House News

Warehouse find!

Two cosmic-techno-electro anthems by the amazing So Many Men (Digital Romance, Forgotten Illussions, Outrunners) from Nantes!

The latest edition in the Summer Sampler series offers yet again 12 tracks from an assortment of global artists who are all connected by their chilled-out styles.

“Water Tiger” is the debut album from oqbqbo & Scandinavian Star, compiling their previously released singles with 3 new songs. In 2020 the couple released their first collaborative work, the double single “Airdrops / Coercion” just as the the first wave of Covid lockdowns set in action across Europe and the rest of the world. The music offered a kind and compassionate stance to the turmoil that swept across the world in those months. Later that year the single “Wakening” was released on Rift One, a compilation by Year0001. In 2022 they returned with another double single “Dandelions / Sleep Lines”. “Water Tiger” compiles all those with 3 new songs; Free Fall, Colibri and Water Tiger. oqbqbo is the moniker of Russian born artist Nastya Sipulina. Scandinavian Star is Malthe Fischer, producer and part of pop outfit Lust For Youth. They live together in Copenhagen, Amager with their daughter Freja Rei. Together they make uplifting and bubbly dance music that inhabits its own world whilst playfully referencing both euro dance and contemporary club music. The LP version comes on white vinyl, housed in a white, stickered disco sleeve, with hand-stamped and numbered white labels, a fold around two-sided color cover and an obistrip. ltd to 300 copies

Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.

Castor recordings is a Belgian record label that brings you a varied offer of Progressive House - Techno - Trance Music.

EQ-Noxx - Secrets
First release from this Belgian talented producer, Secrets has a deep driving bassline with a strong "saxophone anthem" and catchy bells, floorfiller with summer Ibiza vibes.

Pollux - Trigger
First one on his own Castor label, Trigger has catchy bassline and great melodic tune, this track represents "the style" Castor Recordings is in to.

Pollux - feat Alain Faber - Tam Unanimem
Collaboration between the 2 founders of the label. This one's got a great vibe, deep groove and a Massive lead tune. FAT !

Pollux - Gemini
Progressive trance track from Pollux, some nice arpeggiators melodies floating on a deep pumping bassline, pushing you on to the dancefloor.

COVERED - Our focus is to support the scene, keep the vinyl alive and uncover young and new talented artists!

That`s why we launch the second release with a massive four track EP from the young and talented Lyon FR Born and Based - Garouda.

Amir has been playing drums since his younger years. His releases are influenced by jazz, 90's house / techhouse and hip hop. He is a member of the renowned label Y.A.R Records and has released alongside legends such as: Sweely, Aladdin, Funkroid, Jhobei ...

The love for MPC is certainly audible in every track ;)

Keep your eyes peeled for our further releases and thanks for your support!

‘&Hope EP’, the 4 track EP from Frankey & Sandrino, is a celebration of the duo’s partnership and a journey into their musical symbiosis. After making music together for close to a decade, the pair feel more connected than ever and grateful to be able to express themselves creatively with no compromises. The EP is a step away from their signature eclectic electronic dance music productions and a clear boundary-pusher, with a plethora of new musical elements thrown into the mix.

It was obvious that Nathan Boost would soon be providing an EP for Unlimited Happiness. Long time affiliate to Nowadays Magazine and wonderkid if it comes to producing his recognizable sound, He effortlessly provides new music flickering from fast paced minimal inspired dancefloor hitters to slow electronic jams. We’re already wondering what he’ll do next…

The second release of the Viennese label Connecting People once again provides a stage for an upcoming talent’s first solo EP. Manuel Correa gets straight to the point with “Checkpoint 4”, an acid-loaded, slowly progressing groove, surrounded by mystifying melodic elements. Keeping it dancefloor oriented on A2, he brings out a wide pallet of dark synth and pad sounds, shuffling around a pumping groove.The B Side continues with more breaks, twisted acid sounds, and strange atmospheres while maintaining a moving beat and finishing it all off with a deep electro-tune.

Jac The Disco’s ‘Cosmic Matter” gets a limited re-issue on the artist’s self-imprint. The release features two original works and remixes from dance music heavyweights Prins Thomas and Nicolas Chaix alias I: Cube, co-founder of Versatile Records and one of France’s most significant producers.

First up is the title track Cosmic Matter, which takes us on a brooding, simmering trip shot into the cosmos with nourishing galactic synths, which teases and builds that dance floor tension into a fine piece of space disco electronica. Thomas then takes the track to a whole new level `with 8 minutes of driving baseline, elevating chords and percussive fills which will send you straight into the celestial light of your very being.

The B-side plays host to Bali Dance, which takes more of a progressive approach and includes acidic bleeps and tweaks and rising voices, which will leave the dancers feeling as if the heavens have just opened. The track features live field recordings from the rice fields of Bali creating a mind melting atmospheric trip. I: Cube then deconstructs the parts and places them straight into a live desk mix and does what he does best encapsulates the moment and creates that everlasting ecstatic vibe.

DJ support from Red Axes, Mano Le Tough, Superpitcher, Michael Myer, Ewan Pearson, Jennifer Cardini, Ame & Massimiliano Pagliara

Sapphic royalty Jennifer Loveless has gone global, but Around The World is landing back, and better than ever on Butter Sessions with a hot, hot rush of sun-kissed & heavily misted Summer anthems. The 6 track audaciously freaky EP slinks, scoots and toots with a consistent perpetual drive towards the serotonin convention mirage looming on the horizon, dust kicked up and not settling down any time soon via endless slap-happy basslines and bucked up beat downs.

From top to tail the record delivers mid range sweet-spot dirty house, laced with pulsing progressive atmosphere and crowd-pulling percussion; Reverse Cowgirl 2 conjuring a loopy four2thefloor crescendo…surging to climax! It's hard not to Fall In Love, the totally major and melodic hits keep rolling like a rowdy rotisserie. Albeit this signal of a stomping glo-up, Loveless remains impossible to pigeonhole; thanks to her deep rooted flair and intrinsic passion stemming from a lifelong and timezone defying flame for Muzik.

Heavenly Recordings release the next two volumes in their series of remixed classics and unreleased versions. ‘Heavenly Remixes 7 & 8’ sees the label going back into the archive, as well as picking off some more recent remixes, and both albums primarily feature either previously unreleased versions or re-workings available for the first time on vinyl and CD.

Heavenly have always seen immense value in the remix, a value way beyond what it might bring commercially. Since their first release in 1990 (where Andrew Weatherall overhauled a one-off single by club kids Sly and Lovechild) Heavenly remixes have been carefully curated and treated as a key part of the A&R process. It’s an opportunity to view an artist through a different prism, to play out a musical ‘what if’ scenario. It’s the kind of exploration that’s happened consistently through the thirty plus years the label has released music.

The ‘Heavenly remixes’ series continues to showcase the very best remixes, versions, meditations, re-rubs and dubs from all around the world of artists right across the roster of the country’s most exciting record label. In most cases, the albums offer the first physical release for a remix, elevating them from streaming playlists to their rightful, spiritual home on super heavy vinyl (or shiny, super-packed compact disc).

Heavenly remixes 7’ heads to Belfast, where David Holmes - a producer who first appeared on Heavenly in 1994 amping up the acid on Saint Etienne’s ‘Like A Motorway’ - appears as solo artist and as one third of Unloved, who get a lift right to the heart of a Vauxhall sweatbox by Horse Meat Disco. It draws a line between Amsterdam and Frankfurt as Ludwig A.F. amps up the electronics on Pip Blom’s ‘Keep It Together’. It stops off in a south London studio where super producer Dan Carey plays the desk with Toy, then relocates LA psych rock band Fever The Ghost to an Ibizan shoreline as the sun sets on the horizon. It cements Sheffield’s reputation as the home of modern British techno with the return of true originators Forgemasters. And it pitches up in front of a renegade soundsystem late night at Glastonbury as Erol Alkan’s mighty rework of Con Man gets its third rewind of the night.



‘Heavenly remixes 8’ opens with Space Afrika’s lush, ambient reimagining of the Orielles’ ‘BEAM/S’ before Justin Robertson stretches Amber Arcades’ ‘Turning Light’ into eight minutes of electronic dub. Elsewhere, Baxter Dury’s peerless ‘Miami’ becomes a string-laden electro skank in the hands of French producer Pilooski; Edinburgh’s bedroom techno genius Eyes of Others’ ‘Safehouse’ turns into an East End bathhouse courtesy of disco deviants Decius; Ashley Beedle’s Black Science Orchestra turns Unloved’s heartworn torch song into seven minutes of glimmering dreamlike percussive house and Katy J. Pearson’s freak flag is flown high thanks to The Umlauts’ throbbing filtered electro mix. It ends similarly to how it began as TONE takes

Fran Lobo’s ‘All I Want’ on a gorgeous slow motion spacewalk.

In the heart of Poland's electronic music landscape, a transcendent force has emerged in the form of Trance-Atlantyk, a entity devoted to cosmic tingled sounds of the electronic music universe which humans tend to describe as progressive house, proto trance, ambient house.

The creation of this new sonic organism can be traced back to two seasoned veterans that have not only witnessed but also actively shaped the evolution of the Polish electronic music scene for the last 20 years. For now they conceal their true identity under the nicknames of Pankoff & DJ Varius Trax.

Trance-Atlantyk is not just a dynamic and eclectic DJ duo that finds pleasure in all manner of progy, trancey, floaty, breaky and housey sounds that clocks in between 130 and 150 BPM; it's also a series of events and a record label that extends its influence across physical and digital realms. With a commitment to preserving the authenticity of electronic music, Trance-Atlantyk releases music on both vinyl and digital platforms. This dedication to the tangible and the digital reflects the duo's forward-thinking attitude, ensuring that their sonic creations reach audiences in diverse ways.

The very first release, which is also the creation of Pankoff & DJ Varius Trax pays homage to domestic pop seamleesly blending it with euphoric, uplifting and high octane club-oriented music.

The “Sound of Poldon” EP (“Poldon” being a slang word for Poland) kicks off with “I want to tell you”, an energetic, proggy house track that contains vocal snippets from one of polish most popular tracks of the last decade (which originally got released in 1979, but rose to prominence thanks to and edit that got released by The Very Polish Cut Outs in 2015). An anthemic chorus is pitched up & looped to the max for ultimate satisfaction. More experienced listeners will surely also recognize a few other notes in the background bringing back old-school trance memories.

“Moon Song” is a massive dj tool that evolves after the breakdown into a nostalgic and euphoric peak time anthem. The hypnotic vocal parts that are sampled from one of the biggest Polish hits of the 90s era by Varius Manx, will take you back to the glorious past with the kick going 130 beat per minute.

The B-side starts with a huge bop called “Punch Bowl”, a hip-hop infused & breakbeat-oriented acid roller providing hypnotic rap vocals from one of the most prominent underground anthems of the last decade. Dreamy synth stabs colide with cascades of snares and brokean beats and agressive acid elements. The whole tense and pumping track concludes with a soothing outro.

The EP ends with “Jeny”, an atmospheric and vibrant cut with a broad palette of different emotions. A heavy bassline is pushing the affair forward, with a chorus that is simply hypnotic and captivating, while synths and trancey elements add an impeccable flavour to the whole business. A massive club jam.

Scuba funk seems to be quite the sort after track which has got fair traction from Velasco's podcast on Spaced and also Theo Dher who helped evolve the situation with a YT upload. So here we are with a 4 track EP on a 180g vinyl, 300 ONLY and a few other under the radar tracks to seal the deal.
Night Demons, Sound Pictures and Chewing gum are all outstanding tracks in their own unique way and retrospective of the mid 2000's era, Enjoy.

6 vinyl unique to this edition showcasing the label's most exhilarating moments, never before available on vinyl

Lost & Found, a prominent Malta-based label, wrapped up its impressive journey with the culmination of its 100th release and ceased to exist in 2023. However, its impact will continue to echo among devoted fans and within the history of underground dance music.

Rather than etching them in stone, several of the most noteworthy masterpieces have been immortalized on a distinctive collection of vinyl records. This unique edition, making its debut on vinyl for the first time, brings to mind the label's most exhilarating moments, capturing the depth of its legacy.

The elaborate cover and puzzle-inspired artwork enhance the immersion into the captivating 197 minutes of hypnotic sound, featuring the 24 tracks DJs have long yearned to see on vinyl.

As a specialsurprise for buyers,100 boxes are personally signed by the label's founder, Guy J himself, visible only upon opening the sleeve.

This compilation showcases the work of over 25 top artists, including 1979, BP, Budakid, Chicola, Cornucopia, Ditan, Eitan Reiter, Eli Nissan, Guy Mantzur, Hermanez, Kasper Koman, Kevin Di Serna, Kevin Yost, Khen, Marino Canal, Matteo Bruscagin, Navar, Patrice Baumel, Pedro Aguiar, Roy Rosenfeld, Sahar Z, Stereo Underground, Visnadiáand Guy J.

The LFBOX001 is a must-have memorabilia for fans cherishing dance floor memories and essential for future generations discovering these forward-thinking tracks destined to endure for decades.

The third Cognitive Prophecy release is birthed, as label boss Skatman shares the fruits of his debut collaboration with Tal Fussman.

The two artists met mid-way through 2022, quickly connecting over a shared musical philosophy and view on the scene. A succession of studio dates was the natural next step.

Salomo & Reece Walker start their new sublabel from R.A.N.D. Muzik Recordings with a collaborative EP of house groovers and freedom vibes.

White Scar, sublabel of Subterranean Odyssey, is back for its second instalment. The next feature is called the “The Judge’s Head” and true to the theme for White Scar it features four tracks from four different producers.

Eliaz returns on the A1 with “Spaceventura” which is more of the mayhem that you come to expect from the Slovenian given his releases so far. A2 is from Uruguayan producer Estef, with “Roto” a club-ready weapon which already has and will continue to tear up dancefloors upon release.

On the flip side, B1 is from Colombia based, Buraye, and true to form, he delivers “Towering Vortex” - a hypnotic techno workout. Finally, on the B2 is “Moon” by Nay, who is an up and coming producer from Liverpool, UK. Big things to come from him, you will no doubt hear much more from Nay in the future!

La Karambole (bar, restaurant and art venue located in Paris), releases its first vinyl record featuring the renowned tunisian producer Hearthug alongside parisian artists Nemo Vachez, Solal Reyes, and Noiro, to express the unique vibe of the place.

The four track various EP oscillates between acid, house, and progressive music. It blends the energy of the artists and highlights the eclectic style of the local parisian music scene which La Karambole showcases.

A warm welcome for Frenchman INVŌKER, as he returns to TAU with more digital delights from his fertile lab. Since arriving on the scene INVŌKER has established himself through a series of phenomenal releases, each of which encapsulates his dextrous touch and vision. With impeccable production and plenty of dance floor appeal, his tracks feel like they’re made for TAU. This time he delivers a four-track EP full of flavour.

Platipus needs no introduction for anyone in the dance music business. Still going strong after 30 years, the label boasts loads of classics in the trance and progressive firmament. To celebrate this anniversary a special series of 12 collectible vinyls will be released over the next year. The 2nd contains a brand new smashing remix by Len Faki under his Hardspace guise from Union Jack’s Cactus. Hypnotic & powerful are the keywords! Spiced up with Chab’s Sunrise, Simon Berry & Luke Brancaccio’s Remix from Martin Merkel’s Little Wonder, and to close the vinyl Star with Rock Rose. A true banger on 12” here for any Platipus fan to have.

This is the sound of the physical space between one destination and the next.For this, the second Space Trace record we go deeper, darker and more open minded. Four moody cuts, made to be played loud at whatever time or place you may end up in.

Noir Music´s sub-label NM2 gets a whole new relaunch in late 2015. New artwork - vinyl cover and of course - great music.

For their first release, London label Moonworks are reissuing two highly sought-after UK house bombs from Carlos Baker aka Serpico to mark the 30th anniversary of its original 1993 release.

'Just Can't Stop' is a record which fell through the cracks, deemed not commercially viable enough by the major label that Serpico was signed to at the time. Determined to get the music out there, Baker decided to self-release a limited run of blue labelled vinyl. Several big independent labels of the '90s were subsequently interested in putting out the tracks, however it never came to fruition.

Over 30 years this record has aged gracefully, inspiring generations of diggers with its quirky euphoric feel, weighty low-end and intoxicating synthwork becoming a prized possession for some of the biggest names on the scene, with original copies trading hands for £100+. Whether you draw for the ecstasy-inducing Incantation Mix or the acid-infused Orca Space Dub, there’s no denying this is a timeless masterpiece from the UK underground.

Moonworks have worked closely with Serpico to bring this gem back down to earth, restoring the tracks from the original DAT tapes at Gat Decor’s studio, remastering them to modern standards and finally giving this music the official release it deserves.

DJ Feedback:

Ben UFO - Wicked.

Jamie Tiller - Awesome!

Hamish & Toby - hot dog, that is a big one!

Alex Kassian - Serpico is one of my faves! I'll play in my boiler room on Friday. Thanks for reminding me of this beauty. Rinsed the orca space dub for many years but haven't played in a long time

Craigie Knowes - Sick! Hadn't heard this before. The Orca Space Dub is the one for me, lovely!

Aletha - This sounds sickkkkkk! Will play it on Rinse

James Priestly - Ah wicked!

Kasra V - Oh that B side is wild!

Primitive needs unearth long-lost technology, rituals and rhythms on their Craigie Knowes debut. Technical and tribal in equal doses from a forgotten time, the Protosphere EP packed with beats to shake the deepest of buried bones. Pumping tracks for the dancefloor with layers of intelligence to discover and re-discover with each pass of the stylus.

Dj Jedi delivers his first release on Burning Bush Communications - a 1992 style uplifting piano anthem on the A side and an exclusive remix by Pianoman of "Come On" on the Flip.

The birth point of ecstasy in British music is usually credited to acid house and the second summer of love: a cemented vision of kids sweating and vibrating in clubs, fields and warehouses in 1988, united by universal empathy and mind-popping sounds. However, in 1981, a couple of young men from Leeds went to New York, discovered the drug in its infancy, fused its’ gritty synth pop to acid house’s squelchy 303 groove and recorded an album: Soft Cell’s Non-Stop Erotic Cabaret. The rest, as they say, is history.

Shortly before that Soft Cell’s debut single Memorabilia was born. Originally recorded a decade before the explosion of acid house and rooted in predominantly black NYC, Chicago and Detroit gay clubs, Memorabilia is a seminal early prelude to rave culture. Merging a

strutting disco bass line with a futuristic proto acid-techno beat, Marc Almond has past described Memorabilia as “the first acid house techno record ever”.

Dave Ball remembers: “Memorabilia got to about number 99 in the charts, but the clubs picked up on it. In NME or Sounds they had a chart for the Danceteria in New York, and we were in it. Our label Phonogram saw this and thought: ‘why is this weird little duo from Leeds that no one’s heard of suddenly getting played in one of the hippest clubs in New York?’ So I think they thought: ‘we’ll give them another chance’.”



Berlin’s very own upcomers Wally Funk round off the remix package, upping the original tempo slightly, while combining elements the of original production with the later Non-Stop Ecstatic Dancing version to create a new hybrid, best played extremely loud!

The Pina Edits crew return with another smash 7" jam-fest !

An the A side we get the super-funky old school cut-n-paste bump of 'Morrison Hotel' while over on the B, we're treated tro another retro sample-mash with precision engineered dancefloor dynamic

Simple, effective jams on limited edition 7"
Floor food for all moods...TIP !

Octave One return with Never On Sunday Vol.2, an EP with new remixes from Orbital and Giorgia Angiuli next to three standout recent tracks.

The Detroit duo’s Never On Sunday alias was born in the nineties with a view to making a mix of downtempo, deeper and more thoughtful electronic sounds. After just two EPs, it lay dormant until last year when the new EP The Bearer on their own 430 West label brought it back to life to a great reception. Then came the Octave One Presents Never On Sunday album this year that collected together a wealth of originals and remixes which are now coming on 12".

First up is legendary brotherly duo Orbital - a UK antecedent to the Burden brothers who have been crafting pioneering electronic sounds for decades. Their remix of ‘Price We Pay’ feat. Karina Mia is deep house excellence. It has a bouncy groove, elastic bassline and simmering vocals that send shivers down the spine and the sci-fi synths twinkle up top. Italian multi-instrumentalist Giorgia Angiuli has long been innovating in the techno world, drawing on her classical background to craft standout sounds for the likes of Kevin Saunderson’s KMS label. Her remix is six uplifting minutes of synth arpeggios, soulful techno drums and epic breakdowns that will captivate any dance floor.

The b-side features three cuts from the Never On Sunday (Deluxe) album and opens up with 'Lifelike', a slow, pulsing dub with mysterious melodies and sinewy synths reflecting light like stars in a night sky. A textured bassline arrives to bring a real sense of tension to the melodic beauty. 'Soon After' is another cosmic cut that rides on hammering bass beneath lush synths capes and rays of hope that pierce the darkness. The blissful 'Mona' closes down with heavenly and expansive pads that shimmer and shine as rich bell sounds and choral pads bring a warm sense of atmosphere.

Never On Sunday Vol.2 is another package of deeply emotional electronic sounds.

A former pizza delivery driver and now self-taught full-time musician, CRi first caught the attention of tastemaker press with early single ‘Rush’ and his subsequent ‘Someone Else’ EP. Not long after, he joined the Anjunadeep roster in 2019 and gained attention from the label fanbase, and radio titans Pete Tong, Annie Mac and Jason Bentley with his ‘Initial EP’.

His debut album ‘Juvenile’ exceeded expectations, being nominated for a number of awards, including Best Electronic Album at the JUNO Awards, and three separate titles at the 2021 ADISQ Awards, including Electronic Album of the Year and ‘Revelation’ of the Year, which CRi won. Since the release of ‘Juvenile’, CRi has released three singles, an EP and remixes for Bob Moses and Lane 8; become one of the first electronic acts to headline Montréal Jazz Festival to an audience of 45,000; and performed around the world once more, writing as he went.

Since the slower days of the pandemic lockdown, and Quebec’s tentative reopening of nightlife and music venues, CRi’s life has become much more fast-paced once again; a transformation that has been infused into every beat of his new album ‘Miracles’. The vinyl release of ‘Miracles’ comprises 14 tracks, including two standout prior singles, ‘Something About’ and ‘Losing My Mind’ (feat. Jesse Mac Cormack), which, combined, have already accumulated 10 million streams between them.

The other twelve tracks on ‘Miracles’ (including 3 bonus vinyl-only recordings) showcase Christophe’s signature warming synths, in addition to an impressively wide range of sounds, from drum and bass, to indie, from electronic and chillout, making this work his most expansive to date. After the album’s release, CRi will be heading on a live tour of North America, stopping off in seven cities, including Los Angeles, Denver, Toronto and, of course, his hometown of Montréal, where he’ll be headlining at iconic venue MTelus, which regularly plays host to indie-electronic stars, including, recently, Metronomy, Jungle, Monolink, Max Cooper and Amtrac, and is a perfect spot to celebrate his rise in this scene, before he takes his live tour to Europe in early 2024. ‘Miracles’ is out 22nd September, 2023.

Pancratio returns to more straightforward Dancefloor business with the next installment on his One Trip To Avyon label. Four fun-fueled straight up kickers for all types of situations with maximum pleasure guaranteed.

Glasgow’s iconic and highly influential progressive house label Limbo Records celebrates it’s 30th anniversary. An incredible compilation across two 12”s in an expertly designed gatefold sleeve with a poster insert that takes a look back at some of the biggest tracks that graced the label over the past three decades.

A true collector’s item, showcasing the power and presence of this Scottish stalwart, lovingly remastered by Davie Forbes and reissued for a whole new generation of listeners. The compilation kicks off with Havana - Schtoom, the record that started it all given the remix from legendary Scottish duo Slam, before the party anthem ‘Buruchacca’ from Mukkaa aka Kiltie and Crichton gets a signature remix Apollo 440.

Elsewhere Gypsy hit with undeniably one of the highlight tracks in the Limbo catalogue ‘I Trance You’ and Sublime serve up another of Limbo’s classic releases, the dance floor banger ‘Transamerican’ which topped all the charts at the time.

Take to side 3 and you’ll find the second release on Limbo a percussive drum laden epic from Havana entitled ‘Shift’ that planted Limbo firmly in the must buy section of record shops across the UK. Another highlight on side 4 sees legendary Glasgow DJ Harri of Sub Club fame with his debut on Limbo – a superb slice of hard to house.

All in all, this is a serious slice of history that every collection should have nestled in its racks.

A split EP pairing two euphoric dance anthems by Thurlow Joyce with a spellbinding roller by Regularfantasy and Priori. Romantic, ecstatic, and full of <3

Repress! The spooky vibes are back!

After three sold out releases Voodoos and Taboos are back again on their own printing label. Housy vibes with electro and disco influences. Don’t miss this one!

A couple of our druggiest nugs to date coupled with a pair of our cruisiest cruisers make Reflex Blue’s ‘Fantasy Value’ one of our most playable EPs yet.

Lost & Found Recordings is pleased to announce a collection of previously unreleased tracks. The title joins iconic producers celebrating the 99th release.

The Lost & Found founder Guy J casts a wide net to find the next big wave of sound in electronic dance music. The search resulted in this collection of future classics.

The opening track, Metal Dreams, had been Guy J's secret weapon for years before he finally decided to release it on this extraordinary album.

The following piece, Dreams For Breakfast by Chicola, delivers arpeggiobased music with Middle-Eastern aesthetics and a contemporary approach.

The third track on the album, Love in a Bottle, is a seductive piece by the award-winning artist Guy Mantzur who takes the uncertain route while
keeping the rhythm patterns dancefloor friendly.

Eli Nissan reveals his skills through the Valley of The Winds, a timeless cross-genre piece with a film-score potential.

Luka Sambe and Roy Rosenfeld join forces to create Bunggul, an ultimate dancefloor track.

The Athens-based producer Yariv Etzion, better known under his stage name Stereo Underground, presents his magical trance-inducing sonic ride, The Last Dance, fusing elements of disco, electronica, and psychedelia.

Illusion is another ballistic missile from the silo of Guy J's secret weapons, finally becoming available for the masses.

Before It Ends is Sahar Z's song featuring Snarky GreenMan. It smoothly concludes a conceptually designed whole.

Witness music history in the making!

Having emerged from the chrysalis for a debut record on Roza Terenzi’s Step Ball Chain label, we induct Benoit B’s fledgling side project into the Oyster Cult.

Blush represents a departure from the esoteric climes Benoit’s known for under the primary alias, not to mention the curation of his label, Banlieue Records. Eschewing notions of introspection, these are nocturnal, sultry club trax; immediate dancefloor pressure primed for the witching hour.

Benoit kicks it seductively on the opener. Complete with trace echoes of ‘90s bleep, the French producer strikes a balance between insistent groove and a dank sexiness that would leave anyone weak at the knees. Then, laced with the same steamy romanticism, ‘Sassy’ keeps pace with another slice of late nite propulsion.

Nudging closer to the big room with driving, direct torque, ‘Main Stage’ is perhaps the most pumping we’ve heard from Benoit to date. But where that one falls somewhere between prog house and hard trance, ‘Trippy’ and ‘Over Inflated’ head even further into the shadowy nether-realm on a tunnelling, lysergic flex that hangs heavy in the air like incense.

DAZE returns for 2022” with two fresh takes on classics from those glorious rave days of the yesteryear

Breakfree Records welcome Canberra’s Mtty to the label for his first vinyl release, expect wonky tech house.

Pachinko Round 3 ..

After a brief hiatus the pachinko crew are back again with showing no signs of slowing down . Continuing pachinkos theme of dancefloor only tracks , these 4 are guaranteed to keep the floor on its toes .

Arís return with part three of their ongoing series revisiting seminal 90’s Irish dance releases, reissuing the debut release from long standing D1 Recordings luminary Rob Rowland. His 1994 effort M.F.N. is remastered from the original DAT source for the first time, and comes with a fresh remix from young Dublin prog sensation Dylan Forbes.

Dublin’s nascent electronic and clubbing ‘scene’ was beginning to take shape in the mid 90’s; you might have heard flashes of techno at François’ U.F.O. night in The Rock Garden or the likes of Dave Angel in The Temple Of Sound, while Tim Hanigan and Mark Kavanagh’s Red Records nights at The Ormonde pushed a progressive house/trance sound similar to their label’s output. In amongst the weekly revellers at these clubs, you might have encountered a young Dubliner by the name of Rob Rowland - a soon-to-be key figure in Ireland’s techno scene.

Inspired by his formative clubbing experiences in the capital, Rob acquired an Atari ST, Akai S1000, Kawai K4 and a Roland R-5 and sat down in his bedroom to record. Two tracks, M.F.N. and Restless, emerged within 1 week while another track, Act Natural, soon followed. Initially recorded onto cassette at his house, Rob soon managed to book some time into Temple Bar’s Sound Training Centre, a professional recording studio featuring a 16 channel desk and rack effects, to polish up the record.

These 3 tracks resulted in Rob’s inspired debut EP of raw and direct club tracks - a uniquely psychedelic rush of rave euphoria and darkened acid-inspired house and techno. It managed to pique the ears of New York’s Watts Music distribution, thanks to his friend Chris Gough playing them Restless on cassette, who subsequently pressed 1000 copies of the EP onto white label. Miami’s Fluid Audio then licensed it for a full release and acquired a sleek remix from California’s Überzone, which had similar success. All of this, a remarkable achievement for a debut record of underground dance music by a relatively unknown young Dubliner.

Rob would go on to become a key artist on Dublin’s seminal D1 Recordings, a label run out of the capital’s northside on Parnell Street by renowned photographer Eamonn Doyle. Responsible for their first ever release, he would go on to do 6 more records for them, becoming an important figure in the label’s history and Irish techno as a whole.

M.F.N. is an Irish rave gem, and a key blueprint of the Emerald Isle’s obsession with progressive house and beyond. Naturally, we turned to fellow Dubliner Dylan Forbes for a remix, a prolific producer garnering quite the reputation both home and abroad for his modern take on the sounds found on Rob’s debut. His remix cracks the shutters on the darkened psychedelic undertones of Restless, adding an ‘e’-cstatic layer of euphoria fit with added percussion and pump on a fine rework.

San Fran based, Spencer Brown is a leader in the new generation of progressive house and techno. Whether it be his releases on world-class imprints such as Anjunadeep, Bedrock, Last Night on Earth, Factory93, and his own burgeoning diviine imprint, through to his legendary DJ sets, Spencer Brown is an artist who’s going the extra mile to deliver an uncompromised sound and experience to his fans.

Spencer got his start touring and releasing with Avicii and Above & Beyond, with his records soon frequenting sets of tastemakers including deadmau5, Sasha, John Digweed, Calvin Harris, Dubfire, Fisher, and Hernán Cattáneo.

After two #1 progressive house albums, here he presents ‘Equanimity’, his third LP and first on his own diviine label. A triumphant release that draws influences from all across the board. Take for example the lead single ‘Awu Wemadoda’ featuring Wilt Claybourne & five-time Grammy Award-winning South African male choral group Ladysmith Black Mambazo, that blends an afro house flavour with Spencer’s expansive, richly layered sonics.

Elsewhere Spencer’s signature progressive and trance-tinged sound is on show in tracks like ‘SF to Córdoba’ in collaboration with Ezequiel Arias and ‘Amber Leaf’ where Spencer joins forces with ilan Bluestone. Head to ‘Loccou’ for a slice of ethereal breakbeat or ‘Papi’s Cenote’ and ‘Curve’ for those eyes-closed, spine tingling moments.

‘Equanimity’ flies the flag as Spencer’s most accomplished work, showcasing his mastery in the art of writing absorbing dancefloor focused tracks, that pull you in from the off and never let go.

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A new label is born in Barcelona with its first release compiled by 100% latino & coqueto blood.

Four tracks with predominant basslines and ready for the club.

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45 Rpm

Produced by G. Randazzo

Besazio productions

The sequel came to light. The cohesion between past and present tools forms a pure and emotional intertwining that unites generations.

Tracks A1, A2, B2 and B3 were composed in 1998, 2010, 2001 and 2000 respectively.

300 copies available only 12" vinyl format.

Jack Keo returns to Art Of Dark for a stellar new EP.

Off The Grid unveils the second chapter of its label, this time with two tracks (A1 and B1) from Mataemon, an alter ego of Tolga Fidan, who puts his years of experience into forging two powerful cuts that balance the strengths of the past with the visions of the future, laying driving, deep and playful elements over steady grooves, raving straight from the heart.

The A2 cut is the release debut of OG record collector and music enthusiast Matzo Sweetlife, a well kept secret on the outskirts of Brussels, who delivers a no-nonsense track of "machine soul", soft and dark, pure Detroit style.

Rounding off the ep, the B2 marks the return of Oni-Ki (aka Onirik and Minoki) to wax after a short hiatus... this time with a solemn groover, confirming their consistently off-kilter approach, tinged with acid-jazz influences and emotional flights.

Bringing a dance floor sensibility to the deeper end of the electronic spectrum, the Dutch duo Jordi van Achthoven and Micha Heyboer a.k.a. Tinlicker have courted the attention of global labels and tastemakers since breaking out in 2013. Prolific musicians with backgrounds in dubstep and pop production, their journey so far has seen them release on the likes of Mau5trap, Armada, Sotto Voce and Anjunadeep - with an a eclectic array of DJ support from Above & Beyond to Oliver Heldens, Tiësto to Yotto. Able to turn their hand to deep house, techno and electro, the pair have reworked the likes of Lane 8 and Deadmau5; their stunning update of Reflekt ‘Need To Feel Loved’ becoming a sought after mix among fellow DJs over the last 12 months. A showcase for their dynamic songwriting and forward thinking sound design, Tinlicker’s debut artist album ‘This Is Not Our Universe’ will be released on Anjunabeats this September.

"The egg of the world is broken, my appetite is gone ...".
Acid and mental sounds take us to a world on the border with reality.
In a vitriolic environment, the box pushing and the arpeggiator rages violently.

This is Egg and this is the sound of interstellar wars.
A angry, dreamy mix of acid heavily influenced by sci-fi comics and psychedelia.

Available for the first time, a ltd edition, triple 12" with heavyweight, coloured vinyl and gatefold cover. Global Underground #GU42 Berlin album by Patrice Bäumel, featuring music and remixes by Adam Port, Fideles and Patrice himself.

‘Global Underground Berlin tells my story of a city that has never sold out, that does not know when to stop, that sweeps you off your feet with its relentless energy, that chews you up and spits you out. Had Frank Sinatra lived today, he would be singing about Berlin, the city that never sleeps.’ Patrice Bäumel.

#GU42 Patrice Bäumel - Berlin is a tribute from the German DJ and producer to his second home available for the first time now in vinyl format.

2024 Repress!

Better Sound first release of 2021 is chapter 07 with Samuel Jabba & Matthew Dexter. Samuel is Bogotá’s finest, Colombia. Matthew is from our beloved Italy. The record is a dancefloor killer.

• Pete Tong shares new Ibiza Classics collaborations EP on 12” Vinyl, Pete Tong + Friends: Ibiza Classics, released on Ministry of Sound.

• Essential sounds of the White Isle reimagined with Kölsch, Riton, Tale Of Us, ARTBAT, Eats Everything, Vula, Becky Hill, Jules Buckley and more

• “Collaborating with the Heritage Orchestra and GRAMMY-winning conductor and composer Jules Buckley has been a match made in Balearic heaven.” – Mixmag

• Latest single Love Can’t Turn Around has spent a month on the Radio 2 playlist including two weeks on the Radio 2 A List (Jan 2022).

• Further Radio support for the EP including from tastemakers Radio 1 Danny Howard, Sarah Story, Pete Tong, Charlie Hedges

• Pete Tong completed his legendary Ibiza Classics tour in November & December 2021 including dates in Brighton, Manchester, Birmingham, Nottingham and two nights at London’s The O2. He has already announced his dates for 2022

It's been 1 year since our last appearance, but we are back with a new series of releases, presented in 2 parts, that aims to take you straight to another dimension, where both your sensations and emotions will connect throughout the music.

For Part 1, on the A1, we are honored to have 100hz hopping on board the RawBeats family, one of the most respected producers in the game, with an 11min masterpiece that will make you dance from the first beat till the last.

On the B side we first have a deep and trippy track, made by Argentinian renowned producer Fer Mariño and one of Rawbeats creators, head honcho Juan Proeliis.

B2 comes all the way from the US, with another collaboration between two super good friends and artists, no other than Diego Santana and Pily who delivered a hypnotic masterpiece than can only be described as a real dance floor banger!

Rave Purveyors Match Box venture into the physical disc world with London record label GODDEZZ on their first joint vinyl collaboration ‘VANTAGE POINT’.

Here they present four sublime cuts of trance-futurism, bejeweled with the most uplifting melodies, hypnotizing vocals, and driving grooves crafted to take you through the portal. The Dutch duo are at the top of their game, presenting a polished and accomplished EP of pure dance movement from start to finish, not to mention a mind-melting remix from the enigmatic legend Bliss Inc.

Having had early support from Job Jobse featuring the track Quantum Transients in his exalted BBC Essential Mix last year, the hype train hasn’t stopped… with big support coming in from disc spinners such as Maruwa, Spray, Aloka, Reflex Blue, LUXE and Manami.

Those who purchase the eternal disc will also receive exclusive access to secret Angel D’lite, Eoin DJ & Dylan Forbes remixes of Match Box’s divine jungle offering earlier this year Cyber Sunshine, as well as downloads of the duo’s complete GODDEZZ back catalog.

Heavenly Recordings release the next two volumes in their series of remixed classics and unreleased versions. ‘Heavenly Remixes 7 & 8’ sees the label going back into the archive, as well as picking off some more recent remixes, and both albums primarily feature either previously unreleased versions or re-workings available for the first time on vinyl and CD.

Heavenly have always seen immense value in the remix, a value way beyond what it might bring commercially. Since their first release in 1990 (where Andrew Weatherall overhauled a one-off single by club kids Sly and Lovechild) Heavenly remixes have been carefully curated and treated as a key part of the A&R process. It’s an opportunity to view an artist through a different prism, to play out a musical ‘what if’ scenario. It’s the kind of exploration that’s happened consistently through the thirty plus years the label has released music.



The ‘Heavenly remixes’ series continues to showcase the very best remixes, versions, meditations, re-rubs and dubs from all around the world of artists right across the roster of the country’s most exciting record label. In most cases, the albums offer the first physical release for a remix, elevating them from streaming playlists to their rightful, spiritual home on super heavy vinyl (or shiny, super-packed compact disc).



‘Heavenly remixes 7’ heads to Belfast, where David Holmes - a producer who first appeared on Heavenly in 1994 amping up the acid on Saint Etienne’s ‘Like A Motorway’ - appears as solo artist and as one third of Unloved, who get a lift right to the heart of a Vauxhall sweatbox by Horse Meat Disco. It draws a line between Amsterdam and Frankfurt as Ludwig A.F. amps up the electronics on Pip Blom’s ‘Keep It Together’. It stops off in a south London studio where super producer Dan Carey plays the desk with Toy, then relocates LA psych rock band Fever The Ghost to an Ibizan shoreline as the sun sets on the horizon. It cements Sheffield’s reputation as the home of modern British techno with the return of true originators Forgemasters. And it pitches up in front of a renegade soundsystem late night at Glastonbury as Erol Alkan’s mighty rework of Con Man gets its third rewind of the night.



‘Heavenly remixes 8’ opens with Space Afrika’s lush, ambient reimagining of the Orielles’ ‘BEAM/S’ before Justin Robertson stretches Amber Arcades’ ‘Turning Light’ into eight minutes of electronic dub. Elsewhere, Baxter Dury’s peerless ‘Miami’ becomes a string-laden electro skank in the hands of French producer Pilooski; Edinburgh’s bedroom techno genius Eyes of Others’ ‘Safehouse’ turns into an East End bathhouse courtesy of disco deviants Decius; Ashley Beedle’s Black Science Orchestra turns Unloved’s heartworn torch song into seven minutes of glimmering dreamlike percussive house and Katy J. Pearson’s freak flag is flown high thanks to The Umlauts’ throbbing filtered electro mix. It ends similarly to how it began as TONE takes

Fran Lobo’s ‘All I Want’ on a gorgeous slow motion spacewalk.

Ripping its way through the space-time continuum, Tel-Aviv based producers Asphalt DJ and Gzardin surface on Oddysee for the release of their anticipated debut outing, 'Now & Zen'. The 4-track opening salvo embarks on a transcendental trip of deep and propulsive club bouncers. With the cuts firmly landing on the intersection of the 90s spectrum and fresh-minded sound design, the package offers a clear view of where the two newcomers are headed, as well as the Oddysee label.

Paradise City Breakers are welcome back on Discarded Gems with solid EP, ready to serve the dance floor at each need, from the peak to the morning lights.

Generic Repress!

Groovin recordings celebrates the release n° #100 repressing one of the most essential electronic-dance records of all times.

Vinyl Only - First edition of Shiver Records club focused series.

Handstamped 180g whitelabel with outersleeve Logo stamp on one side + graphic stamp on the other 4 tracks in total - techy grooves, IDM’ quirks & a chugging bassflute.

After proving himself more than up to the task with a standout debut live set at Gene's Rave 'n' Cruise party in Berlin, we've decided to take the next step and share a few of Admo's secrets with the world in the form of these four twisted, funked up, late-night blinders. Take note!

Transmigration launch their new white label edits series with three tracks covering haunting down tempo grooves, fried kosmiche drum jams and a Mediterranean progressive trip. Designed to turn heads - tried and tested from the forests of Brandenburg to the darkest corners of Berlin club land.

Here we have part 2 of our 010 series which celebrates the now eleven day by day releases!
With the days flying by, we hope these two various artists will help you celebrate the finite days we have on our beautiful green rock!

Starting off on the A1 we have Terrarium from ‘Primitive Needs. This techy progressive bouncing tune will keep them heads bopping!

On the A2 we have a unique track from Anderson. You can hear a cocktail of genres blending psytrance, breaks, trance, electro and more!

On the flip side, we start off with a deep and bass heavy bouncing jam from Guy Contact!

To close out the release, Valdemar brings us a deep and acid fueled cut to darken up your dance floor!

After a first succesful release, Lyon based crew YA.R is back with their second release that brings you a different vibe, darker, more energic that leads toward the deep hours of the night.

Aladdin starts with the brighter track, a light track, which will bring you a silly smile and which borders on derision with samples of phone commercials, riffs of old school Trance and acid lines.

Funktroid take the A side a step further into the Trance flavour, this one will hit the dancefloor just the right way it has to be done, big acid lines that will melt your face down and airy pads that will raise your conscience into a higher state.

The B side welcomes our guest Obsidian, a project started by 3 talented space explorer. As you can hear their music comes directly from the year 2123, they will take you on an interstellar journey with their spaceship moving at speedlight with no feel of disturbances.

Then we have our local heroes Sela & Zgelt who invites you to share their mystical beverages so that you can land gently from this journey while contemplating the stars and the interstellar void.

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Evasione Digitale is a new label devoted to the Italian Progressive sound of the 90’s. The label is kicking off with the reissue of "Punto G,” the sought-after Italian Techno 12” originally released on Spock in 1995, under the umbrella of Leo Mas, Gemolotto and Fabrice. The "Triade,” with their influential labels, coined a trademark sound for the city of Udine, creating a solid acid kingdom and giving space to modern experiments.

Produced by Fabrizio Vascotto (Skeela) and local dj Marco Bellini, resident in cult clubs like Area City and Aida, "Punto G" sees the light again via Torino and Berlin.

Hell Yeah heads to Brazil and the cultured sounds of Pedro Bertho for a hot new 12" that features Mariana Gehring and remixes from Romain FX and My Friend Dario. The digital version includes two bonus cuts while the vinyl is the first to have all-new artwork by FJD.

Now based in France, inclusive party promoter Pedro Bertho’s music is a melting pot of sound that draws on his own personal heritage and a life spent digging for records. That means that afro rhythms, Italo melodies, rolling reggae, deep house, and plenty more all get mixed up into something new.

They have come on the likes of Cracki Records and always search out innovative ways to bring euphoria to the dance floor.

For the first tune, he works with Mariana Gehring, a Sao Paulo-based singer and composer influenced by new MPB and other signature Brazilian sounds like Forro, Maracatu and Samba.

Their excellent 'Tornei' is a mix of full-fat bass and sensuous vocals. Fizzing synths, percussion and FX bring the energy while Gehring arrives in the breakdowns to bring the spine-tingling soul. Romain FX is a scene mainstay, label head at fauve, boiler room veteran and has released on the likes of Kalahari oyster cult and many more.

His version is a retro workout with lush cosmic melodies and slinky grown-up grooves sure to get the floor full.

Next is 'Elephants au 5eme', a busy mix of analogue drums and hits, wild elephant trumpets and fleshy synths that bring unusual tropical heat to any party. The same track is remixed by label regular and new school Balearic boss my Friend Dario.

He plays with the vocals, layers in shimmering chords, and keeps things dubby to make for another of his signature grooves.

For the premiere of the Folklores & Legends Series on Luzerna Records, Dynasty of Dreams wrote for us a Native American adventure between a Cowboy and The Cherokees princess.

"A Wild West Story LP" mixes solid breaks and percussions to magical pads and deep organs,

The wind instruments, pianos and guitars, used in these sounds immerse us in a vintage and authentic progressive house.

Ukrainian breakbeat/grime crew Tysk was on hype wave in country for 2 years. Kyiv’s Closer, Brave Factory Festival, Module in Dnipro – there are only few places where theirs showcases were held. After that crew launched it’s own vinyl label with first remixes EP from Ukraine finest producers. Breaks, jungle, breakbeat, tekno and many other bangin’ drops from Komponente & Kurilo, Alex Pervukhin, Koloah, Closer resident TripPsy and modular lord SAXR. Limited copies and vinyl only.

Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records issues a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The third part in the series features remixes by Tale Of Us and Paul van Dyk, some of the most prolific electronic producers and DJs. First up are Tale Of Us, one of the biggest names on the dance circuit of the moment. Their “Renaissance Remix” was first released in 2018 and has already become one of the most popular remixes of Café Del Mar.
DJ Kid Paul and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later Paul van Dyk finally got the chance to remix the iconic Café del Mar. His XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out-and-out exhilaration of that epic breakdown. Originally released in 2021, the Paul van Dyk remix appears here on vinyl for the first time.

Recut & Repressed!

Kharkiv label Trance Pandemic did not have to wait long for the announcement of the next release and already in september plans to release a new work Komponente and Kurilo, known for their love of trance and acid. The album "Lord Of Destruction", consisting of four dashing tracks, justifies the name with its energy, which quickly brings to consciousness from summer drowsiness.


"Lord Of Destruction", which opens the pawn - the real master of
destruction, an extraordinary track, which is designed to conquer the
dance floor with its non-linear bass lines and smooth pedal
arrangements, including the singing of Elina Elian and the voice of
Kurilo. "Magnifico" is a mysterious trance xenomorph. The multifaceted "Etat" starts from a state of ecstatic joy, and then carries to the depths of the subconscious. "Oblivion" is an acid forgetting of this record, a message in which vocal samples and acid stuffing, seasoned with good bleep techno are intertwined.

Repress!