House Новости

The hottest sounds of the DMV (DC, Maryland & Virginia)!! Neighborhood Watch Volume One featuring local legends NativeSun x JamesBangura, Sami, Juana, DJ Technics, Max D & THE KHAN!! Jumbo slice approved!!

#evildubs #ballroomflex #liquidbooty
#emotionalclub #burnouttek #deconstructedtrap

For the jubilee of the 10th release on Questo, labelhead Francesco Ballato brings together some friends of the close environment for a „Various Artist“ compilation on vinyl and digtal. Mandibula, Stoga, Senoo and Bee Lincoln in collaboration with Francesco represent diverse aspects and musical components. which unite groove, melody and danceabilty for maximum enjoyment.

Side A1 features a cooperation of long-term groove brothers Francesco Ballato and Bee Lincoln. „Daddys Choice“ was born in a jam session and re-edited to serve a full bass load on a summerlicious track. Smart percussion pattern give a nice fluff as a compensation to slant and humorous synth sounds, embedded on positive sphere vibes.

Senoo, who already released on labels like Tzinah Rec., Baile Musik or Whoyostro, comes up with the title „Baby loves Sour Diesel“. An incredibly groovin’ tightness pairs with a deep flowin’ sphere and makes this track super-functional on the floor.

Flip the side and here we go with Stoga, who is in charge for the latest release on Questo. „Arrived“ is a warm-shakin’ and well-tempered tune with a theme-like melodic synth. Ready for open airs.

Freiburg-based Heimatliebe artist Mandibula takes over the warmth and adds a slightly driving rhythm in „Feeling Frenzy“. Known for his affinity in sound aesthetics of generating moods with synth-based elements, he does what he can do the best: an extraordinarily intense and mind-blowing tune for the clubs.

L2 Glenn Davis - Oh My Love - 7:13
L3 Irene Buckley - Mother Of Tears - 4:35
L4 Zvuku - Breakup - 4:48

Louis Fitton debut Kilopascal on Omena is an excellent proof of his ability to deliver forward-thinking music with a fresh and experimental focus.

Sometimes less is more and even though not every track on this release contains drum programming it feels complete.
All the tracks flow well for listening purposes and live performance and Louis shows a unique sensibility and approach to electronic music throughout the EP.
When it comes to remixes, Finland's best kept secret aka Saine has delivered several memorable moments including for Omena in the past. His take on Tides is a dubbed out house version melding house with more abstract techniques.

Bio:
Louis Fitton AKA Louf discovered electronic music from going to Leeds and frequenting clubs such as Wire, meeting longtime collaborator Tom VR with whom he coefounded Valby Rotary, a label focusing on the emotive side of club music. Alongside his various releases on the label, Louf has put out EPs with Thirty Year Records & Silver Bear Records.


Already he has received support from Ben UFO, George Fitzgerald and Gilles Peterson whom Louis worked with at Worldwide FM.

His sound is inspired by a combination of influences, spanning back to sampling for hip hop beats as a teenager, through minimal house and dub techno, to his recent interest in synth and ambient music.

Mak & Pasteman finally make it to UTTU, something that has been in the works for a while, DJ Haus launches a new off-shoot 'Dancetraxx' for the occasion and here we are with Volume 1. Two tracks, a Deep House number and the crazy cool Garage inspired T2000'. Fresh from their release on Lobster Boy which is out this week.

Arranged at the border of Dub and Progressive, this EP intones a relationship between the old and new like a chess game. Featuring a 3 tracker belonging to Greek mastermind: Mikael Delta and label boss: Kirill Matveev with an undeniable timeless quality. This is for sure one of Mixcult’s finest crafted and most important releases up to date, bringing home an eternal classic and two new “gems to be” themes.

Side A brings one of the most expected releases ever for Mixcult Records. This unreleased anthem appeared as a mysterious track on Hernan Cattaneo’s “Sequential” compilation, back in 2006. The track “Baboo” in which Mikael Delta exteriorizes a florid, unidiomatic and over polite form of language through sounds comes out as a highlight of fine-crafted, ahead of time progressive house cut. The unfazed pads, slow drip loops and profound voices of this peace are just an exceptional and sophisticated soundscape.

Side B1 features Kirill Matveev’s “Citron” which can be the cherry on the sundae for a peaktime house display. The track includes experimented arpeggios with some tweeked out acid sounds that layer perfectly with his signature dubby basslines.

Side B2 has a very heartfelt and ethereal theme, which can result as the perfect ending. “Pegasus Himself” by Kirill Matveev looks for the memorability and becomes the perfect tool to finish a night with the proper melodies.

French old school head Seuil is next up on Cartulis Music. This man has been around for some time and once again he hits the spot on this strong release on Cartulis Music. 4 cuts that fit into many moments. From peaktime to after hours and everything im between. Special appearance by great friend of the label LeLoup on one of the tracks too! Bonus!

3rd episode of RTC Series come from Mihai Pol! As always - first come/ first serve!

Vinyl Only, Limited.

'At night, thoughts tend to get off the leash and walk free.'
(King S. Bag of Bones)

New chapter in MixCult chronicle – Dreamcatcher by Amsterdam based Caim.

Yay 008 is finally on the way.
A big welcome to Les Points with their first release on Yay Recordings.
4 tracks in a different style where electro, techno and acid are the main ingredients for this solid ep.

Label boss SY delivers two well crafted, energetic & groove laden cuts for a highly anticipated debut on vinyl for EWax.

On remix duties we are very happy to welcome the extremely talented German and man of the moment "DJOKO" as well as another highly regarded artist and label favorite "Den Haas" who both provide two sublime interpretations in their respective signature styles.

This special limited release also marks 5 wonderful years of our label.


Support from Archie Hamilton, Janeret, Chris Stussy, Toman, Fabe & many more.

UK label Wisdom Teeth closes out 2021 with a synchronised double drop from label heads Facta and K-LONE.

Having retreated to more low-lit, pensive territories on his debut LP, Blush, In Bloom marks Facta’s headlong return to the dancefloor. At its core, In Bloom is a house record, albeit one bearing all the usual eccentricities of a Facta release: bleeping off-kilter melodies, glitching FX, warped subs and fizzing neon synths. Up top, C Sequence follows on from 2019’s Doves in exploring a future-facing and experimental take on mutant tech-house. Centred around a writhing, modulating FM bassline, the track undulates and builds gradually to a soaring mid-section before collapsing back in on itself. On the flip, In Bloom drops the tempo to a dubby stomp, with a reversed synth hook playing out over ricocheting chords and a phasing, blown-out sub line.

Now that his excellent free-to-download new double album, Stories From Sa Talaia, is out, HOSH is busy releasing the tacks from it on separate EPs. They come on the Ibiza based Diynamic associate's own fryhide label, and after part one comes part two with four more essential tracks.

The first is a collaboration with Tim Englehardt and is a supple track laden with emotive synth patterns. It has beats that rise up and down and take you on a trip to the outer edges of the galaxy. Then, Ocean Data is an eight minute deep techno opus with watery pads, a spacious atmosphere and icy hi hats driving things along as you get swept up in the groove.

On the flipside, HOSH links with Lehar and they come up with the brilliant O Fratello Mio, a driving track with physical drums and warped synth sounds. It is filled with subtle effects that add dynamism to the moody groove and again features some magical melodic sequences. Last of all, Fighting the Deamons is a dark and late night track sprinkled with cow bells. It's for heads down dancing on intense floors and closes out a perfect second EP.

Prolific London producer Lxury returns to the Lost Palms catalogue, this time with his second-ever solo long play - a honey-dipped journey through the rainbow colours of house music and its adjacent styles.

Living up to his name, no room is spared in Lxury's careful curation of full-bodied soundscapes which make for a truly immersive listening experience. Emotion-laden melodies and glistening pads grant permission for shameless self indulgence, whilst flickers of cooler, harsher tones add dynamism and depth. At times, this sounds like anthemic melodies, reverberating claps and sunshine-doused pads ("Motion" and "YT Storm"); at others, like mournful female vocals which are chopped and looped beneath a shuffling drum pattern ("Get Down On"). Elsewhere, highly-processed flutes and video-game-esque samples transport you to a neon speedway ("Ninja H2R Flyby") before industrial-sounding textures and down-tempo rhythms ease things to a blissful close ("Ride"). No matter where it is that Vivid Night Experience takes you, playfulness and warmth are guaranteed: two descriptors which have become synonyms with the Lxury's musical output.

Vivid Night Experience LP drops 29th April via Lost Palms

A collection of through and through breaks, things kick off with the 'Roll Mix' of the title track 'Life Signs', in what is an instant head turner as breaks grooves kick in dominated by rattling snares and deep pulsing bass. 'You Must Not Be Me' follows suit, if not on a more melodic tip as the breakdowns are carried by echoing melodic patterns and billowing synth pads.
On the flip, the tone is lowered as the lights go down for the 'Bleep Mix' version of 'Life Signs', this time around a more eerie approach with clashing melodies and harder hitting drums. 'Recollection' acts as the perfect come down for what is an intense listen as ambience takes a hold for the final four minutes.

REPRESS!

Hearlucinate was born as a party in Leeds, England and is now taking it's vibe to the capital London for a series of events. At each of these parties there will be a limited edition record created by resident Tristan da Cunha and the special guest of the party. For the debut release we have Tone Dropout's dance floor detonator Dawl dropping two tasty cuts , Tristan da Cunha coming with a nice house club bubbler and Freakenstein punching in with a strong debut in the shape of a booty banging electro jam. Designed purely for the dance floor ... these jams are guaranteed to slam.

Melbourne based record label Tanny Records is dropping its debut release in style showcasing a whopping lineup featuring Perlon's Wareika, FUSE label boss Archie Hamilton, vinyl don Charles Eddy and renowned Australian selector Lucca Tan.
The A-side showcases Wareika's tough but melodic minimal dance floor churner "Grapefruit all over me" (Original Mix) as well as his tripped-out experimental minimal groover "Jaguar" (Original Remix).
On the flip side Archie Hamilton delivers his take on "Jaguar" featuring his signature sound, and Label owner Lucca Tan and collaborator Charles Eddy give their twist on the already summer classic "Grapefruit All Over Me".

180Grams, Heavy collabs, limited copies.

Welcome to the first release of Cosmoz Records, a mutant program where minimal wizards link their magic to shape the future of dance music.

Suggested playtimes:

A1: 4 AM
A2: 7 PM
B1: 1 AM
B2: 6AM

Brainchild of Multi Culti A&R, Sascha Funke and Niklas Wandt were introduced by Dreems, who charted a course for the seasoned Berlin-based producer and funky multi-percussionist and singer.

Wandt was just about to enter the scene forcefully with his collaborative 2LP with Wolf Müller and the debut single of his band Neuzeitliche Bodenbeläge. In the icey cold of his warehouse rehearsal space, Funke had him record a variety of slapped, bowed and scratched percussions (congas, talking drum, prepared cymbals played with a bass bow) over his tracks. These first efforts were later expanded into joint sessions at Sascha's home studio and, within a few weeks, the journey reached it's destination: Wibe strasse, Deutschland.

At first glance, they seem an odd couple: a techno veteran of almost thirty years meets a side-burned upstart socialized in Free Jazz and Krautrock. But the shared sonic influences come through in the hypnotic, dubbed-out sound, perhaps rooted in the close connection the two share to the Rheinland region in West Germany, Funke as part of the Kompakt family and Wandt by origin and socialization in the Cologne and Düsseldorf music scene centered around the Salon des Amateurs. Regional flavours, global appeal.

Multi Culti, promoting local collaboration, one freaky record at a time.

The worldwide clubs lockdown helped Laurine to work on her studio craft, and the Slow Life co-founder surprises with her debut EP. A four tracker where you have a brief of her signature sound: dancefloor energy, fat basslines, joyful pads and emotion.

After recent success stories on OFF Recordings, Play it Down and our SVT100 compilation, Marlon Hoffstadt teams up with vocalist HRRSN for a first EP on Stil vor Talent, 'Skin And Bone'. Together, they present a musical, soulful style of deep house that mixes classic song writing with dancefloor sweat. The stunning title track opens the A-side with melancholic piano keys and a subtle beat over which HRRSN's memorable voice literally explodes. Beautifully understated and highly addictive! Following 'Once Again', with which many will be familiar from our recent compilation, 'I'm Losing You' then ups the tempo. Here, an elastic bass-line and elevating synth pads nestle around HRRSN's R'n'B vox. On the B-side, Oliver Koletzki and Diynamic's H.O.S.H. find themselves on remix duties. While Koletzki beefs up 'Once Again', H.O.S.H. takes things into a darker direction on his mesmerising reinterpretation of 'Skin And Bone'. Lastly, Marlon Hoffstadt & HRRSN collaborate with rapper Focus The Truth. The result An old-school hip-hop track that makes for a surprising finish to an incredibly convincing EP. Skin and bone and a whole lot of talent.

Pink Vkinyl

Dylan Dylan joins the Shall Not Fade with her debut album Euphoria.

Legendary German duo Frankey & Sandrino will be inaugurating Crosstown Rebels’ 2022 release schedule in January. The two-track Optical will act as the label’s first release of the year, signalling a major occasion for the pairing.

The title track opens proceedings, taking the form of a hypnotic dance cut packed full of atmospheric pads and haunting vocal tones. Gentle hats marry up with whirring synth lines, whilst a subtle bassline chugs along beside. Gridd takes on a softer edge, rounding off the release in a haze of starry-eyed warmth. Ambient notes reside next to instrumental sounds throughout, as we’re drawn into an ethereal, dream-like world.

Frankey & Sandrino, based in Essen and Berlin respectively, have been making music together for just over a decade. In that time, their rich, detailed style has graced the upper-echelons of house and techno’s worthiest institutions, garnering a legacy of releases on labels such as Innervisions, Mule Musiq, Kompakt and Diynamic. The impact of tracks such as Acamar, Mercury or Chimes has paved the way for the unstoppable rise of Frankey & Sandrino, marking the pair as a standout act within the global electronic music scene.

Moonoton is a local treasure: Andrei's tracks circulated in a local DJ crew for about a decade or more, and always been a secret weapon.
Actually this record was due to release for quite a while too, but it turned out that these tracks only got better with time and also now there's a bonus deep version by the label music head, Lipelis.

Bye By Buy is a perfect tune to get the floor's attention while you're starting the night with its super catchy vocal cuts and a piano riff.
Someone Else gets you in a late 80's NYC night cluB with a garage-like groove and a hint of classic house stabs.

Hard To Stop is a melancholic groover to close your set or, in this case an EP.

Born and raised in Detroit but now residing in London, Demi Riquísimo is building a dedicated following and catching the eye of many big-name tastemakers. His distinctive sound, an eclectic beast of acid, disco and italo influence, has gained him wide acclaim across several releases on his own Semi Delicious label.

Divine Reality EP is Riquísimo's first outing with Shall Not Fade, on the established Lost Palms series. It's a headsy affair, opening up with the title track and its driving beat, which pairs well with the blissed out and glimmering pads. You can feel the disco influence on "Local Chain", all subtle strings and pops of guitar over the muted house rhythm that gets feet moving. High-octane B1 "This is The Limit" is an acid roller with clever use of diva vocal samples, maximalist and infectious. The EP closes on "Green Machine", a percussive track that lifts from sound palettes of the 1980s in dramatic and melancholic synth melodies that are completely danceable - a climactic number with instant appeal.

Jessy Lanza has always made music that perfectly suits the mood - whether it's the heads-down trance of the dancefloor or that hazy, post-club bliss. It's no surprise for an artist that takes electronic music's most intoxicating sensibilities and effortlessly reimagines them as experimental pop and R&B. The Canadian singer, producer and DJ from Hamilton, Ontario, has trodden an inspiring path which led to 2013's boldly minimalist debut Pull My Hair Back, released on revered UK label Hyperdub. Gorgeously complex follow-ups Oh No - shortlisted for Canada's prestigious Polaris Prize - and 2020's All the Time crowned her as a singular talent in the left-of-pop sphere. It's with this genre-bending approach that Jessy Lanza presents her entry for the DJ-Kicks series - a sprawling, club-indebted odyssey that draws you in closer and closer with each listen. Recorded this summer, the mix is an incisive snapshot of her emotional landscape during the past 18 months. In 2020, with nothing but a van, a few personal belongings and her musical gear, Lanza and her partner relocated from New York City to the Bay Area to ride out the pandemic. A change of scenery, buoyed by the slower pace of their new home, gave her a fresh perspective during a worldwide screeching halt. Jessy Lanza's DJ-Kicks mix also arrives as a divine stroke of timing. As the world slowly starts to re-open, it's a portal into the ecstatic energy of the dancefloor; an emblem of genuine healing - both personal and communal - that transports listeners to a state of pure euphoria.

Even the all-time party goers can lose their sparkle in these cruel and quarantined times by getting stuck at home for too long. But for one of Moscow's finest DJ-crews it’s hasn’t been the case.

The fourth vinyl instalment on the label’s roster is a hard bumping debut EP from the UK-born/Swedish-based musician - Lewis. He has brought a bunch of analogue equipment and just the right moves to produce this dance floor ready 4-tracker, seasoned with classy electro and of course just a drop of acid straight from the 90-s. Enjoy with professional care.

Mjog & Le Louche - Cohesive Counterbalance Ep (vaarious001)
Clayton Guifford's Freshly Born Label Vaarious Welcomes Le Louche And Mjog With Their Cohesive Counterbalance Ep, Featuring Two Collab Cuts And Two Solo Tracks By The Respective Artists Themselves. Hailing From Paris, Mjog Has Delivered A Couple Of Great Ep's On Daydream And Recordeep And Has Teamed Up Here With Fellow Daydream Records' Franco-dutch
Producer Le Louche Who Delivered A Terrific Split Ep With Dixia Sirong On London Based Blind Vision Records. Starting From Nothing To Effectively And Easily Working Together, While Establishing A True Friendship Along The Way, The Two Decided To Join Forces On This Ep To Kick Off Things For This New Laate Sublabel. With Cohesive Counterbalance, Mjog & Le Louche Intend To Display Their Own Vision Of Collaboration, Which Encapsulates The Playful Nature Of Their Original Touch, Resulting In Dynamic And Dubby Music From The Two Young Producers. Atmospheric Raw Synths, Galloping Beats, Expressive Fx... Cohesive Counterbalance Ep Has Definitely Been Produced To Pump Through The Dancefloors.

A true unsung hero of mid 90's techno, Nurmad Jusat aka Nuron helped cement the UK sound that became synonymous with labels like Likemind, B12 and A.R.T With his original releases long out of print and selling for serious money on Discogs, Likemind finally gives fans what they've asking for for so long. 8 of his most sought after tracks, remastered and repackaged in the form of a 2 x 12" compilation. For a truly breathtaking snapshot of 90's UK electronica, look no further.

First release from Raport, new underground vinyl only label.
Starting with a Various Artist including three stunning tracks by: Silat Beksi & Libe, Jamie Lie A Kwie and Herck.

Bézier returns to Dark Entries with Valencia, a six track rumination on memory, geography, and transmutation. Multi-instrumentalist Robert Yang’s Bézier project has appeared on Dark Entries many times over the last decade, most recently with the 2018 LP Parler Musique. Says Yang, “What started as a project to investigate the love of the sound and scenery while living in San Francisco quickly developed into a passionate search for interlocking melodies and driving rhythms.”
On Valencia, Bézier invokes twinned places. The Valencia Street of San Francisco is channeled, which was the center of the city’s vibrant new wave scene in the 1980s.

But also echoed is Valencia, Spain, and La Ruta del Bakalao aka La Ruta Destroy, the Spanish clubbing scene throughout the 80s and 90s famed for its aggressive and synthetic sounds. Valencia is a darker record for Yang, exploring themes of submission and catharsis with nods to SF’s gay leather bars of the 70s and 80s. The high BPM salvos of “Valencia” and “Scrupulous” capture the frantic energy of Bakalao and Valencian wave acts like Última Emoción. Elsewhere Yang mines the dreamy space disco and Hi-NRG sounds they’re known for, like on the brooding “Past the Marshes” or the anthemic “Reservoir”, which features their partner Len.Leo on vocals. Bézier deftly navigates past and present, light and dark, pain and pleasure, the stasis of memory and the flux of time.

Valencia was mastered by Alex Michalski, with EQ for vinyl done by George Horn. Gwenaël Rattke designed the sleeve, which features an 80’s punk zine-esque geometric grid pattern mirroring San Francisco street maps. Also included is a 5x7 postcard with notes.

East-London based producer Riva Starr releases his electrifying new single ‘Ride This Sound’ on Club Sweat. The globally respected producer uses a classic 1920s blues-inspired vocal, adds delicate piano chords and a thumping bassline, creating an instant dancefloor groover. Up on remix duties are four in-demand artists, mixing mainstays of the scene with rising stars. From Germany’s Oliver Dollar to Canadian goldenboy Pat Lok, coupled with two U.K. dynamos, Biscits and Connor-S, all of which stamp their signature touch on ‘Ride This Sound’.

Support from Yolanda Be Cool, Gorgon City, Phil Fuldner, Hardwell, John Summit, Oliver $, Claptone, Mousse T, Jamie Jones, David Penn, Hector Romero, Shiba San

Early Radio Support: BBC Radio 1 with Charlie Hedges, Kiss FM with Gorgon City, Galaxie Radio Belgium, Radio FG France

Originally released three years ago, this is the collectors reissue as part of Sushitech's 15th anniversary celebrations. Invisibility is the second album of Cristi Cons and Vlad Caia's Sideways Invisibility Theory Project (AKA SIT). This pack containing all the tracks from their album, both chapters one and two, pressed on a limited coloured vinyl. It features a quintet of trippy, low-slung late night workout seemingly designed to operate in the cracks between house and minimal techno. There is a natural subtle variations throughout - a nod to dub techno here, a psychedelic acid line or dreamy deep house texture there - but thought, their focus remains firmly on only early morning workouts - modern classic!

Sihl Records – Vinylstore, based in Zurich (Switzerland) is more than happy to announce the first release on our new record label which is split into two ongoing series called S.R.B and S.R.W. We start things off with the first and well selected 4 track VA on S.R.B. The concept behind the various artist EP’s is to present you two bombs from better known artists and two killers from not so well known, Swiss based artists. In our opinion, the perfect balance on a VA. By the way, the first release for S.R.W. is in the pressing too and also available at beginning of March 2022. Stay tuned and for now enjoy our very first two releases on vinyl. Love from Zurich to all diggers out there.

300 pieces, vinyl only, no promotions, no repress, just WAX! If you like it, don’t blink twice while it’s gone.

Four lean, heads down techno cuts including a Ben Sims edit make up the debut release on Avision on Sims' Hardgroove imprint.

As a young person growing up in West Yorkshire, my experiences of true underground clubbing became intertwined with names such as Back to Basics, 20/20 Vision and Carl Finlow. That period in the early 2000's became a life-affirming time for my young self.

Frequent trips to Back to Basics, then held at the Mint Club helped forge my outlook on electronic music and how it should be played in a club environment. I would often hear stories about ""the Farm"" and the late night parties and studio sessions. The anecdotes and tales of US icons recording in the countryside with the local guys provided only a small insight into the creativity and fun that must have gone on during those years. Cut to now in 2017, whilst looking back to those times more than fifteen years ago, I can proudly say that the dots have been joined and the connections now formally established.

I'm immensely proud to say that Carl Finlow, the understated king of British electro, and I, have put together a selection of his works that provides a themed snapshot into his musical history. The music I have chosen with Carl may not be all of his biggest tracks but it is the music that is special to me. The selection has a vibe, one that is deep and emotive, music for the head as well as the feet - Hope you hear it in the same way (...)

Repress

Insanlar returns with an epic 45 minute shamanistic techno folk song, split over two sides. With 'Demedim Mi', the Istanbul born group ft. the renowned DJ Baris K and multi-instrumentalist Cem Yildiz, offer another off-kilter journey through deep, esoteric Turkish electronic music.

Insanlar means humankind. Their techno folk hybrid is rooted firmly in Anatolian/Alewi religious poetry, their energetic, almost punkish attitude has created a mystic following around the bands early shows. Insanlar's first release catapulted them on to the international stage, where their idiosyncratic mixture of traditional Anatolian/Mesopotamian instrumentation, electronic music and spiritual/philosophical lyrics continue to captivate festival audiences.

The musical excursions of the group go into uncharted territories rather than towards an end goal, melting traditional songs in their music as divine inspiration, while entering places one didn't know existed. Insanlar's recorded version of 'Demedim Mi' was initially meant to become a traditional Alewi 'deyis' song, with lyrics. However, this session resulted in a long magical instrumental folk hymn, that is surprising and captivating at the same time.

Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.

vinyl only

Adeen Records presents the next installment in the series of 2021 releases, delivering an expanded set of remixes of two infamous tracks by Detroit house legend Alton Miller featuring Rydm Sectors, Nico Lahs, & KETAMA.

Christopher Mcfarlane aka Big Miz debuts on Aus with ‘Fools Mate’. Christopher’s self released ‘Flashbang’ EP, ’Good Thing’ residency at Room 2, Glasgow and his monthly Rinse FM show have teed him up for a stellar 2022. The Glaswegian’s five track EP ticks all the boxes, deep, soulful, melodic and raw. Washington lends an elegant vocal to ‘Still Deciding' and Sally C rounds off the EP with a remix that has a dangerously punchy bassline expect the Big Saldo’s Chunkers boss to be spinning this one at Pbar, ? , Pitch, Lost Village and many more this summer.

Second release, vinyl only. Roche Madame, A natural harbour for a crop of artists for whom sounds, histories and futures dance together. 

These three offerings from Michael James might fit into the minimal/tech bracket comfortably but there's a free flowing, shuffling sense of funkiness that undeniably runs through them all that defies all the usual 'shoulder twitch' stereotypes about the genre. 'Signal Issues' employs a panther-like bass hovering under the radar, with the briefest of breakbeat snippets adding the growing syncopation. 'Still Waiting' continues the technofunk mission, a sea of underplayed bleepery augmenting the groove, while 'Rush Hour' has a breezier and more open vibe and perhaps a more classic techno feel, proper graceful like.

Following up on his highly acclaimed "The Forced Force Is Not The True Force", Mr. G is back on his own Phoenix G label delivering 3 big house cuts and a suspenseful tool.

It’s time to rave again! Welcome to Simon Lovejoy in the unreality world. Simon began professionally playing ‘rave’ and club venues and releasing records from 1989 ‘The Rave Age 'album is a supreme mix of techno, house and downtempo, includes unreleased tracks from his rave age.

'Tee Mango delves into new territory on 'Last Dance’ this time lending his vocals to each of the three cuts the very personal heartfelt vox sits perfectly on the deep, melodic and immaculately produced tunes. Mixed and mastered to perfection, T rounds of another stellar EP'

2LP : box including DISSIDÆNCE Episode 1 (White vinyl) and DISSIDÆNCE Episode 2 (Black vinyl)

-> Hardcover Slipcase with embossing of the DISSIDÆNCE logo on the front and the tracklist on the back

-> 2 printed outer-sleeve

-> 180 grs Vinyls

-> 2 Stickers

-> 2 Download Cards

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."

The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.

More Strictly Rhythm GOLD right here. An all-time, hands down, unstoppable CLASSIC record from way back - 1995 to be precise. If you don't know this record it's possible you've been in a coma, living in a cave with no electricity or have literally just arrived here on planet earth. Either way, once you hear 'Higher State Of Consciousness' you certainly won't forget it. Produced by Philly's legendary Josh Wink and released by the forward thinking A&R team at Strictly. At the time there was very little to nothing that even came close to this release. The 'Tweekin Acid Funk' mix being the highlight and the version that caught everyone's ears and captured minds worldwide across radio-waves with endless rewinds on MTV and in the clubs. Foreseeing the impending 'Breaks' boom that came around in the mid to late 90's 'Higher State...' was one of those rare moments where a record truly transcends genre boundaries and found it's way into DJ's boxes and bags on every scene. A mighty, evergreen slab of wigged out, acidic, breakbeat chaos. Essential. This one's a tasty 2017 reissue and remaster, featuring all 3 mixes, unedited, as per the original release way back when. Do not sleep.

Move D relaunches Source Records with a series of 12“s documenting his set of live video streams recorded during the first year of the pandemic

‘Scenic Route’ is the leading single from Ruffien’s upcoming debut album – To Win in Silence. It blends the sultry with the psychedelic - consisting of rolling, tribal percussion and a constant whirling, dub-like atmosphere throughout.

The single’s remixes are courtesy of New York resident Cofaxx (Nous Disques, Atlantic Rhythms) who approaches the remix with a smooth & warm touch, and North Carolina’s very own sonic wizard Kwala (HLF/PIN, Project Mooncircle) – who flips the original track on its head and effortlessly delivers something hectic & unpredictable.

Also featured is a remix by Orlando Voorn that picks up slowly, then accelerates and gets your groove on. All the while, the peaceful backing melody counters the intense rhythm and turns this version into an absolute ear-pleaser.

In classic Baby Ford style the A-side opens with "Mystery Falls" a deep melodic housey workout with shuffling percussion and sublime top line strings.Meanwhile on the B-side, shaker hustlin' "Spooked" conjures up a more stripped down moody grooving chordal affair. Both tracks cut at 45rpm for maximum quality and effect on the floor.

Rising UK-talent Guy Mac makes a much-anticipated debut on Hot Creations in January with the Sonic Boom EP. Made up of three original tracks, the release acts as both Guy’s and the label’s inaugural release of 2022.

The title track kicks off proceedings in an outright party fashion, as rampant kicks lay beneath up-tempo hats to set the tone. Reverberating vocals bounce alongside driving synth lines, before we’re soon graced with the stripped-back sounds of Waku Waku. Tribal-laced percussion opens into pulsing, space-like samples, whilst the enthralling chant of “waku waku” shimmers softly throughout. Rounding off the EP is Don’t Stop, another no-nonsense, late-night cut packed full of 4x4 drum patterns that perfectly encapsulates Guy’s hard-hitting, club-ready sound.

Split EP of US & UK Garage Sounds with a nod to the R.I.P crew and the U.K garage legend Todd Edwards.

Second part of the compilation celebrating the tenth anniversary of the Milanese record shop.

This collection is entirely composed of previously unreleased music, exclusively produced for the occasion by many artists of great relevance in the worldwide music scene, who supported the store over the last ten years.

The artists who produced the music for this compilation are Egyptian Lover, Ellen Allien, Thomas Brinkmann, Neil Landstrumm, JD Twitch, Matias Aguayo, San Proper, Tolouse Low Trax, Jay Glass Dubs, Dj Marcelle, Jorge Velez, Tamburi Neri, Fabrizio Mammarella, Heith, Itinerant Dubs, Timeslip89, Kreggo and Intersezioni Ensemble.

The entire work is composed of 4 x 12”, which will be released monthly.

Die klingt genau so, wie sie heißt: farbenprächtig, schwurbelig, episodenhaft und manchmal richtig schön beknackt. Siriusmo nistet sich auch mit seinem dritten Album wieder an seinem ganz eigenen Plätzchen in der elektronischen Musik ein, indem er alle möglichen Stile und Vorlieben durch seinen persönlichen Filter schickt, notorisch tiefstapelt, maßlos übertreibt und immer auf dem Punkt landet. Siriusmo ist der Vordenker, der gar keiner sein will. "Comic" ist ein perfekt unperfektes Selbstportrait und enthält - in des Meisters eigenen Worten - "14 bunte Geschichten zum Selbstausmalen. Aber keine Bange, diese Geschichten erwachen von ganz allein zum Leben. Vergleiche sind überflüssig, nur einer drängt sich auf: Sowohl melodische Vintage-Electro-Romanzen wie "Dagoberta" als auch fuchsteufelswilde Arrangements wie "Bleat" ziehen Parallelen zu alten Squarepusher-Platten. Statt Jazz und Jungle bestimmt bei Moritz eben die Berliner Sozialisation den Sound.

Leonard "Big Strick" Strickland is perhaps best known for his family ties with Omar-S (they're cousins), though his productions are well worthy of praise in their own right. Here, he offers up a sampler 12" featuring cuts from his recent (and excellent) Reservoir Dogs LP. Perhaps the most noteworthy cut is "Family Affair", a lovingly constructed chunk of hypnotic, melodic deepness written with Omar-S. That said, Strick's solo effort "Armed & Dangerous" - a winding chunk of voodoo techno - is arguably better. The mazy techno-funk of Reckless Ron Cook's "Night Moves" is also outstanding.

A plethora of different dancefloor flavours from Frankfurt's Chris Geschwidner, across four tracks, that take in the warmth and soul of house and the cold steel beauty of techno and bound them up into something fresh and altogether new. 'Corroded' has the colliding drum machines and handclaps of vintage techno or even electro, but welded to a skippy, playful beat that is a definite mood lifter, while dreamy synths seductively cut a swathe around the metronomic hypnotism. 'Pass Over' is smoother, sleeker and combines a bleep techno approach to the soundscape with a bed of comforting Detroit-style synths and strings. 'Viktrak' has more classic Motor City influences but a more classic garage-slanted beat regime - imagine Derrick May's 'Nude Photo' overhauled by Roy Davis Jr. 'The Free' ends the set off with simple but effective electro funk flourishes and a sense of sunny optimism, bringing this lively, accessible but deep affair to a close.

Er hat es wieder getan... seiner eigenen Tradition treu bleibend, dem synthetischen Ende von Disco ein modernes Denkmal nach dem anderen zu setzen, schafft auch "Don't go" diesen Spagat zwischen Vergangenheit und Zukunft, zwischen Glückseeligkeit und gnadenloser Abstraktion..

After a huge ep on pleasure zone, kepler drops 4 killers on aesthetic.

Isolate's Murat Uncuoglu and his extraordinary ability to create simple but remarkable melodies is back on Multinotes with a new three tracker.

B2 Recordings welcomes Greek Techno pioneer Novatek onto its roster this February with the 'Innerzone' EP. Savvas Georgiadis is a music producer from Thessaloniki, Greece and one of the pioneers of the techno scene in his country. His activities in electronic music started in 1992 and since then, Savvas, using various pseudonyms/projects, such as Dataman, Fujiyama, The Repeater, Neural Network, Interphaze and of course Novatek which he returns to here, has released music ranging from deep minimal techno to percussive tools, electro, and industrial/EBM. Here his latest offerings come via the burgeoning B2 Recordings, headed up by fellow Greek artist and DJ, Bengoa. Up first on the package is 'Beats Me', fuelled by gritty dub stabs, dynamic 909 drums, a funk-infused bass lick and sporadic vocal chants before title-cut 'Innerzone' leads things down a more 90's-tinged IDM path via offkilter drums, sweeping atmospherics and wandering electronic funk melodies. Opening the flip side is 'Outta Here', which returns to more dubbed out territories, fusing bubbling dub echoes with heavily swung organic drums, bright string lines and rumbling subs. 'White Crash' then rounds out the release on a deep house tip, bringing airy pad swells and shimmering piano keys into the limelight alongside resonant synth sequence and bumpy drums.

There it is, keinemusik number seventeen. We know what youre thinking. You think you know how it works. You think, those
keinemusik fellas will again be doing their little rotation thing, one producer getting a record out after the other, then a Workparty-joint
venture at some point and then it starts all over again. Au contraire! This seventeenth edition is breaking the known beautiful, perfectly
curled cycle. Just like that, so that no one gets bored. This record here is an appetizer for a collaboration-effort between Rampa, &ME
and Nomi, the New York based singer that provided the recent movement of flamboyant Disco-queerness with its sexiest and
catchiest hooks, teaming up with Hercules & Love Affair and doing her own project Jessica 6.
Side B will take care of everyone who is expecting a safe playing house-rehash of the afore mentioned acts and tenderly let a lashing
snare slap every preconception out of sceptic faces. 'Enemy' makes no mistake about being manufactured in Berlin. Its stoic,
technoid intent to pave the way to the floor with utmost straightness might seem like a contrast in comparison with Nomis warm
timbre, but after some bars, youll find both in unrestrained, loving embrace.
On the flip they turn the heat on even more and go for the ultimate, heartwarming club-anthem. 'Broken Toy' is sneaking in with
discreet percussions and some random field recordings on top, until the intro gives way to an instantly touching piano-accord. As soon
as Nomis notably affecting vocal parts are hitting the mark, it should be evident, that this cut is applicable in various situations. It will
inflame floors into rapture of love, it will be perfect iPod-material for lonely midnight-strolls and it makes a perfect new choon for the
weeks and months to come.

Italian artist Samuele Scelfo is next to land on Hot Creations with his two-track release My Father in Ibiza 1988, which is inspired by his father’s unique record collection that he bought on the White Isle almost thirty years ago.

As a full time resident at Morositas Club in Siena (Italy), within a few years he brought his sound to some of the best Italian and European clubs, sharing the booth with many of the greatest artists in the underground scene. His releases can be found on influential labels such as Relief, Elrow Music, Snatch!, Müse, Deeperfect and Wow! Recordings. He also has an army of supporters that include Jamie Jones, Marco Carola, Green Velvet, Matthias Tanzmann, Lee Foss, Michael Bibi, Gorgon City and many others.

REPRESS: 'If you want something done right, sometimes you just have to do it yourself'. In a world filled with false gurus and misguided leaders, so goes the mantra of the New York duo Walker & Royce. After a swift rise in recent years - during which time they pioneered a sound that is often imitated but never replicated - Sam Walker and Gavin Royce have used this mantra as the impetus for their debut album 'Self Help', on their label home Dirtybird.

In order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. Their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one.

Walker & Royce's signature production is in exceptional form on their solo tracks, such as 'Why Tho', 'Warkin It', 'Best Track Ever' and 'Sunday'. The way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: 'Will we play this'

The pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. The legendary Green Velvet lends his vocal talent to 'Rub Anotha Dub', and longtime friend Dances With White Girls appear on two memorable tracks, including the hit single 'Take Me To Your Leader'. Other collaborators such as Sophiegrophy, OnCue, Forrest and Mr. JPatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the 'Self Help' masterpiece.

The road to self-discovery is filled with many bumps and obstacles, but with 'Self Help', Walker & Royce have proven that they've got the keys and in the driver's seat.

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Since his debut on Drumcode in 2012, Bart Skils has been one of the label's most regular contributors, with the Dutchman's brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar 'Shadowprint' EP in 2014, to last year's classy remix of Moby's 'Go'. One of The Netherland's hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that's has been a favourite of Beyer's for many years. His latest work for Drumcode, 'Bells of the Revolution' continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. 'Ocean Drive' nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout.
'Vocalized' follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with 'Retrodade', a track that's been one of the biggest in Beyer's sets in 2017 and features the famous vocal from Rozalla's 'Everybody's Free'. The sample was used with kind permission from the iconic '90s singer.

the in-demand duo chaos in the cbd is back on mule musiq with another breath-taking ep.

this time the new zealand natives present different atmospheric spheres. the a-side tune 'comfort zone' is a slow house burner enlarged with bird sounds, flute melodies and super warm bass power. on the opposite, their track 'educate the hear' marries dub atmospheres and four-to-the-floor grooves, without giving up the hotness that dub music got to offer.
their third tune 'pressure' brings in, what is always needed in a club: funk that shakes the booty. and this wrapped in a gentle house track that stays calm while spreading hard to resist dance emo-tions.

a heartfelt produced ep with three kind heavy hitters that come around for good.

Repress

The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London.

A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.

On PIV036 we have the experienced French musician DJ Steaw who is well respected for preserving the classic touch on any of his productions. Get There In The End is truly a signature style groover with Party Just Begun only adding to the nightly vibes. MFPLS stands out for it's dreamy rhodes, while Spinning Wheel has that sturdy drive that never lets you stop moving.

324 Records is back with their 4th vinyl release. Three Original mix by Nici Frida and one Silat Beksi remix

Escapism is a theme that runs through the very heart of music. We listen to be transported, removing ourselves from our immediate surroundings as our senses relax and the sonic experience washes over us. During times of hardship, such a sensation is naturally magnified. Music gifts us a way out from our challenges, allowing us to choose how we feel in response to the sounds we hear. This theme has been explored meticulously by Audiojack over the past four years, resulting in the release of their second album, Surface Tension, on Crosstown Rebels this April.

The journey sets off with Subterranea, a futuristic breaks-inspired cut that features shimmering female vocals throughout. It feels both euphoric and spacious, taking us to a world far removed from ours. The first collaborative effort comes next in the form of Under Your Skin. Released as the album’s lead single in February, Kevin Knapp’s weighty lyrical offering takes no prisoners, paving the way for the track’s punchy, percussion-heavy backbone.

925 Shift ups the pace, pairing resonant kick-hat combos against a myriad of robot-like synths whilst gentle keys chime softly in the background. Surreal yet familiar in one, it opens smoothly into Easy Rider, a groove-led, minimal-laced dance number that transports us to brighter days with upbeat piano rolls and dream-like chords.

Psychoactive pt. 1 continues the warming theme, delving further into tropical realms. Ethereal pads blend into pulses of acid to form an immersive auditory piece. Psychoactive pt. 2 resumes proceedings, this time featuring Scottish poet William Letford. Beginning with weighty snare patterns, the track’s soundscape soon changes with the advent of William’s delicate vocals. It builds to a poignant crescendo, as changing piano tones marry up next to emotive violin strings to pull deeply on our heartstrings.

After teaming up with label-head Damian Lazarus on Into The Sun last year, established singer-songwriter Jem Cooke collaborates with the pair on Feels Good. The UK-vocalist is no stranger to Crosstown Rebels, having had her and Made By Pete’s So Long remixed by Audiojack in 2018. It’s a real peak-time number that melds prominent clap combos with Jem’s touching lyrical contribution before First Dawn brings things to a tender close. The whispering voice of The Silver Reserve amplifies the track’s profound nature, captivating us in a haze of starry-eyed reflection. We are left to meditate on our own musical voyage, leaving us in a state of quiet contemplation.

Through Surface Tension, Audiojack paints an auditory picture that connects us to the deeper themes of the album. Utilising sensory samples throughout creates a feeling of immersion, helping us to feel a part of the cinematic experience.

UK-duo Audiojack have remained at the forefront of electronic music for over a decade. First rising to prominence on 20:20 Vision in the mid-2000s, the pair have continually developed during their career, launching their own label Gruuv in 2010 before debuting on Crosstown Rebels in 2016 with Turya. This natural evolution helped drive the album’s early formation in 2017, whilst the events of last year inspired the Isolation Tapes series, a selection of releases that delved into the feelings created by lockdown and seclusion. Providing an escape from the anxiety and uncertainty of these environments, the likes of Eli & Fur, Polarbear and Lady Vale appeared on the series as vocalists, bringing together a community of artists and listeners alike.






f C2. Psychoactive PT.2 (ft. William Letford) Extended Dub Version

Chapter three of the Dream Dancing story comes from Lu Lia, his debut vinyl release offering two deep rolling rhythms...

'Scoob Trippin' is a heads down, warm, atmospheric cut. The pulsing sub moving under modular drums and textures as well as lighter, uplifting synths, this one is for the deeper dance floors...

'April Love' raises the energy with its shuffling drum patterns, lush pads, pianos and driving bass line, merging seamlessly together for this bright and uplifting trip.

250 hand numbered copies only.
Lacquer cut at Analogcut.
Mastered by Bunny @ Cold Water Studios.

Emerging Irish talent Lukey makes his debut on Hot Creations next month with the three-track Less Is More. Achieving such a feat so early in his career signals a major milestone for the young artist, setting the tone for a highlight year ahead.

The title track kicks off the release, showcasing the Irishman’s signature style with a minimal, four-four led bassline that features a rolling synth throughout. Quick One soon ups the tempo, packed full of dubby undertones and cosmic-leaning synths, before We Will Never Hear brings things to a close. A devilishly danceable piece that features an iconic vocal, expect to hear this across the global club circuit in 2021.

Already an established presence in his home city of Dublin, it’s no surprise Lukey is beginning to take the wider industry by storm. Previous appearances on Play Groove and IWANT Music have solidified his reputation as one of dance music’s breakthrough talents. With two vinyl-only releases dropping on Carpet & Snares this year, as well as plenty of productions in the pipeline, the future is certainly shining bright for Lukey.

Master minimalist Guido Schneider links with Daniel Dreier for two new tunes on the Opulence label that come with tasty remixes from Martin Buttrich and Ostrich.

Opener 'Liquid Summer' is a fluid deep techno cut, with rolling rubbery drums and spooky vocal echoes. Woozy synths lead your mind down a rabbit hole and the result is perfect dancing music. Studio wizard Martin Buttrich remixes it into something more dry and stripped back, with driving drums and off kilter piano notes bringing a freaky feel.

The next original is 'Behind the Curtain', a punchy cut with the sort of warm drums that really make you move. Curious synth details, alien life forms and sci-fi motifs all colour the groove and make it a perfect late night jam, while Ostrich remixes it into seven minutes of restless and kinetic minimal tech with spangled synths and sci-fi details that bring real charm.

Buttrich then offers a Sub Fire Dub of 'Liquid Summer' that's designed for melting minds and latching intoxicated bodies onto the smooth, endless grooves.

Supported by:

John Digweed, Joseph Capriati, Mathias Tanzmann, Dubfire, Damian Lazarus, Reboot, Steve Lawler & more.

LTJ Bukem (Kinetic, Good Looking) - Feeling both mixes of Liquid Summer

Timo Maas - Liquid Summer Orig is cool...nicely trippy....My fav is the Buttrich Rmxs... both super dope

Reboot - superb ep with fantastic remixes.

Joseph Capriati - nice, will try soon

Fabrice Dayan - Voyeur Music - This one will seriously cure a lot of dance floors. ..Pure vibe, big groove, Freaky but not too much: Perfect one

Vinyl only - Limited copies - No repress

25 years after this cult UK label first emerged, we're very happy to present some of their most sought after releases, in remastered and hand-stamped form for a new generation.

Primitive represented a stripped down and sonically heavyweight series of essential DJ tools, winning wide support from Techno an House DJ's alike & enduring - perhaps due to their raw, basic construction - way beyond their original inception.

Despite serious demand, we will only be able to access limited quantities of these special 21st century repress editions, so buy or cry !

Nug-Net Class of 2021: PART 2

In 2021 during the coronavirus pandemic, Gene On Earth created his production masterclass “Nuggets: The Blueprint”. This is the second part of a collection of works submitted by students shortly after finishing the course. Nug-Net will continue to be a home for music written by course students.

Amplified cointinues their quest to find new and interesting talents out there. Disco In Distress pt. 3 again is an amazing collection of slow house and disco. Quell comes with a slow house joint that even has some Techno elements: rough beats and tough stab and synth work. S3A (Sampling as an Art) has had an excellent release called Continuation early 2012 and serves you with another killer discofied house tune Holdin' On here. Russian newcomer Kirill delivers the breathtaking house cut Feel The Broken Line. Last but not least Sellouts does what he does best: slow-mo-spaced-out-disco in She Knows. Tip!