House Новости

Tone Dropout's finest Dawl delivers on the A-side, two gems with electro influences, like only he can do. On the B-side is Moxx from the Viennese House and Techno label called Yoshi, with his first solo works after the infamous 'Waves' EP in 2014.

DJ HAUS'S FIRST MIXTAPE OF 2013 HAD EVERYONE FROM SKREAM, DISCLOSURE, HUD MO, BREACH & KODE 9, BICEP, CANING THE SHIT OUT OF IT... MUCH TO EVERYONES SURPRISE.. PLUS RAVE REVIEWS ACROSS THE BOARD DJ HAUS RETURNS WITH A MINI 4 TRACK EP INTRODUCING THE SPACE JAMS SERIES - WOW!!!!

The Barcelona based record store and label run by DJ Bruce Lee is very proud to release the first work from TR, a well known DJ in the Madrid underground scene.
TR was responsible for one of the remixes from the first release on the label. That remix was techno, but his tastes embrace many different styles as we can see now.
"Multi EP" is the second release on Rhythm Control Barcelona where TR, colaborates with Causmin Lizou on the keyboard for the B side tracks.
The A side contains 2 90's infuenced breaks and electro tracks titled "Bassaur" and "EAH (Part 1,2 & 3)".
The B side contains 2 Detroit influenced house tracks, "Fingers De Pollo" and "Gitroit Highlights".

A producer worth following without a doubt!

Ferox brings you four of the UK and Ireland's finest on this 4 tracker.

Staying true to those bottom heavy US house vibes, the Freak is back with a release even chunkier than the first on this imprint.

The mysterious and self proclaimed creator of 'concrete funk' ensures that all four tracks of this release deserve serious floor space.

Side A is a perfect merger off a Chicago v Detroit sound, with jacking drums overlapping deep but never dull chords and stabs. With stabs of vocals reminding the room that you are seriously 'Mackin tha Heat'.

The B-side shows a completely different sound to the freak with chunky acid house sounds accompanied by a track that has a hypnotic techno style groove from start to end.

Netherlands-based LA producer, Diego Herrera returns to the Melbourne party
imprint, Animals Dancing for its seventh release; this time under his Suzanne Kraft
alias. Across three tracks, Herrera showcases his method in the madness, expertly
fusing glistening pads, warm synthesis, razor-sharp percussion & frenetic bass lines

Detroit Acid master Jared Wilson with 4 fresh grooves that makes your ears melt...

Radio Slave enlists two heavyweights remixes from Dixon and Underground Resistance, who reimagine 'Trans' - the twisted, bass-driven cut on Radio Slave's excellent inaugural album.

First up, Innervisions co-founder Dixon offers an inspired retouch containing an amalgamation of cosmic synth arpeggios, each one unfolding in a unique way as the track develops, supported by a prominent vacillating bassline.

On the flip, Detroit techno pioneers Underground Resistance provide a 'Hamtramck' remix features crunchy modulated synths and heavily delayed vocal slices that duck in and out before funk influenced guitar licks resonate alongside a plethora of dark effects.

perfectly merging Detroit & UK Techno heritage

Repress with alternate label-art.

Never Ending Similarities sees MB return to his home base Frustrated Funk to do what he does best. Pushing the envelope while still keeping the emotive part of the music on the foreground. Interfusion Biamp and Never Ending Similarities are two relatively new tracks, both crossing boarders of various different sub-genres, telling beautiful little stories with their gorgeous strings and harmonized synth chords. But for most people the main focus will go directly to Demonia. A slowly building and uplifting techno track, already released on the digital version of his 2009 album Switches, Drawers and Washing Machines that we kept aside especially for this 12''. MB proves once again that he still has his own signature touch that makes his music such a treat and a recommendation to any connaisseurs of fine techno music. Hotness..!

ES-Q already successfully emerged on the scene with the massive club banger 'friend zone' on PXU. With his new EP called enter the system he strikes hard, again 4 straight up dance floor fillers for all the ravers dedicated to bleep!!!

Illusions is the new work by DOTHEDU made of 5 sexy bumping tracks EP which explore over the fields of house music and detroit techno vibes with gentle acid splashes and charming ladies voices.

As per ritual all covers have been individually treated, crafted, handprinted and assembled by DOTHEDU.

Please note: “comes in different individually treated covers, we cannot guarantee which one you will receive”

The 12th Downbeat release comes from the south east of Ireland.
Alan Smith is a producer from Waterford with tracks released on D1 Recordings and Elusive Recordings who loves the analogue sound of 90´s and the sound of Detroit.
"Bump together ep" is one super complete release halfway between House music and Techno, Detroit and Sheffield, and between dancefloors and futuristic chillout which owns all the aesthetic parameters that a Downbeat release should be.
Alan delivers a 4 track Ep with hidden, delicate and subtle melodies, minimalist structures and an excellent job with percussion and mixdown.
But if there is one word to describe this release it is "Deep". Layers of synthetic pads, creative basslines and hi-hats in motion provide deepness to this solid release.

High-Tech-Soul bliss and Ambient Techno magic by one of Scotlands finest! Vital Sales Points: - Transmat, Djax Up Beats, Subject Detroit legend Stephen Brown returns to a.r.t.less - Extensive Global Play by Derrick May

Charles Trees. Myth, tall tale, legend of a human being, one of those people who one minute you'll be scouring reddit for obscure content and the next, stepping on stage to casually DJ to thousands of people like “no big whoop” at a French music festival. Charles is unassuming, the kind of person who effortlessly mixes ghettotech into soul for lulz, who samples a speech (/rant) by Funkmaster Flex in an acid track, or rides BMG & Derek Plaslaiko’s “True Story of a Detroit Groove” with Velvet Underground’s “Sister Ray” for 8 minutes straight.

Charles' relationship with electronic music started early. In high school, Dave Shayman (Disco D) introduced Charles to DJing and he was a regular at Dubplate Pressure*– Todd Osborn's now-legendary record store in Ann Arbor. By 1998, he was already playing on raves in Detroit. A year later, he was the first person to show Zach Saginaw (Shigeto) to Ghostly International, arguably altering the course of our lives forever. In the late 2000s, they became label mates on Moodgadget, the record label of Jakub Alexander (Heathered Pearls).

Through out the years, Charles has been a musical mentor (whether DJing, producing or throwing shows) to many, danced at every weekly at every venue in Ann Arbor & Detroit, produced Hip Hop, and fronted a psych rock band. He has released music on Moodgadget (US), Musique Large (FR), Lovemonk (ES), Vanity Press (US) and JFX Lab (FR). Today, between DJing, hosting radio shows and producing new music, Charles regularly throws shows/parties/raves, and hosts a monthly at Deluxx Fluxx.

We love Charles Trees and we're proud to present "2019," the eighth record on Portage Garage Sounds.

*Additional reading: Dubplate Pressure: was the precursor to Technical Equipment Supply; how Todd Osborn was discovered by Richard D. James and signed to Rephlex Records; where Sam Valenti IV, the founder of Ghostly International, met Tadd Mullinix (Dabrye, JTC, Charles Manier, X-Altera); one of the reasons why we're all here

"Got No"
Hit the ground running.
Chopped up vocal stabs and a playful syncopated melody accompany this percussion heavy two-step shuffle as it speeds down the Lodge on a Friday night in Detroit.

"Think First"
Undeniable rhythm section pocket.
Acoustic bass and dirty ride symbols swing alongside lush keyboards and sprinkles of light melodicism in this psych house banger.
Think St. Germain with CAN playing a warped version of "Rose Rouge."

"In Arms"
Crave the rave. Whips crack and sizzle in this dubbed out techno slapper. A modern take on a classic sound. Trees conjures an era close to his heart: when the warehouse was church and service didn't stop until the sun came up.


"Acja feat. Marcus Elliot ("12 club mix)
Beautifully understated and triumphant.
This closer marks the return of Detroit Saxophonist Marcus Elliot (Detroit pt II - PGS 001). His notes dance and soar over a creeping acid line, while driving drums and warm pads effortlessly take you home in this powerful house anthem.

Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.

After a triplet of solo 12"s, all courtesy of label main man Rupert Marnie, Hamburg-based imprint The Press Group are set to break 2018 in with the multi-flavoured TPG004 - a versatile debut VA that offers a fine close up on the label's whole cast of operating forces with some choice contributions from TPG's core tetrad including Youthman(29), Ten Letu, DJ Dodo and Marnie himself. Mind your backs!

Shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics - clearly aimed at the dancefloor but equally poised for laid-back chill sessions. First release on the label to reunite the entire crew, TPG004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artist's idiosyncratic universe whilst establishing a hyper-modern sound ID, both infectiously funky and undeniably potent.

Casting its net far and wide: from the pared-down astronautical breakbeat of Youthman's 'Aemilia' to DJ Dodo's breezy jacking jazz-footwork hybrid 'The Machine' via Rupert Marnie's lithe ganjah-smelling shuffler 'Health' and Ten Letu's muscle-flexing acid roller 'Ah, You Shot Me!', it's a feast of feelgood beats that you're invited to, neatly connecting the dots between the guys' shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into.

After a couple of essential releases under the pseudonym Epiphany' in labels such as AHD or Semantica, Damian Schwartz is back with his second full length Album. An incredible piece of work highly influenced by Detroit and NY's House and Techno sound.

PADS boss & Klang Club affiliate compiles a few choice tunes that give a insight into his love of lush tones & emotive vibes after connecting with FP for a tribute to the Klang club w/Move D, Christopher Rau + collaboration project w/Easy To Remember

Detroit Chicago crossover housetracks originally released on Terry "Housemaster" Baldwin's Future Sound Records in 1988. Now remastered on Clone Classic Cuts with a fierce Gerd edit!