Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
House News
Dusky’s return to Running Back.
The second volume of Life Signs continues where its parent left us: on the path to euphoria.
A brew of rumbling bass lines, ecstatic dreams, rattling rave signals and moving melodies that is as sapid as it is substantial. Consisting of four tracks (and one dub), Dusky further cement their reputation of being champions of their (production) craft and the dance floor alike. While „Fridge“, „Seed Tray“ and „Mushroom Samba“ lower the plough with DJs and steppers in mind, „Metropolis“ ennobles itself to a higher stand: with or without voice, it is a sophisticated and divinely inspired master class in a perfect hook (bleeps) and eye (bass). And a gentle reminder: function and beauty don’t have to exclude each other.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Smoothly combining his tendencies towards emotional and soulful deep house whilst building these elements on a steady foundation of tribal, percussive and dance rhythms, Miller manages to effortlessly pull you into his house sound with an impressive palette of ideas even if it’s just one 4 track EP.A1 - All We Have is a dancefloor inspired jam, but don’t get fooled. The track is infused with alot of deep juice and it drips irresistibly through the synths, short but smooth bassline and percussive foreplay of different drum elements. Playful yet with enough momentum to wiggle you in a positive dance sway.A2 - Shine On Me (Rollin To Detroit Mix), the track which was initially released for
Moodyman’s KDJ Records back in 2002, got “revised” by Ricardo Miranda shows off perfectly the emotional substance of Miller’s deep vocal house interpretation with silky percussive lines in between.B1 - Headspace is the pure example of a perfect B-side cut. Slow-burning rhythm filled with organic perc stabs and dense but deep bassline, Miller again in a genius way intertwines slow emotional story backed by almost raw harmonics but nevertheless well explained Detroit vibe.
B2 - After The Rain, which can be heard on Alton’s “Souls Like Mine” album released on the forementioned The Music Institute as a bonus cut. It’s a slow dance between reemerging bassline and subtle synth lines flowing on offset claps and smooth background bongos. pretty timeless stuff if the atmosphere is dimmed right.
Yes, this is Headspace EP
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
LA's Benedek delivers a killer old school house lp influenced by 78th Street era Beltram, latin freestyle dubs and WBMX drum tracks. This is street beat at it's finest and Benedek executes with precision. Classy and catchy, with a knack for melody yet still grimey as hell and full of beats you can mix. Primetime "86 mix show material brought to life in the present tense, carrying on with tradition while flipping it upside down. Artwork by Maximum Exposure. Highly recommended!
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
- A1: Sagittarius A (Right Ascension) 05 15
- A2: Pleasure Discipline 05 57
- A3: Ertrinken 05 38
- B1: Growth Cycle (Featuring Robert Owens) 05 52
- B2: Zahlensender 08 04
- B3: The Approach 03 27
- C1: Nylon Mood 06 26
- C2: Alphabet City 05 43
- C3: Don't Ask, Don't Tell 06 10
- D1: No Entiendes 06 56
- D2: Kurzstrecke 06 43
- D3: Golden Dawn (Featuring Stefanie Parnow) 07 14
- E1: Interdimensional Interferenc 05 58
- E2: Distant Paradise 08 05
- F1: Be (Featuring Robert Owens) 04 50
- F2: Vampir 06 29
- G1: Downtown | 161 11 38
H- side is etched
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions.
Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.
For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, e ecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates - A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.
The ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, 'Internal Empire' marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Detroit Deep House from New label Upstairs Asylum Recordings.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Moods & Grooves proudly introduces another new face, this time from the Detroit scene. DJ Eternal Student (aka Marvin Prather) steps up to the plate with his melodic track Hear Me Though and a deep groove entitled Transpose Deep.
Hear Me Though combines a funktastic bass line with some heavy breathing drums, strumming synths, xylophone like keys, and a sexy vox to create a wonderful head bobbing groove all on its own. Hot remixes of Here Me Though come courtesy of Domenique Xander (Berlin) and Deepset. Domenique puts a nice wash over it with panned and echo'd claps, drums, and very dreamy pads to create a stellar remix. Deepset ( a partnership between Brian Neal and Avalon Kalin) provide an up-tempo deep groove with a banging kick and swinging vocal chops to accompany the original vox of the track. A new bass line and funky congas produce a warm and lush version of the original. The synergy these producers had is incredible, all vibing from Marvin’s original version.
Transpose Deep is a climber. It starts off very unassuming with a solid 4 on the floor kick that morphs into solid synthy pads, and a funky bass line before it breaks into a full sprint of these elements, a bass that growls at you, and hats that swing hard.
repressed!
Levon Vincent returns with his most ambitious yet concise work to date: no less than a quadruple LP on his own imprint Novel Sound. The entire gamut of Levon's unique talent is expressed in it's fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. Set to be an instant classic, Levon Vincent's self-titled opus is finally upon us!
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
may 2021 repress!
First release on NDATL Muzik (New York, Detroit, Atlanta) - containing four tracks from beneath Atlantis. Produced by Kai “KZR” Alce (together with Richard Corey). All tracks are classic deephouse with soulful chords, a solid bottom end and spoken vocals on the first track. Tip!
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
The Colours That Rise return for a quick lap around Earth with this special offering , "Mixtape 1" - comprising of one brand new studio production and two new compositions recorded live from the mothership in 2020 AD.
The new record may be short but contains 3 very different moods guaranteed to take you away. Their Earth-based ally - Yussef Dayes, returns to the drumkit on "Special Request" for a slice of extra terrestrial, year 3000 funk.
“Axel G” see's the team speed things up for the imminent return of clubbing to Planet Earth. The pandemic didn't reach outer space, and the martian calendar has afforded The Colours That Rise ample time to test out and refine their club dynamics: think Afrika Bambaata meets Drexciya on Mars.
The EP is closed out with “Polo 1.2” - which sees a welcome return of Simeon Jones to vocal duties - pining for a return to his roots - "no matter which way we go". 21st Century Intergalactic home sick blues.
We hope this offering bridges the gap to the next TCTR longplayer, scheduled upon their next trip back home…
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
RAWAX proudly welcomes Russ Gabriel to the Family! The FEROX and Soul On Wax label boss is one of the U.K.'s most respected producers, having recorded nearly one hundred EPs and several albums since 1991. The "Restoration" EP comes directly from the vaults of Russ' endless archives. Timeless music for the Motor City Edition volume ten!
Clear Vinyl
Limited 200 copies / chrystal clear transparent vinylNot much information is available about Librah aside from the fact that the outfit hails from Sweden and that they released the critically acclaimed deep house twelve-inch '2BWU' on Parkwest in 2012, that brought the Deep House EP of the year for those true Loft heads and lucky clouds. 'Out of step", 'Timeless' music. Librah's follow up release on Yore Records is a sure sign of quality, however, and, true enough, My Love is 4ever is what every House Set needs. The perfect balance between deepness and punch. The release splits two Deep House tracks across its twelve-inch, transparent-coloured vinyl sides (limited to 200 copies), and supplements them with a digital-only bonus mix of the title cut. The material's mood is largely one of joy and uplift. The silky smooth title track quickly locks into its snappy house groove at the outset, and then pulls back the curtains to let the sunlight pour in. A bright theme imbues the skipping pulse with flavour, and the track rolls along for seven quietly jubilant minutes, its carefree spirit bolstered by a dreamlike vocal refrain and luscious synthesizer textures. Unspooling at a slightly slower BPM, the B-side's 'Gravity' opens with a sampled voiceover of grave character (When you live in a poor neighborhood, you're living in an area where you have to have poor schools / When you have poor schools, you have poor teachers...) before fixating on the tunes insistently swinging and hypnotic instrumental design. The digital mix of 'My Love is 4ever' packs a punch, too, especially when it pounds a bit harder than the original and sweetens the deal with a funky bass part and a twinkly keyboard riff.
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"
Pittsburgh Track Authority is back. After a five year hiatus from releasing music--during which time PTA maintained focus on expanding the catalog of their labels Pittsburgh Tracks, Love What You Feel, Machine Age Records, and Sleeve -- Preslav and Adam are back with a rejuvenated outlook on music and a renewed sense of purpose. The new album titled PA System is a collection of house and techno written to serve as a document of the past 18 months. As always with PTA, friends near and far, old and new, were a part of the writing process and the album includes collaborations with C. Scott, Santiago Salazar, Stuart Bogie, Nic Offer, Samurai Velvet, John Hall, and Kenny Peagler.
Released by:
Pittsburgh Tracks
Der Artikel ist vergriffen. Wir senden Dir gerne eine Mail, sobald er wieder verfügbar ist. Klicke zum Aktivieren auf "in Stock Mail"




















