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House Vinyl New Releases - News
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Despite presumably being insanely busy A&Ring for all his many labels, which put out music at a high rate of release, Burnski does also still find time to make his own music. And it's top tackle too, whatever he tries, from garage to ambient. To kick off with here the Northern rock cooks up a super breezy and Balearic-tinged house tune that you can imagine playing at some vibey Ibiza sunset party. That's probably why he called it 'Summer 23' to be honest. On the flip, 'Afters' gets more chunky and tribal, with tight and pinging drums and that sort of wide-eyed, tongues-out energy that gets the freaks going.
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repressed !
Alan Abrahams, that's the man behind Portable, born and raised in South Africa, where he started to produce music in the 90's. 1997 he moved to London. After several releases on Labels like Context or Background, he started his own imprint "Süd Electronic" around 2002. Another Project named "Bodycode" was born and found a home at USA based "Spectral", the sisterlabel of Ghostly.His first "Portable" album was released at the end of 2007 through "Süd Electronic". Now Perlon is more than happy to welcome mister Abrahans on board with this incredible deep 12" entitled "Knowone Can Take Away". Two songs for eternity!
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Latch welcomes his latest resident Chirvu that delivers some freaky dubby grooves and strong dancefloor hitters, rounded off with an amazing remix from Robert Apetrei. With a few releases under his belt, the Romanian artist definitely knows how to deliver quality underground music.
Supported by Priku
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Music is liquid architecture!
Kirik & Alia Palant sign our 5th release alongside our good friends Vern and Cojoc in their remix duties!
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Aye Aye Mi Mi’ is the second single from Mano Le Tough’s new album, ‘At The Moment’ which is coming soon on Pampa Records; . The single really highlights the vocal & instrumental skills of the Irish producer, resulting in an indie dance ear-worm that’s hard to shake.
“It’s the only tune on the record that survived from my original batch of demos and sketches” says Mano. “It’s a kind of reflection on narcissism, social media saturation and the ego”.
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Petit Batou delivering our fifth instalment of Maru records “Loading Ep” including three cosmic originals, with a solid remix from Lulla. Early support from Costin RP, Userunknwn, Vlad Arapasu, Prajescu, Arapu, Octave, Barac, Sepp & Gescu.
Limited to 300 copies
Vinyl only
Artwork by Raul Ciceu
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Mass Appeal EP[11,72 €]
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Zingiber Audio is back with its 11th vinyl. This time, it’s Under The Radar trio from Porto who is on release duty. The 3 Djs and producers are well known in Portugal and are currently spinning at Lottus Afterhours as residents. The relationship with Zingiber Audio started back in 2020 with the digital release « 4 more Ep », followed by the 1st series of tapes « Selected Works », which showed the Portuguese skills as producers.
In 2023, they bring 3 tracks for the dance floors on this vinyl with the French veterant Dj and producer Terence :Terry: who gives an organic breaky minimal house touch to his remix of « Lift ». Full of energy and deep vibe, Terence :Terry: remix completes the Ep that is limited and vinyl only exclusive. Mastered by RS Mastering, Artwork by Thibaut Corsant for Zingiber Audio. Distributed by Vinylfuture.
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Saudade aka Fabian Appolaire returns to Carpet & Snares’s Patterns series with four refined explorations of jazz-inflected minimal house. As on his debut EP on the imprint, what interests Appolaire is the fundamental units of jazz – syncopation, swing, improvisation – and how these can combine within a stripped-back dance music template. Take the razor sharp arrangement of ‘52nd Street’, where silence is its own instrument, or the stunning melodic unfurling in the back half of ‘Walking’.
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Jack’s House welcomes new artist Mills to the label with his energetic Empad EP.
Mills is an underground DJ/producer who lives full time on the island of Ibiza, a place he feels most at home when it comes to being creative. He has built up a cool following making a subliminal noise, and also launched his own successful event called Uno Mas last summer.
A1. The title track Empad, already demonstrates some Spanish influences and has been test driven throughout the summer of 2022 at several clubs including the infamous DC10 for Carl Cox invites. This deep original tech driven track with occasional sub bass wobbles thrown in, just seems to pick up the dance floor whenever it is dropped. A true winner.
A2.Ohh has an underground carnival vibe to it with some reversed deeply spoken vocals accompanied by lots of fills and small military drum shots driven by it’s solid kick that drives the track in and out of a couple of breakdowns.
B1. Nerds is a fast paced busy track with tight hats travelling over a bubbling baseline. The fills and noises throughout this track come with more disguised spoken vocals and are what really give this track it’s signature. Another one that drives the dance floor
B2. Fari offers more underground carnival influences with a dirty snare and a deep riding baseline pattern. The limited vocal snippets that jump in from time to time and excellent drums, make this track what it is.
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Originally released in 2001, Omni AM's highly sought after 'Kastmaster' EP reappears for the first time with all the tracks in their OG context.
This EP perfectly encapsulates the US duo's vision to challenge the conventions and boundaries of what defined house music throughout the late 90's.
First up, 'Tubes for Allah', is characterised by heavy driving bass and sub-aquatic sonics. Punchy kicks drums drive the track forward, whilst swinging snares create a skeletal jack that underlies the track's eerie synths and haunting vocals.
Berlin favourite 'Chill New Body' is up next. Out of print for over 20 years this track is slightly more restrained, the dub bass-line interplays with a hypnotising and unforgettable organ riff, until deftly programmed chords send the track off on a remarkable late night mission, with no less energy and atmosphere than its predecessor.
On the flip, 'Beat Dis', is one of Adam & Marky's most highly revered and well-known productions in all it's full glory. Opening with a wailing guitar, this broken, breakbeat Tech-House masterclass, builds with an incessant acidic bass, there's additional percussive effects and a repetitive vocal to keep the track moving but it's those sparse beats and bottom end that are the hook, a perfect example of how 'less is more' can be so effective. This track became such a firm favourite with Craig Richards & Lee Burridge that they included it on the 2nd instalment of their Tyrant compilations.
This is another essential release from the Omni AM and Euphoria catalogue, lovingly remastered from the original sources by Lawrie at Curve Pusher
for the new generation's hearts, minds and dancefloors.
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Hailing from Kaliningrad x Berlin, new vinyl only label Garderobe, heralded by Malish, launches the first EP release. Limited to 250x copies
Keeping things edgy, deep, and minimal this 3 track release from Bilalov colors darker shades of house and techno for dancers and party people who are seemingly never ready to go home.
Also included in this release is a remix from prolific minimalist dj and producer Alci who delivers a superb remix that keeps the groove within respectable norms of avant-garde minimal for the audiophiles and chin strokers alike.
A genuine gem for any dj’s record bag or crate diggers collection. Honest, pure, and full of integrity this first release sets the tone for things to come and is sure to hit all the right spots during different hours of the party!
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Welcome Sublee on Hashplant - HPR014 - Limited Edition
Early support: Praslea, Priku, Raresh
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repress !
German label Bondage Music delivers the ninth instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Mihai Popoviciu, Pornbugs & Cristina Lazic, NTFO and Rhadow.
Vinyl pressed on 180g, vinyl only release.
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Vinyl Only. Limited.
Panna Cotta Music as MixCult Records sublabel returns with the second vinyl release with a virtuosic display of melodic musicianship. It’s a four track EP that wiggles around spatiality and blissful atmospheres. Joss, Ilya Schulz, Etzu Mahkayah and Gjidoda Jr. definitely come and hold many dubby techno wonders in this release.
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The fourth installment to The Senss's Vinyl only series comes from Romanian trio Los Bastoneros. The trio put together three beautiful tracks bound to send you into and outer worldly blissed out state. Grinding grooves, stretched out atmospheres and twisted pads are a plenty and well suited to those sunrise/sundown mind bending moments. On remix duties The Senss invites Costin Rp to add his signature flare to A1's Zecalanga and boy does he deliver. A monster bassline accompanied by twisted sounds and winding pads creating the perfect dance floor bomb.
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Nina Kraviz returns to Rekids with remixes of ‘Taxi Talk’ from David Löhlein and Sterac Electronics.
In the years since Nina Kraviz dropped some of her earliest music on Radio Slave's Rekids, she has become a bonafide global superstar. Founding two record labels трип (trip) and Galaxiid, she regularly headlines the world's largest music festivals and has continued to stay at the forefront of electronic music.
'Taxi Talk', initially released on Kraviz’s lauded eponymous debut LP in 2012, still stands the test of time with its spoken word vocals and smoky deep house grooves. Remixing the track alongside its reissue is Vision Ekstase founder and Lehmann Club resident David Löhlein who turns in a fresh remix, and Dutch techno mainstay Steve Rachmad, who unearths a remix made under his Sterac Electronics guise that had, until recently, been unreleased.
Löhlein’s remix sees the Stuttgart-based artist reach for his trademark ’snake sound’, delivering a sleek version flipped into a quick and urgent cut with pulsating synths and dynamic minimal drum funk. Sterac Electronics brings a distinctive sense of electric funk with a boogie-tinged remix full of colourful synths and hip-swinging drums that cannot fail to light up the floor.
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The third release on We Are FTR welcomes Oros to the family with his Inside Out EP, presenting a trio of cuts to perfectly showcase his sound. 'East' kicks things off, stretching out over the full A side with its captivating yet stripped back groove characterised by carefully crafted string samples. On the flip things get deeper, starting with the deceptively powerful 'Rek' which finds the perfect blend of head-down introspection and driving energy. 'Bartolomeo' closes out the EP with its alluring atmospheres sucking you in before more strings give a nod back to the A side and tie everything together perfectly.
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The third release on We Are FTR welcomes Oros to the family with his Inside Out EP, presenting a trio of cuts to perfectly showcase his sound. 'East' kicks things off, stretching out over the full A side with its captivating yet stripped back groove characterised by carefully crafted string samples. On the flip things get deeper, starting with the deceptively powerful 'Rek' which finds the perfect blend of head-down introspection and driving energy. 'Bartolomeo' closes out the EP with its alluring atmospheres sucking you in before more strings give a nod back to the A side and tie everything together perfectly.
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Marbled Vinyl
In the wake of Portable’s acclaimed album My Sentient Shadow comes a trio of remixes which expand on his unique slant on techno and synth-pop. Finding three artists who reflect his own experimental
tendencies within dance music, Alan Abraham’s original productions head into unexpected new places while retaining the physical, club-ready energy he manages to instill in his own creations.
A true auteur within techno, DJ Qu brings a sense of poise and drama to ‘The Spacetime Curvature’ as he patiently builds the track into a fierce peak time monster driven by snarling bass and his signature sizzling, shuffled percussion.
Patrice Scott has a reliably smooth, immersive approach to deep Detroit house, and it lends itself beautifully to Abraham’s melancholic vocal on ‘I Feel Stronger Now’.
Leaning in on the jazz dimension of his wide-ranging electronica, Call Super revels in the sweetness of ‘Ripple Effect’ and places delicate piano playing upfront before slipping into a relaxed, sentimental kind of garage and eventually edging towards an uplifting, off-centre strain of house music.
Individual in their own right and yet naturally entwined with the emotional intention of the original versions, this is a set of remixes which pay full credit to the source material while offering something
you won’t expect, like a great remix should do.
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- A1: Gavinco - Here We Go
- A2: Subjoi - All You Need
- A3: Toolate Groove - Brighter St8 of Mind
- B1: Oden & Fatzo - Divin Into Infinity
- B2: Ricky Razu - Bianco
- B3: B From E - Still Smokin
- C1: Mr. Sosa - Cyan Glaze
- C2: Vitess - Forza
- C3: Aiden Francis - Alocasia
- D1: Marc Brauner - Key To The City
- D2: Andrey Djackonda - A Feeling I Want To Stay
- D3: Holo - Rouge
We are celebrating our 4 years anniversary with Houseum Records, so what better way than to gather together 12 artists we particularly like around a compilation rich in diversity? This double vinyl invites you to explore different horizons thanks to the multiple facets proposed. We let you discover this unexpected project full of surprises.
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- A1: Stephen Brown – Level Steps
- B1: Claude VonStroke – Moody Fuse
- C1: Denis Horvat – Monomono
- D1: Daniel Avery – Your Future Looks Different In The Light
- E1: Jeroen Search – Subversive Elements
- F1: Marco Bailey – Kanai
- G1: Damiano Von Erckert – 500 People, 500 Hearts, 1 Love
- H1: YOKTO – Vision99
- I1: Jonathan Kaspar – CCC
- J1: The Emperor Machine – The Art Of Electronics
- K1: Carl Finlow – Surface Control
- L1: DeFeKT – Terraform
Cocoon Recordings presents: Cocoon Compilation T
Limited Vinyl Box Set including 6x blue vinyl & download code
Another year, another expertly curated compilation touches down courtesy of Cocoon Recordings. Somehow, the world keeps turning and with it the Cocoon universe keeps expanding, causing subtle yet persuasive shifts in the sonic soundscape that continue to
capture and captivate the imagination. In time-honored tradition the old guard and the new combine with devastating effect, to define the current state of play…
Veteran Techno producer Stephen Brown makes it clear the compilation series is back with a bang, opening things up in epic fashion with the lucid dreamscape ‘Level Steps’ - a true work of art. Another heavy-weight hitter steps straight up in the form of Claude von Stroke, who adds his own unique swagger to proceedings with those trademark shuffling beats and freaky, hypnotic bleeps scuffling for dominance on ‘Moody Fuse’. Denis Horvat then slows things down on ‘Monomono’, with post-raveNew Release Information
abstractions and disobedient synth-patches causing mayhem before the track finally unfolds in all its terrifying beauty.
Motoring on, the collection wastes no time reaching that familiar tipping point as we enter the techno phase of the journey. A very special appearance from Daniel Avery makes it all the more worthwhile amid a dense forest of chiming melodies and blistering electrical surges on ‘Your Future Looks Different In The Light’, before Jeroen Search’s aptly titled ‘Subversive Elements’ lead us deeper and
deeper, into the matrix.
Marco Bailey then kicks off a triptych of trance with some massive filtered piano action on ‘Kanai’ that’s destined to trigger a serotonin smile with everyone it touches. Revisiting the huge,
ever-growing pulsating brain of planet Orb, Damiano van Erckert continues the loved-up vibe on the gorgeously titled ‘500 People 500 Hearts 1 Love’, expertly complimenting the classic ambience with
some slick 909 snare and cymbal interplay. The melodic pull of ‘Vision99’ then signifies that the party is peaking at just the right moment as YOKTO concocts a glistening, psychedelic groove. The
emotional resonance climbs ever higher with brittle melodies endlessly circling a lush, throbbing bass drone to create the sense of something stirring out of reach.
Just when you think the acid sound is done and dusted, up pops a track like Jonathan Kaspar’s ‘CCC’ that somehow manages to offer an entirely new perspective. Riding in on a wave of expectant
arpeggios, the squelching bass and noise filter go toe to toe before Kaspar gets busy with a freaky tempo excursion that’ll be destroying dance floors all year long. ‘The Art of Electronics’ is, as the title
suggests, another superlative example of pure analogue fire, served up by UK legend, Andrew Meecham aka The Emperor Machine. The funk starts to flow as the bass drops, the machines cut loose and a swarm of cascading bleeps ride the trans-europa express to oblivion.
Electro overlord Carl Finlow, has come to define the UK take on the genre over the last couple of decades. Here, he makes his long overdue label debut, taking us into the closing straight with a
nervous sliver of dystopian futurism, complete with molten basslines and a fuzzy logic that underpins the tight, laser-guided groove on ‘Surface Control’. DeFeKT then draws this great adventure to a close
with the deliciously dark robo-disco overtones of ‘Terraform’ creating a dusky landscape that skillfully seduces the listener before the tension finally breaks in a wash of ecstatic chords.
All in all, it’s a supremely ambitious collection of tracks, generously featuring some of the most inspirational and durable artists of their respective generations. In fact, is this perhaps the best Cocoon
Compilation to date
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Label head Enzo Siragusa teams up with Archie Hamilton and Subb-an for the 'Archenzubann EP'.
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The third album of the amazing dub duo NORMAL BIAS, consisting of YAC (Piotr Krupiński) and 77 (Tomasz Karczewski). "LP3" is a kind of closure to the trilogy started in 2016. By inviting Dariusz Dudziński (drummer of the legendary Polish indie band Ewa Braun, currently Titanic Sea Moon) to participate in the recordings, the Normal Bias musicians create a symbolic loop centered on the hometown of all three artists - Słupsk - the place where it all began, where Tomek and Darek years ago they shared their bands' rehearsal space in the famous "independent garage" - a city whose spirit naturally became the leitmotif of the entire "LP3".
The album was mixed again by the duo themselves under the reliable supervision of Kwazar, and the mastering (including cutting the lacquer!) was entrusted to Stefan Betke - co-founder of the famouse ~scape label from Berlin, which can also be treated as a symbol. The graphics based on Martiszu's design were completed by a Znajomy Grafik.
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Kashatskikh returns with another four dancefloor bombs. As always, the carefully selected tracks deserve special attention. Take care of the space in your bag for this record.
Mastering by Kashatskikh Studio, Saint-Petersburg (RU)
Design & Illustration by Kirill Kashatskikh.
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For their first album, Seth Troxler and Phil Moffa joined forces and became multidimensional creative dissidents Lost Souls Of Saturn. This time, even further into the vortex, they’ve metamorphosed into sci-fi AR comic characters John and Frank who’ve explored the galaxy and returned with this perception-melting new LP.
Although ‘Reality’ still possesses the wigged-out conceptual brilliance which garnered installations and performances at Saatchi Gallery (London), Fondation Beyeler (Basel), The Metropolitan Museum of Art (NYC), and Museum of Contemporary Art Detroit, plus live sets at Field Day, Glastonbury and Kappa Futur, as its title might suggest, there’s vividness amidst the mind-bending. Where its predecessor was a murky exploration of weird and dark cerebral passageways, this album – though still fathoms deep – has a dazzling clarity of sound, as if listeners are beginning to crack the arcane codes, and reach for enlightenment.
A prime example of these newfound beams of light guiding participants through the maze is their recent single; the chugging cosmic techno synth pop of ‘Mirage’, featuring the voice of Adam Ohr. Also guesting on the album is Lvv Gvn, whose honeyed Billie-Holiday-meets-Rickie-Lee-Jones tones adorn the tranquil pixelated broken beat of ‘Click’, Greg Paulus’s trumpet sessions on ‘Zorg Arrival’ and ‘Scram City’, and Protomartyr’s vocalist Joe Casey and guitarist Greg Ahee, who grace the liminal drifting celestial plane of ‘Lilac Chasers’. Sitarist Rishab Sharma, the last disciple of guru Ravi Shankar, also shreds on ‘Scram City’.
Elsewhere, across the LP’s immensely inventive instrumental passages techno, dub, house, jazz, psych and ambient are vapourised into an expansive yet pleasingly concise series of morphing dream states. Fans of Air Liquide, Ravi Shankar, Ray Manzarek, Carl Craig, Pole, The Orb and ‘Son Of A Lung’ era FSOL should find much to like.
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Part 1[29,37 €]
Introducing Part 2 of Megalon's highly anticipated archival collection, showcasing their studio output between 1995 and 1997. This compilation brings together the best tracks from the EPs released by Megalon on esteemed labels like R&S and London's Plink Plonk Records.
Continuing their sonic voyage with finesse, this selection embodies the duo's forward-thinking approach. The music presented here is a testament to their ability to explore diverse styles and capture various moods, maintaining a striking modernity that remains relevant regardless of time. These tracks possess a timeless quality, sounding as fresh today as they did when they were first conceived. For any dedicated techno enthusiast, these records are a must-have addition to their record collection. With its true school UK techno essence and minimal electronic stylings, this compilation stands tall above much of the music produced on this island during that era.
Drawing from Megalon's extensive DAT tape archive, all the music featured in this compilation has been meticulously restored by the renowned Curvepusher. The artwork and design have been crafted under the keen eye of Rogan Jeans, the original designer for Plink Plonk Records and Megalon, ensuring a visually captivating experience to complement the exceptional sound.
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The debut release of Pola / Пола record label, founded as an extension of the Half club in Belgrade, which became one of the most prominent hotspots of underground music and culture in Serbia. The Owl Dance EP is composed and produced by Tijamara, the new electronic music duo formed by sisters Tijana and Tamara Ristić, with one remix by the eminent producer Alexis Cabrera.
The A-side is opened by the track Sisters, which is the introduction to Tijamara's world, filled with the contrasts of their personalities. The track Owl Dance will take you on a journey to their birthplace Kikinda, the small town in the north of Serbia, which has the largest long-eared owl roost in the world.
The B-side is dedicated to their Romanian roots and great-grandmother Rakila, after whom they named the track. The deep and wavy minimal sound, inwrought with Tamara's unique stylized singing, will make you feel the spirit of Banat prairie. Maestro Alexis Cabrera remixed this track and converted it into the Half's vibe of the rising Sun.
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