House Vinyl New Releases - News

There's some splendid expressions in soulful and spiritual deepness on offer on "African Power", the debut release by DASCO on Local Talk.

The opening track, "African Power" is a fine example of DASCO's creativity, a carefully crafted composition focused around a strong bassline, layers of percussions and melodies with instant hooks.
Up next is Trinidadian Deep with a remix that is both rich and spellbinding, proving once again h's a producer that extends beyond the dance floor when it come to producing music.

On the flip legendary producer Anthony Nicholson remix of "Keep Movin'" is a precision translation that brings the original into a whole new context.
While the original is powerful and moving, with DASCO adding a tribal vibe, Nicholson adds his unique riffs which emphasises the track's soulful elements.
Two versions for the mind, body and soul.

DASCO is proof that determination, talent and dedication pays off and this release is a joyous and deeply mesmerising journey with a unique house perspective.

Second installment of the Parisians Get a Room! on Insane Dances label.
This time the duo deliver two original tracks on the A side and have given the task of two remixes to I:Cube on the B side.

A1:The EP opens with an exotic dubby slow-mo track with a Cajun vocal sample gimmick supported by a heavy acid bass-line.

A2: New-beat is the key word here! A late mid tempo 80's Belgian beat style is mixed with Eastern influence to remind us of the Belgian good times sound.

B1: I:Cube gives us two different remixes of A1 "Cochon Toi Même" on the B side. The tempo rises into a dubby ethnic tribal vibe. Perfect for the late DJ set.

B2: A reinterpretation of "Cochon Toi Même" again, but this time with a more 90's feel. A fast light break-beat rhythm takes us on a psychedelic space journey, full of fxs and spacey pig sounds for the more adventurous

Originally released as a 12” single in 1982, ‘Every Brother Ain’t A Brother’ was the final record from Brooklyn multi-instrumentalist and producer Freddie Thompson’s Panaché band. Built around a fully cleared sampled bassline from ‘The Message’ by Grandmaster Flash & The Furious Five, ‘Every Brother Ain’t A Brother’ plays out like a summertime stroll through New York in the early 80s. The streets are full of excitement, but as the lyrics, written by vocalist Denise Williams (not to be confused with Deniece Williams of ‘Let’s Hear It For The Boy’ fame) make it clear, they’re dangerous as well.

Thirty-nine years later, Isle of Jura is proud to present the first official 12” reissue of ‘Every Brother Ain’t A Brother’. A cult classic from the disco-rap era, the reissue includes the original vocal and instrumental versions of ‘Every Brother Ain’t A Brother’ plus a Jura Soundsystem special version with additional live percussion.

Originally made up of Freddie, his wife, the singer Debra Thompson and keyboardist Douglas Glover, Panaché formed at the behest of a local disco DJ, Carl Nelson. In the wake of Chic’s early singles, Carl felt a French name would give Freddie a competitive edge. “He explained it to us that it was a French word for style and elegance. Panaché, a step above chic,” Freddie reflects.

Business minded, Freddie formed his own label, Roché Records and joined SIRMA - The Small Independent Music Manufacturers Association. “It was very hard for the independent manufacturers to get airplay and distribution at the time, so we all came together,” he remembers. Through SIRMA, Freddie met Joe and Sylvia Robinson from Sugar Hill Records, who several years later, let him sample ‘The Message’ for ‘Every Brother Ain’t A Brother’.

In 1979, Panaché scored some radioplay when they covered ‘Not On The Outside’ by ‘60s D.C R&B group The Moments. Emboldened, they brought onboard backing vocalists and recorded their only album. This Is Panache saw the band blurring the boundaries between soul, jazz-funk and disco and become a sought after collectible.

By 1982, Debra had stepped back, and one of Panaché’s backing singers was center stage, Denise Williams. “Denise was good with writing poetry,” says Freddie. "She had one called ‘Every Brother Ain’t A Brother’. It was about the unrest that was going on in the city at the time. I thought I could do something with that.”

After releasing ‘Every Brother Ain’t A Brother’ in 1982, Panaché quietly moved from center stage to behind the scenes. Over the last thirty-nine years, Freddie has continued to work in the music industry as a session musician and producer. “As soon as we stopped trying to become stars as Panaché, we became busy working in the industry,” Freddie laughs.

*5y anniversary repress on coloured vinyl*

Undoubtedly the darlings of electro-pop, Satin Jackets finally unveil their debut artist album, 'Panorama Pacifico' featuring a string of cameos from vocalists familiar and exotic, jetting in from LA, Berlin, London, Belgium and Australia.

Scaling the heights of the Hype machine from their first release to the latest, and clocking up almost ten million plays on spotify, Satin Jacket's original brand of diva funk and smooth disco has whetted the tastebuds of the likes of Majestic Casual and i-D mag who said the duo's "super sexy, infectious house music is filled with the vibe of summertime." Their smash single, 'You Make Me Feel Good' has accumulated close to three million plays on Soundcloud (https://soundcloud.com/satinjackets/you-make-me-feel-good) and Youtube (https://www.youtube.com/watchv=nYFEf7Y1Gco) concurrently.

"The idea came from our character, Mr. Satin Jackets, who's been travelling the world quite a bit the past two years," explained Tim Bernhardt, the founder of the duo. "Four continents, about twenty countries (in), he's on the West Coast and takes a break. He watches the ocean to put his mind at ease and (out pours) Panorama Pacifico."

This idyllic perspective is launched by the vocals of Scavenger Hunt, the Los Angeles-based electro-pop 4-piece, charted by Billboard and featured by the likes of Nylon mag. They explain about their contribution, "Feel Good' feels like jumping into a cool pool on a hot summer day- refreshing, exhilarating and sexy." Nigerian born and Birmingham based UoB's Got Talent winner, IsaacO contributes to 'Keep Moving On'. He explains it's, "a song about having a nonchalant attitude towards life regardless of what it throws at you. Best listened to on a nighttime drive on the highway."

The album also takes a peek into the past successes of Satin Jackets, with last year's smash single, 'Shine On You' featuring UK born and Berlin based talent Esser, dubbed by Clash magazine as "an exploratory glimpse into the mind-expanding side of Satin Jackets' electronics," and recent single 'We Can Talk' featuring vocals from Emma Brammer.

Further new collaborations include Ghent-based collective I will, I swear, Melbourne's Kids At Midnight and diamond in the rough of Belgian pop Marble Sounds. Fellow Eskimo artist and Greek producer NTEIBINT and KLP from Australia also feature. Each plots a similar narrative about the struggles of love. "'Say You' is about being afraid of being happy,' explains Jane Elizabeth Hanley AKA Kids At Midnight, 'Coast To Coast' is "a sweet love song that could also work on the dancefloor," says George Bakalakos AKA NTEIBINT, and Emma Brammer explores the concept of, "the exciting and painful first love - maybe it's not so good for you but it feels historical."

Pieter Van Dessel of Marble Sounds digs further on 'Find Out'. "The lyrics 'Shut your eyes, and you'll find out' started as a reference to childhood memories: as kids we often had to close eyes when somebody wanted to surprise us with a gift. But it can also mean that you could learn more about reality when you disconnect and close your eyes, instead of gathering (too) much information."

Three quarters of the tracks are fresh and introduce exciting guest vocalists and producers. These are complemented by the much-loved staples from the duo, 'Girl, Forever' and 'You Make Me Feel Good'. Tim of Satin Jackets explains, "We're ending the journey of this album with 'You Make Me Feel Good', (a) great story of a song. It still gives people all kinds of happy feelings. The more people it can reach, the better."

German music producer, Tim Bernhardt and lead performer Den Ishu are Satin Jackets. Their eponymous live show has relentlessly toured the US, Canada, Mexico and Europe, opening their fluid pop appeal and accessible four-to-the-floor groove up to the world at large. Their debut album, 'Panorama Pacifico' is set for release on 8th April on their home label, Eskimo Recordings. The Belgian imprint has been a purveyor of disco, house and everything in between for over fifteen years.

Spaziale coming in hot once again with another officially licensed, remastered, reissue featuring two hard-to-find rump shakers from
one of the key forces of disco in the ‘70s: The American producer and percussionist and sideman of Stevie Wonder in late ‘60s, Hamilton Bohannon.

Includes the super rare, long 12" version of “Me And The Gang”, plus on the flip the original version of “Let’s Start The Dance” both only available as rare promo singles. An essential bit of kit in the collection.

Mr. K Turns To The Funkier Side Of Disco On The Latest 12-inch From Most Excellent Unlimited, Working His Magic On A Couple Cuts That Still Retain The Same Power To Fill Dance Floors They Had Back In The Day. 'love The Life You Live' Is One Of Those Rare Songs That Was Big For Me When I First Started Djing, And Still Jams Today,' Notes Krivit, Who Gives Another Stripped-down, Bass-heavy Edit To The Irresistible Kool & The Gang Classic. One For The B-boys As Well As The Loft Heads, Mr. K's Edit Gradually Builds On The Hard-charging Rhythm With A Slinky Keyboard Solo, Punchy Horn Riffs And Breaks, Breaks, Breaks.

Gary Toms Empire Ruled The Summer Of '75 With 7-6-5-4-3-2-1 (blow Your Whistle),' And Progressive Djs Looking For A Follow-up Soon Discovered Another Mover In The Band's Repertoire. drive My Car' Is A Lennon/mccartney Cover That Bears Little Resemblance To The Original, And Indeed Most Fans Would Be Hard-pressed To Identify Any Similarities At All In Danny Krivit's Reworked Version. Stripping Out The Vocals And Chorus And Leaving Just The Rumbling Low End Groove, Mr. K's Edit Motors Along For A Cool 7 Minutes, Laced Throughout With Short Change-ups To Elevate The Energy.

Both Tunes Spread Over Their Own Sides Of A 12-inch To Ensure Full-frequency Clarity And Power!

James Greenwood of Manchester DJ collective, Supernature Disco, follows up the instant sell-out debut on Semi-Skimmed Edits with a glorious second EP !

A label dedicated to the traditional style of re-editing. Nothing added, just precision sliced disco for modern day dance floors.
Edits for the underground.

24 Carrot #2 is here!

This time Fouk & Junktion bring you a perfectly delectable palate of servings:
For starters Fouk bring a dish of 'Winner Winner' with a following of 'Chicken Dinner'.
Junktion tops it off on the flipside with a bit of 'Mustard' and for those so inclined some 'Smokes' as a digestive.

Mangabey, jazzpiano wizzard and amazingly talented electronic producer coming up with his 3rd EP on his home label Toy Tonics. The French kid already has a prominent fanbase: From Joe Goddard to Vigil Abloth and Laurent Garnier.. lot of good taste DJs have been playing his last Toy Tonics releases. He has this very own vibe that catches you immediately: Warm and funky dancefloor tracks that get people immediately moving. Never cheesy, always musically complex but ultra catchy. Reminding the 1090ies New York sound of Master at Work and Francois K...with a French touch. The thing is: Mangabey almost doesn't use samples. He plays all himself. His sound is super soulful and full of funk and jazz tricks that normally producers get from sampling disco loops. But Mangabey doesn't need this trick. He got the skills and plays all live. In fact he is working on his live act currently and impressed people with his live jams that he records at home and that show his ability to perform music on his vintage keyboards and drummachines in a way that reminds early Recloose or Harvey Sutherland. And this makes the music so unique. Listen to this EP! My Saxophone: That solo could be on a - difficult' Brecker Brothers Jazzfunk album or even on an Art Blackey record, but Mangabey makes it sound so vibey and fluent. Creating an outstanding jazzhouse track. Just Luv Machines is the key track for dancefloor: Featuring funk vocals that give the track that immediate kick. That track could be hugh. And Try to chill with the Rick Wade remix.... wow! After his first and second Toy Tonics EPs features remixes by Glenn Astro, Fouk and his French buddy Folamour, now its time for original Detroit house funkateer Rick Wade, who adds some special American flavor to the song. Toy Tonics & Mangabey = Perfect combination.

Up next on Editorial 16 - is a sampler featuring some Editorial crew regulars delivering four quality dance floor jams....

DJ Support:
Diz- always an edit in my set!!!!
Thatmanmonkz - Straight up dope dancefloor pressure here! :-)
Sleazy McQueen - whole lotta love!
Random Soul (Husky) - Love them all.. Classy vibes as always!
Inland Knights(Andy) - hot cuts for the dancefloor
Lars Behrenroth - beautiful collection of tunes! full support !!!
Vinyl Addicted - always goodies by Ed Wizard & Disco Double dee! Jay West-dope! Stephane Deschezeaux - Solid Ep !!!

Coming next on the Brookside imprint is a double sided, colour vinyl 12” banger featuring two new versions of First Choice’s epic “Armed and Extremely Dangerous” reworked and dubbed out by none other than Hot Mix 5 & Chicago House legend Ralphi “The Raz” Rosario.

Ralphi returns to Brookside and updates the track with a brilliant reworking on the drums and vocals, while adding a soulful keyboard track to give it an updated feel. Flip it over to the B Side and we have a new version of “Love & Happiness” remixed from the original multi track tapes by NY DJ/Remixer Mike Maurro who takes the track to over 10 minutes with instrumental extensions and beefed up drums keeping it respectful to the original as always.

Produced by and dedicated to the late legendary Reid Whitelaw.

Malandra Jr's hit Dance Warriors, supported and played at the best Festivals and events around the globe by Solomun, Etienne De Crecy and so many big guns in the industry, is ready to rock more dancefloors thanks to 2 new remixes by the Italian dj "godfather" Claudio Coccoluto and the super talented tech-house monster Riva Starr.

Recorded in a basement studio in Deer Park, New York - 1980. Mixed Company’s ‘Let’s Go Disco’ is a relatively under the radar record, originally released on New York radio station WNBC 66’s compilation showcasing local talent. Thanks to meticulous archiving, Gene Lastorino was able to locate the original multi-track master tapes for the session which included a number of unreleased tracks. Gene also found lots of old photos and flyers, which you see grace the cover design courtesy of Charlotte McCrae.

Here, Rain&Shine present a 12” with the best unreleased tracks, edited for the dancefloor by Andrea Passenger. The original ‘Let’s Go Disco’ is of course included, along with a Waxist multi-track edit and a groovin’ Frank Booker instrumental mix.

Ben Gomori curates another unputdownable VA for his Monologues Records label with four killer tracks from new, emerging and resurgent names from four different countries that have been getting big reactions of late.

Copenhagen's genius-like Paxton Fettel has been destroying dancefloors with his piano-heavy, joyous sound recently on labels like Delusions Of Grandeur and Greta Cottage Workshop. 'I'd Like To Know You Better' is another fist-pumping jam that oozes positivity. London DJ Kristy Harper makes her debut in the production world with the slinky, pared-back disco groove of 'Uncle Jungle' - an earworm of a track which she has been consistently pestered for when playing in her sets.

Sub Club resident Harri has been slaving away over new material as one half of Glasgow duo Manakinz, with their heavyweight, relentlessly building and layered house sounds exemplified on the extremely potent 'Robopubez (Rust In Peace)'. Sounds from South Africa round off the EP, as now-London-based talent Maxime Alexander turns out a phat acid-house-rap jam with fellow SA rapper $hakes' irresistible delivery on hand.

Upfront Support:

Jasper James & The Revenge

Heavyweight 2LP+MP3

16 bisher unveröffentlichte Tracks von Poolside, Roosevelt, Kraak & Smaak und vielen weiteren exklusive auf dieser Compilation!

The Sunset Manifesto erscheint am 04.12.2020 auf How Do You Are? und versammelt eine eklektische Gang von der Westküste der USA bis nach Norwegen und allem was dazwischen liegt- mit einer gemeinsamen goldenen Wurzel: Diese warme, akustische, aus Laurel Canyon Leuten und LA Session Göttern bestehende Clique, ausgestattet mit einer zeitgenössischen, elektronischen Sensibilität. All diese Acts berühren den zurückgelehnten, Daytime Disco-Style, der als Balearic in die Musikgeschichtsbücher eingegangen ist. Aber es liegt etwas Neues in der Luft. Die Künstler*innen auf The Sun Manifesto versuchen nicht einfach die Vergangenheit neu aufzurollen. Nein, das hier ist mehr „Parallel Pop“- und damit der Soundtrack für eine herrliche, imaginäre, aber dennoch zeitgenössische Welt jenseits von Retro-Kitsch. 16 anspruchsvollste, AOR- und Dance-orientierte, zeitgenössische Popsongs aus dem Too Slow to Disco-Universum. Wie ein Detektiv hat DJ Supermarkt die Künstler*innen auf dieser Compilation lange beobachtet, ihr Schaffen verfolgt und dann im richtigen Moment Nägel mit Köpfen gemacht. Worauf wir dieses Mal ganz besonders stolz sind: Alle Tracks auf The Sunset Manifesto sind exklusiv und unreleased und wurden teilweise extra für unsere Compilation gschrieben, was für eine Ehre!

Sixteen years after their previous effort, in 2017 Nicola Conte met again his friend and colleague Gianluca Petrella, an encounter that led to the release of 3 EP's and this full-length album. From Detroit future dance to afrobeat and spiritual jazz through a nu-disco sound, the unique vibe of "People Need People" drags us in search of deep music in a spiritual and mantric context, with a message of hope, aggregation and Universal Love. More than just a new album, it's a collective experience wisely directed by the duo, whose goal is to accompany the listener through a collective spiritual elevation path, guided by the only true universal language: music. In a historical period marked by contrasts, lack of communication and forced social distancing, "People Need People" proves to be even more essential and necessary.

Repress..!

Small run 45 with live recordings from two of their trio
concerts, coming with artwork by Carsten "Erobique" Meyer
himself. Having been studio neighbours for 5 years and
musical collaborators ever since, an actual live show by
Session Victim & Erobique as a trio sees both acts diverging
from their usual ways just as much as combining what each
of them is best at - although it has been and most likely will
always be a rare thing to happen. This record includes an
intense rendition of Session Victim 's "Good Intentions" at
London's Jazz Cafe and a beautiful cover version of The
Emperor Machine's "The TV Extra Band" at Berlin's Prince
Charles as part of the XJazz Festival 2017.

New Legofunk on black 12". Magic cool stuff with disco flavoured. Superb!

Twelfth release on the much sought after Vinyl Only label.

Back for his already third run on the label, Berlin-based producer Berobreo returns to Sundries to take care of the 2nd vinyl release in the catalogue.

Undeniably funky from start to finish, the 'What Can You Read On It's Thoughts' EP is all about those driving basslines and clean cut samples that have become synonymous with Berobreo's output over the past two years. While the A side, featuring the title track alongside another rather 'Delightful Affair', is probably the funkiest of the two with some serious old-school flavour sprinkled all over, the flip provides a bit more punch with 'Migrante' and especially 'Pina Colada' slowly taking this one into the early hours.

Repress..!

Today, Róisín Murphy teams up with producer and DJ Colleen “Cosmo” Murphy on the fabulous ‘Cosmedelica’ remix of her latest disco masterclass 'Murphy’s Law’. Transformed into a funky, strutting number, the already rapturous track evolves into something equally joyous and electrifying.

Revered by her peers, Colleen is a hugely respected radio broadcaster, music producer, remixer, record label owner and founder of Classic Album Sundays, coming up in the ranks in the DJ world with her unique take on the craft and knowledge of club culture.

She says, "When I heard ‘Murphy’s Law' for the first time, it pressed every melodic and lyrical button. And as we evolve into a new reality, the song takes on new meanings - sometimes tragic (‘all my hard work goes down the drain’) but ultimately resilient (‘pretty soon I’ll be breaking loose and the scene y’ll be changing). We’re not ready to break loose yet, but when we do, we’ll have the best party. Ever."

Róisín further explains, “This remix came about in the way all the best ones do. Colleen had a vision for the track, she wanted to do it and she doesn’t do a lot of remixes. Colleen’s linage and pedigree is so deeply embedded in the music I love, I feel foolish even going into it here, I don’t like to name drop!

When she asked could she do the mix, my mind was blown. Murphy versus Murphy in the funky case of Murphy’s Law!!!” Róisín also recently created a series of 6 performance videos for the renowned Manchester club night Homoelectric’s recent Stay Homo 12 hour live stream – a rave for these times - and you can now watch them in all their glory here.

It was here that she first debuted the dizzyingly addictive Cosmodelica remix. Murphy’s 25 year career has been one of unbridled, unmatched creativity and these mind-melting, breathtaking videos, all made in her living room during lockdown, once again showcase why she is such a trailblazer.

Last month Murphy co-hosted a 3fm show from her living room and more recently fans voted to celebrate and delve into her “Overpowered” album as part of Tim Burgess’ “#Timstwitterlisteningparty”, which has become the most replayed of the series . So much so that Róisín is returning on June 19 to discuss seminal Moloko record “Statues”. If this hive of activity wasn’t enough, expect a full length album in the summer featuring all of Murphy’s iconic singles with DJ Parrot (“Simulation”, “Jealousy”, Incapable”, “Narcisuss” and most recently “Murphy’s Law”), alongside brand new tracks.

Lisztomania Records is proud to present its first ever vinyl release 'Various Artists - Lisztogrooves Vol.1'

First up is 'Heatwave' by Cubik, a stomping house jam with soulful undertones and a pulsating bassline. Cubik’s clever use of vocals sets the track off, giving it an undeniable summer vibe. Following Cubik is Adham Zahran with 'Tender Sun Pin', a hands-in-the air disco floor filler. Infectious riffs, a throbbing beat and enough cowbell to last a lifetime, 'Tender Sun Pin' is an instant classic! Taking us into the B side is straight up bumpy house joint 'Visions At Night' by Jesusdapnk. Infused with a haunting vocal loop from start to finish, and a drum pattern that won’t quit, Jesusdapnk delivers yet another crowd pleaser. Finishing off the release is 'Keep You' by Michael Oberling, a mellow deep house beauty infused with soulful electric piano and trumpet riffs, a catchy bassline and dreamy yet distorted synth lines. A sure fire after hours hit!

Dense, stylistic and melodic. Volantis Debut EP is a blend of italo pads, old-school kicks, hats, guitars and hypnotic synths that make the tracks full of dreamy emotions. Irresistible percussive lines before elegant chords raise your mood to cloud nine.

Cowboy Rhythmbox return for a short, sweet and typically unusual transmission, as cult house journeyman, Detroit producer and DJ Sharif Laffrey provides one of the most memorable and original releases in Phantasy’s history, followed by a simmering take from the duo themselves.

Chugging with schizophrenic glee for nearly fifteen minutes, Laffrey masterfully combines his own flavour for obscurities and offbeat samples with no less than three tracks from the Cowboy Rhythmbox archive. Mixing element upon element into a somewhat absurdist masterpiece, this uncategorizable rework injects waves of weirdo energy and a little menace into the small hours.

In response, Cowboy Rhythmbox consciously scramble the formula even further. They were so impressed by Laffrey’s interpretation, they choose to deliver a remix upon remix with their ‘Deviation Variation’.

Retaining the full measure of their skittish psychedelia that has blessed and freaked-out dancefloors over the years, the original pair rework the vampish synths at the heart of previous head spinner‘Vodonik’, escalating guttural acid and a heads down bassline that perhaps dials down the fury, but keeps the filth.

Hailing from Cluj-Napoca, Heion is a producer, DJ, songwriter, music production teacher and label head of Redolent Records. Throughout a career spanning nearly a decade, he’s shared bills with the likes of David Morales, Ray Mang, Session Victim and Kraak & Smaak, performed with the Hungarian Opera Orchestra and always stayed committed to being a true dancefloor eclectic.

Heion’s latest release is Make Believe, an energetic four tracker on his own freshly launched imprint. It blends a variety of meandering synth solos and quirky analog licks, all wrapped up in the programmed yet deeply organic rhythms that have come to define Heion’s sound.

The release also marks the birth of Redolent Records, a label dedicated to being a true home for sonic excitement while pushing boundaries and inspiring deliberate, well-rounded creations. It aims to pay homage to artists that paved the way musically and to the ones that still inspire across soul, funk and disco.

Four synth-heavy jams explore everything from gratitude and creative doubt to the bittersweet joy of balancing out different influences. Solid grooves and chunky basslines drive each emotionally colorful tune forward, whether it’s heard during a starlit night drive or a thumping warm-up in a large, darkened room.
Heion has spent the past three years composing and recording in several studios, all the while exploring new instruments and gradually leaving his comfort zone behind; you can hear the fruits of this labor in a swirl of modern funk, soul and disco that leaves you feeling refreshed and optimistic.

EP 3

Limited, Babyblau marbled vinyl

Round two for David Jackson! Just born in the heydays of the "Airport Disco" David provides us with the future of Italo Disco and beyond. Mr. Jackson makes music for mirror balls, strobe lights, fog machines and Richard Long sound systems. The title track "Airport Disco" is a heater at first sight. It will make you whistle along or go bang straightaway. "Oohhyyee" is a modern piece of uplifting, breaky & airy UK vibe and hits just the right notes and spots. Some folks claim the only good system is a soundsystem. Well "In My System" appears with powerful synth chords and yes, believe me you want to join this system too. For the advanced customer (vinyl only that is) you will find "Berlin" on B2. A bit of Schlager-Disco with a laissez-faire message. Another top artwork courtesy of Julian Bender. Now get into magic!

Dj Hotel books a room in your heart with five classic deep house tracks to melt down your body and soul.

Homegrown talent from the beautiful inland town of Hamar, surrounded by the beautiful Furuberget and lake Mjøsa. First collab with these former Skwee-stars on Full Pupp Splits Prins Thomas,

handstamped vinyl

What’s Amore? Amore is a lifestyle, it’s a feeling, it’s an attitude. Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That’s Amore!

Disco Segreta brings you another most-desirable italian holy grail disco gem !

Originally released in 1979 as a 45 single on the tiny private label “Papaya”, “La Mosca” is the very first version of the “Andromeda” track, already reissued by Disco Segreta in 2015, but this sports completely different lyrics and is sung by a different voice, that of italian folk pop chanteuse Louiselle.

Surprise ! The reissue 12” will not only sport the original 45 vocal version, restored to its glory in two versions, but will also include a ***previously unreleased*** version found on the tape, with a completely different arrangement , “fly” sound effects and different lyrics.

Both versions are directly taken from the analog masters.

Ladies and Gents, we wanna announce the next InEx vinyl release! InEx is on it’s way. We proudly presenting you Tilman and Kevin Over on a Split ep. Uplifting beats meets Disco stuff at it’s best. Beware of this club weapon.Ladies

Limited edition remastered reissue of a classic balearic cosmic track produced by Giorgio Giordano, Giorgio Dolce and Roberto Zanetti (Savage) with the pseudonym of G.A.N.G. , taking inspiration from Mike Oldfield but with a "slow beat" that gives an engaging groove, enriched in the second part by the ethereal vocal interpretation of Stefania Dal Pino. It is a rare "cosmic" pearl, including a dub instrumental version.

Repress

From time to time, a new name will appear on the scene with a unique, standout sound that commands people at all levels of the industry to sit up and take notice. Following two sold-out EPs on his vinyl-only imprint, Semi Delicious, UK producer Demi Riquísimo is one such example and on the 9th August he’ll be teaching another lesson on how to ignite the dancefloor with his third release of the year: 54 Reasons EP.

Another four-track, tour-de-force fusion of house, disco and electro, the 54 Reasons EP opens with ‘Bow UFO’ – an upbeat, percussive Disco-fused banger on which Demi gives us a taste of summer by bringing in synthy notes and adding an acidic edge to the track. A2’s ‘Anxious Elephants’ neatly follows on with its deeper, darker sonics, a groove-filled bassline and hypnotic lyrics, topped off with warm pads and soft flute instruments to perfectly balance things out. Flipping over the wax and you’ll find two more on-point cuts: ‘Point One’ delivers with its effortlessly rolling, Disco-tinged groove, as ’54 Reasons’ closes out the EP In a big way, leaving listeners with no questions regarding the enviable talent on display throughout Demi’s productions.

"I'm completely overwhelmed by the support for my first two EPs on my label, Semi Delicious. SEMID003 "54 Reasons" is an honour to the conception of electronic music. Starting in the mid-70s with venues like Studio 54 and producer Gorgio Moroder, into the early 80s with Afrobeat, 90s with Acid House and the 00s when I started to party and listen to the Electro movement, artists like Booka Shade, Erol Alkan and Justice... All the way to the present time – the best time, as it’s a cocktail of all of these eras!" – Demi Riquísimo

Just a few months after the release of his debut EP, Demi has already amassed the kind of support that seasoned veterans can only hope for – multiple plays of every track from SEMID002 on BBC Radio 1 by Danny Howard, Pete Tong, Annie Mac and Eats Everything, and DJ support that includes names like Skream, Optimo, Dusky, Ậme, Horse Meat Disco and even Busy P who described it as “just perfect”. With the diary now filling up with sets at Glastonbury, El Dorado and Gottwood this summer, before an Autumn run of the UK’s biggest club events, 2019 is certainly shaping up to be a game changer for the mysterious Demi Riquísimo.

S/t

A Band Called Flash's third EP on the J4J record label continues to expand with a new group of future funk goodies. With the highly anticipated release of the hypnotic dance track 'Dracula' along with the funky vocals 'There Will Be A Time' and 'VSL', artist, songwriter and producer Jared Hines doesn't disappoint. Add to that, the intergalactic groove 'Song For Spike' and you have an EP that will surely satisfy listeners and dancers alike.

Remix extravaganza ahead! What started as an attempt to transport Feater's brillant outsider pop 'Time Millionaire' (taken from the Socialo Blanco album) onto a dance floor with one or two remixes, ended up as a feast served on three different platters with some heavy hitters. First up, Pépé Bradock and Ricardo Villalobos are crossing their beams. Spread over two 12s, the masters of idiosyncrasies and splendid aural design, Bradock and Villalobos treat the voice of Vilja Larjosto with love and care and bring it into their respective universe during peak time: vocals, dubs, acapellas and bonus bits included. Expertly, tricky and inventive. Remix EP no. 3 merges different trajectories of UK dance music traditions (or Ireland for that matter). Man of the moment Krystal Klear takes the material down to love town: the sound of 1980s Island records meets NYC boogie and UK street soul sounds. Hessle Audio's Pangaea follows the other path: uptempo bass fun with a driving dub and an instrumental pass. Last but not least, Feater & Sam Irl themselves deliver a blissed out dub of the original. Oh, and if you have enough time, flip over to the 10 with an Aba Shanti-I approved UK reggae and lovers rock take on it by Blood Shanti.

Copenhagen-based trio Silent Riders recently wowed us with their immersive neo-gothic full length album debut on Music For Dreams. Now they are back with a remixed package aimed directly for the darkest of dancefloors. Together with some top notch remixers, they are re-visiting their stand out track "I See You" as well as "Shadows", another cut off their self-titled album. 
First off legendary producer Dennis Bovell lends some of his charms and works "I See You" into a wacky dubbed out groover, skillfully edited down by Mancunian Andi Hanley. No stranger to the flavours of new wave, having produced bands like Saada Bonaire, The Slits and Orange Juice, Bovell brilliantly fuses his dub science with the raw mood of the Riders. 
Upping the tempo considerably, NYC duo Bryan Mette and Justin Strauss (yes, THAT Justin Strauss!) don their Whatever/Whatever mantle to flesh out the original into a much more hungry club creature, agile and warmer yet with that air of New York cool that really hits you on all levels. 
Label boss Kenneth Bager himself sits down with the trio to rework the material into a dark brooding extended mix that could easily fit the soundtrack of a John Carpenter flick. 
Fresh on the scene is HLLW (pronounced 'hollow') who churns out an organic drum'n'bass banger with eerie layers of odd vocal echoes and a gurgling bass rumble. 
Last up Fellow countryman Kasper Bjørke offers a more leftfield and mechanical approach to the track. Chugging along at 97 BPM, this epic rhythmic excursion unveils slowly and with hints towards the cosmic-minded Germany of the 1980s. 
Also features a new jam version of 'Shadows' - the band themselves take another turn at the track in the studio and deliver a healthy dose of old school electro á la Egyptian Lover and some powerful cold wave chords to underpin the loose vocal performance of singer Lu. 




E C1 | I See You (Kenneth Bager Vs Silent Riders Extended Mix)

“… warping and mutating, picking up and discarding musical phrases, before exploding orgasmically in its final 10 minutes” (The Guardian)