Nyra returns to Never Learnt with the follow up to his 'Best Of' EP which saw huge support at the wax only imprint's debut 12".
Ensemble' takes in four tracks that each play with dub influences in house and techno ranging from direct dancefloor works to more esoteric cuts.
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2013 has seen Silicone Soul celebrating the 10th Anniversary of their Darkroom Dubs imprint. Launched in Glasgow back in 2003, the DRD stamp has become a mark of quality and seen many established names exploring deeper realms whilst also unearthing fresh and exciting global talent.
From Fabric to Watergate, The Standard Rooftop to Club Bahrein Buenos Aires, the Scottish duo have celebrated their disco-decade with a string of '10 Year' parties spread across the last 12 months, building on Darkroom Dubs already strong global reach.
To round off their birthday in style Craig and Graeme have asked some of the label's main acts and strongest supporters to contribute a track for a new compilation. Artists including jozif, Ryan Crosson, Uner, Gary Beck, Of Norway, and Simon Garcia all feature in the collection that Silicone Soul present as a snapshot of the future sound and musical vision of Darkroom Dubs.
limited edition double 12" vinyl and download.
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Patrice Scott and Chris Mitchell are back at it under their Modular One moniker. Segue One sees the duo pushing forward on their thematic journey into deep, interstellar techno. Adding to the fire, UK deep techno maestro, Aubrey blesses the EP with a remix crafted in his signature textural style.
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This is the debut track from a young London based producer, inspired after a particularly intense Kerri Chandler set.
He explains the origins of this track in his own words:
"I actually went to the Kerri Chandler night a while ago at Plan B, where he played all night and the atmosphere in there was incredible. Needless to say, he utterly smashed it. I was coming home from work on the train a few days later and literally managed to get the main riff down in about 40 minutes and finished it off that weekend. It was a really quick track to write, probably about 6 hours in total but I guess I was super inspired."
Paul Woolford played the track on Space Terrace during the summer and it was the final house track played at We Love Sundays this season.
limited edition white label release.
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After featuring on the One Records VA released earlier this year with 'Besides', young Frenchmen Yamen & EDA are back on board the label with 'Planet Brooklyn'. The release features two seductively deep solid club tracks with one special remix coming from dream team Shaun Reeves, Jay Haze and Bill Patrick and another from label head Subb-an.
Always on the hunt to recruit and push new talent, Subb-an and Adam Shelton have been quick to snap up Yamen & EDA to be part of the One Records crew, who will also be making their debut at Adam and Subb-an's famous Below party in Birmingham later this year. While only in the first stages of their career there is no doubt this talented duo are on their way to stardom with previous releases on Safari Numerique, Earlydub and their own Unpleased Records with more on the way.
Shaun Reeves is no stranger to the label after his remix of Subb-an's 'Soul Skool' appeared on one of the first releases. Combining forces for the first time, Shaun Reeves, Jay Haze and Bill Patrick remix 'Planet Brooklyn'. Three of the biggest names in the business, One Records are proud to have them on board for this rare collaboration.
Subb-an has really shot into the limelight in the last few years with huge releases on labels such as Visionquest, Crosstown Rebels and Spectral Sound. His hectic touring schedule has seen him travel the globe as part of the 10 Years Of Crosstown World Tour and with gigs lined up this year at the likes of Panorama Bar and DC10 and a forthcoming album, Subb-an is heading for superstar heights.
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Groove-Madness Part II
Glenn Astro is the groove wizard. His new four-track-EP TEARZ is the travelogue of an expedition through the misty jungles of Chicago House, UK underground and Future Sounds of Paris.
The EP - Tearz
Those who know his style will quickly be familiar with Glenn Astro ´s heavily syncopated and fluffy takes on contemporary House Music. With a timeless concinnity his tracks float over the dancefloor like fleecy clouds on a balmy summer morning.
Together - the very first track on this EP, sets things clear within the first few bars: Welcome to the wonderful world of Glenn Astro! A funky bassline, a well-hung synth and beats from another world are woven together to a deephouse-monster that grabs you after seconds and binds you to the dancefloor 'till the end of time.
Back to how it was, with its massive Wobble-Bass, raises the tempo while shuffling its way along the deep paths of string-loaded UK-groove history - straight into a clear blue 2013-acid-heaven. The title track Tearz, same as all tracks on this EP - is barely scratching the 5-minute mark. Tearz takes the listener on a dirty sashay deep south, where the claps are still handmade, the drums crisp and an irresistible hook-line cries for endless repetition. Everlasting afterhour-happiness.
Get Up, the final chapter of this stunning EP, gives you a ride back to good old Chicago with its reminiscence to - house as a feeling'. A pleasant time journey to the golden age when underground club culture brought people together in cosmic peace and harmony - casually reappointing the theory: Only heavy shuffle is the right quantization
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In the lead-up to the release of 'Motion Sickness' on December 3rd, Domino will put out a three-part 12' vinyl series with each record featuring two highlights from the remix compilation. These releases will be staggered throughout November in December, the first of which is to be released on November 19th. Full details can be found below.
Bringing together some of the most respected names in dance music with the key players in the Domino roster; the compilation celebrates dance and electronic music. In this series these incredible interpretations will only be available in the format classically associated with the genre: vinyl.
The tracks featuring in the series include the Grammy Award-nominated Carl Craig remix of Junior Boys' 'Like a Child', Mike Simonetti's re-working of Blood Orange's 'Champagne Coast', the fluid funk of DFA's remix of Clinic's 'Tomorrow' and Joy Orbison's beautifully twisted and intricate take on 'Love Cry' by Four Tet.
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Bring U Up originally appeared on Roman's Blackmale label in 1995 as a rumbling slice of New Jersey garage complete with gospel samples and Romanthony collaborator The Trojan Horse. It was a bit of a cult favourite with underground heads like DJ Deep. It wasn't until Roman completely re-produced and re-sang the song in 2000 that it fully took on anthem status. Out went the heavy kicks and hypnotic moods and in came James Brown horn stabs and a live beat that sounded like Bernard Purdie had joined him for the session (the drums were actually provided by Roman himself). The result was an instant club hit with everyone from Pete Tong to Francois Kevorkian that reached (a very respectable 74) in the UK national charts.
On this 12' PBR Streetgang deliver a wonderfully deep modern house groove, Toby Tobias delivers 2 mixes straight out of the 90s basement and Glaswegian wunderkind Barrientos offers a kind of sun-kissed Gypsy Woman style re-invention.
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Prime Numbers are back with the next in their compiled EP series, once again selecting new tracks from producers who inspire & represent the sound of the label. This time it's a diverse outing, dwelling on the dubbier, more subtle side of things.
The release starts with Modini, Following on from their excellent Turk EP for Dixon Basement Jams here they flip the script.'Attack Warning' fuses new wave & nu-beat styles with an almost ZTT-like sensibility. It's big, bold & direct with chopped vocal samples, an acidic bottom line & rock hard snares.
Nick Sinna returns to the label with 'Come Again', a brooding piece with a distinctly UK feel. Various drum sounds are dextrously melded into a restrained afro tinged rhythmic workout.
Luke Hess brings his own take to the track stripping back & tightening the elements whilst washing it in a Detroit solution for a more intense overall feel.
Finally Hakim Murphy drops 'Synth Work'. Fantastically understated & ethereal the track draws you in with padded kicks, floating bleeps & squelched bass.
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The debut EP of DJ Ricardo Baez - including an great SEI A remix!
Riccardo is one of the hot kids of the new Italian house scene.
Only 23 years - he is already one of the main figures in Italy. Touring as a support DJ with Kim Ann Foxman (who is a closed friend and supporter), Azari & II, Munk, Ben Pearce, Gesaffelstein. Ricardo has the potential to become a real rockstar in the electronic bizness. Living the vida loca between night life and bedroom producing. THE MESSAGE EP is his debut. Inspired by 90ies UK Garage, Voguing, New York (where he has spent some time), Marshall Jefferson, Kevin Saunderson, ethnic minorities and Soulmusic. Deep, funky, great. This is Ricardo's start - there is a lot more to follow.
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After 'Take 1' comes 'Take 2', it sometimes really is that simple... Together with the 'Pre-Take' that came out before the summer this third volume in WPH's 'Our Beat Is Still New' project completes the 12 tracks that form the album.
More members of the core WPH family are on board here, but we also welcome some newcomers to the label.
The A-side opens up with what we have always considered to be the Dresden counterpart to WPH, the Uncanny Valley family of Jacob Korn, Credit 00 and Sneaker. With 'Drum Abuse' the provide the roughest track of the compilation, and one that will have techno DJ's play new beat again... The second track on the A-side comes courtesy of Jacques Renault & Mark Verbos aka Goodnight Moon, giving a serious New York rendition of new beat.
On the B-side we have Social Disco Club and Outlander, both no strangers to WPH, and both very much on point again here. Social Disco Club marries his trademark deep house sound with a new beat feel, and Outlander was pretty much there when new beat started, so he provides us with vintage machine slowness straight from new beat heaven.
Is this the end of it Well, you either know WPH or you don't...
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A new collaboration of unknown origins inspired by the mathematical works of Carl Friedrich Gauss. Aptly named after Gauss's birthplace, the Braunschweig EP kicks off this new project and label proper!
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We all remembered definition:music 001 Horatio & Katoline - Mi Nombre.
A track remixed by the grand master Reboot himself, which shaken the
things and brought this label into the spotlight. We awaited the
follow up and it came as a warm collaboration between this dynamic duo
(H&K) and the uber producer , DJ , vocalist , Roland Clark .
What i like about these guys is that they always adapted their sound
to fit in. This time they surprised us with a warm , deep , nu disco
sound , a richly textured Eastern European influenced black sea sound
. The Original Mix melds the soft melancholy of much Middle Eastern
music with the rapidly changing structures of contemporary music , and
works beautifully. And btw it gets more seductive with every listen.
B1 ... When you lose a friend is following the same line of slow , deep
, sexy , nu disco rhythm that this ep carries out . From what we
understood this track has a special story , actually being a tribute
to a long lost friend of Horatio. A grand master in martial arts that
was a mentor , a friend, a father figure that helped him guiding into
life. It brought chills on my spine when i heard it and for sure you
can feel a lot of emotions when you listen it.
B2 DJ Le Roi returns after his bomb release 'I get deep' offsetting a
remix with a more traditional electronic sound. His remix is a strong
statement: a full-bodied 4/4 cut laced with slightly deep synth and
half-sung, half-chanted vocals from Roland - all in keeping with the
Middle Eastern feel of the record. The Funky bass chords are perfect
for a dancing-barefoot-in the club because you are too sweated to keep
the shoes in...
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The III Rivers juggernaut sets forth once again, release number 4 The Charivari EP, putting Voiceless in the cockpit and leading the charge.
Second Nature sets a dark, sultry and ominous tone as Voiceless deploys a plethora of sounds and moods that resonate with all the tense drama of the label's affiliated club night, Bohemian Grove.
Big laser beam synths dart through a thick pitch black haze while a factory line percussion section hammers on.
Always keeping a foot in the sonic warfare division, we get three locked grooves loaded and ready for battle, funky, electrified technoid wobblers that should fight off most opposition with ease.
Flip the disc and Opt-out opens with a controlled urgency as a barrage of kick drums sets the train in motion. Voiceless layers up rich, untreated piano chords against the backdrop of dark industrial chaos, percussion artefacts career around the mix and various elements are put through an aural meat grinder before the familiar and welcoming piano motif returns like a long lost friend, guiding us through the smoke hand-in-hand. A beautiful juxtaposition of soulful melancholy and cold, glacial machines.
Final track Charivari really hits the accelerator as a tough and mechanical rhythm jolts against blurred, radioactive pads and searing string lines before collapsing into a fractal breakdown introducing mystical, weaving high end leads. An eyes-down fist pumper of the highest order and one that commands excessive smoke & strobe light abuse late, late into the session.
One to close off one of their infamous soirees in style, hoards of mutant dancers leaving the industrial backdrop of the club's venue and crossing paths with the early morning dog walkers and Sunday strollers. Four releases in and we've lost none of the quality control, unique drive and free minded 'true spirit' (to quote Tresor's legendary catchphrase). The label goes from the strength to strength and with it, brings a whole new generation of techno shamans under their wing.
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Woodsmen & Lady Log takes a new step into the future with this dynamic and impressive 12' EP from Anders Wasserfall. This norwegian producer has reached status as a solid and qualitative music maker with fine releases on Greta Cottage Workshop among others. His music on W&LL004 is no exception, on this piece of vinyl you find impressive skills, jazzy moods and bouncing beats in a pleasurable blend. Dont miss.
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NOBLE SQUARE brings this amazing 12" featuring two killer house tracks.The title cut is a unique composition that's masterfully crafted around aguitar and brings tons of live energy to dancefloors. On the flip, "AMBIENTJAZ ONE" throws down another blueprint of technologic soulful house music.
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G2014 is over and Downbeat records, is back with a new release.Jose Rico and Urtzi , come back again with another 4 tracks vinyl. "Memories from another life" and "no back memory" are two deep house pearls with minimal sequences and emotional synths made by Urtzi. At the same time, Jose Rico is the responsible for the mechanical and powerful "Aint", and the percussive and ethereal "small island" , probably one of his best tracks so far. And, as they did with that "space is the place" ep, they have made here a consistent release, setting their personal view of the dance music.
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Yes, the busiest house label on the planet got another bangin' release ready to drop.
Oxford based Timmy P got a fierce House nugget that will drop hard in clubs where the mood is deep, dark and 100% raw.
The original track "What You Sayin" comes across like an ol' school K.O.T or Nice & Ripe house dub...the sick bassline alone will surely make you bump!
If the original doesn't do it for you we're pretty confident that our boy Chesus will deliver with his killer 90's inspired rework.
Last but not least Timmy teamed up with Stefano Esposito for a sweet and sweaty Garage jam to finish off this fine EP in style
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Always hard at work unearthing interesting new projects or forgotten old gems, Opilec Music is now serving up a retrospective compilation of highly esteemed Chicago producer Jordan Field's best work from 1986 - 1991.
Field has been active now for some thirty years (on labels like Rush Hour, Headphoniq and Mo Wax) but his best work was arguably done in his first decade or so. Now Opilec boss I-Robots has been given access to a collection of Field's early recordings and has selected, compiled & conceived this project himself. It will be presented as a full-length album but will also arrive in a few select EP parts, with this being the first one.
Says Jordan about the project "This album is one of my most important works to date, as it contains recordings captured during a very special moment in my life circa 1986-1991. At this point I had much knowledge about DJ culture and the art form of house music, I was a product of my environment. I was young, but I had already experienced so much in my first 5 years of absorbing it all! While that may not seem like a lot of time, you have to understand House Music was not even a decade old at this point. What's important for me to explain is I had already gone through my baby steps by the time I was recording the trax that are on this album. This is the point where I was at the next level, chapter 2." Up first is the classic jack of 'That's How It Is' with its perfectly analogue synths and drums conjuring a warm, human and organic mood. Acid lines and slapping percussion all interact and ooze Chicago house authenticity.
'The Answer' is a much rawer and more dishevelled sounding affair with lumpy, rough hewn drums and crisscrossing percussion that screams to be played loud in a warehouse. 'Future Thought's' is alive with the sound of classic Roland cowbells and shuffling drums. It's deep and mystic and sounds as if it's come from somewhere far off in deepest darkest space. Finally, 'Rhythm of Romance' gets a little sleazy with its tight loops, thumping kick drums and mechanical metal hooks. They sound all out of control but are off set by some seriously sombre chords in the latter half.
Often imitated but never bettered, this is the true sound of Chicago house music in all its forms from one of its finest sons.
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After five years of throwing parties under the name Green Villain, the label Green Village was founded in 2014. Their second release, Come Through For Me features a single from New York City based DJ/Producer, Policy. Following his two recent albums on 100% silk in 2013, and Rush Hour in 2012, this will be his last release for 2014. The flip features a more dance floor friendly remix by London based, Thefft which focuses on predominant percussion and off beat bass stabs.
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The ICEE HOT label has never been busier, and that active streak is set to continue with another new addition to the roster: San Francisco producer Roche (a.k.a. Ben Winans). Having previously released music on Hieroglyphic Being's Mathematics imprint and 100% Silk, Roche comes to ICEE HOT with quite an impressive resume, and this two track outing is the latest chapter in what's quickly becoming an excellent body of work.
The a-side offers an enticingly tripped out journey; full of swirling synths and twisting techno rhythms, "Depths" clocks in at more than 11 minutes in length, but every second is worth savouring. On the flip side, "Seers" brings the proceedings back to Earth with its snapping snares and insistently funky bassline, although the track's alien melodies do keep things enjoyably odd.
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Cyber Dance Records are back on the attack with a fresh release from the legendary Perseus Traxx aka Nigel Rogers, a 4-track EP entitled after recent scientific developments 'An Apparent Horizon'. It's a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the UK's own rich history of electronic dance music, with elements from the classic Warp "deep space sound" prominent as much as the more usual 303-jacking acid house grooves in the vein of Baby Ford or Bam Bam. 'Lost Dreams' opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on Side A with the irresistible roll of 'Reverse The Trend' that takes the groove harder, further and deeperstraight off to the beyond. Dark strings reminiscent of old LFO, B-12 or Autechre vinyls from the early 90s propel us into Side B on 'Darkness Stalks', and then we're transported onto the concluding track on the EP, 'Distances'; an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any M25 rave in the depths of a late 1980s night.
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**Special ltd flexy disc & 12" !!**
West Coast meets the fat beat and obsessive bass of the kitchenstudio3 crew.
First ever electronic release of Alan Sellers that, with the precious help of Dj Pezzo, fix the point of a new and never heard before , luscious and juicy stile.
Do not play loud before the sun rise on the dancefloor.
Soon available, 'Into the Bones' will be sold in 100 limited special pack including a copy of a never seen before X-ray flexi disk. Really recycled x-ray films specially manufactured to give you a fetish collectible. A must have object .
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With this new four-track EP by Rai Scott the slowly emerging producer moves away from being the enigma that appeared on a split 12" with Brad Peterson that launched the Inner Shift imprint in 2012. And by the sounds on this EP, she's someone to be noticed. Preceding her forthcoming debut on Ornate, Scott provides another four-track called Wave Sound for Inner Shift Music. It's the fourth release for the label this year and "We Love You" certainly earns its place as the record's A1; sweet and meaningful deep house. "Keep On" is a dubbed out, bassline driven tribal journey of drums and low-end rhythm completed by emotional chords that eventually takeover, while "Cats and Water" is on a funky, stripped-back and loopy '90s techno tip. And for some ambient fun that then turns house: "Sky In The Clouds" is a perfect B2. An exciting producer house communities worldwide should be talking about in the second half of this year
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* Quotes: Lakker - Lovely stuff, lovely package. My favourite is the Killawatt track. Great groove and production, as with all his stuff. The Soft is a grower too.'
Tonka - if there's been a stronger debut than this in dance music I've never fucking heard it'
Jimpster - Just wanted to say a big thanks for the lovely vinyl that arrived this morning. Just listening now and the ThermalBear track has me hooked!Throwing Snow - Rarely do I have such a nice surprise through the post than when your record arrived.
I'm now on my third play through and it's stunning, I genuinely love every track Norman Nodge - thanks for sending me D001, I like every single one of them in its own way. If I had to name a favorite it would be The Soft´s track.
Andrew Ryce - I quite like it! All three tracks are nice in their own way... it definitely sounds like artists who don't normally do techno doing techno, and that has its pros and cons. Sounds pretty fresh' Tommy Four Seven - yes feeling all 3, esp Killawatt!'
* Derelicht provide evidence of their shackles-off approach' to producing exceptional electronic music in this their first sampler EP. Featuring The Soft, Killawatt & ThermalBear there is clear emphasis on an artist controlled environment where there are no constraints, no bias and no timelines.
* D001, Derelicht's first EP steers clear of any preconceived musical formulae, not catering directly for an insurgent techno or house crowd but for the lover of a more abstract and considered aesthetic.
* THE SOFT - ICARIA. Icaria is this live pulsating jam that we've played in our recent gigs but have not had the chance to record. The track has changed hugely since we first played it out but we wanted it to retain the same atmosphere it had as a live piece, so it's grown exponentially. We recorded the track at home in London using both live samples and hardware. The track focuses on the more hypnotic aspects of electronic and dance music, and draws influence from Krautrock and Minimalism as well as contemporary electronic artists such as Walls, Jon Hopkins and The Field.
* KILLAWATT - AEOLIS MONS. My main inspiration for 'Aeolis Mons' was a load of random field recordings that I've had in a folder for the last 3 years that I never did anything with. Since the only brief for this project was that there was no brief, I just dived into a track without thinking about anything, it was very spur of the moment and natural. Structure wise, I wanted to create something that built up and up in terms of energy, building to a climax and then breaking back down and fading away into the distance. It actually felt like I was writing the entire process of an intense trip condensed down into a few minutes.
* THERMALBEAR - CARPE NOCTEM. We're not going to blow smoke northwards on this one, or describe the deep inner adventure the 'artist' endured to discover this sound. Carpe Noctem is a simple sequence of tones and frequencies presented with (relative) harmonic sense against a backdrop of solid bottom end.... And while there might be a slight overuse of his new studio toy in here, we understand he has to justify the purchase to his better half or he'll be out on the street. If you have eyes I would recommend checking the vid, and the following buzzwords may help any budding journos out there, analogue delay, restraint, filters, pensive, phaser, cassette tape saturation, BOC.
* Press / Promotion: In House campaign, 100 vinyl hand-distributed to leading editors, artists and tastemakers. Key editorials through Inverted Audio, Ran$om Note, Slate The Disco, Magnetic Magazine, DJ Mag, Noise Porn, Mind Grub Audio, Portals, Elevated Culture. 3 x videos produced to support each track all hosted on Derelicht vimeo channel
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DUST returns with 2 brand new mutant acid house tracks on Mannequin Records. Limited edition of 250 copies . . on clear vinyl. TIP
DUST is a contemporary ouroboros of acid house, combat techno, and late italo. A collective consisting of avant garde Korean noise goddess Greem Jellyfish, psych musician/model Angela Chambers, dungeon wizard/tech genius audio engineer Michael Sherburn, and DIY nightlife entrepreneur /DJ John Barclay, they are headquartered at infamous psychedelic/art/techno mansion Trip House in the jungles of Deep Bushwick. DUST utilizes both vintage hardware (909, 303, Juno 60) and HD cinematic soundscapes to create a heavy, lavish experience.
Strongly recommended to fans of Phuture, Cybotron, Gatekeeper, Legowelt, International Music System, Future Sound Of London.
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