House News

The Juan Maclean Returns To Dfa With A New 12" - Last June's Electrodisco "what Do You Feel Free About" Backed With "zone Non Linear,"
Which Evokes Early Pet Shop Boys. As Usual, Juan's Sunny Productions
And Nancy's Layered Vocals Come Together To Lend A Maximalist Warmth
To The Dancefloor. Man Power (esp Institute, Correspondant) Gives The Aside A Club Rework With A Dubbed Out Vocal Arrangement That Adds A
Touch More Drama To The Track, While Massimiliano Pagliara (ostgut Ton,
Robert Johnson) Revitalizes Tropes Of Old-school Piano House.

Finally we are ready for the big announcement!! MS050 - V/A - Moonshine Recordings 10 Years [Versions & Excursions] will be released in June. For this very special release we have compiled remixes and alternative versions of some of our all time favourite moonshine singles. Across 2x12” vinyl you will find remixes from the ones of Radikal Guru, Von D, Bukkha, RSD, J. Sparrow, Dub Conductor & Numa Crew. You could already hear some of the tracks being played on heavy rotation from dubplates during the last 2-3 years. Don’t sleep!

URA is entertainment for the enteric and libidinal, heads foregone. Sub sonics, sludge-ness and front left atmospherica soundtrack your tsunami-ravaged beach bar cocktails/ cloudy sun bathing/ lounge of a dystopian future. 2K19 - Tripping Not Dipping. Rays of sun break through clouds. Don't forget to call your loved ones. Comes in heavyweight sleeve.

The inimitable STL makes a welcome return to Echocord this May with a new three-track EP in the shape of ‘Take Your Seats’. Stephan Laubner, better known to most as simply as STL is highly regarded for his unique twist on dubbed out house and techno sounds and has been responsible for some underground anthems such as the lauded ‘Silent State’ on Smallville Records and other material on the likes of Perlon, Echospace Detroit and ofcourse his own Something imprint. Here though we see him returning to Echocord following 2015’s ‘Message Of Sound’ Part 1 & 2 EP’s with yet more mind- altering murky cuts. ‘Lost Harbour’ leads on the package with textural field recordings, crunchy distorted rhythms and an amalgamation of snaking bass, synth and piano lines, intertwining and unfolding throughout. ‘Mr Sinister’ switches the vibes over to menacing bass swells, fluttering subs, gritty percussion and an underlying tension before ‘Sensimilla’ edges into more ethereal territory with spiralling dub chords, shuffled hats and winding atmospherics.

Light up the BBQ and turn up the soundsystem, Leoparden invites everybody for a sunny garden party, or more precisely 'Hagefest' as Norwegians call it.
A deep organic groove with a heavy dub version on the B side !

Edinburgh’s Lionoil Industries welcomes masterful producer Tom VR into the pride. Following his highly acclaimed appearance on Midland’s Intergraded imprint, he presents a truly stunning emotional rollercoaster of dubby, tasteful techno and deep, melancholic house, set to enthrall on and off the dancefloor.

“Snare Dream” jubilantly launches the EP - cycling synth lines soar around decisive driving snares, balanced by a bubbly bass rhythm before climaxing with euphoric vocal stabs. “Norwood” ups the dub, notching down the energy to dig into the real meat of this record; an understated journey through dubbed out textures, evidencing Tom’s expert restraint and enticing you with the track’s infectious groove.

Flip the record for the title track “Packard Sawmill Echoes” - a melancholic club cut that will ensure tears on the dancefloor. No half measures here as the track continues to build beautifully over 7 minutes. Humbly presented, tasteful dub techno, and a real secret weapon for the DJs which rewards revisiting. The final track “I Don’t Know Where You Lead” begins a tuff dubby dancefloor cut turned unexpectedly melancholy orchestral number, with yearning strings fit to drop jaws in awe and a state of self-transcendence.

The Valby Rotary boss certainly knows how to work emotion into his tracks - this is tasteful tech-house at it’s very best.

Crisp Recordings is a record label and production company founded by legend DJ Ra-Soul and Chicago by way of Memphis' Don Crisp. Black in Time is the moniker used by the pair which has resulted in three previous collaborative releases on the label, and they're back with the fourth after a long hiatus. Now they present the politically charged "Democracy Is Hypocrisy" with its powerful narrative fuelled by a groovy minimal acid arrangement. Comes with a handy instrumental version on the flip, in addition to a rough and ready acid dub that's perfect for getting weird at the afterhours. Much crossover appeal anticipated on this little treasure -tip!

In order to celebrate 5 thrilling and inspiring years, we gathered well-known artists, Goldmin
regulars and emerging talents. It was really important for us to express the elusive nature of
the Goldmin sound, in the form of a compilation tracklisting. Over the past 5 years, we had
the chance to meet most of these guys in person, follow their very own creative path, share
ideas, thoughts and there's no doubt that they all had their part to play in crafting our sound.
This intimate and stimulating kind of collaboration had to be expressed and there couldn't be a
better way to capture what we've been busily working for, than a serie of Various Artists 12".
What it comes down to is a quintessential, hard-to-follow Goldmin selection devoid of any
specific standard or norm. And this whole compilation seems to reflect that non-septate
artistic direction, this little something, which has grown throughout our whole catalogue,
since the label's birth.That's why, picking these select few tracks, that could illustrate Goldmin
Music's essential freedom was probably our toughest work yet. It was also important to pick
only the most original and iconic tracks from each artist. In the end each track had to be their
most Goldmin one and they all have been tried in all types of situations, in club at 1 and 5
AM, on the highway at night or even staring at the ceiling during a sleepless insomnia
session. They all fullfilled their duty.

In six short years, over as many releases, Corin Bornhoff AKA Karma has carefully built a name as one of the most trusted and sought after producers in dubwise dubstep. His releases are few and far between, with most tunes gaining legendary status on acetate long before they see release. To date only System and Innamind have released his works on vinyl - ZamZam 73, our first release together, continues Karma’s path of strict quality control with two eagerly-awaited sound system tunes.

Heads have been clamoring for A Side “Crampton Beat” to be released for no less than five years. In that time it has aged beautifully, showing itself to be a truly timeless track, as captivating now as it was when first played out. Buoyed by a massive, melodic bassline and pounding kick, thick atmospheres ebb and flow like tidal movements, and hard-skanking stabs drive the track forward. Deeply melancholic pads that could almost be processed horns create a sense of loss, while lasers, test tones, and lacerating snares resolve in sheets of echo and feedback. A gorgeous study in contrasts, Crampton Beat is a rare steppers that is both rhythmically ruthless and rich in emotion.

Awash in tape hiss as thick as a sneaker wave, the B Side is an equally deep tune in collaboration with Karma’s longtime friend & musical sparring partner G.Goodz. Blanketed in fog, rocking with shaker & sly drum turnarounds, "Shortwave Step” has all the hallmarks of the most beloved Karma tracks - propulsive half-time riddim, lonely reverb-soaked spaces, masterful EQ, mournful melodics, and subtle dub effects. Together these two sides show once again that Karma is an artist who fully integrates emotion, intuition, and serious craft to maximum effect.

Second release of Moefment offers us a versatile selection of Space Disco and Dub, pressed on 7″ for instant DJ pleasure. Where Loud-E is having us travel space and becoming one with constellations, Spaceman himself merges ze many. Perfect for travelling.

Mediterranean pop songs screwed with dirty RnB sounds. Disorientating, freudian slip disco edit takes to the clubs; up-tempo, left of field and a down right dub siren infused banger - confused yet? Slow-mo dub melting in the heat of the eternal summer, untether yourself and drift away.

Melodic echoes drift through the stereo panorama like ice cubes orbiting through the hi-proof universe of a milky cocktail. Between them stretches the intricate tick-tock of a liquified clockwork. Markus Homm and Benny Grauer sculpt their compelling grooves from the hard, repetitive substance of Techno - but eventually their productions have a round, organic elegance that is reminiscent of mushrooms sprouting amidst the sparkling dew of a early morning meadow. The perfect sound for this listening experience comes from a 10' vinyl, whereas the digital counterpart of the EP comes with an exclusive third title.

Warsaw-based Bartosz Kruczyński returns as Earth Trax to Phonica’s main label, following on from last year’s well received ‘L’Avventura’ 12”, this time in collaboration with regular production partner Newborn Jr.

The pair have created a string of brilliant records together, such as ‘Sax & Flute’ on Rhythm Section, ‘Mirage’ on Les Yeux Orange and ‘If You’ on Shall Not Fade. Bartosz also has a growing solo discography under his own name, along with a variety of aliases such as The Phantom, Pejzaz, and of course; Earth Trax.

The A side here leads with the title track ‘Truth’, in which rose-tinted reminiscences of the golden early 90s era of House music echo, with dubbed out diva vocals cascading over wide snares, 303 acid lines and that almighty bassline, appearing through shimmering delays and reverbs in a vision of bygone nights at the Hacienda or Shelleys. Next up is the ‘Back Alley mix’ or a traditional dub mix - everything you need from the main mix but less vocal and more plays on THAT bassline with dub effects.

On the flip, as its title suggests, ‘Old Way, New Way’ bridges the gap, combing the same bassline driven Chicago house stylings with the deep new age textures that have characterised previous releases from the pair, flutes and pads floating sweetly above jacking drum grooves, reminiscent of mid-90s Italo House. Finally, ‘And Then’ fulfils the transformation, with ethereal late night pads enveloping a more lofi rhythm section and more flute for a more subtle, end of night Don Carlos ‘Alone’ feel.

Andrea Introvigne, Joe Montana, Stefano Dovo, Pietro Giuliano, these analog guys, made 4 raw tracks for Oldivibes.

Detroit natives, Nikki O and Javonntte, collaborate on EP filled with Motor City Soul.

Nikki O, best known for her work with Moodymann, is joined by Javonntte who worked and toured with the late Aretha Franklin.

Two bubbling soulful house tracks on the A side are followed up by two Detroit dubs on the B side.

WADDUP DOE

LOFTSOUL x Miruga release cover version for Nina Simone's masterpiece See Line Womanon

10inch vinyl format. LOFTSOUL is the project by DJ/Producer UCHIKAWA MASAHIKO well known as Rhythm Of Elements (R2 Recordings/UK).For this Nina Simon's cover song,LOFTSOUL collaboration with Miruga (Moods & Grooves/Detroit) And featuring London's JAZZ/SOUL singer Fae Simon.

Also there include great "DUB" version by DJ D a.k.a Dominic Dawson (well known as release from Noid Otherand Reel Houze project with Rob Mello).

Marking the 15 year of Nina Simone's death,LOFTSOUL release cover version of her masterpiece See Line Womanas tribute.

See Line Womanis fantastic afro percussive number.This song is popular for club scene by 98's Kerri Chandler(Songstress)'s remake and 07's Feist's cover. LOFTSOUL x Miruga cover this song vibrant

Jazz/Soul Number. Original Versionis superlative Jazz/Soul version. There features beautiful harmony with Fae Simon's vocal and Soul-T's piano on the afro mystic groove (about BPM 90)

On the flips side ,Dominic Dawson a.k.a DJ D deliver fantastic "Dub Version" as (Dominic Dawson Dub Reversion)with afro percussive rhythm and dub wise sound&groove.

Release from UNKNOWN season x Jazzy Sport as special limited 10inch issue.

Project Runaway brings together two of Tel Aviv's new breed of talented DJ / producers in a meeting of tripped out, expansive, psychedelic, club music. Landing on Especial to expand horizons is Met, their debut EP of deep, percussive dubs for late night tribes. A name on many leftfield lips, Alek Lee's journey continues following two acclaimed solo releases for the wonderful Antinote crew and new project, Shame On Us (alongside Naduve and Yovav Arzi) for that brightest star, Hivern Discs. Teaming up with the sound production skills of Stephan Bazbaz they create Project Runaway. Holding down his own citywide residencies, Bazbaz has developed a studio mastery of minimal dub, crispy house and trippy techno via a growing stream releases on numerous labels, as well as setting up his own No Wave records in 2016. After their welcoming, simple, yet wall quacking remix of Persian (EES031), Met, or 'dead' in Hebrew, bring their strands together as one sound. In original form, a vibrating drum takes on bass backbone is broadened with tight layers of percussion overtones and warped vocal interplay. Lee's psychedelic imaginings are a perfect fit across Bazbaz's wide production expanse, before horns raise the heat to extreme. For deeper DJs and big system dwellers, Met (Dub) does as it should, stripping away and opening wide. Hand percussion and vox ride the channels, coming in and out of the mix, while dub stabs transfix and could run for days. A meeting of minds, drums, psychedelics and pure club love.

Next up for Rhythm Section's club focused sub-label - 'International Black' 004 is here and it is bringing the heat - this time from Tennessee, USA. Mister Saturday Night and CGI affiliate Alex Falk delivers a 4 track EP made with one thing in mind - the dancefloor. Taking influence from the likes Chevel, Levon, Redshape and Phase; Alex Falk achieves a singular vision merging American and European styles of Techno.

Opening with UPP, an effortless techno groove with a tight rolling bass line, classic lead stabs that pulsate, twist and turn as the heavy kick punishes the subs. BETA comes in next with a serious low end bounce - a distorted bass bump pushes the system to the max before being followed up by lower sub all swinging around a fat house kick and tight percussion - another club stomper for the serious rigs only.

The B side is a proper dub techno workout. Beginning with DAB a focused club tool whereupon sharp stabs progress and modulate throughout the track as tight kicks and hats hold down the groove. Its a serious wristbreaker that will cut through any mix. Closing the EP is GATES13, a more downtempo affair. Atmospheric chord stabs dub upon an 808 kick, a must for the warm up or warm down.

Ahhhh the joys of creating a new label! I have started Holding Hands Again to bring to light some records from the past that I adore and think should be made more widely available so that everyone can slam them in the club.

Wiggle is a label that I hold very dear to my heart. It doesn't need an introduction but suffice to say I play and love a lot of records off this classic label. A Long Weight by Timmy S & JB is probably my favourite release on there and so I am ultra buzzing to be able to announce that it will be the inaugural release on my new imprint.

In my opinion it really sums up the classic Wiggle sound. Squiggly wiggly synths, skittering pacey drums and weird FX. These tracks have been doing the business for over twenty years and I fully expect them to continue to do so for many more decades to come.

This re release has been freshly remastered for maximum boost and it comes with a new acid mix that the guys found when they were looking through their old DATs. Tasty.

All three tracks are produced and sculpted for the club. They want big sound systems and dark rooms.
Close your eyes, hold hands and experience transcendental space flight...