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Darkness to the Light: The title track is a long hypnotic cruiser; a blissful trip built around the crafty editing of Lindsey Flowers' pure, uplifting vocal drifting over a rolling groove. Darkness to the Light (Pablo Bolivar baseline mix): A deep, driving rendition that puts the emphasis on the bass and lets the vocal provide the accents. Movin' to the D: A rich, warm deep house tune inspired by one of Ospovat's favorite producers. Featuring a dynamic sax solo by the talented Noah Bernstein. Darkness to the Light (c_olvrin mix): A mesmerizing, abstract version of the original. Sonic manipulation, broken beats, and undertones of IDM.
Some believe music developed as a way to bring early humans together into a close-knit community, and this collection of songs is a perfect example of that theory at work. Beautiful vocals from Lindsey Flowers, an Oklahoman Ospovat met Tokyo. Killer sax blown in Portland, Oregon by Noah Bernstein, an exceptionally talented friend of Ospovat's brother. A driving remix by Pablo Bolivar in Barcelona, without whose generous advice this project would still be a work in progress. A mesmerizing remix by Canadian label partner, fellow Deadhead, and sound manipulator extraordinaire Craig Oldring (c_olvrin). And the words of David Moufang, who speaks with conviction in 'Movin' to the D' -...music has a lot to do with communication ... working with other people is really essential.' We couldn't agree more.
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New DJ ZONE vol. 3 2015, containing all Dance, deep, house , EDM,.... hits. In this number AVICII The Nights', BOB SINCLAR feat. CECE ROGERS I Want You', RAFFAELLA CARRA & BOB SINCLAR Forte', KYGO feat. CONRAD Firestone', BAKERMAT Teach Me', KNIFE PARTY Begin Again', ARDWELL feat. HARRISON Sally' , LAIDBACK LUKE & TUJAMO S.A.X.', .... and many more !!!
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Now A lot has changed for Lars Dales and Maarten Smeets in the past two years since they first send me a demo with their music. When we met in Amsterdam in 2011, they had just started their Detroit Swindle project and were making music just out of fun. They did not yet think of taking it to a more professional level. After some time, Elef got them to send me a few of their first tracks, which resulted in the 'Nothing Else Matters' EP together with the now 'classic' Detroit Swindle track 'Jick Rames' on it. 'Jick Rames' is truly a breakthrough track for the guys: it was something completely different at the time with its ultra slow tempo combined with Detroit/ Chicago-esque feel and hip hop attitude. Along with their well received release on Huxley's 'Saints & Sonnets', this marked the jump start of their musical career and it were these releases that marked the way the guys would take, combining the early 90's garage styles with deeper Detroit and Chicago house influences. Their music sounded so fresh and new that you could immediately pick out a Detroit Swindle track when you heard it in the clubs. It was something about their way of building breaks and especially the rhythms that had a typical 'Detroit Swindle' style with lots of shuffle and off-grid action going on. Their tremendous rise in the house scene already got them to be noted as newcomers in the 'Making a splash in 2013' section in DJ Mag and from there it just went off. They have been laying it down across the UK, Ireland and European mainland every weekend for the past 2 years, gaining much respect with both their DJ and Live sets.
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Two House Limited is a Vinyl & digital label based in Copenhagen Denmark Focussing on House musik, and with limited pressing worldwide.
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New edit serie from Two Edits.
Some naughty edits here. The A side is classic disco re shape for the slo-mo crowd out there. On the B side we have a more trendy oldschool chicago house rework. Some excellent edits on wax. Vinyl Only
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The Groove Brothers, AKA Jef K and Rhythm&Soul, keep things moving with the second release on their fledgling label, On A Mission Records. It's been seven months since the label's debut, demonstrating the duo's considered approach to their outlet, which has been set up to capture the true spirit of house music, basing its ideals on some of the industry's most respected labels and keeping that timeless, classic ethos alive. This second release unites the label owners with a couple of newcomers to the scene. Retaining the sultry outlook of the first release The Groove Brothers inject jazzy notes and smooth funky rhythms into their music, while Mr KS and Kub follow in a similar vein with their well-crafted contributions. KS expanding on the jazz theme, while Kub takes a more sensual pathway.
(Words by Marcus Barnes)
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Standard weight 12' black vinyl with 3mm spine.
The sleeve is matt machine varnish onto reverse board with the original artwork redesigned by hand, individually, in a variety of colour options (green, blue, red and purple).
Limited edition to a 1000 copies, each individually numbered.
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The Stateside bass collective Elevater Action's 5th vinyl release finds London based maestro Mr. Mageeka delivering 2 cuts of visceral and hypnotic house music. Previously known as MC Mega, Mageeka has been a part of the UK garage movement since it's formative years and the authenticity of his music speaks for itself with relentless and truly unique vibes. The A-side "Most" finds him at top form: swing-driven four on the floor with a timeless bass line that rolls seamlessly into soulful pads and tastefully placed chords, with a frenetic vocal hook that doesn't let up. The B Side Vinyl exclusive "Up In Smoke" features a sexy and sinister organ line leading into a bonafide sermon about Jack himself. Peppered with a swaggering vocal chant that keeps the intensity high throughout the track, the raw groove revives a classic sound into a modern context. EA's own Dylan C closes out the plate with a stripped down dub edit of Most, bringing the vibe of the original into a darker context with cryptic bass flexes and stripped down, minimal percussion while the vocal of the original melts into hallucinatory staccato.
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finally repressed! So, here he is again with 'Mists' a track previously unreleased but unmistakably Schatrax. Submerged beats, a skippy groove and a simple effective riff are the essence of the track while 'Keep On Loving' injects a glorious uplifting feel with a bouncing b-line and classic piano riff. Flipsides 'The Almighty' keeps things deep whilst 'Aliena's Groove' is one of Schatrax's signature tracks with it's haunting melancholic riff keeping the emotions high.
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the new summer Bomb on Praxxiz !!
Ungewohnte Töne aus der PRAXXIZ. Für diesen verträumten Sommertrack warfen
die Macher des Labels doch tatsächlich 'mal eben' das ganze Konzept über den
Haufen. Wo sonst nur echte Technohymnen in Vinyl gepresst werden, hat man sich
mit diesem Track die berühmte Ausnahme von der Regel erlaubt. Statt schmetternden
Bassdrums und pumpenden Beats, betören weiche Gitarren-Sounds und Hippie-esque
Flötenklänge. Der Name 'El Niño De La Flor' (spanisch für Blumenkind) kommt also
nicht von Ungefähr, sondern hält was er verspricht. Mit diesen harmonisch-
hypnotischen Klängen entführen die beiden Künstler Henning Richter und Tom Schön
zu einem Spaziergang nach Miami Beach.
Unusual tunes from PRAXXIZ Well, for this dreamy summer track the organizers of
the record label knocked the whole label concept on the head - just 'by the way'.
Where usually only real techno anthems are pressed into vinyl they allow themselves
the exception to the rule. Instead of smashing bass drums and pumping beats you'll
get an almost laid-back composition with a smooth guitar and hippie-esque flute
sounds that seduces your ears. So the title 'El Niño De La Flor' doesn't come out of
the blue and lives up to its promise. Henning Richter and Tom Schoen take you by the
hand to a nice summer walk in Miami Beach...
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PINK COLOR VINYL
The Teen heart throb has gone to town on his hard hitting new release in his continued effort to be viewed as an adult artist with his gritty new dubstep-heavy track - As Long As You Love Me. This track is an impressive fresh twist to his normal chart offerings and without a doubt has earned the respect of music connoisseurs world wide. Hate to admit it but he has definitely smashed it with this track with the original already being played everywhere you go. Enjoy the remixes, one for the collection.
- 5 REMIXES + ORIGINAL
- PINK VINYL!
- HEAVYWEIGHT VINYL
- FULL COLOR LABELS
- BLACK SLEEVE
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Tokyo Offshore Project are Frankie Valentine and Simon Lovejoy, djs and producers heavily involved in the construction of the underground UK house and electronica scene of the 90's and Japanese musician Kiyoshi Myaura. This album is a collection of their best underground house / electronica moments circa 1990-1992. POINT OF INTEREST First time on cd with 3 unreleased tracks. Simon Lovejoy is responsible for Dj Harvey's edits on their own Black Cock label and produced Björk's first electronic tunes. - Simon Lovejoy was resident at Soho's Brain, an historically important club in the development of house / techno and the first club to encourage live PA's like Ultramarine or Orbital. Frankie Valentine, dj since the late 70's, is one of London underground house finest player, still working the crowd like frenzy. Old school really do know how to work it better.
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Limited Picture Vinyl!
Der Kreuzberger Frans Zimmer hat geschafft wovon andere nur träumen können. Über die letzten acht Jahre ist er unter dem Künstlernamen ALLE FARBEN zu einer Größe der heimischen und internationalen Musikszene herangewachsen. Seine Sets kennt man aus den Clubs und von Soundcloud. Sie bringen sogar tanzscheue Menschen dazu mindestens mit dem Fuß zu wippen. Für seinen einzigartigen Sound vereint er Musikrichtungen und Komponenten, die auf den ersten Blick wenig gemeinsam haben. Er überschreitet Grenzen, adaptiert bekannte Klassiker und formiert sie zu elektronischer Tanzmusik.
Es war eine lange Reise zu dem aktuellen Meilenstein seiner Karriere: Sein Debutalbum SYNESTHESIA, auf dem, wie man es von Frans erwartet, elektronische Musik auf durchdachte Live-Aufnahmen trifft.
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2012 sees Detroit label, KMS Records, celebrating it's 25th Anniversary.
Founded in 1987, by Kevin Maurice Saunderson, his first release was 'Triangle Of Love' produced by, 'Kreem', (just one of his many guises), little did Saunderson know, at that time, that two and a half decades later, he would still be releasing music on his KMS label.
Let's go back to the beginning... Born in Brooklyn in 1964, Saunderson moved to the picturesque Detroit suburb of Belleville, when he was nine, a different world to the urban decay of the city itself.
Saunderson has an enviable dual reputation. To the dance cognoscenti he's one of the 'Belleville Three,' (with Saunderson being the 'Elevator', Juan Aktkins being the 'Originator' and Derrick May being the 'Innovator'), the trio of friends invented Detroit Techno.
The trio met at Belleville High School where, Saunderson befriended Juan Atkins and Derrick May, who introduced him to the eclectic post-disco playlists of Detroit radio DJ Charles 'The Electrifying Mojo' Johnson. ' Johnson played disco, funk, Prince, Parliament/Funkadelic, Kraftwerk, the B52's and Tangerine Dream, to name just a few. Saunderson already had a serious love for music, but he didn't realise he was going to produce music, until then.
In his first year at East Michigan University, where he studied telecommunications, he gave up football to become a DJ himself. He took inspiration from visits to Larry Levan's Paradise Garage in New York and Frankie Knuckles' Warehouse and Music Box in Chicago. Saunderson, Atkins and May, played at campus parties, until setting up their own club in Detroit, the fabled Music Institute.
Of the 'Belleville Three' Atkins was the first to make a record, with electro group Cybotron's 'Alleys of Your Mind' in 1981, then May, with Rhythim is Rhythim's 'Nude Photo' in 1987. Inspired by his friends, Saunderson bought some basic equipment and made his own debut in 1987 with 'Triangle Of Love'. 'I just had a good ear and a good heart for music,' he says. 'Juan Atkins led me into DJing which led me into making extra beats to play in my set. Then I started learning how to play basslines, putting a lot of work in, just elevating it from there'
Undeniably, Saunderson is a gifted producer (going under guises such as Reese, E-Dancer, Tronikhouse and Reese Project), remixer and a tireless international DJ. To lovers of great pop music he's also one third of Inner City, who made regular visits to the Top 20 in the late 80s with jubilant hits like 'Big Fun' and 'Good Life', paving the way for hundreds of underground-to-chart crossover records to come.
On a visit to England in 1988 Saunderson realised that a mythology had built up around the 'Belleville Three'. To his even greater surprise, 'Big Fun' became not just a massive club record but a pop hit. He also helped to revolutionise remixing when he worked on 'We Know It' by Wee Papa Girl Rappers. Over the following decade Saunderson would continue to produce imaginative remixes for the likes of New Order, Pet Shop Boys, The Shamen, Paula Abdul and the Lighthouse Family.
Even whilst travelling the globe, djing or touring with Inner City, Saunderson continued to produce and release not only his own tracks on his KMS label (with tracks such as 'The Sound' by Reese, 'Rock To The Beat' by Reese, 'Truth Of Self Evident' by Reese & Santonio, 'Let's, Let's, Let's, Let's Dance' by Keynotes and 'Colour Of Love' by The Reese Project), but he also released tracks by other up and coming artists, releasing classic underground gems, such as 'Flash' by Fix, 'Can You Feel It' by Chez Damier, 'Soundscape' by Kosmic Messenger, 'Definition Of Love' by Kaos and 'Use Me' by R-Tyme. The list is endless.
Fast forward to 2012 and it's hard to believe that KMS is still releasing records. With such a long history, what better way to celebrate than to release a special CD Boxset. The 'KMS 25th Anniversary Classics' will be released on CD, Digital (and for those vinyl collectors, there will be 6 x 12' Samplers). Each format includes a plethora of gems which have been released on KMS over the last 25 years.
KMS may be celebrating it's 25th Anniversary, but there's no slowing down for Kevin Saunderson. He's still producing, remixing and djing (all over the world). Here's to the next 25 years....
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"We No Speak Americano" reached no. 1 on the overall Beatport charts, been no. 1 on the club charts for the last six weeks in Australia, is currently no. 1 on itunes in Spain. Similar success is expected in the Netherlands, Gemany, Greece and Italy, where its signed to the major independent dance labels. For Yolanda Be Cool juxtaposition is everything: bow ties and converse, Hip Hop and techno, animal noises and nightclubs, pretty girls and tattoos... unused hotel rooms! So Yolanda and DCUP apply describe "We No Speak Americano" as "Party Tech." Sylvester Martinez and Johnson Peterson, aka Yolando Be Cool are rapidly becoming a household name in contemporary clubs. Their tracks have been licensed to compilations such as Fabric 59 and Fake Blood´s Wax On mix compilations and have signed tracks to Herves Cheap Thrills label.
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After the successful collaboration of Toni and Bedrud by "Music is a Dream" is another collaboration between the two veterans.
In this publication are also various remixes on board.
The sound is as always warm and bassy and guides you to dance and departure.
Whether deep or Techhouse, easy for any occasion.
Bedrud mix is the image song for the famous Robinson Club.
Check it out on youtube!
Heard briefly in or draws you clean the video.
Toni Rios:1989 im Alter von 18 Jahren gestartet, konnte sich Toni Rios Mitte der Neunziger Jahre im sagenumwobenen Club Omen in Frankfurt am Main den Feinschliff für seine bis heute andauernde Karriere als international agierender DJ und Produzent holen.Desweiteren erschien weitere Tracks auf Soap Digital. Bedrud DJ and Sound Productions Bedrud, nicht nur knackiger Sound auf dem Dancefloor sondern auch feinste tunes im Studio. Bedrud beigeistert durch ausnahmslose Perfektion, wenn es um den richtigen Sound geht. Jahrelange Erfahrung im producing sowie als DJ und labelowner zeichnen Bedrud aus. Als head des labels rotfenstermusik produziert er leidenschaftliche Musik die in die Tiefe geht und fast ausschließlich dancefloor-tauglich ist. Wenn er nicht gerade am Plattenspieler steht, produziert er professionelle soundtracks bzw. Auftragsarbeiten für den Medienbereich.
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Club Trax, is an anonymous series of records created by DJs, intended exclusively for DJs.
Pressed in a limited amount, Club Trax is available on vinyl only. With strong roots and knwoledge, Club Trax presents a fine mixture in upfront house, bringing together future classics with reworks of titles that have influenced the development of upfront house music through the last two decades.
For this third installment, we are dealing with two completely fresh Club Trax titles. 'Midnight Fever' features a gigantic bass that will instantly crack the dancefloor in two. While 'Smith Chord' takes the entire club on an abrasive yet round ride. Crafted according to the most demanding dancefloor's needs, this is a true DJ's delight to be plaid back to back to back!
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One to One Records was born with a clear idea of creating a cutting edge label that would reflect the new trends in house, techno and deep not only with big names, but also discovering new talents thanks to the experience accumulated during the years by DJ producer John Stoongard.
The debut single of the label is served up with two brilliant remixes by Paul C & Alex Piccini.
Supported by Dj Sneak, Marco Carola, Chris Simmonds, Paco Osuna ,
Robert Dietz, Robert Owens, Santos, Dubfire, Khaan,
Paolo Martini, Dualton, Larsen & Luca Marano, Lee Jones,
Miguel Garji, Allen, Andrè Butano, Apparell, Clio,
Dj Kool Dek, Luca Doobie and many more
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After the very successful foray into split EPs, Luv Shack Records continues to explore this concept with LUV013. The EP sees upcoming duo Space Echo make a return after their smash hit "Soul Power", while the B-side is conducted by Wahlberliner ROTCIV. "Come Back Home", the opening track by Space Echo, is a slowly building but effortlessly captivating piece of hypnotic house music with a raw funk attitude. The gently evolving synth line and the strong vocal hook are the spine of this anthemic track. The seemingly laid back "Hangover" just oozes b-movie sleaze and might be Space Echos little hommage to 60's lounge music, with an array of distorted guitars and soft pads coming to good use. That is until the synth theme kicks in mid-track and turns the piece into a late night weapon.
On the flipside, brazilian producer and one half of "The Rimshooters" ROTCIV lays down two complex yet dancefloor oriented house tracks. "Old Good Luvin'" is a soulful house hymn that pays tribute to synth driven early italo and classic chicago house. ROTCIV intertwines the different styles to create his very own blend of deep house. "Just Take Me Higher" evokes similar feelings but has a slightly darker touch to it. Eerie John Carpenter-esque pads contrast the punchy bassline, eprom drumbeat and organ stabs to create a mood coming straight from an 80s elektro joint.
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