House News

Up next on Pleasure Club we launch our new Members Only series. A place to present single tracks from friends old and new.

On Volume 1 we have killer contributions from Voigtmann, Henry Hyde, Mariiin and HearThug. Four artists who know how to work a dancefloor both as DJs and producers.

Enjoy the ride. There is no guest list tonight.

Inter-dimensional edits traveling through space and time. Unknown artist x limited press.

generic sleeve repress

Hearing colours is back! And is pleased to present its fourth reference, by the hand of Ricardo Villalobos and Washington Miranda.
Both tracks were recorded more than a decade ago and are already classics for those who follow and know these legends.
Let yourself be hypnotized by these masterpieces.

As one third of the Lisiere Collectif, Andu Simion learned early and often how to take a dancefloor on a hypnotic, grooving journey throughout the night. Now he's standing solo on the next release on Eric Cloutier's Palinoia label, delivering four bubbling, seductive house grooves for any hour of the party. From the evolving "Heavy Glow" to the proper house banger "Gen Y All," this EP is a sure win for anyone looking to get a little sideways.

With releases already under their belt from Bilal and Deyayu and a split 12" from Alex Dima and Cristian Sarde, London's Obscura is shaping up to be one of those destined to take up position towards the top of tech house shopping lists everywhere. That said, the four tracks from Arnic have a cheekier, mor sprightly vibe than a lot of tech-house, the likes of 'Night Children' and their tribute to the Glasgow clubbing institution that is the 'Sub Club' drawing on disco and early Chicago house influences, all within the economic and stripped down framework that put a big smile on a DJ's face when they're in the mix.

(incl. Franco Cinelli & Dorian Paic remixes)


The first record from keepitgoing. is finally here, a panorama from Switzerland all the way to Chile in our world with no borders. An EP from Camilo Gil & ONE+1 with 2 originals backed up by two contrasting interpretations from Dorian Paic and Franco Cinelli, is how we kick off our labels musical journey in our vinyl only series.

The opening original track "Can Soleietes" offers a minimal, dubby twist with sweeping chords and atmospheric pad work with hints of skippy percussion layered throughout. On the second original "Opera House" this is where things begin to turn around a darker, acidic corner consisting of rolling acid baselines and spooky pad-work. It features various chords and stabs working in the background, while the prominent acid bass moves around creating some dark, trippy vibes on the listener.

Franco Cinelli reworks "Can Soleietes" perfectly with a minimalist approach to the track, offering a more mellow and groovy interpretation of the original. One that will get you lost in the cosmos with an immediate listen. The second remix from Dorian Paic is a more stripped back affair than it's original. It is another minimalist one that represents his sound truly, as a classy remixer for the EP alongside fellow family member Franco.

Join us as we begin our journey from every corner of the world, all connected without any borders between us. Like this, anyone can express themselves freely, and really create the way they want to without any judgement or limitations. We are a forever growing family who share the goal of loving and living music together.

As a producer who is strongly influenced by many fragments of the arts spectrum, starting from music itself, to film, art, design, Kamran Sadeghi’s first Amphia LP represents the artist’s dialogue with music and its depths. Between 2014 and 2017, Kamran has experimented with many different ideas, moods and musical excercises which build up a track sequence as an invitation to explore the melodic ritual and use their imagination to create their own meanings.
 


The openers “More than tomorrow” and “Today” are subtly mingled, suggesting the alternation between the future and the present through a sound focused motif. “Water Me” and “Who New” are introducing Side B, briefly triggering a rediscovery process. The atmospheric aesthetic of the LP is emphasized as the third side ellaborates the meaning of a “Rise” during a “May Day”, a soulful connection with enlightment. When reaching the last side, “Surface” and “Decay” are closing the melodic ritual, with the signals slowly fading as an escapism.

Shotgun is back with his second release, this time with an another long time friend, Lamalice. The Marseille based producer is bringing three futuristic and dance floor cuts, spicy as hot wings, with a killer remix from TC80.

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This episode of Dokutoku Records is brought to you by Cologne based, hardware live jammer St. Joseph. With a spontaneous and raw approach to production, he has delivered three elegant tracks with influences ranging from jazz to hip hop and house. To complete the release we have an impressive remix from Arno (aka Einzelkind) who artfully created his interpretation without the benefit of the original parts.

Paramour is a freshly born French music label based between Toulouse and Berlin. Its first release has been produced by various artists we like and we invited to play at our parties. On this record, you will find a talented melting pot of minimal, rhythmic, mental and trippy music.

Roche madame is happy to welcome long time friend Felipe Valenzuela for it’s next installment.

Sundance presents three tracks from Fumiya Tanaka.

Hello world, please enjoy Ivan Iacobucci’s new EP. See you!

Danzha begin the journey into audiophile territory with a glorious 4 track EP, in which these four gifted producers have contributed to the inception of an everlasting vision of pristine sound design.

Dunkler Boulevard initiates this elevated discourse of soundwaves with a seamless weaving of percussive elements into a futuristic soundscape, meant to transport the listener into a state of serenity and familiarity with the algorithmic grooves that intertwine flawlessly into this mystical atmosphere.

Following up with "Roots, Rock", Paul Walter describes with sounds the process and concept of blending the reggae dub vibe into the technical and precise micro house state of motion, thus he manages to alert the listener of a change in decorum whilst preserving the essence that brings forth an endless voyage into the transcendent state of active listening and introspective thinking.

The premise brought forth by Topper with the third installment entitled "Riders of the Lost Arp" is characterized by a stout structural validity and a resonance that links it in both variety and similitude to the aforementioned creations.

Last but not least, as an authentic "audiophilosophical" discourse, the storyline of "Jimmy the Killer" brings the journey to a conclusion that is a reflection of the more obscure corners of the mind and spirit that so many of us are afraid to explore, yet this composition incites the courage to drop the needle on its wax sculpted grooves in order to blend its darkness into the dancefloor and to soothe the senses of even the most pretentious of music lovers.

Danzha, the very definition of one of our innermost desires to dance, is waiting to be invoked into sanctuaries and clubs all over the world and to be savoured by those whose musical palette extends into unexplored and alluring territory

Next release on Aimed featuring France producer Karaba, who delivers a very effective 4 tracks EP with various shades of his style from break to electro and tech-house influenced tracks. Lille based DJ and producer blends mid 90’s textures and club-oriented sounds, giving the result of what he was able to produce in his lockdown studio back in 2020 with this 'Jungle Juice' EP

Introducing sub-label, White Scar! A new project by the crew behind parent label Subterranean Odyssey...

White Scar was founded to give the label a different outlet to more release music from their favourite producers more readily while keeping the concept of Subterranean Odyssey the same. Each release on the sub-label will be 4 tracks from 4 different artists which will be hand-picked mainly from up-coming and previous producers on the parent label. Therefore, you can expect more of the same club ready sound that has been showcased in the first two Subterranean Odyssey EPs as well as a few curveballs thrown in along the way.

The name/idea is based on the largest cave system in the UK and each release will be named after a feature of the cave. They will also be distributed in a white sleeve with the artwork from Madame Fourmilion displayed on the centre sticker. White Scar can be found in Yorkshire where SO was formed.

For WS001 - “The First Waterfall” the label invited producers from different parts of the world. The A side is a Uruguayan affair with Braik's “Dangerous Area” and Pi's “Space Dystopia”. No doubt you'll be hearing more from both of these artists as the label progresses! On the B1, from Casablanca, Morocco is Chaou B's “Lost Data” a breakbeat banger sure to get your feet moving. Last but not least on the B2 is Biokid from Slovenia with “Undata”, a unique track with a dreamy melody to close out the EP perfectly.

Ventriloc returns with the long awaited release by Leanca, 4 deep minimal grooves with a unique take in sound by the Romanian artist.

I dream of a quiet life
in the suburbs of the metropolis,
between apartaments and iron dumpsters,
because it's only and endless party
the robotic work that everyone dreams of

unutrei. presents the labels fourth release composed by Vern, the rising talent of Romania and a remix by the legend himself Mihai Popoviciu.

Supported by Traumer, Cristi Cons, Arapu, Archie Hamilton, Sublee, Nu Zau, Jay Tripwire, Andu Simion, Azteca(Loy) and more...