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repressed !

Okain opens LOCUS’ 2022 schedule as he drops his latest EP, ‘Daddy’s Groove’.

A long-standing figure within Paris and Berlin’s nightlife scenes, Talman Records boss Okain continues to impress as a DJ, producer and label head at the heart of Europe’s house landscape. Whether releasing material via labels such as Infuse, Pleasure Zone, Eastenderz or Constant Sound, or on home turf alongside the likes of Silverlinings, DJOKO, Leo Pol and Per Hammar, the Frenchman’s blend of tough house merging old and new runs deep throughout his DJ sets and productions. Kicking off 2022 in style, mid-January welcomes a label debut on LOCUS as he drops four crisp efforts across his ‘Daddy’s Groove’ EP.

Opening cut ‘Mightnight Feed’ welcomes a slinking track guided by aquatic synths, sweeping electronics and bumping bass, while ‘Tavie One Tooth’ hones in on rich M1 stabs to showcase a bubbling and resonant house affair. On the B-side, ‘Brother Jack’ journeys down a lighter path, combining airy pads with jazzy interludes and subtle yet squelching low-ends, before rounding things out via the slick, classy tones of closing production ‘Green Mousse’.

For our 10th Anniversary (CAR010) we would like to welcome, Romania based Costin RP, to the Cardinal family.

It is around the Chilean artist Etro Hahn that returns this 8th release exclusively vinyl: Drummer EP adds to the collection of the label AKTA records these 3 new original tracks. He shares this new release for the remix with our faithful Slovak artist Hendriks Toth

Single-Sided Record

We’re glad to present Roman Khropko’s latest release on FIB002, marking a new phase in his sound. With fresh concepts and approaches, this record shows a deeper philosophical narrative that underpins each of his works.

The opening track serves as a manifesto of our contemporary world, where an AI-generated voice delves into the opportunities and challenges brought by modern technology—creating a thought-provoking recursion between sound and meaning.

The remaining two tracks perfectly embody Roman’s signature style, seamlessly blending his refined vision of cutting-edge Tech sound with his extensive experience in crafting dancefloor-oriented music.

Limited edition for those who truly understand.

Canada's finest Carlo Lio is debuting on SK Supreme. After several releases on Labels like BluFin, Monique Musique, SCI-TEC and the very successfull "Breakfast in Bag EP" on Quartz this is the new single combined with three strong remixes. High Quality Piece.

Barcelona based dj/producer Rainer delivers three originals within his debute EP on the imprint. + a special remix by Dan Andrei AKA Aloevaru.

There's a story thread that slowly develops right before your ears and drags your attention as far away as uncharted areas, bordering music experiments. There’s a familiar groove nested in the bassline, that slides from one side to the other. There’s an abstract take on electronic music, dressed in unexpected textures.

Sahau (Kozo, Dan Andrei and Paul Agripa) proposes a sonic trip down the galaxy: from the organic skylines drawn with El Senor De Los Cielos to an abandoned starship broadcast, captured in Cablung, as it finds a loophole out of Fresno’s evergrowing tension.

Sahau’s newest release for Zimbru is much like that one scene that would help you understand the whole movie.

Third release of Jerelo Records, that includes very precise minimal-tech groovy tracks for the dancefloors. Vinyl Only.

Constant Sound is one of the very many labels that is headed up by Burnski and one that he reserves for club-ready tech house and minimal. Wodda steps up for the latest outing and brings some future garage energy to the opener, 'Reggae Fusion' (Deep mix) which is lit up with lithe synths and smart vocal samples. 'On My Way' has more infectious garage vibes to it with the squelchy drums and hits and some nice heady melodies up top. 'Changing Faces' gets more twisted and brings intergalactic drama to the ass-wiggling cyborg tech beats and last of all, a Tuff Mudda mix of 'Reggae Fusion' shuts down with a silky thump and throwback UKG bass.

Moving on to the 11th release on NorthSouth Records and it’s a return with another 4 tracker from label co-founder Harry McCanna who once again dons his Henry Hyde alias.

Leading the way on the record is Melting, a tried and tested dance floor killer, with it’s deftly programmed drums and bulbous baseline, it’s destined to twist a few melons on the dancefloor.

Up next is Shaking Off, moving things in to slightly lighter, bouncier territory, playful vocal snippets interspersed with zapping synth stabs, a certified wiggler!

On the flip, things get under way with Mire as the EP moves into a sludgier direction on the South side, heads down groove-a-plenty this ones an ear worm destined to get you shaking.

Rounding out the EP is Sunrise at the Pavilion. The clue is in the title, but just imagine this one and those gated synths, sun coming up through the trees, many special moments to be had for sure!

Nachdem Tobias. im Februar sein zweites Solo Album auf Ostgut Ton präsentierte, folgen nun drei Tracks vom Album als Remix, neu interpretiert von Mathew Jonson & The Mole, Peter Van Hoesen und Blue Hour. Tobias' aktuelles Album - A Series Of Shocks' ist durch die vielseitigen Tracks und deren puristischen Sound geprägt. Zeitgenössische Musik, die durch ihre Detailverliebtheit ebenso glänzt wie die Jahrzehntelange Erfahrung, die Tobias Freund mit sich bringt.
Der Remix von Mathew Jonson & The Mole erstreckt sich über die gesamte A Seite der 12'. Der Track wird über neun Minuten aufgebaut. Durch die langsam ansteigende Percussions und den Mix der Hi Hats findet der Remix seinen Spannungsbogen. Der Trademark Sound von Tobias. ergänzt diese lange Exkursion und ein völlig neues Stück entsteht. Die Wurzeln von - If' sind nur zu erahnen, jedoch ist der Remix ein ausgezeichneter Anhang zum Album.
- Cursor Item Only' bekommt eine neue Richtung von Peter Van Hoesen aufgedrückt, der schon auf der Berghain 05 Mix CD von Marcel Fengler ein atemberaubendes Intro beisteuerte. Sein Remix für - Cursor Item Only' ist ein gebrochener Techno groove mit interessanten Glocken Strukturen, die sich in Kombination der geschickt eingesetzten Effekten, wie eine Schraube im Break des Tracks zudrehen, um im nächsten Moment wieder in die Ausgangsposition zu fallen.
Das Schlusslicht macht Newcomer Blue Hour. Der Remix von - He Said' ist aber kein Ausklang - im Gegenteil leitet er die Stimmung der Remix EP in die Peak Time Phase. Reduziert und auf den Punkt. Durch die Kombination der klassischen 9

Winder presents the next compilation featuring Costin Rp, Faster, Bernat, Franco Motta.

Will You joins the roster of Philipp Priebe’s Stólar this February with his ‘Is It 2 Late?’ EP accompanied by remixes from Lb Honne and Orion. Producer, DJ and Oleeva Records label boss Will You has been slowly unveiling his take on contemporary deep house and dub-tinged techno over the past few years via solo material and remixes on his own imprint and most recently a remix of Philipp Priebe’s ‘Movements In An Empty Department Store’ on Stólar. Here we see Will You returning to the latter aforementioned imprint with his latest EP.

Leading the release is ‘Santé’, a six and a half minute excursion through snaking sub bass tones, a crisp, shu®ed rhythm section, dreamy synth chimes, squelchy 303 licks and spoken word vocal lines. Title-cut ‘Is It 2 Late’ follows next and deviates into more dubbed out territory via expansive, unfurling echoes, cinematic atmospherics and robust, intricate percussion. Opening the ¬ip-side is Zurich’s Lb Honne’s interpretation of ‘Is It 2 Late’, the Project Indigo artist extracts the essence of the original and reshapes it into a subtly nuanced, loop-led and hypnotic workout. Italian duo Orion then conclude the package with their take on ‘Santé’, reshaping the original with their signature deep techno style, fuelled by grainy textural components and bumpy saturated drums.

cntrl collaborates on his 3rd installment on pleasure zone with a new talented artist called "achieve" to present the "strpdwn ep"

Castanea Records returns with its seventh release, we are talking again about an LP this time signed by Paradroid. The artist is the new entry in the label and returns after a long time with an album that draws a definitely microhouse sound which characterizes him being a pioneer of this genre.
An old school sound unique and characteristic perhaps missing in the market since long. 8 tracks cared in minimum and the high quality details mixed and registered 100% in analog tape.
This icing cannot miss in the disk bag of any connoisseur in gender or non. There will be a novelty even on artwork level, this time we have decided to adapt to release a beautiful gatefold rough collectible cover.

After the first vinyl only release, Being All Vinyl 2 was born with various House and Deep House tracks from the residents. This release is intended for the Berlin dance-floors.

Derek Carr, one of the most creative Techno producers in recent years, was kind enough to give an exclusive access to his production hard-drive and share some amazing music with Pariter. After few months of digging, Derek and label head Yossi Amoyal put together a very exciting and extended compilation.

This beautiful 4x12” gatefold set inc. 16 rare and unreleased cuts that were written sometime between the late 90’s and early 00’s. Here you will find some of the best, strong recordings of the Irish mastermind, raw 909 grooves, hypnotic acid lines and beautiful Detroit-influenced melodies.

An essential compilation of Derek Carr and Sushitech sub label - Pariter. Monstrous!

For our third release, homeboys António and Pir bring up the heat with 4 new tracks from the off topic vaults. 200 copies.

Vinyl only.
No repress.

Mastering by Temudo at Tema Mastering.

2025 Repress

Creativity has no borders and our artist have no boundaries, no genres attached just freedom.

Deep in Dis intl. proudly presents "SHAHRZAD" (DIDWAX001) by Parisian dj/producer Noiro. We are extremely gassed to showcase Noiro's eclectic and unique approach to club music with this 5 trax EP.

We start the journey with the highly experimental 'Kata Pulse', an intergalactic and powerful trip-hop influenced tune with a strong vocal game.

A2. 'Rude' follows the cosmic vibe perfectly with a bit more aggressive breakbeat but keeping a warm feeling at the same time. Where the b-boys at??

To wrap up the A-side, 'Aube Session' brings those mysterious and high cloud walker feelings. The dance floor is starting to get warm... crashy bells, dj scratches and twisted synth/bass lines turns on the auto pilot for what's to come flipping the record to the other side where Noiro depicts the rest of the story.

B1. '1F' is a club banger, structured around frenzy and hypnotic synths, solid drum patterns and an unflagging muffled bassline.

Closing the EP B2. 'Show Me' confirms it wasn't just fluke ladies and gentlemen, Noiro's distinctive and unique sound is here.

Vinyl only.

Lake People is finally back with a mini-LP consisting of seven pieces.
Although every track stands for itself and has a rather distinct signature, in their compiled form, they are still able to tell a harmonious story from start to finish — maybe somewhat "Foreverer" which is the title of the release.

Coloured Vinyl

The tenth, jubilee release of "Instrument" series is a sudden turning point and immediately changes the rules of the game, anticipating emerging trends. Oleg Buyanov - one of the main GOST contributors responsible for prominent records "True White" and "Height Difference" makes his debut in "Instrument" framework. OL's new release creates a path of complete diverseness - a unique mix of ambient, dub and mutational electronica, though the author's hip-hop DNA is still recognisable.

The release title as well as its symbol flirts with the privacy of communication in the context of its facilities and tools of the present world. Music acts as the info-channel, which provides unseen and coded data to a person from aside. The vagueness of mood, recurrent rhythm changes, and order of arrangement seem to rhyme with the paranoid feeling of being wiretapped. OL (along with another GOST ZVUK resident Flaty) recently had a similar experience of sound synthesis with their Serwed project whose recent LP was released via West Mineral Ltd. The groove of "SORM" is swirling, distorted and sometimes "disengaged"; sound guided by its waves exists in a constant process of decomposition, dissolution and then reassembles in new configurations.

Limited copies - that's it!

Making a comeback to Kontakt, Thomas P. Heckmann unveils the latest chapter under his Metric System moniker. The release showcases a fresh composition with distinctive chords and reveals a hypnotic, unreleased gem from the TPH vault. Vril has crafted a sublime, bass-heavy treatment of 'Soul 440,' drawing inspiration from the distinctive soul of minimal Detroit house.

After his highly publicized breakup with Taylor Swift at LA’s Viper Room ,Iain Howie returned to Vancouver.

Taylor released “Bad Blonde Boy”, a breakup song about Iain and Iain quickly rebutted with “ Patterns” about Taylor.

He began working on his solo album and got a remix of Patterns by his shady neighbour “Jay Tripwire”. Partly because of the fact Taylor could never stand Tripwire.

Over the course of a year Tripwire churned out 10 different remixes for an alternative vinyl only release. Jay would have his friend Anton play various remixes from his hot dog cart in Bucharest.

One early morning it caught the ear from Cally. Cally had only intended to buy a foot long Frankenfurter after Guesthouse, but he was so captivated, that he asked Anton for a cassette tape of the song. Most Romanian DJs often look to Anton’s hot dog cart to find obscure unreleased gems.

Cally began his closed door ritual of compiling songs for closing Sunwaves that year. When getting his tea leaves read, his spirit guide advised him on using “Patterns” as the closing song to the festival.
Whether it was the come down from drugs or low serotonin, SW attendees could be seen crying on the dance floor during the song.
The tears were then collected and drank by Raresh

Sealed - original version

Electroswing killer... Limited stocks here... Hurry up !

8 early songs written and produced by TASE, recorded on 16 track tape machine. Neues deutschland studio 2010-2011.

VOY presents its 14th release with two groovy tracks.
Feel your generations!

(repress on black vinyl, originally released in 2019) Supported by many deejays worldwide, most notably Solomun. Moodfamily's favourite four-piece returns home after many journeys. Impatient as we are, we had to hear their stories. Skilfully combining influences, sounds and experiences from east and west, they translated their stories into a new EP oozing with drama, melancholy and determination. The EP describes itself as the soundtrack for an adventure to mysterious outskirts around the globe, starting with 'Whale Parade'.



This prelude takes you to a hidden land after wandering through forests for many months. Guitar, piano and percussion gently move in and carry you away. By the second track, 'All Day I Zama', a slow beat dictated by a banket of percussion evolves to a vigorous and groovy track with moaning vocals as the main theme. In title track 'Gold Town' you will settle yourself in a covered wagon, heading for dodgy settlements on a misty mountain range, accompanied by a grieving trumpet. As the wagon slows to a crawl, 'Ghajar' emerges; a downtempo emotion-filled song, where the piano and a scorching synth interchange melodies and tales.

Repress

Admittedly, being able to embrace someone back into your life, when they seem to have never left might be a little strange - but that’s exactly how it feels with Âme, one of clubland’s mainstays, consisting of Kristian Beyer and Frank Wiedemann. Case in point: they’re certainly not getting tired of gracing stages big and small with their DJ sets and live performances around the globe, yet “Asa“ actually presents their first original material since three years. Particular track sees the duo on top of their game, as it offers another example of peak time dance floor that is still so much more than just the sum of its components. “Asa“ is big, joyful, euphoric, and sonically adventurous. It relies on repetition, but no single part is allowed to stagnate before everything finally culminates in a symphony of daring synths, driving beats and dueling melodies. It’s a spectacle that might or might not be the musical notification of something way bigger heading our way.

Following his acclaimed first release from 2018, Basement Space is back with a LP, showcasing once again his mastery for breaks and his signature cosmic funkiness.

Manchester-based producer Pach, who you may remember from his much loved 'Pull Up & Dance' anthem on Darius Syrossian's popular Moxy Muzik label last year, produces a generously proportioned four track EP for the Aesthetic stable. Take note of the title, as it dictates the contents, with the A-side's two tracks, the title track and '21 Bump Street', proving to be the definite uppers, both adding a delirious feel of disco euphoria to a sturdy tech-house framework. The flip side features the slightly darker and more mysterious cuts 'Sticky Fingers' and closer 'Six N Switch', the latter featuring the sound of some rather decadent X-rated activities in full swing. Nice work if you can get it.

Vinyl Only

Castanea Records present its sixth release by Pressure Point.
The vinyl includes 3 original rhythmical glitch/micro tracks which juxtapose to the melodic synthesis tending to housemusic noteworthy to the expansion of some modular randomized sounds .
A complete Ep in every respect which also includes a remix by TC80 targeted to the dancefloor .
Do not forget that the release will be only on vinyl

Burnski's Pilot label fires up the back burners once again here for some cruising tech house that oozes cool. Robin Graham is the man on the machines and his 'Like This" (Italo Summer mix) kicks off with some subtle prog vibes, a throwback bassline and bubbly synths that percolate through the mix to soothing effect. 'Set Me Free' has glistening and silvery hi-hats and a choppy groove with some big stabs and 'Enter 1' is the sort of cut you want to hear at the afters with its trippy melodic details and deft synth sequences dancing about the mix. 'Subject A' is a driving tech house number with plenty of astral synth sounds and fresh future feels.

In 2021 during the coronavirus pandemic, Gene On Earth created his production masterclass “Nuggets: The Blueprint”. This is the sixth release of a collection of works submitted by students shortly after finishing the course. The class of 2022 overcame expectations and birthed a digital compilation and 5 vinyl releases to come out during 2023. Nug-Net will continue to be a home for music written by

Cocoon artists Andre Galluzzi & Daniel Stefanik shaking hands in this collaboration for Invade Records!