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Two of Alkan's most bombastic reworks over one disc. His scene-defining cut of Justice's breakthrough club hit 'Waters Of Nazareth' adds a subtle Chicago drum edit to the original's notorious snarl, while the Australian band's 'Why Won't You Make Up Your Mind' psych-rock is blasted through with euphoric electro energy.

This is the second release from Athens Isigude Records and features 2 fresh, respectful mixes of the track 'Bar Reckless'. The lyrics recall a dialogue between her and a monk whom she met at the bar and asked "What are you doing here old man This is no place for a saint to be". On remixing duties we have rising Greek producer Zaq who takes the Greek folk epirotic rhythm deep into a truly Aegean balearic beat on the A-side while on the flip side he brings some dubby acidic beats.......

The first and only licensed reissue of this rare 1979 two disc set rescued from obscurity by Chris Veltri (Groove Merchant Records, SF) back in 2004. Few have heard it till now. T.J. recorded these four tracks in the South Bay, solo-style after stints in Bay Area bands The Mysterious Minds and Dawn & The Sunsets.
This release contains two 12 inch discs with four side-long tracks housed in a beautiful '70s style matte tip-on gatefold jacket. Disc one plays at 33 1/3 rpm and disc two at 45 rpm. A download card is included.

"This release is individually 200 hand-numbered limited edition CASSETTE (100 PINK and 100 SMOKE TRANSPARENT) with a sort of 'greatest hits' of (almost) all Archeo releases (AR001-AR011) + an unreleased bonus track from Roberto Aglieri (Ticino parte 4 - Il merlo), celebrating 3 years of the label, from 2014 to 2017 - selected with love by Manu- Archeo (AR001C).

Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

includes 10 classic reworks remastered and spread across the 5 pieces of vinyl, an exclusive interview and download code to the full digital album containing a further 10 reworks. Box is covered in linen with a red foil print.

DISC 1 (PH61)
DISC 2 (PH62)
DISC 3 (PH63)
DISC 4 (PH64)
DISC 5 (PH65)

Capturing the hedonism of the Glitterbox extravaganza, 'Glitterbox - Disco's Revenge' is selected and curated by founder and label boss Simon Dunmore. The album gets to the very essence of 'dance music' in its truest sense; music which moves your body and your soul. The standout tracks are a mixture of brand new funk-laden cuts, all-time house classics and rare disco treasures.
Heard for the first time on the 'Disco's Revenge' compilation, The Shapeshifters lend their unmistakeable soulful house sound into the blend with 'When Love Breaks Down' featuring the voice of Teni Tinks. Distilling a universal spirit are iconic grooves like Richie Havens 'Going Back To My Roots', Whitney Houston 'It's Not Right But It's Okay' (KCC's Release The Love Groove Mix) and Patti Labelle 'Music Is My Way Of Life' (John Luongo Remix), all firm favourites with the Glitterbox crowds. Giving a subtle nod to the golden era of dance music, Glitterbox - Disco's Revenge fuses contemporary dancefloor heat with unforgettably timeless grooves, each track being chosen for its ability to create magic on the dancefloor.

Following on from the impressive opening statement from Modern Manners, the second installment from the hitherto unknown outfit sees the sonic remit reaching out to other influences while retaining that poised lounge attitude that made the first record so instantly endearing. "Research" is a dub track in essence, sporting ample space in the mix, the odd conga roll and sparse chords calling out into a field of reverb and delay. "Can Maneras" is a more shuffling kind of smooth jazz that aligns with the classy licks of St Germain and the like. "Serate Cosmiche" finishes the EP off on a melancholic tip that puts the synths at the front of the mix for the first time.

No matter where the winds may blow, what storms may come or what pirates will do, the Transatlantyk ship is still sailing.
Navigated for the last three years by Zambon out of Berlin, ultimately avoiding the shallow waters of the generic and constantly patrolling the seas in search of exciting sounds.
After all that sailing the label just had to replenish its ranks with some fresh faces - those still capable of voyaging into the unknown.

Joining the crew is a young gun TAMTEN, who by day serves as a vinyl pusher in Warsaw's finest Side One record store.
What he does by night is not the matter of this short text, but we are sure he does a lot of it.
Hence his love for all things distant - from subaquatic pads and floating riffs, to new-age-y siren voices, otherworldly effects and percussion drenched in reverb.Â

There is a lot of similarly distant, sun-bleached material on this five tracker, full of a druggy and hippy Balearic feel.
Beautiful ambient jam 'Przebudzenie' is the stand out track, but 'Znaki Czasu' is equally as good with its simple, yet memorable melody, reminding of dawns and sunsets on some God forsaken beach.
Sultry deepness of 'Nieznajoma' is followed by enchanting digital exotica of 'Wyrocznia' and wavey trip-hop cut 'Po Burzy'.

Overall its one of the strongest EPs that Transatlantyk managed to co-opt into its growing catalogue. Definitely one for the dreamers.

Initial listens to Inre Rymden (Swedish for 'Inner Space') reveal it to be a curious combination of slow-motion house music and salubrious New Age funk. In this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas Tommy Awards paint here. The opening track 'Prometheus' introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of Manuel Göttsching's Ashra and Phil Manzanera's solo output spring to attention. 'Draget' conjures the sort of exquisite elegance and preternatural chill last heard on Roxy Music's 1982 LP Avalon — but somehow it's even more blissed out than that boudoir classic.
And so it goes for most of Inre Rymden: Among the six tracks, only 'Rexy' hints at tension, courtesy of a bass line that sounds like it should score a prisoner's walk to the electric chair. But that's tempered by guitar sighs of radiant melancholy, not unlike those lofted by Popol Vuh's Daniel Fichelscher. Even when Inre Rymden gets relatively uptempo, as on 'Hans Logan,' it still glides like gilded, glazed, Balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon.
'Music is love and love is our music,' runs Tommy Awards' slogan (a sentiment beautifully echoed by David Crosby on his revered 1971 album If I Could Only Remember My Name), but one could also argue that it is medicine — a balmy ear massage that spreads healing frissons to all areas of your body and mind. Tommy Awards continue their miraculous act as Scandinavians channeling the tropics with stunning audio verisimilitude.

We are very excited to welcome ROCCO & ESQUIVEL to COSMICA's roster this year.The duo formed by Rodrigo Desentis (México) and Eduardo Esquivel (Uruguay) provide an uptempo gem strictly designed for the dance floor. Esquivel is a well know name in the Latin American electronic music scene, since he started his residency at the mythical club EXTASIS in Montevideo. After 25 years of career and extensively touring through Uruguay, Brasil and Argentina, Eduardo has settled in México city with residencies in the acclaimed BLANCO COLIMA and CASA DISCO.DUBMASTERS was our first choice for a Remix candidate, and we could not be more stoked with the outcome. The spacey pads and reverberating drums of the intro, already announce the departure to a cosmic destination well know by all familiar with their previous releases on our label. The tight bassline provides the classic 'Electro' background for the wanky guitar chops to flourish into a flock of migrating melodies that fly in all directions in the sky above.EDDIE C, the Canadian / Berlin resident 'SLO-MO DISCO MAESTRO', closes the EP and puts the cherry on top, adding a latin feel good climate to the package. The summer vibes can be felt all over this track, with a driving percussive beat and a climaxing vocal breakdown that will have you begging for more PALTA CON CREMA!COSMICA MUSIC is a vinyl only record label from Patagonia, Argentina, and our releases are being supported by seasoned selectors such as DJ Rocca, Daniele Baldelli, LTJ Experience, Ali OOFT!, Salvatore Stallone, John Paynter, DJ Garth, Jeno, Hugh Herrera, Mark E Quark, Eddie C, Tim Sweeney, and Prins Thomas to name a few.

Shelter is one Alan Briand, a young Parisian producer with a strong melodic centre producing a sound that pulls on the Zouk, the Afro, the Balearic and the Ambient palette. Zon Zon Zon is only his fifth release and his first mini album, following the series on International Feel that has brought us material from Len Leise, Wolf Muller and CFCF.

International Feel first met Shelter on a trip to Paris a few years back. It sounds like a story from a Nick Hornby novel, but there's a record shop in Paris called L'International Records, run by a guy called Dave who has a group of young French DJs, producers and promoters that visit the store, hang out and buy and listen to music - a story no doubt currently being repeated throughout the world as new generations immerse themselves in the culture. Shelter is a producer who has sucked up all that he has been hearing around him for a number of years and is now producing a quality sound, pulling on the exotic.

The seven tracks on this mini-album are taken from an extensive pool of Shelter's melodic magic. Some people lead on the beats, some on the production, but Alan focuses on the melody, with the beat closely tied in as support. Señor Zalla starts the album with an afro vibe, closely followed by the Zouk-style of Zon Zon Zon and Port-au-Cœur's mellow Balearic tones, as Shelter twists nature's sounds into his own sonic world. Bucolica, an upbeat wonder of a track, turns to the ambient mantra of Courant Rouge and it's distant cousin Courant Bleu, a classic rhythmic balearic piece with syncopated melody and delayed drums. La Volière (the French can make even bird cage sound beautiful) brings the album to a close with a smile in the mind's eye.


Zon Zon Zon is universal. It could easily have been created in Ibiza or Canada, Australia or Africa. It was in fact recorded at Paris 11, where Shelter forged beauty through the sounds of nature and uncovers a wisdom in its simplicity. We can expect good things from Alan. Here's the first chapter.

DUBMASTERS is a live act from Argentina, formed by Marcos Fernández (Guitars, Bass, Synths, Arrangements) and Maxi Cayón (Drum Programming, Sequencing, Ableton Live). They have been playing and touring extensively in South America, Mexico and California for the past seven years and now they are focused in the studio to finish their debut LP.
ARTURO BASS is Germán Busin and Luis Padilla, also from Argentina. They have an EP coming out on COSMICA MUSIC on the second half of 2016.MUSIK NONSTOP a.k.a. Layne Fox, is an award winning and internationally recognized DJ, record producer and performer with a lengthly discography of original works and remixes. His productions receive generous support from top DJ's and dance music pioneers including David Mancuso, Larry Heard , DJ Harvey, James Murphy, Gilles Peterson and Andrew Weatherall. He is a founding core member of 40 Thieves with Corey Black and Jay Williams and performs solo as Musik Nonstop.

- 180 GRAM AUDIOPHILE VINYL
- INSERT
- CONTAINS 'FALLING' (THEME SONG OF TWIN PEAKS)
- MUSIC WRITTEN & PRODUCED BY
ANGELO BADALAMENTI & DAVID LYNCH

Floating Into The Night is the debut album by the American
dream pop musician Julee Cruise, released in 1989.
The album was produced, and all songs were written by,
composer Angelo Badalamenti and film director David
Lynch. Badalamenti composed the music to which Lynch
wrote the lyrics. Two singles were released from the album: 'Falling' and 'Rockin' Back Inside My Heart', both of which are featured in Lynch's television series, Twin Peaks. An instrumental version of 'Falling' is used as the theme song to the series.

In addition to the two singles, a number of other tracks fromFloating Into The Night appeared in Twin Peaks, including 'Into the Night', 'The Nightingale' and 'The World Spins'. 'Mysteries of Love' is featured in Lynch's 1986 film Blue Velvet; 'Rockin' Back Inside My Heart', 'Into the Night', 'I Float Alone' and 'The World Spins' are performed in the 1990 Lynch production Industrial Symphony No. 1 and 'The World Spins' is featured on the soundtrack to the 2003 film The Company.

Credits you don’t need. A shared musical memory. Only the recordings remain.

The mighty Becker & Mukai return with a tidal wave of sonic highways with new album Spirit Only, this time travelling outside of their East London studio bunker to Japanese mountains, with pit stops in Mali and Trinidad & Tobago.

Experimenting between balearic, indie dance, psychedelic, folk and electronica, Spirit Only is a complete body of work, confident and unashamed.

WRWTFWW Records is thrilled to announce the release of the long anticipated, always delayed, 30-years-in-the-making PSYCHOS IN LOVE Original Soundtrack, available at last and for the first time ever in a super deluxe low fidelity _7" grape-colored vinyl edition, housed in a DIY no-budget sleeve, and loaded with extras, including words from film director Gorman Bechard, lyrics of the theme song, a promotional postcard with a picture of the cast, a poster of a woman attacked in a bathroom, and the infamous as-seen-in-the-movie "I LOVE MY VCR" bumper sticker!

Filled with sleazy funk, macabre synths, homemade electronic kitsch, anti-grape propaganda, and rewind-worthy dialogue excerpts, Psychos In Love is the ultimate lo-fi horror-romcom soundtrack adventure with a theme song so memorable you'll find yourself humming it every morning. In Gorman Bechard's words, "For the Psychos In Love theme I purposefully wrote what I hoped were the worst lyrics of all time, giving them to Carmine Capobianco with one note, 'use them to write the worst song of all time.'"

The movie Psychos In Love (1986) is a trenchant, laugh-out-loud indictment of slasher films, romantic comedies, and grapes (that's right, pal, grapes), a true genre-defying post-modern cult classic that will wind its way into your heart as its characters work _their way through vats of gore. Packed tight with sly homages to - and parodies of the work of such cinema legends as Alfred Hitchcock, Woody Allen, Roger Corman, Groucho Marx, and Gerard Damiano, Psychos In Love foreshadows the grand guignol culinary delights of Silence of the Lambs, served up with a healthy portion of wry wit and all-American t&a.

Balearic DJs Chris Coco and George Solar started making tunes together a couple of years ago after a chance meeting at Ibiza Sonica radio followed by some deep chats about dub and the future of chill out music.

After a string of singles they decided to make an album based (loosely) around various rhythms for the basic inspiration. George, who is also an accomplished percussionist, made a list - Nyabinghi, Guaguanco, One Drop etc - and Chris added one of their own - Algaroba.
The basic rhythm tracks were recorded in Ibiza, mostly drums and percussion, naturally, with a little added bass from Fly, who also, fortuitously, is the sign writer who made the cover image.

Various elements were added in Ibiza, Buenos Aires and London, and, after some digital wrangling an album of beautifully organic downtempo delights finally took shape.

Christian Naujoks' work has been heard and seen in a wide range of contexts, from nightclubs to concert halls, art venues and the theatre. He released three solo albums on Berlin-based label Dial Records. After his critically-acclaimed album "Wave" (2016), which has been praised as a contemporary masterpiece of ambient romance and "the most exquisitely melancholy thing he's done yet" (Pitchfork), followed by numerous collaborative projects with performance artist Ei Arakawa, filmmaker Loretta Fahrenholz and composer Ari Benjamin Meyers, among others, Christian Naujoks is back with a new record produced during his exhibition "Soft Mouth Data Service" at Galerie Max Mayer in Düsseldorf.

Back in 2018 we dropped 'SOULACOASTA', our first long-form body of work - we were blown away by the reactions and still to this day the title track is a favourite in our live show with the full band. We now present to you 'SOULACOASTA II', a colourful sonic journey over 60 minutes in length that's full of energy for vibrant club floors, but equally ready for a headphone journey or long car ride. It’s a 14 track expedition through soul, house, broken beat and beyond, with the bass and beats driving the vehicle as the synths, keyboards and samples decorate the view. This record was an opportunity to get deeper into dance music and dive into niche sounds and samples that we’ve collected from trawling through movies, archives, digging through the crates across Australia, UK and Europe, weaving new inspiration and textures into our music. This record also features some drums and percussion by Lucky Pereira, and bass guitar by Matthew Hayes.

"Chewing The Fat" marks a new chapter for Franc Moody.

This album delves into the duo's creative depths, breaking away from traditional norms and

showcasing a more refined sound than their earlier work.

Partially recorded at LA 64 Sounds Studio and Damon Albarn’s Studio 13 in West London,

the album’s sonic landscape is significantly shaped by Albarn’s collection of synthesizers,

especially some Russian models.

Drawing inspiration from live performances by Massive Attack and LCD Soundsystem,

the result is a sound that leans less toward disco,

embracing a grungier, more gritty attitude.

Nachdem sich die afro-kubanisch französischen Zwillinge Lisa-Kaindé und Naomi Díaz 2015 auf ihrem selbstbetitelten Debütalbum mit ihrer Familiengeschichte, dem Tod und ihrer Herkunft beschäftigten und auf dem Nachfolger "Ash" (2017) von Rassismus, Weiblichkeit und Aktivismus sangen, schlagen sie nun das nächste Kapitel ihres musikalischen Schaffens auf. Mit ihrem neuen Album "Spell 31", das am 6. Mai auf XL Recordings erscheint, kehren sie zu ihren spirituellen Wurzeln zurück. Harmonie, Heilung und Magie sind die zentralen Themen von "Spell 31". Es ist kein Zufall, dass dieses Album gerade jetzt erscheint - in einer Welt, die dringend spirituelle Heilung benötigt. Die 10 Songs von "Spell 31" wurden von Ibeyi 2021 geschrieben. Produziert und aufgenommen wurde das Album mit XL Recordings-Chef Richard Russell, der auch an den beiden Vorgängern beteiligt war. Neben den Zwillingen sind darauf Jorja Smith, Pa Salieu, BERWYN, sowie Ibeyis Vater, Mutter und eine Neuinterpretation von Black Flags "Rise Above" zu hören. Mit der Albumankündigung erscheint die neue Single "Sister 2 Sister", die von ihrem Leben als Schwestern, sowie ihren Latinx Wurzeln inspiriert ist und ein Sample der Single "River" vom Debütalbum beinhaltet. Das Video zum Song inszenierte Regisseur Colin Solal Cardo.

J-Walk returns this summer with a new Vinyl LP Mediterranean Winds.

A deep set of Vangelis-inspired sounds plunging the listener into waters deep whilst leaving crumpled anoraks behind, before forging the sound into the soulful vibrations of the J-Walk world we love!

Tape

Originally born in days of a global lockdown, Johannes Albert gets ready for a second round of Ambient music. "Spessart II" follows the footprints of its predecessor and keeps things mostly quiet yet very thrilling at the same time. Starting off with "Frischling" the beat maker takes us on a calm synth trip through his home forest Spessart, using wild boar - Wildschwein - vocabulary all the way. Sparks of early Downbeat ("Gewaff"), even Trip Hop ("Überläufer") and instrumental Sade ("Leitbache") occur in the well balanced 8 track album. Johannes' dad Rudi adds to the vibe playing the Jagdhorn on "Keiler". If you like the band "The Art Of Noise" you will most likely love this too.

***Strictly Ltd Edition (500) 12' Blue Colour-In-Colour Vinyl & Limited Edition Matt Sewell Phenakistiscope Print With Initial Copies***

Matt Sewell's A Crushing Glow' was a great success upon release in spring 2014. A Compilation album like no other it was lovingly curated & designed by Matt. A most carefully crafted & truly genre-blending collection, it was valued & appreciated by many including Lauren Laverne on BBC6 Music. Recognising the magic within Matt's unique design package, she awarded the
collection her coveted compilation of the week.

Sequentially, last year followed the 50 minutes of The Gayatari Mantra on a golden 12'. Performed by Bollywood playback singer Anuradha Paudwal & her daughter Kavita Paudwal, this holy mantra drew plaudits & acclaim including BBC6 Music plays from Jarvis Cocker & Soho Radio & love from tastemakers Test Pressing & Vinyl Factory.

Now, CTR is proud to offer a brand new A Crushing Glow collaboration with esteemed London based producer DrumTalk, whose output has graced labels such as Tru-Thoughts, Soundway & Huntley & Palmers. Matt has curated this release & created, once again, very lush sleeve artwork.

Speaking of the 12' Matt suggests that Commissioning DrumTalk to make some new music for A Crushing Glow Presents was a crystal clear choice to make. He continues: Those that are down
with his house trax will be aware of a depth that runs through his music. I've known DrumTalk for years and I know that current runs deep. Surfing on synth waves of endless barrels of cosmic
vibrations, DT takes us on a journey from the blackness into the blue and beyond.

DrumTalk himself describes A Crushing Glow imprint as: A series that has been continuously loved by many. Variously described as 'cosmic', 'spiritual', 'joyful', and indeed 'transcendental'.

This latest release in the series, we suggest, is no exception...

DrumTalk aimed to craft a 12' that would unravel gently & then encapsulate the very unique essence of A Crushing Glow. Decide for yourself if you consider this done.

Caroline True Records are very proud to present this deep and lovely work - housed in lush artwork conceived & produced by Matt especially for this release.

returning, dream’ is the second album from Paradise Cinema – the‘Fourth World’ inspired project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves). While Wyllie’s other projects move between tightknit electronica, widescreen minimalism and improvised ambient sounds, ‘returning, dream’ contains nods to Jon Hassell, Terry Riley, Don Cherry and Midori Takada as well as more contemporary electronic, ambient and non-western music and even draws inspiration from physics and science fiction.

The first, eponymous, Paradise Cinema record, released in 2020, was recorded in Dakar (Wyllie lived in Senegal for a while in the late 2010s) and featured the dense rhythms of Mbalax music combining with Wyllie’s textural saxophone and synth playing, but here he takes a step into the unknown:

The music is no longer built primarily around the rumbling
propulsiveness of Mbalax, but takes its inspiration from the Many-Worlds Interpretation of quantum mechanics, which suggests that there are many different worlds that branch off from our own. Wyllie explains: “It is an imagining of what music could be like in a different time and space, ancient and futuristic from everywhere and nowhere at once. I was listening to a lot of physics podcasts when I created this record. I loved the many-worlds interpretation of quantum mechanics; about the multiple paths we are taking each time a quantum decision is taken. The different worlds then splitting off like branches on a tree. I could imagine different histories and worlds and multiple versions of myself, others and even other societies existing. In this album I’ve dug into these ideas andattempted to make music that would come from those different spaces, trying to poke my finger through to the other selves and stories. Effectively a form of composed science fiction, the music is an idea of what might be occurring or have occurred on a branch of the tree in a different world. But I like to think the tracks might actually have been composed somewhere or sometime.”

Created in London by Jack Wyllie with additional recordings from Dakar and Sydney, ‘returning, dream’ blends sounds that do not typically live together. It features Khadim Mbaye (sabar drums) and Tons Sambe (tama drums) who provide the dense Sengalese rhythms, plus Szun Waves colleague Laurence Pike, also on drums.

The release of "Scenes From My Soul" marks the culmination of the career of one of the essential figures in the history of electronic music on the island of Mallorca, undoubtedly one of the most influential DJs of his generation and one of the most important figures in the Balearic sound. We are talking about someone who, since the very beginning, has been faithful to the vibe -not so much a style as a way of conceiving music, more concerned with what it provokes than with conforming to the rigid rules of any pattern. In fact, Pepe López Ojeda (Palma, 1968) proves on this first LP that his way of conceiving music has more to do with the creation of a landscape and evoking a moment: you can almost hear the breeze from the sea, your breath in sync with the waves in the background.

In 2020, Pepe Link returned to his role as producer to shape a first single, "Gypsy Love Affair", after three decades behind some of the world's most prestigious booths, continuously demonstrating his impeccable taste as a music prescriber. Whether at the head of several radio programs or as musical director of the Cappuccino group, for which he has already directed ten compilations that have contributed to making the brand a globally recognized label, Pepe´s careful music curator work continues to impress and delight. For his personal project, it was clear that for his release there was no better label than Music for Dreams.

In 2022, "Korasoul" would be released and from then on, in collaboration with the Copenhagen label, he began to dig into his hard drive in search of the best musical ideas and sketches he had accumulated over the years. From there emerged the songs that make up this album, which could be considered a career retrospective, almost a greatest hits compilation, were it not for the fact that all the songs (except those already mentioned) are unreleased and were recorded with a plethora of collaborators, including the engineer Tolo Servera, the legendary Cuban trumpeter Alejandro Delgado and Brazilian singer Marta Santamaria.

The collaboration with Music for Dreams and the complicity with his alma mater Kenneth Bager has given him the opportunity to count on session musicians to bring the required organicity to the tracks.

It has also allowed him to follow his personal obsessions: soul (the version of "Lovely Day" by Bill Withers), bossa ("Vem Menina", by Tania Maria and Emilio Santiago), flamenco airs ("Korasoul") and even soundtracks and contemporary classical music (the nod to Wim Mertens with the version of his "The Scene").

To come full circle, Pepe Link enlisted the help of fellow DJ and producer Kiko Navarro to complete the mixing and mastering of the album. Both are two of the pillars of the island's electronic music scene, and he credits Kiko as one of his masters in terms of DJing and producing. The rest he has learned on his own since 1994, when he first stepped into a booth. To this day, he has achieved a mastery that few can match. That's millions of nights, hundreds of millions of beats, an enormous amount of good vibes.

Now he has poured almost everything he knows about vibes into this album. Although in Pepe Link's case it would be more accurate to say what he feels rather than what he knows, because if one thing is clear when listening to "Scenes From My Soul," is that there are no filters or cutoffs here: Pepe Link has poured 30 years of experience into each of these songs, 30 years of music, of listening to it, of playing it, of feeling it; 30 years of merging his life with it.

The first time ever vinyl release for Seahawks first ever full length release way back in 2010.

Originally available as a bonus CD-R (of which only 200 copies were produced) with TheHigh Tides/Astral Winds picture 7” single. Secrets Of The Deep is a marvellous collection of deep space ocean edits that set the blueprint for the Seahawks sound far into the future.

Deep drench, marina drone, deck shoegaze, cosmic yacht rock at it’s finest.

Original artwork by Pete Fowler lovingly reproduced with full colour 3 page poster insert.

6 years after their last album, fav favourite Kites, Submotion Orchestra make their long-awaited return with the remarkable Five Points EP. Recorded over a period of two months at band member Taz Modi's new studio in the Sussex countryside, it sees the band plough a path through electronica, jazz, soul and ambient in their own singular way. After a period of time spent looking back at their oeuvre, with the release of two Unplugged collections as well as classic debut album Finest Hour on vinyl for the first time, the refreshed, slightly older and wiser band set their sights firmly ahead, and the result is music that sounds like nothing they've done before.

Whilst featuring the uniquely fragile voice of Ruby Wood and the live instrumentation that has been their calling card in the electronic world for so long, the EP also delves into rhythms, soundscapes and effects that push their recognisable sound as far as it can go, and acts as the perfect taster for the forthcoming album that the band are currently recording.

Created as a seamless listening experience, the EP opens with the evocative and atmospheric 'Start Point', as dreamlike synths and brass mix with wordless harmonies straight from the heavens. 'Hope' continues the mood, warm analogue synth patterns combining with fragmented vocals on a persistent build-up to an emotional climax. Lead single 'Side One' cheekily nods to Submotion classic 'All Yours', before moving into newer territory, where Ruby Wood's vocals slowly become distorted and twisted, the perfect backdrop for this story about the loss of hope. Flowing joinlessly into its mirror image 'Side Two', we see the instrumental prowess of Submotion Orchestra which has so long been their defining characteristic in full flow. Finally, 'End Point' brings the EP to a moving and wistful climax, telling a tale of the wisdom that can only come after bitter experience.