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After the successful Calypso Rose's 'Far From Home' album, Because Music will release a two remixes EP for the Record Store Day. Those remixes are made by the South African Mo Laudi. His work is considered to be in the vein of Jamie XX's music. Forget the thorns, because she has them, and without delay pick this (Calypso) Rose who, at 76 years old, looks fresher than ever. Calypso Rose was always a fighter and had to overcome hostility from her father, a Baptist preacher thoroughly opposed to her pursuing a musical career. And she was sexually abused as a teenager, as she bravely confessed in Calypso Rose, Lioness of the Jungle, the 2009 documentary about her. A tireless worker, she composed almost 800 songs, starting at age 13, and spent 17 years singing on cruise ships for the New York-based company Celebration At Sea, before playing on the legendary stages of the Apollo and Madison Square Garden with two of the greatest calypsonians, Lord Kitchener and Mighty Sparrow. Calypso Rose is a fighter indeed: you don't survive cancer and two heart attacks without a solid dose of grinta.

Black Vinyl Repress

Greece DJ Snatch & Blacksoul joined forces to create Those Guys From Athens based on their mutual love for Boogie sounds. Expect dancefloor fillers and soulful sounds around from the globe.

Their smooth slow disco sound has reached the attention of DJ Supermarkt very quickly. They were part of a lot of YACHT DISCO EDIT compilations so far.

But this time we have more than just new Edits.

Some time ago they did a low key rework for famous 80s US Disco band Champaign (yep, they had a megahit with “How `Bout Us”) and their song “I’m On Fire”, which made its way to Pauli Carman, head of the band, after it was played on BBC 6 in the UK. He loved the new version so much, that he gave permission for TGFA and TSTD to release the slow jam masterpiece officially.

We are superproud to give you: “Burnin` Up (feat. Pauli Carman)”!

The duo already released music for Midnight Riot, Too Slow Too Disco, Act Of Sedition, Bonfido Disques, Spincat Music, Little Jack, a.m.m.

In between they have released a 2 track EP with Dim Zach and an official remix for Swiss talent Animor.

Ahhhh, we've been waiting for this one !

E-Versions taking us back to classic Mark E edits a'la his Womack & Womack favourite on Jisco & the monumental R & B Drunkie, from a few years back.
'The Shoe' takes on another perennial classic and weaves its hypnotic magic so well

Flip for 'I Don't Know What This Is' another trademark Mark E treatment, taking a handful of albeit very wholesome ingredients and concocting an irresistible & dynamic dancefloor feast...

The mystifying oracle returns !

No dark-arts dabbling here fellow seekers, just the keenest divination via 5 new messages from the other side
The Disco spirit realm opens to deliver a joyous early 80's rarity & a psychedelic funk masterpiece.

The literal 'other side' houses a stripped down electronic disco delight, a holy grail funk-rock secret weapon and a dub workout that's heavy enough to raise the dead !

The PPF are now back in full voice it seems...
It's been 15 years since their beautifully packaged series of EP's found their way into the world's best record crates
And after two recent & very well received releases on Hot Peas 'N Butter, we get four more certified floor-fillers from the vaults.
Constructed as club-ready reworks for their own sets, this pin sharp selection appears here as a one-off limited vinyl release.

A 4-way of their most wanted secret weapons for the faithful, these re-tailored & timeless classics are the sonic manifesto for preserving those good ol' Dirty Basements.

repressed !

FrescoEdits is back with his 3rd volume of the saga, including a
pumpin’ remake of an italo-disco tune, a proper cut from an
afro-disco track, a disco-remix of a very well known
international pop tune, and a loopy mix of an italian supercool
song. Party time stompers as usual!

The man with the funky plan is back! Known for his groovy disco edits, Todh Teri is back with Deep In India Vol. 9. This all new record features another fellow sampler and old time record digger - Kone Kone.

The album starts off with Sampadan 30 where Kone Kone works his magic to bring out delicious crossover disco beats that characterise the charming 80s flowing into the alluring 90s of the Indian cinescape, with the old school glam of electric guitars and synths. This thumping track is followed by Sampadan 31 which is reminiscent of Chicago house but with Todh Teri’s classic Indian touch. Next up is Sampadan 32, with a simple yet funky bassline and juicy vocals that make you travel back in time to a golden era, making it quite an enticing vibe. Find solace with Sampadan 33, the final track on the record, a quintessential dub version of another classic that will make your head bob and drift you off to a safe & happy place.All in all, this record is wholesome as it has something for each and every listener with a brilliant illustration by Costanza Chandra in collaboration with Masala
Movement

Sometimes there's a huge talent out there and you desperately want the whole universe to discover it. That's pretty much the story of Parisian label Chuwanaga with young French artist Koji Ono, composer and producer of these four precisely crafted gems, recording everything by himself. Brilliantly mixed by Greita from Disques Flegon, his first EP Incognito is the product of a lot of influences, from Metro Area vibes to the original Britfunk sound. With an inner sense of elegance in the arrangements - something we may link to his Japanese heritage - The whole EP brings musicality back on the dancefloor. We believe this could be the beginning of a great story for this talented musician, Koji Ono emerging from the incognito shadow to the whole light of the world.

Straight Outta Belpaese,
MORE disco - exotica - balearic
- Italo-funk for the demanding digger.

Duper, the new release from Morgan Geist, is a not-so-subtle callback to his 2001 EP, Super. "I was working most days with Kelley Polar on our new vocal project, Au Suisse, which isn't really dance music at all," he explains. "I started fooling around with these instrumental tracks at night for fun. Each track was in a different style, but they seemed to work nicely as a group. By the time I asked Kelley to contribute strings to the A-side, the record really started feeling like the sequel to Super."

Super Duper ­- get it?

Indeed, the playful synth riffs and sweeping disco strings of "Twilight Express" echo the palette of Geist's cult classic "24K" and early Metro Area. "Black Test Car" is a unique collision of minimal, almost Krautrock-style drums, sound library textures and spacy electro percussion. Meanwhile, "Feeling Is Mutual" is a rare acid outing that pushes beyond the usual comfort zone, the 303 acting more as feather than hammer on top of major-key modulations. "I love a lot of Aphex Twin and I love sweet, "quiet storm"-style R&B," says Geist. "I figured, why not?"

Palm trees, Pina Colada’s and crystal-clear seas – Austin Ato comes through with that beachside business for Pantai People, offering up a four track edit EP of summer sun, bottled up, ready and waiting to be popped.

IIt ends, with the release of Chapter 5 and 6, the "COSMIC TEMPLE" project

by Daniele Baldelli.
Six 12" vinyls containing a total of 18 unreleased tracks inspired by the sounds of Cosmic Disco of Lazise (Verona, Italy), where Daniele Baldelli was resident from 1979 until the end of 1984. The six covers, taken together, form a unique artwork that shows the COSMIC logo interpreted by the graphic studio "Drudi Performance", the top in the Racing Design, creator of the helmets of Valentino Rossi, on this occasion became deeply involved with the music world.
Chapter 6: In TAXON he intertwined saxophone, free voices, funk, jazzy and electronics. KEVLAR is headed by a strident and wandering guitar on a carpet of percussion. 33VS45 is a piece composed to be played at 33rpm but also lends itself to be proposed in 45rpm in Daniele Baldelli's style, accustomed to propose records played at the wrong speed for unforeseen effects.

After a succesfull repress of its first EDIT SERIES leaded by German chief DELFONIC, Nómada Records is ready to kickoff 2021 with its well known Split Series called “Nómada White” which this time features amazing music by uprsising stars SofaTalk (Italy) and Last Nubian (England). They both have released music on labels such as ANMA, YAM, Cognitiva, Flat White Recordings and Moment Cinetique to name a few.

NOMADA WHITE Pt. V is a six track Split EP, where SofaTalk & Last Nubian deliver three originals tracks each. On the A side; SofaTalk will blow our minds with three broken beats and jazz infused masterpieces where he joined forces with Singer INBAL and keyboardist Veezo. On the B Side; Last Nubian makes his
return to the label with three impresive soulful deep cuts alongside Dougan on B1 Farewell Boogie and Sweet Fruity Brunch on B3 Brown Be My Caller.

As the head of Berlin's eminently respected OYE Records, it's no surprise Markus "Delfonic" Lindner would come correct with the edit heat for his first outing on Razor-N-Tape. The record starts out smooth and summery with The Flow, a club-ready rework of an underground Jamaican disco classic, followed by the furious afro-boogie stomp of "SPF." On the b-side an extended percussion jam builds ferociously and finally drops into a lovely lesser-known revamp of a killer disco anthem. Music is Love indeed!

After a sell-out EP by Rahaan in the spring, Dublin label Fatty Fatty Phonographics returns to the home of house with two murky 21st Century excursions aimed straight at dark'n'sweaty dancefloors.

Rahaan flips the script here with 'Secondo Coro Della Lavendie', a propulsive update of Roberto Di Simone's 1976 modern opera piece of the same name.
Over the years it's become a cult club hit in Chicago, Detroit and Montreal and found it's way into the record bags of the likes of Brennan Green.
The title translates as 'The Song Of The Working Girls' and it sounds like it, a hipshakin', Afro-delic chant married to a relentless b-line and wired Chi-Town electronics.

On the flip-side comes DJ Darryn Jones, yet another Chicago native with a bottomless record collection and the production chops to know what to do with it.
'Mouth Passion' weaves elements of The Flirt's 'Passion' in and out of another ruff track of rumbling percussion,raw bass and spooky sound effects and comes out right on top, transporting you down into a darkened basement with your eyes closed and your disco fist in the air!

The mystifying oracle blesses us with more supernatural selections ! As the spirits return to the other side, it seems they left us a goodbye gift...

By turns a salvia soaked stroll through sweaty disco shamanism, an uptempo synth powered wig-flipper, backed with a Disco-Soca grail & a persuasively pokey paean to North Africa.
As usual, no info to be had, other than a cleverly plotted out Ouija of the label name, some very fetching old school blue master bag sleeves & four incredible cuts of secret origin via the mystifying oracle that is Mutable...

NYC's Disco powerhouse West End Records should need no intro. The home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. The label started by one Mel Cheren (RIP) with assistance from Larry Levan and more way back in 1976 is still held in such high regard today with it's catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. One such admirer is one of the UK's longest serving DJ's and editors, a truly legendary Northern selector who's unique reel to reel DJ sets and reworks has gained him fans worldwide and continues to do so. Ladies and gentlemen, we give you Greg Wilson's West End versions, 4 tracks of unparalleled funk touched by the man himself who has also kindly supplied some choice words about this special release:

"West End has a particular place in my heart. Along with Prelude, it was my main go-to label during the early '80s, an underground New York powerhouse issuing a relentless run of now classic and cult-classic club cuts during the time I was DJing at Legend in Manchester. For me personally, the label is forever connected with this then futuristic venue, West End's progressive approach to dance music, incorporating electronic elements to play a key role in ushering in the Electro-Funk era, finding its perfect environment at Legend, with tracks by Stone, and especially the Peech Boys' hugely influential 'Don't Make Me Wait', providing major stepping stones. This is a project that holds a deeper resonance for me, given my personal relationship with the label, and I'm so happy to contribute the series; the 4 favourites tracks I selected for this release illustrating West End's best qualities - serious grooves and soulful vocals.

The edit of 'You Can't Take Your Cake And Eat It Too' by B.T. (Brenda Taylor) was originally featured on my first Credit To The Edit compilation, back in 2005, whilst Raw Silk's 'Do It To The Music' was also edited around the same period, but has never been made available until now. 'Keep On Dubbin'' by Forrrce, although not as big as the other inclusions at the time, was an ahead of its time hybrid, mixed by Francois Kevorkian, whose dub awakening had taken place the previous year, and Shirley Lites 'Heat You Up (Melt You Down)', which draws from the instrumental 'Melt Down Mix', the version of choice at Legend, where dub and instrumental mixes often trumped the main vocal versions"

A truly golden era of dance music history, all killer - no filler! All tracks featured re-edited by Greg Wilson and re-mastered, re-pressed and re-released with the permission of and in conjunction with West End Records, New York City / BMG. '

Mark Lower is back, and Nervous Records once again hand over the reins to the Nu-Disco prince for his second full length album.

Through a series of high-streaming single releases and high-profile remixes, Mark has firmly established himself as one of the freshest sounds in the ever popular Disco-inspired House Genre.

His relationship with Nervous Records goes back to 2013, when he released his break-out hit “Bad Boys Cry”. Since then Lower has gone on to see his discography on Nervous alone reach over 150M total streams, and he has developed an especially productive relationship with the A&R Director Andrew Salsano where he has full confidence to constantly push the envelope of genre and format to continue to be a creative leader in the industry, knowing the label will stand behind and work in tandem to bring his sounds to the widest audience possible.

It took Mark 7 years (and a break-up) to release a new LP.

On « Blurry Dreams Of You », Mark explores new horizons while also keeping his famous signature sound on a few cuts.

While his first album « Mark Lover » (2014) was 100% made with virtual intruments and synths, « Blurry Dreams Of You » features talented musicians like LEFTI (bass / guitars), Pete Whitfield (live strings) and Edouard Musiala (Sax) among others.

On the vocal side, the album features good friends like Scarlett Quinn, Yota or Alexandra Price, but also the amazing Scavenger Hunt, Adeline, Alena and Leeloo.

Reuniting on record for the first time since 2015, The Rhythm Odyssey & Dr. Dunks arrive on Phantasy with a double-barrel delivery of legitimate weirdo disco, ‘El Cid’. Comprising of Chicken Lips’ own Dean Meredith and crate-digging DJ extraordinaire, Eric Duncan, both tracks come complete with additional playing from

Andy Meecham, AKA, The Emperor Machine. Initially rolling like an eighties-era cop show theme, ‘El Cid’ gradually prises open a wormhole of rubbery machine funk, unleashing an electromagnetic weapon that seemingly triggers each and every drum machine and synth in the duo's respective studios. The resulting jam, comprising patches of wonky key work, frenetic
percussion and an anything-goes approach to FX, is a nail-biting, hip-shaking showdown between collaborative chaos and dancefloor (dis)order.

In response, the hide of ‘Fast Leather Jacket’ arrives stitched with a parallel patchwork of sonic pleasures. Cosmic and tropical in even measure, this is hard-wearing club apparel tailored with a deliciously catchy melody and guaranteed protection from musical tedium, subtly shapeshifting from is-it-balearic charms to a delightfully mixable freestyle conclusion.

Here at Z Records, we believe, quite simply that the world is a better place thanks to our good friend Madam Disco. Where would we be in 2021 without Chic, Sylvester, or Donna Summer? Let alone all the wonderful underground disco releases both new and old. A world not worth thinking about in short, this is why we have collected together the finest, most exquisite collection of disco music and presented them to you here.

We have exclusive brand new remixes, re-masters, and unearthed some of the rarer cuts from the vaults of the label and disco world in this bumper package that celebrates Disco in all its forms. Highlights include a brand new Dave Lee remix of Italo disco classic Firefly 'Love is gonna be on your side' and previously vinyl only remixes from Larry Levan and Blaze. A new song 'Sensationalized' from Crackazat. Digital exclusives from Ruffneck, Masters of the Universe, and a Walter Gibbons mix of the classic 'Set It Off'. Disco is a beautiful thing.

Next up on Toolroom’s 4-track vinyl sampler series is a tasty collab from label founder, Mark Knight and dance music royalty, Armand van Helden, a fresh new edit of a revered club weapon from Julio Navas, Gustavo Bravetti and David Amo, Kiss FM regular, majestic and Sydney-native Alex Preston.

Up first label boss, Mark Knight enlists Grammy nominated Armand van Helden for their debut collaboration, 'The Music Began To Play'. Kicking off with a hard-hitting house groove and electrified bassline that drives the record, before dropping into the track's golden moment and sampling the 1979 classic disco cut 'I Don't Need No Music' by T.J.M; a gem of a record that encapsulates both Mark and Armand’s love for classic cuts.

Next up, a record that became a cult hit of the underground and one that defines the true sound of Toolroom's heritage, Julio Navas, Gustavo Bravetti and David Amo’s 'Raw'. Refreshed for 2022, we see one of France's hottest exports, Tony Romera, deliver a high energy, club focused remix of 'Raw', bringing the classic club record back to dancefloors and sound systems across the globe!

Up next is another heater from Majestic, who debuts on Toolroom with ‘Annie’. Recapping one of the hottest summers on record, Majestic embodies the Balearic, Ibizan heat, sampling Kid Creole & the Coconuts 1982 hit, 'Annie I’m Not Your Daddy', turning a slice of calypso / disco, into a club ready record for the dancefloor. From the brass melody to the hooky guitar riff, majestic lays down his signature style with a Groove Armada-esque vibe throughout.

Rounding things off is label favourite, Alex Preston with his unique blend of 4 to the floor dance music and live funk guitar riffs that have swept through clubs, moving feet, and bringing those feel-good vibes. Ticking all the right boxes on this one, 'Hunching' kicks off with its infectious groove and bassline, throwing in some lush strings, guitar flits and an 80's inspired saxophone break that adds some serious flavour to the record.

Desert Island Edits isn't just another re-edit label, but an outpost to turn forgotten Disco, Italo and Balearic gems into brand new extended versions and modified remakes from the talented and elusive Carlos Cezaro.

Desert Island Edits No. 1 starts on a high with Cezaro's 'MJ's Vacation' which transforms 'Rock With You' into a 21st Century Balearic groover.
Warm chords, dreamy brass and a hypnotic bassline. This one has the right ingredients to move anyone from poolside to dance floor.

Over on side B, Carlos takes on the 80's soul classic 'Sexual Healing' and constructs a low-slung groover with lush Rhodes keys and ethnic hints, perfect for those lazy sunsets and warm evening sessions.

Keep an eye out for future limited releases from Desert Island Edits as well as beach parties and guest appearances from Ibiza to Bali, spreading the Desert Island love throughout the globe.

Limited hand-stamped numbered copies...

Back in stock, limited number !

MIXMAG: online review for Dust (Dimitri From Paris remix) April/May

This is the Second time Dimitri From Paris and Cotonete have come together since 'Paribbean Disco'

Their vinyl sold out immediately on release.

Philly’s Universal Cave crew have been putting out top notch edits and mixes on their own imprint for nearly a decade, including the beloved Soft Rock for Hard Times series.

For the first time, Universal Cave teams up with another label, Pleasure of Love, for a release of reworks, delivering 4 stitched up dance floor heaters. Variety pack of choice cuts here - reggae proto house, lo-fi 80s digi funk, peak-time piano charged house de salsa, and driving atmospheric italo. All expertly re-rubbed, from the vaults of the Universal Cave.

‘Flashmob’ is the second studio album by French electronic music
artist Vitalic. 2022 sees a reissue of this seminal record on white
vinyl. While the electro foundations of his sound remain the same
after more than a decade, these tracks are sleek and innovative -
proving that Vitalic spent the years between his debut, ‘OK
Cowboy’, and this album uniting everything he’d learned from
making electrifying dance tracks since 2005. ‘Flashmob’ provides
cuts that are classic Vitalic, with massive synth lines and hardedged beats.

A recent Billboard No 1 containing full length DJ versions previously unreleased on 12 inch - featuring the full length funk version alongside House versions from Chicago hero Mike Dunn, and Baltimore's mighty DJ Spen & Thommy Davies. Pressed on Red Vinyl

Featuring Angela Johnson

‘Music like this cures your bad days, it's got heart, soul and positivity’. Italian DJ/producer Duo Micky More & Andy Tee have teamed up with frequent collaborator Angela Johnson, for a remake of Stevie Wonder's classic ‘Do I Do’ and an original new single titled ‘Not Your Average Kind’.

Two uber-produced funk, soul, disco masterpieces. The sheer work that went into these is astonishing and the results are clear to see.

DJ Support:
Dimitri From Paris, Tedd Patterson, Kenny Carpenter, Terry Hunter, Michael Gray, Floorplan, Dr Packer, Dave Lee, CJ Mackintosh, Lenny Fontana, Ron Carroll, Derrick Mckezie from Jamiroquai and many more.

Sometimes, - despite today's high-octane, fast-track and hyper-hysteric music business - you come across things that seem so pure, perfect and poetic that it almost hurts. "Socialo Blanco" is one of these objects.

It appears understated at a first listen, startling at the second and totally enamouring by the third run. To lay it all out on the table: it sounds like a Music from Memory re-issue, looks like a Growing Bins Records discovery and feels like a flea-market-hippie-uncle-record-collection find.

Based on the language (coincidences and misbehaviour included) and direction of the classic EMS Synthi AKS and recorded by hand and directly to tape (no midi, no sync, no computer), it is at once out of time and out of touch with current sound aesthetics, but that only makes it even more contemporary (vintage) - like a great piece of furniture.

Unsurprising, if you know that Feater is helmed by Daniel Meuzard. Hailing from Vienna and having made a name for himself as a trustworthy and skilled studio equipment dealer and working closely with producer and studio engineer Sam Irl, the man has a knack for turning yesterday into today.

Already is his project's second album, "Socialo Blanco" is the result of all of this and some magical and effortless sessions. The voice of Vilja Larjosto from Finland and Ghana's Eric Owusu (Pat Thomas, Ebo Taylor) on percussion, spontaneously invited to the recording sessions by fellow Viennese Giuseppe Leonardi, are the icing on the cake. All of that and especially the non-conformist pop song "Time Million" symbolizes the heart and soul of an album that deserves to be billed as such. And that is no mean feat.

Mannheim’s First Touch joins boogie aficionado Patrick Gibin’s Mother Tongue imprint for a straight nasty selection of no-nonsense modern funk - backed by a killer beatdown boogie remix from the legendary DJ Spinna ft. Reggie B. First Touch have over the past decade dedicated themselves to true, analog boogie and have been hailed as the Kings of modern Euro Funk with sought after releases on Star Creature and Omega Supreme.

It’s with a heart brimming with pride that Bordello A Parigi welcome Italoconnection back to the family with their latest album: Midnight Confessions Vol.1. The team of Fred Ventura, a legend of Italo Disco, and Paolo Gozzetti, a stalwart of Italian electronics, arrive with eight tracks that shimmer with sun-kissed synths and love-filled lyrics. A strew of like-minded musicians have been called upon to bring their own unique ideas and styles to this album. Sweden’s Tobias Bernstrup offers his vocals in the environmentally minded “Rainbow Warrior,” while the unique and unmistakable voice of French pop icon Etienne Daho sings in the charged “Virus X”. Modern day electro-disco maestros feature with Carino Cat collaborating in the warming rays of “The Year of the Sun.” Newcomers to the scene are also represented, Francesca Diprima’s voice accompanying Fred Ventura’s in the lovelorn lament of “Since You Went Away”. And at the heart of the album are Ventura and Gozzetti; a record that explores classic themes while introducing a wider commentary, a collection of bold brilliance and synthesizer subtilty.

Heist Recordings regulars and all-time good guys Fouk are back! Their ‘Blue Steel’ EP is filled with their signature grooves, chords and samples and might surprise a few of you out there. The sound design is top notch as always and there’s some rough edges on these tracks for an added bit of depth and personality. Next to that, the boys collaborated with the talented Dutch saxophone player Rebiere, who features on the title track. The EP holds 3 originals and a beautiful remix by Girls of the Internet. We can assure you that this EP on Heist - their fourth on Heist since their critically acclaimed ‘Kill Frenzy’ EP back in 2015 - is one you don’t want to miss. The EP kicks off with the gritty live jam ‘Blue Steel’, where Rebiere’s saxophone solo is accompanied by a killer bass line and some lovely off-kilter percussion. It’s deep, it’s jazzy and at the same time it’s a track that packs some serious peak-time punch. ‘Don’t you want to Boogie’ ups the tempo and energy and can only be described as a 100% feel good filter-house track. It’s got loops, loops and then some more loops. Mesmerizing, funky and unpretentious: this one is just here to boogie. The B1 is reserved for the low end thump of the Girls of the internet remix of ‘Blue Steel’. After having released his album ‘Girls FM’ only a few months back and a remix compilation for UNKLE, we’re glad he found the time to work on the remix and deliver this gem of a track. GOTI goes for an eyes shut, dancing-in-your-bedroom version with smooth keys accompanying the sax solo. Last but not least, ‘Money’ shows yet another side of Fouk’s sound, where we see the boys throwing in some beefed up disco funk. The tongue-in-cheek vocals and the squeaking acid line recorded over at the Dam Swindle studio together make for a

Spencer Miles' debut on Bordello A Parigi with two hard banging electro-disco tracks to wreck the festivals and clubs this summer!

Volume 20 of Attack the Dancefloor kicks off with what we think will be a future classic – ‘Atlantia’ by Level 42’s Mike Lindup. A stunning mid-tempo boogie cut with great spacey production, excellent lyrics and an extended mix by Dave Lee.

Next up is Lazywax’s synth heavy, 80s soul style rework of the forthcoming Raw Essence ‘Do it Again’, the original being featured on Produced With Love 2.

Flip it over for Dave’s much played take of Jungle’s crossover hit ‘Keep Moving’, which gives the song an authentic bassline driven disco mix. Last up Chicago’s Emmaculate delivers a live instrumentation filled afro disco version of Doug Willis feat Zeke Manyika ‘Dougswana’.

The thing with biscuits is, you can rarely get enough. Luckily the second batch of extra crunchy disco biscuits is fresh out of the oven courtesy of Luv Shack Records! On “If You”, Lee Stevens teams up with Ken Hayakawa for a slab of high octane house music, followed by Das Komplex’ “Odmewianie”, a quirky mid tempo balearic number with strong Belgian new beat flavour.LeSale goes full on nordic disco with the upbeat yet mysterious “What Lies Beyond”, and, lastly, Jakobin & Domino deliver a flawlessly floating house shuffler by the name of “Square One”. That’s the way the biscuits crumble!

Hot news: There's significant evidence that the material for Schnitzel Cuts 5 has been created on steroids and therefor unfit for serving to the general public. Those seekers of pan fried & breaded perfection should be cautious.

Both sides have been seen to cause serious energy boosts on the dance floor. The heavy low end and suspense of the 'Strategy" and the all-out string and horn extravaganza of 'Were you ready for that" make this an energy packed dish that's best served with extreme care.