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This EP's lead track comes in form of a deep Dub Techno aesthetic at an adequate 128 bpm while not neglecting warm and melodic elements. 'Box Drop' stands in the tradition of Höppner's interest in musical detail rather than blatant functionality: aside from his recognizable kick drums and basslines Nick lays out plenty of harmonic layers and effects such as string arrangements, leading synth pads, now trickling then rotating sound patterns, making this cut as elegiac and frisky as it's muscular and straightforward.

'Still' on B1 begins with a more mellow vibe but with the same interest in musical subtleness and melody. And while the track's start is more layed back, it's 'still' a club track, slowly swelling and progressing until its break at 2 minutes in and onwards - slightly romantic yet very groove-focussed, a glorious piece of upbeat House music.

'Out Of Sight' on B2 sees Höppner working with female vocal samples whispering from the background while its sturdy bassline, synth bleeps and modulations, shakers and other percussion add to the overall warm and cosmic vibe.

By aiming for a strong musical coherence and dancefloor functionality Nick offers three facets of a familiar mood with the Box Drop EP - ahead of his stylistically and atmospherically more diverse studio album, due out in June on Ostgut Ton.

Watch our for this very promising and motivated label. First release is a strong Various Artists package with music by Franky A , Laura peck, Krane, Zalapa & Mr. Santer - higly recommended!

Stomping into the SBC universe comes 131bpm; a Berlin houseTM-hold head with his distinct signature style of sass’d up sexy dance floor burners. The 5 track collection “Ethereal Yarn” weaves in jacking house, bounce bass and flirty tech with a bonus remix from PSL; hot, heavy and ready for your play. Expect the unexpected as conventionality is unraveled through freaky vocal cuts, buckwild percussion and genre mashups for the gods. How long is a piece of string? Lick my chain if you’re nasty!

REPRESS

I strongly believe in the future of the new music scene, in the hope and passion of the new generation of artists and I'm now more then ever aware that a look to the past is necessary to take virtuous steps in the near future. WildFlower's dream is to begin once again from
where it all started, from that vibration that gave birth to an ambitious and highly experimental project, bringing the music back to the center of everything, without any limitation of genres or boundaries in creativity.

Alinka Returns to Rekids with her latest EP ‘I’m Your Ghost’

Following the relaunch of her label Twirl alongside Shaun J. Wright, Alinka now brings her brand new EP' I'm Your Ghost' to Radio Slave's Rekids. Having made frequent appearances within its catalogue, her 'I'm Your Ghost' EP sees the Ukranian-born, Chicago-raised and Berlin-residing producer return with four eclectic and club-orientated house tracks. These will sit amongst her previous releases on Permanent Vacation, Needwant, HE.SHE.THEY and Crosstown Rebels.

'Teachers' is the first cut presented on 'I'm Your Ghost' with its sharp percussive layers building towards the well-honed grooves in its composition. Title-track 'I'm Your Ghost' punches through next with weighty, wobbling subs placed against a catchy lead. 'I Still Believe' is featured with rising chord progressions and pounding kicks as '909 Lives' draws the EP to a close with an intricate mix of synths and striding drum work, paying homage to its title. It’s a package highlighting why Alinka is on an unstoppable rise, with support from some of the biggest names across house music.

''One Foot in the Rave'' is a vibrant collection that showcases Jonny's signature style--a blend of melodic, melancholic acid jams, bleepy funk, and warm analog electronics. Whether for the stereo or the sound system, the LP moves from the upfront bounce of ''The Apocalypse is Now'' and ''Raymond Tuesday's Big Day Out'' to the shimmering reverb of ''Starry Night'' and the birdsong-infused ''Ringfort.'' Listeners will find themselves in familiar Automatic Tasty terrain, rich with psychedelic exploration. According to Jonny, ''What to say about this record? I don't really know and it hardly matters. I wrote them on different bits of gear; ye olde faithful Roland SH101, my MC202 (pencil and paper de rigeur), a battered x0xb0x 1.0 (thx Daniel!), a beloved Yamaha Cs-5, a similarly beloved Roland SH5, a truly hammered Juno106, a Roland JX3P, a Nord something or other, an MPC2500, my TR606, and a Vermona DRM1 MKII being sequenced via a bedraggled TR626. Also Jay's TR808 is on there (thx Jay!) and a TR8 being squashed through a Mutronics Mutator (wheee Damo!) and a Zoom H4n recorder. I edited them on a dilapidated laptop, with no headphones or monitors, steering by the tiny speakers on the computer and playing them in my car, twiddling the mix as I went. But these are frivolous and unimportant details. All that matters is that these songs were made out of love. Cheerio, Jonny. P.S.: This record is dedicated to Jay 'Winthorpe' Kelly.'' ''One Foot in the Rave'' will be available on vinyl and digital platforms starting October 14th.

Multi-talent Joyce Muniz is definitely one to look out for. Initially starting her career as a vocalist, she now took over the global house music scene within no time as a deejay and producer as
well. Exhibiting her talent with previous releases, it's not surprising that she's on the roster of prestigous labels such as Exploited Records and 20/20 Vision Recordings.

Next year she will
release her single "Toxic People" on International Deejay Gigolo Records featuring the singer, songwriter and producer Demetr1us. "Toxic People" is a vibrant and raw sounding electro house cut featuring grimy synths and vocals, that lend the track a cold and distant atmosphere.

The artwork for "Toxic People" was created by Leipzig-based artist Silvia Trost, whose forth lies in oil and acrylic paintings. She now frequently collaborates with glitch art artists and loves to mix
materials and techniques, both analogue and digital.

The B-side "Dreamz" is another great production by Joyce Muniz. The playful groove and eclectic ambient makes it a cool package.

Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn't always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique--whether it's the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt's attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.

UK Garage heat from genre originators - Karl 'Tuff Enuff' Brown and Crazy Bank

2024 Repress

Vinyl pressed on 180g, B-Side comes with two vinyl only tracks.

Spanish duo JNJS make a striking debut on Supervibe Music with a four-track vinyl release that highlights their unique sound. Known for their masterful use of percussions, JNJS delivers a blend of elegant grooves and hypnotizing synths that pull you in from the first beat. Each track is a testament to their growing reputation, offering a seamless fusion of rhythm and refinement that’s perfect for the dance floor or deeper listening.

Early support by: Tania Vulcano, Arapu, Priku, Nu Zau and more …

Discover the second album of the emblematic crew Africanism All Stars led by Bob Sinclar and featuring, among others, Bibi, S.U.M.O, Liquid People and Martin Solveig. Including the hits "Heartbeat", "Wintersong" and "Slave Nation".

For this fourth vinyl release, the team at Coqueto Records has put together their first split, featuring Alejo from Uruguay on the A-side and Rupert Marnie from Germany on the B-side. As always, they're delivering music filled with deep basslines and immersive, mental atmospheres.

Outside In is back with the fourth instalment, this time with another solid 4 tracker from the enigmatic DJ Oukun, a producer you would have seen before.

Four tracks created with long afters in mind, expect long rolling baselines with some acidy twists and turns. Pressed in limited quantities.

From the island of Mallorca, Spain. Espíritu recordings is born. DOJO ZONE delivers five tracks for the labels first release.

Limited to 300 copies.

espíritu recordings second release has landed. Heavily inspired by the early UK tech house era, DZ mixes up breaks, bleeps, filtered drum parts and solid samples to spice up any sound system. Recorded in a horizontal position from the home studio, accompanied by new titanium features to his skull, a few hallucinations and plenty of broken bones.
This was the outcome...
Limited copies. No repress.

Oven Sound returns with its second release after the success of its debut. This time the well-known Valencian club features Felipe Valenzuela and Dorian Paic, both part of the Oven Club family and key figures in the underground scene.

This EP is composed of 4 tracks made in different periods of their lives, they bring together all that experience that they have captured in this unique release.

2024 Repress

For this 8th edition, OLO Records returns with a collaboration between Miroloja and Reboot. Three pieces from three different universes which include minimal, electro and techno.
Exclusive digital gifts for the vinyl buyers.
Early support by Ricardo Villalobos.

Hey everyone,

this EP features four tracks of mesmerizing basslines, evolving analog sounds and proggy house vibes, making it an ideal choice for dancefloor use. Designed to captivate, each track offers a unique blend of energy and atmosphere, ensuring its place in any record bag.

Limited to 200 copies, vinyl only and no repress.

More UK Garage heat from Karl 'Tuff Enuff' Brown and friends
" All tracks built for Underground Garage consumption"

Third chapter of the ‘Inside’ series of various artists eps selected by Neroli’s very own Volcov.
Fred P makes a welcome return on the label with a late night banger with heart warming strings entitled ‘Time Well Spent’. The rest symbol project by Molinaro, Moreiya and Wendy Lavone offers the blissful cinematic ‘Etius Motif’. On the flipside Hakim Murphy and G. Marcell team up as Resonating with the raw relentless ‘J707’ and Patrice Scott’s lush opus ‘Untitled’ from The First Circle Neroli’s 20th anniversary album appears here in a longer beat version.
As always curated and assembled with Love!

Long-standing friendships born in the name of music imprint themselves into the grooves of this Various Artist.
Together with in-house player Alessio Barletta, the “Discontinuous Side” expands, welcoming Omar Akhrif, Bakked and Ildec.

Second slice of mystic cosmic funk from Golden Ape Records...

Collaborators are Fedka & the Wulf, with Luke’s Anger on the remix tip, bringing their wonky hardwired electro funk to the label. They have been warping minds and shaking bootsies as part of Pest on Ninja Tune since the ’90s and now are bringing all that funk to bear on this release.

Beardvasion is a super limited vinyl - 100 only! - 4 track EP with radically different missions. Beardvasion - original mix has filthy bass bent on destroying speakers. Lukes Anger remix is a hard jacking minimal workout. Earlyworm is a twisted shout out to Detroit, and Serena a funk flavoured electro sugar rush.

Strategy guided by activity. How to best cross the threshold? By allowing the untamed rhythm of thought to reign, or through the possibilities that arise from assembly and cooperation?

Game Plan is the meeting of Gabriel Rei and Gene Tellem. A longstanding friendship unfolded through mutual love for dance music and experience. ‘Club Negotiations’ arrives on Bienvenue Recordings as their first official studio collaboration. Three melodic and hypnotic compositions to help find your focus from the ecstatic nature of the party to the daily hustle of modern life.

Repress.


New twelve on Hank Jacksons Anno label by Loidis aka Huerco S. aka Pendant aka The Royal Crown of Sweden.

The third major release from deadbeat Records – East London’s newest home for delinquent house, techno and breaks – sees I Love Acid heads Posthuman swagger out of the shadows with a wry smile, packing a full clip and one in the chamber.

DBR003 offers 4 peak cuts of early-hours madness. Pure and simple. And we are not talking fucking beautiful sunrises here. This is 4am, sanity wearing off, blurred vision, locked jaw, pumped fist, heart in your mouth kind of music. Where Extender drops in hard upfront with its jacked, high energy rave stabs,

Head Wrench’s relentless acid worm burrows a little deeper into your amygdala before splitting it wide open. On the flipside, Wobble Tool’s suitably drippy hook oozes over a brooding, proggy baseline, but only after Builder growls out the gate, an irresistible dancefloor-melting monster with an appetite for destruction

“Session Victim debut on Rhythm Section Intl with an EP of understated but highly effective jazzy house rollers“

Having cemented themselves as firm favourites on the Rhythm Section dance-floor over the years, the German duo step forward to present their debut EP on the South London label: “ Basic Instinct”.

Known for their unparalleled energy when performing live or DJing, Hauke and Matthias fly the flag for sample based, soulful house music and a commitment to the art of vinyl DJing. With the never- ending search for the perfect beat at the core of what they do, it was no surprise they found a deep affinity with Rhythm Section INTL over years of playing for each other, jamming in the studio and crossing paths at festivals and airports around the world. In short, this record was an inevitable culmination of two passionate, like minded groups, a match made in Heaven and a long time coming!

Despite hailing from the techno meccas of Berlin and Hamburg, Session Victim are direct descendants of the German Jazzy House masters, tracing inspiration from the likes of Jazzanova, Soulphiction & Compost Records - the likes of which have gone on to inspire a renaissance of this more soulful sound in German clubs, spearheaded by labels like Tartelet and Toy Tonics - the latter of which the duo recently released an EP with.

This latest effort on Rhythm Section INTL is a masterclass in restraint, demonstrating a deep understanding of dancefloor dynamics, putting the maxim ‘less is more’ to great effect. The
opening track, ‘Trying To Make it Home’ is the most immediately engaging cut: a double bass riff drives along a Kerri Chandler-esque filtered piano pattern which gives way to a soaring Gospel

Vocal , allowing the groove to take control as flutes, strings and occasional guitar licks meander in and out of the mix to create a real ‘heads down, arms up’ moment for the dancefloor.

Another secret chapter of Flexi’s sister label “Incognito Trax”, dedicated to mysterious vibes, unexpected remixes and strictly party tracks.

“FUCKTHEGOVERNMENT 10 YEARS ANNIVERSARY” with two Virgo Four unreleased tracks, along with remixes by Fuckthegovernment.ltd and an Unknown Artist.

Following the success of his debut EP on WeMe records, Binary Digit is back with a brand new 6-track EP dedicated to the mythical Balearic Islands. From the very first tracks, we find the atmosphere represented by the legendary island of Ibiza, synonymous with partying, relaxation and getting high. The rest of this EP is a good definition of the well-being and the holy and benevolent feeling that all these clubbers can offer every year, who come to party in an atmosphere of sharing and respect, and above all who make a point of honor of ecology by favoring swimming. The track "Smkndpe", literally translated from Latin as "how to better consume your herbal tea", is already a hit on Tik Tok to accompany the best female influencer of the moment! We end this ep with the track "Overdoze In Ibiza", which will bring this well-deserved vacation to a close.

Pure summer French House hit tune by LE TSEU POCIR (aka Rico Puestel)!

Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.

London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.

After a busy and prolific work on his acoustic-electronic project and soundtrack compositions, Mischa Blanos wears again his clubbing outfit, returning with a three track EP for his techno and live electronics awaiting crowd in the dancing arena. Linear EP evokes the ethereal experience of clubbing, where time feels like grinding to a halt as if plunging through an open door into a new world.

Taking the vantage point of the dancefloor, Mischa Blanos recalls entering this space where time doesn't play a heavy role anymore. Be it two hours or eight in a nightclub, be it day or night, dusk or dawn, one doesn't seek time traveling but time stopping, as a way to relieve the time burden in our high-speed society. We tend to perceive that time is running at a faster pace, but time itself does not pass, what passes are things and living beings. Time is neither linear nor circular, time does not flow or move, but allows us to do so. And it is here on the dance floor that this reality can be felt.

Everything is moving, vibrating and changing from the flashing lights to the loud decibel kicks and everyone is both audience and performer on the stage. They all belong to the scene. Sometimes this could mean an individual experience, being completely absorbed in dancing or a parallel space, and other times it means togetherness, feeling an integral part of the experience. In his techno dedicated Linear EP Mischa Blanos speaks about clubbing as a form of escapism, but a form that can help us to reach a better understanding of our relationship with time.

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?