A1 Carsten Meyer in the Plaid remix The Black Dog remix of Lalo Schifrin’s “Bullitt": That was the wishful thinking directed at Plaid and what comes from England without customs? A Groovy Shizzel ;) A2 quadratschulz in the Lowfish remix Everything from Suction / Canada is THE nerd shit! Richard D. James likes to borrow something analog from them, e.g. a Yamaha cs5, see SAW2 album cover. B1 Cosmic Cars in Thee Church Ov Acid House remix. Since the cosmic highway was tarred by 47IN4 & RVDS, a freeway church had to be built. A mysteri-ous sect from Frankfurt took pity and acidjunglete the exit. B2 Rosaceae in the John T. Gast remix Visit Europe, this is possible there. Cover: Alex “Alex Solman“ Solman
House News
Dance music legend Mark Archer returns with our own Shadow Child under the M.A.S.C alias with the Grandstand EP.
2 new slices of new dance floor hardware come in the shape of 'Grandstand' & 'Bumpy Shit', and the much in demand original 'Rise Up’ and instrumental is finally yours.
'Grandstand' pounds its way into the lead spot with earth shaking drums, acid lines and rave bleeps whilst 'Bumpy Shit' does exactly what it says on the tin.
After Jimmy Batt setting the bar very high with his “Retrospection” LP, OPIA Records invite two modern day innovators of dance floor energy to create their eleventh release. Taking up a side each on the record we have Rakya’s Idris Bena, and Slowlife affiliate, Paolo Mosca - a combination you never realised you needed.
Bena kicks things off with his elastic grooves and futuristic melodies in “Miss K”, constantly evolving, a certain signature of his sought after sound in recent times. “Blood Moon” is another playful journey that leads you towards “Home”, a pacey and animated encounter.
On the flip, Italian maestro, Paolo Mosca makes his mark with his precise and well executed productions. From a DJs point of view “Different Places” is a statement track, to catch the party in the moment, beautifully arranged with deep strings and a vibrant organ line. “Orion Trance” steers the ship in a different direction, melding together rubbery acid bass and euphoric synths.
Two producers in their element, sitting strong on the evergreen OPIA imprint this summer.
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This is the signal, pushing vibes out to Andromeda. Nostalgia that touches the future. Obscure but surprisingly universal. It serenades, excites, builds up, bleeps, and destroys, raving vicariously for those born later, rocking down the house, waving back, acid house texture, breakbeats, indulgent music, dancing together like it's the last day, bright and burning fast, too much flavour for the future. The Sound of Limo presents James Andrew's "A Slice Of Nice".
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This time round we have a double announcement to make.
Here at Seven Hills we are joining forces with our esteemed friend Bobby. over at Pleasure Club to roll out a brand new collaborative series: Seven Pleasures. We’ll be bringing you the best from both with a run of seven sinfully good releases to ignite the senses.
First up on part 1, we have Omar and Bobby in cahoots on the A side representing the Pleasure Club camp; their heavyweight offerings make dynamic synth lines and shrewdly stripped back breaks the focus. Whilst on the Seven Hills flip, we have our friend, beat conjurer and mastering artiste Thee J Johanz, with his tracks flaunting the perfect measure of carefully crafted hypnotism and harmony.
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Feines Tier is kicking off in 2021 with a top notch EP by St. Petersburg based brothers Radial Gaze. Andrey is an electronic musician, producer and mixing engineer, resident of the club "Skotny Dvor". Stas is a sound designer, theatre director and author of music for theatrical performances. So non-trivial synthesis, new media and club vibes meet classic arts and Russian percussion! The Apollonius EP contains three original tracks plus remixes by the likes of Roe Deers and SHMLSS making this record just a perfect club music ride. Vinyl diggers are appreciating the beautiful artwork of the limited and hand numbered edition on black plastic
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It is truly a family affair over at 7 Days Entertainment. Butterbandz, the youngest son of 7 Days Entertainment label head Big Strick, gives us his debut EP titled Legacy. This freshman EP of the youngest of the Strickland clan is nothing short of what you would expect from a family member deeply rooted in dance music from Detroit. The first song off of the EP is a vocal track from BBZ with help from the artist Marc, who is a rising vocal talent from Detroit associated with the 7 Days imprint. If You Don’t Dance is slated to be an anthem among the scene for years to come. It evokes you to get out there and move your body. It brings the energy from start to finish with excited high hats, a grumpy bass and an admirable synth pattern. Things slow down for a more relaxed groove on Free Roaming, a laid back chiller with a smooth synth and a mellow bass of pure delight. Its reverbed synths take you on a never-ending journey through your own mind. Hellraiser is a straight high-octane pure adrenaline rush. It has the soul of true Detroit techno. The unforgiving drum and percussion pattern shines brightly over an acid bass line and catchy synth keys. The last song on the debut EP, Monkey See, closes the project out with a bang. An offset drum knocks on top of an offset synth and warm pianos. The flute is complementary and the percussion ties it all together nicely. Butterbandz shows unparalleled promise for more top-notch projects in the future
Some tunes can teleport us to the right place - you just need to close your eyes and let yourself go. With Overtunes 002 it is not the exception. Cape's label is back with Cordero's first solo vinyl debut you can't miss. The young Argentinian talent has finely produced 4 club-oriented bangers showing strong influences of 90's house, acid, progressive and electro.
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Born and raised in Indonesia, Omar Joesoef built this EP with samples of old records of ethnic music that he has found in an abandoned radio station on Java island. Named Lokananta, it is one of the first radios setting up in Indonesia in the 50’s. The recordings in Omar’s EP come from rituals and meditative chants of one of the last tribes still living in the ancient way, completely disconnected from the modern world.
Chants of Gorontalo opening track is named after a province of Indonesia located on the island of Sulawesi. Over there lives the Dayak tribe who still follows its ancient traditional way of life. They practice rituals to communicate with their ancestors using chants and meditation. This first track is about a prayer for harvests, fertility and prosperity. Dayak is a very intimate and enclosed tribe, keeping themselves away from modern society. These recordings of them singing found by Omar in Lokananta radio station are very rare and special. Lokananta is also the first record label of Indonesia, releasing recordings of wayang performances, speeches, Javanese orchestra. It is a great source of inspiration for Joesoef’s work.
Morning World track is a reading of a Java old story about a mythical creature called Gatot Kaca. Searching old records in his storage room, Omar accidentally found somewhat of a scripture in ancient Javanese. The meaning of it came from his family. The script was released by Kraton, an ancient Javanese royal palace, and was passed down on Omar’s mother’s side of the family. The story is a simplified folklore called Wayang, a traditional form of puppet theatre play from Java island. Omar found a Latin version of the script and asked his friend Sasha Alatas to read it in the way he used to hear it at Wayang plays when he was a kid. To complete the track, Omar made some minor manipulations of the voice and added a few samples of Lokananta records such as bird sounds and environmental soundscape.
“It’s the Heat in the Room” track conveys a strong and powerful energy with consistent heavy bassline, snappy snare, groovy percussion ensemble and vocal samples of the Dayak tribe. The song emulates the adrenalin rush one might feel in the middle of a night hunt. Some of the sounds chosen reminds of the echoes that may be experienced in a dark cave when a single stone breaks on the floor.
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‘Code of Conduct EP’ the second instalment from Obia Records takes the labels sound through a darker path. Sinful acid spirits are summoned to drive out the past period of solitary confinement in which we all linger. ‘Discharge’ the records main cut is built by a solid acid line and crispy clear drums that highlight the slow tempo. ‘Code of Conduct’ continues on a similar pattern but with adverse drum programming that shapes the feeling of inner conflict. ‘Ethic of Reciprocity’ completes the cycle of healing with a more rhythmic and uplifting vibe and warm pad. All tracks were made with an original Roland TB-303.
“To Will One Thing”… determine what it means in your life.
the second Laen Disc 12” following last year’s ‘Attention Renders Our Reality’. hand stamped & numbered in NYC. 150 copies.
blessed to finally get a club test this autumn, play ‘em loud when you have the chance. see you out there.
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Extending their branches once more, the System Error brand presents their latest offshoot - Party Bombs. A catalogue which will be dedicated to the peak times of the night, covering various strains of what they may entail. Looking to find a consistent spot in the record bags of the party starters amongst us.
The opening track by Oshana, “Everlast”, boasts nostalgic synths, and an energetic drum arrangement , inaugurating the Party Bombs Various Artists Series with a dynamite production. Sitting comfortably as the A2 is “Party Bass”, a debut outing for DJ Stroboscope who some might know under different names, an artists shrouded in mystery only illuminated by the stroboscope flashing through the thick fog covering the peak time dancefloor, a chunky slab of dancefloor chemistry, consisting of a winding sub bass, and direct drive from the word go.
On the flip side, Obsidian steps up with a playful and animated groove in “Hall 46”, smooth sunshine sounds cruising the openair party into fifth gear. The ice cold hip hop vocal samples bring all of the characteristics of the track together. Closing proceedings is a slinky and enthusiastic power house track from Magic Doz. “With You” presents raw old school elements with a modern day twist.
Bombs by name, bombs by nature.
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A thirst for all things alien encompasses the philosophy behind Sex Tapes From Mars - a brand-new vinyl-only imprint demanding humans to take them to their leader. So, two questions: who’s helming the record stores, and what message are they trying to deliver? For their inaugural release, the label beams down a VA from three impeccable rising stars intent on supplying some much-needed freakishness to Earth.
Nemo Vachez sets the bearings for outer space with ‘Overload (Interstellar Rave Mix)’ – a sulking electro and acid intro that rambles with all the madness of a spaceship determined to veer off-course. It’s imaginatively paced, with scorning breakdowns and a lethal sense of some threat sitting on the horizon.
Muelsa loads up a biological weapon of warfare with ‘A Message’, aptly named largely for its ruthless electro lines and a drawling voice asking for the answer to an age-old dilemma: “Please tell me it’s aliens? Maybe they’ve got rhythm too”.
The signal glitches to Hubz for the close. ‘Fly By The Comets’ reverberates with great waves of synths before lunging into the first of two menacing drops, riffing and warring against some unseen force before exterminating the target.
Wherever this UFO’s destination is set, all eyes are clearly watching. Sex Tapes From Mars delivers emotionally ambiguous cinematics for the dancefloor, so space helmets on and buckle in for the ride – the thrill is what makes it fun.
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"A Broken Clock Is Right Twice A Day" EP is comprised of 7 tracks recorded in Kazan and Moscow during various sessions. Some of them go back as early as 2014 and everything is composed on two 8-track samplers.
Alina Izolenta and Kamil Ea were born in the USSR, so the origin of the acronym PTU is embedded in everyday life of a country, which no longer exists. The duo spent their childhood in Siberia and on Volga, and their salad days in music schools and early clubs of their respective home cities.
Back then accessing the Internet was only possible via pre-paid cards that came in envelopes. Music — via pirate CDs and endlessly slow mp3 downloads. Friendships would stem from copying music from hard drive to hard drive. The name PTU came to life in the middle of 00s, in a rented apartment, literally the last building in some street on the outskirts, over impromptu synth sessions with friends.
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The question 'Who is DJ Steve?' gets closer to being answered with the exciting release of his second EP on Klasse Wrecks. Following on from the first EP, the very well recieved 'Mainline' EP, WRECKS036 brings more of the heat that DJ Steve is becoming known for. Direct lines are traced to back the formative years of UK Rave and Bleep music, production techniques are kept stripped back and faithful to the classic combinations of those numbers 808, 909, 303 and 101. 'Secret Touch' is a melting pot of acid lines, perfectly placed chord stabs and atmospherics that wouldnt sound out of place in a Sheffield warehouse in 1992. The three original tracks are backed up with a hypnotic and perfectly grooved-out remix from Klasse Wrecks boss Luca Lozano.
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We're glad to introduce you to this new french house label Juice & Jam with this first release produced by Steven Wobblejay (ex Steppah Huntah and half of Creative Swing Alliance duo, with Pablo Valentino). Steven released many records the past few years on labels like Quintessentials or City Fly rec. He delivers here a 4 raw house tracks ep and pays his tribute to 808 & 909. Old school refreshed Chicago style in a way. The beat, the bass...
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In France, when the party’s over and the sun rises, when you have to leave your friends or one night’s lover from the dancefloor, you always hope that there will be a « Partie Remise ».
2019 is over but to begin 2020, Pétrole Records is back with a new Various ! Alongside the label residents, they invited producers and friends Chevals and LBTQ, to deliver this five tracks compilation, bouncing from house music to garage.
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- A1: Lerosa - Uneasy
- A2: Tin Man - Afters Acid
- A3: Vc-118A - Silver
- B1: Erika - Violet Fungus
- B2: Tm404 - Rysa
- C1: Achterbahn D’amour - 7_Edit
- C2: Marcellus Pittman - Unknown Species
- D1: John Tejada - Squillo
- D2: Sepehr - Persian Acid Prince
- D3: Wata Igarashi
- E1: Sw. Chalanjazzz
- E2: Donato Dozzy - Morena
- F1: Skudge - Bite
- F2: Patricia - Higher Still
- F3: Aaaa - Extended Fantasy
Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.
That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.
This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.
Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.
Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.
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RAWAX is very honoured to welcome a true House legend to the family. Mr. Roy Davis Jr joined forces with us to present some of his greatest releases re-mastered & back on vinyl!
We're starting with "The Wild Life E.P." from 1994.
Added on board the Chicago house production team Phuture, as a replacement for DJ Pierre, Roy Davis Jr. later followed his mentor to New York and worked at Strictly Rhythm, recording his own singles for Force Inc., Big Big Trax and Power Music. Originally born in California, Davis moved to Chicago's south side early in his childhood. After being turned on by legendary acid-house pioneers like Phuture and Lil' Louis, he became a DJ and began producing as well, with his first single, "20 Below," recorded for the Jack Trax label.
Roy describes the music that he makes as "soul electrica"; soul music mixed with electronics. His style has changed and grown up through the years as he has been going back to his spiritual roots in house music, away from the sound that he once was associated with - Phuture's "acid" and "wild pitch." The sound he is working on is expanding more on the soulful side combining an unmistakable deep funk sound of Chicago.
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The second release of Roof Records comes from the italian-based duo Orbes!
A brilliant ep with 4 dancefloor tracks, influenced by house and techno sounds from the 90’s with spacey atmospheres and analog basslines.
The ep is already supported by artists like Ivan Iacobucci, Anthea and Oshana to name just a few.
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Fourth installment of Syntetyk’s record venture comes in the split format – a collab between Mchy i Porosty and DogPatrol. Both artists sharing a love to the dirty and nostalgic, both writing their narrative on the respective sides of the 12″. A side guardian, Mchy i Porosty, is a spirit residing deep in the Polish woods. By twisting and mutating the soul of the forest with his craft, he was able to produce a very distinctive sound on the edge of euphoria and delirium covered with ruthless saturated drum work. On the B side resides DogPatrol, a notorious player overwatching the streets of Mannheim, Germany. Just like that murky tape you played loud while riding in the night, he asserts total dominance with his unique mixture of oddities, brutal patterns and razor-sharp technique.
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10" / HAND-NUMBERED / VINYL ONLY / NO REPRESS
We hereby present our fifth and filthiest Pulpiece of Corn.
Ever since our first black label hit was set loose, government actions led towards a temporary ban of all flip side acts (Untitled B, AA, etc). All available resources were hence redirected towards our class-A line.
A hammering bassline, exotic Sampulp, fruitful talks and a dose of pulpy acid are part of the new deal.
Untitled IX aka Corny Chuva OG
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The 2nd release for Re.You on connected - The Brixton / Berlin based label - distributed by Kompakt Records and run by Terranova and Stereo Mc's.
1. 'They Vibed' Featuring Lazarusman. The Master of Tech House electronic soul grooves Re.You teams up with Lazarusman South African Slam Poet and vibemaster. A machine-like groove with driving pistons and staggering drum stabs rises with the introduction of shakers and bass synth pulse and prophet like counter strokes on Re.You's musical canvas. Lazarusman strolls through this mechanical environment scattering his train of thought from the beatbox of my mind' , this really does groove and vibe' .....easy riding and freeform.
2. 'Try To Sleep' . Classic Re.You- An energetic , springy groove that feels like an early summer day with hypnotic , spiral movements in synthesis and female cinematic whispers and shimmering hi-hats and a very 808'esque feel to the groove. Atmospheric Hypnotic and vibrant. Future music.
3. 'They Vibed' Featuring Lazarusman. (Vinyl Version) Excellent vinyl only version stripping back to the original and providing minimal/drone landscape and enhancing the Lazarusman poetry to full effect.
Australian label Ernest’s Way is back with their follow up to last year's debut.
Featherstone makes a return with his Tunnel Vision EP, a 4 track release that explores some of the early musical influences that shaped his sound.
Expect chopped up drum breaks, melodic acid lines, swelling JX pads and a few sneaky vocal cuts.
- A1: Eg111111 - Tascamp
- A2: Eg111111 - Eg & The Sea
- A3: Weith - Centrifuga
- A4: Weith - Member Backup
- B1: Velum Break - Anchovies
- B2: Velum Break - Wristy
- B3: Inget2000 - Ovasen
- B4: Inget2000 - Drummania2
- C1: Jerry La Flim - All Face Forward
- C2: Jerry La Flim - Glass People
- C3: Bill Vortex - 3949 Choir
- C4: Bill Vortex - Aquaplanning
- D1: Space Trash - Sender Station
- D2: Space Trash - Iscape
- D3: Omnibusraider - D6Rktw1N
- D4: Omnibusraider - Vel0Cify
- E1: Jfrank - Extra Hammer
- E2: Jfrank - Out Of The Woodwork
- E3: Caramel Chameleon - Storia Vera
- E4: Caramel Chameleon - Gele Kamer
- F1: Ccf - Mcpepe
- F2: Ccf - Sign This Dream Relic
- F3: Bitraete - Note
- F4: Bitraete - I Like You
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Release number 3 on Eclair Fifi’s River Rapid Imprint comes from rising Belgian Producer/DJ 'DC Salas'.
RR003 - collects four brand new tracks that DC himself describes as “My vision of what dancefloor music is. I’m always trying to find a way to show club music is not all about kick and snares, but also about emotion and melodies.”
Hailing from Brussels with Peruvian origins Salas has been active on the Belgian and European nightlife scene for 12 years now.
As a DJ - DC represents a diverse range of influences and no boundaries making him a rising star on the circuit all across Europe with plenty of club/festival dates planned in 2020.
As a producer he’s released EPs and remixes on prestigious
labels such as Relish, Kuratedby, Kill The DJ, B-Pitch Control, Correspondant and of course Biologic Records, the label he co-runs with Abstraxion since 2012.
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The Sound Wizard behind the name The Small Crowd is Martin H. His influences are all over the map and he's been remixing, producing, arranging for other artists in Sweden for some time now.This is his solo project where he blends his heavenly, mostly instrumental, mix of electronic music with a classical string quartet (Rosa Kvartetten).Adventurous and beautiful.
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"4 Heaters courtesy from Bruno Schmidt's Domesticated imprint, just in time to see some dancefloors again. A side has a retro feel; Sohrab opens up the VA with Miami Vice reminiscent "Mnemonic". juxtaposing styles and influences, it has all the ingredients to see more than its fair share of summer terrace action. Levat delivers a
steppy electro-boogie jam on the inner side, with delicious drum processing. B1 courtesy of Omar is a skippy, spooky workout, and the B2 from Ukrainian Sasha Zlykh for more melancholic afterhours mood rounds off the VA in solid fashion. Something for everybody on here."
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Following previous sold out instalments from Yadava, EVM128 & James Rudie, Partner Music, High Praise bossman Hugo Mari steps up to the plate for the 5th instalment of the label’s lauded edits series. Two action-packed, vinyl-only, bombs set for dancefloor detonation, the A-Side 'Tired Of Sitting Down' channels the past year's sedentary frustrations into a joyous invitation back to the club, whereas on the flip 'Acid Locomotive' is an intense, driving number, complete with uplifting fanfares and (as the title suggests) a little acid-tinged addition. It’s good to be back.
Having steadily honed his soulful sound over the past few years with releases on Heist and Freerange Records, as well as amassing over 2 Million Spotify streams, Hugo has marked himself as one to watch in the UK’s vibrant electronic music landscape. His knack for fusing organic musical elements with driving rhythms and emotive melodies, allows him to craft beautifully uplifting music that works beautifully either at home or on the dance floor, winning support from Jamz Supernova, Tom Ravenscroft, Nemone, Complex, Stamp The Wax, Ransom Note & many more.
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- A1: Man Tear Night - Fantastic
- A2: Lukas Nystrand - Von Unge Sans Titre
- A3: Off The Meds - Currency Low
- A4: Baba Stiltz - L.o.v.e
- B1: Adrian Lux - Teenage Crime Axel Boman Dub
- B2: Bella Boo - Boyboy
- B3: Qaadir Howard - Bloodied And A Mess
- C1: Kornél Kovács - On Roofs
- C2: Dj Koze Hawaiian - Souldier
- C3: Sofia Kourtesis - Winwin San
- D1: Pedrodollar - Reality World
- D2: Axel Boman & Miljon Forgot - About You Piano Version
- D3: Superpitcher - La La La Land
- E1: Paradise Alley - What Road
- E2: Torolf Stendik - World Is A (Disko Dub Ii)
- E3: Thomas & Jonas - Lågsäsong
- F1: John Talabot - The Change
- F2: Whispers Beirut - The Champion
- F3: Moonilena Stone - Talk
The first Studio Barnhus compilation, Studio Barnhus Volym 1, is coming out at the end of August.
The 19-track release will feature music from the Stockholm label's three founders—Axel Boman, Kornél Kovács, Petter Nordkvist—plus various associates, ranging from local newcomers to superstar friends of the label like DJ Koze, John Talabot and Superpitcher.
It'll be available on triple-pack vinyl, double CD and in all digital formats from August 31st.
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We are happy to present our 8th release, The Orange One, which is due to hit the shelves somewhere around the beginning of this summer! This EP is signed by a young and really talented producer Clafrica. Originally from Catania, this cool dude is now residing in Edinburgh UK.
In addition to the three fresh cuts from Clafrica, we invited our very own Disrupted Project to round the release with a remix and as you can hear, he delivers.
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limited release
First solo EP for MMMH! You might know him through his highly qualitative project Loop Exposure or from his past appearances on Lumbago’s Ninja Tools Series.. Generally present alongside numerous artists or with his duo, now it’s time for him to leave the herd, to take his flight and live his own adventures. Heroic sounds, complicated layers of driving rhythms, haunted stabs and acidic wizardies are composing what is definitely the darkest side of Mmmh.
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5 tracks of pure heat of various styles from members of The Black Lodge global family. A1 is entitled "Atmospheres" from the ever-talented Michigan producer JTC aka Tadd Mullinix Bopside/Nation/Ghostly. A2, entitled "Arreskni" comes from newer Chilean artists MU-GA, a track we released in digital format last year from their debut EP. Finishing off the A-side is Italian super-duo SONS OF TRADERS SOT/Frigio/Black Lodge aka Tans X Mike Tansella Jr. with the acidic cut "Indianapolis" also released last year by BL on tape and digitally from their first full length album entitled "Crollo Nervoso". Side B blasts off with the early Chicago house inspired track "Passion" by prolific Dresden producer SNEAKER Uncanny Valley/Rat Life/Frigio. Closing off the comp is a dirty warehouse banger/burner by e-spirit, a new alias from LA producer DELIVERY LA Club Resource/Valcrond Video.
Finnish Inceptum Records returns powerfully with this electro & detroit techno oriented four-tracker from the label boss Forehard.
In the Motorhome EP (Inceptum005) Forehard takes his listener in a journey through his inspirations as well as musical interests – as he firmly builds musical mosaic where every sound finds its unique place.
The A-side begins with a dreamy title track that takes you to the deep and rolling sounds of the motor city.
A-side ends with an epic acid electro with tasty bassline and melancholic melodies which gives light into darkness.
The first track of B-side is an iconic and powerful melodic techno track.
Safe warm pads, percussive drum work and chicago style bassline combines it all into one.
Last track of this ep is totally dancefloor burner, which shows producer’s many-sided talent.
This electro is created from bottom of the black heart of the deep blood of a dark and dirty acid sewers.
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After the 13th tape release, HMD Records has compiled it’s first EP ever - with various artists, from Helsinki and Oslo. The music on the record is made by friends and colleagues of the Oslo based label and party promoter, HMD. Four tracks that vary in tempo and genre according to the artist’s different production styles.
All tracks are connected by deep chords and a passionate drive, labeled with (slightly naive) working titles about various stages of love. Very romantic, keeping in mind that HMD stands for "Hjemme med Dama" that roughly translates to “home with the missus” in a tongue in cheek kind of irony.
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The Uruguayan master Cabanelas, one of the owners on M.E.R, is making his debut on Abstrack Future label with a Ep that goes from classic/present to the future, Including Cape Edit
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Chicago Basement Trax flexes its muscles and enlisted the services of one Chicago's Crown jewels of the Underground in the form of one Mr. Jordan Fields. Apparently only deep connections in the scene or a history of teenage friendship yields you access to this sort of Magic on vinyl! Nothing but Pure authentic 1980s + a bonus disco dub! Wow! Surely at this point Chicago Basement Trax is looking to reenforce their mythology while also stating the obvious. No doubt this is the pure uncut raw from the man with the plan himself so let's see who wants to see the Provenance now Want to trip more Rumour has it Vincent Floyd is coming next. Do what needs to be done and get this now.
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The Dwellers is the first Various Artist’s release under Satta Records. This release consists of six tracks featuring seven artists from New York, Berlin, Paris & London. The Dwellers is a deep jazz house collection of tracks with the combination of downtempo & ethnic genres.
Smoked Vinyl
Just in Time for the Summer closing Karussell Records presents his second - Vinyl Only - release KRSL002 | Negroni EP
On the A-side, Júlio Cruz from Cologne is bringing some soulful vibes to the dancefloor again. „Where is Your Luv“ combines some sparkling discosounds with lots of filters and rhythmic layers until a touch of acid kicks in. The Remix comes from Oliver Aden & Luis Cruz (Karussell Records) Feat Ufuk K with the Club Banger Version.
The B-side is written by the Italian Brothers Dario La Mazza & N.i.O., based in Zürich Switzerland. Coming Out with three wonderful Tracks predestined for your summer. Influence from Disco to 80s , the beat grabs you instantly, matching atmospheric vocals to soap up any dance floor.
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Acid House re-release alert! For the first time after its initial release on Playhouse Records, Roman Flügel’s sought-after and classic Acid Test 10“ is available again. Now, Remastered from the original recordings. But, before writing an essay about the art school of TB303-acid-tracks, we hand it over to the man himself to hear about the genesis of this project:
„I’ve always enjoyed Acid House the most when it still has that raw simplicity.
When I recorded Acid Test One & Two in the bedroom of my parents’ house around 1993, Acid House was of course already an established genre since it’s origin in Chicago in the mid 80’s. But Acid Test was actually the first time for me to record an Acid House session I was finally happy with.
It took the usual suspects of the Roland TB 303, TR 808 and TR 909 Machines along an Ibanez Time Machine Flanger and some cheap Yamaha Digital Reverb, to create the perfect balance of the few ingredients that makes good Acid House so powerful. Two or three attempts of mix downs before the right version was recorded to DAT Cassette - only some of my own favourite records were made like this and I’m happy to see it’s re-release on Running Back so many years later.“
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And We Finally Heard Them Singing » is the first release of Umbra and the first release on Magma Records. The Brussels based producer and magma co-founder produces frenetic yet refined and emotive tracks. His signature palette gathers melancholy and tension with a DIY approach, sampling and mixing live sounding beats and electronic percussions. A large range of influences are morphed into this record showcasing a perfect blend of organic warm sounds, melancholic pads and electronic production.
House music legend Ian Pooley readies ‘Studio A Pt. 1’, the first of a three release series, for Radio Slave’s Rekids imprint this September.
Active since the early 90s, the German DJ/producer has released on the likes of Force Inc, V2 Records, and his own Pooledmusic, as well as remixing for the likes of Daft Punk, Deee-Lite, Carl Cox and many more.
Here though, Pooley arrives on Rekids with his first ever contribution to the label, delivering three direct and grooving house tracks.
Leading the release, ‘Basic Juno’ sees modulating synth lines deftly placed around chunky drums accompanied by pulsing basslines and shimmering pads, before ‘Close Your Eyes’ brings a dose of trippy vocals and shuffling percussion amongst interplaying hardware for a punchy start to the B side. ‘303 (2 Bars)’ brings the release to a close with pounding drum machines, meaty acid lines, and blissful leads.
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Red Vinyl
With this three-cut EP, Andy Vaz pays tribute to Choutsugai, a Deep House DJ-and-promoter crew who booked him for many years of Tokyo gigs. Inspired by the unit’s love for “No Fairytale Luv feat. Detroit’s Eva Soul on Vocals.” Vaz decided to put it out as red transparent vinyl for VAZ-UP-001The two originals Tracks were created at Deutztroit Studios in Cologne, with vocals by Detroit’s Eva Soul on all three and “No Fairytale Luv” receiving a charged remix treatment from fellow Detroiter Niko Marks. The EP’s sound is classic Vaz, his own productions especially. The original “No Fairytale Luv"struts mightily, its pumping groove bolting from the gate with an acidy bass pulse, congas, and sparkling synths. With Soul draping her, yes, soulful musings over the energized groove, the gurgling floor-filler indelibly brands itself as Vaz’s craftsmanship. “U Got It Unlocked” is less urgent by comparison, this one more focused on a relaxed, funk-inflected swing given a subtle Latin feel with the addition of percussive accents. Soul again muses dreamily, though this time in a production that’s as much electronic reverie as club track. Of the three cuts, the EP’s primary house banger is undoubtedly Marks’s “No Fairytale Luv” makeover, which stomps even more forcefully. This one is a floorfiller
Kyiv label Criminal Practice presents its foremost, the third compilation of dance smash hits. The release starts with the sharp and slightly ruffian track "Underground Legends" by the duo Virtual Reality, which consists of the co-founders of the Ukrainian label - Ghetto Sunrise and Roma Khropko. Then it's time for invited guest Kebab Traume and his composition "Tribe" - full of acid and raw tribal energy.
The B-side immediately adds intensity with the creation of another participant in Criminal Practice, Vlad Stuparenko. His "Engel" is an explosive mix of underground tech-house with proper acid notes, convincing and functional. It, in turn, resonates as much as possible with the final track of the compilation - "Kinetic Hearts" by Roma Khropko. A playful and compositionally enthralling canvas, fitting perfectly in any selector's morning set. Whistling on the dance floor is guaranteed!
Label Misprint, Sides don't correspond to details on artwork
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On a newly arisen Amsterdam – Berlin axis, Daniel Monaco and Sauvage World unite for their first collaboration EP on San Francisco based Roam Recordings.
“Paninari On Acid” is a twisted tribute to the first golden age of Italian electronic music. Israeli talent Niv Ast turns the trip into a dance floor bomb, leaving no choice but to move with its chubby bass and synthetic lead lines.
“Teneré” was not only one of Milan’s paninari favourite motorbikes but – most importantly – means “desert” in the Touareg language. This is where Monaco and Sauvage World are taking you for a lysergic adventure filled with sand through a solitary land.
Fabrizio Mammarella brings it back to the age of the machines and delivers an hypnotizing electro version, brilliantly mixing the Arabic tinged nuance of the original with unstoppable killer rhythms and robotic vocals.
Acid fans may well be aware of DJ Arg (also known as Faceless Junkies Deluxe) and know that the man is a machine, literally churning out hundreds of the nastiest and most purist 303 based Techno and House tracks and uploading them with alarming regularity to his soundcloud pages .
Super Rhythm Trax is proud to present to you his first vinyl release, it was really hard to decide on just four tracks, but these ones were jumping out for a release. Sick and twisted 303 abuse for lovers of the silver box.
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Amrint Keen is the new alias of Lake People, reserved for his dance music productions with a rather Electro feel to it. And he has something to tell... It's a welcome return on Uncanny Valley after the release of "Break The Pattern" last year. "Believe" has so much punch that the glasses in the club run the risk of falling off the bar. However, it still manages to create a feeling of yearning. At "Dancing in the Parking Lot" we welcome Uncle Acid on the dance floor or in front of the petrol station, just to be carried away by warm synth cascades a short time later. Finally, "Natural Homeostasis" creates a symbiosis of stomping bleepy British techno and a great day with your blankie.
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Completing a red hot trio of remix EPs of Calm’s By Your Side album is this final part with Lucas Croon, Cantoma and Gallo and Yuri Shulgin all serving up expansive and mind altering new versions.
He doesn’t release often but when he does you need to listen to Lucas Croon. His unique take on ‘Before Landing’ is a proper dance floor heater to get you on your toes. Once you're there, a gentle rush of rave euphoria tases over you and sends shivers down your spine as old school breakbeats and glowing pads complete the trip.
Elsewhere, long time Balearic pin up, scene hero and all round blissed out boss man Phil Mison has a new album corn gin the spring. Before that, he becomes Cantoma for a timeless version of ‘You Can See The Sunrise Again’ that has bright blue skies and jaunty chords making you move.
Regular label artist homie Gallo is in the form of his life right now - he's resident DJ at Hell Yeah's weekly Balearic night Buena Onda in Berlin, has a growing reputation for being one of the best eclectic selectors in the game and is currently working on compiling the forthcoming BUENA ONDA comp with label head Marco. He gets long legged on his deep cut remix of ‘Sky Color Passing’ which is another killer that slowly but surely works you in a slow motion acid trance.
Completing this most exquisite outing is Yuri Shulgin, a multi-instrumentalist music producer from Tajikistan with credits on Cocktail d'Amore Music. His spellbinding take on 'Ending of Summer, Beginning of Autumn' is a fusion of jazz, leftfield and electronica will have you in a spin and your head lost in the clouds amongst the twinkling stars and cosmic pads.
Already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated Israeli duo Red Axes make a surprise left-turn onto Phantasy with a three-track 12', 'Sipoor'. Unsurprisingly, the results are as pleasingly out-there as the occasion requires.
Following on from last year's self-released LP, 'The Beach Goths', 'Sipoor' immediately announces the Axes' uncompromising return to the front and centre of the dancefloor with the raw, provocative 'Bad Time Story'. Brazen, brash acid triggers this particular tale, as Red Axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s.
'Sipoor' takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. His wish (and we hope, yours) is the Axes' command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks.
Concluding the 12', 'Teroof' takes each of Red Axes' signature ingredients - deeply rhythmic EBM-inspired drums, spiralling electronics, unapologetically odd vocal distortions - and reconstructs them amid what sounds like the Monaco Grand Prix, as high-velocity motors speed past the soundscape, kicking up some serious dust. Red Axes 'Sipoor' drops on Phantasy Sound in 22nd June 2018.
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The time has come for us to present you with what is probably our most anticipated record to date. Bearing the catalogue number DT004, Casiopepe EP was originally set for release in the Summer of 2020, but got swept away by the pandemic whirlwind of production issues and broken dreams. We couldn't simply let this one slide into ob-livion, however, and so finally here it is, every sound teeming with hope and joy. Casi-opepe is the lovechild of two experienced producers and good friends working between Warsaw and Berlin. Together, they create addictive, masterful and un-mistakably Euro-leaning dance tunes, as is evidenced on their eponymous release, where echoes of trance, acid, and continental disco are moulded together - with a touch of nostalgia, but with a decidedly modern execution. Big snares and big break-downs that melt hearts and spark real jubilation - what more could you want from a dance music record? The cover art - an exemplary exercise in typography - is the work of Artur Ole? (aka Chino). Fall in love to the sounds of Dom Trojga.
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*Limited to 300 copies*
New label, Subterranean Odyssey kick things off with a bang with their 1st release. 3 huge tracks from the rising Slovenian producer Eliaz which perfectly sum up both the label's vision and the artist's style.
Eliaz' energy instantly manifests itself upon listening to this record. The A side is a powerful 9 minute journey followed by two equally strong club-ready tracks. B2 is cut directly from Eliaz' live act from summer 2019.
The music certainly does the talking with this one, enjoy!
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Another X-Kalay OG returns to the label this summer and we couldn’t be happier :) It’s not a huge overstatement to say that Lucas’ first record on X-Kalay, “Ataraxia”, was somewhat of a milestone in the development of both artist and label, and it has been a huge pleasure to see him go from strength to strength since its release just over two years ago. These days it’s fair to say that Lucas is one of the most exciting young artists in the game - with a finely crafted knack for electro, and the 303 in particular, pretty much second to none. We’re super proud to welcome him back with his next effort -“Lifeforms”.
The emotive opener is “Amongst us in Harmony” - steadily building through deep pads and bouncing arps, the now trademark Lou Karsh acid bassline ever present. Coming in over 8 minutes, it’s a truly galactic track. “Internally Vexed”is a more stripped back affair. The breaksy groove is underpinned by the snappiest of snares and shrouded in celestial pads, the masterful use of the 303 demonstrating one of the sharpest and slickest basslines you’re likely to hear this year >:0
On the flip, “Alien With a Subwoofer (Skyline Mix)” is pacey club material built around deep wobs, a seriously wiggly 303, and carefully constructed pads building subtle tension. The sound of aliens redlining straight through your hood. Rounding things off, title track “Lifeforms” is beautifully crafted deep electronica; full of emotion and lush pads, otherworldly atmospherics and yearning synths.
This is a special record, and some of Lucas’ best work without a doubt. Don’t sleep!
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Dora Exp is a new label exploring the intersections between gritty MPC drums, opalescent synths, outer space soul and acid grooves, managed by dj and producer Andrea Passenger.
‘Hi Power’ is an intense gospel-infused stomper, delivered both in ‘regular’ and acid versions. Is it House? Disco? Undoubtedly it’s unique and challenging. “Begin’n” moves in faster techno-ish territory, while B.Monk rounds the edges with its smooth midtempo boogie tones.
After his electronic works for Icon Of Desire, Ai Records, Electronique.it, Tabernacle, and his groove-oriented edits for Light Touches and Rain&Shine, Andrea Passenger is back again with something quite diverse and outstanding.
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Lysergic DIY acid house from Estonia, ca. 1995/1996. Cheap machines, romantic literary inspirations (the record is actually inspired by Saint-Exupéry), not a lot of air in the room but enough to keep on dreaming. Loud pressing for serious brain melting. For fans of Irdial, Stroom, rubber hammers and queens that are simply lost in fog or drowned in dust.
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