Foxy Red Recordings is proud to announce their first vinyl release consisting of four deep & funky House tunes by TiTLEZ!
If you're up for the warmth, depth, and feel of the classic House sounds of Chicago - look no further! TiTLEZ's new EP delivers the goods while going for a diverse, organic, and eclectic productionapproach. You can expect punchy drums combined with live(ly) percussion samples, jazzy piano chords, and spacey pads, among otherstudio trickery.
The tracks on TiTLEZ's new EP are carefully produced and naturally dynamic, not only mesmerizing the audience with beautiful
soundscapes but also telling powerful stories in a heartfelt, honest, and emotional way. 'Family Affairs' is all about taking the listener on an atmospheric journey and exploring the needs and desires of human beings... while bringing massive grooves to the floor!
Side A features 'Longing' and 'Love', two tracks that focus on the story of love and loss, making for a dreamy, spacey, and nostalgic tone and stretching out the line between love that imprisons and the one that sets free. On side B, 'Fame' and 'Richness' tell the story of wealth and recognition, putting a modern twist on the classical notion of these concepts.
TiTLEZ is a driven, talented, and diverse music producer and his sound is influenced by Afrobeat, Latin grooves and jazz, which all play a vital role on his tracks.
As a result of his kaleidoscopic influences, TiTLEZ developed a unique blend of deep house with a tech and afro twist with an edgy and authentic feel. His work is all about telling stories and conveying that deep, warm feeling to his audience. TiTLEZ's tracks stand out for their diverse approach and catchy vibes, showcasing world-class production aesthetics and excellent musicianship from this promising artist.
House News
The world-renowned Crosstown Rebels add the third instalment to their annual Spirits compilation, an album which has become established for delivering some of the biggest hits that have been heard in Damian Lazarus’ sets over the past year, from some of the most esteemed artists in electronic music. Let your mind become absorbed in this collection of diverse and exciting tracks.
The man himself Damian Lazarus opens the release, setting the tone with the haunting hypnosis of Ergot which contains snippets of an ancient Chilean revolution song, relevant to the current political climate. Next up Guti & Fosky collaborate once again in fine style to produce a smoky, late-night atmosphere, with the moody bassline and expertly crafted beat of Da Drumz. Side B and legendary producer Martin Buttrich combines driving tripped out rhythms with warm surging pads, creating a great musical tonic during Slow Down. Denney & James Dexter then deliver a peak time monster in the form of Transcend.
Next up Harry Romero adds a touch of romance on It’s You with an unravelling rhythm of heartfelt synth. Dennis Cruz’s Mother Earth follows up with striking vocals playing off one another with soaring brass and strings. More DJ ammunition is provided by Piem on Freak Out where a familiar looped sample is manipulated to ignite dance floor euphoria. Finally the bounce of Adonis Rivera’s XX Acid will have you hooked from the outset, as you would expect from the title, razor-sharp acid awakens every sense in this heady piece. Another great Spirits compilation to add to the esteemed series.
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Distinct deliver their first release on wax with DISTINCTVA001, the culmination of many months work from the Manchester brand. 12” 180g Vinyl Only. Limited copies.
Having taking their time to strike the right balance of sounds that represent Distinct as a label in its first outing, the VA highlights their diverse tastes and eclectic sound, taking in micro house, breaks and deeper influences with 4 standout cuts that all display a distinct flavour. Early support from the likes of SY, Michael James, Rowlanz, Alex Ranerro, IULY.B, Mancini, James Dexter
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After the highly acclaimed first part of Wehbba´s outstanding "Systematic Shades" series it´s finally time fort he second volume and the waiting time of one year was worth the waiting. Once again he convinces us with three hybrids of straight and functional tracks including that touching certain
something you have or don´t. Moonrise reminds us on the good old early times of techno when the MPC-60 was the master of the groovy rhythms and "Polychrome" and "The persistence of memory" underline again who authentical and rough he is able to create techy traxx.
So, Rodolfo, please don´t let us wait to long for part 3...
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Remastered Reissue eines weiteren Klassikers aus Warp's legendärer 1990'er "Artificial Intelligence"-Serie: der UK Techno-Klassiker "Electro-Soma" (1993) von B12. Parallel erscheint "Electro-Soma II", eine Kollektion ultrararer Tracks diverser früher B12-Maxis, erschienen unter mysteriösen Pseudonymen wie Musicology, Redcell und Cmetric, ebenfalls remastered. 2CD im Digipak mit 32-seitigem Booklet mit ausführlichen Sleevenotes, Archivfotos und Memorabilia. 2LP "Electro-Soma" mit Poster & Download-Code im Gatefold.
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Romanian upcomer Direkt leads French crew Soper Univers' first release with a solid 3 tracker. A1, Averted Vision sets the tone of the EP with bouncy lines and raw percussions, followed up by Binary's atmospheric synths. Starting off the B side, Swoy brings his interpretation of Averted Vision, adapted for sunny afterhours. To round it up, we enter a slower, darker, and subbier universe with Variable. Vinyl only.
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repressed !
A producer, DJ, NTS radio host and label head, Finn has come of age representing Manchester's underground dance music scene over the last four years. Showing up with a timely debut for Defected that will stop you in your tracks, he's now turning heads way further afield from the North West. Following a digital release, this 7' features an exclusive instrumental. The formula for 'Sometimes The Going Gets A Little Tough' is beautifully simple, exposing an intuition beyond the producer's years. At 135bpm it's a straight pumper in theory, playing directly into the hands of festival sets over the summer; with its vocal loop and heartfelt lyrics it becomes so much more. Gathering over 2m Spotify streams on its initial release via Tom Lea's London imprint Local Action, the track also received radio support from the likes of Annie Mac, Skream and Monki and support from DJs as diverse as TQD, Diplo and Martin Garrix. The appeal is universal and the execution is perfect, making this the kind of life affirming record that 2018 needs.
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Gebrüder Teichmann's third album, - Lost on Earth , merges transcultural collaborations and electronic music between 90 and 130bpm. The album was recorded in a multitude of cities and countries including Zimbabwe, Sri Lanka, Mexico, Nigeria, Kenya & Germany and features guest artists Abe Duque (NYC), Mc Psychotek (Bulawayo), Wura Samba (Lagos), Santiago Rodrigues & Signal Deluxe (Mexico City), Sasha Perera (Berlin), Max Turner (Noland) or the Kibera based art collective Masai Mbili. Crafted by jams and recording sessions round the globe, Lost On Earth captures the essence of a rough, pure and direct mix highlighting club, hip-hop, African influenced and deep tracks.
Brothers Andi & Hannes Teichmann, aka Gebrüder Teichmann, are electronic musicians, DJs and cultural activists, rooted in Berlin's techno underground and DIY-culture since the late nineties. The duo have performed at Berlin's premiere clubs including Berghain/Panorama Bar, WMF, Watergate, Bar25 and have hosted regular nights at Suicide Circus Berlin since 2009.
Over the years the brothers have collaborated with numerous artists across a variety of genres. Collaborations have included hip hop, contemporary, traditional and experimental music with collaborators including Ensemble Modern, Decoder Ensemble, Embryo, Joachim Irmler & Gudrun Gut, Foremost Poets, rRoxymore, Teknotika, Jahcoozi & Modeselektor or their father, multi-instrumentalist Ulrich Teichmann.
Andi and Hannes have put together several projects in cooperation with the Goethe-Institute, like TEN- CITIES, BLNRB & SOUNDCAMPs in Sri Lanka, Pakistan & Mexico, and established the intercultural electro ensembles KARACHI FILES (Pakistan/Europe), BLNRB (Nairobi/Berlin) & MONDMASCHINE (Mexican/Central America/Europe). With their label NOLAND they are compressing this diversity.
Their musical activities from DJing, giving workshops and playing live sets have taken them to over 60 countries as far as Afghanistan, Honduras, Sibiria or Angola.
Home in Berlin they've been curating several festivals, such as the - From Inside To Way Out at HAU Hebbel Am Ufer, the African Music Convention 2014 or parts of the WORLDTRONIC Festival at Haus der Kulturen der Welt.
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Renato Ratier is one of the most important names in Brazilian and South American electronic scene not only as the creator of the d-edge club and partner of Warung club, two of the world's leading electronic music clubs. As a producer and citizen of the world, this time the artist found inspiration in the middle of the Atacama desert in Chile during a trip to a gig in that country. Definitely, the vibe and atmosphere of this unique place, suggested to Ratier a track full of personality as well as his work as a producer. While working on his new album, Ratier offers us a precious and pulsating track, with a striking square bassline and a hypnotic line of chords and synths. To complete this special package, Ratier invited two of the most important djs and Brazilian producers to bring their remixes.Ney Faustini and A.84 with their brilliant jobs.
Melbourne’s Love Above Records debut release is a 4 track Various Artists 12”. Featured on the release are label directors Ryan Berkeley (Love Above Records, Houses In Motion) and Dawn Again (Love Above Records, Blind Jacks Journey, Rothmans, Porn Wax.. ) alongside fellow Melbourne natives DJ Heure (Distant Hawaii, All My Thoughts) and Norachi (Butter Sessions). Additional production by Ingrid Parry-Hayden. Mastering by Corey Kikos (Sleep D, Butter Sessions). Artwork by Galen Strachan.
On the A side we jump straight into Ryan Berkeley’s “Round The Ride”, a slab of club ready house music. A fantastic, earworm of a vocal is laid over a hypnotic groove that builds and builds until it all combines in a full-blown, hands-in-the-air, 3 am weapon. Norachi’s “Ffffred” takes a different approach. A woozy concoction that is reminiscent of 90’s tech house. It combines a kaleidoscopic array of elements that all whirl around each other to create a great afterhours trip. On the B-Side is DJ Heure’s “HUH”, an infectious cut of boom-bap influenced breakbeat house. Some gorgeous chords, set over a jumbling, throwback rhythmic groove. Think Andres meets Regelbau. And the final track is Dawn Again’s “Wuthering Heights”, a warm, fuzzy, chuggy deep house jam. An undeniably pumping bassline set amidst a bunch of jazzy chords and whispering, seductive vocals.
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Next up on Curtea Veche we are pleased to give you sunrise artist Tulbure, 4 killer tracks for the dancefloor , 12" Vinyl only
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Mystic rhythm from Ouvert 5
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Second release vinyl only for the Highpath imprint, owned by Stephane Ghenacia & Thomas Roland.
In this 2nd V/A 4 beautiful dancefloor weapons from Nacho Bolognani, Tom Akman, Only Slave Nation & Jason Glanville.
Very Limited Copies!"
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Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
3 In Key is a super rare, one-off Eye 4 Sound excursion from 3 of London's top tech-house golden era big wigs, Terry Francis, Nathan Coles & Jiten Archaya. Boasting some sick mixdown and engineering from the mighty Bushwacka! it's one of those real nuggets from the underground, a flash of genius, and a super tough ultra-rare EP to track down. 4 cuts of that wigged-out, minimal space funk that makes this era, and this style of music, so fresh today. This is exactly the sort of record that shows up on the playlists of your favourite global DJ's, released sometime around the late 1990's (there's no actual release date online) all of the untitled cuts contained within bristle with a special after-hours energy. Trust us, this is that top shelf tech-house business, finally repressed for the heads, the dancers, the freaks and the masses!
3 In Key' has been legitimately re-released with the full involvement of the Eye 4 Sound crew for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!
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Incredible production from great guys - Local Dub, specially for Hoarder.
vinyl only
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repressed !
For the 15 years of Terminal M festivities it was a sure step to also get back into our catalogue and obviously listened to the older releases again. And it quickly came to our mind that Monika Kruses @ Voodooamt's classic 'Passengers' album from 2003 still is a true gem. So we reworked and remastered the whole album and asked close friends to select a track they wanted to remix. Oliver Huntemann, Alberto Ruiz and Skober immediately agreed and surprised us with their great new interpretations.
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repressed !
Since Stefano Noferini's debut release on Monika Kruse's label Terminal M Records in the beginning of 2015 he released some more of his hi quality clubtunes on his own label Deeperfect, Toolroom Trax and Stereo Productions. For these three new tracks he teamed up with Metodi Hristov from Sofia, Bulgaria's capital who's releases and remixes on Rejected, Time Has Changed and Noir Music were always sure chart toppers. Curious to see which one of the three tracks will make it too.
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finally repressed !
Skryptom 14 was huge with Pierre Delort and Remy Maurin plus the remix from The Hacker, so let's go again for a Huge EP from our TRAUMER. Romain Poncet aka TRAUMER delivers 3 different killer tracks where the first one 'Sofa' is very deep techno, beautiful, but also dance floor friendly. On the second side we have 2 rough techno bombs with 'Oscla' a killer combination of pure Detroit banging techno and a sound who can perfectly fit to the Berghain peak time. 'Astra' is a rather industrial track with a break kick and a mix of Detroit chords and pads who make you dance and fly very very far . TRAUMER is definitely the new huge future French talent, follow him closely ....
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Jamie Clarke is a producer, musician and DJ. His label Either// hosts his recent work. Its first release, ‘Mirror Talk’, features remixes by Pablo Mateo, Casanova, and Philippa with early support from Tensnake, Ame, Piem, Joyce Muniz, Alinka, DJ T, Acid Pauli, Gene Farris bc, Severino… You can find earlier work appearing on diverse labels of favoured artists. “The Gene Krupa of electronic music” an admirer commented of his style: rolling, syncopated, digressive but ultimately melodic. Now, late 80s, a dark Detroit basement, eyes shut, the pound and sweep of that sound - you’re there.
Residencies at home in Dublin include The Pod, Hospital and his own UP!, the renowned rooftop party. He regularly guests across the continent and has projects in development in the US. In recent years the Reykjavik music scene has been a second home where Kaffebarrinn is a favourite haunt.
Renowned Italian DJ & producer Luca Guerrieri delivers his debut long player ‘It Never Ends’ The 15 track album crosses a multitude of electronic genres pulling in inspiration from over 25 years of experience within the industry. With a mixture of unreleased music added to 6 of his standout tracks the album stands as testament to the Italian’s expansive career, culminating in this rich body of work.
Guerrieri has already seen past releases like ‘Harmony’ gain huge support along the way by the likes of Pete Tong on his Radio 1 show et al, so this body of work comes with an existing and reputable catalogue of past work.
The LP itself includes standout tracks like ‘Tears’ and ‘Colony’ the variation across multiple genres testament to the Italian’s versatility.
The fascinating ‘Synthesis’ draws progressive electro laden synth inspo from electronic heavyweights Daft Punk, alongside the likes of ‘Colony’, ‘Mellowtronic’, ‘Beltempo’ and the excellent ‘Eleven’
Techier cuts like ‘Involved’ take a more main room trajectory showing the length and breadth of the musical output on this record. ‘Go Back’ a shining example of uplifting and grooving classic house. A euphoric piano cut, laden with dramatic strings and expertly crafted crescendos, this is a summer time peak player!
Other highlights include ‘Destino’ and ‘Neptune’. An expansive, progressive synth masterpiece built for the big stages. Nestled right next to that is ‘Holding Me’ a progressive trance inspired release, another single that pulls on the euphoric heart strings with a simple enchanting vox sample layered over arpeggiated goodness.
Guerrieri brings the record to a close with lead track ‘It Never Ends’ if any track from the LP was undoubtedly inspired by the iconic robotic duo then this is it. Another hugely infectious summer cut, packed with punk!
A body of work that has taken 25+ years to compile, ‘It Never Ends’ is a timely reminder that away from the mainstream of major labels there’s an ample showcasing of amazing work waiting patiently to be unveiled.
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It is one year ago that Mathias Kaden presented a very personal journey to his musical roots in the shape of an album called Energetic'. Equally as long he has been out in the world as a live act - with some large analogous luggage and the same joy of performing with which he had won many hearts as a DJ on the dancefloor beforehand. After the first batch of remixes (among others by Michael Mayer and Redshape) there are now following further revisions of three of the album's tracks.
A1. Soulmakers feat. Zoe Xenia (Deetron Remix)
The deepness institution from Bern named Deetron are particularly fond of the analogous and sublimely swinging synth bassline of Soulmakers'. However, he modulates it into a wild, joyfully soaring sound artefact. Combined with a few more BPM, the original strings and Zoe Xenia's ode to the initial house music vibe a track is created which firstly heralds the start of peak time and shortly after ignites the entire dancefloor.
A2. Soulmakers feat. Zoe Xenia (Pulshar Remix)
Finally, Soulmakers and Spain again. The duo Pulshar drapes its remix in a warm dub blanket with many delays, soft strings and smoothly bouncing bass drums. The perfect conclusion to this second part of Energetic' remixes.
B1. Tangerine (Uner Remix)
The Spaniard Uner attends to the energetic, playful Tangerine and creates a powerfully vibrant house music track with
a dark techno tendency. Only towards the end some sunlight flares up briefly and distantly.
B2. Wisdoms (Daniel Stefanik Remix)
The remix of Wisdoms' is a special matter of the heart - since Mathias Kaden's brother in grime' Daniel Stefanik draws
the piano house anthem into a furious Detroit techno vortex of spherical and ghostly slithering sounds of the original.
The timing is perfect: both of them are on a jubilee tour for they've been performing rocketing DJ sets together as Ste-
fanikaden since ten years.
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Vinyl Only, no promo, no share
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finally repressed !!
following the success of the first parquet most wanted ep, here comes the second volume with another 4 future classics!
finest melodic house & techno by EINMUSIK, SOLEE, WHOMI, DALE MIDDLETON and MASHK! Already huge DJ support by MARCUS WORGULL (INNERVISIONS), HOT SINCE 82 (NOIR MUSIC), JOHN DIGWEED (BEDROCK), MAX COOPER (TRAUM), BETOKO, SASHA, OLIVER SCHORIES (DER TURNBEUTEL), HERNAN CATTANEO, DEEP DISH and many more...
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Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.
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To give end to his alter ego Mariano Marcial aka "Deep Mariano" gives us its latest album. A story filled with syncopated rhythms, elegant passages between techno and microhouse abstract sounds. This work completes in a collaboration with Exequiel, artist of San Pablo, and a rmx with a solid groove with futurist low funk bass of federico Molinari
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At the beginning of the Nineties of the last century, House music was firmly in the hands of U.S. metropolises New York, Detroit and Chicago. One of the most influential labels during that time was the Power Music branch Sex Trax, where the unforgettable 'Can You Dig it' by Mark The 909 King was released in 1994 as the first record of the new label. It was in the same year when Felix da Housecat's buddy Harrison Crump debuted with 'Deep Down Inside", an almost ideal blueprint of the Chicago House sound with rather indecent lyrics, Sex Trax in the true sense of the word. The Chicago sound has not lost its fascination in the year 2010, that's obvious in the remixes of modern Techhouse heroes Reboot and Michel Cleis, who have previously released on Cadenza, Below, Buzzin' Fly and Cocoon. The one who goes first is Frankfurt-based Frank Heinrich aka Reboot, whose almost 10-minute-long interpretation of 'Deep Down Inside' is strongly focused on percussive tribal sounds and first and foremost stands for uncompromising entertainment on the dancefloor. The flipside by Michel Cleis, whose hypnotic 'La Mezcla' ruled the last season in Ibiza, is more complex in the depth of its sound: with sensual quotes from a Hammond organ and a lot of sound effects on the vocal track, Cleis celebrates a form of Soul-soaked Techno Jazz, whose perfection and versatileness rather could have been expected from a producer from the likes of Carl Craig. As a digital bonus, the record contains the original version, which has been out of stock for years.
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DWAALs highly anticipated 003 is headlined by Russian beat chef, Matpri with three first-rate grooves. Keeping the DWAAL tradition, Traumer caps off the record with a remix which has been heard on sound systems all around the world.
Limited Press. No Repress.
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Next up from London imprint Nuances de Nuit comes another four track V/A which further solidifies the label’s sound and vision; spaced out soundscapes and music with personality.
Their slogan ‘Pour Les Danseurs’ (for the dancers) could not be more apt, with four more cool cuts that are carefully engineered to be played right the way through parties of all sizes.
Kicking things off is Mehlor and Le Louche’s Chromium, a slick fusion of cut up breaks, modulated synths and a fuckton of groove. Next up is the ‘Ode To Joy Instrumental’ mix of More Pumpin by Thyone Girls - A peak-time dance floor raiser. On the flip we have Local Dub, whom having garnered recent support from the likes of Gene On Earth follow on from a stand out EP on iO Mulen’s Hoarder with their contribution, Moon Dog. Rounding off is the return of Karaba to the label, dishing out a large helping of quirky house music with some intelligently executed synth work.
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A power Split release straight up into our vinyl catalogue. First we've got two original Prodot tunes, a majestic producer from Cordoba Argentina with releases on Re.Face and Blind Vision, Prodot delivers concrete sequences of beats and lows, perfect for extreme club situations.
On the Other Side from France "Only Slave Nation" part of Def Raw Music Concept group (DRMC) and releases on HighPath and signatune, sending us the closure for this record, a couple of deep sounding tracks that resemble France popular way of music making.
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Refreshingly new oldskool techno tracks by Bornek Nowec, a project by a Rotterdam based dj/producer known for his long tied connections with the local techno scene. This release is the first outing from his large archive of techno tracks produced over the years. 4 cuts full of character that reminds us of the long nights at the Nightown basement in the 90's where he was dj'ing with guys such as Dj T!M aka Frame Six and Paul Du Lac.
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Cologne's Feines Tier is delivering their first label compilation, Including 23 exclusive tracks by a lot of friends and recent guests of their well known party series. Spreading vibes from slow chuggers and hip-shaking house to uncompromising techno - this is versatile electronic music for making the occasional narcotized convolutions of your brain feel much better. The double CD contains not only twenty three exclusive tracks, but a sweet 28 page booklet. On the double vinyl edition you'll find four slower tunes on the first disc, and four tunes to make the crowd go wild on the second one. Silk printed and numbered vinyl covers. Cover art by Zoologne
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London-born producer Colin Lindo aka Nubian Mindz is not your average predictable artist. You know his stuff's gonna be good, but there's a solid chance you'll be surprised with a thing or two in every track. Similar approach applies here. Generally speaking, the music is deep and rich, yet very direct and club ready, but with plenty of those unpredictable moments which made us go crazy for these tracks in the first place. A1 - "Aqua Lifeforms" is perhaps the least intense cut on the record, a sort of a slow grower which builds up momentum by layering sounds and pads. A2 - "Body Mover" is exactly what the title tells you. Crunchy peak time tune for the dance floor, with shuffling broken beats wrapping around deep chords that hint what's happening on the flip side. B1 - "Doorway To Her" is a nod to the classic deep techno chord-ish approach. Well, sort of. The song lets you think that until the first curveball just before the half of the track. After that, it's just deeper than deep. B2 - "Pulsing Hearts" is another well-crafted dance floor cut. The track moves from deep meditative vibe to subtle acid tripping, just to be finished with a proper bass workout. Overall, we couldn't think of a better way to mark the 10th Barba release.
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TJ Hertz's first original release since 2014's critically acclaimed Flatland LP comes in the form of Objekt #4, a continuation of his club-focused white label series and a tribute to the sadly now defunct Basement Q, a formative and beloved haunt in Berlin's Schöneberg district which quietly but profoundly shaped the musical identities of Hertz and several of his contemporaries until its final closure in 2012.
There really was no place quite like it,' remembers Hertz. Even in the later years when Joe (Call Super) and I would go, the sense of vitality was palpable, you had all these regulars who must all have been pushing 50 years old but still had more energy and passion than any 25 year olds we knew at the time. God only knows what it must've been like in the 80s when it opened. I think it changed a bit over the years but I know the horse fresco on the ceiling was there from the start and the custom-built soundsystem too. Bogdan, the sage and amiable but somehow kinda unhinged old Bulgarian dude that owned and built the place, he had this obsession with right angles, he hated them, said they were fascist or something. So everything was slightly askew and you never quite knew which direction was up, much less when he or Emil or one of the other residents were playing. It was disorientating and beautiful and in the midst of such an experience your eyes would offer your brain no valid explanation for the wonderful confusion of sound that your ears were reporting. Meanwhile this old, fabulous, rave-weathered crowd of 40 to 60 people would be gradually losing their shit, feet glued to the floor but bodies flailing as if caught in a hurricane. It was something else.'
The two tracks on Objekt #4 pay tribute to two of the many musical facets of Basement Q in its later years. A-side Needle and Thread' aims to condense several hours of a Thursday night in the Basement into 9 minutes and 26 seconds, embellishing a hypnotic rolling techno backbone with hyper-detailed atmospherics, enchanting melodies and tight, strident breakbeats. B-side Theme From Q' is Hertz's reinterpretation of a Basement Q anthem, owner and founder DJ Bogdan's own Love Inna Basement (Morning Dub)', which never saw an official release despite providing the soundtrack to over 20 years of late morning love-ins in the cellar underneath the Sattler & Söhne glue factory. Together, the two tracks offer an incomplete but nonetheless seductive illustration of one of the most idiosyncratic and overlooked clubs in Berlin's recent history.
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With his album IN BETWEEN re:deep presents not only an impressive specimen of his musical spectrum. The artist also merges Deep House elements and experimental Folk as well as extremely minimized Indie Pop into a whole new sound concept. re:deep intensively bends the boundaries of the genres, delves deep into the soundscapes of different epochs and styles. Thereby warmly crackling field recordings blend into analogue basslines and sequencers as well as melancholic guitar drones meet sensitive vocals.
The always smoothly appearing and cocooning sound is the subtle recurring theme of the whole album, which develops a close intimacy and captivates by its analogue warmth, which you can't escape of. Tender strings float on vibrant drums and wafting surfaces. The album features the Japanese artist COKIYU, her voice in combination with the arrangement form a symbiotic relationship and evolve WEARING LIGHTS into a journey through slowly drifting Electronica landscapes.
The field recordings, which were made - inter alia - in Iceland's rough countryside, are particularly noticeable between the lines and infuse the soul of the album as well as the love to detail in general. A total of nine tracks are featured on the album, which convince not only by their sound density and close interconnectedness, but also by the shift in emotions. Music, that is enjoyable at your home as well as on the dancefloor and - after all -just touches your body and soul.
Mit dem Album IN BETWEEN präsentiert re:deep nicht nur eine beeindruckende Werkschau seines musikalischen Spektrums. Der Künstler fusioniert Deep House Avancen mit experimentellem Folk sowie bis aufs Mark reduziertem Indie Pop zu einem vollkommen neuen Soundkonzept. Genregrenzen lotet re:deep intensiv aus, und taucht tief in Klangwelten unterschiedlicher Epochen und Stilarten. Dabei treffen warm knisternde Field Recordings ebenso selbstverständlich auf analoge Basslines und Sequencer wie auch schwermütige Gitarren-Drones auf feinfühlige Vocals.
Der stets weich anmutende und umhüllende Sound zieht sich dabei fast unmerklich wie ein roter Faden durch das gesamte Album, dass durch seine analoge Wärme unweigerlich eine intime Nähe entwickelt und in den Bann zieht. Zarte Streicherarrangements gleiten auf IN BETWEEN über pulsierende Drums und dahinschwebende Flächen. Japanerin COKIYU ist als Featuregast vertreten und beflügelt mit Ihrer Stimme WEARING LIGHTS - Stimme und Arrangement gehen hier eine vollkommene Symbiose ein und avancieren den Track zu einer Reise in langsam dahingleitende Elektronika-Landschaften.
Zwischen den Zeilen machen sich vor allem die Field Recordings bemerkbar, die unter anderem in der schroffen Naturlandschaft Islands entstanden sind und die Seele des Albums ebenso erfüllen wie die Liebe zum Detail überhaupt. Die insgesamt neun Tracks überzeugen jedoch nicht nur durch die Klangdichte und tiefe Verwobenheit, sondern auch durch den Wechsel der Emotionen. Musik, die gleichermaßen im heimischen Wohnzimmer, sowie auf Tanzflächen ihren Platz findet und am Ende eines gemein hat - Körper und Seele zu berühren.
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Work in Progress is a new vinyl only label focused on underground house music.
First release comes with 2 original tracks from ROAR and 1 remix from Levi Verspeek.
supported and played by Dewalta, Alexkid, ViD, Jef K, D'Julz, The Willers Brothers, Pheek...
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Repress!
Timeline is back with the ''Next Step 4wrd'' in the ever-evolving Hi Tech Jazz movement. ''Light My Fire'' features an enchanting female vocalist over a bed of choice chords laid by Timeline's Jon Dixon. ''Next Step 4wrd'' on Side B has been tried and tested here in Detroit as well as Europe! A favorite of Timelines well received performances.
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- A1: Jon Dixon - Resurge
- A2: John Briggs - Beyond The Horizon (Redacted Mix)
- A3: Peabody & Sherman - Road To Yesterday (Peter Croce Rocksteady Disco Remix)
- A4: Viands- Non-Automoton
- B1: Claude Young Jr - Detroit Noir (Year 2120)
- B2: Techmarine Bottom Feeders - Dystopian Utopia
- B3: Dj Holographic And Alex Wilcox - Because Of Detroit (Radio Edit)
- B4: Dj Moppy - Shiva Teachings
Detroit Electronic Quarterly Music Magazine celebrates newly found non-profit status with a diverse, eight track release. From house to techno to experimental music from Detroit producers DJs and fans alike can find tracks to use in the club, at home or in transit. Solid tracks across the spectrum from scene veterans Jon Dixon (UR), John Briggs aka Zoetic (Atjazz, Yoruba), Claude Young Jr (Frictional and many more) and Techmarine Bottom Feeders (Paris the Black Fu of Detroit Grand Pubahs, Luxus Varta) as well as a remix from Rocksteady Disco’s Peter Croce and tracks from Viands (David Shettler and Joel Peterson of Two Rooms Recordings), DJ Moppy and DJ Holographic of Detroit Sound System. Support!
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Our next Seven Hills release Skies Over Sheffield returns the label to its Yorkshire roots. God’s own county yields this long-lost gem of a track courtesy of Sheffield legends and Bleep pioneers Forgemasters, with three new, home-grown remixes from John Shima, Luca Lozano and 96 Back to complement.
The Forgemasters trio: Winston Hazel, Sean Maher and Rob Gordon first gained acclaim with their now iconic, Track with No Name and hold prestige as the first to ever release on Warp Records (WAP1). Skies Over Sheffield however, has been waiting in the wings ever since its conception back in the early 90s; for nearly two decades the sun had stayed set over the track which lay nestled in an old recording of Winston Hazel’s Sheffield Community Radio from 1992. So we’re very proud to announce the long awaited dawn break of Skies Over Sheffield on Seven Hills Records.
The provenance of this record has always been close to our hearts here at Seven Hills; accordingly, we wanted to have a concept for the remixes that kept close ties to the Sheffield music scene. As such, we have two tracks from born and bred producers - John Shima and 96 Back - alongside one from longterm resident and honorary ‘Sheffielder’ Luca Lozano.
Music fathoms the sky!
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Repress
So, in the spring of 2017, Fritz dusted off his old drum machines and his Jupiter 8 and immersed himself in the sounds, that first brought him to electronic music twenty years ago and which were to form the basis for his present album 'Drown'. At the beginning of his career it was about establishing himself through a new approach for Fritz. Now it is about celebrating those sounds and their liberating effect on our consciousness. The focus is electronic music as Fritz Kalkbrenner first got to know it in the German capital's now legendary Techno and House clubs as an impressionable young man. The cut, that leaving out the now so familiar baritone voice represents, opens the door to a whole world of electronic music, which is suitable for home listening as well as for the club.
There are no confining conventions on these 12 tracks and at times one could also say: no restraint. Fritz Kalkbrenner indulges in his fascination for Dub Techno, in clear and dominant House arrangements and also in the anthemic melodies that shine through the tracks several times on the new album.
Fritz underlines this new beginning, which is at the same time a reflection on his own beginnings and his own origins, by choosing not to appear on the album's artwork himself this time. Instead of a picture of him, there is a great, atmospheric landscape painting. The brush strokes form the bank of a river or a lake. They are abstract, which makes them all the more expressive. It is the work of Fritz' grandfather, the famous East German painter Fritz Eisel and its title is 'Winterabend (winter evening) in M.'. It was created in 1990, when Fritz was nine years old.
For the third installment of Chat Noir Tools, we’re heading to the south
of France, in Marseille where Jo’z quietly crafted his art since nearly a
decade. It’s a great pleasure to release his very first solo EP called Débord
Discal loaded with 4 amazing tracks. The record is divided in 2 parts, the
A side contains two amazingly effective tracks crafted for the dancefloor.
Jo’z has successfully find his way between different styles to create his
very own sound. On the B side, he shows us a different part of his work
with some breakbeat tracks with influences from the UK and even some
trancy elements. We bet this record will find a way in a lot of Dj bags and
will stay in it for a while ! C’est le sang !
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Shimza, one of South-Africa’s shining talents, makes his return to Cadenza with ‘Eminence’, a burning compound of profound percussions and late-night rapturing synths. This Gauteng-born artist is one of the most celebrated African electronic musicians and has garnered the reputation of the “Effect Master” and “Vinyl Assassin” for his technical prowess and intricate mixing abilities. The vibrating drums and persistent arpeggios of ‘Eminence’ make for a captivating peak-time anthem, offering the nostalgic essence of Detroit’s late-nineties splendour. As the EP journeys to ‘Dancefloor Keeper’, the slick trance-inspired stabs and permeating bassline expose its ominous nature as it swells to a seismic drop. On the B-side, Shimza expresses his creative flare with ‘Kunye’; a hypnotic cut that blends the spirit of futuristic synthwave with the soul of African tribalism. ‘Warrant For Arrest’ is a charged number, driven by a snappy compressed kick drum and chiming sequences. As its percussive forces fall away to the second break, a monstrous siren and obscure vocal cuts take focus, guiding it to its summit. The penultimate offering ‘MSC’, is a euphoric gem that flows with expressive phrases and evolving synth pads. The EP’s digital-only bonus track ‘Mirrors’ shuffles effortlessly with a funk-tinged riff, maintaining a high voltage pace, closing the EP in an emphatic manner. Shimza has been on a mission to make 2019 his biggest year to date. Launching his One Man Show concept in Soweto in 2009 to help raise funds for underprivileged children, the project has now matured into an annual event that draws in over 25,000 people each year, hosting some of the country’s most in-demand artists, such as AKA, Black Coffee and Black Motion. The show has seen international editions in France, Spain and Portugal and has helped position Shimza as one o
Peckham basement trax. Our friends heard the call and delivered. Simply the West vol 1.2
Copenhagen’s Percy Records affiliate and nom de plum factory DJ Pollen comes with a p-bar certified slammer (look out for more from him this year elsewhere wink wink)
Medlar teams up with Tom Unlikely with the electro anthem (made entirely from the show) about nothing.
Also 4 u, blissed out breaks from The Soft, some 150 biz from the AKA Boys (Fyi...) And two delicate soundscapes from Sierra to end. Play at unnecessary volumes.
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Evolution, passion and determination in the things you believe in the lead only to great results. Tommaso Dibello managed to perfectly fit these 3 ingredients, giving life to this intriguing and engaging reworking of a song that marked the history of the Musica House. History and present come together in a very homogeneous way, you just have to listen and get carried away by the rhythm. The project is supported by international artists: Loco Dice, Marco Faraone, Robert Dietz, Carl Craig, Andrea Oliva, The Martinez Brothers and many others .....
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*LTD REPRESS*
Stamp Records is back with an EP produced by the label's owner, Petit Batou. On side A, there are two mysterious original mixes which by their melodies, highlights the emotional face of the talented producer. On the B side, romanian Piktor delivers a sumptuous hypnotic remix while romanian Bucurie brings a poetic rework to close this beautiful release.
Supports from Janeret, Romar, Sublee and more...
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Japanese living legend Satoshi Tomiie is the latest in a number of affiliates to join the Vatos Locos label. His debut Late Night EP unfolds between three driving originals, ranging from the techno roller "Late Night", to the raw and filthy jackin' anthem "Out Of Nowhere" to acid and stripped back "Left Over". As a bonus FUSE boss, Enzo Siragusa delivers a massive remix for the main track, turning the original into a heavy stomper with a grain of UKG flavor.
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Vinyl Only, 12 Inch White label, Hand stamped
Dubby Minimal Deep And Techno Tracks By Guido Nemola, Synkrone, Herr Spiegelhauer and Luca Ferrari
Support from Danny Tenaglia, 2000 And One, Gel Abril, Satoshi Fumi, I-Robots, Eric Cloutier, Marcos in Dub,
Luciano Esse, F.E.M, Tronik Youth, Noah Pred, Jonny Cruz, Jamie Stevens, Anil Aras and more!
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So here we are with Riotvan's second installment of the "Familiar Faces", showcasing what's happening with the label these days (a lot), making label-residents shake hands and welcome affiliated folks to the syndicate. Just another evidence of how Riotvan has evolved into a renowned think tank of likeminded artists and indicator of state of the art sonic bliss.
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Deep driving & pounding dubbed techno where E-GZR's chorded patterns are all segued with its simple palette of wavering EQ'd beats & sonics. Each separate track is like a dub of the previous one and the basic skeleton allows some kicks to hide while others punch the sound system to a 3D outlet box. Or in short: Solidly banging 4 tracker by E-GZR. Loud & heavy cut, beware of needle weight!
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Upon the arrival of our third release, we are welcoming a Romanian producer who delivers a unique combination of House and Breakbeat with a hint of grooviness. The EP Is signed by Andrei Bumbu aka Hansel! and it contains 3 track's, one on the A side and other two on B side
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Four very nice stripped & warm but raw US-influenced house tracks by the man from Dublin. Some absolutely stand out tracks from this talented guys who has some obvious influences such as Larry Heard. Theo P and KDJ, but he always manages to give the hot house grooves some kind of unique and own twist. Winner!!!
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Raumakustik should be a notion - at the latest after their successful
single "Glaub Mir Doch" this year. The duo from Dresden, Germany
was always on the go in 2011 with several releases and remixes for
Labels like Deich Records, Klang Gymnastik or Keimzelle. And right
before 2012 they strike back with "Traumtanzen". This is pure
dancefloor pleasure and already approved within the last months. To
complete the label debut of Grain Audio Mister Marcapasos (Toka
Beatz, Housesession, Dusted Decks) delivers a real house remix to get
you back to the good old days.
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The first release in the Rendr vinyl series, A humble moment for the label. Welcoming two highly regarded artists to the imprint who join together to use both their individual signatures and joint abilities to produce two originals that ooze inspiration and soul. Both originals blend warm melodic elements and rhythmic bass lines along with hypnotic leads, all coming together to form the ideal opening for the first release. On the flip side, Peruvian composer Alejandro Cuestas & Argentina’s Kevin Toro take the baton and implement their own touch on the originals to produce some hard hitting yet fundamental grooving records.
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PANTHERA KRAUSE is a musician and composer based in Leipzig. He has been steadily recording and releasing music since 2007 with his band ''Marbert Rocel'' and several releases under this moniker on his own Riotvan, and high profile record labels like Lobster Theremin and Uncanny Valley. Amongst his many artistic endeavours, he is also a graphic artist, and seduced by his multidisciplinary approach, Vicario Musique has invited him to join its roster. A producer's solid statement over 3 tracks spanning from hypnotizing cowbell rhythms, chopped samples, happy arpeggios, and spellbinding, beautiful and profound tracks that undoubtedly bring to mind images of him laying the building blocks of a very confident emotion-rich construction set. Finally including a remix by the super duo from the baby pork tacos land, friends and supporters from many years now, Panorama Bar slayers and Aguascalientes'n finest: Zombies in Miami, where they a take a darker approach with haunting synths and latin rhythms.
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Canadian maestro Jay Tripwire is a long time underground stalwart with countless gold-dust releases to his name, and still the modest artist keeps pushing on with more stellar tech house immersion heaters. Here he's been invited to Euphoria for an EP that burrows into the most shadowy corners of his sound. "H3misphere" is a spooky jam driven by a shuffling groove and offset with some dubby flourishes - a perfectly balanced workout for the club with a seductive air of mystery lingering around the rhythm section. "Werqles" is a lighter affair, but it's no slouch in the freaky department as a plethora of disembodied machine wriggles ping around the crisp 4/4 throwdown. The whole B-side is given over to SIT's "Remux" of "H3misphere", which holds the groove down in a more linear manner but keeps that chilling atmosphere intact just behind the beats.
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Magnonic Signals are proud to present the first of a various artists EP series, Neuromorphic Engineering Vol. 1.
Kicking things off master of deep electro Reedale Rise delivers a sublime immersive machine funk workout with ‘Anatalia’(+) oozing class from start to finish.
Next up we have the exceptional talents of Darren Nye fresh off the back of his superb LP on Childhood Intelligence.
‘Beyond The Stars’ (+ +) has 90’s techno and electro at its core with just the right amount of intergalactic magic.
On the flip we welcome back Mihail P with ‘Past Lives’ (-) a slice of pure Detroit inspired brilliance from our man in North Macedonia.
To close the EP label co-head Spin Fidelity sets the machines to warp dive with ‘To Tha Outta Limits’ (- -) a driving techno track perfect for that 3am boost of high octane energy.
Signals are getting stronger...
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Red District comes back with another amazing 4 tracker VA.
This time, the Serbian imprint selected a variety of gems from artists with a totally different musical influence and vision of Minimal & Micro House.
Primarie, Chiodan, CVTKVC and Zlatnichi are the artists on WAX for this second edition of Red District Limited.
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New imprint Distrito 91 emerges from its base located in Madrid to deliver a fluid transmission from the label head Fabio Vinuesa.
Side A offers two highly deep electro dancefloor cuts and Side B follows with the electro-funk vibe of Multilevel to the acidic darkness of Infected System. A perfect four-track EP of solid electroish sounds
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Following on from their inaugural release from A2 & Stopouts, OPIA sublabel Euphoric State welcomes the warm and analogue sounds of evergreen producer, Dan Piu. The Swiss producer is known for propelling vital, and ahead of their time sounds since the early 90’s. The ‘Let’s Come Together’ EP makes no exception as Piu showcases some of his catalogue ranging from 1994 -2020.
The aptly named ‘Bleepy at 5AM kicks off the EP, an early morning energiser with a spring in it’s step. Followed by and crafted in ‘94 is ‘El Viento De La Noche’, four and a half minutes of pure emotive bliss, a raw house vibe from the golden era.
B1 ‘Angry Giant Machine’ glides you through its twists and turns, a glitchy and playful number ready to make you move. ‘Mimic Human Form’ is a cross between modern Italo and mysterious electro, a curious outing with its low swung bassline, and swirling synths. Out of ‘99, and still sounding fresh is ‘Q.H.’, a straight up hip-hop energy, with dusty broken drums and rap samples. A fitting ending to a spectrum of sounds.
Another stand out release Dan Piu can proudly add to his extensive and discerning catalogue
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