House News

Fabe returns to FUSE sister imprint Infuse this March as he delivers the four-track ‘RYTM Tales’ EP.

A staple within Mannheim’s blossoming house and techno scene and a key member of the cities’ BE9 collective, with further projects such as Ho Do Ri alongside close friend Ben Balance, Salty Nuts boss Fabe has gone on to become an emerging name of note across Europe and beyond. With an impressive stock of material to date via thelikes of Mulen Records, La Peña, Sukhumvit Records and most recently Cocoon, March reveals a welcome return to London’s Infuse to unveil his ‘RYTM Tales’ EP on the imprint.

Opening via the slick ‘Chocolate Cake’ which harnesses signature slinking grooves alongside infectious vocal hooks, The ‘RYHM Tales’ EP showcases elements and sonics from right across the German talent’s repertoire. ‘Blue Shooz’ offers up an up-front, driving cut guided by rumbling low-ends and skipping hats throughout, whilst ‘Frisbee’ takes up a more paired back approach with off-kilter lead melodies and resonant synth lines guiding the way. The package is rounded out by ‘Locked’, a heady final production loaded with swing and armed with a sweet balance of subtle keys, crisp percussion licks and yet another groove-fuelled bassline designed for the floor.

Two new winners from Frankey & Sandrino...
You can hear the logical progression in their oeuvre and releasing them on their very own label marks another new step for Sum Over Histories too.

Havantepe from Istanbul is back with his second record on 200 Records! He delivers two strong epic, deep and dubby tracks: S.I.L.A. and Guidance. Moreon & Baffa from Venezuela, now living in Barcelona, visited us last summer in Cologne for a club night. We were very happy that they offered us a remix for a next release. Their and Havantepes music are are perfect match and the tracks together represent the typical 200 sound as well as their styles.

Jean Claude Ades's debut on Monaberry delights the senses and synapses with two superb productions. "Illusion" embraces with warm chords, mellow breaks and a colourful interplay of pure groove, sweet surfaces and a magical arrangement. "Say Goodbye" combines a juicy smooth groove with an irresistible arpeggio and peaktime break, accompanied by soulful vocals and ethno percussions.

Back with his third EP for Dave Harvey’s forward thinking Futureboogie label, Kiwi serves up three pulsating jams on ‘Charlie’s New Vision’, backed with a remix from Johnny Aux.

Drawing upon his many influences across the house/disco/funk spectrum, South London based Kiwi has been illuminating the more discerning dancefloors of late with a strong of releases for Cin Cin, Needwant and his own new label venture, Crossbreed.

A low-slung groove is explored on ‘Charlie’s New Vision’, incorporating tripped out film dialogue, bleeps and dubby tones, and a serpentine bass riff, all forging an off kilter yet infectious & hedonistic chugger. Johnny Aux follows up recent appearances on Man Power’s Me Me Me, Party Central, and Multi Culti with his own take on the lead track. Churning over a bleepy and epically transcendental remix of the highest order, this is the stuff of sunrises and enlightening moments!

The sprightly ‘Ghiaccio’ draws together a kaleidoscopic array of opulent synth melodies with an compelling rhythm, whilst ‘Italian Heat’ doffs its cap heartily to the Italo disco choons of yore that always strikes a potent chord to this day.

Luciaen, AKA Lucien Nicolet, presents the second chapter in his Basaec series, with Origins. The new label from the Cadenza Records boss looks back to the roots of his production career, whilst presenting a wholefully futuristc take on electronic dance music. Origins (Wild Origins) leads release #2, a collosal twelve minute piece of neo-classical electronics. Waves of arpeggio synth dominate the beatless track, its mighty stabs and light percussion propelling the track along at great speed and urgency. The heads will no doubt hear inspirations from Detroit techno in here, but you can't put this piece in any genre box, rather it's a huge musical showcase from one of dance music's most enigmatic figures. The Great Amael finds Luciaen in more familiar territory, a lo-fi bubbling groove and dusted Hammond organs hustle along whilst the live percussions shine through. Energetic and infectious, the tone softens with the oceanic pads that provide its classic melody and threatens to envelope the listener in a wall of beautiful sound.

With 'Onto Duat' Maenad Veyl sculpts Dark Eroticism. Four tracks that encode a vibrating sensuality within the scope of an insistent staccato, enforce a radical cancellation of the smooth. Proclaiming the quality of instincts, Maenad Veyl redescribes impulsiveness in music by a total cancellation of the smooth. An interplay between impulsiveness and violent positivity. 'Onto Duat' is an EP that will be released on Bedouin Records in late September.

It includes 4 tracks / Artist: Maenad Veyl / Title: Onto Duat Cat.
No: BDN024 Format: 12'' EP / Digital Label: Bedouin Records (2019) Tracks: A1. Change Your Mind (06:02 Min.) , A2. Onto Duat (06:38 Min.) , B1. Take Nothing With You (06:13 Min.), B2. Riot Patrol (05:06 Min.) .

Marquis Hawkes returns to AUS after his second album for Houndstooth, a slew of eps for Unknown To The Unknown and a 12” for Bassiani’s in house label, Horoom. ‘Hashtag Life Goals’ is a three track EP that's deep, raw and timeless.

repressed !

Early support by: Super Flu, Andhim, Hanne & Lore, Monika Kruse, Karotte, Sebastien Leger, Zoo Brazil, Deetron, Andreas Henneberg and many more...

Monika Kruse: Happy to have Paride back on the label with two soulful techno tracks!

Nach Power Of Anonymity veröffentlicht Steffi eine EP mit drei neuen Versionen
von Treasure Seeking featuring Dexter and Virginia auf Ostgut Ton.

Als Steffis zweites Album Power Of Anonymity Ende November 2014 erschien, war
die Dexter-Koproduktion - Treasure Seeking das herausstechendste Stück der Platte:
erhebend, perkussionslastig und mit Virginias verführerischen Vocals versehen. Für
die neue Treasure Seeking 12 wurde nicht nur der Originalversion die gesamte
Länge der 45rpm-A-Seite zugewiesen - für die Versions haben Steffi, Virginia und
Dexter wieder ganz von vorne begonnen und die Electro-Soundästhetik des Albums
aufgegriffen.

Während die neue - 130 BPM Version gefüllte Clubtanzflächen mit wirbelnden Synth-
Stichen und einem durchgängigen Uptempo-Rhythmus betont, beginnt die Diep
Version' mit kräftigen Claps und einer pulsierenden Bassline, bis eine Reihe
beruhigender Streicher die Gesamtstimmung des Tracks verändern - aus einem
dunklen Raum in Richtung des Lichts.

Telfort’s seductive sound returns with three new cruise missiles from the faultless producer. Deep house done with a dazzling expanse, his imaginative and charismatic influence on the genre have previously piqued the attention of the more creative DJs and diggers who’ve dug the producer’s umami-esque palette: intangibly savoury, hard to define but unequivocally tasty.

On his fourth release via the sporadic yet impactful TLFT imprint, the producer retains his playful touch as he delivers three bright, optimistic dancefloor vistas that shimmer and shine like sunbeams off a dappled ocean. “As Though It Were” immediately injects energy and light into our minds and bodies with its candescent bass riff and catchy three note melodies. Synth-strings are arranged with perfection, hinting at a brave New World full of compassion, love and unity; while its driving and buoyant beats urge us into a hips’ n ’shoulders workout comparable to a high-octane gym session.

“It’s A Phase” is as finely crafted a piece of Telfortian house as one can hope for. With a direct and rugged B-line, peppered with light perx and decorated beautifully by one of Telfort’s trademark, textural synth patches. It’s further garnished by a dreamy, weaving lead solo that should draw heartfelt feelings of desire and nostalgia out of all who experience it.

“MSR Dub” completes the session and deep bass plumes and breathy flute melodies give us Big feelings as we floor the speedboat’s accelerator and splash across the rollers and swells at max speed. Achieving a tranquil and calming terminal velocity, time appears to stand still as gorgeous scenery rushes past our eyes. It’s a picturesque and evocative end to the trip which should etch itself into one’s memory hole, full of jubilant and joyous sentiments and overwhelming positivity throughout.

Evoking ambrosial notes and feels throughout, reminiscent of spending life affirming time with top friends in exotic locations and holiday house music splashing in corals. You only live once; ensure it’s spent enjoying tunes like these loaded with carefree abandon. Telfort’s In A Good Place right now…

Slovien born Valentino Kanzyani has been one of Cadenza's secret weapons over the last twelve months, already building a solid profile with the first two installments of his Love & Gratiude' series. And now he delivers the third, and final, part of this musical trilogy, with seven brand new tracks. Featuring on the double pack vinyl are four choice cuts, with the remaining tracks coming on digital download, and Valentino himself mixing a continuous Love & Gratitude' mix to be released on CD, featuring many of the compositions released on the series. Viole(n)t Thoughts' opens the vinyl pack, a sultry and smooth workout, its light percussion providing the melody, and a groove that is so intoxicating, its 14 minute tenure really hypnotises. Automatique' is a track that comes with grand design, cinematic string sweeps and deft keys shape the deep house rhythm, its filtered hats forever propelling things forward. On the second disc, Chord Release' continues to define Kanzyani's sound, a minimal and dark pallette onto which sub-tropical effects and precision hits and claps are layered, but never over cooking the recipie, just on point and effective dance rhythms. And closing the vinyl EP is Nesimtitule', its disjointed arrangement providing the space for the vocal hits and wandering bass, and an elegant string breakdown, again giving filmatic qualities to his music that have been so prevalent in the Love & Gratitude series.

PARAVISIONARY ... defying the electric-soul of underground with unconventional wisdom. Drivetrain (Detroit, USA) - Your Eyes.

Label founder 'Derrick Thompson' constructs an atomic bass riff adding sophisticated chord ambience. A charismatic French mating call ambushes before a climatic key shift delivers an exclusive consummation.
Tominori Hosoya (Tokyo, JAPAN) - Summer Sun Shower
Built on a foundation of moody pad inflection, gratifying syncopation provides active movement, energized by animated percussion with 4 on the floor concrete.
BlackJack (Aberdeen, SCOTLAND) - Galactic Wave.
A panoramic encapsulation of 3-dimensional pads gloss over the atmosphere, shifting transparently as a percussive organ locks in the perpetual hook.
Motomitsu (Paris, FRANCE) - Liberty & Prisoner.
A propulsive drum track introduces a flurry of stabs atop a salient chord melody. Calculated low frequency pulses erupt below strategically manipulated vocal samples.

... Hope, you enjoy.

In the spirit of global collaboration, Specials Worldwide’s first release comes courtesy of Vancouver’s own ZDBT & Washington, DC’s own Dreamcast. The collaborative “On Love EP" between the producer and singer/songwriter is a musical anthology of 2019 “love in this club” anthems, featuring the lead single “Take A Chance (On Love)” and B-Side “Time For You”.

The EP is the end result of a multi-day studio session in August of 2018 when Dreamcast was invited out to Vancouver for a live show with locally based imprint Pacific Rhythm. With immediate chemistry abound, the result was “Take A Chance (On Love)”, a beautiful permutation of R&B and Techno that melds the soulful vocals of Dreamcast with the peak time Techno of ZDBT (known for his work with 1800HaightStreet on labels like Lobster Theremin). B-Side “Time For You” is a slowed down, dubbed out one-take vocal with Dreamcast featuring his soaring vocal range over moody Techno chords, resulting in another ode to the pursuit of finding love in the club.

Rounding out the EP is a blissed out, Trance tinged take on “Take A Chance (On Love)” courtesy of Montreal based producer Project Pablo and an even deeper, dubbier version of “Time For You” by DJ Sports, the Danish producer and member of Århus based collective Regelbau.

New UK vinyl label Depiction debut's with a solid 3 track EP which features 2 originals from label
heads Coley & Daines and a remix from Berlin based Polen Records boss Inner.

Having released on Shifting Peaks with label mates such as Trevino, Youandewan or Mak & Pasteman, modular synth aficionado CutOff!CutOff! is finally delivering his first wax on the Berlin based TOYS imprint. TOYS' affection for UK club sounds is mirrored in the EP's title track "Shifted" that nods towards the British dance music tradition
with its ravey pads and vocal snippets amidst heavy hitting stabs.
The drone sounds and gnarly synth of "Volatile" delve deeper into a sinister atmosphere.
The relentless machine groove of this modern take on underground Techno is aimed at warehouses and basement clubs alike."--##" is the track on the EP that was most obviously born out of jam sessions that characterize CutOff!CutOff!'s approach of his improvised live sets he plays in clubs.
Demonstrating raw energy, it's an example of simple ideas constantly moving and evolving.

Techno party throwers EarToGround are proud to present there first label release ETG001 on limited vinyl pressing only. Out of London comes the Programm EP with original sounds written and produced by Dax J & Chris Stanford. With their strong influences of traditional techno they have brought it's rawest stripped back elements to life. A mechanism of deep synthesizer stabs, a hard but sweet kick drum and complementary hi-percussion & shakers setting a solid platform for this new born label.

Both 8bit bosses Nick Curly & Gorge are glad to welcome dutch house sensation Franky Rizardo back on their imprint with his third release. Spot on for these great 2 dancefloor weapons.

Following on from his acclaimed remix of Dubfire featuring Carl Craig, Berlin-based Tibi Dabo returns to Crosstown Rebels with Disbelieve. It marks the first of three EP’s to be released on Damian's label this year, ahead of a much-anticipated debut album in October.

The EP begins with the rolling sounds of Disbelieve. Chugging along with a gently changing bassline, the lead synth reverberates alongside whispering hats and wonderfully emotive keys, before Tibi Dabo showcases his heavier side with Hire The Birds. Beginning with a pummelling kick, we are soon introduced to a mysteriously echoing vocal that winds into a melodic, celestial-like drop. Dj Balduin rounds off the release with a subtle, yet similarly hard-edged rendition of the second track. Up-tempo and incredibly danceable, synths shimmer alongside pumping drums and ethereal, bell-like chimes.

No stranger to Damian Lazarus’ Crosstown Rebels, young Max Guardans AKA Tibi Dabo has carved out a sound that is wise beyond his years. At just twenty-three the Barcelona native has already remixed Damian himself, on last year’s Diamond In The Dark re-release, a testament to his skill and dexterity as a producer, whilst his previous full-length productions on Crosstown showcase the breadth of his ever growing sound. Dj Balduin has already made a significant impact in the electronic music scene, with an album already under his belt as well as a debut release last year on leading melodic techno label Kompakt.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
The first of 2 heavyweight Bushwacka! reissues, essential underground business right here, from the streets of London. Matthew B aka Bushwacka! is a longtime stalwart of the vast London scene, with a career that would make most crumble, he's been at the top of his game for longer than most in the booth and behind the boards. Having presented this collabo with DJ Vorn back in 1995 on his own Plank Records imprint, it's obvious that Bushwacka! is a studio genius, the mix, the engineering, everything about these records is top shelf. 'No Smoke' is ridiculously deep, the 'Deep Dap Dap' mix on side A is absolutely killer, rolling tranced-out house music of the highest order, just devastating, and when that breakbeat comes in it's game over. This is it. On side B we have the 'They're Comin' For Us' mix, which is totally different, yet completely essential, more breakbeat heavy than it's predecessor it's another finely crafted bass-bin troubler, how do these records sound like they were made yesterday, yet they're over 20 years old? Absolutely in the bag. Do yourself a favour, and cop one of these!

No Smoke' has been legitimately re-released with the full involvement of Matthew B / Bushwacka! for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Theo Kottis continues his impressive run of form with the sublime ‘Nothing To Lose’ EP, released on his own Beautiful Strangers label on March 13th.

Following an Annie Mac’s ‘Hottest Record in the World’ accolade for ‘Turning Around’, a brace of Mixmag’s Big Tunes and 10/10 reviews in 2019, plus support from many leading tastemakers and DJs, Theo Kottis shows why he is one of the UK’s most exciting producers and regarded as ‘one to watch’ for 2020.

The three-track ‘Nothing To Lose’ EP includes everything from club focused sounds to smooth, soulful melodies. Carefully crafted, the title track ‘Nothing To Lose’ is ready for the dance-floor and described by Midland as “sounds like Floating Points making a record for Afterlife!”. '12 Months' mixes arpeggiated synths with pads and breakbeats to create a perfect peak-time moment. The more chilled sounds of 'Loyal’ showcases Theo Kottis’s impressive range, offering up another stellar groove.

With a forthcoming date at Berlin’s iconic Panorama Bar (22 February) and a Gerd Janson remix of ‘Turning Around’, 2020 is off to an excellent start for Theo Kottis.

Welcome to Aquatic Experience.

Sonic studies of Drexciya still alive and continues in 2020.
MSRG and Reedale Rise will dive you through aquatic technologies of modern electro music.

Enjoy the experience and don't forget to fill feedback forms after leaving your deprivation rooms.

Leftback 016 sees the second installment of the internal connection series designed to bring through new artists and friends to the label. The EP delivers four diverse tracks ranging from driving House to dub techno with also a little something in-between. A1 welcomes Annie Errez with her driving hard edged take on house, with releases on labels such as Steve O'Sullivan Mosiac and playing alongside the likes of Ricardo Villalobos, East End Dubs, Cristi Cons, Rhadoo as resident for the Leeds popular club night System. A2 sees one of our favorite dub techno producers Star Dub, provide an upbeat dance floor cut rolling bass and the crisp warmth we've come to expect from his music. B1 Introduces long time friend and Chord records head Luke Black with more groove led beats shining through with a catchy sparse vocal hook. To complete the EP the duo behind the Real Gang label and events Miffy & Miller supply an intelligent deeper close to the record.

Touched Music and Furthur Electronix two forward thinking labels have merged together to put out exclusive compilations. Putting some of the best music in the electronic genre in one place.

Russian producer based in Moscow offers a full range of musical emotions for the dancefloor.. from the high highs of "Release" to the crying on the dancefloor of "Happiness Side Effects".

Russian producer based in Moscow offers a full range of musical emotions for the dancefloor.. from the high highs of "Release" to the crying on the dancefloor of "Happiness Side Effects".

With his new Extrasketch imprint now firmly established and fast becoming a key stop for the likes of Adam Beyer, Jamie Jones, Art Department, Danny Tenaglia and more, Andrew Rasse aka Butane's new home for self-released productions has once again confirmed his prowess both in the studio and from behind the scenes as a curator of quality underground House and Techno. The third installment sees Rasse's most varied release on the imprint to date, with a balanced blend of elaborate melodies, groovy percussion and trademark hooky vocals across four tracks for his 'Techno Mafia' EP.

Opening the A-Side, 'Losing Their Mind' draws on familiar aesthetics as organic drum shots work alongside tripped out vocals to form an oddly hypnotic, syncopated rhythm that locks the dancers onto the floor. Next up, 'Above the Scene' strips things back a bit, as Rasse lays down punchy drums underneath glistening hats and warm chords to reveal an excellent heads down, hands up, sunny after hours jam.

On the flip, 'Testify' raises the energy levels as Rasse deftly utilises a rolling, floor-friendly bass groove and filtered vocals to steadily build tension for the track's duration. Closing the EP in fine style, a slick ever-evolving piano melody works fluently amongst crisp, regimented percussion, whilst an uplifting voice beckons the people to 'Rise Up'. Yet another indispensable release to add to Rasse's extensive and sophisticated catalogue.

These crispy sounds and raw rhythms that flow into the 7th release from the well established reface factory are not allowing existing excuses to stand beside the wall. Get down on Moving Visual Things and feel free to bounce like no one is watching: the dance floor is yours.

Supported and Played by Arapu, Giuliano Lomonte, Gescu, Sepp, Cally, Prichindel, Viceversa & more.

Next Different Place! Secret Weapons!

back in !!

Numilume Music, first episode.
Two brand new tracks by Numilume

Label owners „Alex Tea“ and „Noha“ are back as „Patagonia“ for the 6th PANICK attack.

“Just Stop” defines the fine „Panick Panick!“ sound - quirky vocals, melodic hooks and a love for deep driving grooves.

On the B side “We come in peace” and “Amico Mio” show perfectly the eclectic side of the duo.

Robin Ball is back on his own Memory Box label with another timeless new single that comes with two alternate versions and a special remix from Saytek.

Ball has been involved in the dance scene since the age of 14 when he first started his own parties. Since then he has emerged as a singular voice with a discography that takes in essential cuts all the way back to the mid-nineties, most often on Groovepressure. A fine recent run of tunes under his own name have helped establish this label (and party) as a vital modern outlet with the likes of Nina Kraviz, B.Traits, The Black Madonna and Ben Sims all having supported.

Up first here is a remix from Saytek. After tearing up two Memory Box parties with his innovative, improvised live set, the UK talent lands on the label ahead of a third live set, this time at Corsica Studios on April 4th. He is, of course, a hardware master who speaks through his machines and has done so for many years to great acclaim. Amongst his many industry supporters, he has become a firm favourite of the legendary Carl Cox, who has released music from him and been extremely vocal in his praise, calling him “One of the UK’s freshest & most exciting acts”.

Saytek has also released on labels like Superfreq and KMS Records and is in fine form once again here. His offering is a pumping peak time techno track with vast kick drums, icy hi-hats and the sort of live and lithe synths that define this artist's sound. The whole track sweeps you off your feet, taking you on a true techno trip and showing why DJs like Derrick May, Sasha, Maceo Plex and Dubfire find his music so essential.

Then comes a 4/4 mix of Ball's 'Sheep Funk', which is a jittery groove with smeared synth landscapes in the background bringing the soul. The fantastically forward facing original is a high speed slice of slick tech-funk. The electro styled percussion and rubbery bass all bring real energy and vitality to the club. Ball then offers a remix of his own under his Robin Beats moniker, a pseudonym he uses for his abstract techno and breakbeat adventures, here he pairs things back and ups the sci-fi stylings with deft sound designs all colouring the restless and elastic techno synths and crisp hits.

This is another innovative offering from the always on point
Memory Box.

Celebrating a year since the birth of Jack's House recordings is the perfect time to introduce JACKS TRACKS VA series. Volume 1 includes tracks from established and new talent with Two Diggers from France with previous release Head Trip on the label plus releases on Djebali, Organic and more, 2VILAS (Wax Igsud) from Ibiza also with releases on Organic and Isla Records , James Dexter (Inermu) from the UK with releases also on Cyclic, Dessous and Poker Flat. Last but by no means least, Miffy & Miller (Real Gang) also from the UK with a previous release on In Haus Wax. A 4 track EP of solid underground house tracks from dedicated talented music makers.

Workhorse from Vakula for plowing dance floors

Roche Madame's 1st Various welcomes Arapu, Giuliano Lomonte, Alexis Cabrera and Kamran Sadeghi.

Introducing this debut release on Reptile Dysfunction from Aniche. A
super exciting Graduate of Doorly's Orbit DJ / Production Academy
project and new member of the Reptile Dysfunction clan.
Taking inspiration from his cultural background of old school Hindi
cinema and 90s Dance music, his sound is what happens when Eastern
philosophy meets Western electronica. This unique approach is what
makes Aniche a niche.

Butane's second release of 2018 drops this June, with the US DJ/producer unveiling his 'Body Of Work' EP as the fourth installment in his impressive Extrasketch series.

In its fourth release since emerging onto the scene in July of 2017, Extrasketch has become a staple label for may of the industries leading names - with support from Laurent Garnier, Guy Gerber, Jamie Jones, Danny Tenaglia, Kenny Glasgow, Ryan Crosson and Carlo Lio on the last EP alone. Following on from his varied and dynamic 'Techno Mafia' EP, here we see Andrew Rasse aka Butane deliver yet another expertly crafted, workman-like four-tracker that's set to make waves on peak time dancefloors and hazy afterhours thoughout summer and beyond.


Rasse kick starts EX04 with his 'Rumpus mix' of 'Ultramax'. The original featured as an off-kilter B2 cut on EX02, here he re-works the original's vocals amongst a deep yet bouncy and rugged low end to provide a fresh and entrancing interpretation for 2018. Next up, 'Dark Forces' is a hypnotic and stripped back effort, guided by an evolving lead line and regimented claps, perfectly encapsulating the refined and deft characteristics the San Francisco producer executes so well in his work.

'People' opens the B-side and quickly introduces crisp, skipping hats and a rolling organic dubby tech house groove to reveal a cut designed to keep the morning dance floors moving. 'Getting Nowhere' rounds out the package, as a cheeky remix of his 2012 hit 'We Long To Move The Stars To Pity', released on his own Alphahouse imprint and licensed as the opening track on Dubfire's Essential Mix that year. Here Rasse returns to his trademark blend: a grooving bassline, well worked percussion patterns, and hooky vocal shots. As always, this is a must have package from one of House and Techno's most talented producers, on a thriving imprint that's set to make an even bigger stir throughout the year ahead.

Fresh from his and Elizabeth Wight's widely supported Pale Blue debut on Crosstown Rebels, New Jersey renaissance man Mike Simonetti returns to Correspondant with a touching cyclical trip.

Fuelled by emotion thanks to an on-point sample of a barbed spoken word, 'I Love You Mom' is characterised by shimmering hypnotic cathedral cascades that fully arrest the senses. Symmetrically bookended by the equally overwhelming 'I Love You Dad', where the same chords and sample take a much darker acidic trip, Simonetti also treats us to the icy ricochet subversions of the chime-binding riser 'Let's Go For A Walk' and the purring electroid bass prowler 'No Gods, No Masters' along the way. Pregnant with restraint and well-tempered emotions but knowing exactly when to pop, it's another certified odyssey from the perennial troubleman. Feel the love.

After - Necessity' Rampa marks an entire number in Innervisions' catalogue and presents his Hall Of Violence EP revealing the richness of his productions skills.

Very limited copies and vinyl only. No repress!

It's with the arrival of Looping State Of Mind that you finally realise that, for The Field's ambient techno explorer Axel Willner, the loop never stops. While fans and critics alike point to 2007's phenomenal debut From Here We Go Sublime - included in Pitchfork's Top 100 albums of the 2000s - and 2009's equally stirring follow up Yesterday & Today as standalone points of the Swede's music; it becomes clear that they appear as mere snapshots of what, for the producer, is a continual cycle of revolutions.

New Dub Compilation by "Avant Roots".

Featuring DJ Spank Spank & Lothario Lee(Phuture),Fast Eddie and Houz'Mon, Acid House Legends from Chicago.
This title is 4th EP of Bigfire, electronic music band in Tokyo / Japan, including one of posthumous works of Earl Smith Jr. a.k.a DJ Spank Spank died this past September.

Moreover, this is his last works with Lothario Lee who has supported Earl as Phuture for a long time. But his familiar Acid House style is well in the disc. And Minimal Remix suggests that challenging spirit of these Phuture's members still has not been lost.This title has more two Chicago House remixes. One side is the creator of Hiphouse music, 'King' Fast Eddie. His remix is contemporary and universal House music every one demand.
The other side is Houz'Mon known as aclose friend of Earl. This underground style with his awesome vintage Roland sounds should be called Ghetto Acid, one of tidemark of House music. Last but not least,original track is ingenious Future Electronic Rock Opera.We can say this as the originality of Bigfire.
'General of the Universe IV' compares favorably with previous work.

Our music has come a long way of flowing into multiple flows to unpack this closed box finally, so finally, the long anticipation is over to present this gorgeous release for your consideration.

We're delighted and honored to welcome always unpredictable French trio dOP.

With the rich background of mesmerizing discography with labels as Life & Death, Circus Company, Watergate, Crosstown Rebels and Diynamic, the band has certainly been firm on the extracting the very best of each production, which their heads and arms have ever produced.

dOP is always delivering the message beyond time, standards and cliches, which is can be clearly seen in their music and their bright live performances.

'Carousel' is the debut release we've collected with this undoubtedly gifted band, where all the mixes are worth of deeper look and being present on vinyl.

The title 'Carousel' track is done in the manner, characterizing guys at it's best: sharp synthesizer sequences and live percussions of Luis Miguel 'Cuchara' Jaramillo are utterly merging into the stable and guaranteed floors smasher, which is beautified with Jaw's tender vocals on it.

US-based duo Bedouin, which was patiently bearing their rare and individual trend sound for years, is the first to lay the rework onto 'Carousel'.

Having released numerous successful records with Crosstown Rebels, Supernature and All Day I Dream, as well as classy remixes for Black Coffee via Ultra or for &ME's & Fink's via Keinemusik, Bedouin have been running their Saga residency for a few seasons, so their appearance on the label is fully welcome and desired.

Bedouin's remix is the elegant and trippy interpretation, performed in a very eclectic, calm and melodic manner, emphasizing the best of the original's harmonies and vocals.

B-side meets Jennifer Cardini - the ideologist of Correspondant label and the true unity transmitter of the 'dj-crowd' connection, which has been firmly proved by her long and broad dj-ing career.

Jennifer's remix is a more energetic and weighty one, pleasing the likes of indietronica lovers together with the proper house feeling through it.

Very dramatic and edgy 'Heart Signs' speaks better than words: classic dark & atmospheric pianos, mysterious violins, and warm vocals are perfectly flowing into the end of this story.

Be sure not to miss it, as boundaries are not needed here.

As usually.

Microtonal welcomes Drehkontrolle. This guy is a real working machine and already made it on Labels like Terminal M, Baroque Records, Plattenbau Music and many more. This release is coming up with two Tech House Originals and remixes from Alec Troniq (Ipoly Music, Broque) and Blaues Licht (happy to present their vinyl debut) for the harder & freaky players out there

Played & supported by Paco Osuna, Stephan Bodzin, Anderson Noise,
Marc DePulse, Wehbba, Ingo Boss, Patrick Lindsey, Kolombo, Alec
Troniq, David Keno, Oscar and many more.

Following the success of 'Vamp' last year, Rejected co-boss Edwin Oosterwal returns to the controls for two more pristine, floor-focussed late night grooves.Consummately covering two completely different shades of the night with two cuts beginning with B, Edwin has delivered some A* cuts right here. Reject them at your peril.

Following the success of 'Vamp' last year, Rejected co-boss Edwin Oosterwal returns to the controls for two more pristine, floor-focussed late night grooves.



First up is a homage to Chicago's deepest foundations and the warehouse-shaking legacy of Jesse Saunders' Dance Mania. Lean and direct; 'Bleep' is all about the relentless jack, palpitating sub and crazed lead tone that tweaks and freaks with visceral effect. Its minimal construction but hooky riff ensure slay-status at festivals and Ibiza this summer.



As with previous Oosterwal dispatches, contrast is key. Keeping his sound firmly in the US but travelling due east to Jersey, the warm organ-primed tones of 'Babe' soothe the 'Bleep'-sizzled edges of our soul as a driving, loopy vocal sample and shimmering synths develop more and more momentum, developing into a deep hypnotic heads-down groove.



Consummately covering two completely different shades of the night with two cuts beginning with B, Edwin has delivered some A* cuts right here. Reject them at your peril.

Simple Body Sould Music Since 2010. That’s all.

Spiral Tribe member Ixindamix on the next Libertine Traditions... Underground Anthem Alert!

After a long silence ÈTÈ returned with a new release from Juliche Hernández.

Three solid tracks from Stockholm-based Matilda, a space zoo of techno with plenty of nerve and tension, layering drones and field recordings over ever evolving drum patterns. This is the duo's first full EP together, but they are far from rookies. Vicky Zissou has been making waves for years both as a producer and as one of Stockholm's most interesting DJs, and Hampus Bogren aka Skóll already has a couple of highly acclaimed releases to his name.

Riku Sugimoto,as know as a member of ATM which plays live set with electronic devices based on Tokyo, starts his own label named ‘chatty chatty mutant ‘. His first release includes four original tracks influenced by early Detroit techno,Chicago house,90’s UK house and a lot of music.

After the first 2 Phil releases that both sold out in the first days we have Phil 002 ready. Simon Hinter delivers another amazing record thats prooves that not everything has to be retro to be cool!.

More multi artist comp action from Dublin's Jheri Tracks. Limited runs again, so pre-orders are advised..

The new Dalzochio sounds loud ! Good production , fat sound, a perfect !

The first track is a mesmerizing progressive house tune with a future retro hi nrg bass line and a hypnotic dreamy arpeggio worth of the early 90’s italo techno & house heritage, in the style of artists like Mystic Force, still with a contemporary attitude both in the house groove and in the sound choice, truly uplifting! “Trail Of Bones” is a badass ravey jam with a crazy and prominent fat bass line going all along the track, inspired by some old school acid trance aesthetics with a funkier feeling

On the flip side “Nove Code di Cristallo Grigio” sounds like an intergalactic trip to some other techno galaxies lead by uncoordinated synthetic structures. “Gattonero” closes the ep with its quirky mood, essential and with a bouncy groove that makes it a super efficient tool for the floor.

Dispel any evil spell !!

'Points of View' from EMG explores in Relative 009 old and new aspects of electronic music. Past Present and Free interpretation meet together through elements and influences... 4 live tracks recorded on 1/4'' tape for a deep sound experience. Vinyl only!

L/F/D/M is from London and studied art with Dom from Factory Floor, who encouraged him to work on music production. But his musical influences range from jazz, exotica, afrobeat, disco, post punk - you name it.

'I guess all the music you soak up just filters through one way or another. Music production is often about exploiting chance and about decisions made in that moment. I'm always trying to reach that magic point where you can remove yourself from what you're making, and the music starts to trigger an emotion rather than just being blocks of colour on a computer.' - L/F/D/M

Pyramids. Jagged Teeth Pushing Through Immaculate Skies. The Ever-changing Light. The Expansive Sense Of Freedom. The Wide Open Spaces. The Textured Landscape Seen From Above. Mountains. Watchful And Immobile For Thousands Of Years, Weathering Seasons, Transcending Change.
It's December 2016. I've Left The London Madness To Hit The Reset Button And Compose New Music In A Tiny Village In The Swiss Alps. I'm Over 10,000 Feet High, It's Minus 15 Degrees And The Snow Is Scintillating Under A Rich Blue Sky. I Turn Around And Suddenly This Gigantic Pyramid-shaped Peak Is Towering Over Me, Staring Me In The Face. Mind Blown. Senses Overwhelmed. Perspective. Lightbulb Moment. I Have My Album Concept.
I Wanted To Put Into Sound My Cathartic Experiences Of The Mountains. Every Track Title Was Chosen Before Composing. The Title Would Be A Catalyst For Visual Memories, Narrative And Overall Vibes. I Continued Developing The Tracks On Occasional Trips To Switzerland, But Mainly Back In The Gritty Habitat Of London's Hackney Wick. The Urban-nature Contrast Had An Impact On The Music Too.
I Use A Lot Of Found Sound, Stuff I Have Collected Over The Years, And A Lot Of Resampled Guitar Sounds And Textures. I Love Imperfections In Sound. Detuned Synths. Distortions And Glitches. Rhythmic Flutters And Percussive Frenzy. 'manual' Cut-ups. I Love Moving To House And Disco And Getting Lost In The More Melodic Side Of Techno. I Love Polyrhythms And Melodic Counterpoints. I Love The Energy And Rawness Of A Live Rock Band. I Channel All This To Create My Own Sonic Palette.

Artwork By Jimmy Turrell, Graphic Artist And Video Director Who Combines A Love Of Handmade Collage, Drawing, Screen Printing And Painting Alongside Digital Techniques. He Has Worked For Universal Music, Nike, Lexus, Levis, Mtv, The New Yorker, Intro, Capitol Records, The New York Times, Green Peace, Beck, The Prodigy/xl Recordings, Channel 4, The Guardian, Gq, The Times, La Times, Newsweek, Getty Images, Adidas, Sony Music, New York Magazine, Wired, Glastonbury Festival, And Vanity Fair Amongst Others.

The Debut Album 'pyramids' Comes Out Worldwide On Limited Double, Green Vinyl (including Download Code).

Poker Flat return with their ninth label compilation featuring no less than 10 new exclusive tracks, uniting some of the brightest talents from their label roster, and also inviting some new names to join their mischievous posse.

Repress

Stop"press" an extraordinary Radio Slave donation for Running Back! The man like Matt Edwards took care of a matter near to his and our heart: an EP dedicated to the crafty DJ Duke, his infamous Power Music label empire and those massive sounds dat ruled di Sound Factory nation.

Repress

It would be a waltz to call ìSalty Daysî just a treaty of deep house. But it is much more than
just that. The co-owners of Hamburgís most gentle record store and label Smallville - Just
von Ahlefeld and Julius Steinhoff aka Smallpeople (please see Discogs for ramifactions and
further reference) ñ wouldnít be the romanticists they are, if it would be that simple. The
debut album of these two young lads with baseball hats not only honours and delves into a
sound that already peaked some fifteen years ago, it also hones and elevates it, without ever
falling into the Reynoldsmania trap (please see Retromania for further reference) or being old
gold retold.

Record label based in Belgium / Vinyl only

HRDvsion – Stroke implies different things. Different strokes for different folks. Not to spoil, but there is a Luke vs. Darth dynamic here. So let’s just keep it at that. Bring it on Death Star!

Joannes – Ow_kay, Joannes got that Wagwan thang going on. Rolling thunder under the hood, sprinkled with some breaks and reverbed. Yeah, it’s that hands in the air moment. Package includes a big phat breakdown.

Orson Wells – If War of the Worlds had a contemporaneous soundtrack, this would be on it. Electro-breaks, tunnel vision, planets colliding. Do not fear us, we come in peace.

Rydim (Part of ItaloJohnson Trio) – This got that nasty boompty. Think of Derrick Carter remixing Gemini remixing Derrick May. Can I have a bump, to straighten things out? Mit ein kleines bisschen acid?

Alphonse continues his 'chuck it all in the blender' approach to music making with the 'Brainstorming EP' on Klasse Wrecks. Imagine a world where the best parts of early 90s dance music meld together woozily, taking leads from Detroit melancholia, Chicago stomp and Breakbeat swagger. Nothing is as it appears in the world of Alphonse and tracks often take a sharp left turn, leaving the listener dizzy with confounded expectations.

Cosmic Rhythm is proud to release 4 cuts of superb piano house found on an old cassette tape recorded years ago and believed lost.

Limited Edition Box of

SCL001 + SCL002 + SCL003 + SCL004 + SCL005!

Following our dubby vibes, this time are our friends from Switzerland Mikhu & Fulvio Calà, as usual, no digital promotion and limited edition.

On their 6th vinyl release, indie techno label YozMaz brings you Nine-tails Ep: four 4-on-the-floor compound techno tracks with deep bass club mixes skillfuly blended by UK Producer Dave Campbell. Mastered by Curve Pusher.

A1 Siege of One reveals its Hi-Ryze DNA with exuberant chords and tight programming, followed by Un-belo-vid’s breathtaking melodic techno rush at 125 bpm.

On the flip side, City Fox starts the party with a bouncy tune feat. chopped up vocals and synth wave beats. Deep techno tune Location Unknown closes the jam with a slowed down 120 bpm sonorous bass mix.

Mike Huckaby, Rick Wade, Rick Wilhite and Norm Talley on Third Ear records after the label just released the massive Kyle Hall Must See ep. All new tracks by these , could we call them house veterans~. Comes with total cool artwork and Proper Detroit house music straight from the source!!

Bangers and Ash is back. The rough & ready series of records that spawned the wider Styles Upon Styles imprint has always challenged artists (Clay Wilson, Certain Creatures, Best Available Technology to name a few) to work their sonics for both the club (Bangers) and the clouds (Ash), now welcoming Contakt to the family in 2018. A native of Michigan and a long-time resident of Brooklyn, Contakt cofounded the boundary-pushing club night TURRBOTAXr with previous releases on Argot, Icee Hot and "Second Shift" and "Detritus" feature on the Ash side with a spacious wash of atmospheric analog synth constructs, while "Shut Off Notice" and "NDO" are Bangers that divebomb deep into classic Detroit techno. Each record has been screen-printed, stamped and stickered by Contakt and SUS, with mixing by Phil Moffa and mastering by Josh Bonati."

Standalone debuts it's first wax release with none other than Laughing Man. Four lucid heavy hitters with a phenomenal collaborative appearance from Kepler make this EP a journey to remember.

300 copies available - grab yours while you can.

Since bursting onto the scene in 2017, Josh Baker (You&Me, META, See Double) has made a huge impact with a string of hugely successful releases, always focusing on quality than quantity. Our eighth release marks his debut on the label and it’s a pleasure for us to present this amazing EP, which also sees label boss Yaya back on the remix duties. Hailing from Manchester, Josh has rapidly gained the attention of lots of European enthusiasts due to his ability for crafting huge dancefloor cuts, blending the most forward thinking sound of the moment with the typical UK raw and garage approach.
Title-track ‘On The Rollover’ is an effortlessly cool and breezy house groover full of percussive elements, crafted layers of bleeps and driving drums. But it’s when the astonishing vocal kicks in that this one becomes an assured peak-time bomb that will be a main-stay in many DJ boxes right into the upcoming summer months.
This is followed by Yaya’s remix who makes of the original a percussive monster, rising the heat with pressing shakers, clean drum patterns and warm pads. Here, Yaya uses only a few parts from the original vocal, ensuring a more dancefloor-oriented and dub version with a naughty bass and warped synths.
Opening the flip side is ‘Turbo Terry’, which kicks off with a more stripped-back groove in the intro, slowly carried on by dub and charming chords, popping drums and the right dose of vintage sounds. Housy strings, old-taped vocals and a serious mind blowing wavy bassline do te rest, creating another crowd craker.
‘What’s The Name’ closes the EP in style bringing some of Josh’s UK garage roots with curious modular sounds, doubled hi-hats and a rolling fat bassline which moves up and down, locking you in into the groove while the title-track inspired vocal sample makes you wonder ‘what’s your name’.

Distant Worlds are pleased to announce their imminent fourth transmission from the multi-talented, Perseus Traxx. He has been plying his wares on such respected labels as Bunker, M>O>S, Boe Recordings, Photic Fields, Love Notes & I Love Acid for the best part of a decade now. He contributes 4 deep, warm and fuzzy takes of analogue goodness that fit the Distant Worlds aesthetic perfectly...
""This record uses a Juno Alpha and a Yocto, along with other bits I can't remember. It was made after I returned from an inspirational trip in Southern Italy in 2017."""

Slamming Remix pack for Alex Davis´ track "Don´t Stop Lovin" which got received heavy support by Marco Carola during the whole 2014 ibiza summer season.

After the first two amazing releases, Handcrafted present their third vinyl "A LO SUYO" composed an forceful track by Cicuendez, which has been remixed by the artists Javier Carballo, Inner and Patrice Meiner.