MEM043, Vinyl Only
Colored Vinyl by Olivian Nour & Clarkent.
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MEM043, Vinyl Only
Colored Vinyl by Olivian Nour & Clarkent.
The Item is out of Stock. We will send You an Email as soon as it´s available again if you click on "in Stock Mail"
Melodeum Records returns with it’s third carefully curated limited press composed by Birdsmakingmachine featuring an extended remix by Alci on side B. All 3 tracks on this dashing minimal EP are pure groovers yet each one stands out in uniqueness true to the Artist’s signature sound.
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the debut release on alex niggemann on mule musiq. alex have been released many records on poker flat,watergate,sasha's last night on earth and his own aeon. we were actually not familiar with his music but sandrino(aka frankey&sandrino) let me listened the demo and we signed immediately! two first class hypnotic house tunes.
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The eagerly awaited first edition of Lacuna’s vinyl series is now here, showcasing three tracks full of beautifully crafted elements from Jazz inspired house to rolling Ukranian deep groove.
We welcome the super talented, Australian rising star Nate S.U to the imprint along with his bright synths, deep bass and never ending rhythm which is apparent in both original tracks. Nod To The Jazz Cat showcases a catchy, warm and bouncy club track with Toby’s Anthem; a peak time, rolling and progressive energy builder.
Ukraine’s big hitter iO Mulen is on remix duties, an artist admired by Lacuna for many years. The jazz infused elements from the original have been re-worked within typical iO Mulen fashion, delivering an eclectic warm rolling groove giving off an energy guaranteed to get people moving.
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Rising Romanian producer RQZ is back on Sous-Vide Records following his previous remix of "First Floor" from SVR001. This time the Mioritmic resident presents four snappy minimal offerings.
"Temple Drum" is our soup du jour, the tenacious kick dominates the palate while RQZ lightly seasons the offering with sprinkles of syncopated percussive elements. A dollop of hypnotic vocal sample is dropped on top to round out the flavours.
"Black Velvet" arrives with sharply trimmed edges creating a lean cut with smooth textures and sounds that tease the hidden sweet and sour notes within.
"Controller" serves up a heavy bass line that commands attention. The drums act as a pairing, providing a robust flavour without overpowering it. Minimal beeps, blips and bloops dot the presentation as a colourful garnish, brining the song to life before our ears.
"Prototype" is a teaser full of cheeky groove, a savoury but subtle melody, and only a hint of acid as an aftertaste. SVR002 brings you to the table of RQZ where he delivers his brand of minimal rhythms for the dance floor.
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After a process in search of new sounds and grooves, we return with a great team, Bodeler & Brandub sharing an excellent remix by Jorge Savoretti
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Moodfamily buddies Niels (AMyn) & Ijsbrand (member of Stavroz) have been nurturing Mosley Jr for quite some years by now. The result of years of hermitage and grinding has now culminated in their much-anticipated debut album 'Lonestar Retreat' - a sonic escape to a more creative reality and both the imaginary and physical place you visit when in need of solitude and peace of mind. Brought to you in cooperation between yours truly and Core Records.
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Limited release + vinyl only as usual!
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VDK returns for its fifth outing, bringing with it four pumping house brawlers jostling for your attention.
Vinyl-only VDK005 steps up to the platter with an original track by the renegade mistress herself, Odette.
Better Do It Right opens the release with Odette’s classic dancefloor ready percussion arrangements and glorious keywork. The track oozes sensuality; as the track evolves and its representation of day meets night, Odette’s vocal elements, delivered in a suitably brooding lilt, really take centre stage.
Terry Francis takes up the rest of the A-side, with a techier take on the original. Check out the moody bottom end and those hypnotic, skittering chirrups Francis brings to the mix. Definitely one to take your set up a notch.
Tel Aviv’s Brizman leads the charge on the flip, going for a softer approach to the remix. If you like your house with a low-slung minimal vibe, then this will be constantly in your rotation.
London’s own housemeister Ollie Drummond closes us out with his take on Odette’s track, turning the energy back up and introducing a leftfield vibe courtesy of a growling synth swell and echo-laden shots.
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After the first, solo vinyl release, Acusmouse became more recognizable among fans of intelligent minimalism.
«Chimpandzen EP» details his idea of how effective dance music can be.
The title track on side A is a pure formula of kinetic energy without any impurities and complications. As long as Newton's laws are in place, such compositions will always embody the brightest moments of parties.
The second side has transparency and lyrics in "Prime Philosophy", but the rhythm and groove keeps us dancing.
"Bubble Bridge" is a more conceptual atmosphere, but at the same time everything is extremely rhythmic and technological in terms of modern sound design.
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Inwave is pleased to present its 8th vinyl only release, made up of the production by the Villalobos-Luciano boys Felipe Valenzuela, Felipe Venegas, Dani Casarano and the eclectic Inwave homeboy producer Niimm.
Journey through unique brand of melodious and elegant techno, minimal-house sounds delivered in a totaly underground and manner style, open to diverse sounds from around the globe- this Wax is full of grooves.
From Italy to Chile, to Europe and beyond, this four tracker is going to win the hearts of open-minded DJs and dancers alike...
Warm, trippy percussions and joyful, hypnotic vocal samples sure to bring smiles to every dancefloor.
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PIVLIM005 is produced on native territory by the hands of Joren Edwards who is another exponent of the rich soil of talent.
Funkadelic keeps a truly hypnotic element to it's structure, while Helling shows his refined approach towards vibrant percussion.
On the flipside celebrated French artist Dan Ghenacia and PIV resident Julian Anthony present their crafty effort with their work on two exclusive remixes.
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Four years on from the original expedition, Masis returns to the Challenger Deep to reclaim his lost treasure. Armed with a loaded harpoon to skewer the circling sharks, he resurfaces once more, allowing all dub lovers to enjoy his prized cuts.
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After a covid induced hiatus, London mainstays Thoma Bulwer and Dexter Kane return in style on their Alternate Facts imprint. Here can be found four expertly crafted, analogue laden, stripped-back rollers, including a collaboration with long time pal and man of the moment Claus Voigtmann.
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Josh Baker has proven himself adept at crafting the sort of tracks that manage to stand out from the crowd and that's exactly what he does here with a new EP on Burnski's always excellent Constant Black label. Title track 'Sometimes Cap' kicks off and is a loose but driving cut with snares flapping away over lovely drum funk. 'Some Of That' gets its head down and heads on into the night with eerie pads and acid gurgles next to paranoid vocal mutterings. 'Repeat Business' then gets buys on more tight drum programming and fresh sound design and last of all, 'Chesire Badger' picks up the pace with a spooky cosmic vibe.
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Next release on Aforisme record label by Suolo. Cosmic beats for your dancefloor. Limited copies!
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Three dazzling re-routings of Detroit machine funk — Moodymann in particular — into deep mid-Atlantic co-minglings with raw, old-school hiphop and house.
Str8 Crooked is clattering, chugging jack, holding something like Paisley soul under the water; Build Back Better Sweatshops is more driving, riven with breakdowns and horror-show vocal samples. With an uptempo downbeat which nonetheless sounds like a tolling bell, the epic, immersive, sixteen-minutes-plus Episcopi Vagantes pulls off the deadly combination of a kind of stifled, timeworn, melodic wistfulness and percussively restless, passing-through urgency.
This is killer dance music, run through with swingeing, parping bass and ruff b-boy drum-machine rhythms: encrusted and detailed, mangled and nervy, but intensely hard-grooving; wired with punk insouciance, edginess, and free spirit.
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LODE
(by Memory Remains)
present,
unknown.
but well-known artists.
limited vinyl
Order now. Collecting orders for repress.
Alex Font returns to his own imprint Acmé with a double "12.
Renowned musicians and producers collaborates creatively on this 008 installment.
Played and supported by Ricardo Villalobos.
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In 2020, Sirus Hood and Manda Moor have joined forces to create this remarkable concept of limited series of edits called Mood Edits.
The edits disappeared from the Internet after being shared for a very short time creating excitement, scarcity and hype especially after the continuous support and plays from The Martinez Brothers, Pete
Tong on BBC1, Loco Dice, Luciano and Chicago House legends like DJ Sneak, DJ Deeon, DJ Pierre to name a few.
Moreover, they have been ranked #1 on the House, Deep House, Minimal charts.
Following this success, Sirus and Manda have decided to release the most requested edits on a double vinyl (only). These 12 music bombs are guaranteed dance floor weapons for any mood, every sound system.
Sirus Hood and Manda Moor will start their label Mood Child right after this release and are hosting this summer their Mood Child party at Hï Ibiza, club #1 in the world.
Most Wanted ! Vinyl only
DJ Feedbacks (Mood Edits):
The Martinez Brothers: « KILLIN »
Luciano: « Very Well Done, Great Edits »
Pete Tong: « Love the edits »
Loco Dice: « Played your last edits »
DJ Deeon: Those edits are awesome!! great work »
Jesse Calosso: « Bomb, you guys been killing the edits »
Joey Daniel: « Edits are doooope fire gonna play them all »
Rich NxT: « Edits all sounding sweet! »
K Alexi Shelby: « Killed it »
Jean Pierre: « Diggin all these cuts »
David Berrie: « These are dope thank you!! »
Ninetoes: « Great edits »
Ben Sterling: « Absolute beat »
Mason Collective: « So Sick »
Nathan Barato: « They're dope »
Prok Fitch: « Mate those edits sounding siiiiick »
Mark Kinchen (MK): « Those edits sound dope »
Darius Syrossian: « love it man »
Ki Creighton: « Amanzing. BIG fan of these »
Justin Jay: « All the new tunes have been fire btw »
Jax Jones: « Last package was fire»
Amine Edge & Dance: « Très très lourd »
Ardalan: « This shit bangs! Bravo »
Max Chapman: « fucking Tunes »
The Mekanism: « Lourd les edits »
Santé: « Awesome »
Seth Troxler: « Word Up »
Roberto Surace: « Super with pleasure good groovy »
Nhan Solo: « Man, this is soooo sexy »
Pirate Copy: « I like... a lot »
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Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently
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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS and collaborated with Robin Scott (M 'Pop Music'). He began working as Codek, a play on the brand name Kodak with the 'Me Me Me' single released in 1980. In 1981 the 'Tam Tam'/'Closer' single was released on West African Music, a tiny label from the Ivory Coast, and re-released a year later by Island Records in the UK (where the B-side was re-named 'Tim Toum'). 'Tam Tam' was inspired by Burundi drummers playing in the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. Claude Arto achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of spanned over two years. They started on 16-track in Studio d'Auteuil, where Jean-Marie blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder.
In 2017 we reissued the 'Tam Tam'/ 'Closer' single and shortly after the 24-track master tapes were discovered in Paris by original engineer Gérard Chiron. We arranged for graphic designer Maycec to pick up the tapes and immediately began to think of remixers for this project. First up is producer and DJ Daniele Baldelli who gave the original single a spiritual home in the Cosmic 80s scene of Italy. Here he's teamed up with Marco Dionigi for two remixes. Remix A goes full on funky disco baseline while Remix B a more balearic affair. We remember Justin sharing a memory of DJing the original Island Records promo at the Mudd Club in 1981 so we had to ask him for remix. He teamed up with his Whatever/Whatever production partner Bryan Mette and delivered an hypnotic pulsing house remix and an extended edit. All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is new twist designed by Eloise Leigh on the 1981 edition artwork by Angela Boy, inspired by primitive electronics and African paintings.
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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS and collaborated with Robin Scott (M 'Pop Music'). He began working as Codek, a play on the brand name Kodak with the 'Me Me Me' single released in 1980. In 1981 the 'Tam Tam'/'Closer' single was released on West African Music, a tiny label from the Ivory Coast, and re-released a year later by Island Records in the UK (where the B-side was re-named 'Tim Toum'). 'Tam Tam' was inspired by Burundi drummers playing in the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. Claude Arto achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of spanned over two years. They started on 16-track in Studio d'Auteuil, where Jean-Marie blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder.
In 2017 we reissued the 'Tam Tam'/ 'Closer' single and shortly after the 24-track master tapes were discovered in Paris by original engineer Gérard Chiron. We arranged for graphic designer Maycec to pick up the tapes and immediately began to think of remixers for this project. First up is producer and DJ Daniele Baldelli who gave the original single a spiritual home in the Cosmic 80s scene of Italy. Here he's teamed up with Marco Dionigi for two remixes. Remix A goes full on funky disco baseline while Remix B a more balearic affair. We remember Justin sharing a memory of DJing the original Island Records promo at the Mudd Club in 1981 so we had to ask him for remix. He teamed up with his Whatever/Whatever production partner Bryan Mette and delivered an hypnotic pulsing house remix and an extended edit. All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is new twist designed by Eloise Leigh on the 1981 edition artwork by Angela Boy, inspired by primitive electronics and African paintings.
expected to be published on 04.08.2023
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Orange Vinyl
Support from Lane 8, Timo Jahns, Shane / Fish Go Deep, Adana Twins, Yves Tomas, Audiosmith, Florian Kruse, Kirill Slider / Goom Gum, Dave202, David Granha, Avidus, Sasha c/o, Claptone c/o, Rich Vom Dorf, Argia, Nick Wessaert, Dennis Ferrer c/o, Super Flu, Holger /
Smash TV, GLOWAL, Ruede Hagelstein, Riva Starr c/o, Peter Kruder, Chaim, Paul C, Paco Osuna, Alfa Romero, Adriatique, Rauschhaus, Elif (TR), Cammora, Mr.Diamond, John Digweed, Franco De Mulero, VONDA7, Nico Morano, Jerome Price, Nhar, Beatamines, Angelo
Ceci, Anthony Pappa, Undercatt, Praveen Achary, Ruben Mandolini, Marco Faraone, Sobek, Tocadisco, Rodg, and Eelke Kleijn
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Galcher Lustwerk's white label series is back with another previously digital-only track on vinyl for the first time. It comes from the Workshop associate and London-based artist Willow who stretches her legs across eight minutes of electro deepness as she reworks the calssic 'I Neva Seen'. Trippy vocals and paranoid whispers flesh out the supple basslines and popping drum programming which previously came on the LUSTWERK II EP on Ghostly International. Flip it over for a freaky 'I Neva Seen' acappella tool for adventurous DJs - layered-up vocal loops, sparse kicks and an unsettling atmosphere make it one for the afterparty.
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If you stand long enough at this bus shelter, it will begin to snow. The horizon that ends the road outward often feels like it will crawl closer, but it remains the same distance, the same traffic. When running on a track and the centrifugal force begins to carry you, and you feel as if racing the other user on the track is the winning solution, remember to race the track itself. The track does not move. The meditation of punching a brick wall is still a meditation. The moment you decide to walk, as the horizon is not far off, the moment you race the white chalk lines on the clay field you're running, when the bricks break before you, you find you the outcome. Place your phone in your pocket and sit back in the seat of this bus, place your head between your knees, and brace for impact. The scream of glass is only a second, then the peace of glitter as it becomes particles around you is overwhelming in beauty. You are the outcome. You are what made it this far in a single day, a mayfly's life-cycle, a work shift, several movies streaming in a dark room on a laptop, a cat's fur glowing. Turn the key for your flat and enter. Welcome home. Again.
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Label boss Jorge Savoretti from Argentina joins forces with Romanian master Priku. For this collaboration EP we have 2 long dancefloor tracks plus an ambient gem. Even though their styles might seem different at first glance, this record perfectly reflects the balance of both their sounds, creating a holistic result.
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We're always glad to hear new material from undisputed dub techno don Steve O'Sullivan. This new one on his own Mosiac label finds him facing off with Paul Simmons on a pair of deliciously deep cuts. 'Inner Glow' is given the whole of the A-side to make its mark and it does - with a slightly more soulful sound than you might expect. Rather than pure heads down underwater deepness, it's got a heart warming vocals hook and brighter chord vamps over the signature drum smoothness. 'Stilll Burnin''is a quicker cut with more radiant chords and a soulful spirit, then a Bluespirit dub of the a-side zones things out nicely.
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Vinyl Only
Next up on the OGE White series, we have 4 housey cuts from Italy.
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