House News

Vinyl only – limited to 150 – handnumbered – 180g vinyl

Steve O'Sullivan invites a trio of artists to lay down some serious head nodding beats for ‘Rhythm Method Vol.4’. Calling on one of Canada’s trusted talents and solid purveyors of deep grooves Jay Tripwire leads the charge with ‘Mung Bean Medley’. There’s simply no messing: pushing through a taught rhythmic workout, incessant toms and metallic tones etch deep into the mood - awash with dubbed out atmospherics and crafty touches that more than a give a nod to the dark house dubs of yesteryear. On the flip, ‘Hidden Sequence’ inject their creative flex, demonstrating the all important art of minimalist bounce with ‘Synchro’. The kind of fully swung beats and tripped out twinges that brighten the groove more often than not when 7am comes calling. The svelte bustle and soothing tones of ‘Makka’ from Fletcher by contrast, soothe the mind and leaves plenty of room to kick back as weary limbs take their toll: a fine tonic indeed.

After a string of seminal club 12”s over the course of two decades, and in the midst of two successful solo careers, MMM finally release their first album. Erik Wiegand is the critically- acclaimed, PAN-affiliated Errorsmith and creator of Native Instrument’s Razor synth; Michael Fiedler is Berghain resident DJ Fiedel, as well as label head, producer, and co-founder of the legendary Wax Treatment party. While, as Messe der Meister von Morgen, the Berlin-based duo are known and beloved as a rave act providing the utmost energy, On the Edge shows their more tender side with the depth and emotional complexity befitting the sustained passion for and experience in music the project shares.

Although the market rewards regular and frequent releases, MMM have always chosen quality over quantity, taking time to achieve this and releasing when they have something they’re proud of. Self-releasing from day one – and partnering with Hard Wax for distribution – their independence has meant total artistic freedom. And even with their previous zero promo approach, their two ‘hits’ speak for themselves: 1997’s “Donna” and 2010’s “Nous Sommes MMM” (“Donna” was revealed to be the biggest-selling record in the history of Glasgow’s crucial Rubadub record store). But even though they’re known for rave-infused classics, they refuse to be pigeonholed.

In fact, the power of On the Edge is drawn from a near-meditative tension, rather than the boisterous party vibes of before – hence the title. Decades of engagement with dance music culture are filtered, refined, and synthesized, crafting a pure and individual sound. While you can clearly hear elements of genres such as techno, dub, UK bass, and gqom, it fits into none of those. If simplicity was a club weapon before, now it’s finely calibrated and downright subtle. Most tracks are spacious in their reduction – “On the Edge” and “So Nigh” contain only four elements each. Yet a lot, maybe more than before, is communicated. The accessibility of the arrangements invites everybody, but those in the know will appreciate the sophistication and inventiveness.

While not a ‘pandemic’ record per se, the timing fits. A world that’s exponentially more complex requires more sensitivity, and On The Edge reflects this. Loaded with thoughtful poignancy – they would even call it sadness – but somehow uplifting and empowering in its emotion, On the Edge is a new dimension not just for MMM but also for dance music itself.

Mysticisms keeps the Dubplate series moving, welcoming one of the seminal Dub producers of all time in Scientist. His unique studio techniques and understanding of rhythm are exalted and present on Step It Up, an enlightening example of his genius and matched with a widescreen remix by label associate DJN4, aka DJ Normal 4, teaming up with fellow Dusseldorf producer AKI AKI, to offer a dreamland breaks-steppers anthem.
The fact that Hopeton Overton Brown aka Scientist is one of the true pioneers of Dub music is undisputed. His productions, first as an apprentice at Studio One, then breaking through whilst teamed at King Tubby's studio, led to Channel One and a series of seminal Dub masterpieces throughout the 1980s, mixing engineer Henry 'Junjo' Lawes' productions with the Roots Radics, alongside vocalists Barrington Levy, Jonny Osbourne and Jah Thomas.

Step It Up precedes, taken from the period of seminal Tubby's work with Bunny Lee and in this instance, with Barry Brown classic vocals and Lee's house band, The Aggravators, backing. As often with Reggae's history, much is disputed, however, this unmistakable Scientist production showcases Brown's high pass filters in effect, the trademark riding 4/4, utilising the 4 track mixing desk to create a joyous bounce.

Working on the license from the outset, Tim Schumacher aka DJN4, waited in the wings to dive in the desk for a modern-day remix. Partnering with up-and-coming producer Aki Vierboom (Phaserboys / Candomble), the Digi-Dance MixX is bass-quaking histrionics, a steppers meets rave culture overdose that will be heard from festivals to dancehalls, a righteous dub-breaks riddim y'all.

Step the Mystery

Rolling into the spring of 2022, Mosaic turns to Berlin based Yorkshireman and co-founder of Tact Recordings, Fletcher, for Mosaic LTDX6 .

Following his impressive "Mechanical Garden" debut LP on Mosaic DTL, 'Violet Shift' focuses on Fletcher's ability to weave magic for the dancefloor with DeepChord's Mike Schommer adding a contrasting touch of class on the remix.

Title track 'Violet Shift' is a trip into the light fantastic: centring around a delicate fusion of deftly programmed beats and continuously shifting filtered chords. Brought together with muted pulses of sub bass and splashes of effects, it's a masterful exercise in restraint and a true delight with repeat listening.

Taking it the other way, Schommer's remix focuses on a four to the floor journey: adding tribal elements and tight percussion that inject more urgency into the mix. A tough but fair take, you wouldn't expect anything less.

Last but not least, the dawn chorus of 'BOHTS' eases you into the mood with a trimming of airy optimism and brushy bounce to the beats as warm chords sweep their way through.

Brand new release from Turbo Guidance Entertainment! We deliver a compilation with 4 versatile dubs cooked by our wizards ! Pablo Bozzi (half of Imperial Black Unit and half of Infravision) signed "Sangria Sound System N°1", a slow burner italo-disco track. Perfect to close a cosmic set in the afternoon drinking pepper-mint lemonades! Cowbells everywhere and powerful arpeggiator. Watch out the guy, this year is going to his year! In the second position we have a reggae-disco remix from the man Androo; part of NS Kroo and also well known on the label Music From Memory. He totally switched the
original dub techno track of Babe Roots into something sweet and bouncy. Lobster for you ears. You can even ear autotune on the vocal! Awesome! Coming at the third place, here come Komodo from Indonesia! "Funky Buzz" is a perfect blend of tribal and dub rhythms with a repetitive bassline. Big delays and full effects to rock iguanas. Komodo is a rising star of South Asia, look at the sky to see him shining like a Telsa soon ! And last but not least, we serve you a sweet downtempo riddim from Mali-I aka Z Lovecraft (Rhythm Section). He built a hip-hop influenced track with aerial chords. Perfect music if you want to take the mic and try to toast like a real badboy. Only 400 copies for the world. Sleeve visual is gently printed in risography 3 colors at Shift Studio (Tunisia) - DIY each and everytime.

Another big-hitting, small format slice from the PINA Crew!

An the A side we have a deftly extended Funk workout that just won't quit.
Over on the B, we have a slinky house jam based around a nicely sliced Joe Coleman loop...

Simple, effective jams on limited edition 7"
Floor food for all moods...TIP !

Tim Jackiw of Ukrainian/Australian descent grew up in Adelaide, where he is making impressive sounds on his Amiga 500 computer since the early nineties. As the techno scene thrived during that period he began to explore the cities clubs and radio stations and contributed with DJing and numerous radio shows up till 2005 when he moved to Melbourne for a permanent home. Since then he has been producing and releasing on many quality labels and running his own underground label "Offworld Records Australia"

The Amnesia EP is a follow up to 2019’s successful "Monuments" LP containing 4 tracks of deep, dubby and moving aquatic housey techno. Lucid takes us down a mysterious corridor of twilight space and fleeting hypnagogic imagery, deep basses and layered percussion threaded with Tim's signature live improvisation throughout. Next up is Amnesia the title track with its haze and watery backdrop taking us through a long distant fragmented memory, a broken and decayed film reel recalled through lush expanded pads and rich strings. Side B lifts us up into Pillars of Creation, a deep space cosmic interpretation of universal birth. Finishing off the EP is Gravity loss a funky string laden exploration using off beat percussion and slivers of delayed melody swimming through the atmosphere of some distant planetary sky we can only imagine.

Music on Vinyl serve up a special orange vinyl reissue of this legendary The Upsetters album from 1978. All the individual copies are hand numbered and the whole thing was of course produced by the late great Lee 'Scratch' Perry. It was the last record he did in his legendary Black Ark studio before he closed it down (and later burnt it down thinking it was possessed by evil spirts). It is another superb highlight of his skill on the studio mixing desk, with taped out dubs, hissing hi hats and meandering melodies that burrow deep into your brain and body.

The electronic musician and Poker Flat founder's contemplative new studio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as "elegantly euphoric" by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve's headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. Steve's formative musical years were spent during Germany's techno and acid-house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound-merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day.
"My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn't have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date." says Steve Bug.

With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve's celebrated attention to detail and consummate originality. Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head.
This album more than perhaps any other in his career sees Steve experimenting with broken-beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally-rich cuts: burst of radiant optimism that juxtapose beautifully with the album's darker moments. Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.

Vinyl Only

iO (Mulen) is ready with his 4th album. Now he's coming back to the home of his special releases - Mulen Records. This time - with "Oldivibes". And, no, we're not talking about his label - we're talking about his vision of "oldie vibes". Prepare for the superhot meal of iO (Mulen)'s signature basslines, double dose of energy, premium collection of chords and a delicate pinch of those "oldie vibes" that are at the background of every single track in this 3x12". 1992, 1996 or 2005 - you'll decide the date of retro journey by yourself - the year doesn't really matter here. What does - we're having one more album, designed straight for the dancefloors. 12 tracks that could make any dancer happy - no less.

Yep people, you’ve got us right. While many of us are still looking for traces of lizard people wandering over a flat earth, your favourite producer’s favourite producer has already boarded his space vehicle in the direction of moon, closely observing our mediocre attempts to enrich our earthly existence.
Magician Jichael Mackson opens his bag, presenting the signature sound he’s so famous and respected for. Deep and bass driven grooves, perfectly layered on top of each other like damask steel. In order to enjoy this masterpiece, we recommend to snort a big line of that “Digital Dust”.
“Family Biz” is taking a more laidback and broken beat direction. Dense percussions, intricate harmonies and a lot of soul and jazz vibes are hidden in this gem. Best to be discovered with your friends and loved ones on a sunny day beneath a shady tree, enjoying a couple of glasses while waiting for the sunset. Geez, this is so damn gorgeous.
“ATH” ends this formidable EP. Again, no club inspired vibes (cos clubs are closed anyway, right?) pulsating out Mackson’s snyths, instead a more abstract broken beat crawling into our ears. Eerie sound modulations and creepy acid - lovers of DJ Krush’s older works might fall in love with this.

Modernism Italian duo

Born from a passion for these machines and a belief that these machine each carry with them a soul.

Dub house and techno sound culture.

Two Jay Glass Dubs reworkings of "Jungle Shuffle" from Laura Agnusdei's debut album "Laurisilva". This limited white label 12" has been screenprinted by Jonas Ranson with three different slogans selected by the artists – green, orange or purple prints, 100 copies of each.

Two Jay Glass Dubs reworkings of "Jungle Shuffle" from Laura Agnusdei's debut album "Laurisilva". This limited white label 12" has been screenprinted by Jonas Ranson with three different slogans selected by the artists – green, orange or purple prints, 100 copies of each.

Temp. back in stock !

Versatile presents part one of a two-part 7 inch series featuring dub versions of selected tracks from Etienne Jaumet's latest album, "8 regards obliques", in which he gathered and covered his personal jazz favourites.
The first volume sees DJ Sotofett turn 'Unity' into a proper digi dub on the A-side, whilst on the flip I:Cube revisits Miles Davis' classic, 'In A Silent Way', turning it into a stellar 135bpm version.

Richard Bayer aka Richkus returns with 4 minimalistic tech grooves on his imprint.

Hoove EP takes part of vintage dub urban house and minimal electronic.

Vinyl only

Three extra hefty tracks from Zmatsutsi, Tross & Houschyar.

What NxT returns with a double pack of fresh tracks, tried and tested by the label head honcho Rich NxT. There are a nice range of cuts on this release with different flavours of groove, depth and attitude on display from these very talented artists.