House Vinyl New Releases - News

Through darkness diamonds spread their richest light…

Part four is here with Zakmina from Lithuania, Elfenberg from Sweden and Some Chemistry and Pete Beluga & Du Chatinier from Amsterdam, The Netherlands!

MOTHER113
Berlin based DJ, Producer and label head Nhan Solo is back with another hard hitting bomb on his very own Mother Recordings, this time entitled „Take Me Higher“ and due this spring!


„Take Me Higher“ is a six minute old school House track coming straight from the 90´s forthe late to the party, full of energy and power synth chords. The soulful and iconic vocals rings out to complete this ultimate peak time track.




MOTHER114
House hit makers Mother Recordings are back with another big summer jam. This one comes from the Italian young gun Marco Anzalone and Slovenian biggest export Mike Vale. The two chart topping artists are regulars on mainstay labels like Strictly Rhythm, Cr2 Records and Glasgow Underground. Both friends are teaming up for an amazing collaboration and splendid 2 tracker EP at Berlin’s finest Mother Recordings.


First is „Beat Control“ a massive House jam. The track is driving by a funky bass line groove, gnarly synth sounds, full energy and a catchy male vocal is layered over the top to get the place pumping and stomping. Absolute fire!


Next up is „Got Me Started“ more on the deeper side, full of swing and love. Warm sounds, with a lot of filtering and dynamic. Both tracks are proper House music right here. Enjoy, dance and summer!




CLAPTONE - DL for Claptone
DANNY HOWARD - This Friday on my show.
FERRECK DAWN - thanks :) 5/5
RIVA STARR - Thanks for the music.
ELI & FUR - Nice, thank-you!
HECTOR COUTO - Good Release
ALAIA & GALLO - Take Me Higher 5/5
JORIS VOORN - 5/5

Children, the one and only instrumental song that breaks all the rules, created by Robert Miles. The netherlands producers Tinlicker signed the new remix of Children.

Bio:
Tinlicker are Utrecht based duo Micha Heyboer and Jordi van Achthoven who have been crafting their computerized soul together since 2013. Before joining forces, they individually honed their skills as part of world renowned drum 'n bass act Black Sun Empire (Heyboer) and as producer, songwriter and music editor for many artists (Van Achthoven). Their previous experience was apparent from day one of their collaborative project, resulting in an impressive
string of highly mature and deeply emotive tracks. Since starting working together they’ve quickly become a household name in the world of electronic dance music previously releasing on Armada,
mau5trap, Anjunafamily and Astralwerks. They have released their first full length album 'This Is Not Our Universe' last fall and released their remix album this past spring from the likes of Dosem, Joris Delacroix and Grum.

When the frontier between night and day begins to thin, as dancers' eyes fill with a strange emotional haze and lovers' lips grow numb, white flowers bloom away from the city's consuming gaze, flooding across peaceful fields and hills as so many beacons to cling to when entering the mist of dreams. First incursion of longstanding Aus Music and Hypercolour affiliate Tom Demac on Kompakt, 'White Flowers' sees the British producer joining forces with London's Real Lies for a special round of otherworldly after-party soundtracking, melding the elegant, wistful minimalism of Demac's signature productions with Real Lies' lush mix of techno, pop and spoken word.

The three cuts on 'White Flowers' ooze a fine alloy of quick-consumed ecstasy, fresh heartbreak and shivery consolation, sitting on the very cusp of euphoria and vulnerability. The lead-track essays forth into deep, string-laden minimal techno terrains as the languid voice of Kev Kharas adds another dimension to the instrumental picture, making it a classic Kompakt affair in its own right. Pushing into a breaks-heavy, more openly club-ready direction, Demac's 'Felix' further emphasises the groove with a rousing blend of 303 bass and synth-y glitter, before the ambient version of 'White Flowers' tops it all off on a plain melancholic note. An evocative tale of loss and longing, tearful and cheering in equal measure, 'White Flowers' is a track that seeks the very apex of dancefloor emotionality.

Gem packed 12" by Eversines on his second EP for Nous'klaer Audio. Three rolling house groovers introduced by the blissful tune New Place.

"Nuances", the third album by producer Les Gordon, is the first full-length to be released on his own label, Morning Crash Records.

In this opus to discover his new compositions, we oscillate between dancing electronics and soft atmospheres. This opus is also an invitation to sing, since it features many artists such as Lenparrot, Sauvane, ACES, Anika and Marie-Gold. The 14 tracks are harmonized around the producer's signature, mixing sampled voices, cut and heady beats.

The Japanese theme is finally present, retracing

Les Gordon's origins and roots.

Limited back in stock !

Red Axes make a triumphant return to Phantasy with a further trio of expertly-crafted leftfield club tracks. Having produced several of the label’s best-loved club moments such as ‘Sipoor’ and ‘Sound Test’, the Israeli duo easily surpass their charismatic reputation across ‘Some Lights’.

‘Some Lights’ stomps forward to reveal the footprints of a rave giant, yet, even Red Axes at their most anthemic unfold the unexpected. Bleary-eyed chords stretch wistfully into the far-distance, as a male voice compounds the mood; “Sunrise”. Suddenly, the Axes pull the rug and reveal the howling club wolf hidden behind the sheep’s dress code, plunging dancers into a heavy trip of vintage rave chords and EBM-drum play.

The more psychedelically inclined will meanwhile find plenty to embrace in the wide, kaleidoscopic canyons of ‘Skulls’, a deeper-still groove machine that conjures up images of untamed sonic plains, Morricone-esque chords unexpectedly synthesised with psychobilin. Finally, ‘Professor Grasstov’ finds the duo loosening up into more playful form still, dragging the good name of this notable academic on a loose, breaks'y trip full of baggy energy (and complete with audible liquid experiments).

Berlin native Nico Stojan returns to Crosstown Rebels, this time teaming up with Italian native Tooker. The two track EP entitled Frisbee is true to the label, taking the listener on a melodic journey perfectly set for the magical desert of Burning Man or the jungles of Tulum.

Nico & Tooker create this scene perfectly as the title track opens proceedings, captivating the listener from the off set with delicate 4 x 4 beat before waves of harmonious elements and melodic synths pick you up and take you on a journey, like a frisbee gliding through the air on a warm summer's day. Luna further emphasises the inspiration behind the production. The listener is taken on a metaphorical voyage through the cosmos, with futuristic, space-like melodies and finely placed percussions that twinkle in and out of the track giving a perfect accompaniment to the deeper, darker bass heavy beats at the core of the piece.

This may be their first release together but Frisbee signifies a deep connection between the two that could fool anyone into thinking they have been producing as a duo for some time. Nico is no stranger to Crosstown Rebels having had previous standout releases on the label such as Killing Your Lover and Belladonna. As the co - founder of Quie Records, together with Acid Pauli, the Berlin native has planned to produce more showcases and present his vision of modern dance music across the globe. This vision is embodied beautifully within this EP. Having recently embarked on a solo career, Italian Christopher Tooker is probably best known as one half of KMLN which has seen him playing exciting parties across the globe including; Wonderfruit, Meadows in the Mountains and Burning Man to name a few.

Repress!

Berlin based duo Kyongpaul is a electronic producer and a live jazz drummer. Together they create an unique experience crossing Melodic Techno & House up to jazzy and piano influenced downtempo beats for fans of Kiasmos.

repressed !

MoBlack Records offering the second instalment of the MoBlack Gold Series. Four sublime Afro House tunes ready to set the dancefloor on fire!

MoBlack Records are proud to present the third edition of their successful "MoBlack Gold" series.
All Killer, no filler!

Remember Adam Port's last contribution to the Keinemusik-Discography It's been the absorption of a Pop-tune by an almighty Techno-roller. Compared to that, it seems, Port has equipped himself with velvet gloves to shape this KM024.

Already side A, going under the name 'Shifter', passes on almost all opulent gimmickry. It rustles in brittle lofi-attitude instead, just like an Electro-postcard sent from the 80ies. Port is designing a coolness of sound that's carried by shaker-grooves and saucy synths, that's not hesitating to hand out clap-slaps and that deploys flickering hi-hats all the way. With this update of classic Electro-aesthetic, you wouldn't have to go without bass-massages, though. They are just coming more from the fingertips this time. An enactment of the rather minor gestures, utilised precisely enough to stuff every bold break-jingle-jangle out there in its leatherjacketpockets.

'Snowbeach' on the flip unrolls the warming organ-blanket instead. It's a manifesto of deepness that seems to exhale yearning sighs every 16 bars. Prominent use of shakers, guitar licks and piano-accents are condensing this instantly heart capturing House joint, until a synth-liftoff beams it into completely extramundane dimensions. Again, Port is aiming less for peaktime-tailoring than for durability. A clever move that might base 'Snowbeach' as a long stay resident in many record cases.

From his longtime association with Osunlade’s Yoruba Records imprint, Melbourne DJ/producer Mike Steva now delivers a quintessential cut of his own organic rhythms for Innervisions with The Sound Of The Sun EP.

Draped in timeless sounds throughout, the EP opens with the unmistakable birdsong of the early hours atop a deep, chugging rhythm. The hypnotic minimalism of “Dawn Of A New Day” is sustained with floating key chords, before an unexpected turn at the halfway point blooms into thrumming synths, handclaps and murmurs. “The Sound Of The Sun” captures and keeps rich golden beams, guiding them to refract and resonate against glassy percussion and an urgent tech-infused beat. Distorted acoustic notes are stretched and warped, adding noirish desert tones in contrast to rising fever-pitch cymbals.

“Time Of Light” then charges into view, raising the heat with peaktime energy as insect sounds are looped and transformed into a pulsing accompaniment. Bringing things to a steamy conclusion, “Baba Himalaya” borrows from tribal traditions to pay tribute to cross-cultural sounds, pulled forward by sweeping vocal solos and harmonic choruses.

The Debut Release On Mule Musiq By Italian Dj&producer Toto Chiavetta. I Have Keep On Checking His Releases Since His Release 'become One' On Osunlade's Yoruba Records, It's Still My Fav Track To Play. Toto Has Been Releasing Eclectic House Music From Mighty Innervisions And Yoruba Records In The Last Few Years. Magnus Ep Start From Floor Killer Tropical Tech House Track 'higher Than A Bird',it Will Be Instant Summer Anthem. On B Side,'magnus'&'first Day Without Her' Is More Dark Techno For Big Room But We Still Can Hear Some Musical Elements.

We are beyond excited to announce the release of the first exclusive vinyl from our label Melody Of the Soul! Side A will feature an original by M.O.S. called “Kara” and a wonderful remix by Lost Desert. Side B will also be comprised of an original by M.O.S. called “Mermaid Dance” complimented with a thrilling remix by Newman (I Love). Each side of the vinyl cover will feature unique artwork reflecting these 2 beautiful releases!

Celebrating 10 years in the game this year and after a slight covid-induced pause, Dixon Avenue Basement Jams are back with fresh new summer heat straight from the depths of the colosseum on their Neutralizer sub-label. Longtime friend of the DABJ crew Delphi (who is also one half of Tiger & Woods alongside Marco Passarani) joins up with four shining examples of forward thinking machine driven funk, the type you can only expect to hear from the eternal city of Rome.

Strictly limited hand stamped edition on Carmine Red vinyl. Don't Sleep on this one, people.

2LP Gatefold with colored vinyls

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."

The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.

The battle against the plague has raged hard for over a year. Around the globe, dancefloors are empty, layers of dust and broken bottles strewn across them…the glowsticks have long faded to black. But the Cologne mothership KOMPAKT has managed to prevail, bringing inspiration and hope through the message of music to a decaying humanity.

The Reawakening is finally in sight. It is only fitting that New York’s Steve Moore (of Zombi, Gianni Rossi and Lovelock fame) makes his return to KOMPAKT now with this foursome. Especially as his last release for us, “Frame Digging” (KOM 415) directly preceded the start of the pandemic.

AUTO SEQUENCE START – the time arrived for us to press the reset button. The cycle has completed.

Der Kampf gegen die Seuche tobt nun bereits seit über einem Jahr. Rund um den Globus sind die Tanzflächen leer, Schichten von Staub haben sich darüber gelegt, zerbrochenen Flaschen liegen herum ... auch die Leuchtstäbe sind längst erloschen. Doch das Kölner Mutterschiff KOMPAKT hört nicht auf, der darbenden Menschheit Inspiration und Hoffnung durch die Botschaft der Musik zu bringen.

Das Wiedererwachen ist in Sichtweite. Umso passender, dass der New Yorker Steve Moore (bekannt durch Zombi, Gianni Rossi und Lovelock) nun mit dieser 4 Track Maxi sein KOMPAKT-Comeback feiert. Denn seine letzte Veröffentlichung für uns, "Frame Digging" (KOM 415), war direkt vor Beginn der Pandemie erschienen.

AUTO SEQUENCE START - die Zeit ist gekommen, den Reset-Knopf zu drücken. Der Kreis schließt sich.

we are very proud frankey&sandrino are back.
two first class hypnotic dance floor weapons. unnecessary to say bla bla bla...

Brazilian sorceress ANNA arrives on Afterlife with a tryptic of atmospheric ascendence.

ANNA has risen to prominence as one of South America’s foremost purveyors of techno, headlining events around the world and delivering exquisitely balanced sets that merge emotion and intensity.

‘Journey to The Underworld’ exemplifies her ability to blend tough beats with transcendent atmospheres. The EP opens with the title cut, where thunderous drums underpin a symphony of melodrama lighting up your emotional centre. ‘Surrender’ combines serenity with hypnotic rhythm to transport the listener into an alternate realm of consciousness. Finally, beatless soundscape ‘Dissolution’ gently caresses the soul as it journeys home to the source…

Back on the Riotvan with the third installment already, it is the ever on point Llewellyn, still being the more extroverted Synth/Wave/NeoDisco-alter ego of Lake People - that just as a minor gloss for those who've been living under a rock over the last years. On "These Days" we see him further elaborate his distinctive signature sound, more than ever brimming with confidence and splendour.

Welcoming Ukrainian artist The Organism to the TAU family with this delightful EP. Roman Yarmolenko began his career back in 1999 as DJ Alfred, and made quite a name for himself. But he made a conscious shift into the underground in 2013, finding more satisfaction and joy in pro- ducing music that didn’t fit into mainstream ideals. Over the years since he has established himself as a formidable producer, landing releases with labels such as Diynamic and Disco Halal. Now he’s joining the TAU squad for his debut EP Ups And Downs after testing the waters a while ago on the label’s Spektrum 2 VA...

There is this phenomenon that I call the „Keope moment“. I saw it again at this year's Sacred Ground Festival. Two guys start playing music on a guitar and a table full of unknown objects. Nobody knows them and nobody knows what to expect. 20 minutes later everybody’s dancing because some strings just pulled you close to them and made you dance. I sincerely hope that when you listen to their second LP - which I’m very proud to be able to present you - you can’t help yourself but dance! Frank Wiedemann

Rising star Innellea demonstrates his prowess with four diverse, powerful cuts. In a short time Innellea has made a significant impact.

His production is inventive and progressive, gracing dance floors with emotional depth, considered arrangement and pumping rhythms. His debut EP opens with ‘Confronted Reality’, which is driven by an
oscillating low end, complemented by an emotive melody and a huge riff - tinged with drama throughout.

Next up it’s the title track, a morose cut that utilises breakbeat-esque
rhythms, piano keys and warped vocals. On the flip The Loss Of Hope’ features beautifully composed, trance-esque layers drift over a driving rhythm - lifting spirits and invoking the Heaven within. Finally, ‘Irreversible’ takes us into the darkness, with spinetingling melodies and hard-hitting drums ...

Repress

here's a big reason to celebrate, as we face the 150th release on Cocoon Recordings! That's right, 150 prime cuts with a number of milestones. It's hard to single out any one for particular praise but even so, we still have something very special planned for the anniversary. With a certain affection, we wanted to present an artist from the region so it's with great pleasure that we can unveil "Countach" from the one and only Butch, as a more than worthy anniversary release. The native Mainzer and sometime Berliner is without doubt one of the most dazzling German Tech-House artists of the moment. His performances contain a full dose of funkiness and his self-made promo videos never fail to entertain, providing a lot of fun in the process. First and foremost though, Butch is an exceptional producer, who, as one of the chosen few, knows how to mix together those special ingredients that drag us onto the dance floor again and again. What's more, since we really have something to celebrate, we don't just have an original from Butch, it's accompanied by a remix from none other than Kölsch!

If the term "man of the moment" applies to any artist then it's got to be Kölsch! At least that's true when it comes to hypnotic techno with a subtle yet seductive touch of trance. Kölsch is currently operating on another level. Whatever he touches turns to gold, turns moments on the dance floor into unforgettable experiences to be written down in the annals of techno.
His Kompakt release "Cassiopeia", as well as his remixes including the Chemical Brothers, stand out as musical testimonies of the past two years. The series of musical landmarks from the house of Kölsch is endless and his remix of Butch's "Countach" is no exception!

With poise and purpose like the Lamborghini of the same name, Kölsch takes us on an epic journey with his remix here, but as things progress he still has the foresight to jams on the brakes, keeping the dance floor honest by slowing things down to cruise control for the middle of his ride. What a trip, a true adventure, a techno road movie that could only come from Kölsch!
Of course, after a remix like that, there's not much left to say but this is techno and our man Butch is anything but normal! He just knows instinctively how to bring things to the boil and demonstrates it very impressively again on his original version. Implementing a 'nasty' arpeggio line that captivates us before being hunted down by a prime-time filter, Butch summons up an acid monster that works without a 303 but is no less effective. If that's not enough Butch also proves himself a master of ecstatic dance during the closing sections, serving up an emotional string arrangement that glimmers and shines. As a result, "Countach" with his nice fat strings becomes an instant dance floor catcher.

It'll probably be very difficult to pick a favourite from these two mixes, which makes this cut even fatter! It's a great release brimming with pathos and full-on emotions.

The new EP ‘Changes’ marks the follow-up to acclaimed 2020 EP ‘Walking Away’ Tapping into the trademark Mind Against sound, title track ‘Changes’ combines rich melodies, fleeting vocal samples and fluttering synths, delivering a graceful electronic creation that’s steeped in otherworldly emotion. On the flipside, ‘Closer’ is characterised by its stunning breakdowns and delicate piano chords.

Drawing from IDM, house and techno, Italy-born, Berlin-based duo Mind Against have previously expressed their emotive, psychedelic sound on labels such as Hotflush or the Life and Death imprint. Their unique DJ sets, often performed in many of the world's best venues, create a special kind of feeling in the club, at once uplifting, dark, driving and melodic.

‘Changes’ ensure Mind Against continue with their streak of releasing captivating dance music on Afterlife.

Debut album from Ovend, delivering his most personal work so far.

London producer Scott Ferguson, aka Robot84, continues his superlative run through 80s speckled gear on his own label. This time he's cooked up a killer slice of proto house with an Afro vocal boost from TAMA. From the slick reverse edits to the warm thrum of the bassline, the classic drum machines patter to the spangled arps, this is feel good business rendered with reverence and love for the roots of dance music as we know it today. Stick on the A side for the vocal version, flip it over for the dub, or better still bag two copies and get creative in the mix.

Four classic tracks from the Selador catalogue come to vinyl for the first time. Each one a Beatport Top 10 best seller in their own right, this is the sound of Selador.

How do you go on after a feast like - The Division' - especially if it included a main course like Neutron Dance You don't! And you don't even have to try. But like with any great meal, one can do magic with the leftovers (see chop suey, stew or goulash for further reference). In any case, Krystal Klear doesn't need to worry about that. Having cracked the DNA code of - dance music' on his first EP for Running Back, this double-A-side-follow-up-single feels alive, floats upstream and fires on all cylinders. While Euphoric Dreams is the musical incarnation of an Alexander Shulgin formula (your spine gets tingled all the way including a wonderfully prolonged break down) or the scoring of the proverb that - at the bottom of patience one finds heaven' and - happiness is just around the bend'. Speaking of which, Miyoki does exactly that to every pair of knees around. A relentless bass line and a deadly snare (- yes, you thrill me, when you fill me'*) are enough to force almost any kind of dance floor into submission. *Freely adapted from Les Femmes - Yes, You Thrill Me - Kee Wee, 1984

This new EP, entitled "Serenity remixes", pays tribute to POPOF's eponymous hit released in 2009. True Who's Who of electronic music, it will include several remixes of this classic by artists that we no longer present to you: Vitalic, NTO, Pig & Dan, Booka Shade, Oxia and Atoem.

Rising contemporary electronica musician Holo will be releasing his new In Limbo EP via Houseum’s sub-label Ellipse Records on the 25th of February. The Australian producer burst onto the scene in 2019 after seeing his first track 'Atlas' uploaded on the Houseum YouTube channel and after releasing his debut EP of the same name, with house music heavyweight UK label Shall Not Fade’s sub-label Lost Palms. The EP featured the deep house classic ‘In My Dreams’ that earned over 2 million streams on Houseum channel.

Hugo Horwood (Holo himself) is originally from Canberra and is currently living in Melbourne, Australia. His music draws from unexpected genres, including pop, classic rock, acid and 90s hip hop, to create a sound that is truly his own.

‘Bleu’ is the first introduction into the kaleidoscopic EP that will subvert your expectations from the get-go. With a gradual start, the listener is rewarded for taking the extra time to lean back into the song and explore the multilayered tones of chilled vibes and an inescapable otherworldly realm. The first hint at the artist’s vocal talents, the single leaves the listener begging for more.

‘In Limbo’ is the epitome of holidays: luxurious soundscapes and unhurried production at each turn. Join us as we venture down a long, winding road that hugs the mountains on one side and showcases a vast aquamarine world on the other. Just above, around the bend, you know there’s a house party waiting for you that promises sunsets and good vibes but for now, the road stretches on and there isn’t a rush in the world. Why would there be, when you’ve got Holo on the speakers?

It took a long time to get 'Supersonic' sounding the way Holo wanted it to, particularly dialling in the bass sound he could hear in his head. It reminds him of Fatboy Slim's 'Right Here, Right Now' or Robert D's 'Clubbed to Death' (from that scene in The Matrix with the woman in the red dress) with its swirling bassline and relentless drums. The guitar parts at the end are inspired by the intro to Pink Floyd’s Shine On You Crazy Diamond'.

Holo once had this “Airbnb for music gear” business idea and tried to validate it by buying an original Roland TB-303 to rent out to other producers in Melbourne. He ended up stopping that project but found he was way too in love with the 303 to sell it, and he's glad he didn’t because it's been a constant source of inspiration, and it’s all over this track. He’d been mucking around with an acid line over “In Limbo” and found that the 303 line worked brilliantly with the drums and bassline by themselves, so he immediately saved a new version of the project and didn't look back!

Some serious sweetness from Jex Opolis on Bad Timin' the sub label of the beloved Good Timin' records. While 2018's Bad Timin' Vol. I charted a course into the art of darkness, this second volume re-imagines the imprint's focus and aims for a more colorful--and inclusive--dancefloor experience. Along with some searing club dynamics, many of those Jex touchstones we all know and love are here in full force: The playful melody, the disdain for genre, the bad puns ... On EP opener "Fought Experiment," Jex pumps the breaks during a drive on the Big Beat highway, with buzz-saw FX, turntablist scratching and a bubbling bassline along for the ride. Meanwhile, two mixes of "Soft Guidance" let the Canadian producer reflect on his late 90s "Global Underground" phase--while swapping out Oakenfold for wash-n-fold, given Jexy's newfound domesticity. Closing out the EP, "Scott Says" keeps the BPMs high and filters dubby techno through a deep house sieve, all while namechecking a little-known Edmonton techno producer. Recommended!!

The North of England is known for its musical prowess. Middlesbrough born Rees taps into that musical history while diving deep into lost disco, obscure wave and even the Middle East for his debut for Bordello. Three Eyes is a melting pot. Setting sail on bold beats and rumbling synthlines, Rees steers the listener through cascading chords, shimmering key shifts and serenading sirens to produce a truly unique dancefloor experience. Tjade, of Koi Jaye fame, is on remix duty. The winning formula of the original is adhered to with adjustments and ablutions guiding this interpretation. BPMs rise to give a fresh burst of energy. Rees’ melody is given extra muscle with those same mesmerizing vocals being a driving force for this superb remix. Dynamic and diverse dancefloor dynamite from the Paradiso label boss.

Following widespread acclaim for his recent LP ‘Always Inside your Head’, on March 4th / April 8th Matt Cutler AKA Lone releases four re-works of tracks from the album, entitled ‘Natural Aerials’.

On ‘Natural Aerials (Mouth of God Part Two)’, Lone utilises a similar sound palette as album track ‘Mouth Of God’, but rebuilds it into a brand new banger. Energetic, deep, trancey and driven by jungle-schooled breakbeats, with bassbin shuddering low-end, he delves deeper into the vortex. Whereas the album was made predominantly using software, Cutler has since been buying hardware – and this marks the first track made on these newly acquired synths.

Based around a version from Lone’s recent sold-out live show at London’s Village Underground, on ‘Inlove2 (One Thirty Mix)’ he ups the original’s BPM count, with sights set firmly on the dancefloor. Taking cues from the ‘Ambivert Tools’ series, this is a high-grade, proggy, main room acid rush.

On ‘Visited By Astronauts (SHERELLE Had A Groove Remix)’, the fast-rising star takes an ambient interlude from the album, and gives it what she calls “a space age, footwork jungle twist”. Her first released remix, Sherelle continues an impeccable purple patch, with a re-rub that’s both airy and light, but also heavily percussive, full of propulsive forward motion. She states, "it’s a pleasure and honour to remix for Lone, as being a long time fan, it's a beautiful thing to be able to collaborate. I really wanted my first remix to be special and also for someone who I hugely admire, so Matt asking me to be involved in this process wastruly magical!”

‘Echo Paths Ebb And Flow’ takes a downtempo album highlight, strips it back to just the synths, then unfurls them into a blissful ambient work that’s melodic, warm and fuzzy, swaddling the listener in candy floss clouds.

As the third outlook on the soon to be released second Keinemusik album, this is "Confusion feat. Ali Love". Slightly grainy beat, tender piano-harmonies and on top: Love's croon - the sentiment of this tune is destined to score many of the last sunsets, this season has to offer. "Confusion" will be out August 27, followed up by the album in October.