arrangement with hat patterns providing that bit of light.
B1 . Tijn: Stranger Things has a lovely smooth authentic original house vibe with subliminal whispers. The hats and snares carry the swing seamlessly throughout this track.
B2. Piano Loop has a summer sunshine vibe to it with a pleasant repetitive warm piano loop layered with bright but smooth percussion over a subtle but effective baseline.