House News

3rd vinyl release on 44km/h records by James Barratt
Vinyl only, limited copies. Spread the love

We call it Cosmic House!

Vinyl only, limited copies, no digital promotion.

A unique, exquisite and mythical interpret surfaces to add some more joy and love to our world

After long wait finally SNG006 is here!!

3 years after his and Dewalta's mesmerizing Ground Effect EP Claus Voigtmann returns to HelloRepeat with 4 hypnotic deep cuts showcasing his rough elegant signature in the skill of groove making.

Shiftr label called Parliamnt strikes back. Colored vinyl only no digital promotion as usual. Few copies.

Afterhours. is back with Ukrainian underground talent Silat Beksi. As expected, the 3-tracker appropriately named "Transend EP" displays a fine selection of stripped-down music prone to dancefloor introspection. 

The title track 'Transend' shows Silat's talent for creating steady, bare-boned grooves, filling the sonic space with menacing atmospheres, chopped vocals and bizarre modular squelches. Flipside's 'Monoliza' follows the same stable groove principle but applies quirky sound-design techniques reminiscent of the golden ages of microhouse for an added swing. 'Elephant Dream', the EP's closing track, swaps the four-by-four rhythms with breakbeat-infused constructions, adding just the right amount of sway for its deeply floating atmosphere.

Sun & Stars by Gossan and Pad Union, the debut vinyl release from Music Department record label, featuring four sumptuous and eclectic tracks.

Up first in the A1 spot is In 'Stars We Trust' by Gossan, an elegant progressive house number with a gorgeous aquatic build up which releases into a swell of subtly crafted drums, a warm and rumbling bass line and luxurious pads and synth refrains. The perfect opening track for a momentous debut release.

At the A2 spot is 'Solnce Zvuk' by Pad Union. A testament to the diversity of this EP, 'Solnce Zvuk' is a stylistically unique track which gives a sizable nod to 90s trip-hop and broken beat. With a groovy, syncopated break beat, a deep and potent sub bass line, not to mention an army of funky samples, 'Solnce Zvuk' will get any dancefloor moving!

Up first on the B side is 'Podsnezhniq' by Pad Union, a clever and interesting blend of break beat and 4/4 rhythms. Awash with melancholic pads, subtle synth riffs and an assortment of ethereal vocals all set to a driving bass line, 'Podsnezhniq' is a worthy contender on this formidable EP.

Finally, at B2 is 'Last Trip' by Gossan, a graceful progressive house track with a pulsing beat, gentle melodic phrases and a smooth, throbbing bass line. Add in some uplifting gaseous pads and a sprinkling of ingenuously designed vocal samples, and you’ve the perfect conclusion to a very memorable vinyl debut!

5th release from the Slovanian label Luckison from the mysterious producer TRI.AL.TRIP!

Perceive is a vinyl only imprint dedicated to minimal house music.
For this fifth chapter, the mysterious Vadim Oslov delivers a mystical three tracker.

Each cut of the EP is an hypnotic groover with deep sounds and trippy vibe.

The record will be available in limited edition.

Growing up in Chicago during the early 80's, Mark - with the help of his older brother - started collecting records and DJing from his pre-teens. During high school he listened to WBMX radio mixes and was producing house tracks inside empty classrooms with his friends during lunch period. By the time Mark was a young adult having music everyone knew and liked was not good enough anymore and so he entered the endless world of searching and seeking music he had yet to discover and his music habits soon reached a level deemed as obsessive. To balance his spending habit, he found himself selling music to older peers, stores and DJs in order to afford more records for himself. This finally lead him into founding Mr. Peabody Records with Mike Cole a fellow fanatic, in 2004, aiming to become a world class resource for all genres of obscure music and indeed Mr Peabody Records became a destination point for many DJ's and Music Lovers. Sadly, the brick and mortar store closed shop in 2012. However we're lucky Mark still collects and continues to play music to dancers and clubbers around the world.

Diego Krause’s Unison Wax return this June with a new four-tracker from the man
himself, coming in the shape of ‘Bring The Noise’.
Berlin’s Diego Krause launched the Unison Wax imprint in 2014 as a platform for his
own material, the Beste Modus co-founder has since gone on to release an impressive
back catalogue of music on the likes of Berg Audio, Apollonia, Pleasure Zone and
Sukhumvit amongst others, a testament to the quality embodied in his output. Here
though, Diego makes a welcome return to his own Unison Wax, again showcasing his
slick and percussive-led take on contemporary house.
Opening the package is ‘Bring The Noise’ with billowing chords, filter-swept vocal
murmurs and Diego’s signature swinging drums. ‘Phenomena’ follows and tips the
focus over to loosely flowing natural percussion, rounded low-end pulsations and
sporadic dub stabs to create a heads down, hypnotic groove.
‘The Company You Keep’ opens the B-Side, taking a more stripped-back approach with
shuffled, crunchy drums and murky bass stabs before ‘Lost Tribe’ completes the
package, fusing spellbinding percussive modulations and fluttering synth swells with a
sturdy, organic rhythm to keep things moving.

Joining us for the third release of Arpanet, Infinity Plus One, veteran producer coming to us from the London underworld.

His unique sound oscillates between a twisted, distorted techno with hypnotic vocals and breaky electro.

Truly timeless sounds that we dare you to recognize. Two of the tracks are repressed 2005, but two others are unreleased from his 1999 catalog and the other was cooked up just a few months ago in 2022

Chaos In The CBD's Ben & Louis Helliker-Hales team up with long-time friend and collaborator Jon Sable to present their new imprint 'In Dust We Trust.'

In Dust We Trust is an ode to a collection of friends who share a certain understanding, who live by a love and respect for the people around them. That friend who saves that last puff for you, that friend who will share their drink with you when you can't afford your own, that friend who will learn how to drive a car on the spot because you're too drunk to make it home.

Kicking things off with a release from Chaos In The CBD, 'Accidental Meetings' is a record that celebrates this way of living. The four cuts effortlessly move you through a journey of delicate textures and atmospheres. It begins with the late night basement sounds of the title track, then sends you through the spacious and meditative 'North Pole Cafe.' The wild rhythms of 'United Identities' hypnotise you, until you find yourself spat out by the energetic grooves of 'Distorted Fields.'

Play it in the club, play it in the hotbox, or play it for your mum, this record is filled with soulful, rhythmically complex, melancholic music that is unmistakably dusty.

A second huge anthem from Jean Claude Ades & Mantu on Great Stuff with 'Blue Note'. Remixes by Italian 8bit artists UGLH & Federico Locchi and hot german newcomers Robert Heart vs. Richtberg & Wojkowski !!

New material by Losoul – There’s a lot of open space today. These tracks take the challenge to travel it.. surrender to it.. slowly. in a deep – raw – contemplative fashion – with that notorious funk edge !

Three years after Reno Wurzbacher’s entry into the series, Cook Strummer now offers up his own Berlin Gets Physical, a collection of all-new and exclusive tracks.

Berlin-based, Belgium-born Strummer has been a Get Physical associate for several years. He has dropped various singles including the standout 'Rising' which also featured on the Words Don't Come Easy series, and always crafts the perfect mix of rhythm and melody with plenty of hints of his homeland's famous cold wave sound. He often uses his own voice, drum machines, synths and guitars in his music, and since his debut album in 2018 on LOK Recordings, he has had high profile support from the likes of Laurent Garnier, Adam Port and Ame. This summer, he dropped 'Atmosphere' on Obsolet Records which proved another successful outing and now Berlin Gets Physical finds him digging deep into the famous city's freshest and most essential house sounds across 15 well-sequenced tracks.

His own new offering 'For Berlin' kicks off with a dark and edgy vibe, gothic vocals and tense drums. Glitchy hits and blurting synths add to the prickly atmosphere and immediately lock you in while Los Cabra & Manuel Sahagun's 'Italian Groove' then takes off on waves of serrated dark disco synths and Freudenthal feat. Nowhere People continue that macho disco vibe with the rugged chug and cosmic rays of 'Cipher.'

The twinkling 'Bad Karma' by Marvin Jam & Le Mythe then allows you to catch your breath with a slower, more spacious dub disco sound and the twanging bass riffs and exotic effects of Daniel Jaeger & Valenti's 'Quarantine Cowboys' rebuilds the atmosphere with some innovative house blues. The mid-section brings brain-frying synth work on 'Out Of The Blue', bubbling dub house and disco courtesy of dramasquad's sprawling 'ziggy' and percussive deep house looseness from 'Abayomi.'

After KEENE's rubbery and rolling Afro sounds comes more cosmic house richness from Dan Buri and Max Joni & MUKKIMIAU, the driving tech of Red Pig Flower & Lulla and heady sounds of Mike Book. There is a raw house heaviness to FreedomB's 'State of Shock' and things shut down with Electronic Elephant's tightly coiled minimal drum funk on 'Ask Yourself'.

This on point collection is an authentic snapshot of the contemporary underground sound of the Berlin.

Here you have the second EP part of Minimono "Half Way Trough" mini saga.
Bosco050.5 follows the sound of the previous one serving four most exciting electro, italo-disco and acid infected floor burners!
"Run it Back" is a simple and dry tune, has those big cutting edge sounds typical of the early 2000 80's contaminated electro.. perfect for your starting set or in recreating that unique atmosphere.
On the A side follows "Half Way Trough", an effortlessly driving tech-acid house tune, strangely compelling, with a timeless feeling.. looking like an essential weapon for any dancefloor.
B side starts with the spicy electro-disco tune "Over The Machines" epic and functional at the same time with evocative arpeggios and a mechanical vocodered speach.
The Ep ends with the cyberfunk stomper "Revolution" , a twisted electro funk groover in typical Minimono vein.
Fabio Della Torre and Ennio Colaci celebrate this 50th.5 release on Bosconi in great style, remodernising the sound that they used to like when they first met in the early 2000, under the influence of those Berlin labels like Areal, Sender, Festplatten, Funkhaus, Beautycase, Lasergun, Gigolo.. and all of those labels who trademarked the sound of those unforgettable Berlin day

French producer, DJ and RDV (Recit de Voyage) label owner returns to the label this April with her ‘Thoughts Of Day’ EP, accompanied by remixes from Giegling’s Koreander and Fred P.

Since launching the RDV Music imprint in 2017, Molly has welcomed an array of up-and-coming talent and long-time respected figures in the contemporary house and techno scene onto the imprint, such as Dana Ruh, Cosmin TRG, Wbeeza, Aybee, Orion and many more. Here though, Molly steps into the spotlight herself with a new full-length EP for the label, the vinyl version features two originals and two remixes, while a further two originals will surface as bonus cuts on the digital release.

First up on the EP is the original mix of ‘ It Feels Like It Only Goes Backwards’, encapsulating Molly’s signature deep aesthetic via hazy atmospherics and swirling dub textures, floating atop a bouncy sub bass groove and swinging, organic drums. Kettenkarussel member Koreander’s ‘Final Relief Remix’ of ‘It Feels Like It Only Goes Backwards’ follows, offering an ambient twist on the original version, taking the hypnotic elements, and reshaping them into a murky, subtly unfurling six and a half minute beatless interpretation.

Next up on the flip side, Fred P reworks ‘Sweet Afternoon’, delivering a typically classy deep house cut driven by a choppy bass line, bright string stabs and crisp, bumpy drums. Molly’s ‘Mercure’ then completes the package, embracing a more groove driven feel as plucked bass notes, swelling subs, mesmerising synth flutters, and swinging drums develop in a subtly nuanced fashion throughout.