House Новости

Buenos Aires-based imprint Unlock Recordings release the fourth instalment of their 'Collaborations' series featuring cuts from Ryan Crosson, Jonas Kopp, Guti From Downstairs and more.The stripped back aesthetic of previous 'Collaborations' vinyl-only releases have garnered some heavyweight support from the likes of Ricardo Villalobos, Sonja Moonear, Raresh and Laurent Garnier, to name a few. Gonzalo Solimano's label now returns once again, showcasing some of Argentina's most exciting talent alongside other distinguished names from the scene - further establishing Unlock Recordings' reputation for delivering high quality, jazz and dub-infused house and techno.

Vinyl only - no words needed. First come/ First serve!

Disciplined, curated and healed EP by The Flip.

As ever, Cocoon Recordings celebrate the turn of the year with another mouth-watering collection of electronic music. Dots And Pearls Volume 7 includes eight choice techno cuts of varying shapes and sizes, that somehow manage to acknowledge both past and future, while staying forever rooted in the ‘here and now’.
The lush, beach bar vibes of ‘Halluzinelle’ get things rolling courtesy of DeFeKT x Extrawelt, and it’s not long before we’re lost in the subsonic undertow as the warm acidic vibes ebb and flow. Sudo’s
‘Daytona’ then compliments a dark, low-slung groove with a soaring, nostalgic melody that reaches skywards, melting hearts and minds in the process. ‘Solaris’ takes a more urgent turn as JA:CK utilizes growling synths, stuttering arpeggios and an elongated breakdown, slowly raising the stakes as the dance floor starts folding in on itself. Avision offers no respite on ‘Groove Theory’, maintaining the intensity while surfing the frequencies through a dense forest of loops with a pounding 909 for company. Zzino & Insider continue the 90s leaning retrospective with ‘Mind Crush’ and they’re certainly true to their word, juxtaposing razor-sharp acid arpeggios with seductive chords and analog washes in a cavernous, serotonin-soaked epiphany of sound. Monaco, Povoa then gets downright dirty on ‘Makeup Artist’, raising the tempo with freaking metallic riffs, twisted vocals and a plethora of disorientating filter action that’ll push even the most headstrong dancefloor to the brink of implosion.
Defex, Tsodor reels it in just in time on the epic ‘Sieg der Liebe’, unleashing thick swathes of melancholy chords over a fat, rolling groove and the beats remain broken to the end, as Christopher
Ledger closes things out with a classic slice of sci-fi electro. ‘X24’ is all stuttering edits, intricate sequences, squelching fx and metallic bleeps, adding yet another unexpected dimension to this dynamic compilation series.

In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness.
A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others.
Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.

After a successful first release, the beLow collective is back at it with the eclectic BELOW002.

Exploring many facets of house music, this hand-stamped opus combines tracks from friends & producers around the world, all gathered on gorgeous red wax.

Bei DJ Balaton's zweiter Veröffentlichung ist der Name "Space For Afternoon" Programm: auf dieser 10" befinden sich zwei entspannte House Tracks, die in jedes Set einer gediegenen Afterhour gehören.

"Honey Future" besticht durch treibende Bässe und verzerrtem Korg-Sound, während der Fokus auf repetitiven Delays und Melodien liegt. Komplettiert wird die Single durch "Bedroom Floor" in klassischer B-Seiten-Manier: der sphärischer Sound trägt durch Raum und Zeit und lässt eben jene verschwimmen und vergessen.

There's no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries.
The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola's Music On at Amnesia. Anyone who caught him play the main room this season will agree - his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola's handpicked him to perform on 8 separate occasions, more than any other artist this season.
Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn't be better for Capriati to unleash 'Self Portrait', his sophomore LP.
Already ingrained in the consciousness of techno lovers this year thanks to 'Fratello' and 'Awake' the pair of searing dancefloor slayers that were released in June as the album's first singles, 'Self Portrait' goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors.

'Self Portrait', the typically reflective album title track is an understated ambient gem led by warm trickles of melody.

He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover 'Easy Come Easy Go', the kind of genius fare that gets his diehard fans raising Italian flags inscribed with 'JOSEPH CAPRIATI KING OF TECHNO' regularly at this gig. And with an album this good, who are we to argue

Vinyl Only

Brazilian beat maker Fabe has emerged over recent years as one of tech house's most skilled groove smiths. His drums and bass are always seductive no matter their style. Here he links up with Burnski aka Instinct's Constant Sound label for four more irresistible nuggets. 'The Greater Good' is super quick as it glides over rippling bass with silky chords, then 'Newbie Bounce' has a more weighty groove. There is elastic funk and US swing in the shuffling goodness of 'Flow Groover' then 'On Edge' closes out with bulky deep house beats and late-night synth work of the highest order.

No description, no artwork.. just hand stamped wax with three fresh tunes!

Early support from Sepp, Nu Zau, Gescu and more.

Enjoy our first Bohrium White!

The Outer Circle drops a debut release full of flavour and grooves reminiscent of the golden era of UK/US tech house from Glasgow's Craig Hamilton, alongside London's tech house veteran Silverlining on remix duties.

"Let You In" a deep rolling sub laden groove sets the mood of the EP. Tight percussive elements drive the track, incisive from the offset as spacious chord stabs dominate over arpeggiated tones laced with an appealing fragmented vocal throughout. "Monday Groovin" the deeper of the cuts follows on with slick rhythms and choppy female vocals scattered over smokey pads and mesmerizing overtones.

Before continuing on the flip with the Silverlining remix of "Let You In". The tech house originators interpretation is a far darker bass driven analog work out. Upfront beats and spaced out atmospheric layers meander among rolling snares and peppered chord stabs with satisfying vocal elements, leaning this towards the deeper end of the spectrum.

Off The Grid christens its record label with a first release composed by very close people to the heart of its functioning. On the A1 we find a melancholic optimist house cut, made in collaboration by Ancut, head-mastering engineer from Analogcut, and Onirik, OTG’s head honcho. A2 features Onirik’s solo offering, a trippy dreamy off kilter cut, ideal for warm-up or early hours. The B-side belongs to Views, already responsible for a couple of releases on Garage Hermétique, one of the founding labels of Off The Grid, who wraps up two tracks full of atmospherical punchiness, clubby IDM, with his signature acid basslines and storytelling.

CSR7000 delivers an EP bristling with energy, perfectly geared for the intercontinental range. The aptly titled „Miles I” starts things off with a nod to one of the greats, preparing listeners comfortably to access their third zone. This journey clocks in at 10 minutes – luscious melodies and full endurance groove included. On the flip side, things get a bit trancier still. „Jimi I” introduces intricate melodies to realign mind and spirit, with all the dynamic range to support the experience. „Miles II” ends the project on a jazzy tip, pleasurable for the sample-spotters and dancers alike. Intricate drumwork harks back to the glory days of B-boy house and provides the perfect backdrop to this soothing trip. To enjoy while it lasts.

Hearing colours is back! And is pleased to present its fourth reference, by the hand of Ricardo Villalobos and Washington Miranda.
Both tracks were recorded more than a decade ago and are already classics for those who follow and know these legends.
Let yourself be hypnotized by these masterpieces.
Limited copies

De Lichting announces its first solo record “Znton EP”, by the courtesy of Boris Acket (half of Working Titles). Boris delivers a conceptual club package of six lingering yet pounding groovers, ranging from playful minimal to dreamy house and more UK to techno influenced bass music. Four out of six tracks made their way onto vinyl, while the other two will be available digital on De Lichting’s Bandcamp page. Produced in one run with just a drum computer, mono synth, sampler, tape echo and a mixer, the release comprises a solid overlapping sound, but preserves its diversity through shimmering delays, distorting ring modulations and ever haunting synth patterns.

This June, Sweely serves up Closer Energy, his much anticipated debut album on Butter Side Up with original artwork by Sophie Douala. It marks the label's first full length and is a fittingly standout musical statement from the cult French producer.

Sweely aka William Montana is a low key figure with a highly regarded sound. Since 2019, he has been turning out well crafted EPs on this label as well as the likes of Gene on Earth's Limousine Dream and Brawther's Negentropy. With every release he mines new ground, whether crafting silky deep house, speedy breakbeats or spaced out techno. As a scintillating live act, he has proven himself to be as creative and adaptable in the club as he is in the studio.

Closer Energy finds the artist elevate his craft once more. It's a vibrant and colourful record full of painterly chords and wiggling basslines. Smart found sounds and vocal snippets give each tune a character of its own. Flashes of 80s disco dazzle and perfect pop hooks make it fizz with an irresistibly playful charm from front to back.

It opens with melted neon synths and shimmering jazz hi hats, sci-fi effects and daubs of melody that immediately bend space and time. From there, 'Hello Goodbye' gets super playful, with busy melodies and electronic house funk. There is a Detroit feel to the cosmic house of 'Not Part Of It' and 'Keep On Rock'n' is a deep but crisp electro workout. 'Call Me Tonight' brings a real sense of fun to clipped house beats, 'Techy(la) Sunrise' is a lush update to a classic tech house sound, and 'When You're in Love' showcases Sweely's superbly tight drum programming with far-sighted chords that have you gazing off into the distance.

'MiniLook' is all squelchy bass and tripped out synths, 'Security (Get The Fuck Out)' ups the ante with a brightly coloured and sleazy electro vibe while 'Energy Bars' is run through with a subtle rush of euphoria that sweeps you off your feet. The feel-good vibes continue on the stylish glider that is 'Closer Energy', an electro tune so sublime and seductive it'll melt your soul, then 'Outro' brings you back to earth with some jazzy cosmic ambience.

In signature Sweely fashion, Closer Energy is an album that manages to be high functioning but and

Vinyl Only

Passionate and sophisticated tracks from Zefzeed who manages to synthesize unearthly sounds from his vintage machines, creating a mesmerising and charismatic atmosphere. First ever external signing on mountain people.