House Novedades

For the best part of a decade, Fred Peterkin has impressed with his ultra-deep, soul-flecked take on deep house and techno. Here, his Soul People Music imprint gives birth to a new sub-label, Energy of Sound, with the New York producer delivering a double-pack's worth of previously unreleased cuts. Naturally, the standard is abnormally high throughout, with Peterkin variously serving up sumptuous, dreamy fare ("Down Under", the San Francisco '90s deep house revivalism of "Don't Be Afraid"), chunkier deep house rollers ("Memory P"), crunchy dub house ("Dub In The Sky"), and throbbing, tech-tinged brilliance ("Tokyo To Chiba" and the European-sounding "Sybian").

Wowser, what a stunning double feature we have here in our hands today! To all our ibiza amigos and chicas: Cocoon Recordings presents an unbelievable package just in time for the peak of this years Ibiza season. Please welcome Sonja Moonear and one of the greatest house and techno producers of all time, mister Carl Craig! And what a package this is... full of love, soul and electronic dance music highlights. Carl Craig is in charge for CD1 of our official 2016 Ibiza release. The Detroits 90s techno wunderkind and the mastermind behind some of the biggest house and techno records ever made leaves us almost speechless with his amazing selection and mix. Of course we didn't expect anything l

secretsundaze return with SS016 - DJ Qu's mighty SS1 EP. secretsundaze and Qu have developed a special relationship with him playing at many of their parties in London but also at their events in the likes of New York, Berlin and Barcelona.

A full 3 track EP on a label outside of his own Strength Music is rare for DJ Qu so its serious coup for secretsundaze.

Title and lead track 'SS1' is quite simply huge. Definitely one of Qu's most peak time tracks, a slamming groove is underpinned with a bleepy, squelchy sounds and some dramatic synth stabs. This should be a highlight in many DJs sets for months to come.

With 'Fearless' DJ Qu goes deep. A typically eerie yet soulful groove creeps along complimented by deep strings before the sampled and skewed spoken word creeps in. 'Loveboxx' is a dark and sinister track with stuttering drums and more of Qu's trademark treated vocal samples.

The track is really lifted up with some string like keys and this 3rd and final track rounds up what is a masterful display by a producer in his prime.

Chicago's seminal Dance Mania label is back!
The first release is a reissue of the classic Parris Mitchell - Project 12" featuring "All Night Long".
There is more to come from the label so keep your ears open but in the meantime check out this recent Resident Advisor interview with Ray Barney, Parris Mitchell, Deeon, Funk etc -

Five metal-heavy cuts on a clean plate from the still mysterious The Hague based burrow. Comes in all-white all with psychoactive inlay tissue.

Vault Series, Ann Aimée) and an additional remix by MRSK from Sweden (Rush Hour, Skudge, Sushitech). After the succes of their first single 'Intolerance' Ep by Skat with remixes from Jonas Kopp & Norman Nodge, Technorama continue on the right track with this brand new release.
After his brilliant 'Techno Dumping' Ep on Ann Aimée (Delsin's sub label) with support from the likes of Sven Väth, Marcel Dettmann, Jonas Kopp and Ame/Dixon, Sawlin makes his début on Technorama with a sublime darker track. 'Restless' is a masterpiece of energetic dark techno, nearly eight minutes of composition which can't help but remind us of the first productions of Green Velvet ,).
After his excellent remix of Anthony 'shake' Shakir and his record 'Black Keith/Close To Me' on Rush Hour, along with his more recent collaborations on Skudge Records or Sushitech, MRSK signs here for us a masterful hard house remix which contrasts perfectly with the original mix. Enjoy !.
Already support by Laurent Garnier, Josh Wink, Slam, Deetron, Rolando, Dvs1, Jonas Kopp, Norman Nodge, Marcel Fengler, Bleak, Skat, Dj Deep, Samuli Kemppi, Roberto Bosco, Rivet, Dexter, Raresh, Darko Esser, Dimi Angelis, Dj 3000, Chymera, Michel De Hey, Electric Rescue, Nicolas Masseyeff, Percyl, Madben, Arnaud Le Texier...

Keith Worthy The Price of Non-Conformance Long established Detroit talent Keith Worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, The Price of Non-Conformance. T.P.O.N.C. is a conceptual project that takes you on a virtual walk through the streets of Detroit. From a musical standpoint, the sound and feel of T.P.O.N.C. aligns with Worthy's own DNA, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition.

As an export of one of the fastest rising electronic hotbeds in the UK, established Belfast DJ and producer Jordan is developing his eponymous night into a brand new label for 2016. Featuring on point and house and techno from the man himself, Nocturne will also call upon plenty of high profile remixers and really aims to keep the spotlight on the exciting Northern Irish scene.

Nocturne, which started out as an illicit afterhours gathering and has also spawned a weekly Saturday offshoot, The Night Institute, is a party that is very much setting the local agenda and as such has gotten plenty of kudos thanks to tasteful bookings like Roman Flugel, Session Victim and Gerd Janson.

After the success of the parties, the logical next step is to develop the brand into an outlet for quality club beats. The man behind it all is Jordan McCuaig, someone who has impressed with releases on Luke Solomon's Classic Music Company, Extended Play and Made Fresh Daily. Like his home city, he is very much a star on the rise, as this first new EP on his own label proves.

Expert opener 'Killing Mockingbirds' is a jostling, busy cut with warm and dubby drums, loose claps and a fat bass line that rips right through the middle. It's fresh and inviting and has some well sculpted synths to add colour and heat. On remix duties first is Borrowed Identity, one of the breakout stars of recent times who releases on DVS1's Mistress label and the infamous Ostgut Ton. His take on the original is expressive indeed, and the result is a peak time cut with hulking drums, catch chords and knotted bass riffs that really get you going.

Next, 'The Block' is a classically inclined house cut with a wild and rich bassline spraying about between pinging kick drums, spangled synths and explosive snares and is a truly dynamic workout that will make every dance floor jack. The last of the originals is 'Strung Out', and it has rinsing breakbeats, wild, pitchbending tones and a dark jungle energy that makes it perfect for freakier late night sessions.

This one gets remixed in style by Adesse Versions, the acclaimed British techno talent who runs his own label and relates his killer wares on others like Numbers and Local Talk. In his hands it is an expansive, tough house groove with punchy kicks and perfectly smeared synths bringing a great sense of soul to the table.This is the start of a sure to be exciting new label that pays homage to its local roots as well as to Jordan's own well informed dance music understanding. As such, you should waste no time in getting behind it.

Wayne Gardiner is something of an unsung hero in the deep House world.
His productions on numerous labels (Nervous, Strictly Rhythm, Ibadan etc) under his own name, as Classic Man, Logic, Track Masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound.

The EP features 2 mixes of killer A-Side "Come On, Do Anything", 2 mixes of the slamming B-Side cut "I Need You So Bad" and finally "The Basement Jam" which rounds things out. 5 tracks of pure 1992 NYC Garage, one for true aficionados and House heads!

A sought after record among collectors, often fetching around £50 in used condition and now made available again from the vaults, re-mastered, re-pressed and re-issued for the very first time in conjunction with Nervous Records, New York City.

Llangollen's Crow Castle Cuts crew invited GNORK to SPACE OUT Gnork meets Mr Luv*Jam in Budapest in the sweetest Autumn season. A Blorpy Onk tripp through Transylvania and the forest of Hoia Baciu, eventually retreating back to Budapest. These are the tracks that inspired that journey. We also give you another Blind Jacks Journey regular Subjecktive and Gnork's secret 're-dream' edit of No Cursing. This is RAW.4 from Crow Castle Cuts, the final part of the 8 x 12' series as Castel Dinas Bran now lays to rest. Black vinyl.

Jeremy a.k.a. 'Underground Paris' is a renowned record collector & crate-digger. He is the founder of "My Love Is Underground", a vinyl-only label that's been responsible for the revival of the "authentic House groove" in Europe recently. Also a DJ, he travels all over Europe every week-end to spread his message! Pascal Rioux has worn many hats in the music industry over the past 15 years: Founder of Favorite Recordings, Rotax Disques and Big Single labels, he's also known for his many DeepHouse productions in the late 90's When those two House lovers met they immediately got along, building the idea of reissuing some obscure gems on a compilation. This is what My Love Is Underground is all about: a triple LP with 12 rare, underrated or unknown tunes from the golden days of House music, finely picked in Jeremy's collection!

"Aus Music exultantly welcome a fresh signee into the fold in the form of extolled and accomplished producer Recloose. With a 12" that marks the end of a three year production intermission, the Planet E and Rush Hour great readies 'Honey Rocks' - a glowing three-track EP that demonstrates the unwavering talents of a producer with 20 years experience in the game. Having entered a new phase of his career in 2014 propelled by a move to Brooklyn, the nomadic producer continues to develop a hugely impressive discography that's included remixes for Herbert, Motor City Drum Ensemble, Funkadelic and MJ Cole as well as four full-length LPs and numerous EPs on labels such as Peacefrog, Planet E and Sonar Kollektiv. 'Honey Rocks' brings together three deftly structured dancefloor tracks. All as jubilant and groovy as each other as Soul, Funk, Disco and classic House sounds are melded with ineffable flair and skill in a record that reaffirms Aus Music's status as a label capable of not only maintaining consistency but also keeping listeners guessing".

Deep'a & Biri's Black Crow Records further expands its horizons with its seventh release, welcoming another new artist to the family following appearances by 2030, Aril Brihka, Hakimonu, Luke Hess, ROD, Inland and Markus Suckut. The Analog Roland Orchestra's label debut follows the widely acclaimed 2030 EP and shares with it a widening of the label's sonic scope to once again showcase Deep'a & Biri's desire to reach beyond techno and explore ambient and cinematic musical textures. Michal Matlak's Analog Roland Orchestra finds the Poland born & Berlin based producer in the conductor role among an array of classic electronic hardware, taking on the role of shaping & directing a free flowing sound that moves across genres, whether in a studio or live setting. His previous releases for labels including Ornaments, Rotary Cocktail Recordings and Pastamusik have seen the project indulge in an array of sounds across the techno spectrum. 'Aftermath II' is no different, moving from the classic roots techno sounds of 'Plant' and 'Father Detroit', through the dub excursion of 'Urei Dub', to the cinematic, Boards of Canada & Tangerine Dream-recalling pair 'Her' and 'Aftermath. For those with a taste for electronic music's widescreen possibilities, TARO's arrival on the Tel Aviv imprint will be a long term favourite.

ac$ (aka AARON CARLSON) drops this 4 track EP of deep, Detroit tinged house hybrids featuring two tracks mixed by OSUNLADE (at his studio in Greece). His release on the now defunct Portland label STARBASS and his own TRACK 29 imprint have been well received and sought after. Hand stamped with DL.

ac$ has been secretly busy, amassing synths, and exploring improvised jams in his basement in the Parkrose section of Portland. For a time, these loose, exploratory sessions brought in many a wandering musician. These sounds from ac$ where heard by OSUNLADE, who at this point was residing in Greece. Through conversation, a meeting of minds, which led to ac$ making a pilgrimage to the isles, and in return led to several sessions yet to be heard. The mixdowns on this release are the first taste.
These first results of ac$ sessions with OSUNLADE in Greece have brought together dance music and free improvisation. The result at times strikes one of the spirit of CAPTAIN BEEFHEART ala “CANDY CORN”, in that the elements slowly swirl together, with elements wandering in and out, like that of a musician entering and exiting the room, yet the ingenuity and drive of the rhythm track keeps things in a consistent, catchy framework.

(First pressing on coloured vinyl) remastered reissue of Microworld's classic debut ep on Transmat.

Earlier this year we released a Microworld EP with three brand new tracks. In 1999 his debut came out on Derrick May's Transmat label. In hindsight, the sound could have been better - nobody's debut EP is perfect - so we decided to remaster both tracks from DAT, and present them to you on this reissue. A timeless piece of Detroit techno history, made in Australia :-) First pressing on coloured vinyl.

That Delroy keeps bringing it... absolute fire again from L.A. TIP!

After the pre-take before the summer, WPH brings you 'Take 1' in its tribute to the biggest Belgian electronic music heritage...new beat! Four new killer cuts by a 100% WPH family line up, also welcoming long-time friend Aril Brikha to the family.
Take 1 opens with San Soda in his Nick Berlin guise, providing us with some serious acid business to freak out any floor. Aril Brikha goes very deep on his cut, giving us all a very unique interpretation of new beat, exactly the point of this series. Both Sebastien San and WPH head honcho Red D were there when new beat erupted, and so they provide you with classic new beat tracks, taking you right back to the days of slow in Ghent's Boccaccio and Antwerp's AB.

REPRESSED !!

The very first 12" by DEETROIT now being repressed. A mix of house, disco & techno. "DEEFINITION" (A2) feels like ROLANDO's "JAGUAR" with a mix of techno and Latin rhythms. Includes "CATCHIN' THAT GROOVE","DEETROIT" and "FEEELS". Hand stamped white labels. Repressed and back in.

Deep and tripping acid backed with some jazzed out drumworks on the flip... Limited to 400 copies and pretty damn bad ass! *Shop customers - 1 copy each only*
the label say"Producer and boss of Mathematics records, Chicago's Jamal Moss a.k.a Hieroglyphic Being is a one-off musical explorer. Jamal's music takes cues from the EBM and House that played a huge part in the city's musical underground in the late eighties and early nineties, notably Ron Hardy and Adonis, but also Industrial, Avant-Jazz and Noise.

His tireless schedule of rough low-key releases over the last 12 years and his intense, very physical, psychedelic music, have made him a key exponent or maybe even a pioneer of what's recently come to be named 'Outsider House', although he prefers the more Sun-Ra like descriptors of 'Rhythmic Cubism' and 'Cosmic Be-Bop'.


His releases, much like his music, have straddled House labels and the more leftfield avant garde electronic imprints with ease. However his deeply held Afrofuturist intent and the discipline of his radical designs set him apart from the pack. Always moving forward, his music is an ever-evolving transmission from his mind to our bodies, or as he sees it, a form of meditation that the supple, tuned listener will enjoy immensely."

Third vinyl release on Frole with James Barnsley from Leeds. "Want To Be" is a deep house track with strong vibe and catchy vocal. Including fantastic mixes from the legendary Chez Damier and the Italian Samann (Traxx Underground).