Sixth release from Nekow with the Second part of his Macrocosm LP (Bodyparts/Cas:Mu).
1x each customer, no repress
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Sixth release from Nekow with the Second part of his Macrocosm LP (Bodyparts/Cas:Mu).
1x each customer, no repress
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Crisp Recordings is a record label and production company founded by legend DJ Ra-Soul and Chicago by way of Memphis' Don Crisp. Black in Time is the moniker used by the pair which has resulted in three previous collaborative releases on the label, and they're back with the fourth after a long hiatus. Now they present the politically charged "Democracy Is Hypocrisy" with its powerful narrative fuelled by a groovy minimal acid arrangement. Comes with a handy instrumental version on the flip, in addition to a rough and ready acid dub that's perfect for getting weird at the afterhours. Much crossover appeal anticipated on this little treasure -tip!
A second double ep of Denis on Nervmusic. Vocals on A1 by Lisokot on C1 by Lasha Chapel.
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Mato takes us on an eclectic bass-driven journey with Moving In, his debut release and latest from Euphoria Records. The EP opens with the tribal rhythms of 'Gozo Carnival', a laid back groove that sets the scene for the vinyl. Euphoria Jamz follows with something best described as a late night ghetto jam while 'Where's the Chutney' drives the record on with a thick dose of meandering bass.
Mato, hailing from the ancient island of Malta, keeps one foot in Berlin's club culture, the other deep in Malta's energetic party scene which he has been instrumental in for over a decade; curating distinctive dance events and introducing artists such as Ryan Elliot, Margaret Dygas, tINI, and Enzo Siragusa. Mato's most recent venture is 'Mute', an intimate open-air club which he co-created and where he is also resident DJ.
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Edit alert once again with the great many known unknowns, unknown unknowns and who knows what else.
All we know is Freddie M would probably groove to this, we've got a Depeche M policy at the front door and also a little something special on the side that will get you busy on the dancefloor.
Get it while it's still here, vinyl only.
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In order to celebrate 5 thrilling and inspiring years, we gathered well-known artists, Goldmin
regulars and emerging talents. It was really important for us to express the elusive nature of
the Goldmin sound, in the form of a compilation tracklisting. Over the past 5 years, we had
the chance to meet most of these guys in person, follow their very own creative path, share
ideas, thoughts and there's no doubt that they all had their part to play in crafting our sound.
This intimate and stimulating kind of collaboration had to be expressed and there couldn't be a
better way to capture what we've been busily working for, than a serie of Various Artists 12".
What it comes down to is a quintessential, hard-to-follow Goldmin selection devoid of any
specific standard or norm. And this whole compilation seems to reflect that non-septate
artistic direction, this little something, which has grown throughout our whole catalogue,
since the label's birth.That's why, picking these select few tracks, that could illustrate Goldmin
Music's essential freedom was probably our toughest work yet. It was also important to pick
only the most original and iconic tracks from each artist. In the end each track had to be their
most Goldmin one and they all have been tried in all types of situations, in club at 1 and 5
AM, on the highway at night or even staring at the ceiling during a sleepless insomnia
session. They all fullfilled their duty.
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Love Is In The Air... And A Lot Of Spring Feelings Too. So The ANTIENTERTAINERS Are 'Singing With Love' And Prepair The Upcoming Summer. The 2 Berlin Guys Produced A Beautyful and Emotional Anthem For The Open Air Season. Beside The Original Version Are 3 Remix Versions Made By: PATRICK ARBEZ (Berlin) With A Techno Club Version, An Emotional Acid-Techno Remix By K.LARM & J.RANINEN (Helsinki) And For All Minimal Lovers Is The Remix By THE SLEEPER (Belgrade) A Must Have... So Let´s Singing With Love And Enjoy The Summer!
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SOUL - the spiritual part of a person that is believed to give life to the body and in many religions is believed to live forever. SOUL - the ability of a person to feel kindness and sympathy for others, to appreciate beauty and art, etc. SOUL - a person's deeply felt moral and emotional nature. SOUL - the new emotional release by LetKolben that touches you deep inside and caresses your soul. SOUL - including 2 remixes by: Information Ghetto and Yuri Alexeev
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Mit - Zielgruppe - Homeless / Cafe Traum' folgt nunmehr das dritte Release des Labels Finebeatz. Dabei ist bei dem Track Homeless der Name keineswegs Programm, denn das gute Stück dürfte sicherlich in nahezu jedem Club zu Hause sein. Als Musik für alle Lebenslagen präsentiert sich die B-Seite mit ihren beiden Versionen von Cafe Traum, bei denen man sicher gerne mal eine Minute verweilt um sich von der groovenden deepness gefangen nehmen zu lassen.
- Zielgruppe - Homeless / Cafe Traum' is the 3rd release of Finebeatz. But the name Homeless must be a fake, because this track will get it`s home in nearly every club where housemusic is played. The B-Side with it`s two versions of Café Traum presents music for every site of life. We´re absolutely sure, that there will be no one who wouldn`t wait a minute to be catched by the groovy deepness of this both tracks.
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LTD repress !
Second release for the Nantes based imprint. Jos on board this time with a mysterious remix from a guy who already smashed it at one of their parties... Early supported by Andrew James Gustav, Addy and more
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Indigenous Electronic's second release the "No Market for Emotion" EP pushes further into organic territory with a hardware driven release. The A side sees two tracks on the dubbier end of the spectrum recorded by Iranian producer Ramtin Niazi, a musician with a background in instrumental music, now with a greater focus on machine orientated electronic music. Niazi's contribution sees him delivering two low slung tracks: "Naked Dub" progressing with Lush emotional pads and "Cash Dub" a moodier counterpart. The B side sees the label's head Omar Jayyusi's debut release, with two entirely out the box jams recorded straight to two track. "Pyramid" has a deep and solid rumbling low end, acid basslines and percussive drums. "Too Late for nonsense", is a sub-bass focused micro house dj tool, punchy and reaching the lower end of the dynamic range.
Limited release of 200 vinyl
Support. by XDB
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CD[14,75 €]
Following 2016's much-acclaimed solo album Mondo Alterado (HIPPIE 008CD/LP), original Pachanga Boy and Hippie Dance mentor Rebolledo returns to the limelight with the jam-packed Mondo Re-Alterado, tapping into his vast and varied network of friends and fellow soundsmiths. Artists such as Superpitcher, DJ Tennis, Maceo Plex, Red Axes, Fango, or Fantastic Twins deliver stunning takes on Rebolledo's unique signature sound, creating a full suite of exclusive remixes, cover versions, and reinterpretations. From the super-energetic club rumblings of Maceo Plex's "Discótico Pléxico" to DJ Tennis's dreamy "Pimiento Drive Version" of "A Numb Gas To The Future" or Fantastic Twins' party bomb "Fantastic Pow Pow", the journey through Mondo Re-Alterado is full of twists and turns -- a world where an epic, cinematic soundscape such as Superpicher's "Rainboy Super Space" sits comfortably alongside the claustrophobic, punishing banger that Fango sculpted from stand-out cut "Pow Pow". Meanwhile, Red Axes turn the casual narrative of "Life Is Strange, Life Is Hard, Life Is Great" into a bouncing workout -- a great companion piece to "WANT", Danny Daze and Shokh's propulsive, jagged dub version of "Fears Come True". Other highlights include Jörg Burger aka The Black Frame with the lush "Black Rainbow Woman", Paulor's country rock extravaganza "Discótico Desértico" and not one, but two excellent contributions from former Italians Do It Better honcho Mike Simonetti. It's a magical, surprising ride that finds beauty in contrasts -- while staying tuned to Rebolledo's spirit of adventure and powerful sense of style.
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Already played by: Smallpeople, Mountain People, Session Victim, Ben Rau, Woody, Matthias Reiling...
That's the name of the newly founded label of Chris Gruber and Tim Eder.
The first record "Soundbowl EP is produced by the artist Fossar.
Musically, we go into the groovy-warm realms of the oldschool deep house.
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repressed !
Kanja Records is sincerely honored to present its third vinyl release, based on a concept called Sunday Mornings. With this series of releases we will focus on that warm up, early morning, after party gems and slowly fading away from peak time music. Our philosophy behind this concept is that the focus goes to the tracks being timeless, and music that you can listen to in every time of day and night. Music that offers a vast variety, but in the end coming together in that sweet and warm morning glory.
Parallel Perception by Mau. was definitely our first pick for the first track on this release. With this release we went into a bit different direction, still keeping the early morning vibe, but the tracks are more minimalistic. Mau. brings us a very unique and a bit freaky tracks, that will be perfect for that early morning sets.
Vanguard by TIJN perfectly sits beside our opening track, with smooth pads and soft drums that imperceptibly pierce through the leading pad. Again a perfect track to play in that early morning hours.
Donnie by Mihai Pol is a really impressive track, again full of dreamy pads, but supported by a driving bass line, giving it a more acid like vibe. We are a huge fans of the music from Mihai Pol, so we are quite excited to have him on our release.
Yes We Do by Komponente is the final track on our third vinyl release. Another track that has a very unique structure, a bit more jazzy, but the acidized bass is making it really unique. With pleasure we welcome the boss behind the label we love, Tvir.
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For their third release Cedesciu Wax presents Romanian Artist & Cluj local Macarie’s vinyl EP "Play by Play" with 3 analog cuts showcasing his House & Minimal mastery.
Supported by: Sepp & Nu Zau , Vinyl Speed Adjust , Vlad Arapasu, Crihan
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Magnus International returns with a percussive, drum and beat heavy , tripped out set of “tribal” rhythm tracks in a stunning early Danny Tenaglia tradition. Daniel “Blackbelt” Andersen add´s some strings and extra soothing drama but the concept for both is clear - New York Sound Factory early 90´s. You wonder what Junior Vasquez would have played the 2 hours ahead of dropping the latest Stevie V? Try it out, with Cosmic Rhythm Session´s “Cosmic Jam” on steady repeat. Hot!
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LTD repress !
We are here again our first vinyl release (Respect Ep) , is the time of Italian Duo Neverdogs and hungarian Reelow , they brings `Respect Ep´, two tracks Tech-house with a nice percusions and dark vocals , perfect for a music travel. Ilario Liburni is the artist who remixed these genius with a Deep Dub House version than Original (Respect) .On the other hand we bring one of the most valued young Artist in Spain: Lower & OSp with his Dub Vision of Serum (Original Mix). Enjoy with us! Welcome to Hopeless!
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The 5th instalment of Inhere kicks off with the dirty acid baseline of A1, showing how much its sound has evolved since the label’s onset 2 years ago.
A2 is a more dance floor oriented cut, sounding like it would fit well either in the beginning or middle of a set, with its groovy and energetic percussion.
On the flip, B1 brings a more reduced sound, that blends nicely with the melodic chords coming in and out throughout the track.
The baseline and dreamy melody of B2, we think, is a great track to end a long, afterhours set with this summer.
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finally repressed !
One of the most sought after latin american labels, Savor Music, is back with a triple compilation called Unami.
This release gathered many interesting artists from all around the world who together deliver a colourful sound palette.
The first part will feature tracks from Priku, Iuly.B and Ernesto Ferreyra (Berlin/Argentina). The full A-side by Priku is a mesmerizing dubby journey with a highly hypnotic feel but still very driving. Ernesto Ferreyra's track is yet very powerful but softened by his typical sensitive melodies. To close the first record we have the talented Iuly.B, who with it's enveloping synth lines and solid energy on the low end gives us a super punchy track for any dancefloor!
Enjoy the flavours!
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Lucky number 3. 5 tracks, 5 different vibes
Music by Z@p, Villa Åbo, Darren Allen and E.N.E.
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1x each customer!
andy back on his own imprint!
with early support from Raresh, tINI, Nekes & many more
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This is the fourth piece of our vinyl only v.a. series, called: Colours.
MOIRALTD004 - V.A. - Green
- series name: Colours.
Every vinyl, contain 4 tunes, from 4 Moira Audio's artists and drawed around one color, by each.
On the fourth wax we proudly present to you, tunes from Enzo Leep & Saul Nieto, Randal Boyz, Aleksandar Grum and Nyvs about the color of the nature: Green.
Support and love from: Rossko, Cicuendez, Hernan Bass, Reelow, Khristian K, Zepovek, Coriesu, D-Phrag, F.eht, Ben Hoo, Sander Ellermann,
Emmy Betoil, Eddy Romero, Reclame, Viktor Udvari, Blagov, Domenico Raffone, Lorent Sian, Dj Sylvie, Dragusanu,
Bryz, Martin Garcia, Ingra, Takashi Watanabe, Darragh Casey, Seldon, Madness Ba, Johnny Davison and You!
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Marginal Returns’ second release presents another debut artist EP, this time bringing London’s shadowy, Undersound-associated Sohrab into the light. Simple Minds comprises four takes on the classic UK tech house sound: contemporary, functional club music, with minimum fuss and maximum freshness.
‘Lonely Wave’ is the sound of a cat chasing its own tail, looping insistent and driving, yet elegant and compelling. ‘Conflict’ splits the difference between Brussels, Chicago and New Jersey, with an organ lilt buried in a vat of acidic jack. ‘Instrumentality’ brings a pure heads down, eyes closed, end-of-night spirit. ‘Tweaker’ closes the EP on a syncopated high, its dark electro bass balanced with a deftness of melody.
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After a potent release from the head chef himself, an artist that preferred his name not to be disclosed is adding up to the waters.
This record’s A side bursts with a line of head hitting kicks that travels on a carrousel of bass, drawing the full attention of an auditor. With such a tenacious beginning, we can sense that this experience goes in abrupt contrast with the previous cats in the catalogue and whilewe think about it, a row of washy hats is enhancing the piece, leading to an open space of motion. There is no anticipations of what comes next...
“Highest Point” left a lot of tension behind itself. With “Obscur” we get back to a more domesticated sound. Strings of bountiful bass lines set the passage for what’s coming next - precise drum sections that paint propulsive musical pictures. The evolution of this piece brings to our hearing a comforting reconstruction of a pipe organ.
The pressurised air goes out of the pipes and the ethereal realm being is meddled by stripes of vocal that reminds us of Debi Mae West. Combined, they morph into a rhythmichowl, inviting for a dance.
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It's time for EYA 005.
Label boss Jos brings together some of the most interesting and talented artists in the scene for this one.
Twisted electro sounds , solid drums and spooky vocals on A1 for " Nevermind the crispies ".
A collab between EYA regular Manuk and ""The nothing special""member Oli silva.
Slovenian boy Eliaz ,fresh of a new solo EP on Cartulis Music ,brings us a 4X4 techno monster on A2.
B1 by New York based artist Meta 4 , is a perfect combination of acid lines ,minimalistic elements and wonky basslines.
Last but not least ,Sur boss Jorge Gamarra, give his contribution to this well crafted VA with a punchy and solid old school flavour cut.
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Amphia 14 unfolds Vlad's debut album titled 'Division', spanning over two parts of tracks with different characters, dynamics and composition styles.
Drawing inspiration from the label's entire creative work to date, this album is structured in a symmetrical way not only musically, but also visually.
This mirror-like musical progression starts with lots of dynamics and harmonies which then continues with a more sonically tranquil section while heading towards a dynamic ending, thus completing the symmetry and binding both parts in a seamless album.
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Vinyl only. Engineer is back with three hot tracks by talented russians Wyro, Farid Odilbekov and Alfij. Intelligent yet groovy, just the way we like it.
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Second edition of Pulse includes 4 killer tracks from 4 different artists. From Uruguay with love. Vinyl only, limited copies.
Two heavy tracks by an unknown artist are landing on TRAFO. Different roots, common patterns.
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One more time Andy reveals his vision of a modern, deep & trippy dancefloor.
3 flawless cuts to make them feel
already played by tINI, Raresh, Sonja Moonear, etc
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Ninth release from Mr Deka including a housy remix from Alex Ground.
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Birmingham's nomadic after hours, Social Underground, brings us its debut EP. In keeping with the ethos of the party, this release is brought to you by 4 members of the Social Underground community and one of the residents. Vinyl Only.
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Jacob Husley & Peter Pixzel's WetYourSelf! recordings, drop the third EP in their vinyl only limited series WYSL003. This time a VA with some heavyweight players from the top of the Romanian artist talent pool.
On the A side Priku delivers 'Outcast' a sleek cut of micro house, complete with jazzy stabs and a wonky bassline. A2 is produced by Mau 'Time Modulation', a very versatile track that will work at any point of the night or morning - with it's irresistible intergalactic electro bassline and pleasing synth notes.
On the flip side caLLY delivers two beautiful atmospheric cuts of minimal techno perfection, floating yet driving. Both tracks were on heavy rotation during Sunwaves Festival - played by Raresh amongst the other usual suspects.
There's been a lot of anticipation for this release to finally drop - so don't wait around or you'll be paying the price on Discogs!
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Music means various things to artists, but for Dan Andrei, it's a playground where his off-hand approach and diverse productions are taking control, defining his signature sound.
Introducing his first Amphia release “Loose Dots”, Dan Andrei is once again proving his dynamic, yet discreet technique, one that can constantly bring out refreshing tracks.
“SOS” is a track driven by percussions and retro chords, with a touch of acoustic bass and a dose of shakers throughout the groove. “In the bass” is focused around a heavy bassline, with a twist of irregular notes drifting through, and a modulated voice that comes and goes unexpectedly.
“Still Unclear” and “Thing wa” represent the joyful side of the EP; The first track, introduced by a quick elevation between playful percussions, sequenced chords, and a tight groove, acts like a shapeshifter to a more deep house approach. The second track extends the melody-driven sonic composition, in between the elusive rhythm and the delicate synth line, a provocative swing that marks a vivid ending.
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Well you know what they say, home is where the heart is. I must say it feels all nice and warm to be back on the label myself as Desert Sound Colony.
I've put together a few more rippers for you to enjoy. I hope they serve you well in the club and spin a few people from one side of the dance floor to the other. Imagine everyone's brains are attached to yoyos and you have control of them. You could metaphorically be walking the dog with their minds if you play these at the right time. Doesn't that sound appealing...
It is too awkward for me to 'big up' my own productions in the way that a normal press release seems to want, so I will just say that I have been playing these three out for the last six months and the results have been pretty much as described in the paragraph above. They are aimed straight at the dance floor, peak time tackle for when you also want to get everyone feeling pretty weird. Expect swingitty swung rhythms throughout and the feeling of having a rave in a drainpipe.
OK enough of my blather. Go and listen to the damn things yourself and decide if you like them, rather than trying to work it out from reading a bloody press release you weirdos.
All three tracks are produced and sculpted for the club. They want big sound systems and dark rooms.
Close your eyes, hold hands and experience transcendental space flight...
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The next release on Paul Rip's Specimen Records is by God of the Machine, the brainchild of deep house and techno maestro, Derrick Thompson a.k.a. Drivetrain. He has to be one of the most underrated Detroit exports with an unapologetic attitude towards underground dance music.
The EP kicks of with the original, a powerful slice of jackin' tribal techno, its bleeps, tones and chants sitting atop a tight percussive groove that's infectious from the first beat to the last drop. Next up comes Hijacker's electro workout. Its beats are old school yet the attitude is set firmly in the future with its square wave bass line, trippy noises and swooping sciKfi pads. Santonio Echols takes it back to Detroit with a simple yet driving tech house rendition containing sublime melodic chords, eerie pads and a hypnotic pad stab that sends tingles up your spine. Mr.C finishes with one of his typically infectious acid workouts, where he adds a cheeky bassline, haunting pads and cowbell pings to blend and morph into the twisted effects of a psychoactive substance.
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Frederic Berger and Patrick Buck first met while producing their respective projects for the label Hi Freaks, and after discovering a strong creative connection between each other they formed KAISERDISCO. big with: Cari Lekebusch, Daniele Papini, Pig & Dan, Stephan Bodzin, Thomas Schumacher, Sian, Adam Beyer, Oliver Klein, Florian Meindl, Oxia, ...
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Having previously released on Perlon, Trapez and Karat whilst also contributing to the legendary Fabric mix cd's, remixing Massive Attack and Matthew Johnson, we are very proud that this prolific producer enters the realm of Quartet Series. Akufen who practically invented micro house with his inimitable stylish productions now gives us a warm, deep and freaky EP. Those who get their ears around this one are in for a treat. This is the fourth and last instalment of the Bodybuilder Quartet, make sure you have your Quartet complete.
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Expand Your Awareness (EYA) Records has built a strong reputation over the past year. The London-based label continues to impress with it's fourth release of four tracks aimed for the dancefloor. With two solid tracks from the EYA boss 'Jos' remeniscent of the 90s techno and house; a minimal funk groover from Evil Knebel, the Manchester party Choke's head-honcho; and a dark and dreamy atmospheric number from USA-based machine-lover Poten- make sure you get it before it goes.
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René Audiard delivers two tracks in between worlds for this Ep. Once again,his special approach left us with two out of the ordinary tracks, two long journeys where classical melodies and warm minimalistic beats come together. It's dark, yet beautiful.
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Memoria Ltd is a Vinyl Only label from the Dutch imprint Memoria Recordings. Musical art combined with amazing paintings on the covers. Unique & Limited.
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Privacy Data Analysis Related To A Human Rights Has Grown Far Away From Expected.
No-one Knows Precisely How Many Eyes There Are Upon Us. Technology And Our Our Increasing Demand For Security Have Put Us All Under Surveillance. How Does It Feel To Be A Witness Of A Scenario We Only Conceived To Be A Part Of Gruesome Movie. Cyberpunk Was Supposed To Be A Warning. Instead, It Became An Ideal. And Now We Are Living In It. Welcome To The Future.
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3rd release on BLKMARKET MUSIC comes from T.A.O. which is a collaboration between Taimur, Amo and Ostara. In Chinese philosophy, TAO stands for the absolute principle underlying the universe, combining within itself the principles of yin and yang and signifying the way, or code of behavior, that is in harmony with the natural order. The interpretation of Tao in the Tao-te-Ching developed into the philosophical religion of Taoism. Tao represents 'The way', 'The Path' and 'The Flow.' Label run by Taimur. Catalogue number BLKMUSIC_002. Hand Stamped Limited VINYL ONLY 12´´
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Vinyl Only
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The keeping of pets marks humans' attempt at taking possession of a part of reality that is not at his disposal. Dressing a piece of the real that lives according to entirely non-human rules and which only in the saddest case does not resist the discipline of the human symbolic order vehemently and in a sustained matter, is a violent act of protection. Because in the non-place of the real, all that which we are helpless in the face of looms: the non-logical and the nameless, the violence and the noise, yet also the unrestrained and unfiltered desire.The innocuous figure of the pet marks a gateway to an investigation of these eerie milieus, while electronic dance music lends itself to this investigation in an outstanding way. This constellation marks the subject of Column's 'Pets II.'
Column is the name of Cologne based renaissance man Jan Philipp Janzen, who, as chief emissary of Cologne's pop internationalism, has been playing the field in various functions for Von Spar, Cologne Tapes, Urlaub in Polen, Owen Pallett, Scout Niblett or The Field, and who has also, in one way or another, been involved in most relevant records coming out of Cologne for the past number of years. After his excellent solo debut 'Pets I' (Areal, 2016), Janzen presents another extraordinary record in 'Pets II,' perfectly complemented by another ghostly oil work of Burkhard Mönnich on the cover.Sonically, 'Pets II' marks a clear development for Column. In its exploration of the thresholds of the real, it sets two points of focus, corresponding with the split in sides A and B.
Side A, on which Janzen teams up with long-time friend myr. (PNN), explores the uncanny as a fissure of the symbolic order, and the subsequent breaking in of the real. It opens with two peaktime rockets that have their wooden, nether-regional groove narrated by grim, down-pitched vocals. The ethereal remix by Leibniz (hundert) seems to be observing the situation from a hiding place, and is the side's clandestine and no less dark closer.
Side B, for which Janzen invited studiomate Marvin Horsch (Dorfjungs/Beats in Space) along, delivers two swaying synthesizer workouts, the second of which, 'Molly and Swerve,' is directed firmly at the dancefloor again. What is at stake here is the transition between a free, undirected jouissance of the real and a more ordered becoming-lust. Here, as in Map.ache's (Kann/Giegling/Altin Village) remix which closes out 'Pets II,' it becomes clear what connections dance music can foster between a free, impersonal desire and the sphere of interpersonal wanting, but also the losses that are negotiated in it. Above all, however, it becomes evident what a courageous daring project 'Pets II' is in all of its conceptual and aesthetic determination; with Von Spar's standout 'Garzweiler' 12' (Altin Village & Mine, 2017), it documents a New Cologne Realism.
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Cadenza head honcho, Luciano, often collaborates with many other artists, his constant touring schedule blessing him the opportunity to write and produce music with a multitude of like minded producers, and on 'Into The Aether", we get the first part of a two part series of tracks composed with various other Cadenza personnel. 'Arizona Green Song' sees Luciano and Marlowe (AKA Digitaline) get together for a vibrant and busy freak out. A plethora of rattling and sharp percussion cuts through a simple melody line and low slung groove. Building over ten tantric minutes, dubby inflections and hidden voices are woven into the detailed arrangement to great effect. A collaboration with Dani Casarano results in 'Bell's & Tonic", a slower paced vibe here, but with plenty of funk, from it's bending bass line and hand claps to the deft organ touches and shuffling shakers. A world within is created here, again distant voices, rattling cow bells and (yes) livestock and other field recordings are layered here to create a unique ambience. Uncompromising and original music then, from Cadenza's boss and friends. Expect a 'Part Two' to be released in the coming months....
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Earlier this year we were lucky enough to cross paths with the upcoming genius that is Sublee.
As you enter his world, his landscapes effortlessly enhance, twist, turn and modulate. The rhythm teases and pulls you, lets you go and brings you ultimately into something 4D rather than 3.
Perfectly fine-tuned for the smallest and the largest of dance floors, or to accompany your travels as the world drifts by.
With over 48 Minutes of play-time over 4 tracks, we present to you 'Sublee - Their Mind'.
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DMT aka Dorian Paic, Markus Fix and Tobi Neumann dig a little deeper on their next offering. 'Ride" does exactly what it says on the tin, taking you on a nine-minute journey that starts with an extended build-up, offering a tantalising glimpse of what's to come. From then on, House chords and dub elements abound, complemented throughout by beguiling melodic lines, hypnotic vocal samples, effects and some smooth filter action. This co-production from three Tech House specialists harmonises perfectly, creating a well-rounded, homogeneous track that leaves you craving for more!
Born in Berlin but 'living the life' in Mannheim, Fabe is the next insider tip on Cocoon worth keeping an eye on. Already shaking up clubs around the world, he's also part of the Cocoon Ibiza line up this year! However he's not only turning heads as a DJ, his productions also work on an extremely high level featuring a unique sound signature. His Cocoon Recordings track "Last Shot For Bob" creaks, growls, clatters, squeaks and knocks in all directions creating an incredibly cool and, above all, groovy sound. It's electronic noise-funk served up in the best techno and house fashion, that drags you onto the dance floor and drenches you in pleasure.
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Sunday Mornings 007
Kanja Records is sincerely honored to present its seventh vinyl release, based on a concept called Sunday Mornings. With this series of releases we will focus on that warm up, early morning, after party gems and slowly fading away from peak time music. Our philosophy behind this concept is that the focus goes to the tracks being timeless, and music that you can listen to in every time of day and night. Music that offers a vast variety, but in the end coming together in that sweet and warm morning glory.
24 Shots by Maki Polne was definitely our first pick for the first track on this release. Minimalistic sound with nice warm pads and freakish sound is the style that is perfect for our series.
Cielo by Lights Electronika and Valeria Croft perfectly sits beside our opening track, setting a mysterious vibe with warm long pads and atmospheric sounds.
Silly Lili by Fusal, an opening track on our b side, with nice minimalistic and laid back grooves certainly deserves a spot on our series.
Looking For The Unknown by Bauch and Henrik is the final track on this vinyl release. A really special track with nice piano pads nicely and slowly completes our release.
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Tolga Top's subsequential follow up, after releasing a 12" in 2017 on his very own Understate:ment imprint, marks a reinvention of one's signature sound. Lifting off with 'The Turning EP', you can expect chunky, rhythmic & detroit electro influenced Tech House tracks par excellence.
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The latest instalment on Christian Burkhardt's retrospective/future-focussed C&B Sessions projects sees him returning to one of the pivotal tracks of his career: 'Doubledub'
Released in 2009 but still slapping with finesse almost ten years later with its low-swung bassline, latent funk and evocative vocal, its elements resonate perfectly with everything going on in house and techno right now. These remixes couldn't have landed at a better time...
Jamie Jones rolls in with a timeless rolling gem that gradually builds into an impeccable late night jack-out laced with surprise acid tendrils. JC Fousdelamer brings the feels with a much slower, cosmic trip that lingers softly with spellbinding dubbed-out magic while Reboot unearths the techno beast that was always lurking beneath Christian's funk. Stripped back machine funk at its finest, Reboot never disappoints.
Naturally Christian has also provided the original source material for those who want to kick it 2000s-style and for those who weren't old enough to catch it the last time around. Join in if you know the chorus, Doobie doobie...
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We're glad to present you a new release on Whoyostro by Information Ghetto.
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The second EP of Samuel Rohrer's Range of Regularity album presents two more striking reinterprations. Burnt Friedman's own dramatic interpre-tation of 'Microcosmoism' pairs up his consciousness of deep bass and analog inventiveness with Rohrer's continually transforming sound ob-jects, making for a flowing and wordless narrative that simply dares listen-ers to stop paying attention. Feeling more like a collaboration in 'real time' than a remix proper, Friedman brings his characteristic 'mad scientist' wit to the proceedings and delivers an energetic piece that simply glows in the dark.
The Villalobos' remix of 'Microcosmoism' carries a high energy level while heavily experimenting with feelings of emotional ambiguity. At some points aggressive and at other points merely curious, this mischievous collage of attitudes feels as inspired by the questing jazz of Sun Ra as it is by continental techno. Contemplative keyboard runs, enthusiastic spring-like percussion and malfunctioning machine chatter all coalesce to make this a most fascinating piece of multi-purpose electronic music.
Vilod, the collaborative duo of Villalobos and Max Loderbauer present the 'Uncertain Grace' remix which is no less engaging. A buzzing beehive of activity powered by an organ- like refrain, this is one of those pieces that will induce a fee- ling of perpetual movement into even the most still of physi- cal surroundings. This is especially true when, after four and a half minutes of flotation, a straight-ahead techno rhythm ta- kes over and all the disparate hovering elements fall into place.
Villalobos' compelling take on 'Lenina' pulsates from start to finish with a kind of voluntary anxiety; a commitment to painting every corner of the sonic surface with clearly defined pointillist touches. While this kind of approach would cause less confident producers to collapse at their editing worksta- tion, Villalobos takes to the task with gusto - leaving see- mingly no corner un-animated by sound, he pieces together something surpris-ingly funky and hyper-real from a catalog of distinct percussive hits, time-reversed ephemera, and playful 'kitchen sink' ambience.
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